.... Grade 5 6 Week 10
.... Grade 5 6 Week 10
Need to Learn
Display joy of effort and respect for others during participation in physical activities
Essential Questions
Point step — Point Left (Right) foot in front Count 1), step with the same foot in place
with a slight bending of knees (count 2).
Habanera step — Step, close, step (count 1, 2, and). Do this four times. Change step —
Step, close, step (count 1 and 2). Do this four times.
Gallop step — Step Right (Left) foot in fourth in front Count 1) and cut the Right (Left)
foot with Left (Right) thus displacing it and at the same time taking the weight of the
body with the Left (Right) foot (count ah). There are two galops to one measure. This is
executed with one foot leading and may be done in any direction (counts 1, ah, 2, ah).
Do this for 8 times alternately.
Touch step — point, close (count 1, 2). Point Right (Left) foot in fourth in front (count 1),
etep Right (Left) close to Left (Right) in first post tion (count 2). This may be done in all
positions. Do this for 8 counts alternately.
Tiklos
For centuries tiklos has been very important factor in the social life of the peasants of
Leyte. Tiklos refers to a group of peasants who agree to work for each other one day
each week to clear the forest, prepare the soil for planting, or do any odd job on the
farm, including the building of house. At noontime, the people gather to eat their lunch
together and to rest. During this period, “Tiklos” music is played with a flute
accompanied with a guitar and the guimbal or the tambora (kinds of drum). The
peasants then dance the “Tiklos.”
The music of “Tiklos” is also played to gather the peasants before they start out for
work.
Costume: Dancers are dressed in working costume. Music: is divided into two parts: A
and B.
Count: one, two or one, ah, two, ah or one, and, two to a measure.
Formation:
Partners stand opposite each other about six feet apart. When facing audience, Girl
stands at partner’s right side. One to any number of pairs may take part in this dance.
Figure I
Music A.
Partners face front. Throughout this figure Girl holds her skirt, Boy places hands on
waist.
(a) Starting with R foot, take two heel and toe change steps forward..........................4 M
(c) Starting with R foot, take four steps backward to proper places …………............. 2 M
Figure II
Music B.
(a) Cut L backward (ct. 1), cut R forward (ct. 2). Repeat all (cts. 1,2) ………………....2 M
(b) Take three galop steps sideward right (cts. 1, ah, 2, ah, 1, ah) step R foot sideward
(ct. 2) …………………………………………………………………………….…….......... 2 M
Figure III
Music A.
Partners face each other. Throughout this figure, clap hands in front of chest in this
manner: Clap three times (cts. 1, and, 2), clap twice (cts. 1, 2). Do this for sixteen
measures.
(a) Execute change step sideward, starting with R foot (cts. 1, and, 2), hop on R and
raise L knee in front swinging L foot obliquely right backward across R knee in front (ct.
1), hop on R and swing L foot obliquely left forward (ct. 2) ..........................................2 M
(c) Repeat (a), starting with R cut. Execute a three-step turn right in place (cts. 1, and
2). Point L in front (ct. 1), point the same foot close to R (ct. 2) .......................................
2M
(d) Repeat (c), starting with L foot and turning left ………………………......................2 M
Figure IV
Music B.
Partners face each other. The same position of hands as in figure I. (a)
(b) Jump to cross R in front of L (ct. 1), jump to cross L in front of R (ct. 2), jump to cross
R in front of L (ct. 1), jump to close R to L (ct.2) ……………………............................ 2 M
Daling-Daling
“Daling-Daling” is a courtship dance from Jolo, Sulu. This is popular among the young
people of that locality. The word daling means “my love.” The name of the dance,
therefore, means “my love, my love.” The dancers sing as they perform the dance, or
the audience may sing while the dancers perform the dance. The song reveals how two
lovers care for each other. The boy tells the girl that there is no peace in his mind when
he is away from her. The girl, on the other hand, says that even if they were in two
separate islands her love for him would never change.
Costume:
Dancers are dressed in typical Joloano costume. Girl and Boy hold an open fan in each
hand. The fans are held with the second and third fingers on the top side, and the
thumb, fourth and little fingers under on the other side.
Music:
Formation:
Partners stand about six feet apart from each other, both facing front, Girl at right side.
One to any number of couples may take part in this dance.
Step used:
Point step.
Point R (L) foot in front (ct. 1), step with same foot in place with a slight bending of
knees (ct. 2)
Hand movement.
With an open fan held in each hand, raise arms sideward at shoulder level with elbow
straight, but relaxed. Turn hands (from the wrists only) in a horizontal figure eight motion
in two counts.
Introduction
Music Introduction.
