It’s Your Move Motions and Emotions By Dom Famularo with Joe BergaminiIT’S YOUR MOVE Motions and Emotions SECTION 1: Technique—The Foundation General Techniqu The Free Stroke. Exercise for the Free Stroke. 2 to 50 Warm-Up Exercise. Power Stroke. SECTION 2: Performance Exercises Drum-Set Key... Combination Exercise: Drumistic Form... Flam Facility.. Intervention Set Up the Single Stroke. Shuffle the Four-Stroke. Seven-Note Grouping Using Sixteenth Notes. Odd Feelings. Precision Test. Shuffling the Sixteenths. The Four-Stroke Ruff. Groove Facility. Conclusion... 88 Acknowledgments. 89 About the Authors. - 90 cecenana=e ee ee ee ie To Al Miller; for his unending dedication to drumming and his unselfish desire to share it constantly, Gnd to all the past great drummers who experimented by trial and error and found the natural | ‘path. They allowed us to learn from them and, ultimately, to open our own doors of expression! FOREWORD At the millennium, Dom Famularo maintains his status as soloist extraordinaire, world- traveling percussion ambassador, and inspirational motivator to drummers everywhere. To those of us on the inside, it’s clear how much Dom has had to do with the recent explosion in interplay between hands and feet. His skill is all the more surprising when you know he was about 30 when he started with the double-bass technique. It’s Your Move contains many of Dom's finest inspirations. I’m partial to the unison, or “togetherness” exercises. Obviously, there is much excellent practice material here. Even more unique is his exploration of the emotional side of drum-set artistry. I think that Dom has succeeded in communicating, on these pages, a large part of the pure joy and exuberance of his “big game” on the instrument, Dom started originally as a member, with his brothers, of a successful family band. By his early teens, he was a most effective music player. Soon he began serious study with Al Miller, a Long Island legend. Later, he was lucky enough to get lessons with the great Joc Morello (of Dave Brubeck fame). In the mid-seventies, Dom spent a year in Los Angeles, where he was taught formally by Colin Bailey (he of the fabulous right foot), and informally by the king of Hollywood jazz drumming, Shelly Manne. On his return to New York, Dom was soon successfully leading a progressive, fusion- style band. At the same time, he began to perform drum demonstrations in stores, schools, and colleges. Soon, his dramatic soloing and potent personality qualities combined to move him away from Long Island and into the drum-clinic “big time.” He supported both Billy Cobham and Simon Phillips, not taking a back seat to either of these superstars. His decade-long relationship with Sabian Cymbals has accelerated his touring: Oslo to Tel Aviv; Buenos Aires to Beijing; Cairo to Montreal. At home, Dom maintains a steady, if often interrupted, teaching schedule, The emotional and inspiring part of drumming is fascinating to Dom, as is his dedication to the progress and welfare of all who play the instrument. If you're hurting or in trouble, Dom comes hurtling on the double, And he'll stick with you Until the problems end!* —Jim Chapin “From Jim Chapin’s CD, Songs, Solos, Stories. For more information visit www.domfamularo.com.INTRODUCTION ny Your ove abst shiv our maxi oa a playet. Tis book sth siniton gaan ae sek oe lly cing es ating 30 Sar many arora cs, ae xpos nd lft 0 yeas opt Bla The tres conand ese re vigor fon rent, Th ook it ‘Eonar and feo cd and run sl ei er dma sy ound sn fet Te eof sok ans tg Pin rapa yu ou dare 0 ‘deer yer tes se ume er he wed fs tweet ‘orto ts rinse Sn. Pesan mere ‘Shen you ily Fh ges nts bok wil change you ant ery del af be eny Supine and gon Drummsg ance mond of or eer sl ‘Src wnih pj our eee and eno Secs he mse Matos Buns Ee danse ml Enc one cn ht ise mise yay and ‘hw pal ance asng my em st const if nfematn and cap se xcs ap he epaily fl rae expresin on Ts ae bot ‘Sie carb te hy ple w allele ty cher, Roane ent AL ‘ile Moro Cl at aan Capi lard rt bn kop, so ‘hyped om oranda ef stock woulda ke ‘isovadge ny clans wi Jo Poca Shly Mans, Lote Dlios, Ray Burt ‘Gon hse Pye Kelinz sn up Hugh Alo hese rst iat ave hard seb meni need ee nee ne tm Thee ‘po tee cg fm asl andrea org sn apd em he men (Gest Ey ntact perme el he stud sgl yy hada yd ‘Sout band in sons ened ram wit mame Ty. wee ae ‘ck dnl y Het sid ssn pe al (oman wt ot oui) nde Imrotcpi eon on lo ou Goa Ts we esd ae ot ane ‘ocape aha new eon ne ‘he cum tara inn tery young 1 el we ae lin ey tng ‘ont pr fr a frm of rn ping Td a Wee oa. tee ‘rcimst ou whore wt cae frm Ar ew mili bei se mat ua ou a oer oven fr The ang mod omy cher ae ire esac i 5 eran roe hem ne poe outst a ‘Si frak Gene Raps Bong shown ttm fos ok Joe Mar war wong =, ‘Seu oe lode pour can eign Jee ested ths en a ‘YEE, nc woode si Steve enya semcre an seo ois ‘ook, ener rps corm, now neato a tow concep Making your ter wil tke commie ings pecan Fr te mest rove ou mat tk the pat of mes essa Pree wha ou doi Kn‘Wing on ig yo rend now manos Aldhtgh mines is ingore, it ‘hos somes anal pa tou pas ton Preteens Tie pret i programming proce: Eero bald his bein aie fo ‘rey prt Ths ts sce masowingy hl ck fom aching so ‘a Bod trimesters Th cae amc sat ‘Shree rpecoray wl wa ak four bd tbls soar, sos must ber tl burs ten rea hn Shy ee es 2. sony at ft Yor in es ad epg init span to. 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Tesh ‘Re igtenage or mck Ine leone nwa cs Yo at be tly sad chev high ie ey‘aden neon gt efi ei vay colony your maces aw wl or exh sod sy an sent zene nd pon luke hbase ye la ous 49 Concent: Easing psc egies wl conenteton Thea bo dmc 1 fou pasion ile yoo ome pons epi TV an oder ergs SRE ne opactoe al lrte l ne Sing frm sno he patos hc ony ay tomer one cigs Concent ele so fice ‘Sonor reo ses nui Only wi il concen cm yo maize he oar pace 1. patent Dory spe your wy hh he ra in hs bk 1 wl eine ‘Brant cotep, Dig he mse ver ie a fe eat wh youre. 