Woodworking Class PDF
Woodworking Class PDF
Woodworking Class
Learn the basics of woodworking with simple hands-on projects to build your confidence and
skills. Each lesson in this class explores an area of woodworking that will form the building blocks
of all future woodworking projects you undertake. Keeping the average DIY'er in mind, this entire
class is conducted using basic handheld power tools, with no fancy fixed tools like table saws,
lathes, planers, or drill presses.
This class will cover the fundamentals from making straight cuts and perfect holes to mastering
the router and making mitres. Whether you're new to woodworking or just want to solidify your
understanding of the woodworking basics, this class is definitely one you'll love!
Lesson 5: Sanding
Sanding your work is a cornerstone of any woodworking project. This
short lesson looks into the details of how and why to sand your work.
Chances are that you, or someone you know, already own some basic tools that you can
get started with. It really doesn't take many tools to accomplish a wide variety of everyday
projects. Some tools are basic and shouldn't cost a lot, some tools are used loads and may
require a higher quality so you're satisfied, and some tools you won't need at all!
The barrier to learning about woodworking shouldn't be behind having the biggest shop
with the best tools, there's lots of people who live in apartments without shop access or
who don't have the money for fixed machines like table saws. With this in mind every
lesson in this class uses basic hand power tools to teach the skills and make the projects.
As a general rule, I like using corded power tools as they perform better since they don't
run out of juice, and you don't have to mess with batteries - a power drill is my exception,
but you'll find your own personal favorites as you progress.
Here's all the tools I use in this woodworking class:
Power Drill
Circular saw (or hand saw)
Hand router
Jigsaw
Random orbital sander
Tape measure
Clamps, clamps, clamps
Speed square
Wood glue
Hot Glue
Double-sided tape
4-way rasp
Workshop Tools
Chances are that you, or someone you know, already own some basic tools that you can
get started with. It really doesn't take many tools to accomplish a wide variety of everyday
projects. Some tools are basic and shouldn't cost a lot, some tools are used loads and may
Corded drills have more power but are tethered by the cord and may lack some of the
features that cordless drills have, like torque control. If you're serious about woodworking,
or looking to up your game, a quality drill like the Milwaukee M18 I use in this class is
about $75 by itself, but you can usually find it bundled with some other goodies which
helps justify the purchase.
Circular Saw
I recommend a corded 7-1/4" blade circular saw. Since circular saws use lots of power
(and you don't want to be changing out batteries partway through your build) get a corded
saw. Look for a circular saw with a controllable blade depth, and one with a tilting base that
allow bevels - both standard features. Look to spend $50 - $80 on a quality saw.
Hand Router
A hand router is one of my favorite woodworking tools and has many of uses besides
providing a decorative edge profile. A small palm router like the one shown here is usually
more than enough for most woodworking jobs, but there's also a larger plunge routers
which have a spring-loaded base that allows the router to dip into the wood.
I use a Bosch 1HP palm router for almost every project; it's got good power, it's easy to
handle, and has excellent build quality.
Jigsaw
Jigsaws are great for curved cuts that have a tight radius. There's interchangeable blades
that can be used for fine cuts or faster coarse cuts, and different lengths of blades. Your
jigsaw will have a adjustable base that lets the angle of the cut be set - a standard feature.
I like corded jigsaws as they have the power for a consistent cut, unlike battery power
which can make the action sluggish when they run out of juice. As with circular saws, try
your hand at a few and see which one feels good to you. There's not much to a jigsaw, so
don't spend more than $60 on one.
An orbital sander has an adhesive base that sanding pads can be easily and quickly
interchanged. Look for a sander that has a variable speed which will allow you to refine
your sanding and can provide less fatigue, and pick up a few extra sanding pads of
different grits.
Go with a corded sander over the cordless, since you'll be sanding for a while you'll want
all the power you can get without changing batteries. Plan to spend $50 - $80 on an orbital
sander that feels good in your hand, and has a variable speed.
Aside from power tools there's a few more tools to have on hand that you're going to need.
Clamps
You really can't have enough clamps. I'd recommend a few different types, and different
sizes, so you've got a clamp for all occasions. When you're doing a big glue-up you'll be
surprised by how many clamps you end up using, and the clamp you wish you had on
hand.
The quick-release clamps are handy to have, but I wouldn't rely on them under stress as
they aren't as secure as bar clamps with a twisting handle. Clamps can cost anywhere
from $10 - $50 depending on the type. A few bar clamps and spring A-Clamps to get you
started should be good.
Square
Shown here is a speed square (or carpenter's square), which is great because it combines
a few functions like protractor, a square edge, a 45 degree edge, and even has rafter/stair
calculations on it...all in one!
The square also has some thickness to it, so it can easily be used as a saw guide. Though
plastic squares are available, look for the aluminum one as it's more robust.
Adhesives
Along with clamps, holding wood down while your working can be a challenge. For the
times when a clamp is too large, or just gets in the way, double sided tape and a hot glue
gun are great alternatives. Double sided tape goes for about $10 a roll, and any type of hot
Measuring
Of course, every woodworker is going to need a good tape measure. Avoid the fancy tape
measures with frills and go for something simple. Also, chose a tape measure that has
both metric and imperial units. Even if you don't use one of the units, you'll be glad you
have it for the once in a lifetime project where you need it.
Of course, there's the workshop staples of a hand saw, hammer, 4-way rasp, sandpaper
, and hand screwdrivers. If you plan on making lots of handsaw cuts, you'll probably want
a miter box.
Outside of this woodworking class you're likely to use these tools for everyday projects,
too. Think of it as an investment. You don't have to buy expensive tools to achieve great
results, but avoid buying cheap tools as they usually don't hold up to much use. It's best to
buy standard tools and then upgrade later if you want special features.
Think back to your high school shop teacher, do you remember how many fingers they
had? No matter if they were missing any, the answer is always safety.
All power tools pose a serious safety hazard, and this will never be more evident until it's
too late. Tools spin very fast and have more than enough torque to cause some very
serious damage to your body, and in extreme cases even death. Keep this sobering
reminder in the front of your mind before you start any work, as the smallest mistake can
have some serious consequences.
PPE - Personal Protective Equipment (shown above)
Eye Protectionis a requirement! The smallest speck in your eye, no matter the severity,
can take you out of commission for the rest of the day. I don't even enter the shop without
having eye protection on, and you shouldn't either. Your eyes are much too valuable to not
protect, and eye protection is cheap.
Hearing Protection, either over-ear or in-ear, provide relief when using any power tools.
Hearing loss is measured by duration of exposure, so while it might not seem too loud at
the moment by the end of the day you've been exposed for a long time and have caused
damage to your hearing.
Dust Masks are great to prevent inhalation of wood dust. It might seem benign, but wood
dust is listed as a hazard by safety organizations. Also, picking out weird dust-boogers
after a long day of woodworking is kinda gross.
Gloves might seem to be missing from this list, but they're actually not. While gloves are
great for a variety of uses, working with woodworking machines is not one of them. If your
glove gets caught in a machine while running it can suck your hand in with it, but if you
were wearing no gloves you stand a better chance of damaging a smaller portion of your
body.
