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Blues in Hoss' Flat Blues in Hoss' Flat

1) The document is a musical transcription of a tenor sax solo by Stanley Turrentine from his album "A Chip Off The Old Block". 2) It provides the musical notation for the solo, including notes, rhythms, and expression markings. 3) The transcription was created by Charles McNeal and is meant to help saxophonists learn and perform Turrentine's solo.

Uploaded by

Susanna Massetti
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF, TXT or read online on Scribd
258 views3 pages

Blues in Hoss' Flat Blues in Hoss' Flat

1) The document is a musical transcription of a tenor sax solo by Stanley Turrentine from his album "A Chip Off The Old Block". 2) It provides the musical notation for the solo, including notes, rhythms, and expression markings. 3) The transcription was created by Charles McNeal and is meant to help saxophonists learn and perform Turrentine's solo.

Uploaded by

Susanna Massetti
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Tenor Sax

160 bpm Blues In Hoss' Flat Transcribed by


Stanley Turrentine's solo from his CD "A Chip Off The Old Block"
Charles McNeal

 4                             
Blues!

                             


3
3
3 3 3

  
                 
         
                             
 3 3 
                               

 3
 3

                               
3 3 3 3 3

                            
3 3 3
3

    
         
                              
3
3
3 3 3 3

2011
           
         
                
   
3

                     
                
                             
  3
3

                     
                    
3

       
                         
3

    
                                  
3
3

                 
    
                    
                         
 3

2
2011
       
                         
   
3
lay back slightly 3

             
3

3
2011

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