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ROLAND F120R Manual PDF

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0% found this document useful (0 votes)
216 views44 pages

ROLAND F120R Manual PDF

Uploaded by

Nicole Lee
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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r

Owner‘s Manual
&& Look What You Can Do!

&& Play the Piano


ee Play using various sounds g p. 9

This unit contains a wide variety of tones (sounds).


You can freely select and perform using these tones.
&&Play and Record Songs
ee Play with an accompaniment g p. 15 ee Play the built-in songs g p. 13

The F-120R can supply accompaniments for the music you play. This unit contains numerous built-in songs.
For the song titles, refer to “Internal Song list” (p. 33).

ee Sound a metronome g p. 9
ee Play back individual parts g p. 14
You can sound a metronome.
You can practice along with a song while listening to only the

ee Play duets
right-hand or left-hand part play back.
g p. 10

You can divide the keyboard into left and right halves, playing ee Record your performance g p. 19
it as though it were two pianos.
You can record your own performances.

&& Personalize your Piano


ee Adjust the keyboard touch g p. 12

You can adjust the touch sensitivity of the keyboard to match


your own playing style.
ee Adjust the brightness g p. 12

ee Add reverberation g p. 12 You can adjust the tone quality of the sound, ranging from a
brilliant timbre to a mellow tone.
You can add reverberation (reverb) to create the sensation of
performing in a concert hall.
ee Shift the keyboard pitch g p. 10

You can use the Transpose function to transpose the


keyboard in semitone steps.

Copyright © 2012 ROLAND CORPORATION


All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.
2
&& Contents

Look What You Can Do!. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Copying song files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

Panel descriptions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Deleting Song files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26


Front Panel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Rear panel connections. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Initializing the memory (Format Media). . . . . . . . . . . . . . . . . . . . . . . . . . 27

Before You Play. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 Making the power automatically turn off after a time (Auto Off). . . 27
Opening/closing the lid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Restoring the settings to the factory condition (Factory). . . . . . . . . . 28
Turning the power on/off. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Troubleshooting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Performing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Selecting tones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 Message list . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Using the metronome. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Changing the tempo. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 Main specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Changing the Beat . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Tone List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Changing the key of the keyboard (Transpose). . . . . . . . . . . . . . . . . . 10
Dividing the keyboard into two instruments (Twin Piano). . . . . . . . 10 Internal Song list. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Disabling the Buttons (Panel Lock). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Internal Rhythm list. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Adjusting the keyboard sensitivity and the sound . . . . . . . . . . . . . . . . 12
Adjusting the Keyboard Sensitivity (Key Touch). . . . . . . . . . . . . . . . . . 12 Using the unit safely . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Adding Reverberation to Sounds (Reverb Effect) . . . . . . . . . . . . . . . . 12
Important notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Adjusting the Brilliance of the Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Assembling the F-120R. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Playing back songs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 1. Stand assembly. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Playing parts (left/right hand) separately. . . . . . . . . . . . . . . . . . . . . . . . 14
2. Assembling the Piano. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Playing back an audio file with its central sound minimized
(Center Cancel). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Index. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
Sounding a count before playback. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

Using the Rhythm function. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15


Structure of the Rhythm accompaniments. . . . . . . . . . . . . . . . . . . . . . 15
Playing back a rhythm. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Split: Different functions for the left/right keyboard halves . . . . . . . . . . . 17


Splitting the keyboard. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Recording. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Playing back Songs or Rhythms on a USB memory. . . . . . . . . . . . . . . . 20


Song or Rhythm playback from a USB memory (sold
separately). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Navigating the contents of a USB memory . . . . . . . . . . . . . . . . 20

Various settings (Function mode). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21


Basic Operation in Function Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Saving the Settings (Memory Backup). . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Function settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

Before using the F-120R, carefully read the sections entitled: “Using the unit safely” (p. 35) and “Important notes” (p. 36). These sections provide important
information concerning the proper operation of the F-120R. Additionally, in order to feel assured that you have gained a good grasp of every feature
provided by your new unit, Owner’s Manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.

3
&& Panel descriptions

Front Panel

[Split] button
This button allows you to split the keyboard in two halves:
the left half is then used to provide the Rhythm function with
chord information, while the right half allows you to play
[Metronome] button melodies (p. 17).

This sounds the metronome (p. 9).


[Transpose] button
To sound the metronome Turn on the [Metronome] button. This button is used to changed the pitch of the notes you
play on the keyboard and of the songs you play back (p. 10).
Turn on the [Metronome] button to display the
To change the tempo
tempo, and then press the [–] [+] buttons.
To change the key of Hold down the [Transpose]
Hold down the [Metronome] button and press the keyboard and song button and press [–] [+] to set
To change the time signature
the [–] [+] buttons. playback the transpose interval.
To switch transpose off/on Press the [Transpose] button.

[Split] + [Transpose] button: Function mode


Holding down [Split] while pressing [Transpose] allows you to
select the F-120R’s Function mode (p. 21).

[Volume] knob
This adjusts the volume.

Tone [Piano] and [Other] buttons


Use these buttons to select tones (p. 9) or adjust the manner in which they are sounded (p. 12).

To select grand piano and Press the [Piano] button. Press the [–] [+] Hold down the [Piano] button and press the
To adjust the reverberation
ensemble tones buttons to list and select them. [–] [+] buttons.
Press the [Other] button. Press the [–] [+] Hold down the [Other] button and press the
To select other tones To adjust the brightness
buttons to list end select them. [–] [+] buttons.
To enable or disable Twin Piano Hold down [Piano] and press the [Other]
mode button.

4
Panel descriptions

Display
This shows various kinds of information, such as tone names, Song names,
Rhythm names and the values of settings.
Backing [Song], [Rhythm] buttons
Use these buttons to select Songs (p. 13) or Rhythms (p. 15), to change measures, to adjust
G.Piano1 Tone name the playback tempo and volume.

1 Tone number
Press the [Song] or [Rhythm] button to select
the corresponding mode. Use the [–] [+]
To select Songs or Rhythms
buttons to select a song from the list (while
Polonais Song or Rhythm name
song playback is stopped).
ä001 Song or Rhythm number Press [Song] or [Rhythm] several times until
To change, or display, the Song or the measure number is displayed. Then, use
Categories Rhythm measure during playback the [–] [+] buttons to select a measure (only
A~C: Internal songs for songs).
A~K: Internal rhythms
U: User song you recorded yourself Press [Song] or [Rhythm] several times until
S: A song or Rhythm on a connected USB memory To adjust the playback tempo the tempo value is displayed. Then, use [–] [+]
(sold separately) to set the desired tempo.
Hold down the [Song] button while using [–]
To adjust the Song volume
[+] to set the Song volume.
Hold down the [Rhythm] button while using
To adjust the Rhythm volume
[–] [+] to set the Rhythm volume.
[–] [+] buttons
Use these buttons to select tone
variations, Songs or Rhythms, or to
edit various settings.

Playback buttons: [Variation], [Intro/Ending], [Start/Stop] and [Rec]


These buttons are used to control Song (p. 13) or Rhtyhm playback (p. 15). The [Rec] button allows you to record songs (p. 19).

In Rhythm mode (while [Rhythm] lights): In Song mode (while [Song] lights):
To select a simpler or more Switch off the [Variation] button to select a sim- Press the [ ] button. The first press returns
To return to the beginning
complex Rhythm arrange- pler arrangement (“Basic”). Switch it on to select you to the beginning of the currect song (if song
of current song or of the
ment (while [Rhythm] is on) a more complex arrangement (“Advanced”). playback is stopped). Press it again to jump to
previous song
the beginning of the preceding song.
To play back a musical
Press the [Intro/Ending] button.
introduction or ending To jump to the beginning of
Press the [ ] button.
next song
To start or stop the selected
Press the [Start/Stop] button.
Rhythm To start or stop the selected
Press the [ ] button.
Song
Press the [ ] button, then the [ ] button.
To record your own
Alternative: press the [ ] button and then a key
performance into the F-120R
on the F-120R’s keyboard.

5
Panel descriptions

[Power] switch
Rear side
This turns the power on/off (p. 8).
* With the factory settings, the unit’s
power will automatically be switched off 30
minutes after you stop playing or operating
the unit.
If the unit’s power has been turned off automatically, you can use the
[Power] switch to turn the unit back on again.
If you don’t want the power to turn off automatically, change the “Auto Off”
setting to “OFF” as described on “Making the power automatically turn off
after a time (Auto Off )” (p. 27).

Whenever you
are not using the
headphones, you
can hang them on
the headphone
hook.

Headphone jacks
Since this unit has two headphone jacks, two people can also use headphones
simultaneously.
If you’re using only one set of headphones, you may connect them to either of
the two headphone jacks.

Don’t forget to remove your headphone adaptor plug!


If you leave a headphone adaptor plug inserted in the headphone jack,
no sound will be heard from the piano. If you don’t hear sound from the
piano, check the headphone jacks.

* Do not hang anything other than headphones on the headphone


hook. Do not apply undue force to the hook. Otherwise, you risk
damaging the hook.

Damper Pedal
Use this pedal to sustain the sound. While this pedal is held down, notes will be sustained for an extended time even
if you release your fingers from the keyboard. The length of the sustain will change subtly depending on how deeply
you press the pedal. On an acoustic piano, holding down the damper pedal will cause the strings for notes other
than the ones you actually play to vibrate in sympathy with what you’ve played, producing a rich resonance. This unit
simulates this sympathetic vibration (damper resonance).

Sostenuto Pedal
This pedal sustains only the notes of the keys that were already pressed when you pressed the pedal. This pedal can
also be used to control other functions (p. 23).

Soft Pedal
This pedal is used to make the sound softer. Playing with the soft pedal depressed produces a sound that is not
as strong as when otherwise played with the equivalent strength. This is the same function as the left pedal of an
acoustic piano. The softness of the tone can be varied subtly by the depth to which you press the pedal. This pedal
can also be used to control other functions (p. 23).

6
Panel descriptions

Rear panel connections


Input jack Output jacks
If you use a cord with a stereo mini-plug to connect a audio If you connect these jacks to amplified speakers, the
player or similar device, the sound of the connected device will sound of this unit will be heard through them.
be heard through this unit. Use the controls of the connected
device (audio player) to adjust the volume.

MIDI connectors DC In jack Pedal connector


For connecting MIDI device (p. 24). Connect the included AC Connect the pedal cord of
adaptor here (p. 38). the dedicated stand here
(p. 38).

* To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections.

USB memory connector USB connector


If a USB memory is connected, you can do the following If you use a commercially available USB cable to connect the
things: unit’s USB connector to your computer’s USB connector, you’ll
• You can use it to save and play back songs (SMF). be able to do the following things.

• WAV files (audio) or MIDI files (SMF) copied from your • SMF data played back by MIDI-compatible software can be
computer to the USB memory can be played back by sounded by the unit.
the F-120R. • MIDI data can be transferred between the F-120R and your
• You can connect an optional CD drive to the USB sequencer software (sold separately), opening up a wide
MEMORY connector. You can use a CD drive to play back range of possibilities for music production and editing.
songs from a CD.

Note
• Carefully insert the USB flash drive all the way in-until it
is firmly in place.
• Use a USB memory sold by Roland. We cannot
guarantee operation if any other USB memory is used.

Installing a CD drive (sold separately) About the ground terminal


Attach the CD drive as shown the
Depending on the circumstances of a particular setup, you
figure, using the mounting holes on
may experience a discomforting sensation, or perceive that
the F-120R’s bottom panel.
the surface feels gritty to the touch when you touch this
* For details of the attachment or device. This is due to an infinitesimal electrical charge, which
connecting, refer to the owner’s
is absolutely harmless. However, if you are concerned about
manual of the CD drive.
this, connect the ground terminal (see figure) with an external
* Use a CD drive sold by Roland. ground. When the unit is grounded, a slight hum may occur,
We cannot guarantee operation depending on the particulars of your installation. If you are
if any other CD drive is used.
unsure of the connection method, contact the nearest Roland
Note Service Center, or an authorized Roland distributor, as listed
on the “Information” page.
• You cannot play back CD-R/RW disks to which audio tracks have been added or
CDs containing both audio tracks and data (CD Extra).
• The F-120R is capable of playing back only commercial CDs that conform the
official standards-those that carry the “COMPACT DISC DIGITAL AUDIO” logo.
• The usability and sound quality of audio discs that incorporate copyright
protection technology and other non-standard CDs cannot be guaranteed.
• For more detailed information on audio discs featuring copyright protection Unsuitable places for connection
technology and other non-standard CDs, please consult the disc vendor.
• Water pipes (may result in shock or electrocution)
• You cannot save songs and styles to CDs, and you cannot delete songs or styles
recorded to CDs. Furthermore, you cannot format CDs. • Gas pipes (may result in fire or explosion)
• Telephone-line ground or lightning rod (may be dangerous
in the event of lightning)

7
&& Before You Play

Opening/closing the lid Turning the power on/off


First, open the lid. You must use both hands to open or close the lid. Once the connections have been completed (p. 38), turn on power to
your various devices in the order specified. By turning on devices in the
wrong order, you risk causing malfunction and/or damage to speakers
Opening the Lid and other devices.

1. Use both hands to lift the edge of the lid, and push it away Turning the power on
from yourself.

1. Turn the [Volume] knob all the way toward the left to
minimize the volume.

Edge of lid

2. Turn the [Power] switch ON.

2. Push the lid away from yourself until it stops On

Off

Closing the Lid


1. Grasp and gently lower the edge of the lid with both
hands.
After a brief interval, you’ll be able to produce sounds by playing
the keyboard.

3. Use the [Volume] knob to adjust the volume.


* The F-120R is equipped with a protection circuit. A brief interval
(a few seconds) after power up is required before the F-120R will
operate normally.
* Before switching the power on/off, always be sure to turn the
volume down. Even with the volume turned down, you might
hear some sound when switching the power on/off. However,
this is normal and does not indicate a malfunction.

Turning the power off


Note!
• When opening and closing the lid, be careful not to let your
1. Turn the [Volume] knob all the way toward the left to
fingers get caught. If small children will be using the piano, adult minimize the volume.
supervision should be provided.
• If you need to move the piano, make sure the lid is closed first to
2. Turn the [Power] switch OFF.
prevent accidents.

If you don’t want the power to turn off


When opening or closing the lid, take care not to automatically, turn the “Auto Off” setting off !
pinch your fingers between the folding sections. With the factory settings, the unit’s power will automati-
It is dangerous to close the lid by pressing it from above, since cally be switched off 30 minutes after you stop playing or
you risk pinching your fingers between the sections of the lid. operating the unit.
Opening the lid by pushing it may cause this unit to fall over. You If the unit’s power has been turned off automatically, you can
must grasp the edge of the lid when opening or closing the lid. use the [Power] switch to turn the unit back on again.
If you don’t want the power to turn off automatically, change
the “Auto Off” setting to “OFF” as described on “Making the
power automatically turn off after a time (Auto Off )” (p. 27).

8
&& Performing

Selecting tones Using the metronome


The F-120R contains numerous tones (sounds). The tones are organized You can perform while the metronome sounds. You can
into two groups. The [Piano] button is used for the grand piano tone adjust the tempo or beat of the metronome.
group and for group that combines piano sounds with other tones such If an SMF song or Rhythm is playing, the metronome will
as strings, choir or bell. sound at the tempo and beat of that song.
The [Other] button is for various tones other than piano.
The Tone “G.Piano 1” (Grand Piano1) is selected when the instrument’s
power is turned on.

