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Tamron Katalog 02-2020 EN

This document is a lens catalogue from Tamron that highlights some of their E-Mount lenses for mirrorless full frame cameras. It introduces their 28-200mm F/2.8-5.6 travel zoom lens, which is the first of its kind with a maximum aperture of F/2.8. This lens offers a large zoom range for different types of shots while maintaining excellent image quality. It allows close-up photos with blurred backgrounds due to the wide F/2.8 aperture at the 28mm focal length. Despite its powerful performance, the 28-200mm lens remains compact and lightweight, making it ideal for travel photography.

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Enrique Richard
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0% found this document useful (0 votes)
210 views15 pages

Tamron Katalog 02-2020 EN

This document is a lens catalogue from Tamron that highlights some of their E-Mount lenses for mirrorless full frame cameras. It introduces their 28-200mm F/2.8-5.6 travel zoom lens, which is the first of its kind with a maximum aperture of F/2.8. This lens offers a large zoom range for different types of shots while maintaining excellent image quality. It allows close-up photos with blurred backgrounds due to the wide F/2.8 aperture at the 28mm focal length. Despite its powerful performance, the 28-200mm lens remains compact and lightweight, making it ideal for travel photography.

Uploaded by

Enrique Richard
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 15

LENS CATALOGUE

CONTENTS

4 E-Mount
Lenses for mirrorless
full format cameras

10 Superior performance
Power SP Trinity and SP
Fixed focal lengths

14 Travel
Handy and powerful
lenses for on the go

16 Nature and Sports


Macro and telephoto zoom

18 Product range
Further lenses

19 Warranty and service


Your contact with Tamron

20 Technology
Research and innovation

24 Lens overview
All lenses at a glance

Uncover your
creativity
For nearly 70 years, Tamron lenses
have been the - "creative eyes" of passionate
photographers in the whole world. Our
advanced optical technology guarantees
-shots full of details and assists you in
recording the important moments in life in
impressive images for eternity.

2 3
E-MOUNT E-MOUNT

28-200mm F/2.8-5.6 Advantages of travel


zoom lenses
The fast travel zoom for ➊ Wide range
­ ith a focal length from wide-
W

unforgettable images angle to the telephoto, travel


zoom lenses are suitable for
panoramic pictures as well as for
detailed close-ups of people.
The 28-200mm F/2.8-5.6 Di III RXD is the first travel zoom with a power of F/2.8*. It is the ➋ Lightweight and compact
ideal choice for everyone who wants a powerful and lightweight lens for a wide variety of Modern technologies and high-
quality materials ensure compact
motifs for everyday life and holiday. dimensions and low weight, so
you always like to take your travel
zoom with you.

Whether landscape panoramas, portraits


or telephoto shots full of details - with
the large zoom range of the new 28-
200mm F/2.8-5.6 Di III RXD, every motif
can be captured in excellent image
quality. Special lenses and the high
power of F/2.8-5.6 ensure sharp and
brilliant photos even with little light.
The professional photographer
Philip Ruopp is impressed with the
performance of the new travel zoom. "At
28 mm I can get up to 0.19 m close to
the motif. In combination with the wide
aperture F/2.8 and the seven rounded
aperture blades, beautiful close-ups with
a really charming background blur are
possible."
"With an aperture of
F/2.8 at a focal length
28-200mm at 28 mm · F/3.5 at 1/60 sec. · ISO 1600
of 28 mm, images are
created with impressive
depth effect."
Philip Ruopp,
28-200mm at 28 mm · F/10 at 1/5 sec. · ISO 100
Outdoor and sports photographer,
Laichingen

28-200mm F/2.8-5.6 Di III RXD


Several special lenses minimise chromatic
aberrations and ensure an evenly high
imaging performance in the wide angle
and the telephoto range. Despite the large
zoom range and the sophisticated optical
design, the lens has a length of only 117
mm and weighs just 575 g.
Di III RXD MR XLD LD IF FLR
FOR FULL FORMAT SONY DSLM Model A071
28-200mm at 53 mm · F/4.5 at 1/500 sec. · ISO 100 28-200mm at 28 mm · F/2.8 at 1/2500 sec. · ISO 100 28-200mm at 28 mm · F/4 at 1/500 sec. · ISO 100

* Greatest power with currently available travel zoom interchangeable lenses


4 with at least 7x magnification (status: May 2020, source: Tamron) 5
E-MOUNT E-MOUNT

E-Mount fixed focal lengths "With the 24 mm wide-


angle lens, I can take
Compact trio for images at the pictures close-up –
ingenious macros with
highest level a 1:2 magnification are
successful."
20mm, 24mm and 35mm – three handy wide-angle lenses with uniform ­dimensions and a
Klaus Wohlmann,
large image scale. These fixed focal lengths were designed for photographers who want to travel and street photographer,
give their creativity new expression. Enger

24mm F/2.8 Di III OSD M1:2


Handy super wide-angle lens for thrilling
coverage and landscape shots. The
low focusing distance (0.12 m) enables
exciting close-ups with a magnification
of 1:2. As with all E-Mount lenses from
Tamron, the filter diameter is 67 mm.
Di III OSD MR FLR LD
FOR FULL FORMAT SONY DSLM Model F051

24 mm · F/8 at 1/250 sec. · ISO 640

35mm F/2.8 Di III OSD M1:2


With a length of 64 mm and a diameter
of 73 mm, this wide-angle lens has the
same dimensions as the other fixed
focal lengths of the E-Mount series. The
power of F/2.8 and the fast, quiet OSD
autofocus form part of the common
grounds of these lenses.
20 mm · F/16 at 1.6 sec. · ISO 50
Di III OSD MR FLR LD
FOR FULL FORMAT SONY DSLM Model F053

20mm F/2.8 Di III OSD M1:2


The large image angle of this ultra wide
angle lens is optimal for fascinating
image compositions and extensive
panoramas. With the short focusing
distance of only 0.11 m, you can take
pictures with a strong perspective and
dramatic depth.
Di III OSD MR FLR LD
20 mm · F/13 at 25 sec. · ISO 50 35 mm · F/2.8 at 1/60 sec. · ISO 400 35 mm · F/2.8 at 1/60 sec. · ISO 800
FOR FULL FORMAT SONY DSLM Model F050

6 7
E-Mount E-Mount

E-Mount lenses
Fast all-rounders for the
mirrorless full format
17-28mm, ­28-75mm and 70-180mm – this trio sets new standards for
fast zoom lenses. With a continuous open aperture of F/2.8 and compact
dimensions, they are ideal for a variety of different motifs.
70-180mm at 180 mm · F/2.8 at 1/400 sec. · ISO 800

