The document describes the back door progression in jazz music. It occurs in three ways: 1) as a minor third substitution for the ii-V progression, 2) as a means of returning from the IV chord to the I chord, and 3) with the iv and bVII7 chords sandwiched between two I chords. Examples of songs that use each type of back door progression are provided, including "Groovin' High", "But Not for Me", and "Half Nelson".
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as TXT, PDF, TXT or read online on Scribd
0 ratings0% found this document useful (0 votes)
185 views1 page
Back Door Progression
The document describes the back door progression in jazz music. It occurs in three ways: 1) as a minor third substitution for the ii-V progression, 2) as a means of returning from the IV chord to the I chord, and 3) with the iv and bVII7 chords sandwiched between two I chords. Examples of songs that use each type of back door progression are provided, including "Groovin' High", "But Not for Me", and "Half Nelson".
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as TXT, PDF, TXT or read online on Scribd
You are on page 1/ 1
Back Door Progression
Subdominant Minor Cadence
Minor 3rd Substitution Back Door Progression | iv bVII7 | I | bVII7 | I | iv | I
Jerry Coker notes three ways the Back Door progression occurs: 1) as a minor 3rd substitution for ii V 2) as a means or returning from IV to I 3) iv bVII sandwiched between two I chords
Minor 3rd Substitution/Back Door Progression
"Groovin' High" m. 29-31 | F- | Ab- Db7 | Eb ii iv bVII7 I
"Tenderly" m. 5-7, also
| F- | Db7 | Eb ii bVII7 I "Speak Low" uses the same chords in m. 33-38. Each chord is two measures.
Subdominant Minor Cadence/Back Door Progression
"But Not for Me" in Eb m. 9-11 | Ab | Db7 | Eb IV bVII7 I "There Will Never Be Another You" uses the same chords in m. 9-11.
"Do Nothin' 'til You Hear from Me" m. 3-5
| Eb | Eb- Ab7 | Bb IV iv bVII7 I
For the progression | iv bVII | iii VI | ii V | I see ii V I and
Back Door Progression
iv bVII7 sandwiched between two I chords: "Half Nelson" m. 1-6 || Cmaj | Cmaj | F- | Bb7 | Cmaj | Cmaj | I iv bVII7 I
"Yardbird Suite" m. 1-3
|| Cmaj | F- Bb7 | C7 Bb7 | A7 I iv bVII7 I bVII7 VI