Northern Stage presents. Roald Dahl’s MATILDA The Musical TABLE OF CONTENTS Rehearsal & Performance Calendars Casting Breakdown Matilda & Classroom Kids Big Kids Auditions & Callbacks Voice Teachers & Vocal Coaches Sample Resume & Headshot SPARAAPYN- Sheet Music for Audition SongsMATILDA THE MUSICAL paprie coaaStanao Em Tn TUES mt ns aa a ocr ss 15 16 7 8 ” 20 ids’ Rehearsal_ | Kids’ Rehearsal “4005-8009 | 10:000-800p (2%vak 1:20-2:20) a 2 2 Ey 3 2 ids Rehearsal | Aga Day OFF Rehearsal | Kids’ Rehearsal | Kids’ Rehearsal | 1" Full Rehea Rhea ‘000e-6 000 00p-800 | 4009800 | 400p-800 | |” 1200p-€00p | 1000=-6009 (Break 1:30-2:09) (Greek 3e4p) | (Break 1:90-2:30) 2 2 ED H wove 2 3 Renearsst | aga pavorr | Rehear Rehearsal Rehearsal Rehearsal Rehearsal 11000-6009 1200-8007 | 1200p-800p | 1200p-8:00 | 1200p-:009 | 10:008-600p (2reak 1:30-2:30) {Greak 3-45) | Break Sp4p) | (reek Sep) | (Break p-4p) | (Break 1:30-2:30) 4 3 é 7 3 3 70 Rehearsal | aca pavorr | Rehearsal Renears Rehearsal | Tech Rehearsal | Tech Rehearsal 10100-6009 11000-7009 | 1200p8:00 | 1200p-8:00 | t1:00ett:0op | 11:000-1:000 (Greek 1:30-2:30) (ereak 2»-3p) | (ereak 29-45) | (Greak3p-4p) | (Break arsp) | (Break 4-6) £200p Design Rar 4o8p Wandiprbe " 2 3 1 15 6 7 Tech Rehearsal | ca pay orr | TechRehearsa! | TechRehearsal | TechRenearsal | TechRehearsal | Performance 1000-1009 1230p-10:30p | 12009500» | 1200p-500p | *200p-500p 709 (@reak 49-69) Backstogerdinner| Previews | Proview s2 | Preview #9 | opening Mgnt Final Dress: 7:30p R 7.30p 0 7:30p R a @ 9 % Fa 2 B Py Performance #2 | agapayore | Pertormance #2 | Pertormance rs | agapayonr | Performance #¢ | Pertormance #8 2000 R 7209 D 2009 2000 2000p R THANKSGIVING 20 Teoniey | Performance #5 KSC! Performance #7 | Perormance 43 7300 7.309 R 7.3090 25 76 7 Fy 2 30 DECT Pertormance #10 | AEA DAY OFF Portormance #11 | Partormance #13 | Partormance #16 | Performance #16 2009 1110080 2.009 R 7300 R 2009 Performance #12 | Performance #14 Performance #17 73098 000 7.309 8 z 3 7 5 é 7 3 Performance #18 | “ABA DAY OFF Performance #19 | Performance #21 | Performance #23 | Performance #26 s09 0 1000 R ‘0 73090 2.008 R Pertormance #20 | Pertrmance #22 Performance #25 mop B 7309 8 09 ? 0 7 @ e 4 5 Periormance #26 | aga DAY OFF Performance #27 | Pertormance #29 | Performance #21 | Performance #22 2009 R 110080 2009 730pR 20060 Performance #28 | Performance #20 Performance #33 7309 20 7309 6 7 8 7 2 a 2 Portormance #4 | agapayore | AEA pAYorE | Performance #35 | Pertormance #36 | Performance #38 | Performance K29 2p 7230p R 2o0p D 7307 200pR Performance #37 Performance #40 7300 a 7300 0 2 2 3 36 a 8 @ Performance #1 | Performance #42 | AEADAYOFF | Portormance #3 | Performance #45 | Performance #47 | Performance #48 2000 2000R 2009 © 2009 R 7308 Dp CHRISTMAS Bay ® | pertormance #44 | Pertormance #3 Performance #49 7309 8 a8 73098 7 3m TANT z 3 a 5 Performance #50 | AEADAY ORF | Performance #51 20090 70 THIS SCHEDULE IS SUBJECT TO CHANGE! Note: Team Roald = Red Team Oahi= BlueDOT A Ea our eeu YAU WedNov | 14 |7:30pm- 10:30 pm Preview Matilda Pre ThuNov | 15 |7:30 pm- 10:30pm Preview Matilda Pre2 Finov | 16 [7:30 pm- 10:30 pm Preview Matilda Pre SatNov | 17 [7:30 pm- 10:30 pm Opening