The introduction of the E-Mount lenses


has brought a new era in Tamron's
history. The three zoom lenses – the
17-28mm F/2.8 Di III RXD, the 28-75mm
F/2.8 Di III RXD and the new 70-180mm
F/2.8 Di III VXD – stand for high optical
quality and technological innovation.
The outdoor and sports photographer 70-180mm at 70 mm · F/2.8 at 1/125 sec. · ISO 400

Phillip Ruopp appreciates the continuous


power of F/2.8 and the exceptionally high
resolution of the lenses. Optical special
glasses ensure an excellent image at
every focal length. "Sharpness and
details are phenomenal," says Ruopp.
"The autofocus is lightning fast and to the
point, even in dynamic scenes." Practical:
The three zoom lenses are not only
surprisingly light, but also very handy
with a uniform filter size of 67 mm.
70-180mm F/2.8 Di III VXD
17-28mm at 17 mm · F/4 at 1/2500 sec. · ISO 200
The pleasantly compact and light
telephoto zoom with high power is
equipped with the innovative VXD
autofocus and is fully compatible with
the fast hybrid AF and the eye AF of the
camera. As with the other lenses of the
E-Mount series, filters with a diameter
of 67 mm can be screwed on.
Di III VXD MR IF FLR ZL
FOR FULL FORMAT SONY DSLM Model A056
70-180mm at 180 mm · F/2.8 at 1/125 sec. · ISO 200

Advantages of the E-mount trinity


➊ Professional ➋ Lightweight and ➌ Fast and quiet
power compact autofocus
17-28mm F/2.8 Di III RXD 28-75mm F/2.8 Di III RXD The continuous Tamron's E-Mount RXD and VXD
aperture of F/2.8 zoom lenses are very autofocus were
Fast wide-angle zoom lens for Powerful standard zoom lens with offers maximum compact and light. developed especially
particularly dynamic perspectives. With F/2.8 power for shots with attractive design freedom and In conjunction with for compact system
a length of 99 mm and a weight of just background blur (bokeh). Perfect for a ensures a beautiful a mirrorless system cameras. They focus
420 g, it is exceptionally compact and wide range of motifs, from landscape to bokeh. The main camera, they are quickly, precisely and
lightweight for its class. LD and XLD architecture to portraits. With a length motif can be staged perfectly balanced silently on the motif -
lenses guarantee a brilliant imaging of 117.8 mm and a weight of 550 g in razor-sharp against and together ideal not only for
performance. particularly light and compact. a soft background. only weigh 1,780 photos, but also for
Di III RXD MR XLD LD IF FLR Di III RXD MR XLD LD IF FLR grammes. high-quality video
FOR FULL FORMAT SONY DSLM Model A046 FOR FULL FORMAT SONY DSLM Model A036 recordings.
28-75mm at 35 mm · F/4.5 at 1/1600 sec. · ISO 100

8 9
SUPERIOR PERFORMANCE SUPERIOR PERFORMANCE

G2 Trinity
Highest image quality and
performance for professional demands
The Tamron Trio SP 15-30mm F/2.8, SP 24-70mm F/2.8 and SP 70-200mm F/2.8
leaves nothing to be desired with respect to photography. Not without reason, the powerful
G2-Trinity is part of the standard equipment of demanding professional photographers.
SP 24-70mm at 70 mm · F/5.0 at 1/250 sec. · ISO 250

SP 15-30mm at 30 mm · F/4 at 15 sec. · ISO 100

he cites another reason why many


professionals choose Tamron's G2-Trinity
SP 15-30mm G2, SP 24-70mm G2 and
SP 70-200mm G2 with F/2.8 aperture:
the sturdy design and durability of the
lenses. "Regardless whether storm,
rain or snow - I cannot take into
account my high-quality equipment
when photographing if I need to move
fast", explains the experienced storm
chaser and weather photographer.
"Tamron meets all my requirements
for a tough lens with the SP series."
SP 24-70mm at 65 mm · F/2.8 at 1/100 sec. · ISO 250 SP 15-30mm at 20 mm · F/14 at 1/250 sec. · ISO 100

SP 15-30mm at 26 mm · F/14 at 3 sec. · ISO 100

SP 15-30mm F/2.8 SP 24-70mm F/2.8 SP 70-200mm F/2.8


"With the fast zooms of the SP When it comes to photographic Di VC USD G2 Di VC USD G2 Di VC USD G2
series, I can capture landscapes equipment, professional photographers
like Bastian Werner do not compromise.
Professional wide-angle zoom lens with Fast standard zoom lens of the latest Compact, fast telephoto zoom for
VC image stabilisation for razor-sharp generation, which was specially developed professional use with excellent optical
and weather phenomena exactly They need lenses that are to class both and detailed images. Special XGM and for the high demands of professional performance, powerful VC image

as I have seen and experienced visually and mechanically. "Highest


image quality and maximum sharpness
LD elements correct optical distortion
and chromatic aberrations. The new
photographers. The advanced optical
design with 2 XR, 3 LD and 3 GM
stabiliser (5 EV steps*) and ultra-fast,
precise USD autofocus. The short
them with my own eyes." are a must in any case. But I do not
AX coating eliminates annoying light
reflections in backlit shots.
elements guarantees exceptionally high
reproduction performance.
adjustment distance of 0.95 m allows
detailed close-ups.
want to miss the fast ultrasound
Bastian Werner, Di SP VC USD eBAND FLR MR LD Di SP VC USD eBAND MR FLR LD ZL Di SP VC USD eBAND MR FLR LD ZL
autofocus and a solid image stabilisation
Weather and landscape photographer, DMPU CANON DSLR NIKON DSLR Model A041 IF DMPU CANON DSLR NIKON DSLR Model A032 IF DMPU CANON DSLR NIKON DSLR Model A025
in everyday life", says Werner. And
Mühltal

10 * Coating when using the VC mode 3 according to CIPA standard. 11


SUPERIOR PERFORMANCE SUPERIOR PERFORMANCE

The Hamburg advertising photographer


Thomas Kettner regularly uses the zoom Advantages of the SP Trinity
lenses and fixed focal lengths of the
SP series in his commissioned work ➊ High power and ➋ Sturdy construction ➌ Powerful dual
professional image quality SP lenses are designed processor The integrated
for clients from various industries. "The
High-quality special for everyday use. The dual MPU ensures
resolution and the optical correction of optical glasses guarantee sturdy metal housing a fast and precise
the lenses are outstanding", he says. As excellent reproduction is sealed elaborately ultrasonic autofocus
his photographs are also used as large- performance. The constant and the front lens with as well as an exact
scale campaign motifs, Kettner pays aperture of F/2.8 offers the an easy-to-clean fluorine image stabilisation.
photographer maximum coating is protected from The photographer can SP 35mm F/1.8 Di VC USD
special attention to the focus. "If the
freedom of design. contamination. rely on his lens in any The compact 35mm wide-angle lens
sharpness is not perfect, you can see it situation. is the ideal choice for a natural and
immediately when enlarging" he says. authentic visual language. The high
"Luckily I can rely on the USD autofocus power allows you to take pictures from
in every way. The reject is much lower your free hand even in low light, the
than with conventional lenses." large aperture also allows the main
motif to be attractively cut out.
Di SP VC USD eBAND MR LD XLD
CANON DSLR NIKON DSLR SONY DSLR Model F012

