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Vehicle Video Note

Vehicle video rebate notes discuss the early history of video editing. Editing involved visualizing recorded video tracks with ferrofluid, cutting the tape with blades, and splicing with iron filing solution. Improvements allowed over-recording new material, introducing linear editing. If early scenes required length changes, all later scenes needed re-recording. Popular 1970-80s U-matic equipment used two players and one recorder, performing automatic synchronized edits to avoid glitches. Later, 1980-90s beta equipment and more advanced controllers electronically synchronized edits.

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18 views1 page

Vehicle Video Note

Vehicle video rebate notes discuss the early history of video editing. Editing involved visualizing recorded video tracks with ferrofluid, cutting the tape with blades, and splicing with iron filing solution. Improvements allowed over-recording new material, introducing linear editing. If early scenes required length changes, all later scenes needed re-recording. Popular 1970-80s U-matic equipment used two players and one recorder, performing automatic synchronized edits to avoid glitches. Later, 1980-90s beta equipment and more advanced controllers electronically synchronized edits.

Uploaded by

Jasmine Scn
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as DOCX, PDF, TXT or read online on Scribd
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vehicle video rebate Note:

vehhicle – amnbuja cement cost 445 expensive, and the quality degradation caused by copying was
so great, that a 2-inch Quadruplex videotape was edited by visualizing the recorded track
with ferrofluid, cutting it with a razor blade or guillotine cutter, and splicing with video tape. The two
pieces of tape to be joined were painted with a solution of extremely fine iron filings suspended
in carbon tetrachloride, a toxic and carcinogenic compound. This "developed" the magnetic tracks,
making them visible when viewed through a microscope so that they could be aligned in a splicer
designed for this task.
Improvements in quality and economy, and the invention of the flying erase-head, allowed new video
and audio material to be recorded over the material already present on an existing magnetic tape.
This was introduced into the linear editing technique. If a scene closer to the beginning of the video
tape needed to be changed in length, all later scenes would need to be recorded onto the video tape
again in sequence. In addition, sources could be played back simultaneously through a vision
mixer (video switcher) to create more complex transitions between scenes. A popular 1970-80s
system for creating these transitions was the U-matic equipment (named for the U-shaped tape
path). That system used two tape players and one tape recorder, and edits were done by
automatically having the machines back up, then speed up together simultaneously, so that the edit
didn't roll or glitch. Later, in the 1980-90's came the smaller beta equipment (named for the B-
shaped tape path), and more complex controllers, some of which did the synchronizing
electronically.

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