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Eagle-Eye Cherry Desireless PDF

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100% found this document useful (2 votes)
1K views37 pages

Eagle-Eye Cherry Desireless PDF

Uploaded by

Franck Ursini
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© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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BM Grenoble et réseau - Document

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00000 16821 36 1

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D ESI R ELESS

@
WARNER BROS. PUBLICATIONS. THE GLOBAL LEADER IN PRINT
USA: 15800 NW 48th Avenue, Miami, FL 330'14

MEP
IllÎEN}.lANOilAI IUSIC PUBUCAÎIOIIS UITTED
CAàIADA: 85 SCARSDALE BOAD, SUITE 101 ITALY: VIA M F OUII.{TIUANC 10 EI{GI.I'{O : SOUTHENO ROAD
DON MILLS, ONTAFIO M38 2R2 æ138 HILÂiiO GRÊEN ESSÊ.X IG8 81rN
SCA,{OINAVIA: P O 8Ox 533 VENOEVAGEN 85 B 'ICOOFOFO
Fn^XCE:25 BUE D€ l-tAUTErlU-E. 75Cr0 PAÂiS
SPAIX; r.lAGAiLrrÉS æ
S.182 I5 DANOERYD SWEDEN 2æ15 l,l ôR D GERIÂXY: MARSTALISIR I D€O5§ MUIiCFEN
AUSIH^UA:PO BOX3s3 OE'IIÂFIL OÀ\àâJSI( VOGIiI,TAGERGAD€ 7
3 TAI.AVERA ROAO NOATH RYOE N S W 2' J3 Oi( '1 æ KOB€N:IAVN(

Copyright @ 1998 Warner/Chappell Music Scandinavia AB


Project manager: Lars Hoflund rf r'.'
Transcribed by Urban Dahlberg
f
-:.i:. , i r-tI t ' li- M.1
* +'I_s'i
Photo: Jonas Ekstrômer/Mattias Bardà/Hàkan Lindell/ (
'ltf):" i :.,
Pressens Bild/Diesel 2 Publishing & Management AB 39't'rr_i ,li. .,_,
- ",t.-l
Printed by Duvbo TryckeriAB
Falling In Love Again
Gomatose (tn The Arms 0f Slumber)
Worried EYes

Rainbow Wings
Gonversation
When Mermaids GrY
Shooting UP In Vain
Save Tonight (tab version)
Permanent Tears
Death Defied BY Will
Desireless
Indecision

'
ü'. ')7
§aru gr -88s42'24'4

, ulullullJl[u[lÏ
WARNER CHAPPELL MUSIC 160 0319
SCA}IDIF{AVIA AB
Falling In Love Again
Eagle-Eye Cherry

ti - fall - ing in find-ing it


1. I'm so red

Am G

fatl out. You can't

feel Cu - pid's

fi - re, can't

ffn*

love noth - ing I can fall-ing in

Am G

love a-gain,- girl this time it's with you.

A G

faII, al - ways the same, and I'm

Am Am G
-
Am cs
ti - red of playing this game.

æll np if you're gonna brcak my heart 'cos I


2. Been so

Copmgbr @JS7 Diesel 2 Publishing & Management


AB' Adm: Warner/Chappell Music ScandinaviaAB
don't wan-na take true all it's gon - na be-

G C

nothing but

nev - let We got-ta have something to go


- -

let - ting you

Fall - ing- in

love a-gain. - in love a - gain. -

I'm fall - ing


- in love I'm fall - ing
- rn

l1.A- C G I 12.l* C
G
r1

a- garn. _ Fall - ing


- in love galn.

2. Been so long norü/ since I gave up my heart.


I've kept it locked down, I don't wanna get it harmed.
So let me tell you now, I just want to be sure
that you won't hurt me. Can you promise me that?

r L IIQUE-DI,qCüT ii ; _,Q i.;


6ranC'Flale
33 tOtr GR^qt{orLE
3
Comatose (In The Arms 0f Slumber)
Text: Eagle-Eye Cherry
Musik: Eagle-Eye Cherry/Kent Gillstrôm
G Em Em

1. doors are closed and


- -
Em

Some- one calls I don't wan-na

G Em

Stay- a- way you all, wan-na stay a- way.

G Em G Em

I'm gon-na be al right, right.

ffc
I

With - in arms slum - ber gon - na

G Em G Em

leave it all hind.


-
C

Co - ma-tose- der like all

Em D

Com-fort of my

re - sign my - self
-
to

Copyright @ 1997 Diesel 2 Publishing & Management AB. Adm: Wamer/Chappell Music Scandinavia AB
might, oh ['m sleep - ing when I'm blue. Such a plea -

when feel my - self go un der.


