The Commandant March

George Rosenkrans (1881-1955)


      
arr. by Gary Gillett & William Roche

          
      
h = 120 A
Flute/
   
Piccolo

                       

ff

ffz mf

Oboe    

  
ff ffz mf
    
Bassoon
       
      
 
           
 
ff
ffz     
mf
 
Clarinet in Bb
Solo, 1
   




    ffz
     
ff mf
    

      

Clarinet in Bb 2, 3

 
ff mf

          
ffz
Bass Clarinet

       
   
in Bb

  
     ffz
mf
            
    
ff
Alto Saxophone 1

             

ffz mf

Alto Saxophone 2        

        
ff
  mf
 
Tenor Saxophone       
    
ff ffz mf

              
Baritone Saxophone
     
  Solo         

    
mf

            
ff ffz
Solo Cornet in Bb 


     
f 1-3 valves ff ffz mf

Solo
Cornet in Bb 1                    
 
   
f 1-3 valves ff ffz mf

         
Cornet in Bb 2, 3
       

 
     
mf
                
ff
ffz 
 
Horn in F 1, 2


        
ff mf
a2

       
ffz
Horn in F 3, 4
      
  
    

ff
   ffz

mf
  
  
a2
Trombone 1, 2   

          
ff ffzmf
   
Trombone 3          
  
    
  ffz         
ff mf

Euphonium
     

  
ff ffz mf
  

            
     
ff 
Bass

                
mf
       
 
ffz
  
ff  
Snare Drum

     ffz    
          
mf
 

Cymbal/                    
Bass Drum

ff
  mf
ffz
Copyright © 2009
2

     
 
                             
8

Fl./Picc. 
3 3
      
3
     
Ob.                      
3
                      
Bsn.
       
                 
               
Cl. S, 1 
3 3

    
 
 
       

Cl. 2, 3 

                
B. Cl.
               
                                  
A. Sax. 1 

3 3
    
A. Sax. 2             
     
T. Sax.      

B. Sax.
                          
   
   
S. Cor.                               
3 3

Cor. 1                                  

3 3

 
    
  
       


Cor. 2, 3

Hn. 1, 2                                 

                           
       
Hn. 3, 4
    
  

Tbn. 1, 2
         

Tbn. 3
                           
     
Euph.
        


  
                   
Bas.
          
S. D.
                                       

3
                      
3
       
Cym./B.D.
                          
                     1.

3

     
 
Bmarcato  
   
  
2.
   
16

Fl./Picc.    

                   
3 ff ffz ff

               
marcato


Ob.

    
3 ff ffz ff
 
marcato
            
                ff         
Bsn.

  
   
   ffz    marcato
ff

Cl. S, 1   
      ff
      
   ffz
3

ff
    
marcato
Cl. 2, 3    

   ff 
ff marcato
           
ffz
         
B. Cl.
   
  
  
                    ffz ff
  
marcato
 
ff
A. Sax. 1  
             
3
    
ff ffz ff

 
marcato
A. Sax. 2  
        ff
     
ff
 
  ffz
marcato
T. Sax. 

                          
ffz

ff ff


marcato

       

B. Sax.

     
          
ff ff
          
   
ffz marcato
S. Cor. 

           
3
 
ff
                
ffz ff
marcato
Cor. 1   

        
3 ff ffz ff
marcato
       
Cor. 2, 3
          
     ff   
ff marcato
                    
ffz
Hn. 1, 2
  
ffz      
 
ff ff
marcato
                      
  ff   
Hn. 3, 4
     
     
       


ff
 
marcato

ffz
Tbn. 1, 2

            
ff ffz ff
    
marcato
Tbn. 3             
    
   

      
 
ff
 ffz  ff
marcato
Euph. 

    
ff ffz ff
 

marcato
           
Bas.
           
                
ff ff
   
    

marcato
   
ffz
S. D. 

                  ffz         
 
      
3 ff ff


marcato
Cym./B.D.
                    
ff  ff
ffz
4


    
    
    
     
     
23

Fl./Picc.   


   

            
       
Ob.

                
Bsn.
                     