1. See ut am instr perl pn of rr. Asad ru ed econ ‘ate our en ning tne ensigns wh whoa you sess. AS (Sons nd ke boatge ove oppor ole 12. Left handed player: Many of he xr in hs ak ae intend tg th ‘eater nd er gener cles na evloment Iyer bos potest Sa wih (Beet ju sold reve sickng ed sr wth oar ake ‘Gorge Lowers Sore ram sprint 1880-1860. seamed he Fras rat cian rom he fet = wo Posse Go Sug errata (drmar fs on Sane Corer wes wrt th acre nmin doe {dara wou Sass ponaga tourer he bok Acs te Roboundee ‘Shae don tpt te Fron Sake eh ma 1700 Mostar as ao brn he 16808 a ce th 19605 HeELEMENTS FOR THE “RANGE OF EXPRESSION” ‘he veal ul of gon coi ita acee he wide dpe of ai exon ule Re evn potasonnl se et imore noe, ton eston Teng tetera hang etm, feta, oto! The ome ‘al proven of cq edo of cance mont The mee ‘humic ns cre sono han hoe sie hey we nerrsing ome, ‘Thedigan ong’ sons he pestis fang of expe a Ager vel jam an cool rings mee cscs oso i an owt at When ‘vecoacal veri np are syng. me hve mess nr pein Tht wae ‘Seopionofayon hater ne fe, Tis tte dierea twos whaper sano ‘i log on pean ey slowly to seking vfs The pete he pee prehension evel a efcoey poy You ose Ts invy we ane fl roe of epreio i ilnage pec, Wie lt ng of excess your chief whats tote xpd i eft > yor nagiton: sy pope Saree pace ange ayes eats lnm he sz pon andthe ume of eevee fu cunge hy bene ‘Soba, Tesi is gps orn ihe hem of eee Stowe pose The gap stows the fal nge of ws pole nl ye of mae, ‘any connor seni tcy we pla save, truce al ge of poses Tis judge rea the ms jt onsen one be {Rqement Tr en ian int uth nt ed al age oe ‘Sa no pla far manta opel Th fink they et payers my hve ita eh il ny he peste ene T wars Ee roa ples Toray of y's pay, homer oe syle a emaph They se fo the wou opal se hence toes on te ger ange expres. Te tr ‘hows the let Reem chas only song rt went ik Whee So Bn by Fckig etc pp bye whee you tcog cod ate onl {xrovs Pras ou ck pod ort ot pn in lying sy. hwnd mt te ‘itofyou pene tox ie rp. The uc cue yur bow or mated oral ‘Wie fe Lc he grat af ve tal trea irons kr ‘eon. Tha wh ds tak sa spose, withosof ptic mi lsigo devlop fal complement fexresive toa Themen poy sw sedis wna cscs You ‘yt watt ply led cee nts tts cman lve wy Shes ‘ted temas Sets erecta hen fort lags fxs Yura ‘Sore ad impove ined Isto you These newb en oves Wah Yue ‘nteet expen That meme geuraneElements for the “Range of Expression” apc econ wcoaniea tae cette St a cea ees aaecee 7 Goes of Techni: Speed to call upon when needed. “Conerotto place to sticks wherovar and whenavor you want. “Bower ta hove the silty ta bulla the highest dy eve. *Endurancet playa long asthe idea requires forts expression.SECTION 1: Technique— the Foundation(GENERAL TECHNIQUE/GRIP Arce, aul ip lf eee duing, Tht es si ps ‘odin modo ping lay paper ae he Matched Gr, Gorman se nih 0 hy wh th sks eh sen Inbal in dm thet ale ‘ste pono kali pips Ti rp denen et bow. Thee ode ‘erat mth ppl French rpc nas dno ny yin ‘dread singles trent irs by ry pum yacht ‘By Coan and Son Pig a ves alg wo hand hat ‘une par el oar ens ob) Ths Freeh pane ed [ser seb ote pte of he Ge pp Als ved re sth ‘dtl Grp he hander ec i oy of hg od are Ermer, Payee mh Bay Rc, Ten Wiliams, See Gal nd Me Hcy alot ‘aay eer pie = i Mat ii cman: ‘fs rc wi run (ipa poi heres . he ttf yar th and it jot a onde ger (Fe) > Imapme th apn eis hoagie raft tami and /“ J) ori hgh fe ticle fh index get Tse 3) ‘te Comet pe 3) iY o ine Fe ay ae ‘lon your py, et above he wet (i 2) Ths pao ‘red ou th hokaorbe ce ata pedo so ee ay tte bungee 3. Wp your terre fingers ound he sick nd do et Seater Do ot eth space ewer our hamb aad inde ge, aly ety et Ent of ne apron ce Tae fa he Cone! Grp (3) tds te sang pot fom eh Si nme ibook Now tar itso pose close sue ean he han nine ‘owes rd do te ern of eer Ege nn oc Tn Sale the Power Op le 4) and ised or bare plying (nei ond nd some tre ang pen ele olen Maing nd rns pyer and ep fis be Powe Gp4 Kes te palms cing dow, tows ang sy by our sie, feds raproper pone Teck nsourower ce Geol peste ‘ee your ty and repre ou tne Your nee and ee ee ee ees ARE Ss Sees SSavaretotintinecen Gamal stuns” ee eee Reece neon er some der hep pg an athe il eck in the match ise alk, 2. Inte meherand the ick ein te wong teers tte SM thant adn finger Tis erm Fe? Y {Ile Gp Handed Exercises nent fiz you wit ie Self tg nd ect your eran The nem ew ‘prvi nc in he rani he a npn (Pa The st eck bowing wa pa eed thes ih be To cmp ep rng tne Baer ver be seo wd ft Te held te ade ge Toe st seen hs ya at “Then ines pny cde the ck om esting i or Kop pn tog neways sodas (ig 8) ey Sp erate tpt ‘sets pins ude bres he aie of teach commend ‘Aho har ay il pes posse wl axe Th howe ins aye proven ob effete any jad iy wil paced ope Sear ns edna poston fm wich you car bxiaobul po exh sy ‘te a te el tga, uch a ingen ae ot exo ee 0 ‘puree Te ome fee wok wet doelomeet nd a end em mereGeneral Technique Matched Grip (Germanic)‘THE FREE STROKE “The Fre Sak tc th umn fr the cerca ok ad oe ini opt wlpt or han move in rer arn wh ma Th, Titec aby wil al er se mean wats noe (tenes) a hen ons sce wk ou mt ae cna tn) ners Your an {coma ics) Tal ae th "Tee In or dar ve of sie ‘Seton You ons congees ofscs caig peed cache, mre ‘nga se ‘Ths cones hin the Fi So ae employed by many ontop deme Athen tem det wt en ce See” Phe ey date ce, {ezome apart ht hey ae ined plying he sae pe. The aie was hed te precharge Stns ear of ck Com? an ly aoe inca pr ofthe tenth cooler the ca on Joe Mea, wt ash ne ete m 197, Ante ume ho red th once on Morelos Day ‘oni wonder ty ‘ul Soe Bogner psn (oe Gener Teilgn on ig poe) Hod the ssdenit op pepe toe ing he or ow the coe a pte Pad een ise alee yo ‘erat Do na tbe he foot Make serio staging ty ee ‘Estes ed ete Tr best dove WTEOUT WINDING, UUpandDON'T SQUEEZE Fy ae high oy a he oe nace ons ‘wba ay em dr tring ETT GO, conf sy your nd At Fu youmay helene your mer ee Sgn roth ick np tn The ‘Sesptle This motion te bogaingobe F Seok. Reset kf he ital) a lpg eae ep ape oe oe nea tn, oyu may fd ti oun pling sick wp send flowing bone ‘sigh sees anne ls Yu ate msn You ca pena ‘Soutechngr Yourmd ium sa popanate yepete Slow cost ene ‘ker wl ed op ning pvc an get he role your-mui mamas Sper eee es eee GN ys ‘Sima ace pooling op. (ee youhave ran ito aoe. yang s sta ina sro but sine estou np our fingernail he sek ‘hud jur al ld spy fl the sck wp, DON'T PULL UP Tes wl ave Secon oye lc nck rt: Tk No ‘ito elie you tr and your ous ae ple ah he rand Doe Ge ees EE ten eer he‘piety ovr the ace ewe Yor (wc siting), You wis shui be at ‘sig Dot bad our writer Youmastbe completely rtd to maser thee Stoke. Beaig ay your ‘ey tt oan esate ay wea een, cl Seed aout a ee ee eee Soh i venent ofeach Ifyou ay to, immed ih etoend ‘argon wk our en expat chew seed hein Every eel fw yo fi ay Yume ny apt nie Stk dpe af and Law Ske: Te fil pts pn nh peptic poston, wit te sick 18101 ns om pling varie. Whoa Yous ama ehh fl Soke, the fl soke (S10 nt me hd) nde ste 3 ites a Sea hc ter erin af ae ate ‘fe deo pll up are ial move eae, dol wp fo go dove! A good {ere lnk pnt ck ml pce one at pay pl © Meek pecs Psat trys comer es eR ‘onl ofthe i rol eyo pled wp Tis ale te miovera xe i ‘Sas 1) Wien pg Poe St te al Gere Thence Sderot saw ban gandhi anc |e pt vey sae son gai alo cfm ca, Seay by at ag ‘oor yur oye tobe dan a oer ct tae Now ure EXERCISE FOR THE FREE STROKE “The Bie forthe Free Sut i xsl ou vse ad exe te ssi noon Bea ae Pll See pottn Tow tc dow nd ed, ice mat bat one Therein aight oll non aed. As igs ay ‘Senay eel Te hand cons tome desc tees panes ‘tine soot bent an and etna, thot te doar mete os, “Tea willeome ack guy on ome Very it al poe main ot Tht ‘law yoo sel bund api oe ck ae ang oud eo Dall win plying te ie Ske. Aer png te eee, ay ste