1. Press the [Metronome] button so it’s lit.


The metronome will begin sounding and
the currently selected tempo value will be Tempo ¯=
1. Press the [Piano] or [Other] button to select a tone group. displayed.
120
2. Press the [–] [+] buttons to select the desired tone The [Metronome] button will blink in synchronization with the time
variation from within the tone group. signature, or the tempo of the selected song or rhythm.
The display shows the tone number. To stop the metronome, press the [Metronome] button once again.

Button Display Explanation

G.Piano1
1
A splendid concert grand piano sound. This is the
most highly recommended tone; it can be used for
Changing the tempo
any style of music.

G.Piano2 A more mellow grand piano sound. Appropriate for 1. Press the [Metronome] button to get the display to
2 quiet songs. indicate the current tempo.
G.Piano3
3
A brilliant grand piano sound. Appropriate when
you want the piano to stand out in the band.
2. Press the [–] [+] buttons to adjust the tempo.
[Piano] Note
HonkyTon
button A honky-tonk piano. Ideal for ragtime. Any change you set using this procedure also affects the
4
playback tempo of the currently selected song or rhythm.
P+String
Grand Piano1 layered with strings.
5
P+Choir
6 Grand Piano1 layered with choir.
Changing the Beat
P+Bell
Grand Piano1 layered with bell.
1. Hold down the [Metronome] button and press the [–] [+]
7 buttons to select the beat.
VintgEP1
These are various tones other than piano. Display Beat Display Beat
1
[Other]
button Reference Beat Beat
2/2 6/4
Brush
For details, refer to “Tone List” (p. 32). 2/2 6/4
47
Beat Only weak beats will Beat
7/4
0/4 be sounded. 7/4
Beat Beat
2/4 3/8
2/4 3/8
Beat Beat
3/4 6/8
3/4 6/8
Beat Beat
4/4 (default) 9/8
4/4 9/8
Beat Beat
5/4 12/8
5/4 12/8

Note
• You can’t change the metronome’s time signature while a
song or rhythm is playing.
• If you record using 0/4, the song time signature will be set to
4/4 when you save it.

9
Performing

Example: Playing a Song in the Key of E Major while


Changing the key of the keyboard using the C-major fingering
(Transpose) Hold down the [Transpose] button and press the E key (since E is
the tonic).
This function allows you to transpose the F-120R’s pitch in semi-tone Counting from C as a reference point, one moves up four keys,
steps. This transposition also applies to Song playback. including the black keys, to reach E, thus “4” appears in the display.
If you play C E G g It will sound E G# B

Dividing the keyboard into two


instruments (Twin Piano)
You can divide the keyboard into left and right sections so that two
1. Press the [Transpose] button (it lights). persons can play the same pitch ranges. This function lets you use the
F-120R as though it were two pianos.
2. Hold down the [Transpose] button and press the key
corresponding to the tonic of the desired key.
(In this case, the note will not sound.)
The Transpose setting continues to appear in the display while the
[Transpose] button is held down.

Screen Value Explanation


Positive (+) values raise
Trnspose -6–0–5 the pitch in semitone

1. Hold down the [Piano] button and press the [Other]


(semitone units) steps, and negative (-)
+1 (default: +1) values lower the pitch in
semitone steps. button so both of them are lit.
Twin Piano will turn on, and the following settings will be applied.
Memo • The keyboard will be divided into left and right sections, with
You can also adjust this setting by holding down the [Transpose] “middle C” located in the center of each section.
button and using the [–] [+] buttons. • The left and right sections use the same tone (Grand Piano 1).
• The right pedal (damper pedal) will be the damper pedal for the
Note
right section, and the left pedal (soft pedal) will be the damper
While the transpose interval is set to “0”, the [Transpose] button pedal for the left section.
cannot be switched on.

When you release the [Transpose] button, you return to the


previous screen.

3. To cancel the transposition, press the [Transpose] button


once again.
The [Transpose] button will go out.

Note Memo
With the factory settings, both the song and the keyboard will Twin Piano mode can also be selected via the F-120R’s Function
be transposed. If you want to transpose only the keyboard or mode (see p. 22).
only the song, make the appropriate setting as described in
“Specifying what the transpose function will affect” (p. 22).
Canceling Twin Piano
Note
The transposition setting is deactivated (the [Transpose] Hold down the [Piano] button and press the [Other] button once
indicator goes dark) when you select another song. again.
Select a different sound to leave Twin Piano mode.

10
Performing

Disabling the Buttons (Panel Lock)


When you activate Panel Lock, all buttons will be disabled. This prevents
the tones or settings from being changed if you inadvertently press a
button.

1. Hold down the [Other] button and press the [Song]


button.
Panel Lock will be activated. All buttons will be disabled.
The display will show the following.

  Lock

Note
• If you activate Panel Lock while a song is playing, playback
will stop.
• You can’t activate Panel Lock during recording or while in
Function mode (see p. 21).

Canceling the Panel Lock function


Once again hold down the [Other] button and press the [Song]
button.

Memo
Panel Lock will be cancelled when you turn off the power.

11
&& Adjusting the keyboard sensitivity and the sound

Adjusting the Keyboard Sensitivity Adding Reverberation to Sounds


(Key Touch) (Reverb Effect)
Here’s how to change the way in which the sound responds to your You can apply a reverb effect to the notes you play on the keyboard.
keyboard dynamics. You can adjust the response as appropriate for your With the reverb effect, you obtain a pleasant reverberation, making it
playing strength. sound as if you were performing in a concert hall or similar space.

1. Press and hold the [Split] button and press the 1. Hold down the [Piano] button and press the [–] [+]
[Transpose] button. buttons to adjust the depth for the reverb effect.
The display looks more or less as follows (this depends on the last
function you selected since switching the F-120R on). Value Explanation
Depending on which function is displayed, there may be one or two
Reverb
white arrows in the top line. If the arrows appear in the bottom line, Reverb will not be applied.
OFF
press the [Metronome] button once.
1~10 Adjust the reverb depth over ten levels. Higher values
2. Use the [–] or [+] button to select the “KeyTouch” function. (default: 5) produce deeper reverb.

3. Press the [Metronome] button to activate value selection.


Memo
Now, the bottom line contains one or two white arrows:
When the power is turned off, the F-120R’s settings will return
to their default state. However, you can save this setting so that
KeyTouch it will still be available the next time the power is turned on. To
L2 save the setting, proceed as described in “Saving the Settings
(Memory Backup)” (p. 21).

4. Press the [–] [+] buttons to adjust the keyboard touch.


Adjusting the Brilliance of the Sound
Display/Value Explanation
Here’s how to adjust the brilliance of the sound.
KeyTouch The sound plays at one set volume, regard-
Fixed
FIX less of the force used to play the keys.

KeyTouch This setting produces the lightest keyboard


Super Light
L2 touch.

You can achieve fortissimo (ff ) play with a


KeyTouch less forceful touch than “medium,” so the
Light
L1 keyboard feels lighter. This setting makes it
easy to play, even for children.
This sets the standard keyboard touch. You
KeyTouch Medium
M can play with the most natural touch. This is
(default)
the closest to the touch of an acoustic piano.
You have to finger the keyboard more
1. Hold down the [Other] button and press the [–] [+]
forcefully than “medium” in order to play
buttons to adjust the brightness of the sound.
KeyTouch
Heavy fortissimo (ff ), so the keyboard touch feels
H1 heavier. Dynamic fingering adds even more Value Explanation
feeling to what you play.
Adjust the brilliance of the sound. Positive (+) settings
-10~0~+10
KeyTouch This setting produces the heaviest keyboard brighten the tone, and negative (–) settings make it
Super Heavy (default: 0)
H2 touch. more mellow.

Memo
5. Again press and hold the [Split] button and press the When the power is turned off, the F-120R’s settings will return
[Transpose] button to leave Function mode.
to their default state. However, you can save this setting so that
Memo it will still be available the next time the power is turned on. To
save the setting, proceed as described in “Saving the Settings
When the power is turned off, the F-120R’s settings will return (Memory Backup)” (p. 21).
to their default state. However, you can save this setting so that
it will still be available the next time the power is turned on. To
save the setting, proceed as described in “Saving the Settings
(Memory Backup)” (p. 21).

12
&& Playing back songs
Let’s try listening to the internal songs and the songs recorded in
internal memory. For the titles of the internal songs, refer to “Internal Viewing the measure number/selecting a
Song list” (p. 33).
different measure
Memo
If you want to connect a CD drive (sold separately) and play back 1. To see the measure numbers while the F-120R plays back
songs from a CD, refer to the CD drive’s owner’s manual. the selected song, press the [Song] button once or twice.
The display then changes to:

Polonais Song name

M: 3 Measure number

In the case of an audio file, the display shows the elapsed playing
time.

Playing back a song Amazing


0‚01
1. Press the [Song] button once or twice so the display will
indicate song name and song number. 2. You can now press [–] to rewind (jump to an earlier
2. Use the [–] [+] buttons to select the song you want to measure) or [+] to fast-forward.
listen to. The measure indication in the display will increase or decrease each
time you press the button.
The F-120R’s internal memory already contains a number of songs By holding down a button, you can rapidly increase or decrease the
when it leaves the factory. These songs reside in three banks (a, measure number.
b and c). There is also a “U” bank where you can save your own
recordings (p. 26). (And if you connect a USB memory, you will also
be able to play back songs of the “S” bank. “S” refers to the USB Stopping the song
memory. See “Playing back Songs or Rhythms on a USB memory”
(p. 20).)
1. Press the [ ] button to stop playback.
3. To quickly jump to the next bank, hold down the [+] The song will stop.
button and press [–].
To jump to the first song of the previous bank, hold down Song navigation functions
[–] and press [+].
Depending on the bank you select, the display now looks as The F-120R also allows you to quickly return to the beginning of the
follows: current song, to jump to the beginning of the previous song, and to
select subsequent songs.

• Categories beginning with “A”, “B”, “C” are


Button Explanation
Polonais internal songs.
Press this button to return to the beginning of the
ä001 • “U” and a number refers to songs you’ve
recorded in internal memory.
• “S” and a number refers to songs on a
[ ]
current song.
Press it again to jump to the beginning of the
connected USB memory. preceding song.
This button allows you to jump to the beginning of
[ ]
the next song in the list.
Note
* If the name of the selected song does not fit in the top line, it
will scroll through the display.
* The songs in internal memory (Ü01~Ü10) will not be shown if
Changing the tempo of the current song
they have not been recorded.
Each song contains a default tempo setting that is used each time
* For the titles of the internal songs, refer to “Internal Song list” you select a song and start playback. You can, however, slow it
(p. 33). down or speed it up by proceeding as follows:

4. Press the [ ] button to start playback. 1. After selecting the desired song, press the [Song] button
several times until the display looks as follows:

Tempo ¯= Tempo %=
112
100
(for an SMF song) (for an audio song)

2. Use the [–] [+] buttons to set the desired tempo.


To return to the song’s default tempo, simultaneously press the [–]
The song will begin playing. When the song has finished playing to and [+] buttons.
the end, it will stop.

Note
The F-120R can also play back songs directly from a USB
memory. This includes audio song files (.WAV). See “Playing back
Songs or Rhythms on a USB memory” (p. 20) for details.
13
Playing back songs

Playing songs consecutively (All Song Play) Memo


The parts (left-hand/right-hand) are indicated as follows for the
You can consecutively play back the built-in songs or the songs internal songs (A, B, C) and the songs you’ve recorded (U). Song
saved in the internal memory or on the USB flash drive repetitively. you record yourself may also contain a Rhythm accompaniment.
This function is called “All Song Play.”
Songs Left-Hand Part Right-Hand Part
1. Press the [Song] button once or twice so the display will Internal Songs (A, B, C) Left-hand part Right-hand part
indicate song name and song number. Twin Piano (p. 10) Left-hand piano Right-hand piano

2. Use the [–] [+] buttons to select the bank. Recorded


Songs (U)
Split Tones (p. 32) Left-hand tone Right-hand tone

To quickly jump to the next bank, hold down the [+] button and No performance All parts (both
Others
data hands)
press [–].
To jump to the first song of the previous bank, hold down [–] and
press [+].

3. While holding down the [Song] button, press the [ ] Playing back an audio file with its
button.
All Song Play will be selected, and the [ ] button will blink. central sound minimized (Center Cancel)
Note You can minimize the sounds that are heard from the center when
All Song Play will be cancelled if you stop playback or turn off playing back an audio file. For example, you can minimize the melody or
the power. vocal, and then play or sing that part yourself.

Note
Changing the song volume For some songs, sounds located at the center might not
disappear completely, or the tone quality of the sound might be
If you use the selected song as an accompaniment for your solo affected.
playing, you may find it too loud or too soft with respect to your
own part. In that case, you can change the song’s playback level: 1. Hold down the [Song] button and press the [Intro/Ending]
button.
1. Press and hold the [Song] button and use the [–] and [+]
buttons to set the desired level. Button Lit/Unlit Explanation
The sound at the center is reduced
Unlit
Song Vol during playback.
[Intro/Ending]
10 Lit
No attenuation of the vocal or
instrumental part at the center.

2. Keep holding the [Song] button while pressing [Intro/


Playing parts (left/right hand) Ending] again to select the desired status ([Intro/Ending]
lit or unlit).
separately 3. Release the [Song] button.
For SMF songs, you can select and play back the parts (left-hand, * This setting will be cancelled if you select another song.
right-hand or accompaniment) separately. This is a convenient way to
practice by playing along with a song one hand at a time.

1. Hold down the [Song] button and press one of the Sounding a count before playback
following buttons to select the part that you want to play If you’re playing along with a song, it will be easier to synchronize your
back. playing with the song if a count is sounded before playback begins.

Button Lit/Unlit Explanation 1. Press the [Metronome] button to turn on the metronome
The accompaniment part will not sound (p. 9).
Unlit
(its mute function is on).
[Rhythm]
The accompaniment part will sound (its
2. Proceed with “Playing back a song” (p. 13).
Lit
mute function is off ). Now, a two-measure count will sound before song playback starts.

Unlit
Left-hand part is muted During the count, measure numbers “-2” and then “-1” will
[Variation] (or contains no performance data) appear in the display.
(left-hand part)
Lit Left-hand part will sound
Right-hand part is muted
[Intro/Ending] Unlit
(or contains no performance data)
(right-hand part)
Lit Right-hand part will sound

2. Press [Rhythm], [Variation] or [Intro/Ending] again to


switch the omitted part back on.

3. Release the [Song] button.


* This setting will be cancelled if you select another song.

14
&& Using the Rhythm function
Your F-120R contains a function that plays back automatic 2. Use the [–] [+] buttons to select the Rhythm you want to
accompaniments called “rhythms”. It generates interactive use as your accompaniment.
accompaniments based on the Rhythm you select. Each Rhythm is a
The F-120R’s internal memory already contains a number of Rhythm
typical accompaniment for a given musical genre. The F-120R comes
accompaniments when it leaves the factory. These Rhythms reside
with internal rhythms divided over 11 families (“A”~“K”).
in 11 banks (“A”~“K”). If you connect a USB memory, you will also
Unlike a drum machine, a F-120R Rhythm not only contains the rhythm be able to play back Rhythms of the “S” bank. “S” refers to the USB
part (drums & percussion) but also a melodic accompaniment, such as memory. See “Playing back Songs or Rhythms on a USB memory”
piano, guitar, bass and strings lines. The melodic accompaniment parts (p. 20).
of the selected Rhythms follow the chords you play on the keyboard.
You can also record both your playing and the accompaniment 3. To quickly jump to the next bank, hold down the [+]
(“Recording” on p. 19). button and press [–].
To jump to the first Rhythm of the previous bank, hold
down [–] and press [+].
Structure of the Rhythm Depending on the bank you select, the display now looks as
follows:
accompaniments
• Rhythm numbers beginning with a letter
Each Rhythm is comprised of several patterns: Gt Beat (“A”~“K”) are internal Rhythms.

