Unofficial Guide Rhodes India 2021 22
Unofficial Guide Rhodes India 2021 22
This guide is not an official communication from the Rhodes Trust. It was collaboratively
prepared by some Indian Rhodes Scholars to ensure that all applicants have equal access
to sufficient guidance for preparing the statements supporting their application for the
Rhodes Scholarships for India.
GENERAL TIPS
1. The Rhodes Scholarships for India application requires two statements in
support of the application – an academic statement of study and a
personal statement.
2. These statements are among the most important elements of the selection
process, and often form the basis of the subsequent interviews. While it is
reasonable to seek general guidance from professors and mentors during
the application process, it is important to ensure that the statements are
your own work and have not been reviewed or edited by anyone else prior
to submission.
3. In your academic statement of study, you are requested to detail the
reasons you are applying to Oxford, the subject you wish to study, your
course choices, why you wish to pursue them and to also demonstrate that
you are able to meet the entry and application requirements of the specific
course(s) you have chosen. Here it is important to do your research on
course choices at Oxford and describe why a particular subject or course
is relevant to your trajectory and will further your goals. You must also
describe the basis on which you believe you are eligible to be admitted to
this course, including your academic performance and related activities
that would be specifically relevant to course admission, which can be very
competitive at the University of Oxford.
4. The academic statement, particularly the portions on your areas of interest
and future study, should not be hyper-technical – such that only persons
well-versed in the field would be able to completely understand its
contents. At the same time, the panel reading your personal statement has
probably had years of experience in assessing statements and hence it
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should not be highly simplistic either. The focus should be on
communicating your areas of interest with clarity, and your thought
process in arriving at these.
5. On the other hand, the personal statement is an opportunity to reflect your
story in writing. It is paramount that you avoid generalization and ensure
that the statement is presented in a professional, thoughtful and cogent
manner. Through your essay, you should give the reviewers a flavour of
your personality, interests, and goals – try and reflect what you would
want to communicate during an interview in person. Most importantly,
your personal statement should make the reviewer want to meet you and
further discuss and explore your interests with you. Remember that the
personal statement must represent you well enough such that if you are
invited to an interview, there should be clear congruence and integrity
between what you have written and who you are.
6. Through your personal statement, you should be able to convey to the
reviewers a story about the larger motivations that drive you, your work
and your aspirations. The personal statement should ideally have a theme
or focus, with the narrative connecting its various elements, whether it be
the discipline in which you are interested, ideas that drive your
aspirations, your work experience, your academic and non-academic
projects, your extra-curricular activities, and your longer-term ambitions.
The personal statement should thus be a cohesive whole, held together by
this narrative, rather than a collection of unrelated information. When
framing a balanced personal statement, do remember the criteria the
reviewers will be using to determine if you are a suitable candidate for the
Rhodes Scholarship – more about those specific criteria later.
7. Ensure that various aspects of your professional and personal life are
logically put together, as far as possible, between the two statements. The
reviewers, on reading the statements together should be able to discern
your motivations, your study plans, your career plans/future ambitions,
and your reasons for choosing these, while sensing a strong commitment
to your goals and a sense of clarity on how you wish to get there using the
opportunity that Oxford presents. It is crucial that your statements
highlight a clear link between your choices and the experiences you have
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had. Do remember that these are primarily professional narratives, and,
on balance, you should avoid indulging in overly ‘personal’ flights of
fancy. Having said that, there is no one method to put these things
together. Do what works best for you and your story.
8. Ensure that the academic statement is within the 750-word limit and the
personal statement is within the 1000-word limit, each as stated in the
application rules. If either statement exceeds the word limit, the
application will not accept the additional words and your statement may
lose its structure.
9. Given the word limits, you cannot elaborate extensively on all points.
While the reviewers should be able to follow your train of thought, as
evident from the statements, your statements should also be thought
provoking, leaving room for further discussion and debate.
10. Your statements should not merely be a narration of your experiences and
accomplishments but should also describe to the reviewer the impact
these have had on you, and their contribution in defining your thought
process. Use these to further build your narrative.