Aside from PPE, you should also limit your exposure to equipment entanglement by tying
back long hair, removing jewelry, tucking in loose clothing.
While many wounds in the shop are cuts caused by sharp blades, there's the real risk of
avulsion (skin being ripped off) from many of the fixed power tools, such as the lathe or drill
press, where the tool catches a ring or watch and pulls it into the machine. Even though
we're not working with fixed power tools in this class, there's always a risk when working
with any tools.
Fire Extinguisher
Wood is flammable, and wood dust is extremely flammable. Keeping a fire extinguisher
easily accessible in your shop is smart and super easy. Locate your fire extinguisher
somewhere visible, easily accessible, and preferably near your exit.
Egress
This might seem like a no-brainer, but keeping your exit path clear is something easily
forgotten. Shops are busy places and can be cluttered up with raw materials and half-built
projects. Take the time to organize your shop so that you always have a clear path in an
out of your shop.
First Aid
Accidents happen, let's hope it was minor and you can get back to work. Keep a first aid kit
in your shop and keep it stocked. At a minimum you should have bandages, a tourniquet,
antiseptic, and eye drops. A more comprehensive first aid kit is never a bad thing, so go
crazy making sure you've got the best first aid possible, your injuries will thank you later for
it.
Now that we have the boring safety stuff out of the way...
Have fun!
There can be frustrating times when something is not working. Remember that you’re learning
something new and that's to be expected, most times you can start over or fix a piece and
you'll realize it not a big deal. Take breaks and examine your work objectively, and remember
that with practice things get easier; You'll be a pro in no time!
One of the first things any woodworker is going to be faced with is making cuts, either by
hand or with a power tool. It might seem like just diving in is the way to go, but there's
some finesse in how to make your cuts accurate, square, and as clean as possible.
Before we start cutting wood to the right size, let's learn a very misleading thing about
wood dimensions.
The wood dimensions listed on lumber are a big fat lie. It's not really a secret, as every
carpenter knows this, but it's something you should be aware of before buying the wrong
size for a project.
We've all seen lumber dimensions in the home stores, like 2x4's, which is indicating the
cross section dimension of the lumber - in this example 2" by 4". However, if you take a
tape measure to the wood you'll notice that it's not really 2" by 4" at all, it's about a ½"
shorter on both measurements giving you a 1-½" by 3-½".
Part of the reason is that when a tree is felled and chopped up into boards it has a lot of
moisture still inside, when the wood is kiln dried it shrinks and warps after losing the
moisture. To account for this the mills then process the wood through a plane to smooth
down the surfaces and clean up the edges, ideally giving you a straight and smooth board,
at the expense of some lumber dimension. This is true for lots of dimensioned lumber, so
be aware and always double check the dimensions at the store before buying.
Knowing this will help you plan for your projects and account for the actual dimensions you
need, and what you should be shopping for when you pick up lumber.
Once you know your lumber size you're going to want to cut it to size. Any cutting will
result in some loss of wood that is turned into sawdust, this is called the kerf. The kerf is
the divergence between the left and right sides of the saw teeth, and since the teeth of any
saw is larger than the blade thickness you'll want to measure kerf from the teeth and
not the blade.
When you are cutting you typically want to cut on one side of your marking line so the kerf
doesn't cut into your piece and remove some of your measured material.
On a circular saw there's a small indent on the plate, this indent represents the blade kerf.
Knowing about kerf will help us work out how we measure and layout or material before
cutting. Your saw marking will likely be different! And, the type of blade you're using
might have a different kerf. Always make a few tests cuts to see where your notch/marking
end up with your blade setup.
Cutting wood is easy, but takes a little skill to make sure your cuts are straight and square.
To cut square (at a 90° angle to the length of the wood) you'll need to make a square
marking, align the edge of your square along an edge of the wood where you want to make
a cut and draw a line with a pencil. Rotate the square and make corresponding lines along
the sides of your cut line, these side cuts will help guide your cut to ensure that your blade
isn't wandering off the cut line.
When marking I use a little check mark that tells me on which side to cut on, if I line the
kerf up to the checked side of the line I know that the piece I cut will be exactly the right
size. If I cut directly on top of the marked line the kerf would eat into a small portion of the
measurement. This might not seem like a big deal, but when your entire project doesn't fit
by 1/8" it can be very frustrating.
Of course, you can always use a mitre box with your handsaw to keep things nice and
straight if the marking technique doesn't work for you.
Cutting straight in plywood is a little easier, since the blade doesn't wander as much during
a cut.
Measure and mark where you want to make a cut, remember to add a check mark on your
line to determine which side you're cutting on. Secure your wood to a workbench or other
stable surface with clamps.
You can make a cut without any guides by carefully following the line with your cut notch
on your circular saw, but an easy way to get perfectly straight cuts it to set up a fence. A
fence is a straight member used to guide the plate of the circular saw. Setting up a fence is
easy, you just need to measure the distance from the teeth of the saw blade to the edge of
the plate and then set your fence to this distance away from your cut.
Clamp the straight edge to either the wood or the workbench to ensure it doesn't move. Be
mindful when cutting that you want to set up your work so that any cuts fall away safely.
The extra setup may take a little longer than just eyeballing the cut. Straight edges on your
cuts are the hallmark of a pro.
A plunge cut is where a cut starts in the middle of the board as opposed to the ends.
Plunge cuts can be a little tricky, but get easier with a little practice.
Before cutting carefully line up your circular saw above where you want to cut, making sure
to account for the kerf and which side of your mark the blade is on. Rest the front of the
base on the board and lift the back of the saw up so the blade is not touching the wood,
start the blade spinning and slowly lower the blade into the wood using the front of the
base as a hinge.
As with all cuts, make sure your piece is securely fixed to your workbench and always be
aware of what's underneath your cut.
You may have noticed when cutting wood that there's a ragged edge to your cuts, this is
called tearout. Tearout is the ragged edge cause after cutting wood, there's a few reasons
why this happens and luckily a few ways to prevent it.
Tearout occurs only on one side of your work piece, the side where the blade exits the cut,
for circular saws this will be the side of your wood that is facing up when you cut. Consider
flipping your wood to have the best (or "show") side facing down and the ugly (or "hide")
side facing up, that way any tearout will be on the less nice side of your wood.
There's a few things you can do to prevent tear out: using a zero clearance board, making
a scoring cut, and slowing down your cutting rate / using a different blade.
Zero Clearance
The best way to avoid tear out is to use a sacrificial board to support the wood while the
blade exits the cut, this sacrificial board is called zero clearance - meaning there is no
clearance between your work piece and the sacrificial board that is abutting your wood.
This sacrificial board supports the wood fibres as the tool exits your work and allows a
clean cut all the way through.
Scoring Cut
Another method of preventing tearout is to make a shallow cut along your cut line to make
a groove in the wood. This shallow cut usually doesn't cause any tearout and will prevent
the following cuts from creating any tearout on the surface of your work piece.