Button Lit/Unlit Explanation


B001 • Rhythm numbers beginning with “S” are
Rhythms on a connected USB memory.
The Rhythm function plays the simpler
Unlit accompaniment (usually with fewer
[Variation] instruments).
Note
The Rhythm function plays a more
Lit
elaborate accompaniment. * If the name of the selected Rhythm does not fit in the top line, it
will scroll through the display.
If you switch on this button (indicator
lights) while the Rhythm function is * For the titles of the internal Rhythms, refer to “Internal Rhythm
stopped, Rhythm playback begins with list” (p. 34).
an introduction.

[Intro/Ending] — If you press this button while a 4. If you want to start with an introduction, press the [Intro/
Rhythm is being played back (indicator Ending] button (its indicator lights).
flashes), the F-120R starts playing a
closing phrase (“Ending”) on the next This means that Rhythm playback will start with an introduction.
downbeat. At the end of this phrase, When it is finished, the F-120R automatically jumps to the simple or
playback stops. complex Variation pattern (see the next step),

5. Switch the [Variation] button on or off to select the


Note complexity of the accompaniment.
While the two Variation patterns are repeated indefinitely until
you stop Rhythm playback, the Intro and Ending phrases are 6. Press the [Start/Stop] button to start playback.
played only once.

The available Rhythm patterns could be used as follows:


Beginning of the song.
First verse (simple accompaniment).
First chorus (richer accompaniment).

Intro Variation Variation Variation Ending


The Rhythm will begin playing.
Last verse (simple accompaniment).
Closing section.
7. Play a few chords on the keyboard (one or two per
measure) and listen to how this affects the note pitches of
the accompaniment.
If the [Split] button’s indicator doesn’t light, the Rhythm function

Playing back a rhythm analyzes all notes and chords you play on the keyboard and
transposes the melodic accompaniment parts accordingly.
If the [Split] indicator lights (see p. 17), only the notes and chords
played in the left half will be used for real-time transposition of the
melodic accompaniment parts.

8. Press the [Variation] button whenever you want to make


the arrangement simpler or more complex.
The change from the simple to the complex Rhythm pattern (and
vice versa) is always performed at the beginning (“downbeat”) of
the next measure. This allows you to press [Variation] a little ahead
Note of where the change should occur.
You can also specify that only the chords played in the left half
of the keyboard should be used for real-time transposition of 9. To stop Rhythm playback, either press [Start/Stop] again,
the Rhythm accompaniments. See p. 17. or press [Intro/Ending] to select the ending phrase.
If you selected the Ending phrase, Rhythm playback stops at the
1. Press the [Rhythm] button so it’s lit. end of this phrase.
15
Using the Rhythm function

Viewing the measure and beat number Changing the tempo of the current Rhythm
Each Rhythm contains a default tempo setting that is used each
1. To see the measure numbers while the F-120R plays back time you select a Rhythm and start playback. You can, however,
the selected Rhythm, press the [Rhythm] button once or slow it down or speed it up by proceeding as follows:
twice.
The display then changes to: 1. After selecting the desired Rhythm, press the [Rhythm]
button once or twice until the display looks as follows:
Gt Beat
Tempo ¯=
M:¡4 112
Note
The “Measure” page is only displayed while Rhythm playback is 2. Use the [–] [+] buttons to set the desired tempo.
running. To return to the Rhythm’s default tempo, simultaneously press the
[–] and [+] buttons.

Automatically starting Rhythm playback


Changing the Rhythm volume
If you don’t want to press the [Start/Stop] button to start Rhythm
playback (because you want to start at the same time as the You may find the selected Rhythm accompaniments too loud or
Rhythm), you can switch on the Sync function: too soft with respect to your own solo playing. In that case, you can
change the Rhythm’s playback level:
1. Press and hold the [Start/Stop] button and press the [+] or
[–] button. 1. Press and hold the [Rhythm] button and use the [–] and
The display changes to: [+] buttons to set the desired level.

Sync Rhyt Vol


OFF 10
2. Keep holding the [Start/Stop] button and press the [+] or
[–] button to switch the Sync function on or off.
When the Sync function is on, Rhythm playback starts as soon as
you start playing on the keyboard.

Adding transitions to the Rhythm arrangement


Rather than switching from the simple to the complex Variation
pattern right away, you may want to “announce” the upcoming
change. Such transitions are called “fill-ins”. The F-120R plays them
automatically for the remainder of the current measure whenever
you switch the [Variation] button on or off.
There are two kinds of fills: one for the transition between the
simple an complex Variation pattern (when [Variation] is switched
on), and one for the transition from complex to simple.

1. Press and hold the [Variation] button and press the [+] or
[–] button.
The display changes to:

AutoFill
OFF
2. Keep holding the [Variation] button while pressing the [+]
or [–] function to switch the AutoFill function on or off.
When the AutoFill function is on, the F-120R will play a transition
between each switch from the simple to the complex Variation
pattern (and vice versa).

16
&& Split: Different functions for the left/right keyboard halves
The [Split] button allows you to divide the F-120R’s keyboard into two Note
halves and to use those sections for different purposes. Unlike Twin
See the table above for an explanation of the “Split TONE” and
Piano mode (p. 10), however, this mode is only meant for one musician.
“Split CHRD” settings.
The note where the keyboard is separated (F#3, by default) is called the
“Split Point”. While the [Song] button lights, switching on the “Split” 3. Play a few notes on the keyboard, using both hands.
function allows you to play different Tones with your left and right
If you selected “Split TONE”, your left and right hands play different
hands (see “Split Tone” in the table below).
sounds. See below for how to select different Tones (“LT”) for the
While the [Rhythm] button lights (see also p. 15), you can choose left hand.
between two split modes: If the [Rhythm] button lights, pressing the [Start/Stop] button starts
the percussion parts of the selected Rhythm.
Split mode Explanation
Note
You can play different Tones with your left and right
hands. In Rhythm mode, the notes and chords played to You can change the volume of the Tone assigned to the left half
the left of the split point will not be used by the Rhythm of the keyboard. See p. 23.
function’s melodic accompaniment parts.
If you selected “Split CHRD” (only possible if the [Rhythm] button
(Choose this setting if you want to add some accom- lights), the notes played in the right half sound, while the notes in
paniment notes or chords of your own to the Rhythm
percussion parts.)
the left half are only used by the selected Rhythm’s melodic parts.
Split TONE
(You may have to press [Start/Stop] to hear the accompaniment
Note pattern.)
It is perfectly possible to choose this mode without ever
Note
starting the Rhythm function (or Song playback). Doing
so yields the same result as splitting the keyboard of a See “Chord recognition when [Split] is off” (p. 22) or “Chord
regular digital piano. recognition when [Split] is on” (p. 23) for how to specify how the
Only the right half of the keyboard plays the selected F-120R should interpret the notes and chords you play in the
Tone. The left half is used to supply note and chord left half.
information for the Rhythm function (it does not sound
Split CHRD the notes or chords you play). To take advantage of this
(only [Rhythm]) function, switch on the [Start/Stop] button or activate
the “Sync” function (p. 16).
Selecting Tones for the right and left halves of
(Choose this setting if you don’t want to add accompani-
ment parts of your own to the selected Rhythm pattern.)
the keyboard
While the [Split] button’s indicator lights, you can proceed as
follows to assign different sounds to the left and right keyboard
halves:
Splitting the keyboard 1. See “Selecting tones” (p. 9) for how to assign a Tone to the
right half.
Here is how to split the keyboard and (for Rhythms) select the desired
Split mode:
2. To select a different Tone for the left hand (only in “Split
1. Switch on the [Song] or [Rhythm] button. TONE” mode):
Switch on [Song] if you don’t need the F-120R’s Rhythm function. • Press and hold the [Split] button and use [–] [+] buttons to select
There is no need to start song playback if you only want to play by the desired Tone for the left hand. The display changes to:
yourself.
Switch on [Rhythm] if you want to use the accompaniment function FngBass1
(see p. 15).
L: 2
2. Press the [Split] button so that it lights.
Note
The first press only calls up the display page.

The following Tones are available:

Tone number Tone name


01 AcusBass
02 FngBass1
If the [Rhythm] button lights, the display briefly shows: 03 G.Piano1
04 VintgEP2
Split (Only available if the [Rhythm] 05 St FM EP
CHRD button’s indicator lights.)
06 Strings1
07 Choir 2
Press [Split] again if you prefer to use “Split TONE” mode. (While the 08 JazzScat
[Song] button lights, the following is the only option.) 09 Ac.Brass
10 Synth Pad
Split
11 AcGuitar
TONE

17
Split: Different functions for the left/right keyboard halves

Switching off the Split function


Press the [Split] button again one or twice to switch off its indicator.

Changing the split point


By default, switching on the [Split] button will cause the keyboard
to be split at the note F#3:

F#3

Left half (“LT Tone” if Right half


available)

1. While pressing and holding the [Split] button, press the


key that should become the new split point.
The display changes to:

Split
F#3
The note you select becomes the highest note of the left half.

2. Release the [Split] button.

18
&& Recording
You can record your performances either in the internal memory or to Memo
an optional USB memory.
Press [–] and [+] simultaneously to select the first empty
You can play back a performance you have recorded to check what memory location of the active category (“U” or “S”).
and how you played, and play melodies on the keyboard along with
prerecorded accompaniment. Careful!
If you select a song that already contains data (song number
with an uppercase “U” or “S”) and record, the previous data
of the selected song number will be lost.

Note
The names of the songs you record (“Song 01” or “MYSONG 01”
in the example above) cannot be changed.

Starting recording
Getting ready to record 6. Press the [Start/Stop] button.
A two-measure count will sound, and then recording will start.
1. Select the tone that you want to play (p. 9). During the count, measure numbers “-2” and then “-1” will
appear in the display.
2. If you want to use a rhythm accompaniment, switch on
the [Rhythm] button and select the desired Rhythm (p. 15).

3. Sound the metronome if desired. If you don’t want a count to sound before recording
Recording will start automatically if you play the keyboard while
Press the [Metronome] button. in recording-standby mode.
While the metronome is sounding, specify the tempo and time
signature of the song (p. 9). If you selected a Rhythm, the time
signature is fixed to the default setting of that Rhythm.

Entering recording-standby mode Stopping recording


4. Press the [Rec] button. 7. Press the [Start/Stop] button.
Recording will stop and a message will ask you whether you want
The [Rec] indicator lights and the [Start/Stop] button flashes; the to save your song.
F-120R will enter recording-standby mode.

Memo Save?
If you decide not to record (i.e., if you want to exit recording-
standby mode), press the [Rec] button again.
N   Y
Selecting the song number to record 8. Press the [+] button to select “Y”.
Saving will begin and the display will show the “Working” message.

5. Press the [–] [+] buttons to select the song number (Song If you don’t want to save your song, use the [–] button to select “N”.
01~Song 10; ü01~ü10/Song01~Song99; s01~s99) Note
that you want to record. Never turn off the power or remove the USB memory while the
screen indicates “Working”.
(Empty) A song with no recorded data (empty song)

u01 • Song number shown with lowercase “u”

Listening to the recorded song


• No dot shown

Song 01 A song with recorded data After recording, you can press the [ ] button to play back the

Ü01 • Song number shown with uppercase “U”


• Dot shown
recorded song. For details on song playback methods, refer to
“Playing back songs” (p. 13).

If you inserted a USB memory and wish to store your recording If you want to re-do the recording
there:
You can repeat the procedure from step 1 on this page to re-record
at the same song number.
(Empty) A song with no recorded data (empty song)

s01 • Song number shown with lowercase “s”


• No dot shown

MYSONG01 A song with recorded data

Í01 • Song number shown with uppercase “S”


• Dot shown

19
&& Playing back Songs or Rhythms on a USB memory
The F-120R allows you to play back Songs (both SMF and audio files)
and Rhythms that reside on a USB memory which you connect to the
USB memory connector.
Navigating the contents of a USB
Memo
memory
If you want to connect a CD drive (sold separately) and play back When you connect a USB memory to the F-120R’s USB MEMORY port,
songs from a CD, refer to the CD drive’s owner’s manual. the display at first shows the names of the folders and files the USB
memory contains in alphabetical order:

Song or Rhythm playback from a USB 1. Use the [–] and [+] buttons to select a folder on the USB
memory.
memory (sold separately) The display changes to:

1. On your computer, prepare a USB memory (sold Rock


separately) by copying the desired song and/or Rhythm
files to the USB memory.
F∂01
The F-120R can play back SMF files (MIDI data that use the F-120R’s In our example, we selected a folder called “Rock”.
internal sounds), audio files (WAV) and Rhythm files directly from a
USB memory. 2. Press the [Start/Stop] button to enter (open) the selected
folder.
2. Connect the USB memory to the F-120R’s USB memory The display now shows the first song or Rhythm file of that folder.
connector.

3. Press the [Song] or [Rhythm] button, depending on JazzRock


whether you want to use a song file or a Rhythm.
The display indication now changes and only shows the Songs or
Í001
Rhythms on the USB memory you inserted.

4. Use the [–] [+] buttons to select the desired song or 3. To leave this folder and return to a higher level, press the
[–] button until the display looks as follows:
Rhythm file.

Amazing
Í003 F∂UP
If you select an audio song (WAV file), a dot is displayed after the 4. Press the [Start/Stop] button to leave the current folder.
last figure (“Í00‹”, for example).
The display now shows the first song or Rhythm file of the folder
The files on the USB memory are displayed (see the top line). The that contains the folder you just left—or of the USB memory’s root
“Í” refers to the USB memory. The number is added automatically folder.
based on the files’ position inside the folder. (These numbers will
change if you add or remove files at a later stage. The only way to
tell the files apart is by looking at their names in the top line.)

Note
All the files on the USB memory start with an “Í”. If you press [–]
or [+] until an indication starting with an “Ü” or “ä” is displayed,
you are no longer on the USB memory, because the file in
question resides in the F-120R’s internal memory.

5. Press the [Start/Stop] button to play back the selected


song or Rhythm file.
For SMF songs or Rhythms, the display now shows the number of
the measure it is currently playing back. For WAV files, it will show
the elapsed playing time.

20
&& Various settings (Function mode)
Function mode lets you make various settings for the F-120R.
Saving the Settings (Memory
Basic Operation in Function Mode Backup)
Here’s the basic procedure for making settings in Function mode. When the F-120R’s power is turned off, it will return to its default
settings. However, if desired, you can save the following settings so that
they will be remembered even after the power is off. This is called the
“Memory Backup” function.

