Free Preview Color Mixing Master Guide
Free Preview Color Mixing Master Guide
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Green Color Mixing Guide - How To Make The Color Green
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Page 1
Preface
Copyrighted Material
Table Of Contents
Page 2
Preface
However, getting to that place of knowing how to mix certain colors can be
hard. Many painters scratch their heads when it comes to mixing color, and
that is where this book comes in.
When painting you will always encounter new colors that need to be mixed
for a painting. Therefore, a book of color mixing recipes is not suf cient as no
book is big enough to hold every possible color mixture. That is why the aim
of this book is to teach you how color works and how you can arrive at
certain colors and mix up any color you need.
You will rst nd an overview of color theory and the color wheel which will
help you understand how color works. Then the book will dive into color charts
for all of the major colors. You will also nd cheat sheet color mixing charts at
the very end of the book.
Page 3
Color Wheel for Artists Complete Introduction and Guide
The rst color wheel was created by Sir Isaac Newton in 1666 as he was
studying prisms and it has been a useful tool for artists down through the
ages. Many recognize one when they see it; however few really know the
intricacies of a color wheel. By de nition, it is "a circle that illustrates the
relationships between primary colors, secondary colors and tertiary colors."
Once you understand the principles behind what the color wheel
represents, it will serve as a great visual reminder.
Page 4
Color Wheel for Artists Complete Introduction and Guide
The artist color wheel above shows 12 colors. Starting from the top going
clockwise the colors are: red, red-orange, orange, yellow-orange, yellow,
yellow-green, green-yellow, green, green-blue, blue, blue-purple, purple, and
pink.
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Color Wheel for Artists Complete Introduction and Guide
However, for a painter to mix all the colors they need from just primary colors
would be quite dif cult – because no tube of paint exists that is a pure form
of blue, red and yellow. All colors contain some traces of other colors as well.
Now, if you mix any two primary colors together you get… secondary colors!
For example, if I mix together the primary colors yellow and red I get orange.
And when mixing primary colors blue + yellow I get green. Last but not least,
when mixing primary colors blue and red I get purple!
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Color Wheel for Artists Complete Introduction and Guide
When looking at the complementary color wheel above you will see that the
secondary color purple is the complementary color of yellow, and yellow is
the complementary color of purple. Orange is the complementary color of
blue and vice versa. And lastly, green is the complementary color of red, and
red is the complementary color of green.
You will notice that all complementary colors are opposite each other on the
complementary color wheel! So, when looking at a color wheel you can
always know that complementary colors are opposite one another.
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Color Wheel for Artists Complete Introduction and Guide
Page 8
Color Wheel for Artists Complete Introduction and Guide
Page 9
Color Wheel for Artists Complete Introduction and Guide
If you are working from life on a painting you will probably not use primary
colors or secondary colors in your piece because they are very bright. Rather,
it is more likely that you would use some softer colors like tertiary/
intermediate colors. Colors are much more natural when they are mixed.
The rule of complements ALSO applies to tertiary colors. Though the effect
tends not to be as dramatic as a primary color mixed with a secondary color.
Notice that the complementary color of each tertiary color is also opposite
from it on the color wheel.
Page 10
Color Wheel for Artists Complete Introduction and Guide
Analogous colors are often found in nature and are known to create
harmonious designs that are pleasing to the eye. Below is a close up view of
the analogous colors highlighted in the color wheel.
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Color Wheel for Artists Complete Introduction and Guide
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Color Wheel for Artists Complete Introduction and Guide
Page 13
Color Wheel for Artists Complete Introduction and Guide
Page 14
Color Wheel for Artists Complete Introduction and Guide
For example, our eyes immediately go to the bright orange trim on the
astronomer’s robe rst because it is set off by being next to its
complementary color blue. Vermeer meant for the gure to be the point of
focus – which works thanks to the complementary colors.
Having these two complementary colors makes the painting more dynamic
by creating an intense color interaction. Our eye rst goes to the area where
the two complementary colors meet – the dancers. Again, you see here how
the artist used complementary colors to guide the eye.
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Color Wheel for Artists Complete Introduction and Guide
In a complementary color scheme painting one will never have a piece that
is made up of only 2 complementary colors . Rather, there will be a range –
and most likely some other colors mixed in as well.
In the Cezanne still life we can see that the red apples really stand out
against the green foreground and background! This is a great example of
how complementary colors can draw your attention to certain areas of a
painting.
All of the concepts presented here are the same whether you work in
watercolor, acrylic, oil paints, gouache or any other medium! The rules of
color mixing are universal so you can apply it to anything you do. So, go and
explore the world of color and have fun color mixing. 🙂
Page 16
Color Wheel for Artists Complete Introduction and Guide
There are many different shades of blues – light blues, dark blues, warm
blues, muted blues… the list goes on! Here you will learn exactly how to mix
and achieve different shades of blue.
Page 17
Color Wheel for Artists Complete Introduction and Guide
You will see here that I used ultramarine blue in the rst two color mixtures
and cobalt blue in the last two color mixtures. To make blue lighter I simply
mixed blue with white. The result is a bright saturated color.
Ultramarine blue and cobalt blue are very bright saturated colors when
mixed with white. Therefore, I show a muted blue by mixing a little bit of
orange with blue. When mixing orange with a lighter blue you get a light
blue that is slightly muted as seen in the second and fourth lines.
When the blue is lightened with white you can more readily notice how
ultramarine blue is warmer (leans toward purple) while cobalt blue is cooler
(leans slightly more towards green). You can observe the difference between
both blue colors in all of the color charts below.
Page 18
How to Mix Shades of Blue Colors
Dioxazine Purple
As seen in the rst line dioxazine purple and ultramarine blue make an
excellent dark color. Not only does dioxazine purple make ultramarine blue
darker but it also adds a little purple shade to it.
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Thank you for reading the preview of the
Color Mixing Master Guide!
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