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Fyeo Fullscore

For Your Eyes Only - John Zorn

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Marcelo Carneiro
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© © All Rights Reserved
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0% found this document useful (0 votes)
68 views73 pages

Fyeo Fullscore

For Your Eyes Only - John Zorn

Uploaded by

Marcelo Carneiro
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 73

2

instrumentation:
flute (doubling piccolo)
oboe
clarinet in B (doubling bass clarinet in B )
horn 1 in F
bassoon
trumpet 1 in C
trumpet 2 in C
horn 2 in F
trombone (with F-attachment)
tuba
percussion 1: percussion 2: percussion 3:
4 timpani 2 timpani handbells
vibraphone glockenspiel drum set:
xylophone tubular chimes snare drum
glockenspiel handbells 2 rack toms
tubular chimes herd bells 2 floor toms
handbells 2 bongos (high, low) bass drum
bell tree tomtom hi-hat
crotales 2 conga drums 2 suspended cymbals
2 bongos (high, low) cuica (lion’s roar) tomtom
2 triangles (large, small) timbales conga drum
crash cymbals bass drum triangle (small)
2 suspended cymbals triangle crash cymbals
2 tam-tams (large, medium) crash cymbals 2 tam-tams (large, small)
flexatone suspended cymbal claves
wind chimes anvil slapstick
castanets tam-tam guiro
2 maracas (high, low) thundersheet jawbone of an ass
guiro ratchet
slapstick
woodblock
5 temple blocks
2 maracas (high, low)

although at times it may be difficult to hold several different mallets in one hand, it is very important that all
instruments should be struck with the corresponding mallets (glockenspiel, crotales, triangles, and metal with metal,
bass drum and tam-tams with very soft mallets, gongs and vibraphone with hard yarns, snare with drum sticks, tubular bells
with hammer), unless otherwise noted.

harp
piano
violin I
violin II
viola
violoncello
contrabass (with C-extension)

percussion effects:
breaking glass (m. 2)
chains on metal (mm. 15, 89, 180)
breaking bottles (m. 83)
closing door (m. 89)
hammer nail into wood (m. 89)
hammer on wood (m. 202)
2 suspended cymbals on vibraphone (m. 119)
suspended cymbal on timpani (m. 253)

- all instruments are notated at sounding pitch, with the exception of piccolo and xylophone (sounding one octave higher),
contrabass (sounding one octave lower), and glockenspiel and crotales (sounding two octaves higher).

- all metronome markings are approximate.


score in C for your eyes only 3

John Zorn (1989)


1 ( = 100)
8
8

flute
(piccolo)
3 3 3 6 3

oboe
5

clarinet
(bass clarinet)
5 5
5

3 3 3 3

horn 1

bassoon

3 3
1
3 3 3 3
trumpet
3 3

2
7 3 3 7

horn 2
5 7
3 3
3

trombone
3

3 3
tuba

M M
1
L L
violently breaking glass
percussion 2

2 3 slowly open 7 3

8
gl

harp EF G A 3
iss
.

DC B 8
3

F F A B
forearms
8

5 5 3
piano

5 5 3

8 8 8 8 8

I
5 5 5
violin gliss
.

II

gliss.
viola
3 5 3
7 7

violoncello

3 3
contrabass 8

copyright © 1989 by Hips Road


4
2 faster ( = 108)
4
fl
solo (alternate fingering)
5 (any multiphonic)

ob
7 3 3
5 5 5

cl
change to b cl

hn 1

bsn

trp

hn 2

trb

tb

slowly cresc. and dim. (like breathing)

perc 2

harp

pno

(8)

vln

II

vla

vcl

cb
5

3
7
fl
slap gliss.
alternate l.h. and r.h.
G keys.
staccato .
gliss
ob

b cl

hn 1

bsn

ca. 5”
blow air

trp
wind sounds only

move valves

hn 2

air sounds

trb

move valves

tb

ped.

perc 2
scrape stick tip across
cymbal for squeak gliss.

gliss. freely

G
harp C

slowly scrape low mid-strings with pick.

pno

ped.

ca. 5”
sul D (harmonic glissandos)

vln sul G (harmonic glissandos)

II

sul C (harmonic glissandos)

vla

sul C (harmonic glissandos)

vcl

sul A (harmonic glissandos)

cb
6
4 ( = 120) tension building
10
fl

ob

b cl
change to cl
flutter

hn 1

bsn

flutter
1
trp
flutter
2

flutter

hn 2

flutter 3

trb

flutter
tb

perc 2

harp F F major
.
iss
gl

poco

pno

vln

II

vla

vcl

cb 8
7
5 6
15
fl

ob

cl

hn 1

bsn

ca. 7”

trp

hn 2

trb

tb

1
molto
heavy chains on metal

perc 2

wild/free solo: fast!!