Settings saved by Memory Backup Page


Twin Piano Mode p. 10
One Touch p. 22
Master Tuning p. 22
Key Touch p. 12

1. Press and hold the [Split] button and press the Rhythm Hold p. 22
[Transpose] button. Transpose Mode p. 22
The display looks more or less as follows (this depends on the last Split Off Recognize p. 22
function you selected since switching the F-120R on. Split On Recognize p. 23
Bass Inversion p. 23
TwinPno Volume Left Tone p. 23
OFF Center Pedal p. 23
Left Pedal p. 23
Depending on which function is displayed, there may be one or two Visual Control Channel p. 24
white arrows in the top line. If the left arrow is missing, pressing the
MIDI Transmit Channel p. 24
[–] button has no effect. If the right arrow is missing, pressing [+]
has no effect. USB Driver p. 25
Auto Off p. 27
2. Use the [–] or [+] button to select the desired function. Reverb p. 12

3. Press the [Metronome] button to activate value selection. Brilliance p. 12

Now, the bottom line contains one or two white arrows: Auto Fill p. 16

KeyTouch 1. Hold down the [Split] button and press the [Transpose]
L2 button.
The display will the name of the last function you selected since
switching on the F-120R.
4. Press the [–] [+] buttons to edit the value of the setting.
2. Press the [–] or [+] button a number of times until
Reference “Backup” is shown in the display.
For details on the values of each function, refer to “Function
settings” (p. 22). 3. Press the [Metronome] button.
Memo Sure?
By pressing the [Metronome] button you can return to the
function setting screen. If you want to edit other function N   Y
settings, repeat steps 2–4.
If you decide not to save the settings, press the [–] button.
5. Press and hold the [Split] button and press the
[Transpose] button to leave Function mode. 4. To save the settings, press the [+] button to select “Y”.
When the memory backup has been completed, the display returns
to “Backup”.

5. Hold down the [Split] button and press the [Transpose]


button to leave Function mode.

21
Various settings (Function mode)

Function settings
Display Function Setting Value Explanation

Selecting Twin Piano mode


You can choose one of the following ways in which the sound will be heard when Twin Piano is
active (see p. 10).
OFF The Twin Piano function is off.
TwinPno OFF, 1, 2 1 The sound will be heard more remarkably from the right as you play
Twin Piano Mode
OFF (default: OFF) toward the right of the keyboard, and more remarkably from the
left as you play toward the left.
2 Notes played in the right area will be heard from the right speaker,
and notes played in the left area will be heard from the left speaker.
If you’re using headphones, the sound of the right-side section will
be heard in the right ear, and the sound of the left-side section will
be heard in the left ear.

Selecting suitable sounds for your solo playing


OneTouch OFF, ON
One Touch
ON (default: OFF) This function helps you select Tones for the part you play on the keyboard. Whenever you select a
Rhythm, the F-120R automatically calls up a suitable Tone from the “Other” family. To use it, press
the [Other] button. This function is only available while the [Rhythm] and [Split] buttons light.

Matching the pitch with other instruments


When playing ensemble with other instruments and in other such instances, you can match the
standard pitch to another instrument.
Tuning 415.3~440.0~466.2 Hz The standard pitch generally refers to the pitch of the note that’s played when you finger the
Master Tuning
44º0 (default: 440.0) middle A key. For a cleaner ensemble sound while performing with one or more other instruments,
ensure that each instrument’s standard pitch is in tune with that of the other instruments.

Memo
You can save this setting so that it will still be available the next time the power is turned on. To
save the setting, proceed as described in “Saving the Settings (Memory Backup)” (p. 21).

KeyTouch
Key Touch
FIX, L2, L1, M, H1, H2 Adapting the keyboard’s response to your way of playing
M (default: M)
See p. 12 for details.

Linking the Rhythm activity to your playing


RhytHold OFF, ON This function is on by default, meaning that you only need to briefly press the keys of the chords
Rhythm Hold
OFF (default: ON) you want to use. The Rhythm function’s melodic patterns will use those notes until you play other
notes or until you stop Rhythm playback.
If you select “OFF”, the Rhythm function’s melodic patterns are only played back while you press at
least one note. If you release all keys, only the drum pattern continues playing.

Specifying what the transpose function will affect


Trnspose KBD, SONG, BOTH
Transpose mode
BOTH (default: BOTH) This setting specifies what the transpose will affect. You can use the transpose to change the pitch
of both the song and the keyboard (“BOTH”), only the pitch of the song (“SONG”), or only the pitch
of the keyboard (“KBD”).

Chord recognition when [Split] is off


This parameter allows you to specify how the F-120R should recognize the chords you play to “feed”
Pno1 (Pianist1), the Rhythm function while the [Split] button is off, i.e. when you can play chords anywhere on the
SplOfRcg
Split Off Recognize Pno2 (Pianist2) keyboard.
Pno2 (default: Pno2)
Pianist1: In this mode, the F-120R only recognizes chords that consist of at least three notes.
Playing only two notes will not cause the rhythm’s key to change.
Pianist2: Same as “Pianist1” while the damper pedal is not pressed. If you press the damper pedal,
the F-120R even recognizes “chords” when you press only one note.

22
Various settings (Function mode)

Display Function Setting Value Explanation

Chord recognition when [Split] is on


This parameter allows you to specify how the F-120R should recognize the chords you play to “feed”
the Rhythm function while the [Split] button is on, i.e. when you need to play chords in the left half
of the keyboard.
STD: This is the normal chord recognition mode.
STD (Standard), INT EASY: This is an “intelligent” chord fingering system. It supplies the missing notes of the “chords”
SplOnRcg
Split On Recognize (Intelligent), EASY you play based on the following assumptions:
INT (default: INT) Major chords Press the key that corresponds to the chord’s fundamental.
Minor chords Fundamental + any black key to the left of the fundamental.
Seventh chords Fundamental + any white key to the left of the fundamental.
Minor seventh chords Fundamental + any black key to the left + any white key to the left

INT: Select this option when you want the chord recognition function to supply the missing notes
of the chords you play.

Specifying how the bass part should work


This function is only available if the [Split] button lights. (If the [Split] button is off, the “ON” setting
OFF, ON (only in Split is always used.) When it is set to “OFF”, the rhythm’s bass part always plays the fundamental of
Bass Inv
Bass Inversion mode)
ON (default: OFF)
your notes or chords. Example: if you play a chord consisting of the notes C, E and G (which is
recognized as a C major chord), the bass part plays a C.
If the “BassInv” is set to “ON”, the rhythm’s bass part uses the lowest notes of the chords you play.
Example: if you play a chord consisting of the notes E, G and C (still a C major chord), the bass part
plays an E. This function therefore gives you more artistic licence.

Volume of the left-hand Tone in ‘Split TONE’ mode


VolLftTn 0~127 This function allows you to set the volume of the Tone assigned to the left
Volume Left Tone
100 (default: 100)
half of the keyboard in “Split TONE” mode (see p. 17). Use it to balance the Tones
assigned to the right and left keyboard halves. The higher the value, the louder
the “LT” sound will be.

Function of the sostenuto pedal (center pedal)


This parameter allows you to assign a different function to the sostenuto pedal.
Most alternative functions are related to the F-120R’s Rhythm accompaniments.
Sostenuto The pedal acts as sostenuto pedal for piano Tones (this is the default
setting).
SOST (Sostenuto), ST.SP Start/Stop The pedal can be used to start and stop Song or Rhythm playback
(Start/Stop), IN.EN (Intro/ (depending on whether the [Song] or [Rhythm] button lights).
Ending), VARI (Variation), Intro/Ending, Variation The pedal has the same function as the [Intro/Ending] and [Varia-
B.INV (Bass Inversion), tion] buttons.
CPdlFnc
Center Pedal HOLD (Rhythm Hold),
SOST RES.S (Reset/Start), Bass Inversion The pedal can be used to switch the “BsInv” function on and off. See
BND.U (Bend Up), BND.D “Specifying how the bass part should work”.
(Bend Down) Rhythm Hold The pedal can be used to switch the “RhyHld” function on and off.
(default: SOST) See “Linking the Rhythm activity to your playing” (p. 22).
Reset/Start Pressing the sostenuto pedal causes the selected rhythm pattern to
restart from the beginning. This can be handy if you are lost and no
longer know when you should play the next note.
Bend Up The pedal allows you to temporarily bend the notes played on the
keyboard upwards.
Bend Down The pedal allows you to temporarily bend the notes played on the
keyboard downwards.

SOFT (Soft), ST.SP (Start/


Stop), IN.EN (Intro/ Function of the soft pedal (left pedal)
Ending), VARI (Variation),
B.INV (Bass Inversion), This parameter allows you to assign a different function to the soft pedal. Most alternative func-
LPdlFnc tions are related to the F-120R’s Rhythm accompaniments and are the same as for the sostenuto
Left Pedal HOLD (Rhythm Hold),
SOFT RES.S (Reset/Start), pedal, so be careful not to assign a function twice.
BND.U (Bend Up), BND.D Soft The pedal acts as soft pedal for piano Tones (this is the default
(Bend Down) setting).
(default: SOFT) Start/Stop~Bend Down See above.

23
Various settings (Function mode)

What is MIDI Visual Control?


MIDI Visual Control is an internationally-used recommended practice that was added to the MIDI specification so that visual expression could be
linked with musical performance. Video equipment that is compatible with MIDI Visual Control can be connected to electronic musical instruments
via MIDI in order to control video equipment in tandem with a performance.

What is V-LINK?
V-LINK is Roland’s proprietary specification that allows visual expression to be linked with musical performance. Video equipment that is
compatible with V-LINK can be connected to electronic musical instruments via their MIDI ports, making it easy to enjoy a variety of visual
effects that are linked with the performance.

Connection examples
Connect a MIDI cable from this unit’s MIDI Out connector to the MIDI In connector of your Visual Control compatible device.
* You’ll need a MIDI cable (sold separately) in order to connect this unit to a device that supports Visual Control.

Visual Control function chart MIDI Out connector

Playing the lowest 12 keys of this unit (A0~G#1) will transmit the following MIDI messages.
MIDI In connector

Visual Control function Transmitted MIDI message This unit’s operation Visual Control
compatible video
CC00 (Bank Select): 0~4 Play black keys equipment
Switch images
Program Change: 1~7 Play white keys

Display Function Setting Value Explanation

Controlling video equipment (visual control mode/channel)


Visual Control is a function that lets you control images along with your performance. If you’ve set
Visual Control mode to “1” (MIDI Visual Control) or “2” (V-LINK), playing the keyboard of the F-120R
VC Mode will control the images produced by the Visual Control device connected to the F-120R using a MIDI
Visual Control Mode
OFF cable.
OFF (default) Visual Control is off.
1 (MIDI Visual Control) MIDI Visual Control mode is selected. The notes played in the lowest octave no longer sound.
2 (V-LINK) V-LINK mode is selected. The notes played in the lowest octave no longer sound.

VC Ch
Visual Control Channel 1~16 (default: 10) Specifies the MIDI channel used to transmit MIDI messages to the Visual Control device.
1

MIDI transmit channel settings


MIDI Ch OFF, 1~16 This setting specifies the MIDI channel on which the F-120R will transmit.
MIDI Transmit Channel
1 (default: 1)
MIDI uses sixteen MIDI channels, which are numbered 1 through 16. By connecting MIDI devices
and specifying the appropriate MIDI channel for each device, you can play or select sounds on
those devices. The F-120R receives on all sixteen channels (1~16).

What is MIDI?
MIDI, short for “Musical Instrument Digital Interface,” was developed as a universal standard for the exchange of performance data among electronic musical instruments
and computers.
The F-120R is equipped with MIDI connectors to let it exchange performance data with external devices. These connectors can be used to connect the unit to an external
device for even greater versatility.

MIDI Out connector


Connection examples
If you use a MIDI cable to connect this unit’s MIDI Out connector to the MIDI In connector
MIDI In connector
of your external MIDI sound module, you’ll be able to produce sound on the external MIDI
sound module by playing this unit’s keyboard. As necessary, set the external MIDI sound
External MIDI
module’s receive channel to match this unit’s MIDI transmit channel.
sound module

24
Various settings (Function mode)

Display Function Setting Value Explanation

Preventing Double Notes when Working with a Sequencer


(Local Control)
Local Control
When you have a MIDI sequencer
MIDI
connected, set this parameter to “OFF”. MIDI Sequencer
In
Since most sequencers have their Thru
Sound Generator
LocalCtl function turned on, notes you play
Local Control
ON on the keyboard may be sounded in
duplicate, or get dropped. To prevent MIDI
this, select “OFF” so that the keyboard Out
and internal sound generator will be
disconnected.

ON (default) Local Control is on. The keyboard and internal sound generator are connected.

Local Control is off. The keyboard and internal sound generator are disconnected. Playing the
OFF
keyboard will not produce sound.

Choosing the USB driver


If you’re trying to connect the F-120R to your computer via a USB cable, but are unable to connect
successfully, using the Roland original driver may solve the problem. Normally, you don’t need to
install a driver. However, if some problem occurs, or if the performance is poor, using the Roland
GEN (Generic), original driver may solve the problem. After setting “USB Drv” to “ORG” on the unit, install the driver
USB Drv
USB Driver ORG (Original) on your personal computer. After changing this setting, you need to save your changes in the
GEN (default: GEN) Memory Backup (p. 21), turn off the F-120R, then turn it back on again.
For details on downloading and installing the Roland original driver, refer to the Roland web site.
GEN Choose this if you want to use the standard USB driver that was included with
your computer. Normally, you should use this mode.
ORG Choose this if you want to use a USB driver downloaded from the Roland web
site (www.roland.com).

Auto Off
Auto Off Refer to “Making the power automatically turn off after a time (Auto Off )” (p. 27).
30
CopySong
Copy Song Refer to “Copying song files” (p. 26).

Del Song
Delete Song Refer to “Deleting Song files” (p. 26).

Format
Format Media Refer to “Initializing the memory (Format Media)” (p. 27).

Backup
Memory Backup Refer to “Saving the Settings (Memory Backup)” (p. 21).

25
&& Copying song files
The “CopySong” function allows you to copy the song files in the 6. Press the [Metronome] button.
F-120R’s internal memory to the connected optional USB memory, and
vice versa.
Song 001
Note
You can only copy SMF files from the USB memory to the
Í001
F-120R’s internal memory. The F-120R cannot store audio files.
The Song name shown here is only an example.

7. Press the [–] [+] button to select the song that you want
to copy.
You can also select “ALL” (by pressing [–]) to copy all songs in one
operation.

8. Press the [Metronome] button.


(Empty)
1. Connect a USB memory to the F-120R’s USB memory Ü01
connector.

2. While holding down the [Split] button, press the 9. Use the [–] [+] buttons to select the copy-destination
[Transpose] button. number.
3. Use the [–] [+] buttons to select “CopySong”. No song has been saved at song numbers for which “(Empty)” is
shown as the song name. Select a song number at which no song
4. Press [Metronome] to confirm your selection. has been saved. If you want to delete an unwanted song and
replace it with the song you’re copying, select the unwanted song
A screen will appear, allowing you to select the copy-source and
number.
destination memory locations:
10. Press the [Metronome] button to copy the song.
USB~User If you decide not to copy, press the [Split] button. Once the song
S-~U has been copied, you’ll be returned to the screen of step 3.

Note
If you decide not to copy the song, press the [Split] button. Never turn off the power or disconnect the USB flash drive while
the screen indicates “Working”.
5. Use the [–] [+] buttons to select the copy-source and copy
destination memory locations. 11. Hold down the [Split] button and press the [Transpose]
button to leave Function mode.

&& Deleting Song files


The “Del Song” function allows you to erase the song files in the F-120R’s 7. Use the [–] [+] buttons to select the song to erase.
internal memory or an optional USB memory.