11. Ensure that your statements are not merely a more elaborate version of
your résumé, as this would be a lost opportunity. The reviewer will
already have a copy of your résumé. The academic statement and personal
statement should instead connect your various relevant achievements,
qualifications, and experiences to a larger narrative, and describe their
impact on the choices you have made. At the same time, it is crucial that
your academic statement and personal statement are in sync with your
résumé. They should reflect the activities and accomplishments
mentioned in your résumé, but within a larger context; the résumé should,
in turn, reflect the details conveyed in your statement. The reviewer
should thus be able to make sense of the three documents together.
12. It is not necessary to use long sentences and complex language, in an
attempt to impress the reviewers. In fact, these might hinder readability.
It is best to stick to a style of writing you are comfortable with, as long as
it conveys the message adequately. Ensure that you have proofread the
essay multiple times, and there are no spelling or grammatical errors.
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Sloppiness and carelessness are poor signs and are unlikely to be regarded
well.
13. To get started with the process of writing your statements, try thinking
about why you are doing what you are doing, what aspects of it most
excite you, the way in which the experiences of your last few years have
shaped you, etc. It is important to justify your candidacy for the Rhodes
Scholarship and to also justify your suitability as a candidate for the
course(s) of your choice, based on preliminary data (i.e., what you have
done so far to work towards your goals).
14. It is as important to clearly explain and locate the broader relevance of
your proposed work or proposed career path, keeping in mind that the
Rhodes Scholarship experience is structured to enable you to create some
kind of positive impact in the world.
15. Remember that applicants are rarely able to come up with comprehensive
and well-written statements on the first go. The key is to think about the
various elements that you want to put in them and then find a way of
connecting them together across the two statements.
16. It is important to remember that the Rhodes Scholarship not a need-based
scholarship. Providing gratuitous information about one’s family
background, injecting pathos or indications of need are not required and
will not in themselves strengthen your candidature. Of course, there are
no prohibitions on mentioning these if they are relevant to your story.
I. GENERAL
A. Is there some prior preparation I should engage in, before writing the
statements?
- It could be useful to look at the website of the Rhodes Scholarships. The website,
for instance, lists certain criteria the panel looks for in every potential candidate
for the Scholarship. Try and ensure that your academic and personal statements
are broadly responsive to these criteria. It would also be helpful to read the will
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of Cecil Rhodes, the founder of the Scholarship, to understand the motivations
with which the Scholarship was constituted.
- Further, the website also provides information about the Scholarship, along with
videos of Scholars from the previous years, narrating their experiences at Oxford
as a Rhodes Scholar, including their views on writing a personal statement and
the application process more generally.
- All candidates should also read carefully the Conditions of Tenure for the Rhodes
Scholarships and the information provided in the Rhodes India Memorandum.
Ensure that you meet the eligibility criteria in terms of nationality, age, education,
and academic achievement, as mentioned in Point 2 of the Rhodes India
Memorandum. Point 4(i) of the Rhodes India Memorandum details elements the
Trust looks for in an academic statement of study and point 4(j) of the Rhodes
India Memorandum details elements the Trust looks for in a personal statement.
- You could also browse the website of the University of Oxford, particularly the
graduate admissions page, to assess why Oxford might be a good fit for you and
the specific courses you may be eligible for and wish to apply to. It provides
information on the courses offered, eligibility criteria, the faculty involved,
research centres set up and pedagogic techniques utilized (e.g.: tutorials) along
with the non-academic activities available at Oxford.
The samples provided in the annexures here can help you in that regard.
However, please note that these statements were written before the component
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of an academic statement was introduced. The excerpts that have been provided
as samples of academic statements in this guide have been taken from successful
course applications to Oxford and may not have been read by the Rhodes selection
committees. Hence, these samples should be considered as merely indicative of
what a successful application may comprise and might not be wholly reflective
of the degree of detailed treatment that certain themes and/or issues can possibly
receive in your academic statement.
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which ones you would want to highlight to demonstrate that you meet each of
them.
Our advice for an applicant would be to not get bogged down by what you might
yourself perceive as a grave weakness in your profile, such as being from an
unfamiliar university or not having participated in sporting activities. There is
no uniform way in which all successful applicants meet the Rhodes criteria. Just
as there is no one thing that is likely to make your application successful, it is
equally true that one single perceived weakness is unlikely to overshadow many
strengths in the application. There are many ways to satisfy the Rhodes criteria
and each is unique.
Further, while political affiliations and ideas expressed in your written personal
statements may not influence the application's evaluation, it is important to
contextualise ideas within the scope of your work, academics, and larger goals -
however it best conveys your story.
