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ESPERANZA-Partitura y Partes

1. The document is a musical score for the song "Esperanza Cha-Cha-Cha" arranged for brass band by Ramón Cabrera. 2. It contains notation for trumpets, French horn, trombone, tuba, percussion instruments including congas, claves, and guiro. 3. The score is divided into 14 sections with instrumentation, rhythms, and melodies notated for each instrument.

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Pewa Cisneros
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0% found this document useful (0 votes)
462 views30 pages

ESPERANZA-Partitura y Partes

1. The document is a musical score for the song "Esperanza Cha-Cha-Cha" arranged for brass band by Ramón Cabrera. 2. It contains notation for trumpets, French horn, trombone, tuba, percussion instruments including congas, claves, and guiro. 3. The score is divided into 14 sections with instrumentation, rhythms, and melodies notated for each instrument.

Uploaded by

Pewa Cisneros
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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ESPERANZA

CHA-CHA-CHA Ramón CABRERA

                                 
Arr. Border Brass

Trompeta en Si♭

Trompeta en Si♭     


          

   











    
Corno en Fa

         
Trombón

        
       
  
Tuba

                  
        

   
Set de percusión
    
               

                    
Claves

                          
Güiro

Congas

        

4
1. 2.
Tpt. Si♭


Tpt. Si♭          

          
     
       
Cor. Fa

Tbn.
         

   
   
3 3

        

               
Tba.

  
            


Perc. Set.

             

                
Clv.

                    
Gro.

Con.

2

  
     

7


Tpt. Si♭

 
       


Tpt. Si♭


  

         
  
    
Cor. Fa

Tbn.
               

   
    
3 3


      

Tba.

                
     
Perc. Set.            
              
 
                  
Clv.

                        
Gro.

Con.

3
      
  
10

   
Tpt. Si♭

  
Tpt. Si♭   

              
   
   
                  
Cor. Fa

Tbn. 


             
3 3

 
     

Tba.

                     
   
Perc. Set.               
                
  
                   
Clv.


             
Gro.

Con.

4
 
  
      
          
14

         
Tpt. Si♭

           
Tpt. Si♭
  

           
     
     
Cor. Fa

                   
Tbn. 

          
 
   
 
Tba.

                 
     

 

Perc. Set.
  
     
               

                    
Clv.

                          
Gro.

Con.

5
   
  

           
18

    
Tpt. Si♭

            
Tpt. Si♭  
 

           
      
  
Cor. Fa

                     
Tbn.

 
             
     
  
Tba.

                     
      
Perc. Set.                
               
 
                
Clv.

                    


Gro.

Con.

6
       
          

22

     
Tpt. Si♭

 
         
 
Tpt. Si♭


  
 
   
        
  
Cor. Fa

Tbn.
           

    
      
      
Tba.

                  
  
Perc. Set.            
              
 
                  
Clv.

                        
Gro.

Con.

7
                

25

Tpt. Si♭


Tpt. Si♭                 
      
          
      
      
Cor. Fa

Tbn.      

       
     
       
Tba.

                       
    
Perc. Set.                
              
 
            
Clv.

    


Gro.

Con.

8
  
               
29

Tpt. Si♭

 
Tpt. Si♭                 


   

        
      
            
      
Cor. Fa

Tbn.    

     
   
      
Tba.

                 
     
Perc. Set.            
             

                  
Clv.

                        
Gro.

Con.

9
        

32

Tpt. Si♭

  
Tpt. Si♭       


         
         
                
Cor. Fa

    
Tbn. 

      
   
    
 
Tba.

                 
     
Perc. Set.            
              
 
                  
Clv.

                        
Gro.

Con.

10
     
  
35

Tpt. Si♭

  
Tpt. Si♭     


         
      
           
                       
Cor. Fa

   
Tbn.  
      
     
       
 
Tba.

                       
    
Perc. Set.                
                
 
            
Clv.

             


Gro.

Con.

11
 
    


39

Tpt. Si♭

 
Tpt. Si♭  
   

      

          
 
Cor. Fa

Tbn.
   

          

    
 
3 3

       
   
Tba.

                  
   
Perc. Set.            
             

                  
Clv.

                        
Gro.

Con.

12
 
       
42

Tpt. Si♭

 
Tpt. Si♭        


  

       
    
Cor. Fa

Tbn.
               

   
    
3 3


      

Tba.

                
      
Perc. Set.            
              
 
                  
Clv.

                        
Gro.