SP 35mm at 35mm · F/1.4 at 1/800 sec. · ISO 200

"Tamron SP lenses
SP fixed focal lengths SP 45mm F/1.8 Di VC USD

Maximum image quality, no


Standard fixed focal length with high
combine reliably high resolution performance for maximum
sharpness and detail. It features a short
image quality with
impressive equipment. compromise near distance, large F/1.8 aperture and a
VC image stabiliser – a combination that
enables outstanding image quality in
The price/performance Fast fixed focal lengths guarantee maximum image quality any situation.
Di SP VC USD eBAND MR LD
ratio is simply and comfort. Professional photographers appreciate the CANON DSLR NIKON DSLR SONY DSLR Model F013

unbeatable." unrivalled high sharpness, the perfect reproduction and the


handy dimensions of these lenses.
Thomas Kettner,
Advertising and fashion photographer,
Hamburg

SP 70-200mm at 131 mm · F/2.8 at 1/200 sec. · ISO 100

SP 35mm F/1.4 Di USD


SP 85mm F/1.8 Di VC USD
Developed to celebrate the 40th
anniversary of the SP series, this very This lightweight telephoto fixed focal
fast wide-angle lens offers an ultimate length is ideal for professional portrait
optical performance. The 14 lenses, and beauty shots. The high power
including 4 LD and 3 GM elements, are enables a harmonic sharpness-blur
coated with the new BBAR-G2 coating, balance. The main motif is displayed in
which ensures high brilliance even in detail and sharp, while the background
backlit scenes. is resolved in soft blur (bokeh).
Di SP USD LD FLR Di SP VC USD eBAND MR FLR LD XLD
CANON DSLR NIKON DSLR Model F045 IF CANON DSLR NIKON DSLR SONY DSLR Model F016
SP 70-200mm at 200 mm · F/2.8 at 1/80 sec. · ISO 400 SP 70-200mm at 200 mm · F/2.8 at 1/80 sec. · ISO 400

12 13
TRAVEL TRAVEL

17-35mm and 35-150mm 18-400mm F/3.5-6.3


Modern zoom lenses for passionate The compact travel zoom lens
photographers for those who like to be on the go
The sophisticated balance between high power and compact design - these two zoom lenses Many focal lengths, one lens. With the surprisingly handy 22.2x Ultra telephoto Megazoom
with aperture F/2.8-4 are the ideal companion for mobile photographers who do not want to you discover new perspectives and record unforgettable moments exactly as you would like to
give up high image quality. remember them.

The best lens is the one that you covers the wide-angle range and is Does a single lens exist that meets
take along just in case. And with the ideal for architectural and landscape virtually all wishes? The answer is:
compact zoom duo, there is no excuse shots with beautiful depth," says Martin yes, the travel zoom 18‑400mm from
any more. Together, 17-35mm and Krolop, professional photographer from Tamron. As its name already implies,
35-150mm only weigh around 1.25 kg, Cologne. "And the directly adjacent 35- it is perfect for holidays and leisure,
making them the optimal choice for 150mm goes into the classic telephoto because it includes a whole series
all photographers who do not want to range and is therefore particularly of lenses! From wide-angle to super
forego high image quality and design suitable for portrait shots with telephoto, all types of motifs can be
options, even on summer holidays, attractive background blur." With the photographed. "Whether extensive
family outings or hikes. The high power large aperture, the background can be panoramas or expressive portraits
of F/2.8 to F/4 allows creative play with resolved in soft blur - ideal for images with beautiful background blur - the
sharpness and blur. "The 17-35mm with a professional touch. 18-400mm for DSLR cameras with
17-35mm F/2.8-4 APS-C sensor is a good choice for
Di OSD any purpose" says the Cologne
photographer duo Sallyhateswing,
Compact and lightweight wide-angle who prefers to have light luggage on
zoom lens, which is convincing for
coverage and landscape photos. The
holidays. "Among others, the travel
combination of short focal length zooms from Tamron have already
and short close range of only 0.28m taken us to Rome and Lisbon – and
allows expressive close-ups. The BBAR thanks to them, we have seen the
coating ensures brilliant images even in cities in a new light. The long range
backlight conditions.
is perfect for capturing architectural
Di OSD FLR MR LD
and scenic details or to condense the
CANON DSLR NIKON DSLR Model A037
image detail."

17-35mm at 17 mm · F/8 at 2 sec. · ISO 100

Advantages of the compact zoom duo


➊ Compact construction ➋ High power ➌ VC image stabiliser 35-150mm F/2.8-4
Lightweight materials With a maximum and OSD autofocus
and a modern aperture of F/2.8 in the The VC image stabiliser Di VC OSD 18-400mm at 23 mm · F/9 at 1/500 sec. · ISO 800

construction make these wide-angle and F/4 provides sharper images Handy telephoto zoom with an
high quality lenses in the telephoto, the by preventing unsightly astonishingly large range. With its wide
particularly handy. compact zoom lenses shaking in low light. The open aperture, it offers the optimal
18-400mm F/3.5-6.3 Di II VC HLD
Together, the 17-35mm are exceptionally fast. OSD autofocus focuses balance between perfect sharpness and The 22.2-times Ultra-Telephoto megazoom is a versatile travel companion. Despite its
and the 35-150mm Ideal conditions for on the motif quickly, brilliant bokeh. The powerful dual MPU compact size and low weight, it offers an enormous range up to 600 mm (equivalent
only weigh about 1,250 professional shots with precisely and silently. It ensures fast autofocus and accurate to the 35mm format). Even far-away subjects can be zoomed in thereby. HLD autofocus
grams. Light enough beautiful background is thereby also suitable image stabilization. and VC stabilisation ensure successful, sharp shots even in low light.
to carry along on long blur (bokeh effect). for video recordings.
outdoor tours. Di VC OSD FLR MR LD Di II VC HLD MR IF ZL LD
CANON DSLR NIKON DSLR Model A043 CANON DSLR NIKON DSLR Model B028

14 15
NATURE & SPORT NATURE & SPORT

SP 90mm F/2.8 Macro Telephoto zooms


Finest details really big Close to the
action
Long telephoto focal lengths
also always mean a long range.
With Tamron's telephoto zooms,
even distant details can be
photographed at close range.