Finally, instead of altering your aspirations and goals in a way that you feel
would ensure that your application is viewed in a more favourable light by the
Rhodes Trust, you would be well advised to focus on building a narrative around
your achievements and strengths that is authentic and that you feel truly invested
in.
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E. Should I mention prior work experience in the field, considering it is
already in my résumé, which is submitted along with the application?
It is not necessary to list all your prior work experience in the field in either your
academic or personal statement, as this information should have already found
its way into your résumé. However, it could be useful to mention the particular
experience(s) that helped mould your thinking and define your interests.
Depending on the purpose of mentioning your prior work experience, you can
either incorporate it in your personal statement or your academic statement, the
choice is yours! These can be incorporated into the larger narrative that you
present in your personal statement or could be used to evidence your interest in
a particular course in your academic statement. These statements give you the
chance to contextualise prior work experience, detailing failures or stumbling
blocks that you encountered on the road to achieving the outcomes listed in your
CV. Mention particularly what you learnt from these experiences and how they
contributed to helping you identify what you wish to study, drawing a clear
thread between the work you have done previously and the work you hope to
do in the future.
Here, a candidate refers to a study she conducted, which helped them identify
certain interests crucial to their research.
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to find out bits of truth from the ground and supplement the mathematical rigor
of economics with empirical evidence. Most importantly, I have learnt how
technology and efficient delivery can create a workable incentive matrix and
create social change.
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F. How important is it that my long-term plans should involve coming back
to India?
There is no compulsion to state that you wish to come back to India, and your
leadership and social impact could be anywhere – the Rhodes Scholarships have
as their mission facilitating the journeys of those who ‘stand up for the world’. You
could make your impact while teaching in a university in India, or equally by
litigating at the International Criminal Court in Hague. As important as the
details of your long-term plans is a clear explanation of how the Rhodes
Scholarship and studying at Oxford will help you pursue them.
As per the application rules, three of these letters have to be academic, implying
that you have to ask people who have taught you during your undergraduate or
postgraduate degree. They have to be able to comment in detail on your academic
ability and be confident that you will fare well at Oxford. Which of your teachers
you choose is up to you - for instance, you could approach those who have taught
you subjects particularly relevant to your stated areas of interest, or those whom
you have worked with as a teaching or research assistant as part of coursework.
The fourth letter may either be a character, or a professional reference. The letter
could be written by someone you have interned with, a teacher from your school,
a sports coach, dance teacher, etc. This referee will have to - and should have had
the experiences that enable them to - attest to your character and/or your
involvement in extracurricular/service or leadership activities, commenting
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critically about whether you fulfil the non-academic requirements of the
Scholarship.
Since your referees may be called upon later to speak about you with the
selectors, and given that you may later choose to submit these very academic
references as part of your separate application (if you are eventually awarded the
scholarship) to Oxford, you should choose your referees wisely. Ideally, your
referees should be people who know you and your work and can comment
meaningfully on your interactions.
A good referee is not one who might write a generic reference that overstates
your abilities but should be someone who will have personal insights to offer.
When read together, your references should be able to provide a working image
of who you are as a person and how you fulfill the four Rhodes Scholarship
criteria. You are expected to have discussed your motivations and aspirations
with all your referees at some length. Your referees should not be people who
only incidentally know you but those who have been your well-wishers for quite
some time.
It is ideal to approach your potential referees at least 6-8 weeks before the
reference submission deadline in order to give them sufficient notice and avoid
any delays.
Point 4(k) of the Rhodes India Memorandum, along with the ‘Guidance for
Referees’ appended to the Memorandum provides information on the nature of
references the Trust requires.
H. At the time of applying, I will not be able to provide official transcripts for
the entire duration of my degree since I will complete my studies only after
the application process. Is this acceptable?
Many Rhodes candidates apply for the scholarship in the final year of their
current degree and, therefore, have not completed their studies at the time of
application. In that case, it is perfectly fine to submit official transcripts for the
terms or semesters you have completed thus far in your degree.
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I. Does the age at which one decides to apply for the Scholarship have a
bearing on one’s chances of being chosen as a Rhodes Scholar? Does the
fact that you were unsuccessful in a previous attempt to get the Scholarship
negatively impact one’s chances?