Matilda 1 sun Nov | 18 |2:00pm-5:00 pm Matilda 2 MonNov | 19 [AEA Day om tue Nov | 20 ]7:30pm- 10:30 pm $20 Tues Matilda 3 WedNov | 21 |2:00pm~5:00pm Matilda 4 Wed Nov | 21 |7:30pm- 10:30pm Matilda s ThuNov | 22 | Thanksgiving Day OF Fri Nov 23. |2:00 pm — 5:00 pm Matilda 6 Fri Nov 23 |7:30 pm - 10:30 pm Matilda 7 Sat Nov 24 |2:00 pm —5:00 pm Matilda 8 Sat Nov 24 17:30pm - 10:30 pm Matilda 9 Sun Nov | 25 2:00 pm—$:00 pm Matilda 10 MonNov | 26 |AEA Day Off TueNov | 27 |NoShows WedNov | 28 11:00 am - 2:00 pm Student Mat Matilda un WedNov | 28 |7:30pm- 10:30pm Matilda 12 ThuNov | 29 [2:00pm 5:00 pm Matilda 3 ThuNov | 29 |7:30pm- 10:30pm Matilda 4 Fri Nov 30 |7:30 pm- 10:30 pm Matilda 15 Sat Dec 1 ]2:00 pm 5:00 pm Matilda 16sadec | 1 |7:30pm-10:30 pm Matilda " 2 |2:00pm-s:00 pm Matilda 18 MonDec | 3 [AEA Day om Tuedec | 4 |NoShows Wed Dec |S [11:00am -2:00 pm Student Mat Matilda 9 wedDec | s |7:30pm- 10:30pm Matilda 20 thudec | 6 — |2:00pm—5:00 pm Matilda 21 thudee | 6 |7:30pm-10:30 pm Matilda 2 Five | 7 |130pm-10:30pm Matilda 23 sadec | 8 |2:00pm-s:00pm Matilda 24 saDec | 8 |730pm-10:30 pm Matilda 25 sun Dec | 9 |2:00pm~5:00 pm Matilda 26 Mon Dec | 10 [AEA Day om tuedec | 11 |Noshows Wed Dec } 12 [11:00am -2:00 pm Stent Mat Matilda 2 wed Dec | 12 |7:30pm- 10:30 pm Matilda 28 thudec | 13 |2:00pm~5:00 pm Matilda 2» thudee | 13 |730pm-10:30 pm Matilda 30 FriDec | 14 |730pm- 10:30pm Matilda 31 saDec | 15 [2:00pm 5:00pm Matilda 2 saDec | 15 }730pm-10:30 pm Matilda 3 Sun Dec] 16 [2:00 pm ~5:00 pm Matilda u MonDec | 17 AEA Day ofr tudes | 18 [AEA Day off wedDec | 19 |730pm--10:30 pm Matilda 35Thudec | 20 |2:00pm—:00 pm Matilda 36 hue | 20 |7:30pm- 10:30 pm Matida 37 FiDec | 21 |730pm- 10:30pm Matilda 38 sadec | 22 [2:00pm 5:00 pm Matilda 9 sadec | 22/730 pm-10:30 pm Matilda 40 sunDec | 23 |2:00pm~5:00 pm Matilda 41 Mon Dec | 24 [2:00pm 5:00pm Matilda 2 TueDec | 25 [AEA Day off weddee | 26 |2:00pm~5:00 pm Matilda 4% wedDec | 26 |7:30pm- 10:30pm Matilda “4 Thudec | 27 |2:00 pm-—5:00 pm Matilda 45 thudec | 27 [730 pm- 10:30 pm Matilda 46 FriDec | 28 [7:30 pm- 10:30pm Matilda ” sardec | 29 {2:00 pm~5:00 pm Matilda 48 saDec | 29 |7:30 pm-10:30 pm Matilda 40 sun Dec} 30. [2:00 pm ~5:00 pm Matilda 50 MonDec | 31 AEA Day ow tuesan | 1 |2:00pm—5:00 pm Matilda 1Young Actor Casting Breakdown PRINCIPALS Matilda Wormwood - Small, Smart, and wise beyond her years. Michael Wormwood - An inactive moron. Also doubles as a Big Kid. CLASSROOM KIDS Elementary & Middle School actors who can sing, act, and dance. Most importantly, these actors must be brave, curious, focused, and excited to put in the work required to be in a professional production. Lavender - Matilda's self-proclaimed best friend. Extra small and very plucky. Amanda - The girl who the Trunchbull swings around by the pigtails Alice Hortensia Bruce Bogtrotter - He eats a chocolate cake and has a solo in Revolting Children. Erie - The boy who gets his ears stretched out. Nigel Tommy BIG KIDS Bold highschool actors, singers, and movers who are reliable and take direction. Big Kid 1 - Female Big Kid 2 - Female Big Kid 3 - Female Big Kid 4 - Male Big Kid 5 - Male EVERY YOUNG ACTOR ROLE IS DOUBLE CAST 4 Principals 10 Big Kids 16 Classroom