1. Connect a USB memory to the F-120R’s USB memory Song 001


connector. Ü01
2. While holding down the [Split] button, press the In our example, we are going to erase song from the internal
[Transpose] button.
memory.
3. Use the [–] [+] buttons to select “Del Song”. 8. Press the [Metronome] button to confirm.
4. Press [Metronome] to confirm your selection. Delete?
A screen will appear, allowing you to select the media, Internal
memory “U” or USB memory “S”. N   Y
User 9. Press the [+] button to select “Y.“
U--- The selected file is deleted.

If you decide not to delete the song, press the [Split] button
10. Hold down the [Split] button and press the [Transpose]
button to leave Function mode.
5. Use the [–] button to select “U” (internal memory) or the Note
[+] button to select “S” (USB memory). Never turn off the power or disconnect the USB memory while
6. Press [Metronome] to confirm your selection. the screen indicates “Working”.

26
&& Initializing the memory (Format Media)
You can erase all songs saved in the internal memory or reformat the If you decide not to proceed with the format, press the [Split]
USB memory (sold separately) you connected. button.

Note 4. Use the [–] [+] buttons to select the memory that you
• If you select “User”, this function erases all songs that have want to initialize.
been saved in the internal memory (“U”). If you select “USB”,
all data on the USB memory will be erased. In either case, the 5. Press the [Metronome] button.
erased data cannot be recovered, so we recommend that you A confirmation message will appear.
check the contents before you proceed.
• If you’re using new USB memory (sold separately) with the Format?
unit for the first time, you’ll need to initialize (format) the USB
memory before using it. The unit can’t use a USB memory that N   Y
has not been initialized.
If you want to format a USB memory, connect the USB memory to 6. Press the [+] button to select “Y.“
the USB memory connector (p. 7).
Formatting of the media will begin.
1. While holding down the [Split] button, press the If you decide not to initialize, press the [–] button.
[Transpose] button. Once the initialization is finished, you’ll be returned to the screen
you were in at step 2.
2. Use the [–] [+] buttons to select “Format.”
7. While holding down the [Split] button, press the
Format [Transpose] button to finish the procedure.

3. Press the [Metronome] button.


User

&& Making the power automatically turn off after a time (Auto Off )
With the factory settings, the unit’s power will automatically be 4. Press the [–] [+] buttons to select the Auto Off duration.
switched off 30 minutes after you stop playing or operating the If you don’t want the power to turn off automatically,
unit. choose “OFF.”
If you don’t want the power to turn off automatically, change the “Auto
Off” setting to “OFF” as follows. You can also select a shorter duration. Value Explanation
The power will automatically turn off when 240 minutes
240 (4 hours) have passed since you last played or operated
the unit.
The power will automatically turn off when 10 or 30
10
minutes have passed since you last played or operated
30 (default)
the unit.
OFF The power will not turn off automatically.

5. While holding down the [Split] button, press the


1. While holding down the [Split] button, press the [Transpose] button to leave Function mode.
[Transpose] button.
Memo
2. Use the [–] [+] buttons to select “Auto Off”. To save this setting, you need to perform “Backup” (see p. 21).

3. Press [Metronome] to confirm your selection.


The display changes to:

Auto Off
30

27
&& Restoring the settings to the factory condition (Factory)
The settings you’ve changed in Function mode can be restored to their 1. While holding down the [Split] and [Transpose] buttons,
factory-set condition. This operation is called “Factory”. turn on the power.
Note!
The “Factory” operation will erase all settings stored by the
Factory?
Memory Backup function. N   Y
If you decide not to execute the Factory Reset operation, press the
[–] button.

2. Press the [+] button to select “Y”.


When the Factory Reset has been completed, the display will
indicate “End.”
* Never turn off the power before the display indicates “End.”

3. Press the [Power] switch to turn the power off, then on


again.

28
&& Troubleshooting

Symptom Cause/Action Page


This unit uses a hammer action keyboard in order to simulate an acoustic piano’s playing touch as realistically as possible. For this
Even though you’re using head-
reason, you’ll hear the hammers thump when you play the keyboard, just as you would when playing an acoustic piano. Since this
phones and the sound is muted,
unit allows you to adjust its volume, you might notice the sound of the hammers in certain situations, but this does not indicate —
a thumping sound is heard when
a malfunction. If vibration transmitted to the floor or walls is a concern, you may be able to minimize the vibration by moving the
you play the keyboard
piano away from the wall, or by laying down a commercially available anti-vibration mat designed for use with pianos.
When 30 minutes have elapsed since you last played or operated this unit, the power will turn off automatically. (This is the
Power turns off on its own p. 27
factory setting.) If you don’t need the power to turn off automatically, turn the “Auto Off” setting off.
Power does not turn on Is the AC adaptor connected correctly? p. 39
Is the pedal connected correctly? Plug the cord firmly into the pedal connector. p. 39
If you disconnect the pedal cord from this unit while the power is on, the pedal effect may remain “stuck” in the On condition. You

must switch off the unit’s power before connecting or disconnecting the pedal cord.
Pedal does not work, or is “stuck” Could Twin Piano be turned on?
If Twin Piano is on, the right pedal will apply only to the right-hand section of the keyboard, and the left pedal will apply only to p. 10
the left-hand section of the keyboard.
Did you assign a different function to the sostenuto or soft pedal? p. 23
The volume level of the instru- Could you be using a connection cable that contains a resistor?
ment connected to Input jack is —
too low Use a connection cable that does not contain a resistor.

Could the unit’s volume or the volume of the connected equipment be turned down? —
Could headphones be connected?
No sound/ Could there be a plug inserted in a headphone jack? p. 6
No sound when you play back
The speakers will not produce sound if headphones or plug are connected to the headphone jacks.
a song
Has Local Control been set to “Off”?
p. 25
When Local Control is set to Off, no sound is produced by playing back a song. Set Local Control to On.

No sound in the left half of the You selected “Split CHORD” mode but forgot to start Rhythm playback.
p. 15
keyboard. After selecting “Split TONE” mode: did you set “LeftTone Volume” (see p. 23) to an extremely low value?
Could the Visual Control mode be set to MIDI Visual Control or V-LINK?
No sound from the leftmost notes
If the Visual Control mode is set to MIDI Visual Control or V-LINK, the lowest 12 keys of the keyboard (A0~G#1) are used to control p. 24
of the keyboard
images; they will not produce sound.
Are all devices powered on? —
No sound (when a MIDI device is
Are the MIDI cables connected correctly? p. 24
connected)
Do the MIDI channels of this unit and the connected device match? p. 24
The maximum simultaneous polyphony is 128 voices. If you’re using a Dual tone (p. 32), if you’re playing along with a song, or if
Not all the notes you play are
you’re making extensive use of the damper pedal, the performance data may exceed the available polyphony, possibly causing —
sounded
some of the notes you play to drop out.
Could you have made Transpose settings? p. 10
Is the Master Tune setting appropriate? p. 22
Pitch of the keyboard or song is
incorrect The notes of a piano are tuned using a unique method (stretched tuning), which makes upper-range notes slightly higher in
pitch, and lower-range notes slightly lower in pitch. For this reason, you might perceive the pitch as being incorrect, but this is the —
way an acoustic piano should sound.
Could you have selected a dual tone? p. 32
Sounds are heard twice (doubled)
when the keyboard is played When this unit is connected to an external sequencer, set the Local Control to off. Alternatively, the sequencer could be set so its
p. 25
Soft Thru feature is Off.
Reverberation remains even if you The unit’s piano sound faithfully simulates the depth and resonance of an acoustic piano, and this may give the impression of

defeat the Reverb effect reverberation even if you’ve defeated the Reverb effect.
On an acoustic piano, the approximately one and a half octaves of notes at the upper end of the keyboard will continue sounding
The sound of the higher notes
regardless of the damper pedal. These notes also have a somewhat different tonal character. This unit faithfully simulate this
suddenly changes from a certain —
characteristic of acoustic pianos. On this unit, the range that is unaffected by the damper pedal will change according to the
key
transpose setting.
If you hear this in headphones:
Piano sounds that have a brilliant and crisp character contain substantial high-frequency components that may sound as though
a metallic ringing has been added. This is because the characteristics of an actual piano are being faithfully reproduced, and —
is not a malfunction. This ringing is more obtrusive if the reverb effect is applied heavily, so you may be able to minimize it by
High-pitched ringing is heard decreasing the reverb.
If you don’t hear this in headphones:
It is likely that there is some other reason (such as resonances within the unit). Please contact your dealer or the nearest Roland —
service center.

29
Troubleshooting

Symptom Cause/Action Page


If you set the volume to the maximum setting, the sound may be distorted depending on how you perform. If this occurs, turn

down the volume.
If you don’t hear this in headphones:
Performing at high volumes may cause the speakers or objects near the unit to resonate. Fluorescent lights or glass doors may
also resonate sympathetically. In particular, this is more likely to occur for lower notes and higher volumes. You can take the
following measures to minimize resonances.
Sound wrong, or are buzzy —
• Locate this unit 10–15 cm (4–6 inch) away from walls or other surfaces.
• Keep the volume down.
• Move away from the objects that are resonating.
If you hear this in headphones:

It is likely that there is some other reason. Please contact your dealer or a nearby Roland service center.

&& Message list

Indication Meaning
Lock
The Panel Lock function is on (p. 11).

Amazing
When playing back a song, this is shown if the song starts on an upbeat.
M:PU
Auto Off When the Auto Off function is activated, and there is between 30 minutes and 1 minute remaining before the power will be turned off, the remaining time (in
30 minutes) will blink in the display.

USB MIDI
This message appears when you connect the F-120R’s USB port to your computer (“ON”) or when you disconnect it (“OFF”).
ON
Error: 1 You can only read the music file. It can not be saved.
An error occurred during writing. The external media may be corrupted.
Error: 2 Insert other external media and try again. Alternatively, you can initialize the external media.
The external media’s protect tab may be in the “Protect” (writing prohibited) position may not yet be initialized.
Error: 10 No external media is inserted. Insert the external media and try again.
There is not sufficient free memory in the save destination.
Error: 11
Either insert other external media or delete unneeded files and try again.
An error occurred during reading. The external media may be corrupted.
Error: 14
Insert other external media and try again. Alternatively, you can initialize the external media.
Error: 15 The file is unreadable. The data format is not compatible with the unit.
Data was not called up in time for playback of the song. After waiting several seconds, you may be able to play back the song by pressing the [ ] button
Error: 16
again.
This audio format is not supported.
Error: 18
Please use 44.1 kHz 16-bit linear WAV format audio files.
Error: 30 The memory capacity of the F-120R’s internal memory or the connected USB memory is exhausted.
The unit cannot deal with the excessive MIDI data sent from the external MIDI device.
Error: 40
Reduce the amount of MIDI data sent to the unit.
Error: 41 A MIDI cable has been disconnected. Connect it properly and securely.
Error: 43 A MIDI transmission error has occurred. Check the MIDI cable and connected MIDI device.
There may be a problem with the system. Repeat the procedure from the beginning. If it is not solved after you have tried several times, contact the Roland
Error: 51
service center.
The USB flash drive connector was subjected to excessive current. Make sure that there is no problem with the external media, then turn the power off, then on
Error: 65
again.

30
&& Main specifications
Roland F-120R: Digital Piano

Keyboard Other
Keyboard 88 keys (Ivory Feel-G keyboard) Internal Songs 189 songs
Touch Sensitivity 5 levels, Fixed Touch Rated Power Output 12 W x 2
Keyboard Modes Whole, Twin Piano, Split Speakers 12 cm x 2
Sound Generator 100 dB
Piano Sound SuperNATURAL Piano Sound Volume Level (SPL) * This value was measured according to the method that is
based on Roland’s technical standard.
Max. Polyphony 128 voices
Display Custom LCD
Tones 54 tones
Control Volume
Stretch Tuning Always On
Damper (capable of continuous detection)
Master Tuning 415.3~466.2 Hz (adjustable in increments of 0.1 Hz)
Pedals Soft (capable of continuous detection, programmable)
Transpose –6~+5 (in semitones)
Sostenuto (programmable)
Reverb (Off/1~10)
Other Functions Panel Lock, MIDI Visual Control
Brilliance (–10~0~+10)
DC In jack
Effects String Resonance (Always On, only for piano tones)
Pedal connector
Damper Resonance (Always On, only for piano tones)
Input jack: Stereo miniature phone type
Key Off Resonance (Always On, only for piano tones)
Output jacks (L/Mono, R): 1/4-inch phone type
Rhythm section Connectors MIDI connectors (In, Out)
Rhythms 60 Headphone jacks x 2: Stereo 1/4-inch phone type
One Touch 1 suitable tone for each rhythm USB COMPUTER connector (Type B, reception and transmis-
sion of MIDI data)
Controls Start/Stop, Variation, Intro/Ending
USB MEMORY (Type A, data storage devices)
Recorder
Power Consumption 26 W
Tracks 3 tracks 1,361 (W) x 305 (D) x 778 (H) mm /
Recorder Section: 1 song 53-5/8 (W) x 12-1/16 (D) x 30-11/16 (H) inches
Songs (With lid closed)
Internal Memory: Max. 10 songs
1,361 (W) x 345 (D) x 778 (H) mm /
Note Storage Approx. 30,000 notes 53-5/8 (W) x 13-5/8 (D) x 30-11/16 (H) inches
Dimensions (With lid closed, stabilizers mounted)
Song Select, Play/Stop, Rec, Previous/Rewinding, Next/ (including dedicated
Controls
Fast-forwarding, Track Mute, Tempo, All Song Play, Count-in stand) 1,361 (W) x 305 (D) x 910 (H) mm /
53-5/8 (W) x 12-1/16 (D) x 35-7/8 (H) inches
SMF Quarter note= 10 to 500
(With lid open)
Tempo Rhythm Quarter note= 20 to 250
1,361 (W) x 345 (D) x 910 (H) mm /
Audio= 75% to 125% 53-5/8 (W) x 13-5/8 (D) x 35-7/8 (H) inches
Resolution 120 ticks per quarter note (With lid open, stabilizers mounted)
Weight (including
Metronome Beat: 2/2, 0/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 9/8, 12/8 35 kg / 77 lbs 3oz
dedicated stand)
Internal memory Owner’s Manual
Songs Max. 10 songs AC Adaptor
Accessories Power Cord (for connecting AC Adaptor)
Song Save Format Standard MIDI Files (Format 0) Headphone Hook
Stabilizers
External memory
Options (sold USB flash memory (M-UF-series)
External storage USB memory
separately) USB CD Drive (CD-01A)
Playable Song Standard MIDI files (Format 0/1)
formats Audio files (WAV 44.1 khz/16-bit linear format)
STL format (Roland recommends using Rhythms especially
Playable Rhythms prepared for the F-120R or RP301R. Other Rhythms may not
work as expected.)

* In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.
31
&& Tone List

‘Piano’ list
No. Name Explanation

1 G.Piano1 A splendid concert grand piano sound. This is the most highly recommended tone; it can be used for any style of music.

2 G.Piano2 A more mellow grand piano sound. Appropriate for quiet songs.
3 G.Piano3 A brilliant grand piano sound. Appropriate when you want the piano to stand out in the band.
4 HonkyTon A honky-tonk piano. Ideal for ragtime.
5 P+ String Grand Piano 1 layered with strings.
6 P+Choir Grand Piano 1 layered with choir.
7 P+Bell Grand Piano 1 layered with bell.

Memo
• Tone names that include a “+” symbol are “dual tones,” which layer two different tones such as piano and strings.