The plate of a circular saw can be raised and lowered to expose more or less of the blade.
The plate height can be adjusted by releasing a tension lever on the back of the saw near
the blade and pulling the plate downwards. To make a scoring cut the plate should only
expose 1/16" to 1/8" (2-4mm).
Feed Rate + Blade
Tearout can also be caused by the type of blade you're using. A large toothed blade will
have fewer teeth and will cut wood much faster and aggressively, but can leave a
splintered edge from cutting too fast. Switching to a blade that has more teeth will cut less
aggressively, will cut slower, and leave less tearout. Slowing down the feed rate (how fast
you cut through wood) can also give better results.
Making straight cuts with your hand or power saw is a cornerstone of almost every
woodworking project. As with any skill, practice makes perfect and you'll gain more
confidence with each cut you make.
An easy project to make while practicing your straight cuts are yard dice. This lawn game
is a great way to hone your straight cuts, and then gave a fun project to show off and play
with outside. Why not try it out and see what your yard dice come out like?
Now, let's move onto the most helpful tool in the woodworker's arsenal: glue.
For woodworking there's a few types of glue that are used, but by far the most common is
carpenter's glue. This type of glue is called polyvinyl acetate adhesive, or PVA for short.
PVA glues are inexpensive and have great holding ability, making it an ideal woodworking
adhesive.
There's lots of different types of PVA glue to chose from, but I like to use Titebond III which
is waterproof, has great adhesion, and accepts paints and finishes.
Some other choices for woodworking glue include CA glue (cyanoacrylate or Super Glue),
hot glue, or polyurethane construction adhesive (used with a caulking gun); each has its
own performance abilities and limitations, but for the scope of this course we're going to
cover common carpenter's glue (PVA).
Gluing two pieces of wood together is fairly straightforward, but you do have to pay
attention to the pieces you are gluing.
You'll hear the term "wood grain" used in the workshop. Wood grain is the longitudinal
arrangement of the wood fibers and is an important attribute to understand for
woodworking. Different types of wood have different grain structure, but all wood has a
"direction", this can be categorized as straight grain (parallel along the direction of the
grain) or cross grain (perpendicular to the direction of the grain).
When gluing it's important to know that the two aspects that make a good joint are surface
area, and grain direction. Surface area is the amount of surface that will be glued together,
so a butt joint connection will have less surface area than a finger joint connection.
The grain direction means that a joint along the direction (straight grain) of the grain will be
stronger than one that is against the grain (cross grain).
This is easily seen if you look at the end grain if a piece of wood, the porous end grain
doesn't have the same strength as gluing along the grain. While end grain glue joints can
work, they will probably fail eventually or will require some other method to help support
the joint. A good everyday example of this is a picture frame, which has mitred corners
which are end grain - if you look you'll probably see a nail or some other supporting joinery
which holds the joint together. We'll tackle this exact problem in Lesson 8 - Bevels and
Mitres when we build our own custom picture frame.
With almost every woodworking project you make you're going to need a clamp
somewhere along the way. Clamps allow you to hold things together while glue dries, or
just hold a piece in place temporarily while you work on another part. There's loads of
different types of clamps out there, and you can never have too many of them!
Shown above there's a band clamp, a bar clamp, a spring clamp (also called an A-clamp),
and a ratcheting bar clamp. There's plenty more types of clamps out there, and they all
have a variety of uses.
When using glue you're going to want to use clamps to keep your work securely in place
while the glue dries. Invest in a few clamps of different types and sizes to start off to find
the type that works best for you, it's one of the best tools in the shop.
A common mistake is to start a glue up without covering your work area before you start, at
best this makes a big mess to clean up but at worst it can result in gluing your project to
your workbench! Rolls of "builder's paper" are inexpensive, but old newspapers serve the
same function and are free.
When your glue dries to the paper it'll be much easier to remove with a knife, scraper, or
sanding than trying to repair damage from having it stuck to your workbench.
There's nothing special about applying carpenter's glue, but it's important to take care
when applying and to use the right amount.
Before starting any glue up consider first what you're going to need to hold your piece
together, maybe it's a few clamps, or maybe it's tape. Make sure you have your supplies
close at hand before starting anything, it's a real pain to scramble afterwards for that last
clamp.
When you're ready to glue apply a bead along your work surface, then drag your finger
along the bead to evenly spread out the glue.
Since glue can cause wood to swell where it's applied it's important to joint the pieces
quickly after glue application, this is especially true for joints that have tight tolerances.
Once the surfaces are glued together you can clamp your work until the glue has set.
When clamping it's good to apply pressure to the pieces being glued, but over-tightening
can cause too much glue to squeeze out the pieces may not bond.
For some pieces you may need clamping pressure on the top and bottom to keep your
pieces level or aligned. Adding straight scrap pieces to the top and bottom of your glue up,
and then clamping them in place, can help keep your work stable and level. These wood
pieces that transverse the glue-up on the top and bottom are called cauls.
To make things even easier for cleanup you can add a barrier of paper between the cauls
and your work so you don't accidentally glue them together.
When tightening your clamps make sure not to over-tighten, which not only squeezes out
all the glue, but can also dent and damage your work.
One of the best methods to remove excess glue from your work piece is to rub sawdust all
over the joint. The sawdust will mix with the glue and clump together, making cleanup a
breeze. You should avoid using a wet towel or sponge as moisture causes wood to swell
and too much might deform your work. Sawdust is an easy and readily available solution to
glue cleanup.
It is important to clean up the extra glue as soon as possible since wood that absorbs glue
will stain differently than the rest of the wood.
A putty knife makes a great tool for both glue application and clean up
Another great method for applying and cleaning glue is a putty knife, the flat surface does a
great job of evenly spreading glue over your surface and the sharp edge makes cleaning
up excess glue easy.
If you get any glue on your hands after your piece is secure you can easily remove it by
just rubbing your hands together. Wet or still damp glue should just flake off.
Wrap Up
PVA glue is invaluable to a woodworker, and can offer much more strength to wood when
bonding along the grain than mechanical fasteners.
However, glue is not the solution to ever problem a woodworker will face. In the next
lessons we'll learn about drilling openings, which then can be used for mechanical
fasteners like screws; perfect for applications where you don't want to rely on glue.
Drilling holes in things isn't difficult, but knowing a few tricks can improve your projects
dramatically. In this lesson the basics of power drills will be covered, as well as techniques
for drilling small and large holes.
It seems simple, but there's lots that can go wrong when drilling from wandering drill bits,
holes that don't line up, and tear out. Understanding the tool limitations and how the bits
work is the best place to start, at the end of this lesson you'll be a pro in drilling.
This fundamental skill in woodworking will be used in almost every project you make, and
with a little practice will become second nature. Most of this lesson can apply to both
corded and cordless power drills, but for this lesson I'll be exclusively using a cordless drill.