3

harp

pno

ca. 7”
scrape sul D and A *
I

vln
scrape sul G and D *
II

scrape sul C and G *


vla

scrape sul C and G *


vcl

scrape sul A and D *


cb 8

* heavy pressure, draw bow slowly across strings to produce annoying scraping sound;
no pitch. may be re-attacked for duration.
8
7 ( = 96)
19
fl

ob

cl

hn 1
3
(chord)
3

bsn
3
6 5
6

trp

hn 2

trb

tb

perc 2

harp

3
5:6
8 5:6
8

pno 5

(no pedal)

vln

II
gliss., sul C
arco pizz. arco
pizz. 3 pizz. arco
vla
gliss. gliss
6 6 .
5

vcl

cb 8
9
8 faster ( = 112)
23
fl

ob

cl

hn 1

5
bsn

trp

3
hn 2

trb

tb

slapstick
perc 2

harp

swinging slightly 5
3 3 3
5

7
pno 3

6
Ped. 5

I
legato
vln

II
arco
pizz.

vla
6
3

vcl

cb 8
10

26 5

fl
3 3 3

ob
5 5
5

cl
3 3

hn 1

bsn
5 5

1
3
trp

2
3 3

hn 2

trb

tb

perc 2

harp

17
17
pno
crisply

poco Ped.

vln

II

vla

vcl

pizz.

cb 8
11
9 calm, brooding ( = 88)
29
8

fl
change to picc

ob

cl

hn 1

bsn

trp

hn 2

straight mute (open)


trb

straight mute
tb

perc 2

ss. F
harp E A C minor gli E D B

pno

romantic/vibrato 8
poco g
liss.

vln 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
II

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
vla

vcl

arco
cb 8
12
9A a bit faster ( = 104) 10
33
8

picc

ob
5 6 5
5 5 5 5 5
5
change to b cl
cl
5
flutter
straight mute remove mute
hn 1

5 5 5
5

bsn
5 5
5 5 5

flutter harmon mute


1
5
trp
flutter
2

flutter straight mute remove mute


hn 2

open, flutter straight mute remove mute


trb

(mute)
tb

4 timpani
3

ratchet 5

perc 2
5 5 5
5 5

harp

pno

solo 5
3

I
6 7
vln 6

II

pizz. 5 arco (legato) 5


vla

pizz. 5 arco (legato) 5


vcl

pizz.
cb 8
13
11
poco rit.
36
8 change to fl
picc
3 10
5

ob
5 3 10

5 5 6

b cl
10

hn 1

5 3

bsn

5 6 smear (falling gliss.)


remove mute open
1
5
trp
smear (falling gliss.)

open smear (falling gliss.)


hn 2

open smear (falling gliss.)

trb

remove mute
tb

L
3

5 6 anvil

perc 2
5 3
S

harp

pno

3 3
I
gliss. 3 3
sul D 3
vln
pizz. arco
II

pizz.
arco
vla

pizz.
arco
vcl

arco

cb 8 8

vibrato
14
(poco rit.) fast (a tempo) = 104

40
fl

ob

b cl
change to cl
open

hn 1

bsn

trp

hn 2

trb

open

tb

bongos
H
1 L

timbales
solo
perc 2
3
rack
toms
H
3 M

harp E1/2

pno

vln

II

vla

vcl

cb 8
15
12 wildly! 13 agitated ( = 120)
47 3 off C

fl
3 3

3 off C

ob
3
3
3 off D
cl
gliss.

hn 1

3 off B

bsn

ca. 3”
5 3

trp

5 3

hn 2

5 3

trb

tb

perc 2

harp
half-pedal, string buzz

pno

ca. 3”
*
I

vln
*
II

*
vla

*
vcl
sul C
* 6 3 3 3 3
cb 8
gliss.
gruffly
* very fast, irregular staccato and spiccato bowing.
16

