This document provides an overview of acoustics and audio devices, including different types of microphones, loudspeakers, headphones, and recording equipment. It discusses key microphone concepts such as sensitivity, frequency response, and directional characteristics. Several common microphone types are described in detail, including moving coil, ribbon, carbon, condenser, electret, and crystal microphones. Measurement microphones and techniques for determining microphone sensitivity are also covered.
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Chapter5 Sound-Reproduction Reduced
This document provides an overview of acoustics and audio devices, including different types of microphones, loudspeakers, headphones, and recording equipment. It discusses key microphone concepts such as sensitivity, frequency response, and directional characteristics. Several common microphone types are described in detail, including moving coil, ribbon, carbon, condenser, electret, and crystal microphones. Measurement microphones and techniques for determining microphone sensitivity are also covered.
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ACOUSTICS & ULTRASONIC
الصوتيات وفوق السمعيات
ASSOC. PROF. SAMEH A. NAPOLEON 2020-2021 SOUND REPRODUCTION AUDIO DEVICES AND APPLICATIONS CONTENTS Microphone Sensitivity Nature of Response and Directional Characteristics Measurement Microphones Various Types of Microphones Various Types of Loudspeakers Characteristic Impedance of Loud Speakers Headphone Types The basics of Magnetic Recording Sound Cards, Sound Mixers PA Systems & Installations Digital Consoles MICROPHONE WORKING MICROPHONE SENSITIVITY Sensitivity is an important characteristic of microphone It tells that how much electrical output a microphone has produced for a certain sound pressure level For a same sound pressure level input if two microphones are producing different electrical outputs then the microphone with higher electrical output is said to be moresensitive Sensitivity is defined as output in millivolts for the sound pressure of 1 pascal at 1Khz MEASURING MICROPHONE SENSITIVITY MICROPHONE SENSITIVITY Select a measuring point (about 5 to 6 ft) in front of the loudspeakerand place the SLM there Adjust the system until the SLM reads 94 dB (a band of pink noise from250 to 5000 Hz is excellent for this purpose) Now substitute the microphone to be tested for the SLM Take the microphone open circuit voltage reading on the micro-voltmeter NATURE OF RESPONSE AND DIRECTIONAL CHARACTERISTICS A controlled directional response can be obtained by employing a sensing diaphragm, both faces of which are exposed to the sound fieldof interest Such diaphragms experience a driving force that depends on the spatial rate of change of pressure rather than on the pressure itself The diaphragm may be circular as in a capacitor or moving coil microphone or rectangular as in a ribbon microphone The principal axis of the microphone is directed perpendicular to the plane containing the diaphragm NATURE OF RESPONSE AND DIRECTIONAL CHARACTERISTICS
This axis makes anangle θ
with the direction of the incident sound When θ has the value π /2, both faces of the diaphragm experience identical pressures and the net driving force on the diaphragm is zero NATURE OF RESPONSE AND DIRECTIONAL CHARACTERISTICS
Now when θ is 0, the sound wave is incident normally
on the diaphragm and the driving force on the left face of the diaphragm will be the pressure in the sound wave at the left face’s location multiplied by the area of the left face The pressure difference can be calculated by taking the product of the space rate of change of acoustic pressure, known as the pressure gradient, with the effective acoustical distance separating the two sides of diaphragm NATURE OF RESPONSE AND DIRECTIONAL CHARACTERISTICS FREQUENCY RESPONSE OF MICROPHONE Frequency response refers to the way a microphone responds to different frequencies It is a characteristic of all microphones that some frequencies are magnified and others are attenuated For example, a frequency response which favors high frequencies means that the resulting audio output will sound more trebly than theoriginal sound For high quality instrument grade microphones a large flatrange (20Hz to 20KHz) is required FREQUENCY RESPONSE OF MICROPHONE MEASUREMENT MICROPHONES Some microphones are intended for testing speakers, measuring noise levels and otherwise quantifying an acoustic experience These are calibrated transducers and are usually supplied with a calibration certificate that states absolute sensitivity againstfrequency Measurement microphones are dominantly air capacitor or electret capacitor microphones While ceramic piezoelectric units may still be encountered MEASUREMENT MICROPHONES The standard sizes in terms of capsule diameter are 1 inch, 1/2 inch, 1/4 inch, and 1⁄8 inch The larger units have higher sensitivity and lower noise floors The 1-inch unit is favored for making measurementsin quiet environments at frequencies below about 8 kHz The ½ inch unit is a general purpose one but has high frequency limitations Broad frequency band measurements usuallyrequire the 1/4 or 1⁄8 -inchvariety MEASUREMENT MICROPHONES When the microphone capsules are smaller than 1/2 inch in diameter it is impossible to incorporate the necessary circuitry and connector in a uniform cylinder having a diameter equal to that of the capsule In such instances it is necessary to enclose the circuitry and connector