- -
Em Cadd9

Stay a - way,_ stay a- way while I'm m the arms of slum -


- -

And I'm leav-ing it all be - hind.


-
G

7 G Em
â I \ I

The mag - ic of sweet mor - phe - us, you're


-
Em G

do-ing it You saved from my sad -

Em Em

ness, you saved me from my pain.

Em G

from de - pres s10n, pro - tect

Em Em D.s. and fade

night and I'll be


-

rf
2.. With pride and disdain I'm gonna ignore this pain.
V/hen someone falls you're supposed to get up again.
I try to oblige but I, I can't tonight.
I'm gonna be alright, alright.

Within the arms of slumber...


Worried Eyes
Eagle-Eye Chenl
D Em

1. I've tried so hard to re - mem - ber what it is that I for -

D/F#
tl

got, but can, but can be - lieve,

G D

will you
{.)/
now. I've tried, I've

Em
I I

tried, I've tried, cried and kissed good bye


- -
D/Ff G

to some-thing that we both know. Boy, you blow my

mrnd.
V don't know how

Em D/F#

show you what feel for

know, all I know is I want to be with

D Em D/F# G
1L

you.

Copyright @ 1997 Diesel2 Publishing & Management AB. Adm: Y/amer/Chappell Music ScandinaviaAB
X,
l! \
Em
IL

:----
2. Have you ev - er tried to be, have you ev - er tried to

D/F#

-
see some-thing, but you don't real - ly know what it
D

Lord,
-
Em

Iook at ÿoU' hear your

D/F#

try to

try to So don't you look at me with wor-ried eyes,


-
Em

'cause you know we got to try, AII I

\-_./
know, all I know is wan - na be with you.

AII I know, all I know is wan - na

D/F#

be with you. All know, all I know is

wan - na be with

I
3. Here I am, and I believe, Yes I do'
what I do, what I do for You'
I look at You, I hear Your voice'
I try to remember, I try to remember'
worried eyes'
So âon't you look at me with
'cause you know we got to trY, girl'

All I know...

9
Rainbow Wings
Eagle-Ey e Cherry llohn Carlberg

IIlm _

mm_

Don't sell your soul for pack of lies.


-

Don't sell your soul.

A7

1. the dev - il m_ dis-guise with his


E

rain-bow wings and pack of lies. had my sus - pi - cions but

A7

they were ig Far a - way the

an - gel cries, how far the an - gel sings.

Don't sell your soul for a pack of lies. Don't sell your soul.
-

Copyright @ 1997 Diesel 2 Publishing & Management AB. Adm: Warner/Chappell Music Scandinavia AB

l0
tï---l D.S. (instr) atsl

fllm _

mm_ mm_ IIlm _

2. I watched him preach from the book of greed


with promises of glory and how we'll succeed.
I had my suspicions but they were ignored.
Far away the angel cries,
how far away the angel sings.
Don't sell your soul for a pack of lies.
Don't sell your soul.

Mm...

Instr.

Far away the angel cries...

t1
/,
Gonversation
Eagle-Eye Cherry

with the child - be - Iieved -

cfi*9

you do? Dad - dy, dad - dY please,

-
C*m9

tell me

Aadd9

ple are

comes

Adm: warner/chappell Music ScandinaviaAB


copyright @ lggTDiesel2 Publishing &ManagementAB'

t2
when lies 1S all that's been said. And the
-
E Cf m9
D

blame - less eyes of in-no-cent youth 1S beg- gin' for you to tell -

the truth. Such a hard way to


-
Aadd9 -
tr

hard way to learn. You got-ta learn now. This


- -
*n Cf m9

mo-ment of truth will hurt for life.

E
-

------- t
Don't need tell you that ain't right. So
-
E

come now lit - tle boy, don't you cry callse the

- S '' aadde
I

child in you is still a -


V
live.
- -
D.S. at 0

L3

/
Aadd9
IL
l!

hard way to leam.


-

A conversation with the child...

2, There comes a time in this child's life when the boy becomes a man,
and so many things from his past he now can understand.
Like all the times when dad would leave and be gone for so long,
and he thought everything was alright,
and he thought everything was alright.
Boy, you gotta learn now.

This moment of truth will hurt for life...

L4
When Mermaids GrY
Eagle-Eye Cheq'

She was drowned in su -i faith - less lov - er cast a - side.


-
-
C D
Em

\_/ the
This is how she came - to be, Lo re - lei- of sea.
-
-
G

Hopes de - stroYed, she want-ed to find cer - tain death, - peace of mind. -
-
Em C

Now you won - der who is she, Lo - re - Ier- of the sea.


- -

Ma-ny tales
-
Em

maid known re - lei.


