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Fundamental Battery Packet 2019

Lipetzky's fundamental battery packet.

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Calvin HG Lipetzky
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192 views2 pages

Fundamental Battery Packet 2019

Lipetzky's fundamental battery packet.

Uploaded by

Calvin HG Lipetzky
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Fundamental Packet

Battery Percussion C. Lipetzky

8 On A Hand

ã œR œ œ œ œ œ œ œ œL œ œ œ œ œ œ œ œR œ œ œ œ œ œ œ œL œ œ œ œ œ œ œ

㜜œœœœœœ œœœœœœœœ œœœœœœœœ œœœœœœœœ


R L R L
Variations:
1. Different dynamics 3. All on one hand
2. Crescendos and decrescendos 4. Double stops on beat 4 and 1

16th Note Timing

ã œœœœœœœœœœœœœœœœ œœœœœœœœœœœœ œœœœœœœœœœœœœœœœ œœœœœœœœœœœœ


RLRLRLRLRLRLRLRL RLRRLRRLRRLR RLRLRLRLRLRLRLRL RLLRLLRLLRLL

ã œœœœœœœœœœœœœœœœ œœœœœœœœœœœœ œœœœœœœœœœœœœœœœ ≈œœœ≈œœœ≈œœœ≈œœœ


13

RLRLRLRLRLRLRLRL RRLRRLRRLRRL RLRLRLRLRLRLRLRL LRL LRL LRL LRL


Remember which hand remains consistent in rebound between measures. For example, the left hand does not change
during measure 3, 4, and 5 of the exercise. Listen for even sound quality between hands and rhythmic accuracy above
all else.

Spring
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

ã œ‰œ œ‰œ œ‰œ œ‰œ œ‰œ œ‰œ œ‰œ œ‰œ œ‰œ œ‰œ œ‰œ œ‰œ œ‰œ œ‰œ œ‰œ œ‰œ
17

R R R R R R R R R R R R R R R R L L L L L L L L L L L L L L L L

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

ã œ‰œ œ‰œ œ‰œ œ‰œ œ‰œ œ‰œ œ‰œ œ‰œ œ‰œ œ‰œ œ‰œ œ‰œ œ‰œ œ‰œ œ‰œ œ‰œ
21

R R R R R R R R L L L L L L L L R R R R R R R R L L L L L L L L

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

ã œ ‰œ œ ‰œ œ ‰œ œ ‰œ œ ‰œ œ ‰œ œ ‰œ œ ‰œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
25

R R R R L L L L R R R R L L L L R L R L R L R L R L R L R R L L R R L L R R L L

The goal of this exercise is to work a quick rebound stroke. At most speeds, this should be approached with two
rebounded, yet quick wrist motions with a relaxed middle and back of the hand to allow for finger control.

©
2 Fundamental Packet

Gallop
29

ã œR œL œR œL œR œL œR œL œR œR œL œR œR œL œR œR œL œR œR œL œ œœœ œœœ œœœ œœ


R L L R L L R L L R L L

32

ã œR œR œL œR œR œL œR œL œL œR œL œL œR œR œL œR œR œL œR œL œL œR œL œL œR œR œL œR œL œL œR œR œL œR œL œL
35

ã œœœ œ œœœœœ œ œœ œœœœœœœœœœœœœœœœ œœœœœœœœœœœœœœœœ


R R L R L L R R L R L L R R L L R R L L R R L L R R L L R R L L R R L L R R L L R R L L

The purpose of this exercise is to work on two notes for one wrist motion. Allow the stick to bound twice and
be aware of the pressure in the middle of your hand. Sound quality of the second diddle and rhythmic accuracy
are very important here. Remember, your wrists are always playing 8th notes in this exercise!

> > > > >


Ski-Diddle
38

ã œ œ œ œ œœœ œœœ œ œ œ œ œœœ œœœ œ œ œ œ œ œœœ œœ


r r r R r r r r r r l l l L l l l l l l R r R r R r r r r r

41> > > > > > > > > > >
ã œL œl œL œl œL œl œl œl œl œl œr œR œr œR œr œR œr œR œl œL œl œL œl œL œl œL

44> > > > > > > > >


ã œR œr œl œR œr œl œR œr œL œl œr œL œl œr œL œl œR œr œr œl œR œr œr œl œR œr
47> > > > > > > > >
ã œ œœœ œ œœœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
L l l r L l l r L l R l r r l l R l r r l l R r L r l l r r L r l l r r L l

Ski-Diddle works on differentiating heights and the paradiddle concept. We start by keeping multiple bounce stickings
low throughout and building to the paradiddlediddles at the end. Be sure to feel the the dotted quarter note spaces and
play accurate 16th notes throughout the exercise.

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