Most of today's power drills do double duty and can be used to drill openings and drive
screws. You may not have noticed but most drills actually have settings on them which you
can dial in for different applications - some fancier models even have a speed control
which you can change from low to high, giving your drill an ever wider range of settings.
Torque Selection (Clutch)
The business end of the drill is called the chuck, this is where you insert drill bits. Most
drills have a ring of numbers around the chuck, this is the clutch that lets you select the
torque for driving screws. You can rotate the ring to choose the torque value of your drill,
which will stop the drill from spinning when it reaches a certain amount of resistance:
higher the torque value the higher the resistance threshold. This is great when you don't
want to over tighten a screw and risk it snapping or boring too far into the wood.
At the end of the torque selector is a drill icon, this tells the drill that you are drilling and
have no need to limit the torque (maximum torque).
Speed Selection
With most drills the rotational speed can be controlled by how much pressure is applied to
the trigger, but many drills will also have a speed selector. This allows you to switch from
high speed to low, perfect for driving screws (low speed) to drilling (high speed)
Most drills can handle the double duty of drilling holes and driving screws. There's a few
different types of drill bits used to make openings and choosing the right bit is important
since different drill bits excel at different things.
Driving bits are used to drive screws into wood. There's many shapes that correspond to
the head shape of the screw you are using. For clarity, "cam out" is when you are driving a
screw and the head slips out of the screw head, this can cause the head of the screw to
"strip", meaning deform the shape of the head making the screw unusable.
Driving Bits:
Slot - Common style of driver. Advantage is less rotational force Robertson - Also called square drive. Advantages are ease of
needed due to the leverage of the head width, disadvantage is use since screws stay on drive and virtually no cam out,
cam out and the driver does not automatically center to the disadvantage is they are not common in some areas (mostly
screw. America).
Phillips - Widely used and versatile screw. Advantages are that Torx - Advantages include high torquing and very low cam out,
even incorrect size drive can fit into screws, disadvantage is disadvantages are availability to consumer and the accessibility
moderate cam out (though some screws are designed to induce to the right bit when disassembling your work.
cam out to prevent over tightening).
Allen - A relative to Torx and can sometimes be used interchangeably. Advantages are
low cam out and high torquing ability, disadvantages are that it's uncommon for wood
screws (mostly used for machine screws). You probably have a bunch of Allen drivers from
IKEA furniture.
This is just a sampling for the many types of screws you're likely to run into. For most
projects you'll probably use the most common screw which is the Phillips screw, possibly
the Robertson. Start with getting a small selection of each and you'll have most of your
options covered for almost all your projects.
While drilling openings into wood you may notice a ragged exit hole, this is called tear out
and it can ruin an otherwise nice piece of wood.
The easiest way to prevent tear out is to support your work at the exit point of the tool. Tear
out happens because the wood fibers get caught on the drill bit and pushed out the wood,
with a sacrificial board supporting the wood fibers at the exit point of the tool you can
prevent tear out - this is called zero clearance. To make a zero clearance drill support all
you need to do is sandwich another wood board underneath your work, then clamp them
together. Zero clearance was explored in previously in Lesson 1 - Tear-out.
If you don't want to use a zero clearance board another trick is if you have a concealed
side to your work you can make that side the "exit" side of your drilled opening, leaving the
starting point of your drilled opening the "show" side.
To make drilling easier and more precise, especially in dense hardwoods, drill a pilot hole.
A pilot hole is a hole with a smaller drill bit than your final size.
This smaller hole will help guide the larger bit for the final size of the opening, and also has
the benefit of allowing you to see and correct any minor drilling mistakes before committing
to the larger bit.
Hole saws are used to drill out large diameter openings in wood. They come in a variety of
sizes, usually stepping up in diameter by " or ¼" increments, but there are specialty hole
saw sizes for any diameter if you're willing to pay for an unusual size.
To prevent tearout, use a sacrificial piece of wood under the wood you are drilling a hole
through.
After drilling you should have a plug inside your hole saw from the wood you just cut, this
plug can be easily removed by inserting a screwdriver through one of the openings in the
side of the hole saw and working it out.
If your work was clamped properly, and you used a sacrificial board underneath, you
should have clean holes in your wood.
Drilling an opening into wood isn't difficult, but you may notice that even the slightest tilt
can make your exit hole somewhere you didn't mean to. Some of this can be corrected by
using a pilot hole, but you can get consistently straight holes by using a scrap piece of
wood that has a squared end.
Honing our skills from Lesson 1 - Making Perfectly Straight Cuts, we can easily make a
straight square cut on a scrap piece of wood and then use this as our reference piece to
drill straight holes.
Mark where you want to drill a hole, then place your drill bit on the point. Next bring up your
squared scrap against your drill bit until the drill bit sits flush against the squared end. You
can move the scrap piece around to the perpendicular side of the dill to check both
directions for squareness.
A drill press is a fixed tool that is set up just for drilling straight holes perpendicular to the
work piece. The next step if you find yourself doing lots of drilling would be to invest in a
drill press, it can save a lot of setup time.
There's going to be some occasions where you'll only want to drill into wood a certain
distance and not all the way though. A very easy way to manage drilling depth is to
measure from the tip of the drill bit the depth you wish to go, then mark that length with a
small piece of tape. Drill down into wood until you reach the tape touches the surface of
the wood.
A fun and easy project to hone your drill skills is an upcycled bottle vase, which uses all
the skills taught in this lesson to make something functional and chic.
now that we've covered the basics on woodworking construction: cutting straight, drilling
openings, and using glue. It's time to turn our attention to finishing wood by learning about
sanding.
Before we go too much further into woodworking we should talk about sanding. In the
previous three lessons, any sanding you did on the class projects was probably more than
adequate, but with some very basic techniques you can greatly improve the quality and
time it takes to make your projects beautiful.
Sanding is done to create an even surface and enhance the look of wood. It can take time
to do a good job of sanding, but every project benefits from sanding.
Sanding is the action of removing small amounts of material from the surface of wood with
an abrasive. Sandpaper comes in different coarseness levels, called grit. Coarse grit
sandpaper is used to quickly remove lots of material, while fine grit sandpaper is used to
smooth out an already mostly smooth surface and make it even smoother.
It might seem obvious, but it bears stating. Always start with a lower grit sandpaper and
work the area of interest on your wood before moving up to a higher grit. Taking your time
with the lower grits where a lot of material can be removed quickly will save you loads of
work down the road.
Skipping grits can sometimes be okay, but skipping ahead to a high grit with a rough
surface to sand will make long and tedious work - and may not even be that effective at
smoothing. When stepping up to higher grits each grit corresponds to different depth of
wood scratches in the wood, slowly smoothing out the surface. Spending the time in the
early stages of sanding make the finishing work much more enjoyable.
With coarse grits it's easy to see what area has been sanded, but this gets harder to notice
as you step up to the higher grits. A great trick to help you visually is to scribble a pencil
over the area you're working before you start sanding, as you start sanding you'll be
removing a small amount of wood and removing the pencil marks.
Keep applying pencil to your work piece as you step up the grits to keep track of where
you've sanded and what spots need more attention.