Fast, faster, fastest - the more speed


in the game, the closer lifestyle and
action photographer Oliver Güth wants
to be in on the action. But he cannot
always stand next to the athletes
to capture their performance in the
image. The solution is telephoto zoom
lenses, with which the event can be
magnified. Tamron has several models
on offer: While the lightweight 70- 100-400mm at 240 mm · F/6.3 at 1/5000 sec. · ISO 500
210mm is particularly suitable for nature

Runner
photography, the compact 100-400mm
and the larger SP 150‑600mm G2 are
also ideal for sports photography. "All

lateral
achieve high optical performance", says
Güth. "And if I even want to get closer
with them, I can extend the focal length
with one of the two teleconverters from
Tamron by 1.4 or 2.0 times."

70-210mm at 210 mm 100-400mm at 400 mm 150-600mm at 600 mm


F/4.5 at 1/400 sec. · ISO 1600 F/6.3 at 1/5000 sec. · ISO 640 F/7.1 at 1/2500 sec. · ISO 400

"The long focal lengths


SP 90mm F/2.8 Di VC USD of telephoto zooms 70-210mm F/4 100-400mm F/4-6.3 SP 150-600mm F/5-6.3
Di VC USD Di VC USD Di VC USD G2
With this medium telephoto lens you
can zoom up to 0.3 m close to your are ideal for sports A compact telephoto zoom with a Handy super telephoto zoom lens with Powerful ultra telephoto zoom lens,
motif. The result are macro shots with
fascinating details in magnification
photography - thrilling continuous power of F/4. Despite its a long range, which can additionally be designed specifically for ambitious wildlife
complex optical design with 20 lenses extended with a Tamron teleconverter . and sports photography. Three VC image
1:1. Special lenses (14 elements in 11
groups) produce a very high resolution
action shots and in 14 groups, this lens weighs only 850 The dual MPU ensures a very precise stabilisation modes, three LD elements
as well as eBAND and BBAR coating
for captivating sharp shots with professional portraits g. It is exactly right for those who like
to go on extensive outdoor tours to
focus even with continuous autofocus
(AF-C) with simultaneous image ensure high image quality. In addition, the
extremely fine details.
Di SP VC USD eBAND MR FLR LD XLD
succeed this way." experience nature and wildlife up close
and take photos.
stabilisation. The tripod clamp is
available as an optional accessory.
exclusive Flex Zoom Lock allows the fast
fixation of the zoom in any position.
IF CANON DSLR NIKON DSLR SONY DSLR Model F017 Di SP VC USD eBAND MR FLR LD
Oliver Güth, Di VC USD MR FLR LD IF DMPU Di VC USD eBAND MR FLR LD
ZL IF DMPU
Sports and lifestyle photographer, CANON DSLR NIKON DSLR Model A034 ZL IF DMPU
CANON DSLR NIKON DSLR SONY DSLR Model A022
Cologne CANON DSLR NIKON DSLR Model A035

90 mm · F/8 at 0.5 sec. · ISO 320

16 17
Sortiment Service

Warranty and service


Our customer service will be happy to help you with questions about your lens
or with technical problems.

 5 year warranty  Repairs  Customer service

The quality of Tamron lenses is The quality of Tamron products is Do you have questions about our
guaranteed. In addition, Tamron offers carefully checked before leaving the products and offers or do you need
its customers the option of a free factory. However, should your lens help with operating a lens? Our friendly
warranty extension of five years. In ever malfunction of become defective, customer service will be happy to help.
order to be able to claim this in the please contact our customer service.
Tamron Europe GmbH,
event of a defect, register your lens
If there is a warranty claim, Tamron customer service Robert-Bosch-
within two months after the purchase
will repair the lens free of charge or Straße 9, 50769 Cologne
online under 5years.tamron.eu.
replace it for free with a replacement
Telephone: +49 (0) 221 669 544-135
Further information under: device of the same series/a
Email: service@tamron.de
www.tamron.eu/de/service/ comparable successor model.
5-year-warranty Service hours:
If a warranty claim does not exist, we
Mo to Th, 8:30 am – 4:30 pm
will inform you about repair options
Fr, 8:30 am – 3:00 pm
and will be happy to make you an
EN
REGISTER REGISTER appropriate offer for the quickest For more information to our
NOW FOR FREE NOW FOR FREE
16-300mm at 16 mm · F/9 at 1/160 sec. · ISO 400 5 YEAR 5 YEAR
possible repair of your lens. customer service and answer to
WARRANTY WARRANTY frequently asked questions please
5years.tamron.eu 5years.tamron.eu
visit: www.tamron.eu/de/service

Further zoom lenses


Discover the whole Tamron world! Our current portfolio includes lenses for the most diverse
purposes. Whether travel or coverage, portrait or landscape - with zoom lenses from Tamron
you unleash your creativity. About Tamron Historic milestones
 1957 The 135mm F/4.5
is Tamron's first camera
lens for mirror reflection
Since its founding in 1950, Tamron For nearly seventy years now, Tamron's
cameras
Co., Ltd. has been developing primary goal has been to grow
 1961 The industrially
high-precision optical products for
collaboratively to deliver the highest manufactured 95-205mm
various applications. Today, we are F/6.3 is the first affordable
level of customer satisfaction, to
among the world's leading companies SLR telephoto lens
in the optical industry. In addition ensure the well-being of our customers,
 1966 "Tamron Adapt-
to photo lenses, we manufacture employees and shareholders. We will A-Matic" interchangeable
among others optical systems for use continue on this path in the future. lenses with autofocus
function
10-24mm F/3.5-4.5 18-200mm F/3.5-6.3 16-300mm F/3.5-6.3 in industry, transport and security.
The subsidiary of Tamron Europe GmbH  1979 The "Super
Di II VC HLD Di II VC Di II VC PZD MACRO Tamron employs approximately 5,000
in Cologne was founded in 1982. Today, Performance" (SP) series
Ultra wide-angle zoom lens for APS-C Classic high-power zoom lens that This 18.8x megazoom for DSLR people worldwide. In addition to the celebrates its début
cameras with image stabilisation and brings all the benefits of a perfect cameras with APS-C sensor expands around seventy people work here.
headquarters in Saitama north of  2015 "Human Touch"
fast HLD autofocus. Ideal for creative travel lens for beginners: It is not only the photographic possibilities with
nature and architecture photography. compact, light and sturdy, but also modern optical technology. It covers the Tokyo, there are branches in the USA, The company name Tamron goes redesign of the SP series
An aspherical lens and LD elements has a large telephoto range, allowing huge focal length range from 16 mm Germany, France, Russia, China and  2017 The 18-400mm F/3.5-
back to Mr. Uhyoue Tamura, a widely
provide exceptional resolution over the you to zoom in on distant subjects or to 300 mm, which corresponds to the India. Tamron lenses and components 6.3 is the world's first 22.2x
entire zoom range. fascinating details. equivalent of a 465mm ultra telephoto. acclaimed optical engineer who has laid ultra telephoto megazoom
are manufactured in two factories in
Di II VC HLD MR XLD LD ASL IF DMPU Di II VC ASL LD IF ZL Di II VC PZD MR LD ASL XR the foundation for Tamron's success SLR lens
northern Japan and two production
CANON DSLR NIKON DSLR Model B023 CANON DSLR NIKON DSLR SONY DSLR Model B018 UXR IF ZL
sites in China and Vietnam. with his technological developments.  2018 Start of the new
CANON DSLR NIKON DSLR SONY DSLR Model B016
lens generation for Sony
E-Mount

