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Random Music Theory Studies Volume One

Music theory papers and research written between 2007 and 2008 - Classical Music from Renaissance, Baroque to Modern XX century ideas. Modulation matrix Figured Bass Voice Leading, Pt. 1 Rules for the Construction of Melody Cadence, Pt. 1 - Introduction Common Root Progression in the Major and Minor Mode Setting Words to Music Three Types of Accent (dynamic, tonic, agogic) Ornamentation, Pt. 1 (appoggiatura, mordents, trills, turns) Note Values, Anacrusis or Upbeat Four Types of Cadences, Pt. 2 Landini, Gypsy/Magyar, Authentic and Jazz Cadences Four Types of Syncopation Setting Words to Music Composing Melodies Classical Harmonic Folk Dance Progressions Passamezzo Antico, Passamezzo Moderno, Romanesca, Bergamasca, Chaconne and Passacaglia, Folia. The Perception of Music Frequency Rate and Musical Pitches Four-Part Writing Voice Leading, Pt. 2 Augmented Sixth Chords The Neapolitan Sixth Chord Chord Progressions & Creating Predictability Chord Spacing in Vocal Polyphony Four-Part Harmonisation Harmonic Progressions and Occurrence of Probability in Tonal Music Plato’s Musical Idealism Seventh Chords Creating Surprise - Schematic, Dynamic, Veridical, Conscious Added Sixth Chords Motive Rhetoric & Music Schematic Predictability Monophony, Polyphony, Homophony, Heterophony, Freistimmigkeit, Antiphony The Lament String Instruments Motive Structure Four-Part Writing Ornamentations, Pt. 2 (appoggiatura, trills, turns, mordent) Statistical Properties of Music

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121 views54 pages

Random Music Theory Studies Volume One

Music theory papers and research written between 2007 and 2008 - Classical Music from Renaissance, Baroque to Modern XX century ideas. Modulation matrix Figured Bass Voice Leading, Pt. 1 Rules for the Construction of Melody Cadence, Pt. 1 - Introduction Common Root Progression in the Major and Minor Mode Setting Words to Music Three Types of Accent (dynamic, tonic, agogic) Ornamentation, Pt. 1 (appoggiatura, mordents, trills, turns) Note Values, Anacrusis or Upbeat Four Types of Cadences, Pt. 2 Landini, Gypsy/Magyar, Authentic and Jazz Cadences Four Types of Syncopation Setting Words to Music Composing Melodies Classical Harmonic Folk Dance Progressions Passamezzo Antico, Passamezzo Moderno, Romanesca, Bergamasca, Chaconne and Passacaglia, Folia. The Perception of Music Frequency Rate and Musical Pitches Four-Part Writing Voice Leading, Pt. 2 Augmented Sixth Chords The Neapolitan Sixth Chord Chord Progressions & Creating Predictability Chord Spacing in Vocal Polyphony Four-Part Harmonisation Harmonic Progressions and Occurrence of Probability in Tonal Music Plato’s Musical Idealism Seventh Chords Creating Surprise - Schematic, Dynamic, Veridical, Conscious Added Sixth Chords Motive Rhetoric & Music Schematic Predictability Monophony, Polyphony, Homophony, Heterophony, Freistimmigkeit, Antiphony The Lament String Instruments Motive Structure Four-Part Writing Ornamentations, Pt. 2 (appoggiatura, trills, turns, mordent) Statistical Properties of Music

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Osvaldo Glieca
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© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Osvaldo Glieca

Random Music Theory Studies

Volume 1

(2007)

© 2007
Contents

1. Modulation matrix

2. Figured Bass

3. Voice Leading, Pt. 1

4. Rules for the Construction of Melody

5. Cadence, Pt. 1 - Introduction

6. Common Root Progression in the Major and Minor Mode

7. Setting Words to Music

8. Three Types of Accent (dynamic, tonic, agogic)

9. Ornamentation, Pt. 1 (appoggiatura, mordents, trills, turns)

10. Note Values, Anacrusis or Upbeat

11. Four Types of Cadences, Pt. 2

Landini, Gypsy/Magyar, Authentic and Jazz Cadences

12. Four Types of Syncopation

13. Setting Words to Music

14. Composing Melodies

15. Classical Harmonic Folk Dance Progressions

Passamezzo Antico, Passamezzo Moderno, Romanesca, Bergamasca,

Chaconne and Passacaglia, Folia.

16. The Perception of Music

17. Frequency Rate and Musical Pitches

18. Four-Part Writing

19. Voice Leading, Pt. 2

20. Augmented Sixth Chords

21. The Neapolitan Sixth Chord


22. Chord Progressions & Creating Predictability

23. Chord Spacing in Vocal Polyphony

24. Four-Part Harmonisation

25. Harmonic Progressions and Occurrence of Probability in Tonal Music

26. Plato’s Musical Idealism

27. Seventh Chords

28. Creating Surprise - Schematic, Dynamic, Veridical, Conscious

29. Added Sixth Chords

30. Motive

31. Rhetoric & Music

32. Schematic Predictability

33. Monophony, Polyphony, Homophony, Heterophony, Freistimmigkeit, Antiphony

34. The Lament

35. String Instruments

36. Motive Structure

37. Four-Part Writing

38. Ornamentations, Pt. 2 (appoggiatura, trills, turns, mordent)

39. Statistical Properties of Music


© 2007

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