51 3

fl
7 7

3 3
ob

3 3 3 3

cl

hn 1

3 6 7
bsn

5 5

1
3 5
trp

hn 2
3 5

trb
3 5
5

tb

perc 2

harp

pno

vln

II

vla

vcl

cb 8
17
14
54 3

fl
5 5

3 5

ob
5
5
3

cl
5
5

hn 1

bsn

3
1

trp

3
hn 2

3
trb
gliss.

tb

perc 2

harp

pno

I
5
5 5
vln
5
5
II

5
vla
5

vcl

cb 8
gliss.
18
15
GP
58
fl

ob

5
5
cl

hn 1
5
5 5
5

bsn
5
5

trp

2
5 5

hn 2

trb

tb

perc 2

harp

pno

GP
5

vln

II

vla

vcl
5 5 5

cb 8
19
16 very slow ( = 58) 17 poco accel.
62
fl

ob

cl

hn 1

bsn

straight mute remove mute


1

trp
(open)

hn 2

trb

tb

15

cuica (lion’s roar)


perc 2
free, whispering sounds

harp

pno

I
vln

II

solo
3
vla

mute remove mute


vcl
3

cb 8
20
(poco accel.) a tempo (very slow)

67
fl

ob

cl
change to b cl

hn 1

bsn

trp

hn 2

trb

tb

15
crotales

1
l.v.

perc 2

harp

pno

(8)

I
pizz.
vln

II
5 pizz. 5

vla
3

vcl

cb 8
21
18 fast ( = 126)
71
fl

ob

3 3 3
b cl

hn 1

bsn

open

trp

hn 2

3 3 3
straight mute
trb

3 3 3

tb

timpani 3 3 3

perc 2

harp B
3 3 3

pno 3 3 3

8
loco
fast and wild col legno arco

vln arco
fast and wild col legno

II
arco
fast and wild col legno

vla
arco
fast and wild col legno

vcl

fast and wild col legno

cb 8
22
19
75
fl

ob

growl
b cl
change to cl
growl
hn 1

bsn

8
brassy jazz (swing)
*
1
3 3 3 3
trp 8
* brassy jazz (swing)

2
3 3 3 3

growl
hn 2

(mute) growl
trb

tb

cuica

perc 2

harp E F G A
D C B

fast gliss. on keys


8

pno

pizz.
I

vln
pizz.
II
heavy scrape
sul G and D pizz.
vla

pizz.
vcl

arco
cb 8

* octave higher, if possible!


23
20
a bit faster accel. molto
79
fl
3 3

ob
3 3

cl

hn 1

bsn

ca. 7”

1
3 3
trp

2
3 3

hn 2

(mute)
3 remove mute
trb
3

tb

hit tubular chimes (RH)


ring handbells (LH) 15

1
5

ring handbells, herd bells, etc.


perc 2
anvil 5

5
ring handbells, etc.
3

(double gliss.)
LH

5 G A E F A
harp 5 C C B

RH

palm 5

pno

fist 5
(8)

ca. 7”
(pizz.) arco
I

vln
(pizz.) arco
II

(pizz.) arco
vla

(pizz.) arco
vcl

(artificial
harmonic)
cb 8
24
21
83
fl

ob

cl

hn 1

bsn

trp

hn 2

trb

tb

15 crotales 5

1
l.v. 3
5
thundersheet 2 maracas 3 fast (brazilian samba)
H
perc 2 L
3 scrape sticks cuica
l.v.
off 2 cymbals
L 2 fast (brazilian samba)
3
floor tom
l.v. (surdo) mute with hand
soft mallet

strumming

harp thunder effect


G1/2 B
pedal buzz

Z
fast, dry
8
l.v.

pno

vln

II

vla

vcl

cb 8
25

(83)
fl

ob

cl

hn 1

bsn

trp

hn 2

trb

tb

timpani
15

1
gliss.