                  
    

   
Cl. S, 1

                     
Cl. 2, 3          

             
B. Cl.
         
     
        
 

          
 
A. Sax. 1  
    
 
A. Sax. 2                      

   
           
      
T. Sax.


B. Sax.
                          

                
S. Cor.           

       
    
Cor. 1              


    

     
  
Cor. 2, 3
              

Hn. 1, 2                             

                             
       
Hn. 3, 4

    
          
Tbn. 1, 2
        

                     
Tbn. 3       

    
     
Euph.
         

 


 
  
                      
Bas.
 

S. D. 
                                           
    

                           

Cym./B.D. 
                           
 5

    
    
                 
           
30

Fl./Picc.   


                     
Ob.

              
            
Bsn.
                       
  
       
  
      
Cl. S, 1

           
     
 
Cl. 2, 3


           
       
     
B. Cl.
        
         
   
A. Sax. 1  


                    
A. Sax. 2 

T. Sax.              
    


                
B. Sax.
           
                   
S. Cor.   
                    
Cor. 1  

         

Cor. 2, 3              

Hn. 1, 2                              
a2

    
 
 
                 
         
Hn. 3, 4

              


 
Tbn. 1, 2 

Tbn. 3
                            

              


 
Euph. 

 
   
           
Bas.
           
                                      
S. D. 

                           
Cym./B.D.
                            
6

        2.    
    
                  
C Trio
    

37 1.

Fl./Picc. 

            
  
     
mf-ff
                 
Ob.

   
mf-ff
             
               
Bsn.
       
      mf-ff 
      
   

Cl. S, 1   

    
       
mf-ff
             
Cl. 2, 3     

  
mf-ff

             
       
B. Cl.
        
    
              



mf-ff
A. Sax. 1 

          
   


mf-ff

A. Sax. 2
             

                
  
mf-ff

T. Sax.        
        

mf-ff

                
      
B. Sax.

                       
mf-ff

S. Cor.        

               
mf-ff

Cor. 1               

                
mf-ff
              
Cor. 2, 3

           
mf-ff

Hn. 1, 2       
       
   
       
   
           
mf-ff

                    
 
Hn. 3, 4

                  

  
 
mf-ff
       
Tbn. 1, 2 
      
       mf-ff

Tbn. 3                 

            
     
  
mf-ff
       
Euph. 
    
mf-ff
 

           
   
Bas.
       
         
mf-ff
  
     
S. D.                   
      mf-ff
                     
Cym./B.D.
                          
mf-ff
 7
 
                         
     
   
44

Fl./Picc.  
         
Ob.                             
                 
Bsn.                      
                     
    
Cl. S, 1  
                       
Cl. 2, 3   

 

              
       
B. Cl.
         
           
A. Sax. 1    

A. Sax. 2 
                

            
T. Sax.        

 
                  
B. Sax.
         
                  
S. Cor.   
Cor. 1           
      

Cor. 2, 3                          

Hn. 1, 2                  
   
       
   
       
   

Hn. 3, 4                                 
                
   
Tbn. 1, 2 
                          
Tbn. 3 
             
 
Euph.
 
    

  
  
             
Bas.
              

       
S. D.                                 
                               

Cym./B.D. 
                      
8
    
   
52                          
Fl./Picc.   
   
Ob.                                   

                 
       
     

Bsn.

                               
Cl. S, 1  

                     
Cl. 2, 3       

B. Cl.  

 

 



  

 

 

 


             
            
A. Sax. 1  
               
A. Sax. 2  
           
T. Sax.        

 
                  
         
B. Sax.

           
          

S. Cor.

Cor. 1                  

                         

Cor. 2, 3


Hn. 1, 2         
  
       
   
       
   
  

    
  

Hn. 3, 4                                

  
                  
Tbn. 1, 2  
                          
Tbn. 3 
               
Euph.
 
    

  
  
             
      
Bas.
       

       
S. D.                                 
                               

Cym./B.D. 
                      
 9

 
             
             
60

Fl./Picc.    
               
Ob.             
 
  







                

Bsn.
       