‘Other’ list
No. Name No. Name
1 VintgEP1 25 Strings1
2 VintgEP2 26 Strings2
3 PopElPno 27 Choir 1
4 St FM EP 28 Choir 2
5 FM ElPno 29 Choir 3
6 Hrpchrd1 30 JazzScat
7 Hrpchrd2 31 Oboe
8 Vibrphon 32 Clarinet
9 Celesta 33 FluteTrv
10 Harp 34 FlVibAtk
11 ChOrgan1 35 SoprnExp
12 ChOrgan2 36 BlowAlto
13 AllSkate 37 StTenSax
14 DynoRtry 38 Trumpet
15 FltOrgan 39 MutTrump
16 JzOrgan 40 Trombone
17 AcMaster 41 Tbs+Tb
18 Accordn 42 Ac.Brass
19 HandHarm 43 SynthPad
20 NylonGt 44 SynthBel
21 NylstrGt 45 Standard
22 StlstrGT 46 Electric
23 JzGuitar 47 Brush
24 WarmDrv

32
&& Internal Song list

No. Song Name Composer No. Song Name Composer


A.01 Valse, op.34-1 Fryderyk Franciszek Chopin A.62 La Cinquantaine Gabriel Marie
A.02 Polonaise op.53 Fryderyk Franciszek Chopin A.63 Csikos Post Hermann Necke
A.03 Nocturne No.20 Fryderyk Franciszek Chopin A.64 Dolly's Dreaming Awakening Theodor Oesten
Franz Peter Schubert, A.65 La Violette Louis Streabbog
A.04 Die Forelle
Arranged by Franz Liszt A.66 Fröhlicher Landmann Robert Alexander Schumann
A.05 Reflets dans l'Eau Claude Achille Debussy A.67 Sonatine op.36-1 <Clementi> Muzio Clementi
A.06 La Fille aux Cheveux de Lin Claude Achille Debussy A.68 Sonatine op.20-1 <Kuhlau> Friedrich Kuhlau
A.07 La Campanella Franz Liszt A.69 Sonatine No.5 <Beethoven> Ludwig van Beethoven
A.08 Scherzo No.2 Fryderyk Franciszek Chopin B.001
A.09 Étude, op.10-12 Fryderyk Franciszek Chopin – Czerny 100 1–100 Carl Czerny
A.10 Sonate No.15 Wolfgang Amadeus Mozart B.100

A.11 Liebesträume 3 Franz Liszt C.01 –


Hanon 1–20 Charles Hanon
C.20
A.12 Étude, op.10-3 Fryderyk Franciszek Chopin
A.13 Je te veux Erik Satie * All rights reserved. Unauthorized use of this material for
A.14 Valse, op.64-1 Fryderyk Franciszek Chopin purposes other than private, personal enjoyment is a violation
A.15 Golliwog's Cakewalk Claude Achille Debussy of applicable laws.
A.16 Fantaisie-Impromptu Fryderyk Franciszek Chopin * Musical scores are not included with this unit. You can purchase
A.17 Arabesque 1 Claude Achille Debussy musical scores from their respective publishers.
A.18 An der schönen, blauen Donau Johann Strauss, Sohn * No data for the music that is played will be output from MIDI
A.19 Auf Flügeln des Gesanges Felix Mendelssohn Out connector.
A.20 Mazurka No.5 Fryderyk Franciszek Chopin
A.21 Gymnopédie 1 Erik Satie
A.22 Étude, op.25-1 Fryderyk Franciszek Chopin
A.23 Clair de Lune Claude Achille Debussy
A.24 Étude, op.10-5 Fryderyk Franciszek Chopin
A.25 Dr. Gradus ad Parnassum Claude Achille Debussy
A.26 Grande Valse Brillante Fryderyk Franciszek Chopin
A.27 La prière d'une Vierge Tekla Badarzewska
A.28 Course en Troïka Peter Ilyich Tchaikovsky
A.29 To The Spring Edvard Hagerup Grieg
A.30 Valse, op.64-2 Fryderyk Franciszek Chopin
A.31 Radetzky Marsch Johann Baptist Strauss
A.32 Träumerei Robert Alexander Schumann
A.33 Moments Musicaux 3 Franz Peter Schubert
A.34 Prélude, op.28-15 Fryderyk Franciszek Chopin
A.35 Harmonious Blacksmith Georg Friedrich Händel
A.36 Ungarische Tänze 5 Johannes Brahms
A.37 Türkischer Marsch <Beethoven> Ludwig van Beethoven
A.38 Nocturne No.2 Fryderyk Franciszek Chopin
A.39 Frühlingslied Felix Mendelssohn
A.40 Präludium Johann Sebastian Bach
A.41 Jägerlied Felix Mendelssohn
A.42 Passepied Claude Achille Debussy
A.43 Für Elise Ludwig van Beethoven
A.44 Türkischer Marsch Wolfgang Amadeus Mozart
A.45 Ständchen Franz Peter Schubert
A.46 Humoreske Antonín Dvořák
A.47 Blumenlied Gustav Lange
A.48 Alpenglöckchen Theodor Oesten
A.49 Menuett G dur <Beethoven> Ludwig van Beethoven
A.50 Venezianisches Gondellied Felix Mendelssohn
A.51 Alpenabendröte Theodor Oesten
A.52 Farewell to the Piano Ludwig van Beethoven
A.53 Brautchor Wilhelm Richard Wagner
A.54 Forget-Me-Not Heinrich Lichner
A.55 Wiener Marsch Carl Czerny
A.56 Le Coucou Louis Claude Daquin
A.57 Menuett G dur <Bach> Johann Sebastian Bach
A.58 Spinnerlied Albert Ellmenreich
A.59 Gavotte François Joseph Gossec
A.60 Heidenröslein Gustav Lange
A.61 Zigeuner Tanz Heinrich Lichner

33
&& Internal Rhythm list

Genre No. Name Genre No. Name


A01 Slow Pop E01 Swingin’
A02 SlowBeat E02 Swing
A03 Romantic E03 SwingFst
A04 AcBallad Swing E04 PnoNight
A05 Euro Bld E05 Pno Jazz
A06 LoveBeat E06 Jive
8 Beat A07 GoldBeat E07 Boogie
A08 Love Bld F01 Blues1
A09 Serenade Blues/Gospel F02 Blues 2
A10 PianoBld F03 Gospel
A11 DreamBld G01 Tango
A12 Ballad G02 Rhumba
A13 SlowRock G03 Cha Cha
Latin
B01 Gt Beat G04 PnoLatin
B02 FastBeat G05 Salsa
B03 Med Beat G06 Jz Latin
B04 HomeBeat H01 Blue Pop
16 Beat
B05 Easy Bld H02 Country2
B06 Sky Beat Country H03 Country1
B07 BillyPop H04 Shuffle
B08 NightBld H05 Foxtrot
C01 Jamiro I01 PnRock’N
Disco Dance C02 Sl Disco 50/60 I02 Shufflin
C03 Disco I03 Ragtime
D01 Gt Bossa J01 Sl Waltz1
D02 Bossa J02 Sl Waltz2
Waltz
D03 Jz Bossa J03 PnoWaltz
Bossa/Samba D04 ClubBoss J04 Gt Waltz
D05 Ac Samba Classic K01 Classic
D06 Gt Samba
D07 Samba

34
&& Using the unit safely
CAUTION
The unit and the AC adaptor should be
About WARNING and CAUTION Notices About the Symbols located so their location or position does not
The symbol alerts the user to important instructions or interfere with their proper ventilation.
Used for instructions intended to alert the warnings.The specific meaning of the symbol is
user to the risk of death or severe injury
should the unit be used improperly.
determined by the design contained within the triangle. In Always grasp only the plug on the AC adaptor
the case of the symbol at left, it is used for general
cautions, warnings, or alerts to danger. cord when plugging into, or unplugging
Used for instructions intended to alert the from, an outlet or this unit.
user to the risk of injury or material The symbol alerts the user to items that must never be
damage should the unit be used carried out (are forbidden). The specific thing that must
improperly. not be done is indicated by the design contained within At regular intervals, you should unplug the
the circle. In the case of the symbol at left, it means that
* Material damage refers to damage or the unit must never be disassembled.
AC adaptor and clean it by using a dry cloth
other adverse effects caused with to wipe all dust and other accumulations
respect to the home and all its The symbol alerts the user to things that must be
furnishings, as well to domestic animals carried out. The specific thing that must be done is away from its prongs. Also, disconnect the
or pets. indicated by the design contained within the circle. In the power plug from the power outlet whenever
case of the symbol at left, it means that the power-cord
plug must be unplugged from the outlet.
the unit is to remain unused for an extended
period of time. Any accumulation of dust
ALWAYS OBSERVE THE FOLLOWING between the power plug and the power
outlet can result in poor insulation and lead

WARNING WARNING to fire.


Try to prevent cords and cables from
Do not open (or modify in any way) the unit Do not place containers containing liquid becoming entangled. Also, all cords and
or its AC adaptor. (e.g., flower vases) on this product. Never cables should be placed so they are out of the
allow foreign objects (e.g., flammable reach of children.
objects, coins, wires) or liquids (e.g., water
or juice) to enter this product. Doing so may Never climb on top of, nor place heavy
Do not attempt to repair the unit, or replace
cause short circuits, faulty operation, or objects on the unit.
parts within it (except when this manual
provides specific instructions directing you other malfunctions.
to do so). Refer all servicing to your retailer,
Immediately turn the power off, remove the Never handle the AC adaptor or its plugs
the nearest Roland Service Center, or an
AC adaptor from the outlet, and request with wet hands when plugging into, or
authorized Roland distributor, as listed on
servicing by your retailer, the nearest Roland unplugging from, an outlet or this unit.
the “Information” page.
Service Center, or an authorized Roland
Never install the unit in any of the following If you need to move the instrument, take note
distributor, as listed on the “Information”
locations. of the precautions listed below. At least two
page when:
• Subject to temperature extremes (e.g., persons are required to safely lift and move
• The AC adaptor, the power-supply cord, or
direct sunlight in an enclosed vehicle, near the unit. It should be handled carefully, all the
the plug has been damaged; or
a heating duct, on top of heat-generating while keeping it level. Make sure to have a
equipment); or are • If smoke or unusual odor occurs
• Objects have fallen into, or liquid has been firm grip, to protect yourself from injury and
• Damp (e.g., baths, washrooms, on wet the instrument from damage.
floors); or are spilled onto the unit; or
• The unit has been exposed to rain (or • Check to make sure the screws securing the
• Exposed to steam or smoke; or are unit to the stand have not become loose.
otherwise has become wet); or
• Subject to salt exposure; or are Fasten them again securely whenever you
• The unit does not appear to operate
• Humid; or are notice any loosening.
normally or exhibits a marked change in
• Exposed to rain; or are performance. • Disconnect the power cord.
• Dusty or sandy; or are • Disconnect all cords coming from external
When using the unit in locations where
• Subject to high levels of vibration and devices.
children are present, be careful so no
shakiness. • Close the lid.
mishandling of the unit can take place. An
Make sure you always have the unit placed adult should always be on hand to provide • Raise the adjusters on the stand (p. 38).
so it is level and sure to remain stable. Never supervision and guidance. • Remove the music stand.
place it on stands that could wobble, or on Before cleaning the unit, turn off the power
Protect the unit from strong impact.
inclined surfaces. and unplug the AC adaptor from the outlet
(Do not drop it!)
Be sure to use only the AC adaptor supplied (p. 38).
with the unit. Also, make sure the line
voltage at the installation matches the Do not force the unit’s power-supply cord Whenever you suspect the possibility of
input voltage specified on the AC adaptor’s to share an outlet with an unreasonable lightning in your area, disconnect the AC
body. Other AC adaptors may use a different number of other devices. Be especially adaptor from the outlet.
polarity, or be designed for a different careful when using extension cords—the
voltage, so their use could result in damage, total power used by all devices you have Be careful when opening/closing the lid so
malfunction, or electric shock. connected to the extension cord’s outlet you do not get your fingers pinched (p. 8).
Use only the attached power-supply cord. must never exceed the power rating (watts/ Adult supervision is recommended whenever
Also, the supplied power cord must not be amperes) for the extension cord. Excessive small children use the unit.
used with any other device. loads can cause the insulation on the cord to
To prevent accidental ingestion of the parts
heat up and eventually melt through.
listed below, always keep them out of the
Do not excessively twist or bend the power Before using the unit in a foreign country, reach of small children.
cord, nor place heavy objects on it. Doing consult with your retailer, the nearest Roland • Included/Removable Parts
so can damage the cord, producing severed Service Center, or an authorized Roland Screws (p. 38)
elements and short circuits. Damaged cords distributor, as listed on the “Information”
are fire and shock hazards! If you remove the screw from the ground
page.
terminal, be sure to replace it; don’t leave
This unit, either alone or in combination with Do not use a CD-ROM in an audio CD it lying around where it could accidently
an amplifier and headphones or speakers, player or DVD player be swallowed by small children. When
may be capable of producing sound levels
DO NOT play a CD-ROM disc on a refastening the screw, make that it is firmly
that could cause permanent hearing loss.
conventional audio CD player or DVD player. fastened, so it won’t come loose.
Do not operate for a long period of time
The resulting sound may be of a level that
at a high volume level, or at a level that
could cause permanent hearing loss.
is uncomfortable. If you experience any
Damage to speakers or other system
hearing loss or ringing in the ears, you
components may result.
should immediately stop using the unit, and
consult an audiologist.