ie Sales ‘ding the al Sak onion The movement of he ek slo he sae270 50 WARM-UP EXERCISE The oloning in marmap exer psd ot me by Joe Mori ci 1975 ‘Tomas tbe Fe Soke nd we ita sor plying. te moans deseo ia he evn sco a oe octane iy eed te gh sat ‘Son png Fort app, oa sted repent ais ‘race mor elles cave oss Te opsoont oc ter muh lami pct The? 0 Mare Up Bere s dng oben mae he Fr States pr your png y making tery amir he mle heme ous Nee The wt exo nvte playing Fee Ske ater ove octet St ‘emma terwcer an 10 BPM fsbo be UW mone gout ely fe terebound of ery tok, ad check yar ip and moon oe rte rons [cst ror ue muss od hat hen yng sow When yng > theme, yt tar par of wht youre ing segs ping Yu Tso ‘nes an lly concur on te cue he meee ‘gay yng no mare of ure ost wit tee an line ys ‘meaner wih he ht You wl fe owe sch hands ou poe. Tak ‘Spay wo mers, wo menue ai four eames fe rae ‘Srnaaes et ox meaner nok, epit mes le ct mens and Sore ify asst end yes yout he tthe tempo init, you wil en at iin ey how: Rela oar wil ly, ens the pond ioe ow ou fasion crap i ein hci ot poy 9 ms. tose dnc oa sn fr Th wl ono ys a ‘pn eo ag eae wth cove tt Doct vale bt eet se wen Counc be 20 9 Way Esse wil gin Yor dace wwe ‘nen sugges: Pre th 1 $9 Wao Up Exe in fat ofa ength tin alr out stead keaton se beau iocone a css ‘you gp A war hon xperencd wi wie an lp poet eae “thy ed or, Rene? improving Your elm ange pes it ‘rele: weno es One joe cornea he Fee Se ave eyed {gh te $0 Wim Up Haare St Coat George Sune Inch ‘Gina py sachensroue eh pap for one mine hung Fl Sera ene ‘akin Bo pd ig Bonk, png oeThe Free Stroke THE FREE STROKE: ‘Stare from fll stroke position, ‘sroe HocHTs & OvMANACS Forearm is parallel to ground ‘Think down, Tarow down Bont pull up. Don't squeeze. Let th stick bounce up.Exercise for the Free Stroke Begin with Ful Seok Think dour. Tron down Fol trough ith he ‘Sr Lore your hand dum Lathe soak Bounce up. Raat ne Sonora 2 to 50 Warm-Up Exer ‘An Application of the Free StrokeThe Power Stroke ‘A Variation on the Free Stroke “Joe Morelio rie ume Sct she iger welofeiaghty wag intnpe oeia saan ecu nthe elbow The wrist does ot genoa these sow dos From he all Sake sth ow ir row ot way em he ed) Ate tte, hep of ese ie deni ts Th aw bor noes he wt low Tt ck ‘ove moan of he writ Ashe eran ems epson, the wit ‘Suc bc al Soke oon. Thr ss ap is ne ein sh of powes. The ‘Stow ani sea vv bhi he srk hence epee tment of poe “Thiet kind of sok oa will a, bai an nga atl eo so ‘ta when power sds he snl ep ou me prepare one tees Imola ei at cx The Pome Sue ran alent xen ‘ovst, Aasprimncs tnt when ying Sever once a band ‘Stun isc mie ww erred oa efx saree nan itp ang ‘movment can Tis pe of bes mon ry inp n r set ‘movant Um pa 3 and Fol ct Const race ower Stoke Ste "ocrnon elo ner oe srt pn tc ck re il ep ‘Sgn wr marl nd yourovn memo ring fo esa snp ts ‘Begin in fll stroke postion. Elbow gonorates the stroke. Elbow is thrown out Wrist reacts to motion. Stick hits pe. Elbow retuens to relaxed position. End in full stroke positon. Relax. Concentrate‘THE MOELLER STROKE ‘Tee Moc Seok ee Fe Ske, eae may ofa’ evar, Tk ia at mode, When on ms power vo yore ‘Stabe The Meter Sect nto ode resent any pect ore of {Nec Sooe hay have dno hr om toma scion ‘Sf Moar tenths se snly seedy a he ep prernel ramen nc and zo at ty al sensi hpig mos at ree Thin andes ua Te ay hing ented sth poner come Pom mtn mo smttaarfnce ‘The Mocte Sk ita wip rt tw eing ela so sth, rst zat al of ogy when lige tron he reenter i ere ‘States racensnnd hts he es Ser The sr Se ern Sn lint deeb hh re he stint ves of pwede Thy ae al ‘i ew ocr se te el) er ees cre he cans ot tro ening Ye tm Smears oth one mck wh ‘ous bandna rom Sign tr asus perma Tos, dues replying Wh ‘teresa mo nsw ccc ruc nd age ends ace [gear tent! A ie rng of exec clr capably ede Low Modte Inthe Low Mote wrist grease soe is begin he Low Soe psn maine yal marion ope manu! wah atm am oboe Wien ‘upp it ving aun te mona sh lw ay ‘En an end ope: T se bl ate re Moller Suk Paice ‘ating be writin in eed, coping shane Youn so al epic oct, ‘eminent Nt vy ag ew ne non Sees ‘i rai dbs nor moet sas ow Soke poston, wot rns aves opin at at vn 0 an fae ee oe (neyo eri he ws whip the wri back donning po. This ites tino gut Tan alae wha wtipng moon, beige ik with ind eating hc stake The Whole btn sh be prose sea, bon ‘wed ow seal he wy tou e wp The ck shud ove guy pan dom ‘St din sing postion. This t ne ow oe, Thin dow Sono ‘Sou bean sre Dono! tw oe how ot lve wip fr Low Meat. The {hon mon oly sent te wine Some tat dramas he bow Mole ‘St Gada Vine Coit, Sve Sma andor Allo rere uel ‘horong nto ‘Retain te ey othe Mote Stok, When wiping ews et el of cry eee win the Soke wit he payer seed sing ed 9 he ‘amis ethos toplyingpometly whl Lng th bands an ar eealc, bck ini does sin You sha fl NO sin wile laying the ot Sis Pv of sro make sel mle in ora ay Tee, Uscenly emghenery hl eo jour nd De’ aon et ‘tee te seine lcs Gaoseuder ti Fve Sls Remco inte ts uty wih new sok, always ening yo practic seo th he wear nls pho ime hp nah Sand cer paper eo 2) ane he Stow frat catonoa uate More Ar + More Mace ~ Mor Power “he al Motto ft Law Mos, the goes he tro. ‘gin by iting how outward fad te eto, easing te Law Mote ‘op. The wo tae saa ge aloe te pve se at ‘ats fu belo Seve Sth ely to atone sn spying me Sin me sng psn Sra Maer ight Are + Langs Mal ~ Nos Power ‘nara for more poner Some rock danmerach Kenny Are an Stover (Cpu eth sok pnt os of cay nth psig Ben yg ot wih Be ‘his annua by epi e hae leyhe n [EnE Berek docs ttl on ts rt wo lo nd Om) ‘hing wil plying he cxngsaed whip you wl be le witha oe cavea se sake The Pl Moc appre tune py piesa ee Low Maser, bat ova wi lepermocer etn repo One you hae eal stk, bres may eam oe note bow may Sie Shypig ets ou enec fy sen eect ck peti Mec uae eve shear ne ayy aly lac an stale ar omens hy See te amma sty wh renin Fa Treg a demoissn, ‘ECan et Fe Conroe sr BeThe Moeller Stroke [gz “Whipping Motion” satPUMPING MOTION (vee you undead he Lo Mot Stk, youn ry tear the Paring Mason wich pu te Meter Sta ia orth se ngs plsag pei ‘The Pp Motion neles lying ule ees wg th Mole wp. To ee) ‘resol rte Mock Ste wl op th lowing tn hry allot ou wack esos is eee or hea ey wee ly 4 Low Meter Stk hen et ik eon in ad ‘ution ol fame est you wide tha he Mos Sake har eneagh eer) © opel t,t ow, ove fe ep a old Domes Ws ae ene) ‘cleat drc fou ban Ste Fog Mtn wh wpe (fag 20) [Spaying Low Nol Sate lowe two La Fe Ske Then top. sou a ‘in ya msnae mango 8PM ose mn nary feo {fe the to Low Fue Seo lth willbe loner ove hn high-powered Low Manic Ste peeing tm Nocera enh Moc Se are Inthe feiwing sles. Gnce you camera np hn veo ek tes Mops 2, eda, you wil ped te rset an the Male whip i Mend sami ‘oe wang tw Soe, wc il ee ial ney om he wit ol whch {inbeconled whee gece tony ud on ral ald We ‘Sport gon aap tara 150 SPA Bajo many eed