Starting with R foot, take three steps forward, hands down at sides (cts. 1, 2, 1), face
each other and raise arms sideward (ct. 2) ……………………………………………... 2 M
Figure I
(d) Repeat (a) going to partner’s place passing by L shoulders. Finish in partner’s place,
facing each other, turning right about after the fourth step ......................................... 4 M
Figure Il
Figure III
(b) Partners join both hands with open fans still held in hands. Stand side by side by R
shoulders so that R arms are stretched at sides and L arms bent. Execute four point-
steps forward, R and L alternately, turning around clockwise..................................... 4 M
Figure IV
(b) Girl - Close R fan. Stamp with R foot five times and at the same time point at partner
five times with R fan (cts. 1, and, 2, and, 1) pause (cts. and, 2). The L hand is doing the
figure-eight movement at the same time for two measures.
Boy — In the meantime execute point-steps in place, R and L, sway body to right and
left and look at partner. Do the figure-eight hand ....................................................... 2 M
(c) Repeat (b), three more times, Girl stamping always with R foot ………………...... 2 M
(d) Starting with R foot, take three point-steps moving backward. Do the figure-eight
hand movement …………………………………………………………………………..... 3 M
The dance may be repeated as many times as desired. Bow only at the last time.
Learning different ethnic and folk dances from the different parts of the country is a very
good experience. It is like going to these places and learning about their people, local
culture, and customs and traditions. As Filipinos, we should be able to learn each
other's traits and peculiarities. As a pupil, you are taught about globalization in these
modern times. However, it is but fitting to learn more about our own culture and
patronize our own. In this manner, we are promoting and practicing unity in diversity in
our everyday life.
Keep in Mind
Tiklos” is a dance which depicts the social life of the peasants in Leyte. It is about a
group of peasants who agree to work for each other one day each week to clear the
forest, prepare the soil for planting, or do any odd job on the farm, including building a
house
Identify the basic steps used in tiklos and Daling-Daling. Choose answer from the fan.
Write your answer on the answer line.
5. Step Right foot in fourth in front (count 1) and cut the Right foot with Left thus
displacing it and at the same time taking the weight of the body with the Left foot (count
ah)
In the Take Off activity, you created and performed your own dance steps to the song.
You interpreted dance movements according to how you interpreted the rhythm and
melody of the song. You created a creative dance. What is creative dance?
http://www.interaksyon.com http://pinoymanila.com
Creative dance is a form of dance in which you create the dance steps or movements
according to your experiences, thoughts, and feelings. You create your own dance
movements according to how you interpret your ideas, feelings, and sensory
impressions and express them symbolically using your body.
Your body and its parts is your basic material in creative dancing.
* an idea (a journey),
* or a feeling (strength).
Your body and its body parts can create a wide range of movements.
2. You can also combine movements and body shapes to express images and feelings.
Example:
* apply spatial variations to the movements like forward, backward, high or low; and
* use time and energy variations like slow or fast, and others.
You may want to interpret music or a song, a poem, a rhyme, or tell a story through
movements using an appropriate music. You can also imitate movements of things in
nature like animals, clouds, flowing rivers, ocean or sea waves, swaying of trees to the
wind, and movements of humanmade objects like robots, cars, and the like.
There are many different possibilities to create your own dance movements. There are
many different ways by which you can do movements either with objects or with people.
1. You can use these movement ideas to express different images and feelings to tell a
story or an experience.
2. You can also use the idea of opposites for making dance movements like expressing
opposite emotions, greetings, directions of movements, levels of movements, and many
others.
3. You can use the folk-dance steps you learned and make variations of them to
express ideas and feelings.
Combine these with good timing to a tune or music and you will be able to compose a
creative dance. To enhance your dance steps, you can use costume or props. You can
also choose a music that will add a dramatic effect to your dance steps.
Keep in Mind
Creative dance is a form of dance in which you create the dance steps or movements
according to your experiences, thoughts, and feelings. You create your own dance
movements according to how you interpret your ideas, feelings, and sensory
impressions and express them symbolically using your body.
A. Knowledge
1. You develop a creative dance when you imitate or follow a movements of others.
2. You can create your own choreography by expressing ideas and feelings through
body movements.
4. You need timing and contrast of movements in order to create varied dance steps.
6. In creative dance, you are only limited to locomotor and non-locomotor movements.
7. Your movements in creative dance may be fast or slow, bound or free, heavy or light,
or in different levels and directions.
8. Applying contrast of movements make your created dance steps more interesting.
B. Process/Skills
Form groups of 6 to 8 members with the help of your teacher. Choose a music or song
that you want to interpret. Make sure that your song choice is different from the other
groups. Compose your creative dance steps as a group. Practice your dance with your
group in preparation for a class performance.
D, Product/Performance
Perform in class the creative dance you practiced with your group in B. Before you
perform, inform the class the background or story behind your dance.