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Blurred Lines-Tenor Saxophone

The document contains sheet music for the tenor saxophone piece "Blurred Lines" arranged by Paul Murtha in 2013. It consists of the musical notation spread across 12 systems with markings for tempo, dynamics, and other performance instructions throughout. The sheet music provides the saxophone part for playing the arranged version of the song "Blurred Lines".

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Anonymous njY7RyD97
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86 views2 pages

Blurred Lines-Tenor Saxophone

The document contains sheet music for the tenor saxophone piece "Blurred Lines" arranged by Paul Murtha in 2013. It consists of the musical notation spread across 12 systems with markings for tempo, dynamics, and other performance instructions throughout. The sheet music provides the saxophone part for playing the arranged version of the song "Blurred Lines".

Uploaded by

Anonymous njY7RyD97
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Blurred

Lines Paul murtha


Tenor Saxophone

            
                         
           

            
                      
         
6

            
                      
         
10

          
                                   
14

        
              
                        
 

18

  

                                       
    
23

       
                                           
  
29

     
                                        
 
 
36 To Coda

        
                                  
              
42

      
           
                    
  
47

2013 Arrangement
              
      

        
   D.S. al Coda

   
53

   
   

      
58

2 2013 Arrangement

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