Your age (as long as it falls within the bounds set out by the memorandum) is
not a deterrent to your chances of winning the scholarship. In other words,
whether or not you are awarded the Scholarship will be a function of your ability
to meet the criteria that the Rhodes Trust is looking for, and not of the age at
which you apply. Relatedly, it is important to note that multiple attempts at the
scholarship are allowed, and don’t work against you – there have been multiple
Rhodes Scholars who have won it on their second attempt.
J. Will I be required to submit any test scores at the time of applying for the
Scholarship, such as English proficiency test results or GRE scores?
The Rhodes Scholarship application process does not require the candidate to
pass any qualifying exams (GRE, Subject GREs, etc.) or language proficiency
exams (TOEFL, IELTS, etc.) but the specific course that you are applying to may
do so. Since your application for your chosen course at the University of Oxford
is to be submitted after scholarship results are released, there is no need to submit
any test scores along with the Rhodes Scholarship application.
K. What is the section titled “Is there any other information that you would
like to add to your application?” meant for?
This space is provided for candidates who wish to make a clarification about
some aspect of their application (for example, a grade on their transcript,
additional details about one or more of the documents they have submitted, etc.)
or provide some other pertinent information that it has not been possible to
mention elsewhere in the application. If you don’t feel the need to provide any
such clarification or supplementary information, you can leave this space blank.
Importantly, this should not be used as an extension to your academic statement
or personal statement or to add information that the word limits did not provide
you an opportunity to include.
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L. What if I have further questions?
We have set up an informal Google Group that you can join. It is not mandatory
to join it. Remember that the Rhodes Trust remains the only and final authority
on the conduct of the interview. However, if you want to access the Google
Group to ask us questions on an informal basis, you click here.
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academic statement, so as to highlight why you might be a good fit for the
proposed course of study. You may also flag the research centres, libraries,
archival collections, and/or laboratories where you will be interested to study and
work, while at Oxford. In this regard, your specific academic objectives can also
be demonstrably tied to the long-term goals or vision that you may have.
Since the Rhodes Scholarships are awarded for the minimum duration of two
years, it is important to lay down a tentative academic plan beyond the first year
of your scholarship, in case you are applying for a one-year degree. Some
scholars go on to do a DPhil after their first year at Oxford, while others often
apply for another one-year degree course. Career trajectories are unique to every
individual and you need not emulate others without giving some thought to a
plan of your own.
Your academic statement should give some sense of what you want to do at
Oxford and how you wish to go about it. An academic statement, however,
should NOT be used to merely narrate your CV, as that would be a lost
opportunity. You will not always have everything figured out beforehand.
Nonetheless, you may always use your academic statement to reasonably
anticipate the gains of pursuing a particular course at Oxford: it may be some
kind of technical expertise that you wish to acquire or even the prospect of
working with a certain faculty member in your preferred department.
You may also consider discussing certain ethical questions that may have arisen
in your mind, in case they are relevant for your immediate research plans. Above
all, your academic statement should evoke a feeling of genuine interest, academic
promise, and clarity of thought. For more information on the distinction between
the personal and the academic statements, see Rhodes India Memorandum
points 4(i) and 4(j).
Finally, you must also demonstrate your eligibility for the course and that you
meet the admission criteria. This could include the courses/degrees you have
completed or are in the course of completing, your academic standing (including
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grades and ranking) and other things that would enable an application to the
course to succeed.
15
academic research at Oxford will help me explore the world further and allow
me to go beyond limited model-specific assumptions of the discipline.
16
between law and mass atrocities that I opted for the Law and Anthropology of
Violence course this semester.
In this extract, a candidate elaborates on their future career plans in their personal
statement, justifying these based on work they have previously undertaken.
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and what you have done thus far to deepen your engagement with that field.
This can be done by reflecting on your past academic and work experience and
identifying the elements that have shaped your interest in your chosen area of
study. In other words, it is important that you think carefully about your
motivations for pursuing a different stream of study and articulate those reasons
clearly.
P. How do I show that the University of Oxford is a good fit for me?
Your application should clearly specify what aspect of the training you would
receive at Oxford makes it unique, and particularly suited to your interests. One
way to do this is to identify certain specific courses, and subjects within these
courses, which are relevant to your interests (though these choices might change
by the time you ultimately get to Oxford). You could also look at faculty you
would like to work with, research centres at Oxford specializing in your area of
interest, the teaching methodology at Oxford (the tutorial system), the academic
and social culture at Oxford or other factors which you can relate to, or a
combination of all of these. Try and avoid generic remarks about Oxford’s
academic environment, history or excellence, and tailor the reasons to suit your
background and interests, thus personalizing your essay.
