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Breitkopf and Härtel

This document summarizes information from four different editions of a musical work by A. Offenbach published between 1881 and ~1934. It provides details on the content, features, and differences of each edition, such as whether they include cadenzas, accidentals, prefaces, or soloist parts in tutti sections. The editions range from early orchestral scores to later piano reductions and instrumental parts, with varying approaches to notation, ornamentation, and performance notes.

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Javi Rodriguez
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217 views2 pages

Breitkopf and Härtel

This document summarizes information from four different editions of a musical work by A. Offenbach published between 1881 and ~1934. It provides details on the content, features, and differences of each edition, such as whether they include cadenzas, accidentals, prefaces, or soloist parts in tutti sections. The editions range from early orchestral scores to later piano reductions and instrumental parts, with varying approaches to notation, ornamentation, and performance notes.

Uploaded by

Javi Rodriguez
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
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Breitkopf and Härtel Urtext – Verlag Bärenreiter Güetter

1881 2006 2003 ~1934

 Orchestral score –  Piano reduction based  Piano reduction based  Bassoon part – edited
based off parts from off parts from off parts from by J. Walter Güetter.
publisher A. Offenbach publisher A. Offenbach publisher A. Offenbach  Vorschlag
~1800  Orchestration notes in  Vorschlag (appogiaturas) not
 Vorschlag the keyboard (appogiaturas) not written with Mozarts
(appogiaturas) not  Vorschlag written with Mozarts notation.
written with Mozarts (appogiaturas) not notation.  Very short preface
notation. written with Mozarts  Preface centers centering around
 No preface notation. around performance performance practice
 Cadenzas and Eingänge  Preface centers practice and background on
not written or even around history of  Cadenzas and Eingänge this edition.
expressed Mozart and his music written AND expressed  Extreme edits – but
 Tutti sections include with little on notes.  Tutti sections include they are well
soloist  Cadenzas and Eingänge soloist informed.
 Some integral not written but  Some integral  Tutti sections do not
accidentals omitted expressed accidentals omitted include soloist.
(mm. 10 mvt. II is  Tutti sections include (mm. 10 mvt. II is  All cadenzas and
performed with a B soloist performed with a B Eingägne are written
natural in the turn)  Some integral natural in the turn)  Many of the omitted
 No excessive accidentals omitted  Edited sections accidentals from other
ornamentations or (mm. 10 mvt. II is marked with a editions are correct
changes in tempi. performed with a B different font but with performance
natural in the turn) only in tutti sections practice
 No errata
 Edited sections  Pagination in solo part
marked with is well thought out.
parenthesis.
 Includes errata

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