oul dea he Pps fh Faring Mtn. The cone es wor ene nd cere far ‘clad hence Bonce "ee ht es he moment of he retains pnp ste en ith he eater hand Set nr meena comfrey Sve nome oop wit wen a, esse sump he oon mt re ‘sw bt ans py pry gee (no oi). Canin se 0 ‘cnn ante eo ours Une mace be sya of he ‘SSmguo The wiping mason hk nena th ayy rig ed "However hen pnyag te Pring Meson, fe wl pote at te cope he ik ot ‘poneate nny te Mow ke av whey bcs in ‘cctsong) A common mization ide cxrar te woken ong ona be ‘Ronn ton rr at oe Meter Sole ce tndewoed be scoping ‘de fanpng Mason ether wil week comely Ts bw up sts te acon ove ewe psig tinny he Pre the Pain Metin varius edad eta nam ie bmi wes pet osc hls fra bef ying Sp ing tthe sight feo Tem od pir tng youth are ding “nein star Te Fee Se Mol yun shou hereon ‘Shun tin. The Ping tose ace il low you ayPumping Motion ‘An Application of the Moeller Stroke mm = 58-120 Things to 4. With Left Start slow 2 With Right “Relax 3. Together Tap strokes use rebound... {ree tap/controlled bounce Practice as followe-five minutes each exercise: ‘A lerplets LH), 2A (triplets RH), 3A (triples together) 1B (16ths LH), 28 (16ths RH), SB (16the together] “The motion fr this application ofthe Moolr Stroke Is basal the ‘ame ae tha ofthe Law Mosler. nthe Pumping Maton, the méton Continuous, ling several strokes in aroUPSTROKES AND DOWNSTROKES ‘The Fe Ste adhe Moser Suoe se sie aprons marl maton on he rane Tae trom a epi any cei naar payed whos ‘aswel ret wes Fr hen or, weve ey mask ‘eam wh st har neh sro cc ny amb ear lnc since tar hon maple Th nebo concer nn ecco sf SS en ae ee Pte) hr sot sok ey ar sea amos abo ke Donte snd Ups an be sda exces ay pose yt playedn a peusion ‘Sm Th ty spe essa testy nti ow, ou have prod he Fe Suk il alan sok mat tate atethe sake. When promi homers ale potbew pctal o wh happens wenn arm sale ton an mae ne na ym ee a ee lat oak ep in ome osrcon eed pce ee SSyoml mayan pool ane atc pe cnn ee Downs an Upkeep: arma wi firm oral sec ae i am ew ng th Fre Stee mig Foal ying ese {ajomat stacy wa nb rosa api te Mot tbo. Beh i ee ae eae Gorge. Stone' book cen & Rebound te ow 19 Sik Cone ae ae le rng wt Dette et Upc ie Moe Pon das ‘Stas eas etapa yl ap tec 90a yng To Rea’ Scan ge So an doused a=) Ups nd Dow ee Fee ee eee UPSTROKES: FORMAL PULL-OUTS ‘a Upots prod when 2 ow ra kee oe abigher ake. The coins Law Ful Hal Fall sod o al To ply Format Pll Ost Uae porch ag eet fn etl ke long Fred or Loree omens of techn lp ou ing he sk spp eh ike ee of allowing Hal er ul You Sui sy exe ‘Stet ta gor bt ing to soled i at defen Ty ot ‘Stk abut pling pT wl quien of paceThe Formal Pat uti ptay ony fm he ws. 1 ely wc when laying stony wd inte sare ace ves he ot he payed Misa epee whch eat dar sccr poms tel avery conrad son an, he ha spi ‘etic sao Boe the Form! PllOue whe mt ys wil we ‘eng dla he ree Soe who plying ac nes on ope ew pacice ol ul Oa ata rasp 5) de te ae UPSTROKES: INFORMAL PULL-OUTS “Te Mole wh ented fey oreo ito sth rmper to xr pe se ia rps i oral Ws ‘Singh Many rer wor we Rar and od’ et sn os Toe ovement of ‘het Plt ces grt cl powty wi cv sl xf. Ta aa PuiLOut ss sgl mon tharos wo she Rcmst o's Meer Ske wi ap tein he ital mover he wis The sued ie an lsd thos an Po "So dum st airs pat iy fon nd ress wt cal "ues ee aes po ser a yd rnc a istry import since cng pc yer fh hn, People ms el beers seston Sh sl sete pov fin he nol Pal a lp Pray see Low Moder Sts, ming el nd rvs your mon in te i, ‘hin he sing sed your rt mentored ae Mace Stacion.You we pes ‘eeting te pling ot ny. Inte dnd Mer Soke hep otek sees Plce shew etre np. ert Pl-Ove so th pote ck oy ‘tte a lee ah rs Ths wl ese so pat sul ne ing ‘lon afte wr Canine the Low Mata mation nt ansth mcr you sorely ‘oul Th orp wl hn lowe by essen wip ste Yous ne pling oo resent sind tp ou sok hence to open oe td a) Bee and od teatro pon an nk of th ul sone natn au ingly ae Ftp Mach ena ou ly on da set on wl hehe ‘Lr hear P.O Soy ok yo nt dating he inal proper oth Mf Ske Pt nyo ping ah ee wl sre ‘nfcan Eeampes AD (page 20) wl alle Yue Pay Pal Osment hyo th ‘cei een pat of bes wl he ome nc get oma wih ao ‘Spo nossa aes wih enamel smc ro. Nae ‘Se metonone mats re ners Wat yor undsend be movement ma Pull ou wl pay ne ie whee nds Ayo spc pcm ee, {renter ha oun asd go gs ‘nee yous cml wih Infra Pal. cn vious ys iting ramp wi our owas Ty paping rover ht coun hoa wa ig le‘a ment you wil arth magi of te ema Pall Ol at wort Ati ch Seve ‘Godden Beis Gana bu aces acd wt tt prone an xn iar ‘loc eT ats ot ow an uns of parlor DOWNSTROKES: FORMAL CONTROL STROKES Fon Cont Sukes an aplaton ofte Fe Stake. The a wali yo se ee el reece ‘robes payebfoes ower on Tir aero nanal eee sick eee alowed wns crn Uhl fe potas Tepes ‘it and a oew Tener Down spy the ahr aah sr sou normal ‘ot pth eho hehe a he fling sont ein Tha fo promt 8 Geis a ae You wel then sty ope sks eb nd {Seto resin be pation oa sek us sce tea he oer at sh ‘Senbmuon i age Benue pacts Formal Cor Se cy a in DOWNSTROKES: INFORMAL CONTROL STROKES nfl Cont Soe the Maer tig. They ice amet ean Foal Conta Stokes lt hal, fal lo nda lo nora ‘Coal ok eer mr ty a ae fae ta Fora Contre See. Al he Noel hip stoke nts east fet eke a hen i very of cls sd {Geto and sus son See salam ght The ond ois ds te hve ‘nm owl Sats pled ring tory ni sk Say ver ole ng ‘hint stoke sce ay tenson wl deatroy eeu esa for cod he Dor'sqpce th sik teh sod sake arth Use the Comal Sees (agra and aces per 715 pace ne dea comet pe ‘Thavorn ovement oe GaUpstrokes & Downstrokes eso A crt d+ te sea, Dnenstrots: Aud ert owed 3 or soe Forma: npr Free Sve From tn, (2h pacar aerosol og" Info ern Mee Si esr ti scope rn soir reer Surg sen ‘STROKE PATTERNS & POSSIBIUTICS IN DAUNBING: Upstrokes "Pull-Outs” (soft to loud) Format low to Ful Law to Full Hato Full Hato Fall, ow to Halt ow to Hatt Downstrokes "Control Strokes’ (loud to soft) Format, Informa: Fllto Hatt Full eo Hatt Full to Low Full to Low Hoi eo Low Hal to Low Primary Strokes Ful to Full Half to Half Low to LowUpstrokes: Pull-Outs ‘Mation Diagrams for Formal Pultuts ot 0 Fu ow to Fl Lowa HattUpstrokes: Pull Outs pice anh oe oS rhc fe ct pean Boyce ew bey rau tke pz hy pay Ge Fy pPy Dem pq py aaa z ADownstrokes: Control Strokes ‘Motion Diegrams for Formal Control Strokes Fat toHalt Ful o Low ‘Motion Diagrams for Informal Control Strokes ‘Strang ronment enter & ung oe Mclean FultoHalt ‘ster lw 2 whip co ‘3 tse mameneume play hal soto eed iow "usar ow 2 hip thal ‘tse momeneure ply Tow stroke endow Hot v0 tow ‘tert ow 2 wi to ht 3. use momen aieDownstrokes: Control Strokes ‘Sggeson Poy necro low ois soars ar ew Fy ply py RRLL RRLL tire Lire ban pa, RLLR RLLR tReet LRRL Rie tur Raq pag by pry | bay { ‘Sa ps ta oo coeUpstrokes and Downstrokes: Application Exercises syn secon wi ul On Coa Sra os cn bee ucontua ef ete These rel ol estar ent ie of eso