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Trumpet Fingering Chart

The document provides a fingering chart for the Bb trumpet or cornet that shows the most commonly used fingerings for notes in the range required by the 101 trumpet method book. Alternative fingerings are also given for some notes that may make notes sound more in tune or make difficult passages easier.

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ivanwlupoda
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301 views2 pages

Trumpet Fingering Chart

The document provides a fingering chart for the Bb trumpet or cornet that shows the most commonly used fingerings for notes in the range required by the 101 trumpet method book. Alternative fingerings are also given for some notes that may make notes sound more in tune or make difficult passages easier.

Uploaded by

ivanwlupoda
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Fingering Chart for Bb Trumpet or Cornet

The chart shows the most commonly used fingerings for the range required in the 101 trumpet method.
Alternative possibilities are given for some notes: you may find they make a note sound more in tune, or
can be used to make difficult fingering passages easier.

extract from the “one hundred and one” trumpet method book
www.one-hundred-and-one.com
“This is a fun and enthusiastic approach to trumpet playing. Why not combine the
joy of playing a great tune whilst improving your technique at the same time?”

“Highly recommended... fulfills the author’s goal of making practising the trumpet
as enjoyable as possible” (Dr Luis Engelke, International trumpet Guild Journal)

One Hundred and One is a best-selling trumpet method by brass arranger Matt
Kingston. Loved by pupils and teachers for its informal and laid-back approach to
music making, it features 101 well-known tunes - each of which helps to build
specific elements of your trumpet technique.

It!s a much more enjoyable approach than playing endless pages of technical
exercises, and has helped to make it a favourite with beginners and advanced
students, as well as players returning to the instrument after a number of years
away,

“...assist the development of fundamental playing techniques through the use of


101 well-known melodies: think William Tell to strengthen your double-tonguing, or
Nimrod to improve your lip slurs.” (Review in British Bandsman Magazine)

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