Piano The Sound of Silence Comp.

by Simon and Garfunkel

by Disturbed Arr. by KERITH WOOLDRIDGE
 = 84

  44    
Tuba 
        
Hel lo dark ness my old
 friend,

 
 4           

 4           
        
Piano 
  4   
4   
       

Tba.
               
       
I've come to talk with you a gain, be cause a vi sion soft ly  creep ing,

        
                      
   
Pno.
    
 

 

     
 

10

       44      
Tba.       42    
 left its seeds while I was  sleep ing, and the vi sion that was

       
           
24    44 
        
 
Pno.
   2 44
   4 
      
 14

Tba.
              24   4   
      4 
plant ed in my brain still re mains with in the sound of


     
       42   44

   
      
Pno.
   
     42  44
 

19

Tba.
    
      
            
si lence. In rest less dreams I walked a lone,
 nar row streets of cob ble

    
 
                             
  
Pno. 
   
 
      

23

Tba.
               
         
stone, 'neath the ha lo of a  street lamp  I turned my col lar to the

            
       
            
   

Pno.
      
 

   
  

2
 27

          
Tba.
 42    44   
 
cold and damp,
  when my eyes
 were stabbed by the flash
 of a ne on light,

     
     
24    44  
             

Pno.  
   2 44
    4  

 
 

31

       24   44     
Tba.
       
 that split the night, and touched the sound of si lence


    
  42   44
  

         
  
 
Pno.  
 
   2 44
      4   


36

Tba.
              
     
    
 
And in the na ked light I saw
 ten thou sand peo ple may be more,

    
           
             
  
Pno.  
    
            

3
 40          
             2
Tba.  4
peo ple talk ing with out  speak ing,  peo ple hear ing with out  listen ing, peo ple

             

                2
4
       
Pno.   
     
        42
       

44     
      
Tba.

  2 
4 44        42
wri ting songs that voic es nev er share, and no one
 dare

 
 2    4      
     

 
 4  4        42
Pno. 
  2 44      2
4         4
       

49  
Tba.
  2     4               
4  4   
dis
 turb the sound of
 si lence.  "Fools" said I, "you do not know


 2   4    


 4     4              
 
     
Pno.     
  2
4   44     
                

4
 54      
                
Tba. 

si lence like a can cer grows, hear my words that I might teach you,

         

                    
  
Pno.
     
              

58
          
 
Tba.
   24    44 

take my arms that I might reach you." But my words like

     
        24    44     
     

Pno.
   
     42  44 
   

62
       
          
Tba.        
si lent rain drops fell,
 and ech oed in the 
 wells of si lence.

 
             
                      
 
Pno.   
      
   
           

5
 67
   Growl        
           
Tba.    
And
 the peo ple bowed and prayed, to the ne on God
 they made,

  
        
                    
  
Pno.  
        
                
            

71               
   
Tba.
     
 and the sign flashed out it's  warn ing, and the words that it was form ing,

                         
          
 
Pno.  
      
       
         


75                
     
Tba. 
and the sign said, "The words of the proph ets are writ ten on the sub way walls


                 
    
Pno.
   
      
  
  

6
 78       = 76

  = 30  = 79  = 84

atempo
           
Tba.        
Rit.
and ten e ment
 halls," and
 whis pered in the sound
 of
 si lence.

   
    
                 
 
Pno.         

            
             
   Rit.  

 = 38

83
  
Tba.
   
 


 
                
       

Pno.   
        
   