(ad lib.) (stop) break bottles

perc 2
rim of snare and tomtoms
(quasi ad lib.) 3 5 6
(ad lib.) (stop)
3

evenly, slow and calm gliss. sul D (with tuning peg)

harp

l.v.

pno

vln

II

vla

vcl

cb 8
26
22 precisely ( = 110) 23 mechanically
84
fl

ob

cl
change to b cl

6 6 6
6 6 6
hn 1
6 6

6 6 6
6 6 6
bsn
6 6

trp
harmon mute remove mute
2

6 6 6
6 6 6
hn 2
6 6

open
trb

tb

15 crotales

perc 2

harp C
fingernail
nat.

pno

(arco)

vln pizz.
arco

II

pizz. (pizz.)

vla

pizz.

vcl

pizz.

cb 8
27

87
fl

ob

b cl

hn 1

bsn

ca. 6” ca. 12”


1

trp

hn 2

trb

tb

hammer nail into


piece of wood
flexatone

close door chains on metal*


perc 2

harp

pno

ca. 6” ca. 12”


I

vln

II

(pizz.)
vla

vcl

cb 8

* tam-tam or thundersheet on floor.


28
( = 112) a little slower 24 fast ( = 112)
90
fl

ob

b cl
change to cl

hn 1

bsn

5 5

trp open
3 3

hn 2

solo
plunger
mute
trb

tb

guiro
1
crisply, Latin

bongos
H
perc 2 L
crisply, Latin
claves
3
crisply, Latin

harp

pno

I
(trill gliss.)
8
vln

II
(trill gliss.)

vla

arco
vcl

arco pizz.
cb 8
29
25
93 3 3

fl

ob

3 3

cl

*
hn 1

bsn

(napalm cluster)
3 3 3
3 3 3 3 3 3
flutter *
1

trp 3 3
3 3 3 3 3 3 3 flutter *
2

*
hn 2

flutter
(mute) 3 gliss. *
trb
5 5 5 5 5
5

*
tb

2
1

perc 2

harp

pno

vln

II

arco, scrape sul C and G


vla

arco, scrape sul C and G


vcl

arco, scrape sul C and A


cb 8

* loud subtone or pedal tone.


30
26 very fast ( = 208+) slower romantic
97
fl

ob

cl

hn 1

bsn

trp

hn 2

remove mute
trb

tb

perc 2

2 tomtoms
3

harp

solo
8 rubato 3
5

3 3 3 3 3
pno 5

3 3
Ped. Ped.

vln

II

vla

pizz.

vcl

pizz.

cb 8
31
faster ( = 112) boogie-woogie
100
fl

ob

cl

hn 1

bsn

trp

hn 2

trb

tb

timpani

anvil

perc 2

E A
harp D B

staccato
arpeggio
5 8
precise 8 8 R.H.
5 8 L.H.
8
gl
iss
.

boogie swing 5
pno 3
3

R.H.
3 3 3 3 8
Ped. Sost. Ped.

pizz.
I

vln pizz.

II
5
pizz.

vla
5

(pizz.)
vcl

(pizz.)
cb 8
32
27
104
fl

ob
“solo”
high squeak

cl

hn 1

bsn

ca. 2”

1
fast double tongue
trp

2
fast double tongue

hn 2
fast double tongue
open
trb
fast double tongue

tb
fast double tongue

2 maracas

perc 2

drum set very fast swing (ad lib.)

3
3 3 3 3 3 3

harp F A A
D B

pno

ca. 2”
arco fast Bartók pizz.

vln fast Bartók pizz.


arco

II

arco fast Bartók pizz.

vla

arco fast Bartók pizz.

vcl
(pizz.)
Fm7 jazz walk fast Bartók pizz.

cb 8
(ossia)
33
28
107
fl

ob

cl

hn 1
accel.
solo
bsn
3 poco

trp

hn 2

trb

tb

timpani
bell tree

3
perc 2
L
claves
jawbone of an ass 3

3
l.v.

harp

pno

vln

II

vla

arco
vcl
solo
arco
cb 8
34
29 slow ( = 92) accel. rit. rit.
108
fl

ob

cl
change to b cl

hn 1

bsn

straight mute
1

trp
straight mute remove mute
2

straight mute remove mute


hn 2

straight mute
trb

straight mute
tb

perc 2

harp

rubato, dream-like 3 dreamy

pno

arco
I

vln
arco
II

arco
vla

vcl

cb 8
35

30
113
fl

ob

3 6
3
b cl

hn 1

3 6
3
bsn

(mute) remove mute open 6

trp
open 6
2

hn 2

(mute) remove mute open 6


trb

(mute) remove mute


tb

perc 2

3
6 glis

harp B
s.
glis

pno
s.