Wood comes in all kinds of densities and each of these densities sand down differently.
When working with mixed wood types be mindful that less dense woods will abrade faster
than denser woods.
In the picture sown here there's an example of two woods that sanded at different amounts
on the left side near the bottom.
Painting over smooth work produces great results, but sometimes the paint can dry with
small debris or rough patches. Sanding with a micro grit in between coats when the finish
is completely cured and dried can produce very smooth results.
Make sure to clean the surface with a lint-free or tack cloth to remove any fine dust or
debris.
Cleaning
After sanding it's good practice to clean up the mess that comes with sanding and take a
moment to examine your work.
When working with fine sanding avoid the temptation to rub a damp cloth over your work to
clean it, as water can cause wood to swell and deform. Use a lint-free cloth or even a tack
cloth, which is a semi-sticky cloth used for removing fine particles from surfaces - works
great for preparing a surface for finishes.
Of course not all woodworking involves perfect cuts and power tools. A great attribute of
wood is that it's an easy medium to work with and can be tooled easily by hand, taking
shape in almost any way you can image. Wood carving is not quick, but can be very
relaxing. A good way to think of wood carving is in stages, or layers. You'll start with
roughing out a very general shape, then progressively step through stages to refine the
shape into something more detailed.
Shaping wood doesn't require much in the way of tools, mostly a method of cutting your
stock down to size, some finer instruments to make details, and a method to smooth it all
out after shaping.
To cut the basic shape of your wood stock a pull saw or a jigsaw are great for removing
excess material.
To shape the wood and give it a smoother appearance a 4-way rasp is vital, as is an
assortment of sandpaper.
A 4-way rasp has a flat side and a half-round side, each end will have a coarse and fine.
the half-round side is great for contoured surfaces, and the dual roughness provides a
great combination of removing or smoothing material.
Any wood can be carved and shaped by hand, however some types are easier to work
with than others (especially when starting out).
Wood hardness is measured by the Janka scale, which is how resistant wood is to a
denting test. While the test is fun to try on your own the real take away is to know that
different wood can have different densities and something to keep in mind when selecting
wood to shape.
Luckily there's a plentiful supply of soft wood that's perfect for shaping in every hardware
store: pine. Almost all wood framing studs in North America are either spruce, pine, or fir
(SPF). SPF framing studs are inexpensive, and perfect for hand shaping. Outside of the
hardware store you can find pine (or other softer wood) from all sorts of places like old
dressers, desks, or project boards. An easy test to see how soft wood is, try pressing your
fingernail into the wood and make a dent - if your nail sinks into the wood easy and makes
a mark then it's probably easy to shape.
Hand shaping is very relaxing, but will become frustrating quickly if you don't have your
work piece clamped down.
Use care when clamping your work, since clamping directly to soft wood would cause an
indent in your piece. Use a sacrificial piece of wood was put between the clamps and the
blank which distributes the load from the clamps across the wood and doesn't leave
indents in the blank.
A 4-way rasp has a flat side with coarse surface end and a fine surface end, and a convex
curved side with rough and fine surface on the other.
For shaping on straight areas I use the flat side and start with the rough surface. The rough
surface will remove more material but leave a very rough finish. This is perfect for getting
the rough shape right.
Hold the rasp firmly in both hands with the rough surface over the wood, and then make a
drawing motion diagonally to the wood.
Take time to make as many drawing motions to get the shape you desire. It makes more
sense to do lighter passes and remove less material than to try and remove lots of material
and go fast. Hand shaping takes time, but the results are worth it.
The 4-way rasp has a curved side to get into areas where there's geometry that won't allow
you to use the flat side. There is a rough end and a fine end to the rasp, depending on how
much material you want to remove and how you want the finish to look.
In this serving spoon example the dish of the spoon head needs to have an indentation
carved. To achieve this the wood was fist clamped securely, and then the curved rough
end of the rasp was drawn over the deepest area of the indentation to start the gentle
curve needed to dish the wood - this part can take a while as there's a lot of material to be
removed to make the dishing shape.
Here's results after about 20 minutes. Take the time with the rough side to get the shape
you want before moving onto the fine side and cleaning up the rough surface.
Using the fine end of the rasp the head shape can be smoothed out, removing the tooling
left from the coarse end of the rasp and filing down any rough or ragged edges. After
learning about sanding we're ready to start sanding the rough shape smooth.
After some time with the fine end of the rasp the surface can be smoothed out more with
coarse grit sandpaper, the grit of the sandpaper should be finer than the rasp - most fine
rasps are equivalent to about 60-80 grit, so moving to 100 grit is a good choice.
Move your way up the sandpaper from 100 grit to 200 grit to smooth out the surface of your
hand carving.
Hand carving is an art and takes practice and patience to get good results. There's a
charm that comes from hand carved items, so never discount the aesthetic, sometimes
perfection is not desired!
On the other end of the spectrum from hand carving is making curved edges and a power
router. We'll learn all about this versatile tool in the next lesson.
A hand router is one of the most versatile tools in woodworking. More than just a way to
bevel an edge, a router can create all kinds of edge profiles, be used to square wood
edges, and even used as a thickness planer to level uneven wood. In this lesson we'll be
covering all those uses as well as breaking down the router to understand just how handy
this humble tool can be.
First we need to understand what a good router looks like. A router's power is measured in
horsepower, with more horsepower allowing faster work as the motor can power through
jobs without getting bogged down. For a lot of woodworking projects a simple handheld
router is perfect, I use a 1hp Bosch palm router which is more than enough for the average
woodworker.
Safety:
As with all tools, safety is very important. This is doubly so with a tool like the router. Sharp
router bits spinning at very high speeds can pose a very serious safety risk if you're not
careful. Whereas some power tools can take a finger off, the router basically chews up
whatever it touches and can leave you with nothing to reattach. Always exercise caution
when using the router and never put your hands anywhere near the blade during operation.
Whether you have a palm router (shown on the left), or a plunge router (shown on the
right), or a big table router, they all work the same and will have many of the same
features. Whichever router you have will require wrenches to undo the collet that holds the
router bit, will have a flat surface to rest the router on and reference your work on, and be
able to set the depth of the router bit. Let's take a look at the anatomy of a handheld router
in detail:
Removable base
All handheld routers will have method to set the router depth, continuing to extend the
router beyond the minimum depth of the tip will allow the base to slide off completely.
Removing the base will allow you easier access to the collet to change the router bit, and
allow you to change the fixed base for a tilting one (as seen below).
Removing collet and bit
Routers have a threaded neck close to the router body that the collet and nut fit onto, the
way the bits are are inserted the nut will tighten onto the threaded bolt when it's spinning.
Changing router bits is easy, but should only be attempted when the router is unplugged.
Using two wrenches one wrench will fit into the keyway on the threaded neck and another
fit onto the hex nut, twisting counterclockwise the nut and collet will come undone from the
threaded neck.
