Scribd
Upload
181 views5 pages

Chromaticism: Trumpet in B B Double Bass

This document appears to be musical notation for a piece performed by trumpet in Bb and double bass. It contains rhythmic notation with notes, dynamics, and other musical markings across multiple lines representing different sections of the piece. The notation indicates a fast swing style and includes indications such as mutes, pizzicato, and arco.

Uploaded by

tutintrumpeta
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
181 views5 pages

Chromaticism: Trumpet in B B Double Bass

This document appears to be musical notation for a piece performed by trumpet in Bb and double bass. It contains rhythmic notation with notes, dynamics, and other musical markings across multiple lines representing different sections of the piece. The notation indicates a fast swing style and includes indications such as mutes, pizzicato, and arco.

Uploaded by

tutintrumpeta
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 5

Trumpet in Bb

Chromaticism
Double Bass
Minor R. Estrada
Fast Swing q = 200

                      
Straight mute

3
f

                      
pizz.

 3
f

               
4

     
3

                
           

3

    

      
     
    

A
               
11

   
     
         

3
    


    
14 3

             


   

    
3
      
  
    
3
    
3
3
2 Trumpet in Bb, Double Bass

 
        
18 B

        
   

 
        
   
   
arco

     

  
          
23

     
3
       
3
 
                      
3

  

      

                     
27 C
    
     
     
3 3

       pizz.
     
               
3

32    
               
       

                      
    

 
                       
37

      

                
        

 
                            
 
41


    
3   
    
        

Trumpet in Bb, Double Bass 3

         
D
   
45

       
    
3

                  
f 3
   

f 3 3

                 
 
49

    


                
        

     
52
     
     
                   
       

     

            
56 E

              
 

                           
3

   
3

   3
F
             
61

    
      


                 3
  
 
3

          
         
65

       

 
    
3
  
3

     
3 V.S.
4
   
Trumpet in Bb, Double Bass

                    


69

  

                   
 

                    



73

        
     
   
   
                        
     

79
      
 
Straight Adagio
   
       

pizz.              
   

       
        

   
           
84

  

               

88
        
       

           
              
          

92
         
  
   
     
              
 
Trumpet in Bb, Double Bass 5
96 Tempo primo q=200
                
        
3
f 3

                        



f 3 3

            
G
          
100

      
                
               

104
            
            

   
3
   
   
3 3
      
3

                         


108


              

          
    
H
112

        
 
      
 
                

116
        
    
      
   
  
 
         
   
 
  

You might also like

pFad - Phonifier reborn

Pfad - The Proxy pFad of © 2024 Garber Painting. All rights reserved.

Note: This service is not intended for secure transactions such as banking, social media, email, or purchasing. Use at your own risk. We assume no liability whatsoever for broken pages.


Alternative Proxies:

Alternative Proxy

pFad Proxy

pFad v3 Proxy

pFad v4 Proxy