-

faith - less lov - er that


- is me_ and she the

Next time that the sea gulls flf- don't you cry
-
sweet Lo re

_2.
.--P fly-
sea gulls
-
when maids - cry. Those

Copyright @ lg97 Diesel 2 Publishing & Management AB. Adm: Wamer/Chappell Music Scandinavia AB

t5
lei.
won't - dry

Those
Sea gulls fiy
-
Em
- (D)

dry-

2. The

There she is, hear her ca,


- -
D

ask-ing me- if I will die. - There ain't no - thing I - won't do


-
C

Those
Sea - sù16-- fly when mer

Em
- C (D)

tears won't - dry Lo-re


-
16
2. The guilt is mine, I was untrue.
The question is, what am I to do?
All I know is I got to try,
try to find sweet Lorelei.
make amends for what's been done
'cause I believe that she's the one,
and I will go where seagulls fly,
try to find sweet Lorelei.

Seagulls fly when mermaids cry...

t7
Shooting Up In Vain
Eagle-Eye Cherry
Dm C G F

1. V/ak - ing sun goes down,

Dm G Dm

bo-dy all paln. Straight out the door to


-

Slips all to the man. -

Here we here we go

Got bags of mer - cy palm

Dm C Oc
-

shoot- ing up- in valn.

Dm C G F
a,

clos - est roof top, now he's

C -

with the sky - line but it won't be


-

Copyright @ 1997 Diesel 2 Publishing & Management AB. Adm: rJ/arner/Chappell Music Scandinavia AB

t8
Dm C G F

Iong 'til his high will drop, and then you

Dm C l1.G Dm C

-
know what he'lI try find.

Such a shame.
- Shooting up
- in vain.

Dm C G Dm C G

V
Such a shame.
-

Such shame.
-
G Dm CGF Dm C

Shooting up - in vain. Such a shame. -

G DmC G F Dm G

Such a shame. - Got a

one way tick-et on a de-railed train, - got to stop shooting vain. - Got a

G Repeat and fade

way tick-et on a de-railed train.


-

r9
Save Tonight
Words and Musrc c_;
Eagle-Eye Chenl

)=l2o
Am
fu'
H++H
Acous. Gtr.

-t-1-t-
-2-2-2- _- -_---+--
3-3
1-1
_______+-____f
| | 1-1------f-
-2-2-l-
3 3

-
t-J

doo dun doo doo

Copyright @ 1998 Diesel 2 Publishing & Management AB. V/arner/Chappell Music Ltd, London V/6 8BS

2t
'cause all we
and it

Am Am

Êimi ffiri ffi


need can - dle you and- me and â
burns me for to - mor-row comes with one de - sire,

you to - night,
take me- a

Am G

ïiffii EiiH

we
§7ell know go - ing a - way- and how I-
It ain't ea - sy say good-bye,-- dar - ling-

22
c G

TËfii Ëiig

I wish it weren't- take this


don't start 'câuse

Am c G

[iffii Iriti E+in

wrne and-
girl you know I've go

Am c G

Tiffii THiIi Eiin

E Am c G

Eiffii ffi ïHiri ETIH

fight the break- of-

23
fun c G Am c G

ffi ffi ïfriri EiiB Tfffii ffi Etrfti EiiB

To-

Am c Am

ïiffii ffi EHiIi


iirui
Hlt+ ffi
corRes take me a I wish that I,

Acous. Gu.
e

c G

T*iri Eiin

c G Am C t:

i*iri EIB Tiffii ïtrfii EiiE

t-1-t-
t-l-t-
2-2-2-
3-3-3-
1-t-1-

24
G

EiiE

c G Am

ïHiri EiiH iiffii ffi to coda§

e_J
and fight the break of- dawn, come_ to - mor-row, to-

l. )
c c G

ïtrfti ïËfti EiiH

_
- mor - row I'll- be gone.

Am G

Ëfffii ffi ËiËH

25
0 CODA
c G Am c G

Ttrfti Eiin iiffii ffi ïËfii EiiE

'J/

fight the break of-

Am c G Am c G

Ëiffii TËiri r#ËB


HTM
Ft++# ffi EËfti EiiB

rno.-.o* IiL be gone. Save and fight the break of- dawn,

Am c G Am

Ëiffii EHiIi EiiB Tiffii

to - mor-row, to mor-row I'll- be gone,

c G Am c G Am

ïfifti ËiiË iiffii ffi ïfiitj EiiH ïiffii ffi


- mor-row I'll- be gone, to - mor-row I'll- be gone,

26
G Am c G

EiiB ïËffii E*iri Ëiig

- mor-row I'll- be gone, to - mor-row I'll- be gone.