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Two candidates use a combination of several of these factors to show why Oxford
would be the ideal next step for their careers.
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fundamental breakthrough in this field. A Master’s degree in Materials Science
would enable me to pursue my love of the sciences and pave the way for a future
PhD in solar cells. Oxford has achieved several fundamental break-throughs in
metal oxide solar photovoltaics. It is for this reason that I believe Oxford is the
best place for me to carry out research.
I am also deeply interested in going to Oxford because it has a vibrant
chess scene. I have won the national chess tournament in India and I have
participated in some International tournaments where I have won prizes. The
Rhodes scholarship will allow me to pursue my dream and I hope with all my
heart that I will be given a chance to do so.
While it is quite common for candidates to mention only the first one-year course
in their applications, the candidate below mentions a two-year plan.
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Humanities’ departments like History and Philosophy, allowing me to critically
engage with practical implications of feminist film theory, through one-on-one
mentoring, tutorial work, and resources available at the Bodleian library and
Taylor Institution.
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academic statement is the main document through which they will ascertain this.
Finally, the panel is interested in understanding how an education at Oxford and
the Rhodes scholarship fits into your future plans. While it might be difficult to
exactly identify what your future path may look like, it is useful to have an idea
of what career options you are considering and why. You can address these
elements in any manner you desire, as long as you are able to clearly convey your
thoughts to the reviewer.
For example, a candidate details their areas of interest and how they lead to their
goals.
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T. What should my opening paragraph for the personal statement cover?
A strong opening can be one way to distinguish your personal statement from
those of other candidates. It helps to catch the attention of the reviewer right at
the beginning, making them curious about how you will develop your story from
that point. There is no set formula for what could be an interesting beginning.
The opening should ideally be a reflection of the central theme in your statement,
thus setting the tone for the entire essay. There is no real value in providing a
striking quote from someone famous, especially if it has nothing to do with the
personal statement.
In the extract below, a candidate begins their essay by talking about a movie,
which left a profound impact on them, tying together different concepts which
have always been a source of interest for them.
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U. What kind of non-academic experiences should I mention in the personal
statement?
The personal statement should not be limited to purely academic aspects of your
life. In fact, it might be prudent to include overtly academic concerns,
achievements, and activities in your academic statement. The personal statement
can be considered as an opportunity to foreground issues that matter to you,
discuss your talents and passions, and mention anything that you think
substantiates your claim of fulfilling the various scholarship criteria. As
mentioned above, the Rhodes Scholarships focus on several criteria beyond the
scholastic ability of the candidate, and your engagement in various non-academic
activities could demonstrate these qualities. However, once again, try to weave
these accomplishments in to the larger narrative of your essay. Please remember
that the Rhodes Scholarship is not a recognition for past achievements but an
investment into the future of someone who is willing to “stand up for the world”.
The personal statement, therefore, is an excellent avenue to showcase your
vision, for the future of yourself, your community, and the world at large.
V. I took a year off to work after my graduation, but spent my time working
on something unrelated to my core research interests. How should I make
sense of this in the statements?
If the work experience is absolutely unrelated to your area of interest, there is no
strict need to mention it in either of the statements. Remember: the personal
statement is about taking your narrative forward. If something does not take
your narrative forward, it need not find space in your personal statement.
However, often things that seem ‘unrelated’ can be ‘related’ if they lead to skill
building that will ultimately help your long-term project. These skills can be
mentioned in your academic statement. For example, you may have acquired
practical or soft skills that would facilitate the realisation of your long-term plans.
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ANNEXURE I
The lights dim, my eyes skim the audience. We are watching Fishing at the Stone
Weir, two parts of Quentin Brown’s project documenting the lives of Netsilik
Eskimos. Subtitles are provided for the hearing-impaired, but I notice something
is amiss—every time the Netsilik people speak, [non-English narration] blares
from below the frame, reducing their language’s complexity to merely something
we are not required to comprehend. Absence of human conversation is
abbreviated to [sil.], short for silence. Crashing waves, sounds of the industrious
architects creating the weir, breaths a woman takes as she braids her hair-- all
relegated to [sil.].
