Postmodernism (Part 1)
Postmodernism (Part 1)
Literary timeline:
1. Renaissance (1500-late 1600s--Shakespeare, Milton)
2. Enlightenment (1700-1800--Voltaire, Rousseau)
3. Romanticism (1800-late 1800s--Jane Eyre [1847])
4. Transcendental movement (1830-1860--Whitman, Thoreau)
5. Victorian period (1837-1900--George Eliot)
6. Existentialism (1850-today--Sartre, Camus)
7. Realism and Naturalism (mid 1800s-early 1900s--Chekhov’s “Misery”)
8. Modernism (early 1900s-1965--To the Lighthouse)
9. The Beat Movement (1945-1965--Ginsberg, Kerouac, Burroughs)
10. Postmodernism (mid 1965-today--Burroughs, DeLillo)
11. Contemporary works (Annie Proulx, Donna Tartt)
Grand narrative: One story that connects and explains all of humanity.
Postmodernism
--Characterized by irony, self-reflexivity, and knowing allusions galore. (Think the Simpsons)
--Often has absurd, playful, or comic aspects, and sometimes makes special use of parody, pastiche, and
of references to other texts and artifacts
Uses of the term ‘post’- Modernism
After modernism
Extends the tendencies already present in modernism, or works out questions and problems implicit in
modernism without a break from core assumptions
Contra modernism
A historical time-period marker, recognizing cultural, ideological, and economic shifts without a new
trajectory or privileging of values
Hybridization of forms and genres, combining "high" and "low" cultural forms and sources, mixing styles
of different cultures or time periods, dehistoricizing and re-contextualizing styles in architecture, visual
arts, literature, film, photography
"information age" redefinition of nation-state identities, which were the foundation of the modern era;
dissemination of images and information across national boundaries, a sense of erosion or breakdown
of national, linguistic, ethnic, and cultural identities; a sense of a global mixing of cultures on a scale
unknown to pre-information era societies.
It was becoming a negative label to independent thinkers; it seemed dangerously close to its partial
synonyms: conformity, compliance, and acquiescence
Such as diversity and difference, were endangered by social and cultural phenomena like obedience to
authority, with uniformity and conventionality impeding on the freedom of expression
Consequently, several intellectuals took a dissenting, more critical stance interested in exploring the
impact of mass consumption, material success, and the distribution of power in society.
Modernism vs Postmodernism
Attempts to reveal profound truths of Suspicious of being "profound".
experience and life. Prefers to dwell on the exterior image and
Tries to find depth and interior meaning avoids drawing conclusions or suggesting
beneath the surface of objects and underlying meanings associated with the
events interior of objects and events.
Modernism vs Postmodernism
Focuses on central themes and a united Sees human experience as unstable,
vision in a particular piece of literature. internally contradictory, ambiguous,
Modern authors guide and control the inconclusive, indeterminate, unfinished,
reader’s response to their work. fragmented, "jagged," with no one specific
Modernist novels mourn the loss of a reality possible.
coherent world. Postmodern writers create an "open"
work in which readers must supply their
own connections, work out alternative
meanings, and provide their own
(unguided) interpretation.
Postmodern novels celebrate and revel in
the chaos of an incoherent world.
“You all passed the exam, except for Gerard, who failed to meet the required
minimum usage of word’ multiplicities’ ”