vln

II

vla

vcl

cb 8
36
31
8
116
fl

8
any multiphonic

ob

any multiphonic

b cl

1/2 valve smear


hn 1

any multiphonic
bsn

ca. 5”
1/2 valve smear

trp 1/2 valve smear

open
1/2 valve smear
hn 2

trb

open 1/2 valve smear


tb

ss.
8
gli 15

perc 2

harp

pno

ca. 5”

vln

II

vla

vcl

cb 8
32 very fast, wildly ( = 184) 37

119
fl

ob

b cl
change to cl

hn 1

bsn

trp

hn 2

trb

tb

2 on vibraphone *

perc 2

with rim shots (ad lib.)

harp

pno

vln

II

vla

vcl

cb 8

* wildly hit vibraphone bars (pedal down) with one cymbal in each hand.
38
33 34 slower, but busy ( = 112)
122
fl

ob

3 3

cl

hn 1

bsn

flutter (gliss.)

trp
flutter (gliss.)
2

flutter (gliss.)
hn 2

flutter (gliss.)

trb

flutter (gliss.)
tb

perc 2

harp E F
C B

pno

sul pont., gliss.


ord.

vln sul pont.,gliss.


ord. 3 3

II

sul pont., gliss. ord.

vla

sul pont., gliss.

ord.
vcl

sul pont., gliss. ord., pizz.


cb 8
39
35

126
fl
3

ob

cl

hn 1

bsn

ca. 10”
3

trp

2
3 3

hn 2

trb

tb

a c c e l e r a n d o

castanets

rit. accel.
5
15

perc 2
5

rubato rit. rit. rit.


accel. accel. accel.
8

harp

F C C

r i t a r d a n d o

pno 5
5
5

ca. 10”

vln

II

vla

vcl
gliss.
arco, sul C

cb 8
gliss.
40
36 fast ( = 144)
8
128
fl

ob

cl
gliss.

hn 1

bsn

2”

trp

hn 2

harmon mute .
gliss
trb

tb

perc 2

drum set, wildly!


fast, go crazy!! slapstick
3

harp B D 1/2 1/2 pedal buzz A

Z
8

go crazy!! wild clusters

pno

(ossia)

2”
sul
pont.

3
vln sul
pont.

II

3
vla
gliss.

gliss.

vcl

gliss.
pizz. arco
cb 8
41
37 slow ( = 88) a little faster ( = 112)
133
fl

ob

cl
3 3 3

hn 1

any multiphonic

bsn

(ossia: trill on low B )

2”

1
poco
trp

hn 2

(mute) gliss.

trb

tb

cuica (low)
perc 2

harp

pno

2”

vln

II

vla

scrape sul C and G


vcl

scrape sul C and A


cb 8
42
still faster ( = 144)
138
fl

ob

cl

hn 1
5 5 5

bsn

1
5 3
trp
3

2
5 3 3
3

hn 2
3 5 5 5

(mute)
laughing high, fast double-tonguing

trb
5

5 flutter
tb

15

perc 2

harp

pno

vln
sul tasto
II

vla

vcl

cb 8
43
38 a bit agitated ( = 126)
141
fl

ob

cl

hn 1

bsn

trp
harmon mute remove mute
2

hn 2

(mute)
remove mute
trb

tb

15

perc 2

E F A
harp A
D

pno

ord.
3

vln (tasto) ord., pizz.

II

vla

sul pont. 3

vcl
molto

cb 8
44
39
146
fl

ob

cl

hn 1

bsn

trp

hn 2

trb

tb

15

perc 2

harp

pno

gliss.

I
3
3 3 3
vln
arco
II
gliss.
pizz. arco
vla
3

ord. pizz. arco pizz. arco


vcl
gliss.

cb 8
45
40 faster ( = 138)
149
fl
3 3 3

6 3

ob
5
3 6

cl
3 3 3

3 3 3 3

hn 1
3
3 3

bsn

trp

hn 2

trb

tb

15
crotales

1
l.v. l.v. l.v.

perc 2

harp

pno

scrape sul G and D


I

vln
scrape sul D and A
II

scrape sul C and G


vla

scrape sul C and G


vcl

scrape sul A and D


cb 8
46 41

153
fl

ob

cl

hn 1

bsn
5 5 3 3 5 5
3 3

trp

hn 2

trb

tb

15 2

1
l.v.

perc 2

very fast gliss.