35
CAUTION
The area shown in the illustration may reach a
high temperature, so take care to avoid burns.

&& Important notes


Power Supply • When moved from one location to another where Care of the keyboard
the temperature and/or humidity is very different,
• Do not connect this unit to same electrical outlet water droplets (condensation) may form inside • Do not write on the keyboard with any pen or other
that is being used by an electrical appliance that the unit. Damage or malfunction may result if you implement, and do not stamp or place any marking
is controlled by an inverter (such as a refrigerator, attempt to use the unit in this condition. Therefore, on the instrument Ink will seep into the surface
washing machine, microwave oven, or air before using the unit, you must allow it to stand lines and become unremovable.
conditioner), or that contains a motor. Depending for several hours, until the condensation has • Do not affix stickers on the keyboard. You
on the way in which the electrical appliance is completely evaporated. may be unable to remove stickers that use
used, power supply noise may cause this unit to
• Do not allow rubber, vinyl, or similar materials to strong adhesives, and the adhesive may cause
malfunction or may produce audible noise. If it
remain on this unit for long periods of time. Such discoloration.
is not practical to use a separate electrical outlet,
connect a power supply noise filter between this objects can discolor or otherwise harmfully affect • To remove stubborn dirt, use a commercially
unit and the electrical outlet. the finish. available keyboard cleaner that does not contain
• Do not allow objects to remain on top of the abrasives. Start by wiping lightly. If the dirt does not
• The AC adaptor will begin to generate heat after
keyboard. This can be the cause of malfunction, come off, wipe using gradually increasing amounts
long hours of consecutive use. This is normal, and is
such as keys ceasing to produce sound. of pressure while taking care not to scratch the
not a cause for concern.
keys.
• Before connecting this unit to other devices, turn • Do not paste stickers, decals, or the like to this
off the power to all units. This will help prevent instrument. Peeling such matter off the instrument Additional Precautions
malfunctions and/or damage to speakers or other may damage the exterior finish. • Please be aware that the contents of memory can
devices. • Do not put anything that contains water (e.g., be irretrievably lost as a result of a malfunction, or
• With the factory settings, the unit’s power will flower vases) on this unit. Also, avoid the use of the improper operation of the F-120R. To protect
automatically be switched off 30 minutes after you insecticides, perfumes, alcohol, nail polish, spray yourself against the risk of loosing important data,
stop playing or operating the unit. cans, etc., near the unit. Swiftly wipe away any we recommend that you periodically save a backup
If the unit’s power has been turned off liquid that spills on the unit using a dry, soft cloth. copy of important data you have stored in the unit’s
automatically, you can use the [Power] switch to memory on the USB memory.
• Depending on the material and temperature of the
turn the unit back on again. surface on which you place the unit, its rubber feet • Unfortunately, it may be impossible to restore
If you don’t want the power to turn off may discolor or mar the surface. the contents of data that was stored in the unit’s
automatically, change the “Auto Off” setting You can place a piece of felt or cloth under the memory once it has been lost. Roland Corporation
to “OFF” as described on “Making the power rubber feet to prevent this from happening. If you assumes no liability concerning such loss of data.
automatically turn off after a time (Auto Off )” (p. 27). do so, please make sure that the unit will not slip or • Use a reasonable amount of care when using the
Placement move accidentally. unit’s buttons, sliders, or other controls; and when
Maintenance using its jacks and connectors. Rough handling can
• Using the unit near power amplifiers (or other
lead to malfunctions.
equipment containing large power transformers) • To clean the unit, use a dry, soft cloth; or one that
may induce hum. To alleviate the problem, change is slightly dampened. Try to wipe the entire surface • Never strike or apply strong pressure to the display.
the orientation of this unit; or move it farther away using an equal amount of strength, moving the • When connecting / disconnecting all cables, grasp
from the source of interference. cloth along with the grain of the wood. Rubbing the connector itself—never pull on the cable. This
• This device may interfere with radio and television too hard in the same area can damage the finish. way you will avoid causing shorts, or damage to the
reception. Do not use this device in the vicinity of • Never use benzine, thinners, alcohol or solvents of cable’s internal elements.
such receivers. any kind, to avoid the possibility of discoloration • To avoid disturbing your neighbors, try to keep
• Noise may be produced if wireless communications and/or deformation. the unit’s volume at reasonable levels. You may
devices, such as cell phones, are operated in the • The pedals of this unit are made of brass. prefer to use headphones, so you do not need to be
vicinity of this unit. Such noise could occur when Brass eventually darkens as the result of the natural concerned about those around you.
receiving or initiating a call, or while conversing. oxidization process. If the brass becomes tarnished, • The sound of keys being struck and vibrations
Should you experience such problems, you should polish it using commercially available metal produced by playing an instrument can be
relocate such wireless devices so they are at a polisher. transmitted through a floor or wall to an
greater distance from this unit, or switch them off.
unexpected extent. In particular, when using
• Do not expose the unit to direct sunlight, place
Repairs and Data headphones, please take care not to cause
it near devices that radiate heat, leave it inside • Please be aware that all data contained in the annoyance to others nearby.
an enclosed vehicle, or otherwise subject it to unit’s memory may be lost when the unit is sent for
• When you need to transport the unit, pack it in
temperature extremes. Also, do not allow lighting repairs. Important data should always be backed
shock-absorbent material. Transporting the unit
devices that normally are used while their light up to a USB memory, or written down on paper
without doing so can cause it to become scratched
source is very close to the unit (such as a piano (when possible). During repairs, due care is taken
or damaged, and could lead to malfunction.
light), or powerful spotlights to shine upon the to avoid the loss of data. However, in certain cases
same area of the unit for extended periods of time. (such as when circuitry related to memory itself is • Some connection cables contain resistors. Do not
Excessive heat can deform or discolor the unit. out of order), we regret that it may not be possible use cables that incorporate resistors for connecting
to restore the data, and Roland assumes no liability to this unit. The use of such cables can cause the
concerning such loss of data. sound level to be extremely low, or impossible
to hear. For information on cable specifications,
contact the manufacturer of the cable.

36
Important notes

• The explanations in this manual include * Recording, duplication, distribution, sale, lease,
illustrations that depict what should typically be performance, or broadcast of copyrighted material
shown by the display. (musical works, visual works, broadcasts, live
Note, however, that your unit may incorporate a performances, etc.) belonging to a third party in
newer, enhanced version of the system, so what part or in whole without the permission of the
you actually see in the display may not always copyright owner is forbidden by law.
match what appears in the manual. Do not use this product for purposes that could
infringe on a copyright held by a third party. We
• Do not apply undue force to the music stand while
assume no responsibility whatsoever with regard to
it is in use.
any infringements of third-party copyrights arising
• Before opening or closing the keyboard lid, always through your use of this product.
make sure that no pets or other small animals are * The copyright of content in this product (the
located on top of the instrument (in particular, sound waveform data, style data, accompaniment
they should be kept away from the keyboard and patterns, phrase data, audio loops and image data)
its lid). Otherwise, due to the structural design of is reserved by Roland Corporation and/or Atelier
this instrument, small pets or other animals could Vision Corporation.
end up getting trapped inside it. If such a situation Purchasers of this product are permitted to utilize
is encountered, you must immediately switch off said content for the creating, performing, recording
the power and disconnect the power cord from the and distributing original musical works.
outlet. You should then consult with the retailer Purchasers of this product are NOT permitted to
from whom the instrument was purchased, or extract said content in original or modified form,
contact the nearest Roland Service Center. for the purpose of distributing recorded medium
Before Using USB Memories of said content or making them available on a
computer network.
(Using Optional USB memory)
* Roland, SuperNATURAL are either registered
• Do not connect or disconnect USB flash drive while trademarks or trademarks of Roland Corporation in
it is being read from, or written to (i.e., while the the United States and/or other countries.
USB flash drive access indicator will blink).
* MMP (Moore Microprocessor Portfolio) refers to a
• Carefully insert the USB flash drive all the way in— patent portfolio concerned with microprocessor
until it is firmly in place. architecture, which was developed by Technology
• Never touch the terminals of the USB flash drives. Properties Limited (TPL). Roland has licensed this
Also, avoid getting the terminals dirty. technology from the TPL Group.
• USB flash drives are constructed using precision * Company names and product names appearing
components; handle the USB flash drives carefully, in this document are registered trademarks or
paying particular note to the following. trademarks of their respective owners.
• To prevent damage to the USB flash drives from
static electricity, be sure to discharge any static
electricity from your own body before handling
the USB flash drives.
• Do not touch or allow metal to come into
contact with the contact portion of the USB flash
drives.
• Do not bend, drop, or subject USB flash drives to
strong shock or vibration.
• Do not keep USB flash drives in direct sunlight,
in closed vehicles, or other such locations.
• Do not allow USB flash drives to become wet.
• Do not disassemble or modify the USB flash
drives.

CD handling
• When handling the discs, please observe the
following.
• Do not touch the encoded surface of the disc.
• Do not use in dusty areas.
• Do not leave the disc in direct sunlight or an
enclosed vehicle.
• Do not touch or scratch the recording surface of a
CD. Doing so may render the data unreadable. If a
CD becomes soiled, clean it using a commercially
available CD cleaner.
• Keep the disc in the case.
• Do not keep the disc in the CD drive for a long time.
• Do not put a sticker on the label of the disc.
• If dust or dirt adheres to a CD, lightly wipe it off
with a soft cloth.
• Always wipe from the center toward the outer edge
of the disc. Do not wipe in a concentric circular
direction.
• Do not use benzine, record cleaner spray or
solvents of any kind.
• Do not bend the disc. Bending discs may prevent
proper reading and writing of data, and may further
result in malfunction.

37
&& Assembling the F-120R
* To ensure that you assemble this unit correctly, please read this manual carefully before you begin assembly. Keep this manual nearby for reference when needed.
* Keep this unit horizontal when lifting it during assembly or transport.
* Be careful not to pinch your hands or drop this unit on your foot during assembly or transport.
* You must obtain the assistance of at least one additional person when assembling or transporting this unit.
* Keep small parts such as screws out of the reach of small children to ensure that these items are not swallowed accidentally.
* The screwdriver needed for assembly is not included. You will need to provide a Phillips screwdriver of the appropriate size for the screws.
* You should initially tighten each screw loosely before tightening them to their final position. Start by tightening the screws until they are approximately half hidden. Do not use a
power screwdriver when tightening the screws to their final position. Doing so may strip the threads.
* Tighten the screws firmly, and place the unit at a location that is level and sure to remain stable. Never place the unit on a shag carpet. If you do so, the pedal may be unstable,
causing damage.
* Do not place the body of the piano directly on the floor. Doing so will damage the jacks and holders on the bottom of the piano, and also damage the bottom panel case.

Copyright © 2012 ROLAND CORPORATION


All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.

Checking the parts


A Screws (large): 10 pcs.
1 Piano main unit

B Screws (small): 6 pcs.


Side board (left)
C Screws (with washers): 2 pcs.
Side board (right)
D Cord clamp: 2pcs.
4 Rear board

Pedal board
E Headphone hook: 1pc.

F Stabilizers: 2 pcs.

Assembly procedure 5. Remove the rear board [4] and the pedal board [5] from
the styrofoam protectors.
* Be careful not to pinch the pedal cord during assembly.
1. Install the box flat on a blanket or carpet (the “Upside”
caption on the box must be visible).
2. Pull out the side boards from the upper compartment by
holding the styrofoam sides.

4
5

2
3

6. Detach the two outer styrofoam protectors (left and right


[f ] [g]) from the piano body.

3. Remove the accessory bag and the owner’s manual from


the cardboard spacers [f].
4. Remove the cardboard spacers [f] from the upper
compartment (one on either side).

[h]
[g]

38
7. Remove the two protective wooden slats [h] (see the 17. Attach the stabilizers [F] to the side boards and tighten the
illustration above). small screws [B]. Securely fasten the stabilizers to their final
8. Set up the piano body in a vertical position and so that it tightness at this time.
rests on the remaining styrofoam protectors [i].

[i]
F
A
3
B F

1
18. Insert the pedal board [5] from the rear between the side
boards, slide it over the metal hinges on the side boards
and secure it with the two large screws [A] (one on either
side, see the illustration below).
2 A
Tighten the screws securely.

Space: 3mm

9. Install the first side board ([2] or [3]) by carefully aligning it 5


with the piano body.
10. Secure the side board [2] or [3] to the body [1] using two
of the large screws [A] and a Philips appropriate size
A
screwdriver.
You may need to slightly lift the piano body to be able to align the
screw holes.
19. Securely tighten the four screws of the side boards [2] & [3]
(2 left, 2 right).
11. Tighten the large screws [A] up to a point where they still 20. Securely tighten the four screws of the rear board [4] (2
protrude about 3mm (see the illustration above).
above, 2 below).
12. Repeat steps (9)~(11) for the other side board. 21. Install the adhesive cable clips [D] at the back of the left
13. Set the piano upright, and hold it in such a way that the side side board [2] (right when viewed from the back).
boards cannot slip and scratch the floor.
14. Remove the three styrofoam protectors [i] surrounding the
piano body [1] (see the illustration above).
15. Slide the rear board [4] from the back between the side
boards and tighten the upper large screws [A] on either side D
using a Philips appropriate size screwdriver.
Do not tighten them too strongly at this time.

22. Use the 2 screws (with washers) to fasten the headphone


hook.

C
A
16. Attach the lower large screws [A] on either side without
tightening them too much.

39
23. Connect the pedal cord to the Pedal connector. 24. Connect the supplied AC adaptor to the DC In connector
Attach the cord clamps to fasten the pedal cord and the AC adaptor on the back of the piano, and the power cord to the
cord (two locations).
adaptor.
AC adapter Power cord

to an AC outlet

Indicator

Place the AC adaptor so the side with the indicator faces upwards
and the side with textual information faces downwards. The
indicator will light when you plug the AC adaptor into an AC outlet.

Note
See also “About the ground terminal” (p. 7) if you experience
static discharges.

When moving the unit


If you need to move the unit, you must first close the keyboard
cover and disconnect the AC adaptor. With at least one other person
helping you, lift the unit horizontally and carry it, taking care not to
pinch your hands or drop the unit on your feet.

&& Index
A I P T
AC adaptor. . . . . . . . . . . . . . . . . . 39 Input jack . . . . . . . . . . . . . . . . . . . . 7 Panel Lock. . . . . . . . . . . . . . . . . . . 11 Tempo . . . . . . . . . . . . . . . . . . . . . . . 9
Auto Off. . . . . . . . . . . . . . . . . . . . . 27 Parts . . . . . . . . . . . . . . . . . . . . . . . . 14 Tone List . . . . . . . . . . . . . . . . . . . . 32
K Pedal. . . . . . . . . . . . . . . . . . . . . . . . . 7 Transpose. . . . . . . . . . . . . . . . . . . 10
B Key Touch. . . . . . . . . . . . . . . . . . . 12 Pedal connector. . . . . . . . . . . . . 39 Twin Piano . . . . . . . . . . . . . . 10, 22
Beat. . . . . . . . . . . . . . . . . . . . . . . . . . 9 [Piano] button. . . . . . . . . . . . . . . . 9
Brilliance. . . . . . . . . . . . . . . . . . . . 12 L V
[Power] switch. . . . . . . . . . . . . . . . 8
Lid. . . . . . . . . . . . . . . . . . . . . . . . . . . 8 Visual Control Channel. . . . . . . 24
C Local Control. . . . . . . . . . . . . . . . 25 R Visual Control Mode. . . . . . . . . 24
CD Drive . . . . . . . . . . . . . . . . . . . . . 6 Recording. . . . . . . . . . . . . . . . . . . 19 V-LINK. . . . . . . . . . . . . . . . . . . . . . . 24
Center Cancel . . . . . . . . . . . . . . . 14 M
Reverb Effect. . . . . . . . . . . . . . . . 12 [Volume] knob . . . . . . . . . . . . . . . 4
Master Tuning. . . . . . . . . . . . . . . 22
Rhythm . . . . . . . . . . . . . . . . . 15, 20
D Memory Backup. . . . . . . . . . . . . 21
Rhythm list. . . . . . . . . . . . . . . . . . 34
Damper Pedal. . . . . . . . . . . . . . . . 7 Message List. . . . . . . . . . . . . . . . . 30
DC In connector. . . . . . . . . . . . . 39 Metronome . . . . . . . . . . . . . . . . . . 9 S
[Metronome] button. . . . . . . . . . 9 Soft Pedal. . . . . . . . . . . . . . . . . . . . 7
F MIDI. . . . . . . . . . . . . . . . . . . . . . . . . 24 Song. . . . . . . . . . . . . . . . . . . . . . . . 13
Factory Reset. . . . . . . . . . . . . . . . 28 MIDI Transmit Channel. . . . . . . 24 [Song] button . . . . . . . . . . . . . . . 15
Function Mode. . . . . . . . . . . . . . 21 MIDI Visual Control . . . . . . . . . . 24 Song List. . . . . . . . . . . . . . . . . . . . 33

G Sostenuto Pedal. . . . . . . . . . . . . . 7
O
Ground terminal. . . . . . . . . . . . . 39 Split. . . . . . . . . . . . . . . . . . . . . . . . . 17
[Other] button. . . . . . . . . . . . . . . . 9
Sync. . . . . . . . . . . . . . . . . . . . . . . . . 16
Output jacks. . . . . . . . . . . . . . . . . . 7
H
Headphone jacks. . . . . . . . . . . . . 6
40
For EUcountries
For EU Countries

For
ForChina
China

41
For the UK
For the U.K.
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.

BLUE: NEUTRAL
BROWN: LIVE

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.

