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What Is Prosody PDF

Prosody refers to the use of pitch, loudness, tempo, and rhythm in speech to convey meaning and structure. Unlike writing, speech relies on prosody rather than punctuation and capitalization. Prosody allows for flexibility in language use through stress and intonation. The meaning derived from prosody depends on contextual factors like the speaker's identity, attitude, and relationship to the topic rather than standalone semantic meaning. Prosody is used for functions like segmentation, phrasing, and indicating whether a thought is complete or not through rising and falling pitch.
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0% found this document useful (0 votes)
97 views2 pages

What Is Prosody PDF

Prosody refers to the use of pitch, loudness, tempo, and rhythm in speech to convey meaning and structure. Unlike writing, speech relies on prosody rather than punctuation and capitalization. Prosody allows for flexibility in language use through stress and intonation. The meaning derived from prosody depends on contextual factors like the speaker's identity, attitude, and relationship to the topic rather than standalone semantic meaning. Prosody is used for functions like segmentation, phrasing, and indicating whether a thought is complete or not through rising and falling pitch.
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Phonetic Prosody
The Music of Speech

By Richard Nordquist
Updated May 03, 2017

In phonetics, prosody (or suprasegmental phonology) is the use of pitch, loudness, tempo, and rhythm
in speech to convey information about the structure and meaning of an utterance. Alternatively, in
literary studies prosody is the theory and principles of versification, especially in reference to rhythm,
accent and stanza.

In speech as opposed to composition, there are no full stops or capital letters, no grammatical ways in
which to add emphasis as in writing. Instead, speakers utilize prosody to add inflection and depth to
statements and arguments, altering stress, pitch, loudness and tempo, which can then be translated
into writing to achieve the same effect.

Further, prosody does not rely on the sentence as a basic unit, unlike in composition, often utilizing
fragments and spontaneous pauses between thoughts and ideas for emphasis. This allows more
versatility of language dependent on stress and intonation.

Functions of Prosody
Unlike morphemes and phonemes in composition, features of prosody cannot be assigned meaning
based on their use alone, rather based on usage and contextual factors to ascribe meaning to the
particular utterance.

Rebecca L. Damron notes in "Prosodic Schemas" that recent work in the field take into consideration
"such aspects of interaction as how prosody can signal speakers' intentions in the discourse," rather
than relying solely on semantics and the phrasing itself. The interplay between grammar and other
situational factors, Damron posits, are "intimately connected with pitch and tone, and called for a move
away from describing and analyzing prosodic features as discrete units."

As a result, prosody can be utilized in a number of ways, including segmentation, phrasing, stress,
accentuation and phonological distinctions in tone languages — as Christophe d'Alessandro puts it in
"Voice Source Parameters and Prosodic Analysis," "a given sentence in a given context generally
expresses much more than its linguistic content" wherein "the same sentence, with the same linguistic
content may have plenty of different expressive contents or pragmatic meanings.

What Determines Prosody


The determining factors of these expressive contents are what help define the context and meaning of
any given prosody. According to d'Alessandro these include "the identity of the speaker, her/his
attitude, mood, ages, sex, sociolinguistic group and other extralinguistic features."
Pragmatic meaning, too, help determine the prosody's intended purpose, including the attitudes of both
the speaker and audience — ranging from aggressive to submissive — as well as the relationship
between the speaker and the subject matter — his or her belief, confidence or assertiveness in the
field.

Pitch is a great way to also determine meaning, or at least be able to ascertain the beginnings and
endings of thought. David Crystal describes the relationship in "Rediscover Grammar" wherein he
states "we know whether [the thought] is complete or not by the pitch of the voice. If the pitch is rising
... there are more items to come. If it is falling ... there is nothing further to come."

In any way you use it, prosody is pivotal to successful public speaking, allowing the speaker to convey
a broad range of meaning in as few words as possible, relying instead on context and cues to the
audience in their speech patterns.

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