Kids 30 Young Actors Total 15 Young Actors Per Cast *Exception: If a Dartmouth E-Term actor is cast as a Big Kid.Matilda Matilda Wormwood is a very special girl. We are looking for girls between ages 10-12, but actors as young as 8 and as old as 14 will be considered. Matilda must be extremely mature and ready to handle carrying an entire 2 % hour production. There is lots of singing, tons of monologues, and even some dancing. The actors playing this part must be willing to prepare with director Eric Love a month before rehearsals officially start. Classroom Kids ‘The Classroom Kids are the heart of this show. Along with Matilda, they thrive under the teachings of Miss Honey and shrivel under the abuse of Miss Trunchbull. There are parts 8 tracks, 4 boys and 4 girls. Most of these characters have featured solo lines. All of them must sing and act at a very high level. Ideal age for these tracks is 10-12 years old, but actors as young as 8 and as old as 14 will be considered. Classroom Kids Track ACT 1 Miracle School Song Miss Honey’s Classroom (Scene) The Hammer ‘The Chokey Chant Bruce ACT2 When I Grow Up The Smell of Rebellion Revolting ChildrenBig Kids In the Broadway production of Matilda, the Big Kids were all played by members of the Adult Ensemble. Here at Northern Stage we are very lucky to have actual Big Kids who are highly capable of taking on these roles. I have created tracks 6 tracks for high school actors to shine in this production, 3 tracks for girls and 3 tracks for boys. One of the boy Big Kid tracks will also play Michael Wormwood. Big Kid Tracks ACT 1 Miracle (Parents) School Song The Hammer The Chokey Chant Bruce ACT 2 When I Grow Up The Smell of Rebellion Revolting ChildrenMatilda Auditions Saturday, June 2nd & Sunday, June 3rd from 10:00am-Spm Lemal Community Room Matilda Audition Material Please prepare the following: -A cut of favorite contemporary musical theater song that features your vocal talents the best. (Between 1-2 minutes in length.) “Naughty (Full Song) -Acrobat Story 3 (A Monologue with Music) Classroom Kid Audition Material Please prepare the following: -A cut of favorite contemporary musical theater song that features your vocal talents the best. (Between 1-2 minutes in length.) -Miracle (Excerpt) ig Kid Audition Material Please prepare the following: -A cut of favorite contemporary musical theater song that features your vocal talents the best. (Between 1-2 minutes in length.) -School Song (Excerpt) Our music director Kevin White will be the accompanist and will be in the room. For your personal song, please bring clearly marked sheet music in the correct key and one copy of your headshot and resume stapled together. Auditions will be held in 10 minute intervals between 10am and Spm. You will receive a link to a Google Document to reserve your audition spot. The sheet music for all the auditions songs are included at the end of this packet.Matilda Callbacks Sunday, June 10th from 10:00am-6:00pm Schleicher Rehearsal Studio Matilda Audition Material (10a-1pm Please prepare the following: -Quiet (Full Song) -Other Material TBD LUNCH BREAK Classroom Kid Audition Material (2-4pm Group Audition. Callback material TBD. Big Kid Audition Material (4-6pm) Group Audition. Callback material TBD. The callbacks will be group auditions with director Eric Love and music director Kevin White to dive deeper into the acting, singing, and dancing, required for this production. You will receive an email in the evening of Monday, June 4th with callback information.Voice Teachers & Vocal Coaches If you are looking for help with your singing technique, I would recommend a voice teacher. If you just need help learning the notes and getting comfortable with the accompaniment, I’d recommend a vocal coach. Each teacher has their own hourly rates. VOICE TEACHERS Julie Ness - julienessvocalstudio@gmail.com Upper Valley Music Center and private voice studio. Jennifer Hansen - jennifer.carol.hansen@gmail.com Upper Valley Music Center and private voice studio. Erma Mellinger - erma.c.mellinger@dartmouth.edu Dartmouth voice faculty. Ellen Nordstrom - el/enjnordstrom@gmail.com Upper Valley Music Center. Jennifer Langhus - jennlanghus@yahoo.com Private voice studio. VOCAL COACHES Henry Danaher - h.f-danaher@gmail.com Accompanist for Hanover High School. *Kevin White - kevrobwhite@gmail.com Music director and pianist for Kimball Union Academy. *Kevin is the music director for Matilda.To avoid a conflict of interest, Kevin does not coach students for any shows that he is music directing at Northern Stage. He is a great option for future training.Eric Love Sample Resume Email: elove@northernstage.org Height: 5° 9” Phone: (919) 638-2352 Hair: Black Eyes: Blue THEATER sHOW ROLE THEATER Peter and the Starcatcher Peter Pan (u/s) New York Theater Workshop Here Lies Love Dancer ‘The Public Theatre A Christmas Carol Ghost of Christmas Future Northern Stage Our Town Professor Willard Northern Stage Godspell Jesus New London Barn Playhouse Fully Committed Sam Lost Nation Theater A Midsummer Night’s Dream Puck Lost Nation Theater TRAINING B.E.A Music Theatre, The Hartt School, PTTP, University of Hartford, 2009 ACTING: Ray DeMattis, Kathryn Markey, Alan Rust, Henry Fonte, Diana Moller-Marino, VOICE/SPEECH: Victoria Clark, Mark Planner, Frittzi Link, Johanna Morrison. DANCE: Tap (5 Years), Ballet (4 Years), Modern (4 Years), Swing (1 Year). SPECIAL SKILLS Dialects: RP, Cockney, French and Irish. Cello (15 Years), Piano (2 Years), Gourmet Chef, Aerial Silks, Spoons, and Belly RollSample Headshot There is no need to get professional headshots taken for this audition. A nice phone photo is great!Classroom Kids Aiud ition Song 1. Miracle Music & Lyrics Jove Tim Minchin = Stach Girt Boy [vere] Double speed poco ritenuto J, My mummysop fir ¢ miracle Mya ] Gri F ea Lavender Ard, A 8 co] IE Hoenn 1 am © frnecesand 1 am a nce. Mumsaysti on on - get Matilda Royal Shakespeare Company - 15/10/2010 16:40cc 8 My diddy scjp fm Bk spencol Mt te sal der, No-one or hand-some, b Positively in tempo 2, = (von riten.) \ song os me. Its te he Indul-gesmy tendency tobulge But fins Ute sl-dlr, up t4o four fea feel] by A og ALL a © err My mummysa im @ mized, Onoleok at my fococndits plan to see E-vershcethe doy doc chopped tau oN etal Cord tes been dearsher no peer foe a mia ke me ‘My daddy soy Fs spec ete sl- der, Matilda - Royal Shakespeare Company 15/10/2010 16:404. School Song-p2 ra Mumsays Tim an an - Mumsays Tm Able AR ar CLICKS Start Moderato (/=c.100) rics ‘an / gel, tosur-vivethis messby Be-ing aprince or aprin-cess;youvwillsoon See Matilda - Royal Shakespeare Company - (06/06/2013 13:344. School Song -p3 Cosyourlife asyouknow it is "itch ent his-to~ ry. Matilda - Royal Shakespeare Company - 06/06/2013 13:34 ‘yourejust wasting ¢ ner4. Schbol Song -p4 Backbe-fore my fe had ” [upper harmony some men a Ib] peaking of te bell Likeyoulwas ex ri-ous, Soin-no-cent,I asked Matilda - Royal Shakespeare Company - 06/06/2013 13:34 athow-sand questions, Butun-4. School Song - pS Jess you want to suf-fét, Lis-ten up and I will teach thing or two. You lis-ten her, ‘iy deur, youllbe pun-ishedso se - vere-ly if youStep out of lineand if youry it will be Matilda - Royal Shakespeare Company ~ 06/06/2013 13:344, School Song pé oa Scary Big Kid; Wit Whyt 3 al [Glades D/34 Men) Bid oa eae whar Resa” why? Way? Just you wait for Phys- Spanish arpegg. adtib (A ie Kid =} o My dacdy ssid/Iwouldbe thee? ches pet FRRORR PERE FG Matilda Royal Shakespeare Company - 06/06/2013 13:34 |2. Naughty Male Bright, swung pR [Matilda CE, Tackond Fil went up the hill to fetcha pail of wa tr, 6 ge ‘Shue sub-se-quent fill was in - © - vi-ta-ble, ‘They ne-verstood a chance,they were written that way. | Matta - Royal Stakespeare Company ~ 18/04/2013 1533Ro-me-0 and Ju-li- "Twas written in the star be-fore they ¢- ven met 2. Naughty -2 18 ye Shu love ond file and a touch of stu-pi-di-tywould rob them of their hope of liv-ing hap-pi - ly. The aN, —(i‘“i“<—aTTTEE 2 F we 23) g TT won-der why they didnt just ‘Matilda - Royal Shakespeare Company - 18/04/2013 15:332. Naughty -3 % OE o 2.3.4) F “we ar Were told we have to do what were Matilda - Royal Shakespeare Company - 18/04/2013 15:332. Naughty 4 36 wll Fa Justbe-cause youfind that life's not fi, It docs-ntmean thatyoujusthaveto grinand bear it, eS 40, Git FE If you al-waystake it on the chinand wear it, nd Fa ‘B-ven ifyourelit-tle youcn do a lot, You must - nit let a t-te thinglike Iit-We stop you. ‘Matilda - Royal Shakespeare Company - 18/04/2013 15:332. Naughty - 5 48 Guth ch are Af you sit a-romdand letthem get on top, You might as wellbe say-ing you thinkthat its O-K Matilda - Royal Shakespeare Company - 19/04/2013 15:33[ElMattcn (reading: Patna Blonde Her Dye - stra Strong Keep out of reach of crn’, Hin. 59 gh Fa daa ala daa |e ad ald add r rr i ade | Matilda: ‘Oil of Violets Hair Tonic. For Men." 63 Qu? ddddled dg ; 7 - ol Matilda: Yep. c ar dad dldca ale aad Matilda - Royal Shakespeare Company - 18/04/2013 15:33 4 ? FF reer2. Naughty -8 71 Om! aye Tn the slip of a bok theres at = 7 ows 2 8: ‘The i= ni - est mite__ packs the might-i - est sting, EV'- ty day daar rf Matilda - Royal Shakespeare Company - 18/04/2013 15:33 a a =2. Naughty -9 80, FA starts with the tick. ofa clock Alas capes Matilda - Royal Shakespeare Company - 18/04/2013 15:332. Naughty - 10, 87 gyal 71.) —_ Cos ifyoutelit-tle,youcan doa Jot, You must - nit let a Iit-tle thinglike lit-tle stop you. 91 Gu? E If you sit a-roundand letthem get on top, You 5 ge >>. WA Just be-cause youfind that lifes not fair, It does-n'tmeanthat you justhave to grinand bear it. ‘Matilda - Royal Shakespeare Company - 18/04/2013 15:332. Naughty = 14 9 Ge ce MCh If you al-ways take it on the chinand wear it, Youmightas wellbe say-ing you thinkthat its O-K and Matilda - Royal Shakespeare Company - 18/04/2013 15:332. Naughty - 12, 110 Gas ¢ La \ sm ' pat it git for cm Nowbondy tit me pmnm | | | | 112° 07 Gu? Segue 2a. Green Hair Matilda - Royal Shakespeare Company - 18/04/2013 15:3316, Acrobat Story l= p2 Matilda: Siowiy, very slowly, the acrobat wound her shiny white scarf around her husband's neck. 11 Slow fairground tempo Matilda & Acrobat: For luck, my love Matilda: she sud, ising him withthe gentlest of kisses. 1s Matilda & Acrobat: Smile -we have done this a thousand times, Matilda: But suddenly she hugged him with the biggest hug inthe world, so hard that he felt that she would hug al ofthe sr out of him, at) — ‘And so they prepared themselves for the most dangerous feat that had ever been performed. 23 Matilda - Royal Shakespeare Company - 14/05/2013 18:50116, Acrobat Story i= p3 ‘The great escapologist had to escape from the cage, lean out, catch his wife with one hand, grab a fire extinguisher wth the other, a ame and put out the flames on her special designed dress within twelve seconds, before they reached the dynamite and blew his wife's head of, & a ao —. See ————_—_———— I (is Phelps screams) Mirs Phelps: Sorry. Go on. (ON] a 29. 30 A tempo ™ [Bp} Matilda - Royal Shakespeare Company - 14/05/2013 18:5016, Acrobat Story I= p# Matilda: The trick started well... The moment the specially designed dress was set alight, the acrobat swung into the wo ‘The crowd held ther breath as she hurled over the watched 2s the fames ess sharks and spiky objets- one second, two seconds ~ ey Wetted He sects bar cane oa = = she began to reach out her arms towards the cage = five seconds, sx seconds - suddenly the padlocks 36 accel. if necessary pinged open and the huge chains fel away - seven seconds, eight seconds - the door ng open and the escapolog[st reached out one Bon Gey ce ae Matilda - Royal Shakespeare Company 14/05/2013 18:5016, Acrobat Story l= p5 huge, muscled arm to catch his wife and the child - nine seconds, ten seconds... | | 4, accel. necessary } | Mrs Phelps: Oh, | can't look! Matilda: eleven seconds - and he grabs her hand and, and, and suddenly the fames are covered in foam r3a rsa r33 44 my ™~ 22> 3-5 3 8 a 3 sr Mrs Phelps: Hooray! So the story does have a before they can both be blown to plecest a happy ending, after alll Matilda: No, Mrs Phelps: No? a" = = a Matilda - Royal Shakespeare Company - 14/05/2013 18:5016, Acrobat Story Il- pé Matilda: No, [START] Maybe it was the thought oftheir child. Maybe it was nerves, But the escapologist used just a touch too much foam ic 50. lay LH just Before RH, like acciaccaturas id suddenly their hands became slippy.. and she fel We. Prat Oca? DRUM] . oe Did Dasher TONE Matilda: She broke every bone in her body except the ones atthe ends of her litle fingers. 5 She managed to Wve long enough to have thelr child, 56 But the effort was to great. ‘Love our itl gi’, she sud. ‘Love our daughter with all your hear. She isallwe ever wanted.” 60 late Matilda - Royal Shakespeare Company - 14/05/2013 18:50116. Acrobat Story Il-p7 Acrobat (recorded) Love our gil _____ with ev-‘ry-thing, she is ‘And then... things got worse. Mrs Phelps: What? Worse? Oh, no, Matida, not worse, they can't get worse! a Matilda: 'm [BASS DRUM] sfrad they did. Because the escapologist was so kind that he never for one second blamed the evil iste for what happened. 69 Poco moto J=c.80 = Ch PP. Matilda - Royal Shakespeare Company - 14/05/2013 18:50 |16. Acrobat Story I -p8 In fact he asked her to move in and help look after his daughter. She was nothing but crue tothe litle gir, ‘making her wash and iron and cook and dean, and beating her if she did a thing wrong. 74, possible accel. fe But aiways in secret, so thatthe escapologst never suspected a thing, PS ce ‘And so the poor ile gi grew up with the meanest, cruellest, horriblest aunt you could possbly imagine! 78, ) — Dictated a a Mrs Phelj Lets eal the pole! Matilda - Royal Shakespeare Company - 14/05/2013 18:50preps 2 19% Quiet Music & Lyrics (The Eye OF The Storm) ‘Tim Minchin Matilda: LEAVE HIM ALONE!It [GO] a Flow forearm pno cluster & BD] a | shall dissect you madam... Moderato J.=c.80 Tape cities syle. _ we of > = bs + we (Matilda you e-verwon-dered, well I have, s-outhow when I say, say "red", forexam-ple, therés no way of | | | : Ss | subitop | Matilda - Royal Shakespeare Company - 12/02/2013 10:5219. Quiet -2 a Om ae if “red” means the same thing in yourhead as "Red'meansin my head when some-one a if we are travelling at al-most thespeed of light andwe'rehoki-ing a light, ROP a 2 Gu at the fillspeed of light, whichsoemsright in a way, butf'm —ty-ing to o * F Matilda - Royal Shakespeare Company - 12/02/2013 10:5219. Quiet -3 14 isms A say mot sure, but I won-der if in-side my head Tmnotjust a bit diffrent fromsome of my 16 os ¢ Aye fiends These an-swers that come in - to my mind un - bid-den, these stories de - livered to me ful -ly 18 Om ee ‘writ-ten, Andwhenev-'ry-one_shouts like theyseem to like shout-ing, Thenoise in myhead is in-ore-di-blyloud (op paral ve) Matilda - Royal Shakespeare Company - 12/02/2013 10:5219. Quiet -4 20, Om me ‘And I justwish they'd stop, my dad and my mum —Andthe te-le snd stories would stop for just | 2 OE Em ‘once. And,Tisor-ry Timnotquite ex-plainingit__ right Butthismoise be-comesan - ge, andthean- ger is 4 Ob Fave light. Andthis bum-ing insideme would - su-ally. fade Butit isnt torday, —Andtheheat and the x 7 | Matilda - Royal Shakespeare Company - 12/02/2013 10:52% 19. Quiet-5 ‘bum ing and sud-den - ly, Matilda - Royal Shakespeare Company - 12/02/2013 10:52» 19. Quiet - 6 |Semplice (meno mosso) Like i-tence but not real-ly Like the sound of a___page_._be-ing tured in a__ book, Matilda - Royal Shakespeare Company - 12/02/2013 10:52 Just that stil sort of fina walkin the Like silence but ntreal-iy19. Quiet -7 Justthatnive kindof qui-et; ___Like the sound wheayou lie up-sde downin your bed, ofyourhcartin your head. | | ‘Matilda - Royal Shakespeare Company - 12/02/2013 10:52 |45 19. Quiet-8 Poco pid mosso so) a Shut ‘Theirmouthsare still mov - Zz RP Matilda - Royal Shakespeare Company - 12/02/2013 10:5219, Quiet -10 49. Semplice (meno mosso) 52, Faster and accel... Matilda - Royal Shakespeare Company - 12/02/2013 10:52