The lights dim, my eyes skim the audience. My second public performance, I
perform an intensely personal and political piece responding to misogyny in pop
culture. I gather strength from the sea of faces staring at me, indulging me,
laughing with me, not at me. My universe of verse is all about pace- fast, seething,
breathing, multiple rhymes. Beginning in haste, I try to say as much as I can
within the first minute. Slowly, however, I register the audience’s response. It is
in that silence I realize that my poetry truly belongs.
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undertook for my classes and videos of my poetry pieces, and in post-production,
with sales and marketing initiatives, as part of my internship with XYZ. I have
however, yet to explore the philosophy and ontology of film itself—the
languages in and through which it is articulated, the activation of the past
through the present, the imposition of the present’s politics on the past, and how
films are constantly being created—not just through processes of production, but
those of consumption.
Deeply invested in the politics of art and performance as sites for both
normalization and subversion, I aspire to explore how space and time are reified,
recast and rendered through filmic languages—imaginary lines, color, bodies,
light, background scores. Moreover, the politics of (participatory) spectatorship,
interrogating the ‘male gaze’, film theatres as spaces for aspiration and creation,
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active mediation by audiences through intra-audience interactions, new media
technologies, and memory-- provide crucial arenas for research, particularly in
the Indian subcontinent. I aim to address these questions through the vantage of
filmic and gendered intertextualities. Keen to examine how cinema shapes and
negotiates the feminine, and within the feminine, narrative ideals and deviations,
it is imperative to me that this exercise is not situated in an academic vacuum.
In the future, I aim to teach film through film, exploring the possibilities,
limitations and challenges the audio-visual possesses in pedagogy. I hope to
bridge the gulf between theory and praxis, between seas of words and worlds of
seeing, working on feminist media technologies and texts—both through the
creative and the academic. It is my dream to establish screenwriting and
filmmaking labs and schools, affording access to story-tellers whose voices have
been subordinated, often along the intersections of class, race, caste, gender
expression, and sexual orientation. I want to explore the ethics of aesthetics,
through blank spaces— simple subtitles change audience viewing and
mediation, and silently (violently) determine the intended audience. Poetry is
about enunciation, and renunciation. I seek to pursue a double major in Film
Aesthetics and Women Studies at Oxford to find the joy in exploring silences,
and to triumph in the silences that joy affords.
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ANNEXURE II
The first thing I was struck by was the importance given to questions, discussions
and conversation. No question was ever dismissed as being trivial or
insignificant. Rather, we were encouraged to come up with more of them, think
about them deeply and converse with one another. In the process, I learnt three
things at a very young age. One, I had a voice and mind of my own, and was
capable of thinking constructively about any subject. Two, it was supremely
important to listen carefully with an open mind. Lastly, every discussion needn't
end with a definite conclusion -oftentimes the questions we were left with were
greater sources of learning.
I study western classical music and have played the piano since the age of five.
In 20xx, I completed the Grade 8 from Trinity College, London with a distinction,
and I'm pursuing the ATCL, a Performance Diploma awarded by the same
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institute. Music has been a significant influence in shaping my work ethic, ideals,
and emotional and intellectual growth, and is something I want to continue to
pursue.
From a young age, reading has been a source of great pleasure, of new ideas and
perspectives, and has helped me be more articulate. I enjoy reading fiction -most
recently, I have been particularly taken by the authors AB, CD, EF and GH. Aside
from this, a significant portion of my reading is academic.
I am also working with Prof. JKL on the relationship between certain soft
theorems (specifically, the sub-leading double soft theorem) and asymptotic
symmetries. Doing so successfully, would bring to a close one leg of the
pioneering program initiated by Prof. MNO, et. al. in 20xx, and I've been
particularly excited by this. It's been thrilling to be a part of a large group of
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researchers across the world piecing together our current understanding of these
theorems over the past three years.
In conclusion, I would like to say that over time I have discovered for myself that
I am happiest and at my most productive when I'm learning, or when I'm using
what I've learnt in a meaningful and helpful way. If there is one overarching aim
or wish that I have for myself, it is that I continue to do so.