Woodworking Class: Page 64
Flat fixed or tilting base
All hand routers (palm and plunge) will come with a base that fits onto the router body and
will have a base that is perpendicular to the router bit. There's an option to have a
removable router base that can be tilted, meaning you have have your router bit placed at
an angle to the piece you are working on. The angle of the tilting router base can be set
with a thumb screw on the side, which will also have an angle indicator so you can set it to
the correct degrees.
Bit depth
Some routers have a plunge feature, which allows the router to be dipped into the work
piece and will spring back to a preset distance. This simple router doesn't have a plunge
feature but does allow you to set your bit depth by unbuckling the hasp and setting the
depth of the fixed base.
The measurement notches are measured from the collet and are meant to be an estimate,
since the height of the collet can vary slightly based on how tight your bit is screwed in,
and how much of your router bit shank is revealed.
Router Attachment - Edge Guide
Some routers come with attachments that serve a function to help you with your work,
such as a straight edge guide. Edge guides are able to be attached to the router base by a
hand screw and will allow you to set the distance of the guide to act as a fence.
The edge guide travels over your work piece and along a straight edge, this will guide the
router bit to trim a straight edge on the opposite side of the work. Either measure the
distance from the edge of the router bit to the inside edge of the fence, or set the fence
distance by hand by placing the fence over the piece you wish to cut. The fence distance
can be set with a thumb screw.
There are hundreds of types of router bits designed to give you any profile you could want
It helps to have a variety of router bits on hand so you have options, like with a router bit
set. The most common (and helpful) bits are the rabbit, flush trim, roundover, and straight
cut.
Shank Size
The shank of the router bits that fit into the collet are usually in either 1/4" or 1/2", so know
the size of your collet before buying a router bit (or buy a secondary collet so you can
switch).
To make things easy on myself, I just stick with one size of router bit shank, but your needs
may vary.
Top vs Bottom Bearing
Some router bits have a steel bearing on the axis, this bearing allows the bit to ride up
along your work and use it as a reference.
The bearing can be located at the top of the bit, close to the router body, or bottom which
will ride against a smooth surface and trim everything between the bearing and the shank.
With the bit inserted into the router and held in your hand, the bottom bearing is at the
bottom, and the top bearing is at the top.
Routers have a threaded neck that the collet and nut fit onto, the way the bits are are
inserted the unit will tighten onto the bot when it's spinning. Changing router bits is easy,
but should only be attempted when the router is unplugged.
If you look below the nut you can see a keyway on the threaded neck that a wrench can be
fitted into, with a wrench on the top nut you can hole the threaded neck and turn the nut
counterclockwise to undo and remove the nut and collet.
Some routers have a momentary lock on the side which locks the threaded neck in place,
eliminating a wrench needed for the threaded neck.
The lock button needs to be held in to engage the lock, and will disengage when released.
The lock will only fully press into the router when the threaded neck is in a particular part if
the rotation, so the threaded neck may need to be rotated slightly for the lock to engage.
When tightening the nut only use enough force to snugly hold the router bit, overtightening
will make the bit very difficult to remove later.
Amount To Insert
It might seem that when inserting a router bit into the collet that it should be seated in as
far in as it can go, however that's not always the best option.
Some routers have a shallow arbor that can prevent long shaft router bits from being
inserted this far, but from a safety stance having the bit slightly set out from the threaded
nut means that the collet is just grabbing onto the bare shank of the router and not the
painted portion. On the other end, obviously extending the router bit far from the collet can
produce a speed wobble that is very unsafe.
Of course, all routers are different and you will need to determine the best for your router
and bit set.
A milling cutter can cut in two directions, sometimes known as conventional (or up) and
climb (or down). For almost all cutting with a palm router a conventional cut is
recommended, but know that it can cause tear out when reaching the end of a cut.
Conventional milling : The chip thickness starts at zero thickness, and increases up to
the maximum. The cut is so light at the beginning that the tool does not cut, but slides
across the surface of the material, until sufficient pressure is built up and the tooth
suddenly bites and begins to cut. This deforms the material (at point A on the diagram,
left), work hardening it, and dulling the tool. The sliding and biting behaviour leaves a poor
finish on the material.
Climb milling: Each tooth engages the material at a definite point, and the width of the
cut starts at the maximum and decreases to zero. The chips are disposed behind the
cutter, leading to easier swarf removal. The tooth does not rub on the material, and so tool
life may be longer. However, climb milling can apply larger loads to the machine, and so is
not recommended for older milling machines, or machines which are not in good condition.
This type of milling is used predominantly on mills with a backlash eliminator. [source]
For hand routing, it's advised to only use conventional milling, this will prevent grabbing
and kickback.
*conventional and climbing cut images used are public domain.
By far the most common application for the router is to tackle edges. There's a wide
assortment of router bits that can achieve all kinds of edge profiles. Here's an example or a
roundover with the bearing using the work piece as a reference.
Set the router base to the depth desired, its always a good idea to run the router on a test
piece of wood before committing to the project - that way you can make multiple
adjustments if necessary. Carefully router every side until the edge profile desired is
achieved.
In the above example you can see the depth was set a little too low, leaving a small ledge
from the to of the router blade profile. Most times ledges like this can be fixed with sanding.
Although the bearing on some router bits helps guide the blade based on a reference,
sometimes you may want to make a cut with the router where there is no existing
reference. This is where a fence comes in handy.
Most router bases will allow for some kind of attachment for a fence to be installed.
The edge guide can also be used to make channel cuts, using a flat reference edge
Remember, for cuts that remove a lot of material use shallow passes to achieve the depth
desired, rather than making one pass. This will prevent your router from getting bogged
down, will result in a better cut, and will make your router much easier to handle.
A great application for the router is surface planing. Using a flat bottom router bit to plane
down irregular height of wood. To perform this action there's a little setup required.
SECURE WOOD TO BE PLANED
There will need to be clear and unobstructed access to the entire top of the piece to be
planed. I use hot glue most times, as the work piece can be easily removed from the
workbench and the hot glue doesn't leave much residue to be removed after the surface
has been leveled.
With 2 rails we can attach them to the workbench and use them to plane down the glue up
to a uniform height.
With both rails set up on your workbech a plank can be laid across the top of the rails to
check if they are level. If there's any discrepancy check the workbench for levelness first,
then check the rails to ensure they are symmetrical.
Having level rails means that when the router is riding on top the router bit will carve a level
surface.
ROUTER SLED
To level the top of our work piece a sled will need to ride along the rails. The sled needs to
be long enough to pass over the entire spacing of the rails, and wide enough to
accommodate the router base. It's also important to make sure the sled is thick enough not
to deflect when the router is placed on top, which can cause the routing to not be level and
dish.
Find the center of your wood that will be your sled and drill an opening with a hole saw
large enough for the router bit to pass without interference.
Once the holes are drilled a countersink was used so the base plate screws will sit inside
the sled. Use the same screws that were in the removable plate to attach the sled to the
removable router base.
Insert the router bit into the collet and screw the nut into the threaded neck until it's snug.