in a larger cylinder that is joined to the capsule by a smoothly tapered section matching the larger diameter to the smaller diameter VARIOUS TYPES OF MICROPHONES Various typesof microphones are available in the market as listed below Moving coil(dynamic microphone) Ribbon Carbon microphone Condenser Electret Crystal(Piezoelectic microphone) VARIOUS TYPES OF MICROPHONES Fiber optic microphone laser microphone Water microphone Microelectromechanical systems(MEMS microphone) MOVING COIL(DYNAMIC MICROPHONE) Dynamic microphones work viaelectromagnetic induction They are robust, relatively inexpensive and resistant to moisture With moving coil microphones a smallmovable induction coil is attached to thediaphragm When the diaphragm vibrates, the coil moves in the magnetic field, producing a varying current in the coil through electro-magnetic induction MOVING COIL(DYNAMIC MICROPHONE) These are the advantages of this microphone type: - Relatively robust to mechanical stress -High SPL capability (useful when singing or playing loud instruments) - No supply voltage needed Due to the coil mass, moving coil microphones provide a limited reproduction spectrum and poor pulse behavior They are suitable for close miking, because non-linear distortions are rare with high sound pressure levels They are primarily used for live applications, sometimes also in thestudio. MOVING COIL(DYNAMIC MICROPHONE) RIBBON MICROPHONE Ribbon microphones use a thin, usually corrugated metal ribbon suspended in a magneticfield The ribbon is electrically connected to the microphone's output, and its vibration within the magnetic field generates the electricalsignal Basic ribbon microphones detect sound in a bi- directional (also called figure-eight) pattern because the ribbon, which is open to sound both front and back, responds to the pressure gradient rather than the sound pressure RIBBON MICROPHONE RIBBON MICROPHONE CARBON MICROPHONE A carbon microphone uses a capsule or button containing carbon granules pressed between two metal plates A voltage is applied across the metal plates, causing a small current to flow through thecarbon One of the plates, the diaphragm, vibrates in sympathy with incident sound waves, applying a varying pressure to the carbon The changing pressure deforms the granules, causing the contact area between each pair of adjacent granules to change, and this causes the electrical resistance of the mass of granules to change CARBON MICROPHONE The changes in resistance cause a corresponding change in the current flowing through the microphone, producing the electrical signal Carbon microphones were once commonly used in telephones; they have extremely low-quality sound reproduction and a very limited frequencyresponse range, but are very robust devices Unlike other microphone types, the carbon microphone can also be used as a type of amplifier, using a small amount of sound energy to control a larger amount of electricalenergy CARBON MICROPHONE SOUND REPRODUCTION AUDIO DEVICES AND APPLICATIONS CONDENSER MICROPHONE The condenser microphone, invented at Bell Labs in 1916 by E. C. Wente is also called a capacitor microphone or electrostatic microphone — capacitors were historically calledcondensers Here, the diaphragm acts as one plate of a capacitor, and the vibrations produce changes in the distance between the plates There are two types, depending on the method of extracting the audio signal from the transducer: DC- biased and radio frequency (RF) or high frequency (HF) condenser microphones CONDENSER MICROPHONE With a DC-biased microphone, the plates are biased with a fixed charge(Q) The voltage maintained across the capacitor plates changes with the vibrations in the air, according to the capacitance equation (C = Q⁄V), where Q = charge in coulombs, C = capacitance in farads and V = potential difference in volts RF condenser microphones use a comparatively low RF voltage, generated by a low-noiseoscillator. CONDENSER MICROPHONE Condenser microphones span the range from telephone transmitters through inexpensive karaoke microphones to high-fidelity recording microphones They generally produce a high-quality audio signal and are now the popular choice in laboratory and recording studio applications They require a power source, provided either via microphone inputs on equipment from a small battery Power is necessary for establishing the capacitor plate voltage, and is also needed to power the microphone electronics CONDENSER MICROPHONE ELECTRET MICROPHONE An electret microphone is a type of capacitor microphone The externally applied charge under condenser microphones is replaced by a permanent charge in an electret material An electret is a ferroelectric material that has been permanently electrically charged orpolarized Nearly all cell-phone, computer, headsetmicrophones are electret types ELECTRET MICROPHONE CRYSTAL MICROPHONE A crystal microphone microphone uses the phenomenon of piezoelectricity — the ability of some materials to produce a voltage when subjected to pressure — to convert vibrations into an electrical signal The high impedance of the crystal microphone made it very susceptible to handling noise, both from the microphone itself and from the connectingcable Piezoelectric transducers are often used as contact microphones to amplify sound from acoustic musical instruments, to sense drum hits, for triggering electronic samples, and to record sound in challenging environments, such as underwater under high pressure