More lenses can be found under: www.tamron.de

18 19
Technology Technology

Our technologies
LD and XLD lens elements Hybrid aspherical elements
Since the founding of Tamron in 1950, we have come a long way. From an ambitious
LD XLD LD (Low Dispersion) and XLD (eXtra Low Dispersion) ASL The abbreviation "ASL" (ASpherical Lens) indicates hybrid
start-up to one of the world's leading companies in the optical industry. The unique elements are manufactured of special glass materials that have low aspherical lens elements. These correct typical imaging errors of
colour dispersion indices. They reduce chromatic aberrations, which zoom lenses, for example, spherical aberrations (sharpness errors).
success story of Tamron is based on o ­ ur expertise of over 70 years and the continuous appear as colour fringes on the contrast edges and reduce image In addition, they can replace several other optical elements, which
development of ­innovative technologies. They support photographers around the world sharpness. Wide-angle and telephoto focal lengths are mainly favours a more compact design with consistently high image
affected by this. quality.
to realise their creative visions.
XLD elements are made from high-performance optical glass
with an extremely low colour dispersion index. Their properties
correspond to those of high-quality fluorite elements, which can Coating for
spherical aberration
Compensation for
distortion
also be used to correct problematic chromatic aberrations. Even in Light's refractive
the critical border areas of the image, a high resolution is achieved. qualities mean that
incident light rays that
are not corrected can
cause distortions.
Tamron's aspherical
construction principle
continuously balances
these light rays' angle of
refraction.

Normal Spherical (normal) Image plane


optical lens
glass Image plane LD glass Image plane
aspherical surface
spherical surface
corrected light rays
on the sensor level
Uncorrected light rays
on the sensor level

aspherical lens Image plane Image plane

Schematic diagram of the chromatic aberration with a normal optical glass (left) and
Compensation effect in a lens with an aspherical element (schematic diagram)
an LD glass (right)

AD elements
XR and UXR special glasses AD Anomalous dispersion (AD) optical lenses help reduce
chromatic aberrations at high frequencies of light. The combination
XR UXR XR (eXtra Refractive Index) and UXR elements (Ultra of AD elements with different lenses made from normal optical
eXtra Refractive Index) are optical glasses with a particularly high glass makes it possible to control light dispersion at specific
refractive index. Their properties allow a shorter overall length and wavelengths.
therefore lighter lenses with smaller diameters, without changing
the aperture size.
Normal optical glass AD glass

Relatively even partial Extremely high partial dispersion ratio relative


dispersion ratio. to a specific range of wavelengths.

Super Performance (SP) –


Lenses for highest
professional demands
Anti reflex and high tech coatings Without eBAND With eBAND
SP For 40 years, the abbreviation "SP"
stands for Tamron lenses that meet the The surfaces of the lens elements are coated elaborately. The
highest photographic standards. When multiple coatings contribute significantly to the high reproduction
developing these lenses, the best possible performance of Tamron lenses.
image quality is always the focus. Through BBAR BBAR G2 The BBAR coating prevents light incident on the
the use of advanced optical technologies, lens surface from being reflected and scattered. Brightness and
excellent reproduction performance contrast losses are avoided and "ghost images" are prevented. The
is achieved, guaranteeing maximum BBAR coating also contributes to a natural colour rendering. Since
sharpness and detailed reproduction 2019, the advanced BBAR G2 coating has been used. Tamron's eBAND coating effectively prevents mirror images that can for example
from the centre to the edges of the occur in back lit photographs as a result of reflections on the lens surfaces inside the
image. When designing the housing, the eBAND The eBAND coating consists of a wafer-thin nanostructure lens.

developers pay attention to high-quality, (1 nm = 1/1,000,000 mm) with an extremely low refractive index.
extremely durable materials as well as a In combination with the underlying multi-coating, an outstanding Without fluoride coating With fluoride coating

comfortable, intuitive operation. The result anti-reflection effect is achieved.


is an innovative lens series that stands out FLR The fluoride coating permanently protects the front lens from
from the crowd. Those looking for stellar contamination. Oil and water drops do not adhere to the surface,
performance need look no further than which is therefore very easy to clean.
Tamron's SP lenses.

20 21
Technology Technology

Fast, precise and quiet autofocus motors VXD The VXD autofocus is a world première: It is the first linear Zoom lock mechanism Spray water protection
focus motor developed by Tamron for outstanding automatic focus-
All Tamron lenses have a powerful auto-focus system. Depending ZL The zoom lock mechanism, which can be operated by means MR Tamron lenses have a weatherproof housing that optimally
sing. Two VXD modules, which operate in a floating system and are
on the model, the auto focus is powered by a variety of motors. of a switch, prevents unwanted extension of the lens tube when protects the sensitive interior against wind and weather. The
controlled by electronic pulses, ensure fast and precise focussing
not in use. The barrier protects the lens from damage and still sturdy outer casing is effectively sealed against moisture ingress
USD In the lenses of the SP series, USD motors (Ultrasonic Silent on near and far lenses. The new motor also guarantees improved AF
remains ready for use. at all critical points (e.g. between focus ring and tube or bayonet
Drive) are used, that convert ultrasonic waves into torque and thus tracking, for example when shooting sports. The autofocus works
connection). This guarantees reliable operation even in the most
enable a high precision, high speed and near-silent focussing. The so quietly at the same time that you can take pictures even in situa-
adverse outdoor shooting conditions.
technology is based on a rotor and does not require a transmission tions that require absolute silence.
between the motor and the focus ring. The photographer can thus Internal focussing
manually intervene in the focus at any time. The USD autofocus
is optimally suitable for fast and dynamic motifs, for example in VC image stabilisation IF For lenses with internal focussing, the extension length does
professional sports, wildlife and coverage photography. not change when focussing, and the filter ring does not rotate with
VC The VC mechanism (Vibration Compensation) developed by
it. This facilitates handling, especially of longer telephoto zoom
OSD The OSD (Optimised Silent Drive) enables a pleasant quiet Tamron compensates for unwanted camera movements without lenses, as well as photographing with polarization and gradation
focus. Lenses equipped therewith are ideal for situations in delay and thus contributes to increased image sharpness. The opti- filters. Further advantages include the shorter focussing distance
which absolute silence is required when taking photographs. In cal image stabilisation is controlled by highly sensitive gyro sensors, over the entire focus range and the lower light losses in the image
addition, the OSD autofocus is particularly responsive and adjusts which control the VC lens group resting on low-friction ball bearings. corners (vignetting) and less focus-related image errors.
to sharpness very precisely sharp, which has a positive effect, for With the VC mechanism, the photographer can take up to 5 EV
example, in subject tracking. steps slower shutter speeds when shooting by hand and also gets
a quieter viewfinder image. Newer telephoto zoom lenses in the
RXD The RXD (Rapid eXtra silent Drive) technology is based on a
Tamron SP series have up to three VC modes for different shooting
stepper motor, whose drive element controls the rotation angle
situations. Multiple-cam mechanism
precisely and silently; a sensor continuously determines the current
focus setting of the lens. The RXD motor is so powerful that even When developing compact zoom lenses, one challenge is to ensure
videofilmers can continuously keep moving objects in the focus a smooth and jerk-free extension of the lens tube. Tamron solves
range. Bracket this problem using the multiple-cam mechanism with several
precision curves in the cylindrical surface of the lens chassis.
HLD The HLD (High / Low Torque Modulated Drive) is a highly These enable sensitive movements in the wide-angle range and a
VC Element
energy efficient motor that generates powerful torque to provide (compensation system) constant extension in the telephoto range.
precise and quiet focussing. he curved HLD unit can be integrated
into the lens design to save space and thus allows the construction
Ceramic balls
of convincingly compact lenses.
PZD The Piezo Drive (PZD) is also curved and the predecessor of
the compact HLD motor. It is installed in the rear part of the lens to Bracket
save space and is mainly used in the handy megazoom lenses from Dynamic Rolling-Cam mechanism
VC microcomputer
Tamron, which cover an exceptionally large focal length range with The Dynamic Rolling-Cam mechanism ensures fast and precise Lens element
their complex zoom mechanism. autofocus even on lenses with relatively heavy focus groups.
Driving coils The innovative technology, pioneered by the SP 35mm F/1.4 Di
USD, represents a breakthrough in technology, ensuring reliable
Magnet autofocus performance even in the most demanding professional
shooting situations (e.g. in extremely cold or hot environments).
Structure of the VC unit in
model 70-210mm F/4 Di VC USD