Sessa Ae a ane vl oy pyran Opt De Stair Ra thet an gnc tr ae ee ete ung eats i it sreldtes erie rbmnnn ofl poor next ira lh ead Tih wea all’-ow Dowie pt on poston fa the ih wh ow ‘ee Tc gh show l Upe optyon l ae port Upsmoes and Dok te SESE To enon shores aoe peed iy RLLR LRRL | A |rRurere = B ieSECTION 2: Performance a Exercises for Drum Set and Pad Hands and Feet Drum-Set Key ‘Al drumset pattarns inthis book are notatd wth the falling three: line sta systemCOMBINATION EXERCISES ‘Toimpror ou eos = chen tng mt hap wou ams and es When {bed ts execs rte Rowen be ay na be tse cones payed Broa hand ee x ‘Combination ners a pte ht ae ply smo by wn deo ur np hey das nour gee cont No a ands an eet Tho we ce me eumplr A, Ba eg wit Combmon TQ Lily Rips Acosta sate Rapes aes one na witht topping Then canna Ripa iy exc vere ‘ri Tony Corban 2 (Fan precad rogh Rs 1 nC Conte ‘Se reco ml ute ned be ms emg conten: Then prs he seinem (Ai Gh A.B Chae) etn och wat ig ‘tui mes SS mimes nmap exc you pce ate youl “ngovd erengs nai of our an Yui ets ight coat oa bans von vig ‘na lzed mane Whe ing tiple o Sac, you may edo "ck i ste Montages wire ou Sten Pg aot nl dora cane he eae Thal eg yours mie nd ese sno" sal whe Sup your pda St uy an play any Newer Spec orig SRS te en ope ap thn ater ae ‘Seren ep in Sound Combinations: Coos iret sun rene drm seach ie ou ay execs Thi wil hp Bonen ou sil aie pals open yo ‘ple soands tt youmn a tet ed th eta eects For ‘ample Exc Ah ght lo rome et he ae 2. Proc Mat ret ond wfie it xy ham ne. The lis. fan be soud il dup he ow of be rave Pay nef ston io he et ‘rtnenie e pe tun ihhoe ne Recod ot Vda Source ou pop Rane of ound: Whe laying sabi, ake nae he voune ofl ode i ‘pl Many mn i ort og ibs Youcapaethe 1! canbinatons way bk of tyne Fer xa, ey Modern ‘ean Tat Loe Belin ani rie Spat by Td HanCombination Exercises jo Pin togecnor-ors ham he sound thatetoo tase on past Pre soy Use itren snundsrtces Doris iereossepoed dothg ard to an chongetampo. afl__o.amanony BI; - Fiwimy c pA Tis 4 = mircDRUMISTIC FORM. Abongh he ran ten ly a spiel ma thd tl eid stink mca Teor aon meson tc eo ‘immer Fm fay gt yon ng mie eye {rauieg ae of marc nh rei fom mained st Msc ‘ncads mlo, harman, rie sami sol wrangemens Austen on ‘asa on ty oer tert valve ae os har pars fr Dra ‘om jou il tpi malay cred hve on eit Ath he du [Enoipich pect th aramene mat pe i hve slate ne eer ‘Turi pocle py melody vi te rus arma ts oe eres ‘Shige sae te The i nd send eng ingens at we ‘Ege impiynga tama cing oh ste ys (we nt ‘ern fein eeu no any mmr soe ns vi ely i a ‘ats oth elaive vl of pro etl cen oe ma Sa Ait ‘ieee od Sin ou ronment rem whch pare pled ‘Beeman Fo he skp a Ais per feo st roe fe oe. Py Ave and ovr vio fe ext como asthe cma it ey {ou lon Seton i wee ond et nde Yuta sae vis he Btu toto pen spss nd hppa. oun nary ways but he fi aston 1 eh oa ‘inc Row gon Sc tig Secon aon en oc cond Rasen so payee fa bat wen yo etc so son eit {rand oon 8 lh ics ging ti cag ea i Tce nt yt form of Aan a wie ang on afte somd eng gt an ‘Ely smupeon Yc expen why mir of mae yo ‘ci ei ont or Penile j= agentes a mes ets penta cceearetree Boece epoca inp onan ee eae Soh aicralate wamepieiet manda cao pee ae Serre cee teen canton seetoate Seecpnfageny ot ny seonuecerenanteDrumistic Form #1 TA tt on fe | Fad A er i i wt # % ¥ Gi TET B Fe r GA i -— Frot playthrough form ass ‘Thon Solo on A, using B as a transition to A. Note: Play operrhanded (La, for right-handed players, lft hand on hrhet and right hand on snare).Drumistic Form #2 INTRODUCING ONE-MEASURE RHYTHMICAL MELODIE! Epiay 4x, 8 4x, solo on A melody, then solo on B.‘l tee a ween W teksaeasa a6 8 B fe-= | In A the first note of each beat is played on a different surface. It can also be played as a dust with counter-rhythms and melodies. "Now compose your own Drumistic Form melodies!FROM FLAM T0 GROOVE, “= Felted oye du ot end uke Fed centr sd i odin {Webi aise hey ca ee renting ks Yue thers pd Sewer ene pan sgt re vse rbot rom a Goa a2; play the radineatl pater et on he pd ot suc pet come wi Toes ARLIEALLRL brain cad be se aS ae eee ‘tend opet te pe Whe omg hi hum stl es-mens a ‘Shoal wo loge sare aos bution nscale for lon Noe bot oun changes Yu st our konto md urn Cot {an son tn nat pve toy urbe ach xr haa are a rum ter athe en fr you. Afr ing par i a etc pce ec eles oarsmen!From Flam to Groove #1 ‘STEP OM Py a attr one cumumny RRL RRLR "LLRLRRL STEP Tye an an plop pda Pn Lon a inmenny fe heeyFrom Flam to Groove #2 STE ON Fay fa patron re = [ea y RRL LL R URL ‘STEP To: pe nt np pam comand A nor Ln a STEP a i re ah in Kh Wor oprer 4 RRURUL'R RR L REET RERL Tg fanaa Ut‘SOME RUFF EXERCISES ‘is caomon ohave oo songs hn wih wich edo ane parila ticking ta a eet tet hs ca cnt nga pice baa Son So bigs {your oval esha Leow ppm we tc sce rao oa Stoke orsingle sei fur ai smn alld) bd lp wih acon ‘be stiingr tn act paca, ‘Theat tae ing he rain hiner lo which cen no teams Ti ACRLRL LL SRRLL Loe ‘The ees in te eure (AI B2c) carepn tte kings Tecan eo ‘eae opt the tn set tl seh fal on dow nd ‘Scorer tito repre Ths wlleute a et del ef ol nd ston cpl ance mt plaet il fin some te seks noni ou al {pny be Low Mec Plow, tn Cn! Sonica trex swe eto och Foal ts ower ee) nara Sek Exec | ep ter wth aerating tls. Nie al dobeatste scene Pe oaph een yng sed Nts th ace oq al ‘Otrin re eee set ota ac mead payed eat ‘Sos prt oft gt nba Alloa ares ot PLO ed Con Se Moral Sato nc ply nsec ne ‘Sic hayes toa So il pa Coe Soin my ine you mae he ic mo poatna ra apeoming nso moses py ‘eon sda Neneh near pras whch igh) fo (tthe br enema ses Moving, xe 2 we soe ded ato tp fh A gs ep of uur cousins yt ong wh ert nt Canoe ect Sy en ng tee you npn cow ort Yas nae (Sas ce ecco yon pee yet Ore ‘oar nie mae ne oo soc sp Pong ee Pal ‘Ba and Cat Sake apy etd wat cS terse steko tes chang cia mer ra Te ees ‘peenaceoe cov pe GrdSome Ruff Exercises SS ‘Fost ony so oa onda rots Upto anata) _ Exercise 1 - Two-Measure Phrase al mininha inininin, 4 BUR LRL RR CAR ERE RER LAL RURL Bi inthinies Tininhhy, 4 SRURGURL RLR LAR URL RLR LAL RUR opiuiiinintthiaihy RLR LRL RLR LAR LRL RLR LRL RUL One-Measure Phrase al puimininy eo puimininy e. pluimIning RLR LAR LRL RUSome Ruff Exercises = rests ung btn Fol an anal ren me bots & Dewrro Exercise 2 - Two-Measure Phrase ap ininimininn ing ienhasterarereatettte tat iti sp nininininnmy ced eee aie reurrenan a arnt nIninininy (One-Measure Phrase RRR RAR CELLU RURLALR RIRLRLRLRL RL ce pith Hlth co panhechaica RRR RAR LLLLUL RURAL RRR LRLRLRL, LLFLAM FACILITY Nee Myoutave sve ely hough abou ns wa hat’ sou cage! The Dan's ccf emt sel asin Wen mane tae an tee fe loin Teun of de comer ws de ne ig ce ater co ‘is hs worl racine comely pds ring, Pn Fy Wil ‘nipjou cool he excaton of he fm sd ge 30 os eng mpienon Kes. xcs A thaug Dave the paying of "yn ya” Ts mes a Yon selgel enh quer eens ste thot