   

     
    
Cl. S, 1   
                  
Cl. 2, 3      

 

        



  
    
B. Cl.
    
    
           
A. Sax. 1   
                    
A. Sax. 2 
           
T. Sax.          

 
                  
  

B. Sax.
   
                    
S. Cor.   

Cor. 1                      

Cor. 2, 3                   
     
                     
Hn. 1, 2         
   
 

Hn. 3, 4                             
                
     
Tbn. 1, 2 
                         
Tbn. 3     
              
Euph.
 
      


  
                 
  

Bas.
    

     
S. D.                                 
                           

Cym./B.D. 
                           
 
10
     
  
 
 
1. 2.
67
      
Fl./Picc.        
                    

ff

Ob.             


ff
 
  

 
   



   





    ff 
Bsn.
      

      
Cl. S, 1   

 
         
 
ff
Cl. 2, 3       


ff

 

 



  
   
B. Cl.
        
            
ff
A. Sax. 1   


 
        
ff
A. Sax. 2     
        ff         
T. Sax.    


ff

 
           
B. Sax.
          
  ff
 

           

S. Cor.

  
ff
   
         
Cor. 1

     
ff
     
      ff  
Cor. 2, 3


                         
Hn. 1, 2
            
   
ff

                     

Hn. 3, 4
ff 
Tbn. 1, 2
  
              

  
 
     
ff
              
Tbn. 3  ff
        
 
    
      
Euph. 

ff

  
        
Bas.
         
  
  
ff 
                  
  
S. D.     
  

                       
ff

Cym./B.D.
                       
ff 
Flute/ Piccolo

The Commandant March


     
George Rosenkrans (1881-1955)

         
           
h = 120 arr. by Gary Gillett & William Roche

      
A
  
  

                    1. 
3

ff ffz mf

                         
 
2.

12

  
3 3 ff ffz

                 
    
  
  
    
     
Bmarcato

22

 
ff

   2.   
              
               1.
 
     
31

   

C 
                                           
   
 
39

Trio 
mf-ff

                             
                  

49

  

          
59
                     
    

            
   
1.

 
2.

   
66
        
      
 
ff

Copyright © 2009
Oboe

The Commandant March George Rosenkrans (1881-1955)

arr. by Gary Gillett & William Roche


                           

h = 120 A
      
        
ff ffz mf 3

                               
12 3

        
1. 2.

     
3 ff

ffz

            
Bmarcato
 
22

               
   

ff

   
      
 
31
 
1. 2.

          

     

          

C
           
39

Trio             
mf-ff

  
          
48
              
          

                          
57
       
      

                     
65
       
           
1. 2.


ff

Copyright © 2009
Bassoon

The Commandant March

George Rosenkrans (1881-1955)
arr. by Gary Gillett & William Roche


 
h = 120

       
A
 
            

  

  

  


ff  mf
ffz

 
12
   
1. 2.
                
  
            
   ff
ffz

    
22 Bmarcato
                            
   
ff


31
  
1. 2.
              
        
      

    
39 C

                     
        
Trio
           
mf-ff

50
                        
     
                  


62
 
1. 2.

                      

 
      
     

  
ff
Copyright © 2009
Clarinet in Bb Solo, 1

The Commandant March

George Rosenkrans (1881-1955)

     
h = 120 arr. by Gary Gillett & William Roche

                     
 
      
A

 

                    1.
ff ffz mf 3

  
                 
 
2.
   
12
   

3 3

       
ff ffz
     
            
 
       
22 Bmarcato
   

             
ff

     
             1.    2.   
 
31

    


         
                         

 
39 C

Trio

mf-ff

                                    
   
48

 

57                                     

 

             
      
1.
  
 
2.
65
       
      
ff

Copyright © 2009
Clarinet in Bb 2, 3

The Commandant March

George Rosenkrans (1881-1955)
arr. by Gary Gillett & William Roche
 
     
  
h = 120
       
A
    
  
   
ff
 mf
ffz

  

               
11
        
1. 2.

   
ff
ffz

              
    
Bmarcato
         
22
   
 


ff

  
               2.   
 
