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Comping Jazz Exercises

The document discusses different rhythmic comping patterns for jazz guitar accompaniment. It provides 4 examples of blues progressions in F with suggested 2-note chord voicings and comping rhythms. Example 1 shows a basic blues progression with block chords. Examples 2 and 3 demonstrate two single-note comping rhythms - on the beat and two 8th notes. Example 4 applies the two 8th notes rhythm to the basic blues progression.

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YENY CAS
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100% found this document useful (1 vote)
125 views

Comping Jazz Exercises

The document discusses different rhythmic comping patterns for jazz guitar accompaniment. It provides 4 examples of blues progressions in F with suggested 2-note chord voicings and comping rhythms. Example 1 shows a basic blues progression with block chords. Examples 2 and 3 demonstrate two single-note comping rhythms - on the beat and two 8th notes. Example 4 applies the two 8th notes rhythm to the basic blues progression.

Uploaded by

YENY CAS
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 3

Jazz Comping Rhythms - You Can Make Your Own!

Jens Larsen
www.jenslarsen.nl
Standard tuning
 = 100
Example 1 - Blues in F with 2 note chords

F7 B7 F7 F7
  1 2

 
3
  4
 
 
s.guit.

 8
7
7
6
8
7
8
7

B7 Bdim F7 D7
5 6 7
  8   
    

 7
6
7
6
8
7
11
10
11
10

Gm7 C7 F7 D7 Gm7 C7
 9  10
  11
    12  
 

 10
8
10
8
9
8
9
8
8
7
11
10
10
8
9
8

Example 2 - Rhythm 1: On the beat

F7
 13 14
  
 

 8
7
8
7
8
7

Example 3 -Rhythm 2: Two 8th notes

F7
15 16
     
     

 7
8
7
8
7
8
7
8
7
8
7
8

17 18
 


1/3
Example 4 - Blues in F Working with Rhythm 2

F7 B7 F7 F7
 
19 20 21
 22
     
                

 8
7
8
7
7
6
7
6
7
6
7
6
8
7
8
7
8
7
8
7
8
7

B7 Bdim F7 D7
23
    24 25
   26    
           

 7
6
7
6
7
6
7
6
7
6
7
6
8
7
8
7
11
10
11
10
11
10

Gm7 C7 F7 D7 Gm7 C7

   
27    28
    29
      30    

 10
8
10
8
10
8
10
8
9
8
9
8
9
8
8
7
11
10
11
10
10
8
10
8
9
8

Example 5 -Rhythm 3: 2&

F7
31 32 33
     
       
  
 7
8
7
8
7
8
7
8
7
8
7
8

34



35



36



2/3
Example 6 - Blues in F - Mixing All Three Rhythms

F7 B7 F7 F7

37
  
38 39
    40
   
           
  
 8
7
8
7
7
6
7
6
7
6
8
7
8
7
8
7
8
7
8
7

B7 Bdim F7 D7
41
   42 43
    44   
                
 
 7
6
7
6
7
6
7
6
7
6
7
6
8
7
8
7
8
7
11
10
11
10

Gm7 C7 F7 D7 Gm7 C7

     
45 46
    47
      48     

 
 10
8
10
8
10
8
9
8
9
8
9
8
8
7
11
10
11
10
10
8
10
8
9
8

3/3

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