harp

pno

vln

II

vla

vcl

cb 8
47

42 precisely ( = 112)
158
fl

ob

cl

hn 1

bsn

trp

hn 2

trb

tb

(damp)
4:3 3 3
1
3

perc 2

5:4 4:5 5
claves 5:3 7:4
3

harp

pno

vln

II

vla

vcl

cb 8
48
43 briskly ( = 144)

163
fl

ob

cl

hn 1

bsn

trp

hn 2

open
trb

tb

timpani

perc 2

harp

pno

I
vln

II

sul D
sul A

vla

sul G
sul A
vcl

cb 8
49
44
3
168
fl

ob

cl

hn 1

3
bsn

trp
open
2

hn 2

trb

tb

small bells, wind chimes, gently shaken


1

herd bells, gently shaken


perc 2

very slow
8
(arpegg.)

harp F A 3

A A

pno

glissando harmonics, sul pont. (freely)

vln glissando harmonics, sul pont. (freely)

II
3 glissando harmonics, sul pont. (freely)

vla
sul C sul A

3 glissando harmonics, sul pont. (freely)

vcl
sul D
glissando harmonics, sul pont. (freely)

cb 8
50 any multiphonic,
45 or sing into flute,
or flutter, or all of
solo the above.
3
170
fl
3 5
5 5 flutter 7

ob

cl

hn 1

bsn

trp

hn 2

trb

tb

15

perc 2

harp

pno

ord., sul D
8

I
ord., sul A
vln 8

II
ord., sul D

vla

ord., sul A

vcl

ord., vibrato
cb 8
51

46 very fast and frantic ( = 160)

171
8

fl
change to picc

ob

cl

hn 1
3

bsn

ca. 10”

trp

hn 2
3

trb
3

3
tb

15

perc 2

ad lib., freely (cresc. and dim.)


L S
3
sim.

s.
A glis
harp s. gliss. on lower strings
D glis ad lib., freely (l.v.)

pno gliss. on lower strings


strum strings ad lib., freely (l.v.)

Ped.

ca. 10”

vln

II

vla
3 3 3 3 3 3 3 3

vcl

cb 8
52
47 slowly, carefully ( = 88)

174 5
8

picc
3 3 5 3
(a shadow)

ob

cl

hn 1

3 5 3 5 3
bsn

trp

hn 2

trb

tb

perc 2

harp

pno

(Ped.)

vln

II
pizz.
3

vla

vcl

cb 8
53
48
177 3
8

picc
3 3 5 3

3 5 5 3
3
ob

3 5
cl

hn 1

3 3 5 3 3
bsn

trp

hn 2

3 5

trb

tb

perc 2

harp

pno

(Ped.)

3
I

vln

II

(pizz.) 3
3
vla

vcl
3 3

cb 8
54
49 fast ( = 138) quasi rit. a tempo ( = 138)
180
8 3
picc
change to fl

ob

3
cl

hn 1

bsn

trp

hn 2
harmon mute
(fast wa-wa)

trb

tb

timpani

drop chain on metal slapstick

perc 2

E F G A
harp
.
iss

D C B
gl

molto

pno

pizz.
I
cresc.
vln
pizz.
II

cresc.
arco pizz.
vla
cresc.
pizz.
vcl
cresc.
pizz.

cb 8
cresc. gliss.
55

50 slower, tango rhythm ( = 116)


185 (pause) (pause)

fl

ob

cl

hn 1

bsn

ca. 7”

trp

hn 2

remove mute
trb

tb

perc 2

harp

pno

ca. 7”
arco whip

I
gliss.
vln
arco

II

arco
vla

arco
vcl

arco
cb 8
56
51 fast, wild ( = 176)
189 3

fl
3 3
3

ob

3
3 3 3
cl

hn 1

bsn

trp

hn 2

open

trb

tb

(vibrato) to timpani

cuica to drums

perc 2

drum set (very fast snare solo, ad lib.)

harp

ad lib., using palms, fists and forearms

pno
(as if falling down stairs)

vln

II

vla

vcl

cb 8
57
52 53 slowly ( = 66)
193
fl

ob

cl

hn 1

bsn

ca. 8”

trp

hn 2

trb

tb

drums go crazy!!

timpani
1

cymbals and drums


perc 2

drum set/ very fast


3

harp

pno

ca. 8”

vln
dark and moody
II

slow gliss. slow gliss.


dark and moody
vla
slow gliss. slow gliss.

dark and moody


vcl
slow gliss. slow gliss.