   
31

     
1.
  



               
  

C Trio
           
39

  
mf-ff

                             
49

   

                 
59

   

 
66
             
     
1. 2.
  
ff

Copyright © 2009
Bass Clarinet in Bb
The Commandant March
George Rosenkrans (1881-1955)
arr. by Gary Gillett & William Roche


 
h = 120 A

       

 

 

 

 
       
 mf       
ff ffz

 
12 1. 2.

         











 

   
        
ff ffz  

   
22 Bmarcato
               
      
ff          


31 1. 2.

             
           
      

  
39 C
                     
          
Trio
          
mf-ff

50

                     

  
              
       


62 1. 2.

                 
           
         ff
    
Copyright © 2009
Alto Saxophone 1

The Commandant March

George Rosenkrans (1881-1955)
arr. by Gary Gillett & William Roche

h = 120
                        

               
A

 
ffz mf 3

                                     1. 

   
 
12

2.

   
3 3 ff ffz

      
 
  marcato   
        
         
22 B

  
ff

     
                    
31 1. 2.

    

      
  
                     
C
 
39

Trio 
mf-ff

                               
50

 


 
                  1.  
   
61
   
2.

    
ff
Copyright © 2009
Alto Saxophone 2

The Commandant March

George Rosenkrans (1881-1955)
arr. by Gary Gillett & William Roche
h = 120

         
A

               
ff mf

                    
11

   
1. 2.
        
ff
ffz

  marcato
           

22 B
                    
ff

              
31
         
    
1. 2.

 

    
C
               
39

Trio            
mf-ff

                             
49
    
 


         
      
61

    
1. 2.
        
   
ff

Copyright © 2009
Tenor Saxophone
The Commandant March
George Rosenkrans (1881-1955)
arr. by Gary Gillett & William Roche
h = 120

    
  
A
  
           
ff ffz mf

    
             
11
 
   
1. 2.

 
ff ffz

   

Bmarcato
  
22
   
             

ff

   
          
31
 
         
1. 2.

  

                   
39 C
Trio
             
mf-ff

  
                 
50
         
 


        
     
            
62

   
1. 2.

     
ff

Copyright © 2009
Baritone Saxophone
The Commandant March
George Rosenkrans (1881-1955)
arr. by Gary Gillett & William Roche


 
h = 120

       

A

             

  

  

  


 mf    
ff ffz

 

12 1. 2.

                                 

 
 
      ff
ffz

  marcato
    
22 B
                           
  
ff

       
31 1. 2.

                     
      

                             
39 C
        
     
Trio

mf-ff

50

                                                


62 1. 2.

                             
             
ff

Copyright © 2009
Solo Cornet in Bb
The Commandant March
George Rosenkrans (1881-1955)
arr. by Gary Gillett & William Roche
h = 120


                   
A
  
Solo

              
f 1-3 valves ff ffz mf 3

                                 
3

   
  
      
16

           
1. 2.
       
3 ff ffz

    
        
Bmarcato
   
22
  
            

ff

       
        
31

         
1. 2.

  

            
39 C
                         
Trio
 
mf-ff

          
51
           
  

     

 
62
   
           
1. 2.

             

ff

Copyright © 2009
Cornet in Bb 1

The Commandant March

George Rosenkrans (1881-1955)
arr. by Gary Gillett & William Roche
h = 120

          

A
  
Solo

                     
f 1-3 valves ff ffz mf 3

                                 
3

 


    
16

            
1. 2.
           
3 ff ffz

            

Bmarcato

22
  
               

ff

   
       
 
31

             
1. 2.
  


     
39 C
Trio
                     

    
  
mf-ff

50

                                 


61 1. 2.

                             
    
ff
Copyright © 2009
Cornet in Bb 2, 3 The Commandant March
George Rosenkrans (1881-1955)
arr. by Gary Gillett & William Roche

h = 120

  

A

            
      
  
ff
  mf
ffz

     
11 1. 2.

            
        
       
ff 
ffz

            
Bmarcato

22

     
 
                 
ff

           
 
31 1. 2.