pc caret a ed {Ssmci-all witou stoping. Ate ping ew mene of ures, Yu peed ‘Sto a cited ol outer he ques Ts, wie’ sop it {eat ert Ther poi of tener th al he eae amt ‘Th ghia mtorr evi your ten Neh king hinge Asal igh fas Bs al let Mars, Ce group of sequels payed ie ‘Seonitesumstnnd, dD eaoraing Each wl pet 8 om chloe am Fc Par es ven more ay in ching Tet ur abd on ‘hep LRELALL Try alt sts aie ot wary ‘posed tote! Ronen eh orate estan swt opts oth, aan ‘elation sl tine a np rvs ne Enea mde kn. ee conse any hae hn Py Exes Frag ih bot hd scan en sla upp ay Son Yosemite esp ny Sick Conroe pay Pane an ze ine cyt at hold ply witha te king warisons te baton of he pgs Wh hte mse ari bee ly a ene ‘Sol fehl Rember Ue lowiag impor pls whe ple Prac tly you can deve een md fr oh Da, “Toe grace no i played ow ak ge (1-4) At swer mos he min eile a fal stk (15189 At eter ep, be nota beled waft S97), ep sien nts an quips opt Low Moser rope tester,Flam Facility - Part 1 ‘A Test in Precision and Control acne mr = 20-78 Exercise A "ghe Fame eal ® pe ay RRRRRRRR siiasiny RRRRRRRRR RRR [Ra Ty ‘HMRRRRRRRRRRRR [see cee Ty “wee nme ree ee, Exercise B ‘ete Fame bi ddieg x ATL y 1 “ a 5 i pam PULL [ean poccercomcectnct [ee a i Ty TAMAR EAFlam Facility - Part 2 \ ecoana mang |= 20-28 Exercise © sidetoSde Rams pedaag ped ey RRLL RRL pananaiung RRR RRR LLL [ eocoberrd ocphr ret | "RRR LECL RRR LLEL Ea ia ia my sree, VULCAN beet pee y RURURURL poauiosiatny PUR LRLRLRURL [Fay URL LIL RU LAL pinnae Seen wee ete teFlam Facility - Part 3 Exercise F uA, RURAL RRA (Ramya Ty "RURRUREL RL ERLL UCR LR RL LER LRRL Exercise G Exercise H peewwaa y RURLARLR Exercise | Exercise J paw ay pe wally RRRURRRL Ti RiisFlam Facility - Part 4 ating = 40-78 pete ATE 4 OHA TEA 4 AEE RRA 4 PRAT MT AT eam ATA 4Flam Facility - Part 5 k ae Do TDR 4 po vbull ama PRAM Tey | Ty |) Ln a a ay1 free eater ee | youve woe a acy, ou have sen deep onl oe on of im xing inns er pln cy, Whi Fas Fy veg oar ene nares ke ee Thee xc ced nerve of Fan as th fain ine a ii tha eng xen yh oppose hn. The eee in sso an ret bias nr Tetra in pat er ie seond ptm wih oe han va yim a eran sce ant ‘hipaa Fase Kp ete) Noten ree ee bod lg cnt sa i te ight an yh igh oko i ie ars nc ie (pane ep Fam Fay ha poe ou yng ha, you wl ano asa tay las in ie tin whi senha spying he whe van, ee a ae once kp the sick on ney ont Kes ie proper i am ‘els comiset wi the cbr ees ramp. i yu pgp wi 8 iow srk, be nenene Naor wl pay abl tc Hanae “amaigac bts wot nema atc ai lam se I you py ‘SESS pease Ape Mtr po ems ‘he ext poe rug pes senha pes. The Pam pln ‘sl cae evry posible cmt oi ana anf renee ‘Rowe aleurone png nde yee ena ‘ho Ain bowout ech sient eet Later Ashe y ps, Jo mane ‘Sonate wi HRS bere moving oo toh th pa ‘Th ston cnc th werkt hci i te yt. Remeber lay ta teapot sug elation. Phy hhh an wt oe wear me! yng ‘icon van ste. Chooses ono tat wil pon th peta cat i ad ‘Se cotangent ter spc Usp miro wa rt ow fr Quip Tee ae moron matngs ind howr fr the gupe ‘sceptical pra sed wh ohh art art ‘iota ind pnd th yo con cori de erie nd pa sch ‘het mmr ines inal yng to sig hon hr [Afters net rca cnn peIntervention of Flams - Using Triplets 1-'RRR'LLURRR'LLL 2- “LUURRR'LLURRR: Bp MARA ¢ pay 7- URRR'LLURRR'LL 1- LERRR'LLURRR'L 2- RXLLURRR'LLURR 2- RR'LLURRR'LLLR D poe ea ay E poee BEREAN} 4 7-"RURURURERURL 1- ERURURURLRLR 2-*LRLR'LRLR'LRLR ZRURURUR RRL Fee TB ey ep AB eey 1-'RRILURR'LURR'LL 1- URR'LURR'LURR'L, 2-*LURR'LURR'LURR 2- LURRLERRLLRIntervention of Flams = Using Triplets (continued) & wey y pA Ay T= 'RRL RRL ‘RRL ‘RRL TERR URR ERR LRR 2 “LER “LER “LLR “LR ZRIULRLLRL RL 3 [eR pay 1-RERRER RUR RER 1-‘RERRURRERRLR Z-LRIL LIL LRILLR'L 27 URTULRIULRULR'L, L [Peay mp eBay 1-'RRUR'RURRERRL T-URRURRLRRLERR: ZAULRULRULRULR 2 RULRULRELRL ON [SREY @ jleteeaay I'RRRRRRRRRRRR 1RRRUUURRRULL ZALLELLCULLLUL 2 ULURRRUUURRRIntervention of Flams - Using Sixteenth Notes B pananaaaay ¢ fede aly LRRRPLLLURRRLLL 1 MURR LLLL RRL 2 RLLLURRRR'LLLLRRR- 2 RR'LLLURRRR'LLLURR D (aAaCRTAY ey 1- LLURRRR'LLLURRRRL TRRILERR'LURR'LERR'LL 2: RRTLLLURRRR LLL LERRLERR RRL RRL F LARaATAA q pataday 1 URRUERR'LLERR'LERRL, ‘aURURURURERURCRL 2. RELL RR LL LLRLLR ZAURLRLRLRLRLRLRTRIntervention of Flams [\ - Using Sixteenth Notes {cont.) Ne H RARERTA Ty y AADEDETY emeremaane —ienuiemueRee 2 RULRTLRLR'ERLRLRLRL, ZACURRULRRULRRULRR 3 pana aq pay upmueaemea —_uemuitaupauieE 2 RUURRULRRULRRULR ZRRULRRULRR ULAR UL L a ATT Ay me [ay Iuigeeaese —_temoeeauseReeR 2 URRIUURRULRR'ULRRL, 2 AVULRUULRUULRLUR N [TE © Ry Leeeauemegenepen —-msteauesnuterge 2 RUCRUCLRUULRELL, ZAUREULRUCLR ECR P [a He] @ nae iy TR RURRRURRRURERER Lier DURE, CUCU ECU,Intervention of Flams - Using Quintuplets Meron ming = 65-58 ¢ wa 2° RRILLL LERRR E [OR 2° RRRRL LLL Sata UL H Py iF 2c oe 2 AT ee IS pay K |: 25 Fy 2: RULE CUR 2 URL UR aIntervention of Flams ~ Using Guintuplets (cont.) L [28 ky N pea Gey 2. RRURL RIL, Pp pany 2 oro CCU Ree Tey rete wet RRUULRRULL T PRR Teme eae ate UR v I SEDI M |: 2206 Tes Sweet wee SERIELUR RELL ops amy 2 eae Re 0 | a my Z RULER s pam 2 U PeaTR T-RU'RR RRR 2ARREL URL W422] T-URRURURRER RECUR RELLIntervention of Flams - Using Quintuplets {cont.} X (te Y pa Tuner exer rene RIEL 2eUUUUR LLL z |: Be Bay VW Dacec erica Tue ose Iain te SAUL URL Be Fey cc aay mie ne agence ee iene PeterctirIntervention of Flams - Workout = et ut ei ao apibcbseas Davsnang SRA "LLL 'RRRR "LLL URE RALL LIRR RPLLLL B pana EDA AR ED FI TRRULRRURERL REL RRL RULER RLU RL ¢ PTA PRUUR RCRR ERLL RELL 'RURLL RURLL URURL CRUE > pean aaen manana UR ERURERURERURER URLRL'RURURURLURL 'RURER 2 Home ome SEL URL BRR LURLL LIRR LIRL URI‘TIME Test Pera hn end be que fons compos “Mac the pc tn theo eesti a th Tan expr Pat eth opr, Tn Spa ead eee cae ee eet re ‘pincer ls ie erence ‘lull hence pt a ha ou ee ply Ti wl grove youn a ‘The Tne Tt cos of toa fh isla ade, May ah ee sqrt ly we cone canbe wh be way tern ren we ‘Reva ps nl yen et hep mt yn ach ci sale ‘hye rs minimum of nc nets dead he pony fe yn, Tha wel ‘ee Se ee coe Then ping eh he nop sls ip Tyran to oben on preset we ge {none a 15) ay hema. Do na ne he er son pd ‘econ th mnt fl rte cog rar Eh ny he ye ah ‘fe ete tn make tse ow pecs genre es cee path | ‘ame Thaie eof now ow Pay the a Te ih al un idly, cing the soca ait one hen thar on ser ttn 9s ahh ar, ‘hough nen ec bth hr end ek ih We ose ri yo foul bebe tw widen he mp lt st wep wh yon cmfora. The ‘erie ono eo yon ctr en ry tas ot i your td menTime Test BD SSS pede grip y 10011 «12 «13 «14 «15 J Tapa Tp Ty 1 2 ca 188 eS ten 106 1060 aaa Habe Up Tg Sly Pr tr it) he Lf Hand tone ten ut igh Hon, ‘pont fa hn Fs io rn to ong ty No Fa ‘rere Son teotSLEIGHT OF HAND. For Hands and Feet “he pape fit xii dv ing fc tn yo os. wil i ar wel eset. On th an et the bance ror sme as ae ‘Gelli ve nnd et ply evs nsec cn bck magi sm ‘Sine ofthc ns nde porte movement a eats oso ‘Sng