Inner tube

Dual MPU
Steel balls
AF VC
DMPU Certain Tamron lenses are equipped with a dual MPU
(Micro Processing Unit). This powerful dual processor has two
parallel processor units that ensure instantaneous processing of
the autofocus and VC image stabilizer digital signals. The lens reacts
Steel balls
lightning fast to the commands of the camera. The result is a very
precise focussing - even in dynamic shooting situations - with high-
precision image stabilisation at the same time.

Guide tube

Focal length comparison 110° 15 mm 84° 24 mm 75° 28 mm 71° 30 mm 63° 35 mm 51° 45 mm 47° 50 mm 34° 70 mm 27° 90 mm 16° 150 mm 12° 200 mm 8° 300 mm 6° 400 mm 4° 600 mm

Top row: 35mm format - Full format


Bottom row: APS-C sensor
(crop factor 1.55)
*equivalent to small format - large format

109° 10 mm (equivalent to 16 mm*) 82° 16 mm (equivalent to 25 mm*) 76° 18 mm (equivalent to 28 mm*) 60° 24 mm (equivalent to 37 mm*) 53° 28 mm (equivalent to 43 mm*) 50° 30 mm (equivalent to 47 mm*) 43° 35 mm (equivalent to 54 mm*) 34° 45 mm (equivalent to 70mm*) 31° 50 mm (equivalent to 78 mm*) 22° 70 mm (equivalent to 109 mm*) 18° 90 mm (equivalent to 140 mm*) 10° 150 mm (equivalent to 233 mm*) 8° 200 mm (equivalent to 310 mm*) 5° 300 mm (equivalent to 465 mm*) 4° 400 mm (equivalent to 620 mm*) 2° 600 mm (equivalent to 930 mm*)

22 23
LENS OVERVIEW LENS OVERVIEW

ANGLE OF VIEW (diagonal)


( ) = values for cameras

FOCUSSING DISTANCE
SMALLEST APERTURE

MFT (Micro Four Thirds)


SHORTEST MINIMUM

MIRRORLESS SYSTEM
APERTURE BLADES
with APS-C sensor

CAMERAS (DSLM)
CONSTRUCTION
FOCAL LENGTH

Elements/groups

× LENGTH 4mm

CANON DSLR

NIKON DSLR

LENS HOOD
FILTER SIZE
APERTURE

DIAMETER
WEIGHT 3
LARGEST

(included)
MODEL

IMAGE

NOTES
RATIO
PAGE

MAX.
LENS

Ø mm
mm

mm
cm

g
F

F
 Di   For digital SLR cameras with full-format and APS-C sensor
815 (Canon) 80.9 × 104.8 (Canon)
SP 35mm F/1.4 Di USD 13 F045 35 63°26' 1.4 16 9 1 rounded blades 14-10 30 1:5 72 805 (Nikon) 80.9 × 102.3 (Nikon) HF045 Optionally available: Tap-in Console

SP 35mm F/1.8 Di VC USD 13 F012 35 63°26' 1.8 16 9 1 rounded blades 10-9 20 1 : 2.5 67   450 80.4 × 78.3 HF012 Optionally available: Tap-in Console

SP 45mm F/1.8 Di VC USD 13 F013 45 51°21' 1.8 16 9 1 rounded blades 10-8 29 1 : 3.4 67   520 80.4 × 89.2 HF013 Optionally available: Tap-in Console

SP 85mm F/1.8 Di VC USD 13 F016 85 28°33' 1.8 16 9 1 rounded blades 13-9 80 1 : 7.2 67   660 84.8 × 88.8 HF016 Optionally available: Tap-in Console

SP AF 90mm F/2.8 Di MACRO 1:1 - 272E 90 27°2' 2.8 32 9 10-9 29 1 : 1 55   400 71.5 × 97.0 2C9FH

SP 90mm F/2.8 Di MACRO 1:1 VC USD 16 F017 90 27°2' 2.8 32 9 1 rounded blades 14-11 30 1 : 1 62   600 79.0 × 114.6 HF017 Optionally available: Tap-in Console

Filter insert on 1,110 (Canon) 98.4 × 145 (Canon) The lens hood is permanently connected to the lens, inclusive Soft bag
SP 15-30mm F/2.8 Di VC USD G2 11 A041 15-30 110°32' - 71°35' 2.8 22 9 1 rounded blades 18-13 28 1:5 bayonet (Canon) 1,100 (Nikon) 98.4 × 142.5 (Nikon) N/A Optionally available: Tap-in Console
83.6 × 92.5 (Canon)
17-35mm F/2.8-4 Di OSD 14 A037 17-35 103°41'-63°26' 2.8-4 16-22 7 15-10 28 1 : 4.9 77 460 83.6 × 90 (Nikon) HA037 Optionally available: Tap-in Console

905 (Canon) 88.4 × 111 (Canon) Included: Soft case


SP 24-70mm F/2.8 Di VC USD G2 11 A032 24-70 84°04'--34°21' 2.8 22 9 1
rounded blades 17-12 38 2 1 : 5 82 900 (Nikon) 88.4 × 108.5 (Nikon) HA032 Optionally available: Tap-in Console

SP AF 28–75mm F/2.8 XR Di LD Aspherical [IF] MACRO - A09 28-75 75°23'-32°11' 2.8 32 7 16-14 33 2 1 : 3.9 67   510 73.0 × 92.0 DA09

28-300 mm F/3.5-6.3 Di VC PZD - A010 28-300 75°23'--8°15' 3.5-6.3 22-40 7 1 rounded blades 19-15 49 2 1 : 3.5 67   540 74.4 × 96.0 HA010
796 (Canon) 98.4 × 126.8 (Canon)
35-150mm F/2.8-4 Di VC OSD 14 A043 35-150 63°26'- 16°25' 2.8-4 16-22 9 1
rounded blades 19-14 45 2
1 : 3.7 77 760 (Nikon) 98.4 × 124.3 (Nikon) HA043 Optionally available: Tap-in Console

Included: Soft case, tripod clamp


SP 70-200mm F/2.8 Di VC USD G2 11 A025 70-200 34°21'-12°21' 2.8 22 9 1
rounded blades 23-17 95 2 1 : 6.1 77 1,485 88 × 191.3 HA025 Optionally available: 1.4x/2.0x teleconverter, TAP-in Console

SP AF 70–200mm F/2.8 Di LD [IF] MACRO - A001 70-200 34°21'-12°21' 2.8 32 9 18-13 95 2 1 : 3.1 77 1,320 89.5 × 194.3 HA001
860 (Canon) 76 × 176.5 (Canon) Optionally available: 1.4x/2.0x teleconverter,
70-210mm F/4 Di VC USD 17 A034 70-210 34°21'--11°46' 4 32 9 1 rounded blades 20-14 95 2 1 : 3.1 67 850 (Nikon) 76 × 174 (Nikon) HA034 tripod clamp, TAP-in Console

SP 70-300mm F/4-5.6 Di VC USD - A005 70-300 34°21'-8°15' 4-5.6 32-45 9 17-12 150 2 1 : 4 62   765 81.5 × 142.7 HA005

AF 70–300mm F/4-5.6 Di LD MACRO - A17 70-300 34°21'-8°15' 4-5.6 32-45 9 13-9 150 (95 Macro) 1 : 2 62   458 76.6 × 116.5 DA17
1,135 (Canon) 86.2 × 199 (Canon) Optionally available: 1.4x/2.0x teleconverter,
100-400mm F/4.5-6.3 Di VC USD 17 A035 100-400 24°24'--6°12' 4.5-6.3 32-45 9 1 rounded blades 17-11 150 2 1 : 3.6 67 1,115 (Nikon) 86.2 × 196.5 (Nikon) HA035 tripod clamp, TAP-in Console

Included: Tripod clamp, soft case


SP 150-600mm F/5-6.3 Di VC USD - A011 150-600 16°25'--4°8' 5-6.3 32-40 9 1 rounded blades 20-13 270 2 1 : 5 95 1,951 105.6 × 257.8 HA011 Optionally available: Tripod clamp (long version)

108.4 × 260.2 (Canon) Included: Soft case, tripod clamp


SP 150-600mm F/5-6.3 Di VC USD G2 17 A022 150-600 16°25'--4°8' 5-6.3 32-40 9 1 rounded blades 21-13 220 2 1 : 3.9 95 1,990 108.4 × 257.7 (Nikon)
HA022 Optionally available: 1.4x/2.0x teleconverter, TAP-in Console

Tap-in Console Teleconverter

SP 150-600mm F/5-6.3 Di VC USD G2


SP 70-200mm F/2.8 Di VC USD G2

SP 150-600mm F/5-6.3 Di VC USD


SP 90mm F/2.8 Di MACRO 1:1 VC

SP 15-30mm F/2.8 Di VC USD G2

SP 24-70mm F/2.8 Di VC USD G2


18-400mm F/3.5-6.3 Di II VC HLD
With the TAP-in Console and the free TAP-in-utility software, With the teleconverters TC-X14 and TC-X20,

10-24mm F/3.5-4.5 Di II VC HLD

SP 70-200mm F/2.8 Di VC USD


35-150mm F/2.8-4 Di VC OSD
the lens firmware can be updated and the operation of the the focal length of compatible Tamron lenses

100-400 F/4.5-6.3 Di VC USD


SP 35mm F/1.8 Di VC USD

SP 45mm F/1.8 Di VC USD

SP 85mm F/1.8 Di VC USD

70-210mm F/4 Di VC USD


17-35mm F/2.8 -4 Di OSD
lenses individually adapted. Among other things, settings can is extended by the factor 1.4 or 2,0. The high

SP 35mm F/1.4 Di USD


be made that previously could only be done on site at the imaging performance of the lens remains Lens
Tamron service. The configurable parameters include: Focus unaffected.
adjustment, setting the focus limiter, optimisation of the manual
focus function and calibration of the VC image stabiliser. Left:TC-X14 (1.4-x)
Right: TC-X20 (2.0x)

USD
Download the TAP-in Utility Software from:
http://www.tamron.co.jp/software/en/tapin/
Tap-in Console • • • • • • • • • • • • • • •
(optional)
Tripod clamp Teleconverter
• • • •
(optional)
With the ARCA-SWISS compatible tripod
You can find

clamps, Tamron SP series telephoto zoom Tripod clamp
tutorials for the • •
lenses, as well as the 70-210mm F/4 Di VC (optional)
TAP-in Console USD and the 100-400mm F/4.5-6.3 Di VC
under: USD, can balance optimally on the tripod. Tripod clamp • • • •
https://bit.ly/ (included)
tap-in-tutorial

24 25
LENS OVERVIEW LENS OVERVIEW

ANGLE OF VIEW (diagonal)


( ) = values for cameras

FOCUSSING DISTANCE
SMALLEST APERTURE

MFT (Micro Four Thirds)


SHORTEST MINIMUM

MIRRORLESS SYSTEM
APERTURE BLADES
with APS-C sensor

CAMERAS (DSLM)
CONSTRUCTION
FOCAL LENGTH

Elements/groups

× LENGTH 4mm

CANON DSLR

NIKON DSLR

LENS HOOD
FILTER SIZE
APERTURE

DIAMETER
WEIGHT 3
LARGEST

(included)
MODEL

IMAGE

NOTES
RATIO
PAGE

MAX.
LENS

Ø mm
mm

mm
cm

g
F

F
 Di II  For digital SLR cameras with APS-C Sensor
  
10-24mm F/3.5-4.5 Di II VC HLD 18 B023 10-24 108°44'--60°20' 3.5-4.5 22-29 7 1 rounded blades 16-11 24 2 1 : 5.3 77   440 83.6 × 82.1 HB023 Optionally available: Tap-in Console