pizz.
cb 8
58
poco rit.
197
fl

ob

cl

hn 1

bsn

trp

hn 2

trb

tb

(vibrato)

perc 2

harp

pno

vln

II

vla

vcl

(pizz.)

cb 8
59
54 fast ( = 132)
202
fl

ob

cl

flutter
hn 1

bsn

flutter
1

trp
harmon mute (wa-wa)
2

flutter
hn 2

flutter
trb

tb

(actual sound)

hammer on wood

perc 2

fast gliss.

harp F
C

pno ss.
gli

pizz.

vln
pizz. arco
II

pizz. arco

vla
solo
pizz., sul A* arco
vcl
bending string and gliss., ad lib.
(pizz.)
arco
cb 8

* very high, irregular pizzicato notes, while bending the string to create half- and quarter-tone bends; like talking.
60
55 furioso ( = 138)
206
fl

ob

cl
(stopped)

hn 1

bsn

harmon mute
1
trp
(mute)

(stopped)

hn 2

harmon mute

trb

tb

perc 2

harp

pno furioso

arco, flying staccato

I
5 5 5
5 5
vln

II

vla

vcl

cb 8
61

56 faster, swinging ( = 144)


209
fl

ob

cl

hn 1

bsn

Jazz punch
3
remove mute open
1

trp 3
remove mute open
2

hn 2

3
remove mute open
trb

tb

2
1

perc 2
drum set ad lib.
3 3 3 3 3 3 3 3 3

3
3 3
ossia: swing (ad lib.)

harp

pno

vln
scape sul G and D
II

scape sul C and G


vla

scape sul G and D


vcl
jazz walk
pizz.
cb 8
62
57 a bit slower, like a march ( = 116)
213
fl

ob

3 3

cl
3

hn 1

bsn
5
3 5

5 5
1

trp

hn 2

trb
3 3 5 5

tb

perc 2
5 5 5
rim of snare drum 5
(stick lying across head)
3

harp

pno

(bluegrass)
swinging lightly 3 3 3 3

vln 3 3 3 3 3 3 3 3

II

vla

vcl
col arco
arco legno pizz. arco pizz. low scrape
cb 8
gliss.
gliss.
63
58

216
fl

ob

3 3

cl
very low double tonguing
(stopped)
hn 1
.........................................
3
5 5
bsn
3

1
trp poco

2
very low double tonguing
(stopped)
hn 2
.........................................

3 very low double tonguing


trb
.........................................

very low double tonguing


tb
.........................................

2 maracas

5
perc 2
5 5
5 5 5

harp

pno

wild and dense


pizz.
(bluegrass) slight gliss. col legno
whip
I

vln col legno

II

col legno

vla

col legno

vcl

pizz. col legno


arco

cb 8

3
64
59 ( = 96) 60
219

fl
3

ob
3

3 3 3
3 3
cl

hn 1

bsn
3 3
3 3

trp

hn 2

trb

tb

timpani
(very even rolls)
1

perc 2

slapstick
guiro
3

E F G A E A
ss.

harp
gli

D C B D

pno

pizz. arco

vln
pizz. arco
II

pizz. arco
vla

pizz. arco
vcl

pizz. arco
cb 8
gliss.
65
61 fast ( = 126); carefully, but briskly
223 flutter

fl
3 3
5
5

ob
solo
3 3 3 3
cl
5 5 5 gliss.
5
5 5
5

hn 1

bsn

trp
straight mute change to cup mute

2
3 3
3

hn 2

5 3
gliss.
trb

tb

2 conga drums

perc 2

floor tom
2 rack toms 5

gliss. 8
5

harp
3 Z Z

E 1/2 pedal buzz)

3 5 3 5
5

pno

arco glis
pizz. legno pizz. legno s. pizz.
5 5 5 pizz. pizz. arco
I

vln 5 5 g
col legno arco pizz. arco legno arco lis
s.
II

pizz.
pizz. col legno 3 arco pizz. arco glis pizz. col legno
s.
vla
3
pizz.
arco arco glis
s.
vcl

cb 8
66
62
226 3 3

fl
3

ob

3
3 3 5
cl
change to b cl

hn 1

bsn

trp

hn 2

5
trb

tb

1
3
5
1 maraca

perc 2

5
harp 5
F

l.v.