Set the router into the sled and put the sled in the rails, then set the router depth to about
1/4" lower than the highest point of the glue up. Starting with the router away from the glue
up, power up the router and slowly move towards the glue up and gently eat away at the
highest points from the glueup.
Continue routing at 1/4" depth increments until the lowest point of the glue up is reached.
This may be several passes as minimal amount of material removal is desired. To plane
down this piece of glue up took about 30 minutes.
It may happen that you will see striations and burn marks (indicated with arrows below)
from the router achieving different depth cuts along the same path, or if the router is left too
long in one area the bit can make a burn mark in the wood.
These striations and burns aren't a big deal as long as they aren't deep or too different from
the adjacent wood, these imperfections can easily be accounted for when sanding with
rough sandpaper after routing.
Up to now we've been focused on right angles with our wood projects, but there's going to
be times when you're going to want more complex shapes to your woodworking. The next
step to adding interesting details to your work is with angled cuts, in woodworking terms
angled cuts are called either bevels or mitres.
This begs the question: what's the difference between a bevel and a mitre?
Bevel
A bevel is an angled cut relative to the face of the material. This can be an angled cut
along the entire side of a plank of wood, or cut at the end of the wood. The picture above is
a bevel cut into the end of a piece of wood.
Mitre
A mitre is an angled cut cut relative to the square side of the material. This is most typically
seen on wood picture frames. The image shown above is a typical mitre.
Making a bevel with a circular saw is just as easy. Almost every circular saw has a tilting
baseplate that allows the angle to be set. The thumb screw or catch to loosen the tilt will be
in front or behind the blade and off to the side, usually in line with the trigger.
The base can be tiled with a rough degree of accuracy, which is usually enough as most
bevels are used for trim work and not intended for joining where precision would be
needed.
After getting the angle right the blade depth will need to be changed to only a little deeper
than the thickness of the cut to be made. Blade height can be changed by a catch that will
move the baseplate up or down and expose more or less of the blade.
With everything set up the circular saw can be run along the wood to create the bevel. As
with other cuts, it's advisable to position your work so that the cut off portion falls away
from the wood. In the video example below I was cutting directly on top of my workbench,
which has the potential for the blade to cut through the wood and into the bench.
As seen in the next picture below, I had the blade set slightly less than the full thickness of
the piece, leaving a ridged profile.
Cutting a mitre with a circular saw is almost the same as making a straight cut as learned
in Making Perfectly Straight Cuts, only we're cutting at an angle. Measure and then mark
your mitre with a pencil on the face of your wood, continue the mark from the face over the
edge and onto the side of the piece - this will help keep reference when you're cutting.
If you're cutting a 45° angle the measurement is easy with a speed square, just line the
flange edge of the speed square on the side of your wood with the flat side of the square
on the face of your materials and scribe the angle with a pencil. If you're doing an angle
other the 45° then the speed square has you covered with the markings on it, or you can
use a protractor and a straight edge to achieve the angle you want.
As with the Making Perfectly Straight Cuts Lesson, set up a fence along the angled cut
line, remembering to offset the distance of your circular saw base plate and blade kerf and
to set the fence on the side of the wood you wish to keep so the cut off portion falls away.
Then, clamp your wood to a stable workbench and cut your mitre.
With the fence set up correctly, your cut should be clean, accurate, and have minimal tear
out.
Sometimes, even when you double check everything, bevels can come out irregular. Most
of the time the result are thin fins of wood where the saw blade didn't cut, these can be
easily resolved with a small trimming plane.
The plane works by having a flat and level bottom with a small notch cut out from which a
sharp blade protrudes, it works much like a shaving razor except with this razor you can
control how much of the blade is exposed. It's best to start with very little blade, then work
your way up exposing more blade as required.
With the base positioned flat against the wood, run the planer in the direction of the wood
grain with the blade facing forwards in one smooth motion. If done correctly the wood will
curl as it's shaved (planed). Hand planes aren't just for corners, they're also commonly
used on relatively flat surfaces to help level any high spots - look for another lesson on
planes in a future class.
After a few cuts, something you're sure to notice is that the mitres don't line up, even when
you're checking with a square and sure you cut everything as precise as possible - this is
where an ugly truth emerges about mitres: they're really hard to get right!
The good news is there's some things we can do to try and make the mitres fit better.
Clamp your sander into a bench vise so that you're got a sturdy station to sand at, put a
150 grit sandpaper on the sander and gently press the mitre onto the sander making sure
the contact is as level as possible.
The idea here to to try and even out any small variations from the mitres and get a better
fit. Go slow and check your work for squareness often, using a carpenter's or speed
square. Eventually you will get to a place where your frame will be mostly square and the
mitres tight (this is a Sisyphean task, as getting perfect mitres can be tough even for
seasoned woodworkers).
Flip the frame over so the front is facing upwards. If your frame has any gaps that couldn't
be trued up by sanding they should be apparent now with the corrugated fasteners
installed.
In a similar way to when we learned that sawdust can be used to clean up excess glue in
the All About Glue Lesson, we can also use glue and sawdust to act as a filler for small
gaps.
Apply glue on top of the gap and use a toothpick or sheet of stiff card to force glue into the
gap, push sawdust from the same same wood as the frame into the gap. Since sawdust is
a great at absorbing moisture you can apply another layer of glue on top (if needed) and
then another layer of sawdust to fill the gap.
A clamp was used to keep the wood tight. Allow the glue to dry overnight before sanding.
From the Sanding Lesson we know to start with a coarse sandpaper of about 100 grit,
paying special attention to the transition between joined pieces and the corners, and
working our way up to higher grits. If sanding reveals any more voids at the mitres then
reapply the glue and sawdust trick again, wait until dry and then continue sanding.
Work up the sandpaper to about a 220 grit for your finish sanding. Clean off the frame after
sanding to remove any dust or debris with a tack cloth or lint-free rag.
Mitres might be challenging at first, but they add great dimension to woodworking projects,
as they don't leave unsightly end grain. With practice, you'll be a master of bevels and
mitres in no time.
In the next lesson we'll learn about stains and finishes that will help make our work really
shine.
For almost all my woodworking projects, I prefer to accent the grain of the wood rather than
cover it up by painting. When I do paint, it's with a water based paint as it's easier to clean
up (mistakes and after painting), and doesn't off-gas.
We've waited until the end of the class to talk about finishes, partly because there's no
"right" answer when it comes to finishes, and everyone will have an opinion about how
they want their piece to look. The aim here is to arm you with the knowledge of a few
different types, and applications, then allow you to make your own mind up about what
looks best on your woodworking project.
Shop safety should be observed when using any stains or paint, even if the stain or paint
isn't harmful to your skin the solvents used for cleanup might be. The easiest solution is to
use protection in the form of disposable gloves.
There's the standard natural rubber latex gloves, the more durable and latex-free nitrile
gloves, and the loose fitting and economical vinyl gloves (also latex-free). You'll find a
glove to fit your preference, budget, and one that suits the application. Wearing something
is better than nothing, and makes cleanup a breeze.