                 
              

     
39 C
Trio                      

     


mf-ff

50

                                   

 
61 1. 2.

                                 
    
ff
Copyright © 2009
Horn in F 1, 2
The Commandant March

George Rosenkrans (1881-1955)

arr. by Gary Gillett & William Roche


                             
h = 120 A

   
ff
  mf
ffz

                                             
11 1. 2.

ff

ffz

      
22 Bmarcato
                               
ff

      
31 1. 2.

                            

                                              
C

39

Trio
mf-ff


50

                                                 

                                             

62 1. 2.

ff 

Copyright © 2009
Horn in F 3, 4
The Commandant March

George Rosenkrans (1881-1955)

arr. by Gary Gillett & William Roche


  
h = 120 Aa2

       
                    
              
ff mf
ffz

                                         
12 1. 2.

ff 
ffz

      
22 Bmarcato a2
                             
              
ff

      
31 1. 2.

   

     

   
 
          
           

                                      
C

39

Trio
mf-ff


48

                                    


57

                                

  
65 1. 2.

                              
ff

Copyright © 2009
Trombone 1, 2
The Commandant March
George Rosenkrans (1881-1955)
arr. by Gary Gillett & William Roche
h = 120

      
    
     
       
Aa2
 

ff ffz mf

    
    
 
        2.
         
11

1.
  
ff ffz


  
   
  
          
22 Bmarcato
    

ff


       
      
 
         
31
  
1. 2.
  

                                  
39 C

Trio  
mf-ff

     
                           
50

 

 
 
            
        1.    
61
   
2.

    
ff

Copyright © 2009
Trombone 3 The Commandant March
George Rosenkrans (1881-1955)
arr. by Gary Gillett & William Roche

         
 
h = 120 A
                     
     
ff mf
ffz

           
12
                 
1. 2.
           
ff
ffz

      
22 Bmarcato
     
 
 
                    
ff


      
31
                 
1. 2.
        

                                              
39 C
Trio

mf-ff

50
                                      
          

                                             
62 1. 2.

 ff
Copyright © 2009
Euphonium
The Commandant March
George Rosenkrans (1881-1955)
arr. by Gary Gillett & William Roche

    
    
  
           
h = 120 A
   

ff ffz mf

    
 
    

    
     
11
  
1. 2.
  
ff ffz


  
   
  
          
22 Bmarcato
    

ff


       
      
 
         
31
  
1. 2.
  

                
             
   
39 C
Trio

mf-ff

                   
      
   
51



 
              
 
          
62
 
1. 2.

       
ff
Copyright © 2009
Bass

The Commandant March

George Rosenkrans (1881-1955)
arr. by Gary Gillett & William Roche
h = 120

  
A
 
        
          

  

  


ff  mf
ffz

 
11
   
1. 2.
                    
  
            
   ff
ffz

    
22 Bmarcato
                            
   
ff


31
  
1. 2.
              
        
      

    
39 C

                     
         
Trio
mf-ff           

50
                        
     
                  


62
 
1. 2.

                      

 
      
     

  
ff
Copyright © 2009
 The Commandant March George Rosenkrans (1881-1955)

                                     
Snare Drum arr. by Gary Gillett & William Roche
h = 120
       
A

 
Cymbal/ Bass Drum

   mf
Snare Drum

    ffz              3               
                     
ff

              
Cymbal/
Bass Drum
 
                                             
ff ffz mf 1. 2.


12


     
S. D.

                                  ffz
                
3 3 ff
Cym./B.D. 
                       

 
ff

S. D.        
ffz
                                           
22 Bmarcato
       

                                
Cym./B.D.  

marcato
ff

                               


ff

                                       
30 1. 2.

S. D.        
    

 
                                
Cym./B.D.                                    

 
S. D.                                                        
C Trio

           
39

 mf-ff
    
      
      
      
      
          
Cym./B.D.                                                   

 
mf-ff

           
51
                                               
                                          
S. D.


Cym./B.D.                                              

                                    
1.

 
2.

        
   
62

   
      ff
      


S. D.

                                   
                            
Cym./B.D. 
              
ff 
Copyright © 2009