8
3 5
5
8
3

3
pno 5 8 8

ped.

vln

II

arco

vla

vcl
5

cb 8
67
63 slower ( = 88); conga tempo; free

230 5

fl

ob

legato
b cl

hn 1

bsn
3

trp
cup mute legato

hn 2

trb

tb

1
5 3

(maraca) L
perc 2

solo
conga drum
3

may be rhythmic, arhythmic, or both (alternatively), but


must be pianissimo
“free tempo”
(arpegg.)

harp F
C
5 C G

pno

vln
pizz.
II

vla
3 3
pizz. 5
arco
vcl
gliss
5 .

cb 8
68
64 very slow, drifting ( = 72)
234
fl

ob

b cl
change to cl

hn 1

bsn

trp (mute)

2
3 remove mute

hn 2

trb

tb

(take breath if necessary)

perc 2

F G gliss. with wood of tuning peg


harp D 3

8
(all laisser vibrer, unless dampening is noted)

pno

vln (pizz.)
3
II

pizz.
vla

pizz.
vcl

sul pont. press hard


cb 8

press hard right near bridge for


wild harmonics (ab lib.)
69

238
fl

ob

cl

hn 1

bsn

trp

hn 2

trb

tb

3 3 3
perc 2
(wood of mallet) (wood) (rub wood on (rub off)
tam-tam)

harp scrape metal of tuning peg


dampen (damp) (damp) on lower strings.
5

Z
8
(8) C 8
(C 1/2 pedal buzz)

pno

vln

II

vla

vcl
pizz. (ord.) pizz.
3 arco

cb 8
(also sul A)
gliss. scrape sul C and A place peg on bow at
very hard. end of frog between
strings A and D, and
jiggle back and forth
against strings.
70 65 a bit faster ( = 108) 66 faster still ( = 112)

8
241 3

fl
3 3

ob
5 3 5 3
flutter
flutter
cl
5

hn 1
7 5 7 5
5 5 5
3 3

bsn

rip

1
5 3 3 3
5
trp
3

2
5
open

hn 2
5 3 3

trb
5 3
5 3
3 5
5
tb

2 crotale
15

1
l.v. poco

perc 2
L molto

3
3 5

harp F G A

pno
ss.
gli

arco pizz.
8
8 3 port.

I
5 7
vln arco gli 3 pizz.
ss.

II
5

arco, slowly scrape sul D and A

vla
5 3
arco, scrape sul D and A 7 pizz.
vcl
(continue obnoxious gliss.
arco 3 3 scrapes)
5 7 scrape sul C and A pizz.
cb 8

gliss.
71

3
244
fl
3 3 3 3 3 3
3

ob

3 evenly 5

cl
6

flutter
hn 1

bsn

flutter
1

trp
flutter
2

flutter
hn 2

flutter

trb

tb

cuica (high) low tomtom

perc 2

floor tom

E
harp B

(shake)
3 (high cluster; palm)
3
3 8
3

pno

3
arco
I

vln 3
arco
II

vla

3
arco
vcl

arco
cb 8
72
67 evenly (do not accent as triplets) “climax” 68 calmly ( = 76)

249
fl

ob

cl

3 3 3 3

hn 1

bsn

trp

3 3 3 3

hn 2

3 3 3 3

trb

solo
3 3 3 3 sing into horn freely
tb X

2 timpani
3 3 3 3 2

2 timpani
3 3 3 3

perc 2

drum set - fast and wild! 3

3
stop with others

harp

pno

ord.
sul pont.
3 sick gliss.
I

vln sul pont. ord.


3 sick gliss.
II

sul pont. sick gliss. ord.


3
vla

3 3 3 3

vcl

3 3 3 3

cb 8
73
69 faster ( = 138)
252
fl

ob

cl

hn 1

bsn

trp

hn 2

trb

tb
5 5
high staccato, ad lib.

upside-down cymbal on timpani


(roll on cymbal during pedal gliss.) (simile)
15

l.v.

perc 2

harp

pno
1 2

vln

II

vla

vcl

cb 8
74 rit.

256
fl

ob

cl

hn 1

bsn

trp

hn 2

trb

tb

15 crotales

1
l.v. l.v.
timpani

perc 2

harp l.v.

l.v.

pno
3 4 5 6 7 8 9 10 11 12 13

(8)

(harm.)
I
8
vln
(harm.)
II

vla

vcl

cb 8

nyc october 6, 1989

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