Con.

13
  

45

Tpt. Si♭

  
Tpt. Si♭ 

 
    
  

     
    
   
Cor. Fa

            
Tbn.

 
      
   
3 3

   

Tba.

                  
   
Perc. Set.            
             

                  
Clv.

                        
Gro.

Con.

14
                      
    
48

Tpt. Si♭


Tpt. Si♭             

   







 
  
    
Cor. Fa

Tbn.
             

 
     
      
     
  
Tba.

                       
   
Perc. Set.               
               

          
   
Clv.


                
Gro.

Con.

15
                              
52

Tpt. Si♭

Tpt. Si♭                  

    
 







 
 
        
Cor. Fa

Tbn.
        

     

       
   

 
Tba.

                       
    
Perc. Set.                
               
 
             
Clv.

             


Gro.

Con.

16
   
  

56

 
Tpt. Si♭

 
  

Tpt. Si♭

  

Cor. Fa

Tbn.
  

 
 
 
  
Tba.

  
  
Perc. Set.
 
   

   
Clv.

      
Gro.


Con.

17
Trompeta I
ESPERANZA
CHA-CHA-CHA Ramón CABRERA


                                
Arr. Border Brass

   
1.

      
 2.   
       
 
5

         
                   
14

         
                   

20

                

25

                       

29

     
        

33

  
           
41

  
                            
49

      
                          

53
Trompeta II
ESPERANZA
CHA-CHA-CHA Ramón CABRERA

 
            
Arr. Border Brass

      
1.

 2.    
 
     
        

5

       
                        
14

       
                      
   
20

  

    

     
    
25

 

                  
   
29

   
        
     
33

  
               
41

    
                     

51
Corno
ESPERANZA
CHA-CHA-CHA Ramón CABRERA

                 
Arr. Border Brass

   
1.

 
                        
     
5
2.

    
  
      
 
  
 
 

10

    
              
           
14

   
                    
           
19

      
            
25

            
      
     
29


            
 

          

 
33

               
        
37

    
  
      
 
  
 
 

41
      
             
      
45

            

   
49

            
 
 
53

2
Trombón
ESPERANZA
CHA-CHA-CHA

     
Ramón CABRERA

               
Arr. Border Brass

  
1.

                          

5
2.

       
3 3 3 3

           
 
10

   
           
3 3

     
15

  
                              

19

                 
            
25

             
          

   
29

                           
 
33

                       


37

       
 

3

         
41

3 3 3
  
        

          
45

3 3

    

  


  
      
49

    







   
53

2
Tuba
ESPERANZA
CHA-CHA-CHA Ramón CABRERA

            
Arr. Border Brass

   
  
     
1.

          
          
  
5
2.


     
       
  
10

  
        
 
  
   
 

14

 
  
            
         
    
19


      
       
   
25

  
       
       
    
29

 
     
       
     
33


     
       
    
37

 
     
          
  
41


   


           
  
45

    
            
 
49

     
        
  
53

 

2
Set de percusión
ESPERANZA
   1. 
CHA-CHA-CHA Ramón CABRERA

           
                                
Arr. Border Brass

       
2.     
                               
 
                  
5


   
                     
   





  
   
   
  
10

   
                       
     





  
   
   
   
14

   
                       
   





  
   
   
   
19

   
                          
              
  
23

   
                          
              
  
27

   
                          
              
  
31

   
                           
             
  
35

   
                           
             
  
39
   
                   
                            
       
43

    
           
    
   
    
   
 
           
   
47

   
                          
              
  
51


 

         
   
    
55

2
Claves
ESPERANZA
CHA-CHA-CHA Ramón CABRERA

                     
Arr. Border Brass

 
1.

                     
 
5
2.

                 
 
10

                    
 
14

                     


  
19

                  
 
25

                  
 
29

                  
 
33

                  
 
37

                  
 
41

                 

45

                  
 
49

                
 
53
Güiro
ESPERANZA
CHA-CHA-CHA Ramón CABRERA

                           
Arr. Border Brass
1.

               


5
2.


                      
10

                          
14

                  


19

                        
25

                        
29

                        
33

                        
37

                        
41

                       
45

                        
49


                     
53
Congas
ESPERANZA
CHA-CHA-CHA Ramón CABRERA

                                   
Arr. Border Brass
1.

       


5
2.


                             
10

      


14

      


19

                                
25

                                
29

                                
33

                                
37

                                
41


                              
45

                                
49

                            

53

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