16-300mm F/3.5-6.3 Di II VC PZD MACRO 18 B016 16-300 82°12'--5°20' 3.5-6.3 22-40 7 1


rounded blades 16-12 39 2 1 : 2.9 67   540 75 × 99.5 HB016

SP AF 17–50mm F/2.8 XR Di II VC LD Aspherical [IF] - B005 17-50 78°45'–31°11' 2.8 32 7 19-14 29 2 1 : 4.8 72   570 79.6 × 94.5 AB003

SP AF 17–50mm F/2.8 XR Di II LD Aspherical [IF] - A16 17-50 78°45'–31°11' 2.8 32 7 16-13 27 2


1 : 4.5 67   440 73.8 × 83.2 DA09

18-200mm F/3.5-6.3 Di II VC 18 B018 18-200 75°33'--7°59' 3.5-6.3 22-40 7 1


rounded blades 16-14 49-77 1 : 4 62   400 75 × 94.1 HB018

18-270 mm F/3.5-6.3 Di II VC PZD - B008TS 18-270 75°33'–5°55' 3.5-6.3 22-40 7 16-13 49 2 1 : 3.8 62   450 74.4 × 88.0 DA018
710 (Canon) 79 × 123.9 (Canon)
18-400mm F/3.5-6.3 Di II VC HLD 15 B028 18-400 75°33'--4° 3.5-6.3 22-40 7 1 rounded blades 16-11 45 2 1 : 2.9 72 705 (Nikon) 79 × 121.4 (Nikon) HB028 Optionally available: Tap-in Console

 Di III  For mirrorlless system cameras


20mm F/2.8 Di III OSD M1:2 6 F050 20 94°30' 2.8 22 7 1 rounded blades 10-9 11 1:2 67   220 73 × 64 Sony: HF050 for SONY E-mount with full-format sensor

24mm F/2.8 Di III OSD M1:2 7 F051 24 84°04' 2.8 22 7 1


rounded blades 10-9 12 1:2 67   215 73 × 64 Sony: HF050 for SONY E-mount with full-format sensor

35mm F/2.8 Di III OSD M1:2 7 F053 35 63°26' 2.8 22 7 1 rounded blades 9-8 15 1:2 67   210 73 × 64 Sony: HF053 for SONY E-mount with full-format sensor

14-150 mm F/3.5-5.8 Di III - C001 14-150 75°22'--8°15' 3.5-5.8 22 7 1 rounded blades 17-13 50 2 1 : 3.8 52   285 63.5 × 80.4 HC001 Available in two colour versions: Black and Silver; angle of view for aspect ratio 4 : 3

1:5.2 (Wide angle)


17-28mm F/2.8 Di III RXD 8 A046 17-28 103°41'-75°23' 2.8 22 9 1 rounded blades 13-11 19-26 1:6 (Telephoto) 67 420 73 × 99 Sony: HA046 for SONY E-mount with full-format sensor

Canon: For mirrorless APS-C system cameras from Canon and Sony; available in two colour versions: Black and Silver; weight
18-200 mm F/3.5-6.3 Di III VC - B011 18-200 75°33'--7°59' 3.5-6.3 22-40 7 17-13 50 2 1 : 3.7 62   460 68 × 96.7
Sony:
HB011 and diameter × length (total length) values apply to the corresponding model with Sony mount.

28-75mm F/2.8 Di III RXD 8 A036 28-75 75°23'-32°11' 2.8 22 9 1 rounded blades 15-12 19-39 1 : 2.9 67 550 73 × 117.8 Sony: HA036 for SONY E-mount with full-format sensor

1:3.1 (Wide angle)


28-200mm F/2.8-5.6 Di III RXD 4 A071 28-200 75°23'-12°21' 2.8-5.6 16-32 7 1 rounded blades 18-14 19-80 1:3.8 (Telephoto) 67 557 74 × 117 Sony: HA036 for SONY E-mount with full-format sensor

70-180mm F/2.8 Di III VXD 9 A056 70-180 34°21'-13°42' 2.8 22 9 1 rounded blades 19-14 85 1:4,6* 67 810 81 × 149 Sony: HA056 For SONY E-Mount with full frame sensor, * 1:2 at 70 mm and in MF mode

Notes Design and haptics


Compatibility
1 The blades form an almost circular shape when the aperture is open. This
Nikon Z/Canon EOS R Tamron not only values
shape is maintained largely when stopping down by up to two stops.
2  Minimum focussing distance over the entire range of focal lengths. Information for using technological innovation, but
3 Weight including the removable tripod mount ring. Unless Tamron lenses with Nikon Z6 / Z7 and Canon also pays particular attention
otherwise stated, the weights refer to the Nikon mount
EOS R / RP can be found under: to the design of its products.
4 
The length is defined by the distance from the contact surface on the camera body to
the lens tip. The values regarding weight and diameter × length apply to the respective www.tamron.eu/de/service/
model with Nikon connection (except C001, B011 and Sony E-Mount lenses). When designing the lenses, the
kompatibilitaet-nikon-z-und-canon-eos-r/
developers are guided by the
Notes on model B011 concept of the "Human Touch",
When using the AF-C mode (Continuous AF) with 18-200mm Di III VC, please note: a harmonious design language
• During the use of the "Sports mode" scene program, continuous focussing
(AF-C) may result in a faulty display ("pumping") of the image on the LCD Lens hood that combines pleasant haptics
monitor. However, the quality of the image capture is not affected thereby. and intuitive operation.
• In the case of continuous focussing (AF-C), the same faulty display of the All Tamron lenses are supplied with a lens
image on the LCD monitor can occur in the recording modes P, A, S, M. hood adapted to the respective lens. This lens
The effect will not affect the photos taken in this situation either. The light golden ring, which
attachment prevents lateral light rays entering
• When shooting with Single AF (AF-S) or Direct Manual Focus connects the lens to the
(DMF), this phenomenon does not appear. the lens and thereby minimises the risk that
scattered light and reflections on the inside of camera, symbolizes thereby the
Caution: f the camera displays an error message or the LCD monitor remains the lens influence the image quality negatively. connection between Tamron
black when using lenses with a Canon connection, the signal transmission
between the camera and the lens may not work properly and in very rare cases and the photographers.
malfunction may occur. To solve the problem, please proceed as follows:
•  Switch the camera off.
• Ensure there is no dirt on the signal contacts in the lens and/or the camera.
• If the problem continues, please switch the camera off and remove the
battery. Re-insert the battery and switch the camera back on.

26 27
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