For
ForEU
EU Countries
Countries

This
This product
product complies
complies with
with the the requirements
requirements of EMC Directive 2004/108/EC.
of EMCD 2004/108/EC.

Forthe
For theUSA
USA

FEDERAL COMMUNICATIONS COMMISSION


RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
– Reorient or relocate the receiving antenna.
– Increase the separation between the equipment and receiver.
– Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
– Consult the dealer or an experienced radio/TV technician for help.

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) this device may not cause harmful interference, and
(2) this device must accept any interference received, including interference that may cause undesired operation.

This equipment requires shielded interface cables in order to meet FCC class B limit.
Any unauthorized changes or modifications not expressly approved by the party responsible for compliance could void the user’s
authority to operate the equipment.

ForCanada
For Canada

NOTICE
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.

AVIS
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.

For
ForC.A. (Proposition65)
US(Proposition
C.A. US 65)

WARNING
This product contains chemicals known to cause cancer, birth defects and other reproductive harm, including lead.

For the USA

DECLARATION OF CONFORMITY
Compliance Information Statement
F-120R
Digital Piano
Roland Corporation U.S.
5100 S. Eastern Avenue, Los Angeles, CA 90040-2938
(323) 890-3700

42
Information When you need
Information When youservice,
repair need repair service,
call your callRoland
nearest your nearest
Service Roland Service
Center or Center
authorized or authorized
Roland distributorRoland
in your country as shown
below. distributor in your country as shown below.
TAIWAN ECUADOR RUSSIA OMAN
AFRICA ROLAND TAIWAN ENTERPRISE Mas Musika EUROPE Roland Music LLC TALENTZ CENTRE L.L.C.
CO., LTD. Rumichaca 822 y Zaruma Dorozhnaya ul.3,korp.6 Malatan House No.1
9F-5, No. 112 Chung Shan Guayaquil - ECUADOR 117 545 Moscow, RUSSIA Al Noor Street, Ruwi
EGYPT North Road Sec. 2 Taipei 104, TEL: (593-4) 2302364 BELGIUM/FRANCE/ TEL: (495) 981-4967 SULTANATE OF OMAN
Al Fanny Trading Office TAIWAN R.O.C. TEL: 2478 3443
TEL: (02) 2561 3339 EL SALVADOR HOLLAND/ SERBIA
9, EBN Hagar Al Askalany Street,
ARD E1 Golf, Heliopolis, OMNI MUSIC LUXEMBOURG Music AP Ltd. QATAR
Cairo 11341, EGYPT THAILAND 75 Avenida Norte y Final Alameda Roland Central Europe N.V. Sutjeska br. 5 XS - 24413 Palic, AL-EMADI TRADING &
TEL: (022)-417-1828 Theera Music Co. , Ltd. Juan Pablo II, Houtstraat 3, B-2260, Oevel SERBIA CONTRACTING CO.
100-108 Soi Verng Nakornkasem, Edificio No.4010 San Salvador, (Westerlo) BELGIUM TEL: (024) 539 395 P.O. Box 62, Doha, QATAR
REUNION New Road,Sumpantawong, EL SALVADOR TEL: (014) 575811 TEL: 4423-554
MARCEL FO-YAM Sarl Bangkok 10100, THAILAND TEL: 262-0788 SLOVAKIA
25 Rue Jules Hermann, TEL: (02) 224-8821 CROATIA DAN Acoustic s.r.o. SAUDI ARABIA
Chaudron - BP79 97 491 GUATEMALA ART-CENTAR Povazská 18. aDawliah Universal Electronics
Ste Clotilde Cedex, VIET NAM Casa Instrumental Degenova 3. SK - 940 01 Nové Zámky, APL
REUNION ISLAND VIET THUONG CORPORATION Calzada Roosevelt 34-01,zona 11 HR - 10000 Zagreb, CROATIA SLOVAKIA Behind Pizza Inn
TEL: (0262) 218-429 386 CACH MANG THANG TAM ST. Ciudad de Guatemala, TEL: (1) 466 8493 TEL: (035) 6424 330 Prince Turkey Street
DIST.3, HO CHI MINH CITY, GUATEMALA aDawliah Building,
SOUTH AFRICA VIET NAM TEL: (502) 599-2888 CZECH REP. SPAIN PO BOX 2154,
T.O.M.S. Sound & Music (Pty)Ltd. TEL: (08) 9316540 CZECH REPUBLIC DISTRIBUTOR Roland Systems Group EMEA, S.L. Alkhobar 31952,
2 ASTRON ROAD DENVER HONDURAS s.r.o Paseo García Faria, 33-35 SAUDI ARABIA
JOHANNESBURG ZA 2195, Almacen Pajaro Azul S.A. de C.V. Voctárova 247/16 08005 Barcelona, SPAIN TEL: (03) 8643601
SOUTH AFRICA BO.Paz Barahona 180 00 Praha 8, CZECH REP. TEL: 93 493 91 00
TEL: (011) 417 3400 OCEANIA 3 Ave.11 Calle S.O
San Pedro Sula, HONDURAS
TEL: (2) 830 20270
SWEDEN
SYRIA
Technical Light & Sound Center
Paul Bothner(PTY)Ltd. TEL: (504) 553-2029 DENMARK Roland Scandinavia A/S PO Box 13520 Bldg No.49
Roland Scandinavia A/S SWEDISH SALES OFFICE
Royal Cape Park, Unit 24 AUSTRALIA/ MARTINIQUE Mårbackagatan 31, 4 tr.
Khaled Abn Alwalid St.
Londonderry Road, Ottery 7800 Skagerrakvej 7 Postbox 880 Damascus, SYRIA
Cape Town, SOUTH AFRICA
NEW ZEALAND Musique & Son DK-2100 Copenhagen, SE-123 43 Farsta, SWEDEN TEL: (011) 223-5384
TEL: (021) 799 4900 Roland Corporation Z.I.Les Mangle DENMARK TEL: (0) 8 683 04 30
Australia Pty.,Ltd. 97232 Le Lamentin, TEL: 3916 6200 TURKEY
38 Campbell Avenue MARTINIQUE F.W.I. SWITZERLAND ZUHAL DIS TICARET A.S.
Dee Why West. NSW 2099, TEL: 596 596 426860 FINLAND Roland (Switzerland) AG Galip Dede Cad. No.33
ASIA AUSTRALIA
Gigamusic SARL
Roland Scandinavia As, Filial Landstrasse 5, Postfach,
CH-4452 Itingen, SWITZERLAND
Beyoglu, Istanbul, TURKEY
TEL: (0212) 249 85 10
Finland
For Australia 10 Rte De La Folie Vanha Nurmijarventie 62 TEL: (061) 975-9987
TEL: (02) 9982 8266 97200 Fort De France 01670 Vantaa, FINLAND U.A.E.
CHINA For New Zealand MARTINIQUE F.W.I. TEL: (0) 9 68 24 020 UKRAINE Zak Electronics & Musical
Roland Shanghai Electronics TEL: (09) 3098 715 TEL: 596 596 715222 EURHYTHMICS Ltd. Instruments Co. L.L.C.
Co.,Ltd. GERMANY/AUSTRIA P.O.Box: 37-a. Zabeel Road, Al Sherooq Bldg.,
5F. No.1500 Pingliang Road MEXICO Roland Elektronische Nedecey Str. 30 No. 14, Ground Floor, Dubai,
Shanghai 200090, CHINA Casa Veerkamp, s.a. de c.v. UA - 89600 Mukachevo, UKRAINE U.A.E.
TEL: (021) 5580-0800 CENTRAL/LATIN Av. Toluca No. 323, Col. Olivar
Musikinstrumente HmbH.
Oststrasse 96, 22844 Norderstedt, TEL: (03131) 414-40 TEL: (04) 3360715
de los Padres 01780 Mexico D.F.,
Roland Shanghai Electronics AMERICA MEXICO
GERMANY
TEL: (040) 52 60090
UNITED KINGDOM
Co.,Ltd. (BEIJING OFFICE) TEL: (55) 5668-6699 Roland (U.K.) Ltd.
3F, Soluxe Fortune Building
ARGENTINA NICARAGUA
GREECE/CYPRUS Atlantic Close, SWANSEA SA7 9FJ,
UNITED KINGDOM
NORTH AMERICA
63 West Dawang Road, Chaoyang STOLLAS S.A.
District, Beijing, CHINA Instrumentos Musicales S.A. Bansbach Instrumentos TEL: (01792) 702701
Music Sound Light
TEL: (010) 5960-2565 Av.Santa Fe 2055 Musicales Nicaragua
(1123) Buenos Aires, ARGENTINA Altamira D'Este Calle Principal
155, New National Road CANADA
Patras 26442, GREECE
HONG KONG TEL: (011) 4508-2700 de la Farmacia 5ta.Avenida Roland Canada Ltd.
Tom Lee Music 1 Cuadra al Lago.#503
TEL: 2610 435400
MIDDLE EAST (Head Office)
11/F Silvercord Tower 1 BARBADOS Managua, NICARAGUA HUNGARY 5480 Parkwood Way Richmond B.
30 Canton Rd A&B Music Supplies LTD TEL: (505) 277-2557 C., V6V 2M4, CANADA
Roland East Europe Ltd.
Tsimshatsui, Kowloon, 12 Webster Industrial Park BAHRAIN TEL: (604) 270 6626
2045. Törökbálint, FSD Park 3. ép.,
HONG KONG Wildey, St.Michael, BARBADOS PANAMA HUNGARY Moon Stores
TEL: 852-2737-7688 TEL: (246) 430-1100 SUPRO MUNDIAL, S.A. TEL: (23) 511011 No.1231&1249 Rumaytha Roland Canada Ltd.
Boulevard Andrews, Albrook, Building Road 3931, (Toronto Office)
Parsons Music Ltd.
BRAZIL Panama City, REP. DE PANAMA IRELAND Manama 339, BAHRAIN 170 Admiral Boulevard
8th Floor, Railway Plaza, 39 Roland Brasil Ltda. TEL: 315-0101 Roland Ireland TEL: 17 813 942 Mississauga On L5T 2N6,
Chatham Road South, T.S.T, Rua San Jose, 211 E2 Calmount Park, Calmount CANADA
Kowloon, HONG KONG Parque Industrial San Jose PARAGUAY Avenue, Dublin 12, IRAN TEL: (905) 362 9707
TEL: 852-2333-1863 Cotia - Sao Paulo - SP, BRAZIL Distribuidora De Instrumentos Republic of IRELAND MOCO INC.
TEL: (011) 4615 5666 Musicales TEL: (01) 4294444 Jadeh Makhsous Karaj (K-9), U. S. A.
INDIA J.E. Olear y ESQ. Manduvira Nakhe Zarin Ave. Roland Corporation U.S.
Rivera Digitec (India) Pvt. Ltd.
CHILE Asuncion, PARAGUAY ITALY Jalal Street, Reza Alley No.4 5100 S. Eastern Avenue
411, Nirman Kendra Mahalaxmi Comercial Fancy II S.A. TEL: (595) 21 492147 Roland Italy S. p. A. Tehran 1389716791, IRAN Los Angeles, CA 90040-2938,
Flats Compound Off. Dr. Edwin Rut.: 96.919.420-1 Viale delle Industrie 8, TEL: (021)-44545370-5 U. S. A.
Moses Road, Mumbai-400011, Nataniel Cox #739, 4th Floor PERU 20020 Arese, Milano, ITALY TEL: (323) 890 3700
INDIA Santiago - Centro, CHILE Audionet TEL: (02) 937-78300 ISRAEL
TEL: (022) 2493 9051 TEL: (02) 688-9540 Distribuciones Musicales SAC Halilit P. Greenspoon & Sons
Juan Fanning 530 NORWAY
INDONESIA COLOMBIA Miraflores Roland Scandinavia Avd.
Ltd.
8 Retzif Ha'alia Hashnia St.
PT. Citra Intirama Centro Musical Ltda. Lima - PERU Kontor Norge Tel-Aviv-Yafo ISRAEL
Ruko Garden Shopping Arcade Cra 43 B No 25 A 41 Bododega 9 TEL: (511) 4461388 Lilleakerveien 2 Postboks 95 TEL: (03) 6823666
Unit 8 CR, Podomoro City Medellin, COLOMBIA
Lilleaker N-0216 Oslo,
Jl.Letjend. S.Parman Kav.28 TEL: (574) 3812529 TRINIDAD NORWAY JORDAN
Jakarta Barat 11470, INDONESIA AMR Ltd TEL: 2273 0074
TEL: (021) 5698-5519/5520
COSTA RICA Ground Floor
MUSIC HOUSE CO. LTD.
JUAN Bansbach Instrumentos FREDDY FOR MUSIC
Maritime Plaza POLAND P. O. Box 922846
KOREA Musicales Barataria TRINIDAD W.I. ROLAND POLSKA SP. Z O.O. Amman 11192, JORDAN
Cosmos Corporation Ave.1. Calle 11, Apartado 10237, TEL: (868) 638 6385 ul. Kty Grodziskie 16B TEL: (06) 5692696
1461-9, Seocho-Dong, San Jose, COSTA RICA 03-289 Warszawa, POLAND
Seocho Ku, Seoul, KOREA TEL: 258-0211 URUGUAY TEL: (022) 678 9512 KUWAIT
TEL: (02) 3486-8855 Todo Musica S.A.
CURACAO Francisco Acuna de Figueroa PORTUGAL
EASA HUSAIN AL-YOUSIFI &
MALAYSIA/ Zeelandia Music Center Inc. 1771 Roland Systems Group EMEA, S.L.
SONS CO.
Al-Yousifi Service Center
SINGAPORE Orionweg 30 C.P.: 11.800
Branch Office Porto P.O.Box 126 (Safat) 13002,
Curacao, Netherland Antilles Montevideo, URUGUAY
Roland Asia Pacific Sdn. Bhd. Edifício Tower Plaza KUWAIT
TEL: (305) 5926866 TEL: (02) 924-2335
45-1, Block C2, Jalan PJU 1/39, Rotunda Eng. Edgar Cardoso TEL: 00 965 802929
Dataran Prima, 47301 Petaling DOMINICAN REPUBLIC VENEZUELA 23, 9ºG
Jaya, Selangor, MALAYSIA
Instrumentos Fernando Giraldez Instrumentos Musicales
4400-676 Vila Nova de Gaia, LEBANON
TEL: (03) 7805-3263 PORTUGAL Chahine S.A.L.
Calle Proyecto Central No.3 Allegro,C.A. TEL: (+351) 22 608 00 60 George Zeidan St., Chahine Bldg.,
PHILIPPINES Ens.La Esperilla Av.las industrias edf.Guitar import
Achrafieh, P.O.Box: 16-5857
Santo Domingo, #7 zona Industrial de Turumo ROMANIA
G.A. Yupangco & Co. Inc. Beirut, LEBANON
DOMINICAN REPUBLIC Caracas, VENEZUELA
339 Gil J. Puyat Avenue FBS LINES TEL: (01) 20-1441
TEL: (809) 683 0305 TEL: (212) 244-1122
Makati, Metro Manila 1200, Piata Libertatii 1,
PHILIPPINES 535500 Gheorgheni, ROMANIA
TEL: (02) 899 9801 TEL: (266) 364 609

As of Feb. 1, 2011 (ROLAND)


602.00.0525  RES 908-12 – F-120R Owner’s Manual – E

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