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Girl From Ipanema-Parts

The document contains sheet music for an arrangement of the song 'The Girl From Ipanema' for various instruments. It displays musical notation for trumpet, alto saxophone, tenor saxophone, trombone, piano, bass, drums, and claves.

Uploaded by

James Cocks
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
285 views21 pages

Girl From Ipanema-Parts

The document contains sheet music for an arrangement of the song 'The Girl From Ipanema' for various instruments. It displays musical notation for trumpet, alto saxophone, tenor saxophone, trombone, piano, bass, drums, and claves.

Uploaded by

James Cocks
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Girl

From Ipanema
arr Noah Zahm

4     
4
 = 160

Trumpet

4     
Alto Sax 4

  44     
  
Tenor Sax

Trombone
 4
4
     

4 
  4      
3

     
F7 G7








 4       
4       
Piano








 4   
4                
        


Bass
0 0
3 3 3 3 3 3 3 3 3 3 3 3 0
3 3

 44          
Brushed Bassa Nova

Drums

Claves  44                  
   
     
A

Tpt.

    
 
1st time only

Alto

   
 
2nd time only

   
   
Tenor

     
Tbn.   

      
  
3

     
F7



     
       
Piano 





              
           



Bass
0 0 0 0 0 0 0 0 0 0
0 3 3
3

 
Drums         
  
           
Clv.


2
   
Tpt.                      

Alto     

    
                  
Tenor

    
Tbn. 

  
   
     



G7 Gm7






        
       
Piano







     
                
      


Bass
0 0 0 0 0 0 0 0
3 3 3 3 0 0

Drums         

Clv.             

3

    
 
B

    
Tpt.

Alto      

     
      
Tenor

Tbn.


    

          


 
Gb7 F7 Gb7


  


    


     
Piano






                    
      

 
 4
Bass
4 4 4 4 3 3 4 4

         
Fill

Drums

               
 
Clv.

4
Tpt.     


           
 
3 3
Alto

Tenor     

        
Tbn.       


  
      
 

 
3


3


B7 F#7







            


   
Piano







                        
          


Bass
4 4 4 4 1 1 1 1 1 1 0 4 4
2

Drums         

                
       
Clv.

5
Tpt.      


               
3 3 3 3

Alto

Tenor      

         
Tbn.       

       
    
3 3 3 3

  
D7 Gm7



          
        
Piano



        
                          
   

Bass
2 2 2 2 2 2 0
4 4 4 4 0 0 0 0 0 0 0

Drums           

                   
         
Clv.

6
Tpt.      

  

            
   

3 3 3 3 3
Alto

Tenor      

    


             
 
3

Tbn.

  
   
3 3 3

 
3
Eb7 Am7 D7#11 Gm7

          
       
Piano

           
        
   
 
 

  
 
   



Bass
2 2 0 2 2 3 0 0 0
1 1 1 1 1 1 2 0 2
1

Drums           

                    
         
Clv.

7
    
   
  
Open for Solos

   
C F7 G7 F7

Tpt.

       


Alto      

 
  


     

    
   
Tenor

     
Tbn.  
    
     


   


C7#11









 
 
      
     
Piano  









 


                   
       


 3
Bass
0 0 0 0 0 0
3 3 3 3 3 3 0 3 3
3 3

  
Drums
          

            
 
Clv.

8

         
 
     
G7 D

Tpt.

Alto 

       

    
    
  
   
Tenor

    
Tbn. 

    




   
 
F7





        
       
Piano




            


     
           
        
0 
  3
Bass
0 0 0 0 0
3 3 3 3 0 3 3 3 3 3 3

Drums            

               
   
Clv.

9
     
                     
3
Tpt.

Alto      

Tenor      

     
Tbn. 

       
G7 Gm7 Gb7 F7


  




 

Piano

            
      
        


Bass
0 0 0 0 0 0 0 0
0 0
3 3

Drums           

                    
         
Clv.

10
  
      

   
 
Molto Rit.
3 3
Tpt.


    


Alto


    


Tenor


     


Tbn.

               

   
E7 E7 F7 E7 E7 F7


  
   
    




  
Piano


 
      





Bass

3 3 3 3 3 3

 
1

    

Drums

Clv.     

11
Trumpet
Girl From Ipanema
8 
arr Noah Zahm

4    
 4                               
 = 160 A

1st time only

16
  
                   

         
Open for Solos

      
B C F7 G7 F7 G7 D

           
                          
Molto Rit.
3 3

  
        
3


Alto Sax
Girl From Ipanema
8 8
arr Noah Zahm

 4 
 4                        

 = 160 A B

3 3
 3 3

                            
     
Am7 D7#11

3 3 3 3 3

       
C F7   G7 
  F7   G7  D
   7 3
   
Open for Solos

 
  
Gm7 Molto Rit.
3

  
 

Tenor Sax
Girl From Ipanema
8
arr Noah Zahm

4    
 4 
                   
 = 160 A

2nd time only

16   G7
   
                
   
Open for Solos

  
B C F7

 7 3 
 F7
 



      
G7 D Molto Rit.


Trombone
Girl From Ipanema
2   2   8
arr Noah Zahm

 4
4         
 = 160


A B

3 3

                        
    
3 3 3 3

                    
     


3

3 3 3 3 3 3

C F7  G7  F7  G7  D



                 7 3 
 

Molto Rit.

Open for Solos



Piano
Girl From Ipanema
arr Noah Zahm

  44       





 = 160

    
F7 G7








 4         
4 
 








 
   


   









A F7 G7









          










            
 
B

  
Gm7 Gb7 F7 Gb7


 



    


      
  





    
    


   
B7 F#7







            


  







           


D7 Gm7 Eb7



            
         


 
           
Open for Solos

 
Am7 D7#11 Gm7 C7#11
C F7




          
         




   














 
G7 F7 G7










          










       
      
D F7 G7 Gm7 Gb7 F7 E7 E7

      
      
Molto Rit.


           

F7 E7 E7 F7


        
  

2
Bass
Girl From Ipanema
arr Noah Zahm

 4                         
4
 = 160

          

 3
3 3 3 3 3 3
3
3 3 3 3 3 3 0
0 0

                 
                
A

  


 3
0 0 0 0 0 0 0 0 0 0
0 3 3 3 3 3 3

   
                             
 

 

0 0 0 0 0 0 0 0
0 0 4 4 4 4 3 3

                               
 
B

     

 4
4 4 4 4 4 4
2
1 1 1 1 1 1 0 4 4

                
               
    
   
 4 4 4 4 0
2 2 2 2 2 2 0
0 0 0 0 0 0
                       
         
      
 1
1 1 1 1 1 1 2
2 2 0
0
2 2 3 0 0 0
2
3

                             
Open for Solos

 
C

     
F7 G7 F7


 

0 0 0 0 0 0
3 3 3 3 3 3 0 3 3
3 3

           
                     
D

    
G7

 

0 0 0 0 0 0
3 3 3 3 0 3 3 3 3 3 3
3

                              

Molto Rit.

 0
0 0 0 0 0 0
0
0 0
3 3 3 3 3 3 3 3


 



1

2
Drums
Girl From Ipanema
arr Noah Zahm

 44                           
 = 160


Brushed Bassa Nova A

                             

Fill B

 
  
Open for Solos

       
                
F7 G7 C F7 G7 D

2
                
Molto Rit.
Claves
Girl From Ipanema

arr Noah Zahm

 44                                              
 = 160 A


                                           
B

 

                                
               

F7 2
                                           Open for Solos
C

             

2 2 2  D                                    
 
           
G7 F7 G7

4
    
 
Molto Rit.

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