te tol fetor bad abe va onimeWnsonde Sl fand ‘be mtineone cating sys sn tld nt ‘poh rs ing Pavey ot at lew age fi oper ‘Stave insane pce when cic Stonnin Ear Ase wm ier cominaton of an deco: 2 Katie oor rah nd, 5 Pye nope but ont a od 1 Alden sang wih your ht hen 5 Aerating wth your han. Prt ch ete with five king ait fon cach eee min i Te Sg Had Ween eng ps you cen ti Wi {Sposa an coccton ase, you ce tans om Dkr ml Foret Tico any peg or ods ig or ner eee Jr et sce sry oeghn urbe bi cig or eer xi a ora For fara won ee cpa Cos Bay Sas Dro Con Atough te ths canbe rte by anyone sng an cite ese ar as ppacon of Free Soke They wl wor he a oly ‘shen trons a wt be ae Std e380 Up Fasc cary ‘i cnfdnty isu ba rence! spot Sh oad wil ae Your hap Seip scene Cnt rpms ei ae ‘vec yer nd ve ngvig yor ag otc” wl rer een ou ‘hoy Tho tee wil ei pl by my btn po femal magiaSleight of Hand - Using 16th Notes A pRaTUaN, tehHond = L LLL LL LLL L Right Hand oR RRRRRRRR RK % ToTITTT TTT Atemate RL oR LRLRLRLR L ‘AtemateLR L RLRLRLRL ® USE THE SAME STICKING COMBINATIONS FOR THE FOLLOWING: BI: Uy ¢ jp Shy DEITY ew pam M F TUR 4 9 p Thy wy UDO DA ivy UIT DA MAD y NOW APPLY THS EXERCISE TO THE FEET AND EXPAND!Sleight of Hand - Using Triplets ie RR a0 LR RL | ea aha TG come on Na rlLoeme Bp Dm 4 ¢ pI J Dp Re 4 ep Fok vb Fue 4 G pam MMM, [NOW APPLY THIS EXERCISE TO THE FEET AND EXPAND! eanSleight of Hand - Workout eons meng 8-128 Scape Sanger! A poummy ane hig ot a an a an arate Sort hans ie seing se one ® -OOm oom c ae IA ma e Pplnmna mm F pm, NOW APPLY THES EXERCISE TO THE FEET AND EXPAND!‘THE WEAKER SIDE For Hands & Feet ‘be ver segh and ay of be wearin Th ayo dreocing Te eke Se I tint you wl ne op PaO and Cot Suk node whe acy ct ‘ey di etgus ai I mabe aces haul ani he pore [Ate ta of ena pager to for king pte a hi ao Py cock xc wag lo se ba teas ony adcrenly Notes ashe ‘Se et sc and ony one ih wk. Ener Aah Dk fe sckgs ad top cet each eft ent ply he em. Ta on ot oy ‘Xtc ie ons le ba Joust py ono nef ens ll Leak Be ‘compe Pam A Input A he skin LLL Te acl on “The et ro we low sen Tins th ke ning int "Ara Col Ss yo ms ac ed Siem cms eyes in coed Ye io ‘est tote Cone Sates a Upate-a Sue ea ‘Seen I and me to peer repeat of he eet once Of ees when ving ine ll as wl es ub oceny ten Se mons Sow incre hope hat youre pearing he ste. Patent te RL tng bet re he ct “° Now you anavOatta exci i tgs 8 Ysa etnias ‘Gente Sbe te ay stow sree or" Tus poy ma cro he ce ‘sal ston You il entries essa oh Pa Oud ‘Sits Cal Soi The al smason ton nace A Tce eat ‘Seo low ses Cet) ands RO cee a ents eal a ‘oa poe rt pe exe reigns ep ho inh tein: Pe sale halengo of he ft pot bt revarse wenfra yea ‘rene the seng swe on You ign ce le tani cede ‘Sono They wilnase he sy a yor wes Sey las nfThe Weaker Side For Hande & Feat 4 Meera martin = 0-120 mart eee poset ae apy 2peey apy 2b] sh URLL eRLL 2584 spiny 2poeq apaay tur LLLRSET UP THE SINGLE STROKE ‘The pues of hs exes sins pl cna sd enn your singlets Ast iets, thas dae tener wath pric lower aor Althagh mst mtr se the at gi re a he ay po no {ndou oteningie sees ja gore This exes comios of ou examples, AD, ach of which eanmenere prme fc i ing i oe whch a eh ‘pam sh sd amar fh ih ao Cl ye Ets Dis theme yim Cb! tha sts ee cen pes ened ‘ehpursiesicing a of eeceses pret varsonr sah tkap sd ‘i we ore cen Igteiem m hih ent an priy elt Ts pov voe for eel nl fet mete Ente Cod D ae ‘ity mre comptd nih lst ng epson Fee he bad a ‘eves when fat mes begit In uae De fat i spy rail, ‘hic ae ey wile eh sped Pk youself posi Py rough cack cerca (A, A2, BBD) oe romani iat ire ae lings acs Pct ‘Sewiesowy a ian low he sich ery ely nor at uy he ‘Sohne ns ver eve ih et yt eo bod evn wel Pa ro thee hah ona icy pov era cng ay he Salted sed at A py tg Ske seal es oct al en oe SSS Sass Thaaistoweycfin f tT fet on or ci ‘This a ental rien witout asc Conc nifty tte staks yu sep,Set Up the Single Stroke a ena rting0-120. a = ‘pre wen bt non pele 18 26 96 46 te6a2eGaaeensecs AYO aia Tee LL LL LL LC RURLRLRLALRLRLRL DULL LL LL UURLRERLRLRLRLRER ANA AAI RR RR RR RR URARLRLRLRLRLR RR RR RR RR RARURLRLRERLAL B p20 TrLGL COL LLL LLL anamaanmanan 2-uie LLU GUL Eel nialinmramninan AD Domo Senet eeeSet Up the Single Stroke continaed) » * B 4 6 1e8e2ebesebadesn SHIRDI LL LRERLRLRLRLRLRLR ROR RURLRERLRERERERE R RLRLRLRLRLRLRERLR, LL RUERURURLRURLRLRL LL URL LRLRLR CLR LR, RR RORLRL RLRLRL RLRLL RRL RR LRLRLR LRLRLR RRL LRLRLR (LU RERLRL RLRLRL RURLRL LAL 0 oO | NIA IDAD LRLLRLARLRLLRLRR, RURRLRLURLRRURLL 0 a a a [NOW APPLY THs EXERCISE TO THE FEET AND EXPAN!‘SHUFFLE THE FOUR-STROKE The Fou Sua uli wef une, at i a eae lly fst spe i cng nthe our Sake ni ter and an ly ‘Scomenson stings Shieh Fou Sake haber yout dao ae “Tebasc ie silted by Examples | a2 tte of the pa: Thee bad ys constant Jot -ghat seen safe Tae FS tes iervend at thse vo way tices ye by two iid es th e Pete thes pater oie ped WLR mang bk hele anes ue When iying hop scing (A,B, as) oath xp, escent prem achieved Ings Put Ge pees 2126) Ena A hou O apy th to posi fr te Fur Sake Bougoat | ear of tne sr thea re mover rag he eae Sera hwy nav enn pO ah Youar cable wi spat Gr wbole posr a ule whe ong a Si teva wear tad Ech mantel eee of 1 ‘inn Thir xe can abe appa ft fr ert esp Prati Do ‘epotkie and fe dune ated oe he atShuffle the Four-Stroke seem soe poy 2 panini VLR Luk Lek PEARL LL LL w 1y 8 plahniany Sh toe mw Feberte ee teamShuffle the Four-Stroke (continued) 1 paioiay s pomrimy K Pam L pray ™ pal tiny N pai aySEVEN-NOTE GROUPING USING SIXTEENTH NOTES. Th Seen. te Groin core of ie tig combining in ttc tpt oft nt pe cn ral rn oe ones se ‘pte um Teer msg hs owe fc wae ine ‘tote contton a inte ci he on Be el ot inti he pv ot aun at tens that co of tad fot combos, ths pee pens ‘totes tha yo il ems Ths oc mat heal Seale wal of ‘hse unde able te em guint ne om Pre inal prs ‘The Sic Different Variations “ooking ah obe-eane p i g)weknow th ee 16 ate wrk sri ito we a plying bar of sens, Ter we wt ween cS ‘Nec Groping int pre ic (722~ ean thaw ane wee ef oye ch ree yu hae ee he pat typing them whe kepiag eaygure wih et feten he aT rasta cobain Caege ‘Toe las campl tn ight prs tt tinted fr eat your et wee Be ned stad selene ose yc lt a Seen NO ‘Going eee overt ares CorSeven-Note Grouping Using Siteenth Notes F(ODD FEELINGS ‘o etngs in runt xe tt was coe when notin 158% wold cae aig sone pane my son Ths nec es on evel old mes ne Sonmoncongens nputstham otro ren mre coin i sre ‘ound he Ot Festi of 5% i oe doa into vo wpe groves One ‘34 the tar 78-198 ent ays he ets ely spe “hla ove that many drnen dena: Sabin IS ay il [oie cm sete lente er: Wehr tle ning ey rT ven cl 15 sly wit egw ne tos pe Arlee oa oy {be ight nt, be fil can be wincer fel wo comet eps ngs Par sth sigh 158 gone cota ea 1 Whe on play hi ily phrase amenurol Is When jo ar cml wih yo yea eng {bent It ino anos chs 354 