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The Timpani Challenge N. Woud

The timpani challenge

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inma
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200 views3 pages

The Timpani Challenge N. Woud

The timpani challenge

Uploaded by

inma
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF or read online on Scribd
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THE Timpan. cHaegncd N, Wouh ‘Molto Allegro mos Ss S D Andante of f Bhi al oot bob or & + — 7 Ff FF FF FF fF Largo #222 3 P <= p «3 btoBh Seas 7 SS SS ae tf f - : ; a n Se - f 7 2 os er =p PH ogo saporee See [Bhio Ay PP [BtDi v= at > = =a ee Sr es —_=== oft fz nf —— = ss S diminuendo ¢ rallentando al sy Andante s -2 P ==> o =F == 23S SS = = 94 Allegro = = The origins of the timpant lies 1n the mulitary and throughout the whole repertorre. this aspect plays an important role. This study is based on the classical military rhythms. A light touch, high playing aud precision are reyuited hve. ‘The different tempi should relate to each other in a natural way. The sticks could vary between wooden, leather and ‘lane! [the Kato, Playwood or Kaufmann brand). Just for fun, try to use a 23" and 26" drum and fecl the totally different reaction and sonority of your instruments, and experience that with the lower head tension the clarity does not disappear and the classical “Thundering Drums" sue present without creating a heavy sound, I>

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