Am

ïiffii
9aa"-' _ffi ffiiri ffiiH æ_ ffi ffiig_ triig

Am c G Am c G

Ëiffii Etrfti EiiB Êiffii Effiri EiiE

repeat ad lib. to fade

Am c G Am c G

Êiffii ffi EEiIi rffi ËËffii ffi EHiIi EifË

27
Permanent Tears
Eagle-Eye Cherry
X r#rng E B
]L

1. day of- her ar-n val no - one's there to meet -

D6
,rt tr À

her. Some - thing ofa sad one,

C#sus B F#m9 -
tr

girl with per-ma - nent tears. Bom with-out fa-mi - ly,

with - out er want -

was to \upe her tears a- way.


-
E B

Wipe her way,

Cf sus B lt. llz.

waÿ, 2. If - way.

Wipe her tears

a - wav. a - way,

Copyright @ lggT Diesel 2 Publishing & Management AB. Adm: Warner/Chappell Music Scandinavia AB
F#m9 D.§. aI O
tl
L4

way. 3. She's

tears _ a- way,

a Wâÿ,

2. If someone came to love her


and if someone came to be
the only that will protect her,
be a family.
Now we will see a smile again
and tears like dreams can be
something we will never see,
lost in her memory.

Wipe her tears away...

3. She's something of a tragedy,


stands in the shade of despair.
I want to cast some light onto her world,
a world of permanent tears.
Born without a family,
born without a name.
Free this weeping willow
from drowning in a flood of tears.

Wipe her tears away...

29
Death Defied By Will

1. He on - ly thought he was going for the thrill of ride,


-
Em D C G

was - n't in the plan be gone for long,

3 D.- C
-
s

but he keeps look-ing back ov - er his shoul yeah.


-
Em D C G

He knows that some - thing might go wrong. _ The

Em D C G Em D

ride it ain't smooth, that is for sure. _ Strange mood, -


-
C Em D

what is the cure? He's got that feel - ing of lm


-
C G Em D

\-.--
pend - ing doom like be - ing trapped 1n a cas - ket 1n
-
C D

side tomb. Death de - fied by will like a

- -
C 3G Em D

drug that does - n't kill. -_ Boy, you got - ta learn what's -

Copyright O 1997 Diesel 2 Publishing & Management AB. Adm: Warner/Chappell Music Scandinavia AB

30
Death de - fied by will

Now the joke

C C D C G

bet - ter, you ought to know bet - ter.

true.

bet - ter, you ought to know bet - ter.

2. Now he is determined to outsmart this snake,


with conviction he will stand his ground.
Feeling invincible like death itself,
but his immortality won't be found.
V/hat should he say at his own wake?
That he refuses to fulfil his fate.
He doesn't know that this is his last drive
on the road we call Alive.

Deats defied by will...

3L
Desireless
Don Cherry

Ehm Abm Bbm


rrrht

:--.-Z

Abm nbm Abm Bbm

ME

Copyright @ Eternal River Music Publishing. Used by Permission

32
Db

2. Guitar Solo

3. Trumpet Solo
Indecision
Text: Eagle-Eye Cherry
Musik: Eagle-Eye Cherry/Klas Àhlund
Bm7 A

1. Well, I found my in - spi-ra tion there. -


-
D Bm7

In whis pers just

Gadd9 A

me_ so clear. A sim - ple ques -


-
Gadd9

what was I do - ing He-si


DIC G/B

ta - tion, when I'm stand - ing with my In de

D DIC G/B

cl - sron a- bout if should blow him a- way.

A Gadd9

something in me was gone. _


Gadd9

some - thing in me

G/B

He - si - ta - tion, when I'm with my

Ccplright @ 1997 Diesel 2 Publishing & Management AB. Adm: \ilarner/Chappell Music Scandinavia AB

34
ci-sion a- bout should blow him a - way.-

A sim - ple ques

Gadd9

what was I do - ing there. Ex-e tion of


-

was - n't pafi of sa - tion of how

things are go - ing

my com - mit - ment stay - ing a - way from guilt -


- -

mo - tion
-

those I've Heart - less

sav-ing the rest of


-

35
Bm7

Don't want demp - tion.


In m) ment
-

r
Don't want sal - va - tion.
stay - ing a - way from guilt, feel no
- -

7I

Don't want re
mo - tion for those I've gone and killed.
- - -

2. It's kind ofstrange what happened from that moment on.


V/hat more can I say than that reason he was gone.
V/hat they rwere asking was more than I could bear.
Execution what more can, can I say.
The realisation of blowing a brother away.

3. I take my gun and I give it to my prey.


I turn my back to him and I start to walk away,
and all I want is for someone to stop me there.
Don't want redemption...

!I
:rL.j.

J-,,

36

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