Unless you want to have a multicolored workbench, it's usually a good idea to cover your
work area with some kind of paper to catch any drips. Don't forget to put on some eye
protection, too. Stain or solvent in the eye is no fun.
Chip brush
These brushes have natural bristles set in a wood handle with epoxy. With a sturdy handle
and rough bristles they can stand up to most solvents and are great for applying stains,
epoxy, glue, or cleaning parts. They're more expensive than foam brushes but much less
than paint brushes, so they're great for sticky applications where you'd want to dispose of
the brush after.
Foam brush
Inexpensive and available in loads of sizes, these brushes apply a smooth and even coat,
great for painting and finish coats. The head inside the foam is a plastic fin attached to a
wood dowel, with repeated use the fin can warp or snap off the handle, the foam can also
degrade after repeated use. These foam brushes are synthetic and may melt when used
with solvents.
Lint-free rag
The same type of material used for T-shirts can be cut up into rags and used as a lint free
rag. Lint free is important otherwise you'll be picking debris off the surface of your work
with every wipe. Very inexpensive (free if you have old T-shirts!) these rags are great for
applying stain, oils, or used for cleaning with a solvent. Rags can leave a "rustic" finish
when used to apply (or wipe off) paint and may not be ideal for paint application.
If you've ever wandered into the paint and finishes section of a hardware store you'll know
there's a very large selection out there to chose from. Here's a few of the most popular
choices of topical treatments for wood, broken down loosely into colorants and clear
finishes:
COLOR
Stains:
Wood stain is a colorant mixed suspended in a solvent - since stains are solvent-based
they cure. The colorant can be a dye or pigment.
Pigments and dyes are largely used as colorants. The difference between the two is in the size of the
particles. Dyes are microscopic crystals that dissolve in the vehicle and pigments are suspended in the
vehicle and are much larger. Dyes will color very fine grained wood, like cherry or maple, which pigments
will not. Those fine-grained woods have pores too small for pigments to attach themselves to. Pigments
contain a binder to help attach themselves to the wood.
The type of stain will either accentuate or obscure the wood grain. Most commercial stains contain both
dye and pigment and the degree to which they stain the appropriate wood is mostly dependent on the
length of time they are left on the wood. Pigments, regardless of the suspension agent, will not give much
color to very dense woods but will deeply color woods with large pores (e.g. pine). Dyes are translucent
and pigments are opaque.
-source
Shellac:
An older type of stain and high-gloss finish, mostly been replaced with newer synthetics
but plenty of older furniture have a shellac finish that should only be touched-up with
FINISHES
Varnish:
A hard and protective finish that is transparent, made from a drying oil, a resin, and a
solvent. Typically glossy, but available as semi-gloss, varnish is applied over stains for a
protective finish. Stain varnish is also available, which is a varnish with a dye added.
Polyurethane:
A type of synthetic abrasion-resistant and durable coating. This clear protective finish is
great for protecting your wood from moisture and wear, and comes in different glossiness
like matte, semi-gloss, and gloss. Some polyurethanes break down with UV exposure, so
be mindful of what type you select.
Finishing Oils:
Oils can be synthetic or natural, the two most popular are both vegetable oils: linseed oil
and Tung oil. However, Tung oil has a tendency to yellow over time, which can make for
an attractive finish if desired. Danish oil is another popular type of oil that's been mixed
with a varnish.
Epoxy
A thick and sticky 2-part solution that finish that cures to a clear, very hard, and waterproof
finish. Epoxy coatings are either sold as a 1:1 ratio where the resin and catalyst are poured
together in equal parts, or in unequal portions that need to be measured or weighed before
combining.
All epoxies have a "pot life" which the epoxy has to be used by before the curing process
begins and the epoxy cannot be handled any longer and must be left to cure.
You may have found a color of stain or oil you like in the store but it can look very different
depending on what wood it's applied to, sometimes there's a sample stick in the stain aisle
to help you out and give you an idea.
Once you have a collection of colors in your own shop you can start your own stain stick
(as seen above). Remember to number your samples to correspond with each can.
Remember that stains will look different on different types of wood.
When you have a color you like, before you commit to covering your work test your finish
on a hidden area of your work, like the back, underside, or inside. These "hidden" areas
won't be seen by anyone and will give you an idea of the look of the stain. Allow the stain
to dry before making the call, also try applying a second coat in the hidden area.
If there's no hidden area to your work you just need a scrap of the same type of wood
(ideally a cut-off from the same section).
Cured Finish
A cured finish is not the same as a dried finish, as a finish takes longer to cure and can
continue to do so even after the top of the finish seems dry.
"[curing is] a chemical process that takes significantly longer than drying. Some kinds of finish cure by
evaporation of their solvent, and some cure by reacting with oxygen. Either way, the process continues
after a film has formed on top." -source
Dried Finish
A dry finish is exactly what you think it means, dry. Something to keep in mind is that some
woods are more porous than others and the surface might be dry but there's small pools of
the finish deep in the wood that's not yet dry. Most times it's not a big deal, but something
to be mindful of if you're looking for a particular tint to your wood finish. Also, some thicker
finishes take longer to dry than thinner ones.
Commercial Finishes
All commercial finishes are food safe after they are cured. I'll amend this by saying that if
you're planning on storing something very acidic perhaps try something other than your
coated woodworking project. Also, coated finishes like polyurethane or epoxy aren't
suitable for cutting boards as the finish can chip off and end up in your food, best to use an
oil instead.
Though any commercial finish is fine, sometimes it's easier to just buy the stuff that says
right on the can "food safe".
Natural Finishes
If you want to keep things all natural there's loads of options like beeswax and mineral oil.
Be mindful that most of the natural options will require frequent reapplication in order to
keep protecting your work as it will rub off over time and with use.
It may be tempting to use a grocery store oil but I'd advise against this as cooking oils can
go rancid over time, having rancid oil impregnated in your wood creation would be
heartbreaking (and really gross). Best to opt for mineral oil, which is available everywhere,
inexpensive, and as neutral as it comes.
After applying your finish you'll need to let it dry (or cure). It's best to leave your work
undisturbed in a constant temperature, as cold can prolong drying time and humid heat can
make the finish go weird.
To allow air around all areas where finish is applied upturned screws make for great
standoffs, the tip leaves minimal marking and finding matching screws is plentiful in most
workshops.
Follow the directions of your finish when observing drying times, and in between coats.
Typically, thicker finishes take longer to dry than thinner ones. When in doubt, wait
overnight.
Experimentation
Finishes can be a lot like alchemy, there's a few combinations that are known but through
experimentation you'll find all kinds of combinations that work well together.
Though there's nothing wrong with store bought finishes many woodworkers mix their own
"special sauce" for finishes that they've found over years of experimenting, so after you
have a few types of stains and finishes try experimenting with different application
methods, wait times, combinations of ingredients (be smart and safe, some chemicals
don't work well together), and what sealer to use after a stain.
Now that you're done with some of the fundamentals, keep your skills sharp by getting
started on your next project!
Big or small, there's something you've probably been dying to make.