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ANNEXURE III
The academic statement of study [more information about this can be found in
Information Memorandum points 4(i) and 4(j)] is a new addition to the application
process. This statement is an opportunity to describe your interest in your chosen field,
highlighting how your experiences have led to the course you would like to pursue at
Oxford.
Below are the excerpts from an application for a D. Phil. in Biochemistry and an
application for an M.St. in Global and Imperial History to Oxford, respectively, that are
intended as examples of one approach to recounting your academic journey.
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with the clarity provided by quantitative approaches. As such, I am particularly
excited by the prospect of access to the training and facilities at the Micron
Advanced Bioimaging Unit.
Working on ABC project highlighted how much there is to know about protein
expression in bacterial membranes as well as my enthusiasm to learn more about
the topic. I found the work done by Prof DEF’s lab fascinating, as it is studying
transport across bacterial membranes - especially the work with the Type IX
secretion system in Bacteroidetes bacteria and the functioning of adhesins in
gliding motility. I was first introduced to the idea of directionality at the cellular
level through writing my tutored dissertation, where I learned about the origin
and maintenance of axiality in the growth and development of plant shapes. I
would like to understand this concept in the context of gliding motility,
investigating the basis of the direction of adhesin movement across helical tracks,
using live cell imaging and fluorescent tagging.
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a war zone—I seek to recalibrate the largely Eurocentric discourse on the
Second World War. My approach is aimed at de-militarizing and de-
masculinizing histories of war in the context of modern South Asia which
remain enmeshed in discourses surrounding military technology or
nationalism, save for a few exceptions. I am also interested in interrogating
the ‘globalizing’ tendencies of global conflicts in general and of internment in
particular.
To this end, I have also worked on the reconfiguration of existing military-
civilian relationships due to the advent of American soldiers who functioned
as wartime cultural conduits in Calcutta (1942-46), as part of a short-term
research internship. For me, engaging with the theme of civilian
encampments in wartime India implies writing local histories of a global war.
The sites of these camps were scarcely akin to conventional prisons. Camp
tectonics depended as much on political propaganda and war-rumours as
they did on interactions with the local populace and strategies of everyday
resistance. In a way, these were what Foucault called heterotopias—
mimicking yet mocking the order outside—featuring both disciplining and
inversions.
What I find interesting about these camps is that they are given new leases of
life during international conflicts. Almost all the camps that had been
constructed to intern foreigners in the subcontinent during the First World
War were reopened during the Second, which underscores their palimpsest-
like nature and enduring relevance for the imperial war-machine. The legal
bulwark of the British Raj against ‘enemy aliens’ in wartime India finds a
strange resonance in the postcolonial politics of citizenship. Having
interviewed partition-survivors for an oral history archival project, I have
increasingly come to appreciate the commonality of experiences—of turmoil,
hopelessness, forced mobility, and fractured positionalities—that are often
shared by displaced communities and families detained on foreign soil,
during or in the aftermath of conflict.
Oral history accounts are as fallible as any other historical source. Matthew
Johnson has shown how New Zealand POWs used their post-captivity
accounts to distance themselves from the perceived shame of coerced
collaboration with enemy powers. Yet, these constitute an important
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springboard for understanding the dynamics of wartime internment, the
totality of which cannot be effectively captured by official records alone. I
believe that an M.St. in Global and Imperial History at Oxford will equip me
with the necessary skills and methodological clarity to conceptualise my
doctoral research on both civilian and military aspects of foreigners’
internment in India during the Second World War.
The history of German civilians’ internment in India (1939-45) can offer critical
and novel insights regarding the political debilitation of the British Raj
throughout the 1940s. The imperial legislation underwriting such internment
was not only governed by the security concerns about possible espionage but
was also mediated by a racialized fear of the ‘enemy’—a monolithic category
defined by citizenship that heralded ominous repercussions for national
minorities such as German-speaking Jews, who could not escape the fate of
being interned. Keeping this in mind, I aim to unpack the nuances of identity
formation within the campsites as well.
Three questions predominantly frame my research—first, what can the
practice of interning German civilians in wartime India tell us about the
nature of the late colonial state as a pre-eminent node of the multinational
British Empire? Second, what were the politico-economic and cultural
ramifications of the presence of interned German civilians on Indian
communities in the vicinity of the encampments? And third, what can the
idiosyncrasies of decision-making at the level of campsites tell us about
decolonization as an extended process that was initiated well before 1946-47
through localized transfers of power?
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