FS, Cou eg nae ne ‘Shmnaathe wae name er aieni a (04 ents and 3 flow sae pte fr 1/8 ad 13.8 This nari sald ‘weak down some fh cof n atenping ay tne I sey ine at ‘yt Teg lei cone om ng WeOdd Feelings #1 Combining Beats and Fills in Odd Time Signatures y uy at rt you el corti hn pla beat ah nd eps 447=5 ats mas r a FILL r FILLOdd Feelings #2 Coming sees ef eOda Tee Snare ee eee eeees teaod [eal ean ‘Trysome mar a sho hn wit oro pnt whi ne snares!Odd Feelings #3 Combining Beate-and Fils in Odd Time Signatures _@ Poy at yuo cone np st ns th i lps 54828 asta inan ff FILLESE hee witht “ein” feet The el ‘ith your wee and th pov an ob ts ote et he make Ik Fn a mrt sn ce an Exar lows he sme fmt es ue de sha, Th sing i tat of scent Boa ica be een wlth wy in sc develo bor Come x raA Batic Patterns Precision Test {EFT HANO poy oma ean HOT HAND pl oo to, Sitoonth Drag 7 sees ‘seh ra lot panSHUFFLING THE SIXTEENTHS. a ee Seater Sean nee aa eee reagan cae Secours cece eo Coie eee en am ohn intervenes the" i vars ples mang he hy eS ul fly you ar paying nf) lb fe ‘On ach cing pc mtn changes, he al fer pags yu hae played eset ple pec ore hee ‘fevsh ck fist pat yout Aap Sig “Thi excee a net wien wit accents, Cocco ieity ‘rte a yore opShuffling the Sixteenths Pare 4 seminar Apa ry ‘Th range han pay fog i bao Ba dpa dp te dp ed pa - geen, if eS nen gpa a4 10 12 fa apes 2h ADs prada] 13 irs 5 s {pees we [pers]Shuffling the Sixteenths Part 2 seroma e-t9e B piri Sy ‘Te sewed so einai oer (ae pepe ergy eng p22 « poe of ~O8 12 = Dif pF rapped ed goons pany cry cry 1s peta pian gpg eee”Shuffling the Sixteenths Pare 3 ‘Wench le at cpl Ay ‘The seemed poe he aon be pe eet pode er pra ~ dpb a fp - oa ypea ng freee ape dpeeaerdprhns | 13 ry 15 pee Wh {poe 8 4p ‘nevis eee endothe rome meeShuffling the Sixteenths Pare 4 ara marin | = 98-192 ‘asker and oy tan: Dp 7d77fl 4 pa S Hee aoe 1 POR pgp. aayps ay jun ake ep Ee Ap Sy 13 1” 15 pe anypan, Sypannny Wen ou re combi ih his uri move our stronger han roi rin ‘on epayta ate onan oe ore‘THE FOUR-STROKE RUFF wa Toe fork Ralf peda ig eu ki Ts ‘Emperors arto fe our ks Hat You nl ave sgt [evan plying th aps bef cutiang own Poe lt 26 ie tes i lhe with Ge npn Ines A simply place th ks played he ef hand with she ight foto ‘eas am Bole he ean woe th bd a foto ete ng ohne eri vee te icing acne oleh bd an fot Pere D evens th nd gi ith eh ra “Topay ior cont your hand and ot acta ayn one motion and tea wo Stokes Tho» dae fing ek of ear el eat me ‘ton an cheyting il ae ple. When you peace wy, sor opt es, [Rsoupecl up tienes twolmaom to cate ura Ale ply the wos age wit herve cing Paying ith your nega ed wi beens ee alr bo pn wh be wear hand Ate bse ofthe Poge Sic wen iy Uses ssp Er wc ree Yur rei. SaengsRepeThe Four-Stroke Ruff Examples: 1 2 3 4 bp Sy oy a, 4 FLRL LALR OO RRLL Exercises: c D Pitt ae ett A AFR FRR RFF FFRR. Th apy te Foro Ru to yore Fight Hand - one motion = two strokes Right Foot - one motion = two strokes Application: she groove with Fourstroke Rut efnaf os,GROOVE FACILITY ‘This exeist was sed improve gore vos paying neces ite nds wc hag empl fondo wi bs un ss penton fale ‘ns end Como! Shen Str wih Ere wiv al te sakes we Lom Seas xc (crn, we a Half Sot: The song Rand pysdeeml an he Moter (esr api rhe sce onthe sare Thi wil anit of ulti Coal Se cil athyou scot nw twin be cy Ese 2, te ist ith ot) ne obo linc the dd make ae ee eel oot sh enn thea Rese ovement lenses ested soon Be hy ‘Se ofthe neo sn Issued et thas in be pie ese lane Secs ck cee god Sued alae an or sor pia “he fatowing cece (¢ 8) mon te bas dum ound nd rch our nde ‘apis ene eal fa he oud oe ba ra wih my the oer ‘Ses Ifyou hee teal ih ths, po ek othe Const eee be mare work ‘iy te nee o rm int Alva romain te Pal Ott Can Soe ood ‘iis et iy ving br od ent, ‘Ty aldng ou own componet © cat wig ores wt yout on etn! ‘More tems en ni pats ln ven ever Pare we of Spl cd el Cat is Pr Th ody Ba erGroove FacilityCONCLUSION yma ave wad onl theese nth bok peed conga! You tava pn oui st doing youve ene fit sp no 2 ‘eof peer wr expen The ae para pe Ie rnatcn, Se glo wach eaoe yor iar beep ice yar See ether ke eames gig wn aly yu ring oar onl go mags ro ue. Brenig cme fenton ite igs cto Yur ‘ae suede nsomnin nh ak Gm may at per and ashe oe cy ea bean wing tr mri in emi 9D Sasol ad a Mopaarman Anjorinpere jeune. So inpene eters ‘nore theft cone his bok youn make commitment mpc Ths mint wnt hte tc, Prt ol oe fe fc hve flexing an no hat fn here ym mas, ol anand ‘rors and dover Whe rater Setar whch ea ‘hw an as inte elbtesThererds we wang yet There rman hngso ep in mad you contin oui Lenn ‘eye of oa fine od bs els eng td ange et ay. ‘asad ts, tng ingest ud comic mal of uJ ie ‘wing trent Resp smh he many frst be od Ba Play ih cher msc sh ky tearing a ely wht yuh sted ae fT wa wl ay oe ie ere frou cin nd arti ste Sore ice ‘This bookisoeued on bet our nent free yori iy a rai dam Ths ist sep wl ed yout ghee feat degre | ‘ato Bp yo pe ors ofr in ylang Now ek af Sy ‘Ci mnt you've ep Younes eC hi i ov Satine aeACKNOWLEDGMENTS. iy dee aks: Jim Chapin or boing me eB Teg gradu abighr unestaning of Ae oe ving mee oa in rang ht sone mea cenine 2 teil cn my ead fr ug ela Rane Beni Fr teaching meth ove nd eg fr ering a sig ‘ode Chri Perey ors eg wef he a of as ‘ay Dare er hing fe ening sn fy making elise al Nek io het crt tes bccn Jue Begumin-Fo were poten, nes es a ong eer) ule A pe por ac cole ‘Stove aay Fork pxivenpitn wend coins hep nal in bookcamealv ‘Mike Cine - For iighl ies sggions know, nd eng of is mia. Fre Sparo Fx bus ents, help wi sexs pio wins Pu “Cappman® Ctl rine pce Mat Sabian ot operant el te lobe tar and on an fr von ‘feng tebe th remain eo Ve Prt an hi dete tom or lity of enenting scan i ion ak “crashing shes sanded of ecelonce. Premier, Rem, HQ, Peesion and LP Mase Group ext costa pen. ‘agp fey ReneS ey Cam Dmne Hane The Blas Foy Tay ant ‘None alm ped core sare Avery petal thanks tomy wie and my bo for tr unconional eve, sie Dare ape rg yy. ‘Rar nage tae ng cine ye ny nicABOUT THE AUTHORS t's tar fo Artic Enel ne f998Ameroa Soca of fan Art in any neti ens ees ne Sn Sotto hg no Ye sy ref Ane oe a le cn er fron ples Vt i wet: ormteelehcmtIT’S YOUR MOVE Motions and Emotions By Dom Famularo Se toe tad ee ee rd “I began writing this book years ago while teaching. There were many common issues and challenges facing PA Ce eT el er) exercises work to give the drummer a full palette of skills and tools for contemporary drumset playing.” —Dom Famularo “Writing with insight and clarity . . . they touch on many important concepts ee Cee a Ree CUR Cn es Leg Be ee Ree ee el all use and re-use. For me the ‘re-use’ part is very important and is the real worth of the books I enjoy the most.” —David Garibaldi Ge eee eae oem Ce ae ac Cee eeu er eo ee ee ee RO) very long time.” wes) 0 79'02296" Reuse! Re eke are $19.9 0568: