What Is A People
What Is A People
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New Directions in Critical Theory presents outstanding classic and contemporary texts
in the tradition of critical social theory, broadly construed. The series aims to renew and
advance the program of critical social theory, with a particular focus on theorizing con-
temporary struggles around gender, race, sexuality, class, and globalization and their com-
plex interconnections.
cup.columbia.edu
Qu’est-ce qu’un peuple? © 2013 La Fabrique-Éditions
English translation © 2016 Columbia University Press
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c 10 9 8 7 6 5 4 3 2 1
preface vii
4. To Render Sensible
georges didi-huberman 65
notes 133
index 153
v
PREFACE
vii
W h at I s a P e o p l e ?
INTRODUCTION
bruno bosteels
1
only nation, state, or civil society but also races, masses, and classes,
as well as a whole slew of other terms more typically associated with
the disciplines of anthropology, sociology, and so-called group or
mass psychology, such as horde, tribe, clan, pack, crowd, commune, or
community. To be sure, many of these concepts can and do enter into
systematic combinations and historical articulations, most notably
around the racialized triad of people, nation, and state so central in
the constitution of the modern world-system. But even in such cases
where the term becomes part of a larger configuration, any strate-
gic privilege given to the concept of the people immediately causes a
chain reaction in the political evaluation of its alternatives. Already
the use of the indefinite article in the question “What is a people?”
invites us to abandon the essentialist presuppositions behind “the”
people and opens up the possibility of talking about “peoples” in the
plural. This may be linguistically awkward in English but in other
languages, such as Spanish, helps draw critical attention to the indig-
enous presence that continues to resist the colonial framing of the
capitalist world-system dominated by the West—with los pueblos origi-
narios, for example, constituting key political actors throughout much
of Latin America today. On the other hand, no sooner is the term
chosen than the people also begins to function as an exclusionary
category in its own right, always in need of being internally demar-
cated from that which is not yet or no longer part thereof and which
for this same reason tends to be relegated more or less violently to
the pre-political or nonpolitical realm indicated by the pejorative
use of terms such as plebs, populace, mob, or rabble.
Whichever way we designate those who are either not the peo-
ple or other than the people, there is no way of circumnavigating
the fact that, both historically and conceptually speaking, this cate-
gory is constituted on the basis of a necessary exclusion. Specifically,
the political logic of the people can be said to operate according to
the principle of a constitutive outside in at least a double sense: by
choosing the people, or a people, as a privileged term for articulating
2 introduction
the sphere of modern politics, contemporary thought inevitably
marginalizes or bans from the discussion a number of other terms,
while raising the even more troubling issue of how to name and take
stock of whoever falls outside of the political realm so designated
and often as a result no longer even appears as a “who” deserving of
calling itself a subject but ends up being targeted as a mere object
of denigration and exploitation. The fundamental decision to be
made in this context, however, is whether or not we take this logic of
exclusion to be capable of erecting insurmountable obstacles on the
path to the continued use of the people as a political category today.
For example, not everyone in today’s world of war-and-oil-driven
globalization will so readily identify with the seemingly egalitar-
ian and emancipatory invocation of “We, the people,” taken up here
by Judith Butler as the starting point for a wide-ranging reflection
on the self-constitution of political subjects, with a special eye on
the new era of protests and uprisings announced in the movements
in Tahrir Square in Egypt or Puerta del Sol in Spain. To the con-
trary, as the opening words of the preamble to the constitution of
one country in particular, this expression—at least in English—will
strike many as being all too deeply ensnared in the history of the
United States of America, from the early days of its independence
to its unbridled economic expansionism and military intervention-
ism today. However, does this mean that the subjective self-assertion
of any people whatsoever, as the embodiment of a plural “we” eman-
cipating itself from the instituted powers that be, should cease to
be prescriptive in general? And should the role of political theory
thenceforth be limited to the extreme vigilance with which one
points out, stands guard over, and endlessly deconstructs the inev-
itable hierarchies and exceptions without which no people has ever
been capable of constituting itself? Or else, without unduly general-
izing one nation’s particular history as our universal model, whether
that of the United States or France, can the category of the people
be salvaged from the combined wreckage of national chauvinism and
introduction 3
imperialist expansionism so as to be rescued for genuinely emanci-
patory purposes? And, in that case, whether it takes place in philoso-
phy or sociology, in political science or the study of language and art,
can the work of theory actually contribute to the sharpening of this
political potential, rather than shielding itself in the irrefutable rad-
icalism reserved for those rare ones who—standing on the sidelines
or tracking down one crisis after the other as so many ambulance
chasers—are uniquely capable of seeing through all the blind spots of
contemporary politics, whether on the left or on the right?
4 introduction
of a people as the modern political act par excellence. For him this
means above all to forego the search for the origins of political power
in a transcendent source such as the divine right bestowed on a king
or dynasty, to whom the people would then have no choice but to
devote itself in a blind pledge of allegiance: “Thus, before examining
the act whereby a people chooses a king, it would be well to examine
the act whereby a people is a people. For since this act is necessarily
prior to the other, it is the true foundation of society.”2 Such would
be the riddle of the people’s foundational act that Rousseau seeks to
solve in The Social Contract. In reality, despite the apparent tautology of
its formulation, this act is riven with paradoxical tensions.
If an act is involved to begin with, then clearly we are not deal-
ing with the evidence of an already given identity. Instead of refer-
ring us back to the self-sameness of an essential being, the people
is only ever the result of a process of political becoming. More so
than a single punctual act, situated at the mythic origin of a people,
such a political process involves a prolonged act or series of acts in
which a substantial yet immanent transformation takes hold of a col-
lective body. This is the strange magic whereby the whole becomes
more than the sum of its parts. Thus, in the distance between the
first and the second mention of “a people” in Rousseau’s formula, we
must assume the occurrence of a true metamorphosis—nothing less
than a change in human nature itself, as the young Marx was fond of
recalling in his reading of The Social Contract: “He who dares to under-
take the establishment of a people should feel that he is, so to speak,
in a position to change human nature, to transform each individ-
ual (who by himself is a perfect and solitary whole), into a part of a
larger whole from which this individual receives, in a sense, his life
and his being.”3 But this momentous change risks becoming obfus-
cated behind the use of the copula in “the act by which a people is a
people,” as if we were dealing not with a momentous transformation
but with a seamless tautology between subject and predicate.
introduction 5
The same tension also lies in wait, phrased differently but like-
wise ready to explode, in the well-known solution offered in The
Social Contract to the fundamental problem of knowing how to
describe what constitutes a people, namely the sealing of an orig-
inary compact or contract: “If, therefore, one eliminates from the
social compact whatever is not essential to it, one will find that it is
reducible to the following terms. Each of us places his person and
all his power in common under the supreme direction of the gen-
eral will; and as one we receive each member as an indivisible part
of the whole.”4 The fact that Rousseau couches his solution in these
terms, borrowed from the juridical ideology of contract law, only
highlights the tension all the more. Indeed, as Louis Althusser has
shown in a painstaking analysis of the theoretical contradictions that
run through The Social Contract, the model of the contract is inade-
quate and fails to correspond to the terms of the problem for which
it is meant as the solution. This is because, even as a philosophical
fiction, a contractual exchange supposes a reciprocal relation of give-
and-take between two formally equal partners. In Rousseau’s formu-
lations, however, a barely disguised contradiction obtains between
the many parts (“each of us”) that enter into the bargain on one end
of the exchange and the indivisible whole (“we as one”) that emerges
on the opposite end.
Indeed, if, following Althusser’s lead, we ask ourselves who are
the recipient parties (RPs) in Rousseau’s formula of contractual
exchange, we can say: “On the one hand they are the individuals
taken one by one, and on the other, the ‘community.’ Hence RP1 "
the individual, and RP2 " the ‘community.’ ”5 In The Social Contract,
though, this second party—the “community” or “collective body” that
Rousseau proposes we may also call the “city,” the “body politic,”
or the “republic”—does not even exist before the act of association
itself. Here, Rousseau’s use of the contract model shows up its inad-
equacy for describing this originary association, as it cannot conceal
the profound imbalance or inequality between the two contracting
6 introduction
parties. Althusser describes this inequality as the first décalage, or “dis-
crepancy,” that begins to tear apart the entire conceptual scaffold-
ing in The Social Contract, the one from which, by an inevitable chain
effect, a whole series of further “discrepancies” will follow in Rous-
seau’s treatise. Althusser describes the problem as follows:
introduction 7
of his notion of the contract lies in the fact that we would be deal-
ing with a relation of such near-perfect exchangeability that the
two contracting parties would seem to be one and the same. Only
now he gives this party directly the name of the people and then
repeats this name on both sides of the contractual exchange: “The
nature of the social pact is private and peculiar to itself, in that
the people only contracts with itself.”8 Here, the philosophical fiction of a
contract with oneself comes to substitute for the political transfor-
mation that must be assumed to take place in the gap between two
fundamentally different terms.
Whether he chooses to generalize and reduplicate the name of
the first or the second partner in his model of the social contract,
Rousseau in each case is at pains to reach a formulation in which
the object or end of the political act par excellence would already
coincide with the very subject of this same act. Thus, the circle may
appear to be squared, but only at the cost of leaving the subject
itself split in a twofold commitment—fidelity both to the sovereign
body of the new collective and to each of its individual members—
that is immediately repressed and covered up by the repetition of
a single name.
As Althusser further suggests, in Rousseau’s hesitation between
the individual and the people as the privileged name for this entity
that would be contracting with itself, we can also locate the source
for the difference in orientation between two major trends in later
political philosophy, signaled by the respective names of Kant and
Hegel:
8 introduction
(the historical conditions of possibility of the contract, the the-
ory of manners and morals, of religion, etc.). In both cases the
philosophical object Social Contract is relieved of its primordial
function. Neither Kantian Morality nor the Hegelian Nation are
constituted by a “contract.” Besides, is it not enough to read Rous-
seau closely to see that his Contract is not a contract?9
We need not follow Althusser’s entire analysis in detail to draw the con-
clusion that Rousseau’s answer to the question “What is a people?”—an
answer that by the same token lays the ground for many of the funda-
mental orientations in political philosophy that are still with us today—
reveals the inescapable play of difference at the heart of this fundamental
category of modern politics. However, the more important question
concerns once again what is to be done with this revelation.
For the canonical Althusser, the one who devoted his 1965–66
seminar to The Social Contract right after having made a major name
introduction 9
for himself with the publication in 1965 of both his own collection of
signature essays in For Marx and the collective volume Reading Capital,
the answer to this question demands a form of symptomatic read-
ing that is not unlike the exercise of deconstruction that around the
same time his younger colleague Jacques Derrida was inaugurating—
incidentally also on the basis of some of Rousseau’s writings. What
is different from the orientation of the author of Of Grammatology is
that for Althusser the task of symptomatic reading in the end still
amounts to a form of ideology critique. His analysis of the textual
discrepancies and theoretical differences that from beginning to end
traverse The Social Contract thus concludes by pinpointing the place
where Rousseau himself finally hesitates between a flight forward
into sheer ideology (with a theory of morals, education, and civil
religion centered on the protection of the concept of liberty) and a
regression or flight backward into the economy (with the factual rec-
ognition of the realities of the class struggle in the form of different
group, class, or party interests whose existence nevertheless cannot
be allowed to undermine the general will).
Rousseau, at the very moment when in defense of the will of
the people he seeks to silence or suppress all groups, orders, fac-
tions, classes, parties, and so on, cannot help but accept their exis-
tence: “The true Social Contract, now a ‘legitimate’ one, thus finds
at the end of the displacement of its concepts the very same realities
whose existence and implacable logic had been described in the Dis-
course on Inequality.”11 The tensions in Rousseau’s treatise at this point
are no longer purely theoretical but concern the discrepant rela-
tion of theory itself with respect to the real; they thus become an
eminently practical affair. “The solution to the existing ‘theoretical
difficulties’ is entrusted to practice. It is a question of managing to
suppress, in the reality which can no longer be avoided, the social
groups and their effects: the existence of orders, of social classes, of
political and ideological parties and of their effects,” Althusser con-
cludes. “As we are now in reality, and can only turn round and round
10 introduction
in it (ideology-economy-ideology, etc.), there is no further flight
possible in reality itself. End of the Discrepancy.”12 The only further
option for Rousseau, at least according to Althusser, is to transfer
the impossible theoretical solution to the realm of literature as an
alternative to theory, in the writing of such masterpieces as La Nou-
velle Héloïse and the Confessions, whereas presumably for the author of
For Marx and Reading Capital himself, the only valid option is to refuse
the temptations of both literature and ideology by offering a scien-
tific investigation into the positivities of the class struggle following
the laws of motion of capital described by Marx.
In stark contrast to this form of ideology critique performed in
the name of Marxism as the science of history, for Althusser’s better-
known students, many of whom were able to start out on their own
only after breaking with the stifling authority of their former teacher
in the way Jacques Rancière did in 1974 with Althusser’s Lesson and
Alain Badiou two years later in Of Ideology, what otherwise appears
to be the effect of a theoretical inconsistency or shortcoming, due
to the inevitable play of difference within the text of modern polit-
ical theory, is the belated attempt to give a name to the real efficacy
of actual politics. Thus, contrary even to Marx’s critical reading of
the gap between “man” and “citizen,” the distance of the people from
itself—the internal difference that keeps it from ever being one—is
not an impediment but rather the very key to unlock its true politi-
cal effectiveness. “For politics, the fact that the people are internally
divided is not, actually, a scandal to be deplored. It is the primary
condition of the exercise of politics,” Rancière proposes in his most
systematic book on the subject, Disagreement: Philosophy and Politics. He
goes on to explain:
introduction 11
of the Rights of Man or the preambles to the Codes and Con-
stitutions, those that symbolize such and such an institution or
are engraved on the pediments of their edifices, are not “forms”
belied by their contents or “appearances” made to conceal reality.
They are an effective mode of appearance of the people, the min-
imum of equality that is inscribed in the field of common expe-
rience. The problem is not to accentuate the difference between
this existing equality and all that belies it. It is not to contradict
appearances but, on the contrary, to confirm them. Wherever the
part of those who have no part is inscribed, however fragile and
fleeting these inscriptions may be, a sphere of appearance of the
demos is created, an element of the kratos, the power of the people,
exists. The problem is to extend the sphere of this appearance, to
maximize this potential.13
12 introduction
or discrepancy inherent in categories such as the people is precisely
what offers a place for political inventiveness—a heterotopian space
or stage where the “play” that such words give, like a door that stands
ajar or a window that cannot be shut tight, opens itself up to produc-
tive displacements and transformations.
Another way of stating this difference in approach between
Althusser and some of his ex-students whose work is featured in the
present collection would require that we interpret “play” not just in
the linguistic or mechanical but also in a theatrical sense. This inter-
pretation in turn presupposes that we abandon the quintessentially
philosophical oppositions between ideas and reality, between form
and content, or between appearance and essence. “There is not, on
the one hand, the ideal people of the founding texts and, on the
other, the real people of the workshops and poor neighborhoods”
but only a mixed scene to be staged and interpreted in between:
“And so it is no longer a matter of interpreting the difference
between one people and another according to some kind of symp-
tomatology. It is a matter of interpreting, in the theatrical sense of
the word, the gap between a place where the demos exists and a place
where it does not, where there are only populations, individuals,
employers and employees, heads of households and spouses, and so
on.”15 To adopt a theatrical interpretation of the staging of the peo-
ple in politics, moreover, in retrospect gives a whole new meaning to
the fact that at the heart of For Marx we already find a text dedicated
to the theater, in which Althusser makes the rather condescending
claim that being on the side of the people always involves playing at
being the people: “One makes oneself ‘one of the people’ by flirta-
tiously being above its own methods; that is why it is essential to
play at being (not being) the people that one forces the people to
be, the people of popular ‘myth,’ people with a flavor of melodrama.
This melodrama is not worthy of the stage (the real, theatrical
stage). It is savored in small sips in the cabaret.”16 For someone like
Rancière, who decided to collect many of his best writings under the
introduction 13
title Les Scènes du peuple, or for the seasoned playwright that Badiou
also is, this provocative claim by no means should be read as an
all-out condemnation of the politics of the people. On the contrary,
if the people can only ever be staged, this is because there exists no
necessary or natural connection between a particular actor or agent
and its assigned role in history. Hence the need for what Laclau,
making a similar argument from within a slightly different tradition,
calls a contingent hegemonic articulation: “This relationship by
which a sector takes up tasks that are not its own is what the Russian
social-democrats called hegemony.”17 In fact, had the role of certain
actors been wholly predetermined and transparently inscribed in
the forward march of history, there would be no need for a political
articulation to begin with.
Between the social category of the working class and the polit-
ical operator of the proletariat, for instance, there exists no essen-
tial connection or linear relation of transitivity according to Badiou,
Laclau, or Rancière. Instead, in every case such a connection must be
interpreted, staged, and acted out—Butler might say performed—
according to the singular demands of the situation at hand. Therein
lies precisely the crux of any political action. “Politics consists in
interpreting this relationship, which means first setting it up as the-
ater, inventing the argument, in the double logical and dramatic
sense of the term,” in a way that differs both from classical theories
of sovereignty based on the people’s self-alienation, as in Hobbes or
Rousseau, and from their scientific critique in the name of the social
positivity and consciousness of the working class, as in Marx: “This
invention is neither the feat of the sovereign people and its ‘repre-
sentatives’ nor the feat of the nonpeople/people of labor and their
sudden ‘awareness’ or prise de conscience.”18 Instead, Rancière prefers
to speak in terms of a “third people,” incidentally using the same
French expression, le tiers peuple, that appears in the title of Sadri
Khiari’s contribution to the present volume.
14 introduction
4
introduction 15
However, aside from a paradigm shift from the proletariat to the
people, which every day risks pushing more and more post-Marx-
ists into the open arms of neo-populists, there also exists a very dif-
ferent tradition in thinking of the people that would appear to be
almost completely absent from the present volume and is only indi-
rectly alluded to in the language of the Volk. The latter, in fact, is not
just the common German word for “people,” it arguably also serves
as an untranslatable code word to refer to the closed communitarian
understanding of the Volksgemeinschaft in Nazi Germany. Philosoph-
ically, this tradition no doubt finds its most troubling expression
in the work of Martin Heidegger, whose National-Socialist com-
mitment—no matter how brief it may have been in the official
record—still has not ceased provoking polemical demarcations and
painstaking explanations from his critics. Among post-Heideggerian
thinkers in France, such as Philippe Lacoue-Labarthe, Jean-Luc
Nancy, and Maurice Blanchot, whose work for the same reason per-
haps should have been represented more fully in the present vol-
ume than what a brief mention in Didi-Huberman’s essay alone
can do justice to, we can thus situate a radical effort at deconstruct-
ing the twin categories of the people as Volk and the community as
Gemeinschaft.
Let us recall how in an important section of his 1927 Being and
Time (§74, “The Essential Constitution of Historicity”), Heidegger
had tried to project the authentic existence of the human being
qua Da-sein, or “being-there,” onto the sphere of world history. For
the thinker from Todtnauberg, authenticity at the level of history
requires a decisive readiness to retrieve the existential possibilities
handed down from tradition and appropriate them as formative of
one’s own fate: not as the inherited legacy of what is merely past and
bygone but as the possibility of a genuine choice that comes to exis-
tence out of the future. Such an anticipatory resoluteness, by which
famously “Da-sein may choose its heroes,” is what Heidegger sees as
grounding a community or a people’s innermost “destiny”:
16 introduction
With this term, we designate the occurrence of the community,
of a people. Destiny is not composed of individual fates, nor can
being-with-one-another be conceived of as the mutual occurrence
of several subjects. These fates are already guided beforehand in
being-with-one-another in the same world and in the resolute-
ness for definite possibilities. In communication and in battle the
power of destiny first becomes free. The fateful destiny of Da-sein
in and with its “generation” constitutes the complete, authentic
occurrence of Da-sein.20
introduction 17
to change the nihilist course of the West, for example, by giving us a
glimpse of the coming of the last God. “The selfhood of the human
being—of the historical human being as the selfhood of a people—is
a realm of occurrences, a realm in which human beings are appropri-
ated to themselves only if they themselves reach the open time-space
wherein an appropriation can occur,” Heidegger still muses in Con-
tributions to Philosophy. “The most proper ‘being’ of humans is there-
fore grounded in a belonging to the truth of being as such, and this is
so, again, because the essence of being as such, not the essence of the
human being, contains in itself a call to humans, as a call destining
them to history.”22 Even Lacoue-Labarthe, who in his lifelong inves-
tigation into the matter never accepted the charge of Heidegger’s
anti-Semitism and passed away before the publication of the noto-
rious Black Notebooks might have changed his mind, had to admit that
the notion of a turn in the fundamental orientation of Heidegger’s
thinking was more wish-fulfilling fantasy than reality on the part
of the German thinker. “Between 1933 and 1967, the tone has obvi-
ously changed: the pathos of meditation has been substituted for the
pathos of resolution and there is no call for a national revolution. . . .
Yet the ‘message’ is the same and the—now veiled—injunction is
identical: the leap called for (breach and leap into the origin) is now
called ‘step back,’ but it is still the destiny of Western Europe that is
at stake in it,” Lacoue-Labarthe concludes in Heidegger, Art, and Politics:
The Fiction of the Political. “It is clear, then, that Heidegger never ceased
to connect the possibility of History (historiality) with the possibil-
ity of a people or of the people. Which always meant conjointly, as
we know, with the possibility of an art (a Dichtung), a language and a
myth (a Sage, i.e., a relation with the gods).”23
For those thinkers who nonetheless are prepared to stay within
a certain Heideggerian mind-set in order to offer their critique,
the lesson that we are expected to draw from this line of thinking
holds that the deconstruction of metaphysics must be pushed to
the limit so as to tackle the hegemonic desire of and for philosophy
18 introduction
still present in Heidegger’s own thought in its disastrous affiliation
with Nazism. Thus a radical critique not only of Heidegger’s per-
sonal commitments but also of all hitherto existing forms of polit-
ical subjectivization, whether they go by the name of the people or
not, should serve as a constant reminder to renounce the misguided
hopes placed in philosophy’s ability to provide spiritual guidance or
leadership to the political guide or leader. “The commitment of 1933
is founded upon the idea of an hegemony of the spiritual and the
philosophical over political hegemony itself (this is the theme of a
Führung of the Führung or of the Führer) which leads us back at least to
the Platonic basileia,” but which in Heidegger’s case becomes compat-
ible with Nazism through the supporting reference to the rootedness
of a particular people, i.e., the German Volk. “In Heideggerian terms,
the question is, as I have indicated, the following: why is historial
Dasein determined as the Dasein of a people?” asks Lacoue-Labarthe.
“In more banally political terms, we may transcribe this question as
follows: why was Heidegger committed to the idea of a national Rev-
olution and why did he never repudiate that commitment?”24
Faced with the legacy of Heidegger’s undeniable political com-
promises, thinkers such as Lacoue-Labarthe and Nancy call for an
interruption of the general logic according to which philosophy
would be able to lead the way to the resolute appropriation of an
authentic destiny, whether by a solitary individual or a historic peo-
ple. After Auschwitz, all such fictive “putting to work” of the people
or of the community must be broken off, emptied out, and rendered
inoperative. And if the ultimate workability of politics is what phi-
losophy has always desired, from as early as Plato to as late as Hei-
degger, then perhaps we should in all modesty be without the desire
for philosophy: “A very obscure imperative, beyond or beneath the
mere refusal of what is dominant, commands that we let philoso-
phy collapse within ourselves and that we open ourselves up to that
diminishing, that exhaustion of philosophy, today. We must no lon-
ger have the desire to philosophize.”25 From a post-Heideggerian
introduction 19
point of view, in other words, the issue is not to decide between the
people, the proletariat, or any other privileged name for the political
subject today but instead to come to grips with the notion that the
will to subjectivity in general is nothing but the modern culmination
of Western metaphysics.
To understand the texts that follow, by contrast, we have to
assume that the category of the people already has undergone a pains-
taking internal critique or deconstruction. As I have tried to show
via one line of thinking that links Rousseau to some of Althusser’s
best-known disciples, this also means that there is no people before
the act by which a people becomes a people in the first place; and,
even afterward, the people are never one or homogeneous but many
and internally divided. In sum, far from constituting a stable identity
derived from a preordained essence that would have been racially,
ethnically, linguistically, culturally, or ontologically definable, “peo-
ple” here serves as a name—one name among others—for the polit-
ical process that produces its own subject, while reminding us that
without an element of subjectivization there can be no politics.
20 introduction
1
alain badiou
Even if we can only nod, time and again, to the “we are here by
the will of the people” of the nascent French Revolution, we must
acknowledge that “people,” by itself, is not in the least a progressive
noun. When Mélanchon’s posters proclaim “a place for the people!”
it is only unreadable rhetoric today. Likewise we must acknowledge
that neither is “people” a fascist term, even if the Nazi uses of the
word Volk seem inclined in that direction. When Marine Le Pen’s
“populism” is denounced almost everywhere, this only adds to the
confusion. The truth is that “people” is now a neutral term, like so
many others in the political lexicon. Everything is a matter of con-
text. Thus we will have to examine it a bit more closely.
21
2
“What being?” we will ask. And so without going into detail here we
will propose that our states do not in the least derive their reality from
the vote but rather from an insurmountable allegiance to the necessi-
ties of capitalism and the antipopular measures (let us stress in pass-
ing the undoubtedly strained values that derive from the adjective
“popular”) that those necessities constantly require. And this is hap-
pening more and more overtly, more and more shamelessly. And that
is how our “democratic” governments make the people, whom they
claim to represent, into a substance we may call capitalized. If you don’t
believe it, if like Saint Thomas you believe only in what you can see,
look at Hollande.
10
But can’t the “people” be a reality that underlies the progressive virtue of
the adjective “popular”? Isn’t a “popular assembly” a kind of representa-
tion of the “people” in a different sense than the closed, state-controlled
one masked by adjectives of nationality and the “democratic” legalization
of sovereignty?
11
12
13
From which we see that “people” here takes on a meaning that implies
the disappearance of the existing state. And, beyond that, the disappear-
ance of state itself, from the moment that political decisions are in the
hands of a new people assembled on a square, assembled right here. What
is affirmed in vast popular movements is always the latent necessity of
what Marx made the supreme objective of all revolutionary politics: the
demise of the state.
15
Let us note that in all these cases, in the place of the electoral pro-
cess’s majority representation, which shapes the state-controlled inertia of
the people through the legal means of state legitimacy, and also in the
place of submission, always half consensual and half forced, to a despotic
authority, we have a minority detachment that activates the word “people”
according to an unprecedented political orientation. The “people” can
once again designate—in a context completely different from the one of
struggles for national liberation—the subject of a political process. But
it is always in the form of a minority that declares not that it represents the
people but that it is the people as it destroys its own inertia and makes
itself the body of the political precedent.
16
Let us note that this minority detachment can only enforce its decla-
ration (“we are the people, the true people”) insofar as, beyond its own
strength, beyond the small numbers that make it the body of the politi-
cal precedent, it is constantly tied to a living popular mass by a thousand
17
But isn’t there also the “people” in the sense that, even without ever acti-
vating an assembled detachment, is nevertheless not truly included in
the contingent of “the sovereign people” as constituted by the state? We
will answer “yes.” It makes sense to speak of “the people’s people” as they
are what the official people, in the guise of the state, regards as nonexistent. Here we
arrive at the margins of objectivity, the social, economic, and state mar-
gins. For centuries the “nonexistent” mass was the mass of poor peasants,
and the existent society properly speaking, as deemed by the state, con-
sisted of a mix of hereditary aristocracy and the nouveaux riches. Today
in the societies that grant themselves the title of “advanced” societies or
“democracies,” the central core of the nonexistent mass is composed of
newly arrived workers (those called “immigrants”). Around them is a
loose composite of provisional workers, the underemployed, displaced
intellectuals, and the entirety of exiled, segregated youth on the periph-
eries of large cities. It is legitimate to speak of the “people” with regard
to this ensemble, insofar as, in the eyes of the state, it has no right to the
consideration the official people enjoys.
Let us remark that in our societies, the official people is given the very
strange name of the “middle class.” As if what is “middle” could be
admirable. . . . That is because the dominant ideology of our societies
is Aristotelian. Counter to the obvious aristocratism of Plato, Aristo-
tle established the excellence of what cleaves to the golden mean. That
is the grounds for the creation of a significant middle class as the neces-
sary medium for a democratic-style constitution. Today when the offi-
cial propaganda newspapers (that is to say, nearly all the newspapers)
rejoice over the growth of the Chinese middle class—they have counted,
feverishly . . . —to five hundred million people, consumers of new prod-
ucts who want to be left in peace, they are the unknowing followers of
Aristotle. Their conclusion is the same as his: in China, a democracy—
the happy medium . . . —is in sight, for which the “people” is the sat-
isfied ensemble of the middle class that constitutes the masses so that
the power of the capitalist oligarchy can be considered democratically
legitimate.
19
20
21
Thus we have two negative senses of the word “people.” The first and
most obvious is the one saddled with a closed—and always fictive—
racial or national identity. The historical existence of this type of “peo-
ple” requires the construction of a despotic state, which brings its
founding fiction violently into existence. The second, more subtle one,
though on a large scale even more harmful—because of its adaptabil-
ity and the consensus that it fosters—is the one that subordinates the
recognition of a “people” to a state that is assumed to be legitimate and
beneficent by the sole fact that it organizes when possible the growth,
and in any case the persistence, of a middle class, free to consume the
empty products that capitalism force-feeds it and free as well to say
what it wants, provided that this free speech has no effect whatsoever
on the general mechanism.
22
And finally we have two positive senses of the word “people.” The first
is the constitution of a people in pursuit of its historical existence, inso-
far as that aim is denied by colonial and imperial domination or by the
domination of an invader. Thus the “people” exists according to the
future perfect of a nonexistent state. The second is the existence of a
people who declares itself as such, beginning from its central core, which
is precisely what the official state excludes from its supposedly legitimate
23
24
The word “people” has a positive sense only with regard to the possible
nonexistence of the state. Either the forbidden state whose creation is
desired. Or the official state whose disappearance is desired. The “peo-
ple” is a word that takes all its value either, in transitory forms, from
the wars of national liberation or, in definitive forms, from communist
politics.
pierre bourdieu
POPULAR. Adj. (Populeir, XIIe; lat. popularis). 1: What belongs to the peo-
ple, emanates from the people. Popular government. “The Greek politics that lived
in the popular government” (Montesquieu). See Democratic. Popular democracies.
Popular demonstration, insurrection. Popular front: the union of leftist powers
(communists, socialists, etc.). The popular masses. 2: Belonging to the people.
Popular belief, traditions. Popular good sense. — Ling. What is created and used by
the people and rarely used among the bourgeoisie and cultivated classes.
Popular word, expression. Popular Latin. Popular expression, locution, turn of phrase. For
the use of the people (and emanating from them or not). Popular novel, show.
Popular songs. Popular art (See Folklore). — (Individuals) Who address them-
selves to the people. “You must not be successful as a popular speaker” (Maurois).
Who is recruited among the people, what the people frequent. Popular
circles, classes. “They found a new formula: to work for a downright popular clientele”
(Romains). Popular origins. See Plebeian. Popular balls. Popular soups. 3: (1559)
What pleases the people, in the greatest number. Henri IV was a popular
king. Popular measure. “Hoffmann is popular in France, more popular than in Germany”
(Gautier). 4: Noun (Vx). The popular, the people. ANT. (of 3:) Unpopular.
—Le Petit Robert (1979)
32
The idioms that include the magic epithet “popular” are protected
from scrutiny by the fact that all critical analysis of a notion touching
closely or distantly on the “people” is subject immediately to being
identified as a symbolic aggression against the reality so designated—
and thus immediately denounced by all those whose duty it is to
defend the cause of the “people” and to thus ensure themselves the
profits that defending “good causes,” especially in favorable circum-
stances, can also procure.1 That is the case with the notion of
“popular language,” which, in the manner of all expressions in the
same family (“popular culture,” “popular art,” “popular religion,” and
so on) is only defined relationally, as is the whole of what is excluded
from legitimate language by, among other things, the durable action
of inculcation and imposition matched with sanctions exercised by
the school system.
As slang or “nonconventional French” dictionaries clearly reveal,
the so-called popular lexicon is nothing other than the whole of the
words that are excluded from the dictionaries of legitimate language
or that only appear there accompanied by negative “usage marks”:
fam., familiar, “that is to say commonly used in ordinary spoken lan-
guage and in casual written language”; pop., popular, “that is to say
commonly used among the urban popular or working classes but
reproved or avoided by the cultivated bourgeoisie.”2 In order to
define with utmost rigor this “popular” or “nonconventional” lan-
guage, better referred to as pop. henceforth, lest we forget the social
conditions of its production, we must thus specify what is meant by
the expression “popular or working classes” and what is to be under-
stood by “commonly used.”
Like the variable geometry concepts of the “popular classes,” the
“people,” or the “workers,” which owe their political virtues to the
fact that their referents can be expanded as desired—in election peri-
ods for example—to include rural populations, managerial staff, and
small business owners or, on the contrary, restricted to include just
industrial workers or even just steelworkers (and their appointed
In order to escape the effects of the dualistic mode of thought that leads
to opposing a “standard” language, the measure of all language, to a
“popular” language, it is necessary to return to the model of all linguistic
production and rediscover there the principle of the extreme diversity
in kinds of speech that results in the diversity of possible combinations
among the various classes of linguistic habitus and markets. Among the
determining factors of the habitus that seem relevant from the perspec-
tive, on the one hand, of the propensity to recognize (in both senses)
the constituent censures of the dominant markets or to profit from the
obligatory freedoms that certain free markets offer and, on the other hand,
of the capacity to satisfy the requirements of one or the other, we can
thus retain: the sex, a principle of very different relationships in various
possible markets—and in the dominant market in particular; the gener-
ation, that is to say the familial and especially scholastic mode of gener-
ation of linguistic competence; the social position, characterized notably
from the perspective of the social composition of the work environ-
ment and the socially homogeneous (with the dominated) or hetero-
geneous (with the dominant—in the case, for example, of service staff )
exchanges that they foster; the social origin, rural or urban and, in this
case, old or recent; and finally the ethnic origin.
Thus it appears that the linguistic and cultural productions of the dom-
inated vary profoundly according to their inclination and aptitude for
taking advantage of the regulated freedoms that the free market offers or
for accepting the restraints that the dominant markets impose. Which
explains how, in the polymorphous reality obtained by considering all
the kinds of speech produced by all the markets through all the catego-
ries of producers, all those who feel they have the right or duty to speak
of the “people” can find an objective medium for their interests or their
fantasies.
T h o u g h t s o n F r e e d o m o f A s s e m b ly
judith butler
49
enactment of popular sovereignty. The “we” voiced in language is
already enacted by the assembly of bodies, their gestures and move-
ments, their vocalizations, and their ways of acting in concert, to cite
Hannah Arendt.1
The right to exercise the freedom of assembly, sometimes under-
stood as the freedom of association, is by now well documented in
international law.2 The International Labour Organization makes
explicit that the right of assembly (or association) is tied to the rights
of collective bargaining.3 In some human rights discourses, the free-
dom of assembly is described as a fundamental form of freedom that
deserves protection by any government without interference (the
use of police and judicial powers to enact indefinite detention or
arrest, harassment, assault, or disappearances). Freedom of assembly
does not depend upon that protection in those cases when the pro-
tective power of the state is contested by such an assembly or when
a specific state has contravened the right of assembly such that its
population can no longer freely congregate without threat of state
interference. So the freedom of assembly is something other than
a specific right protected by existing national or international law,
including human rights law. Indeed, the freedom of assembly may
well be a precondition of politics itself.
How, then, do we think about the freedom of assembly and pop-
ular sovereignty? Although elected officials are supposed to repre-
sent popular sovereignty (or the “popular will” more specifically)
by virtue of having been elected by a majority of the population, it
does not follow that popular sovereignty is in any way exhausted by
the electoral process or that elections fully transfer sovereignty from
the populace to its elected representatives. The populace remains
separate from those elected and can continue to contest the con-
ditions and results of elections, as well as the actions of elected offi-
cials. So “popular sovereignty” certainly translates into elected power
on the occasion of a vote, but that is never a full translation. Some-
thing remains untranslatable about popular sovereignty since it can
TO RENDER SENSIBLE
georges didi-huberman
65
That is why we can say that the people, quite simply—“the people”
as a unity, identity, totality, or generality—that it quite simply does
not exist. Supposing there was still a fully autochthonous popula-
tion somewhere—as we see, but it is no doubt one of the last known
examples, in the documentary images of First Contact where the first
exchanges, in 1930, were recorded between a group of adventur-
ers and a New Guinea population cut off from the rest of the world
since the dawn of time2—“the people” do not exist because even
in such a case of isolation, the term assumes a minimum of com-
plexity, of impurity represented by the heterogeneous composition
of those multiple and various peoples that are the living and their
dead, the bodies and their spirits, those of the clan and the others,
the males and the females, the humans and their gods or even their
animals. . . . There is not a people; there are only coexistent peoples, not
only from one population to another but even within—the social or
mental interior of—the same population, no matter how coherent
we would like to imagine it to be, which, moreover, is never the case.3
It is always possible to hypostatize “the people” into identity or even
into generality. But the first is a sham, devoted to glorifying populisms
of all kinds, while the second is not to be found, a central aporia for
all the “political” or historical sciences.4
It is not surprising that Pierre Rosanvallon entitled his historical
inquiry on democratic representation in France Le Peuple introuvable.
From the very beginning of this book appears “malaise,” spelled out:
the malaise of a democracy—that is, literally, the “power of the peo-
ple”—extended between the obviousness of its horizon as “political
good” and the glaring, often scandalous, incompletion of its reality as
“political disappointment.” It is very interesting, moreover, that this
malaise or this part of “obscurity” inherent to our democratic history
then comes back to the question of representation as the most necessary
but also the thorniest paradigm: “It is around the question of repre-
sentation, in its two senses as mandate and as figuration, that the diffi-
culties take shape.” But it seems odd—even disturbing—that Pierre
66 to render sensible
Rosanvallon, whose subject is democracy, only evokes this dialectic
of representation through an immediate reference to Carl Schmitt,
for whom political representation as Repräsentation or “symbolic figu-
ration” must indeed be distinguished from political representation
as Stellvertretung or “mandate.”5
We know that in his nostalgia for monarchic power, Carl Schmitt
could only play symbolic figuration against democratic mandate. In
his Verfassungslehre of 1928—one of his fundamental works—Carl
Schmitt does not fail to specify that representation
From that angle, we cannot see how “the people” or “the peoples”
could be in any way representable. Carl Schmitt, we know, wanted to
unify the notion of the people in its very negativity and powerless-
ness; for him, the people is not. It is not this (not a magistracy or an
administration, for example); it is not that (not a political actor in the
full sense, for example); all that it knows how to do, according to him,
is acclaim the representation of power that is presented to it as Führertum,
as supreme “guidance.”7 Pierre Rosanvallon obviously restrains him-
self from the extremes of loathing displayed by Carl Schmitt toward
“democratic obviousness.”8 But he find himself prisoner of the dis-
junctive model established by the author of Political Theology between
Stellvertretung and Repräsentation. He no doubt inverts the hierarchy—
mandate taking precedence henceforth over symbol—but this is
to render sensible 67
once again to play the representation of the peoples against them-
selves. It is as if, figured, the peoples necessarily became imaginary; as if,
vowed to the image, they inevitably became illusory.
Three “imaginary peoples” thus appear in the eyes of Pierre
Rosanvallon: the opinion-people, when public opinion is defined as that
“inorganic way by which a people makes known what it wants and
what it thinks” (according to Hegel) or as the “modern form of accla-
mation” (according to Carl Schmitt, once again); the nation-people
that is obsessed with the “populist celebration” to the point of mak-
ing it an operator of exclusion of everyone from the barbarian to the
immigrant; and finally the emotion-people, where “the modern masses’
quest for identity” is expressed “in a pathetic mode. Lacking in con-
tent, these communities of emotion weave no solid bonds. They only
bring about fleeting ties and involve no obligations between men.
Nor do they involve any future. Far from embodying any promise for
change or power for action, as the event-people of the Revolution did
in the past, the emotion-people is not inscribed in history. It is only the
fleeting shadow of a lack and a difficulty.”9
No doubt Pierre Rosanvallon’s targets here are above all the “sta-
diums,” the “television screens,” and the “magazine columns.”10 But
his very expression, the “emotion-people,” committed as it is to so
harsh a diagnosis, is not without consequences for the two notions
it combines, that of the people and that of emotion, through that third
notion, which is, precisely, representation. Of course we understand
that representation can serve as a vehicle for the artificial emo-
tions of the television screens and the magazine columns; it can even
serve, undoubtedly, as a vehicle for the great totalitarian “guidances”
to which Carl Schmitt subscribed in 1933. But representation is pre-
cisely like the people: it is something multiple, heterogeneous, and
complex. Representation—and we know this a little more precisely
since Nietzsche and Warburg—brings with it antagonistic or par-
adoxical structural effects, which could be called “syncopes” on the
68 to render sensible
level at which they function semiotically, or symptomal “rips” on the
metapsychological or anthropological level.11 Thus the peoples and
their emotions ask much more of us than this condescending critique
that amounts to dismissal: a philosophically convenient dismissal—
essentially Platonic—of the perceptible world in general, of its own
motions and thus of its possible resources.
to render sensible 69
same time, a relationship of expression and conflict at the same time.
At the very moment when Aby Warburg began to observe the play of
“polarizations” and “depolarizations” in “formulas of pathos” over the
long duration of images,13 Sigmund Freud was insisting, in his Traum-
deutung, on a major point that he had already recognized in observing
symptoms of hysteria: that the existence of the unconscious implies
that a complex dialectic exists—here expression and there conflict,
here congruence and there discordance—between affects and rep-
resentations.14 If it is true that the history of societies depends upon
the unconscious as well, then we must to bow to the evidence for-
mulated by Walter Benjamin in his Passagenwerk: “In the dialectical
image, the Past . . . can only be revealed as such at a very specific
period: the one in which humanity, rubbing its eyes, perceives pre-
cisely as such this dream image (Traumbild). It is at that moment that
the historian assumes, for that image, the task of interpreting dreams
(die Aufgabe der Traumdeutung).”15
When humanity does not rub its eyes—when its images, its emo-
tions, and its political acts find themselves divided by nothing—then
the images are not dialectical, the emotions are “lacking in content,”
and the political acts themselves “involve no future.” What makes
the people “not to be found” is thus to be sought in the crisis of their
figuration, as well as that of their mandate. That is what Walter Ben-
jamin understood perfectly clearly in his 1935 essay “The Work of
Art in the Age of Mechanical Reproduction.” “The crisis of democ-
racies,” he wrote, “can be understood as a crisis of the conditions of
exposure of the political man.” There, where “the champion, the star,
and the dictator emerge as victors” in the stadiums or on the screens
of commercial cinema, it would thus be necessary to dialecticize the visi-
ble.16 That is, to make other images, other montages; to look at them
differently; to introduce into them division and movement com-
bined, emotion and thought combined. In short, to rub one’s eyes, to
rub the representation with the affect, the ideal with the repressed,
the sublimated with the symptomal.
70 to render sensible
A representation of the peoples becomes possible again beginning
from the moment we agree to introduce the dialectical division into
the representation of powers. It is not sufficient to do as Pierre Rosan-
vallon does and retrace the history of the political mandate begin-
ning from the democratic premises of Tocqueville; nor is it sufficient
to do what Giorgio Agamben does and rethink the archaeology of
“reign” and “glory” beginning first with the theological premises
of the church fathers, and then with the anti-democratic premises
of Carl Schmitt. On the contrary, for Walter Benjamin, to dialec-
ticize consisted of making appear in each fragment of history that
“image” that “passes into a flash of lightning,” that “arises and van-
ishes at the moment when it reveals itself to knowledge,” but that, in
its very fragility, engages the memory and the desire of the peoples,
that is to say, the configuration of an emancipated future.17 This is a
way of admitting that in such a domain, the historian must know how
to turn his gaze to the least “passing things” or fragilities that, coun-
ter to the “sense of history”—in which our “current events” wants so
much to believe—arise as if they were coming from very far away and
immediately vanish, like signals bearing a historicity unconceived of
until then.
Those signals or “dialectical images” are of course fragile. Such is
the fragility of the collective emotions as well, and that is neverthe-
less their great dialectical resource. “On the evening of the first day
of fighting [during the Revolution of July 1830],” Benjamin reminds
us, “in many places in Paris, at the same moment and without con-
sulting one another, men were seen firing at the clocks.” Wasn’t that
a way, a very “affective” way no doubt, of making “homogeneous and
empty time” explode, and of replacing it, through this interposed
signal, with a model of “materialist historiography” characterized by
the dismantling and rewinding of all temporality?18 Such is, in any
case, the fragility of the peoples themselves; the destruction of some
public clocks and the death of some eight hundred July insurgents
would not prevent the bourgeois and monarchist take-over of the
to render sensible 71
movement. But Walter Benjamin—who was writing these lines at
the moment of greatest danger for himself, that is in 1940—would
have wanted to conjure this sort of “dream image” in which all the
clocks would be shot, to rub his eyes before it, and to reformulate
in this very gesture of awakening the task of the historian that falls to
us still today in sentences that, for a long time now, I have not let
myself recopy:
72 to render sensible
to the heterochronies and to the returns of the repressed—depended
upon the division that supports and sustains any representation of the
peoples. Where Carl Schmitt was only interested in the tradition of
power, Benjamin firmly opposes to it the tradition of the oppressed: “The
tradition of the oppressed teaches us that the ‘state of exception’ in
which we live is the rule. We must achieve a conception of history
that is aware of this situation.”20
We understand better that Walter Benjamin was at the same
time locating the task of the historian—and no doubt of the artist
as well—through his desire to make the peoples represented, that is to say
to give a worthy representation to the “nameless” of history: “It is
more difficult to honor the memory of the nameless (das Gedächtnis der
Namenlosen) than the memory of the recognized [passage crossed out: cel-
ebrated, the poets and thinkers are not an exception]. The construc-
tion of history is dedicated to the memory of the nameless.”21 This
task is all at once philological—or “micrological” as Benjamin liked to
say—and philosophical. It requires exploring the archives into which
the “conformists” of history never stick their noses (or open their
eyes); at the same time it requires a “theoretical framework” (theo-
retische Armatur) and a “constructive principle” (konstructiv Prinzip) that
positivist history lacks completely.22
This “theoretical framework” presupposes not pledging the
allegiance of images to ideas, or ideas to facts. When, for exam-
ple, Benjamin speaks of the “tradition of the oppressed” (Tradition
der Unterdrückten), he is no doubt using a Marxist vocabulary refer-
ring directly to the class struggle, but he knows just as well that the
word Unterdrückung is part of the conceptual vocabulary of Freud-
ian psychoanalysis. Translated into French as répression, it designates
a type of psychological process for which refoulement (Verdrängung)
appears as a particular subcategory. Répression can be conscious, while
refoulement is always unconscious; répression can be applied to affects,
while refoulement operates only on representations.23 Thus it falls
to the historian to render the peoples “representable” by making
to render sensible 73
represented exactly that which is found to be “repressed” in their
traditional or, more accurately, conformist representations. Now,
what is “repressed” in such representations involves not only their
status of social invisibility—what Hannah Arendt wanted to exam-
ine, for example, in The Jew as Pariah: A Hidden Tradition, through the
figure of the pariah—but once again what Hegel called the “inor-
ganic way by which a people makes known what it wants and what
it thinks” by expressing affects through the intermediary of gestures
of the body and motions of the soul.24
The best historians are those who contribute most effectively to lifting
the lid—the lid of the repression, of the Unterdrückung, of the peoples. It
is not part of my intention here, of course, to offer a litany of the mas-
terpieces of the discipline of history, from Burckhardt and Michelet to
contemporary writings. But I would like to mention briefly three oeu-
vres thanks to which, it seems to me in an exemplary fashion, the lid was
not only lifted but smashed to pieces. The first is that of Michel de Cer-
teau: beginning with a history of solitudes—mystical solitudes in particular—
Michel de Certeau touched upon the “absent” in conventional history
and went so far as to explore the acts of social resistance inherent to certain
“arts of living” among the most “ordinary” people.25
As for Michel Foucault, he began, as we know, with a history of devi-
ances and their institutional treatments: psychological deviances and
the asylum, somatic deviances and the clinic, criminal deviances and
the prison, sexual and indeed even literary deviances (in the work of
Raymond Roussel, for example).26 Whereas he also finished, accord-
ing to his archivist (that is to say philological) inquiries equipped
with a critical (that is to say philosophical) framework and “construc-
tive principle,” by distinguishing certain places where such a “tradi-
tion of the oppressed” could be recognized, assembled, organized,
74 to render sensible
united. These places he called heterotopias. Not that such places can
exist as the functional settings of a fully guaranteed liberty:
to render sensible 75
It is on this school of freedom that Arlette Farge would also draw
for book after book with elegance and obstinacy. For her, the archives
would be the almost unhoped-for—but immediately inexhaust-
ible—opportunity for lifting the lid that the archivists themselves
no doubt believed to be irremovable.29 She laid claim to a sensation,
which is also a methodological principle, well described in the past
by Aby Warburg at the time of his tireless explorations into the ricor-
danze of the Florentine archive of the Renaissance: “The voices of the
deceased echo still in the hundreds of deciphered archival documents,
and in the thousands of others that are not yet deciphered; the histo-
rian’s devotion can restore the timbre of those inaudible voices (his-
torische Pietät vermag der unhörbaren Stimmen weider Klangfarbe zu verleihen), if
he does not shrink from effort of restoring the natural link between
word and image (die natürliche Zusammengehörigkeit von Wort und Bild).”30
It is equipped with this kind of methodical intuition that a history of
the peoples could commence or recommence. Arlette Farge renewed
one of Karl Marx’s gestures—his legal defense of those who stole wood
in 1842—by working first on the food thefts in eighteenth-century
Paris.31 She has renewed Benjamin’s injunction regarding the “tradi-
tion of the oppressed” by dedicating a large portion of her work to
the Parisian street peoples, but also to the heterogeneous dimensions
that are, on the one hand, “public opinion” and, on the other, “writing
of oneself” or “on oneself.”32 She has accompanied and extended the
work of Michel Foucault by interrogating the “fragile life” of the poor,
the marginal, and the oppressed.33 In doing so, she has lifted the lid of
the discourse generally held over—that is to say hanging over—social
conditions and allowed to escape in the representation of the peoples,
their symptoms and their affects, what she has described so well in her
book Effusion et tourment, whose preamble ventures this impossible feat:
76 to render sensible
There exist in the most destitute bodies (as in those of others) the
will and the dream of multiple escapes, the invention of gestures
created or hinted at for them to succeed and words to name them,
thus to appropriate them. The mute physical and bodily power
of the anonymous, activated by the hope of the future and eas-
ily remembering what was, encounters power, responds to it, and
speaks with it to be integrated into it or to alter it. . . .
Something shivers there. The bodies hum and elaborate their
fates. Men and women, beings of the flesh, are “affectively in the
world.” They struggle constantly against their own bodies and are
in inevitable symbiosis with them, in order to banish not only cold,
hunger, and fatigue but also injustice, hatred, and violence. Acti-
vated by history and acting upon it, they are ordinary beings. . . .
This is a long way from wanting to define (as was often done) the
weakest ones solely by the primary needs and desires of their bod-
ies, which have elsewhere been called uncultivated. On the contrary,
attempting to approach historically and politically the “material
part of animate beings” [the usual definition of the body] confirms
the body’s infinite nobility, its rational and passionate ability to cre-
ate with history and despite it, since it is the seat of and party to sen-
sations, feelings, and perceptions. Ductile, it includes itself in the
world as much as that is possible for it. The price is laughter and
cries, gestures and loves, blood and sorrows, fatigue as well. The
body, its history, and history itself make up only one thing.34
to render sensible 77
“affectively in the world” is to assume a philosophical position informed
by the phenomenology of the sensible that is found in an exemplary
way in Erwin Straus, Jean-Paul Sartre, or Maurice Merleau-Ponty. It
is to open history to a whole anthropology of affected bodies, affec-
tive bodies.35 To say finally that “something shivers there” is to enter
into a literary position, since to write history so well is first of all to
write; this engages the historian in formal, stylistic, narrative, and
even poetic choices, choices that determine the content as well as the
style of one’s production of knowledge.
These three stances act indissociably in each attempt to give the
peoples a worthy historical representation. We find them, for exam-
ple, in the works of Jacques Rancière, where the historical position is
conveyed through his work on the archives of the peoples—a mod-
esty very rare in the practices of the philosophical community to
which Rancière belongs first—as seen for instance in the collection
assembled in collaboration with Alain Faure on La Parole ouvrière, as
well as the large book of archives entitled La Nuit des prolétaires.36 Now
this choice of method very much involves a literary position character-
ized by a concern for material detail and a respect for documents
and their concomitant editing. To do this, Rancière would draw
on the sources of French realism of the nineteenth century, from
the “micrologies” of Gustave Flaubert (this exact contemporary of
Karl Marx) to the Carnets d’enquêtes of Émile Zola, or from the texts
of Michelet to the Paris writings of Rainer Maria Rilke.37 He would
only lack, in all these ventures in historical immanence, the audacity
of a supplementary operation, precisely the one that a Walter Ben-
jamin or a Georges Bataille knew how to put to work—with the help
of Proustian memoire, surrealist encounter, or Freudian metapsy-
chology—in each historical document by detecting in it a sympto-
mal enactment requiring of the historian that “task of interpreting
dreams” of which the Passagenwerk speaks.38
Jacques Rancière has nonetheless lifted a few heavy “lids” off
historicist conformism, guided in that by a philosophical position that
78 to render sensible
owes much to the reading of Karl Marx most certainly, but also
in a quieter way—and perhaps by way of that other great political
philosopher in France, Claude Lefort39—by all that, in the work of
Maurice Merleau-Ponty, could render evident the points of con-
tact between the dialectical, from which would proceed a philosophy
of history, and the sensible, upon which is founded all phenomenol-
ogy of the body. 40 Isn’t thinking about the relationships between
the political and the aesthetic from the angle of an “allotment of
the sensible,” as Jacques Rancière does, in effect rediscovering the
dialectical operations of the work in that “domain of the sensible”
that so many aesthetes would like to imagine pure of all conflictu-
ality and all negativity?41 By the same token, don’t we need to rec-
ognize in any political demonstration—this word may be understood
more concretely or more philosophically as one pleases—the very
encounter of a dialectical relationship and a sensible relationship,
as these lines by Rancière on the distinction between the political
and the police clearly remind us:
“Move on! There’s nothing to see.” The police says that there’s
nothing to see on a road, nothing to do but keep moving. Says that
the space of traffic is only the space of traffic. The political consists
of transforming that traffic space into a demonstration space of a
subject: the people, the workers, the citizens. It consists of refig-
uring the space, what there is to do there, to see there, to name
there. It is the litigation introduced over the allotment of the sen-
sible. . . . The essence of the political is dissensus. Dissensus is not
the confrontation of interests or opinions. It is the demonstration
of a gap in the sensible itself. The political demonstration makes
visible what had no reasons for being seen, it lodges one world
within another, for example the world where the factory is a pub-
lic place within the one where it is a private place, the world where
the workers speak, and speak of the community, within the one in
which they cry out to express their single pain.42
to render sensible 79
Thus the demonstration is what happens when citizens declare
themselves oppressed by daring to declare their powerlessness, their
pain, and their concomitant emotions. It is what happens when a sen-
sible event touches the community in its history, that is to say, in the
dialectic of its evolving. Thus the affective and the effective are deployed
in it together. Where Alain Badiou wanted to postulate a sense of
history in which this concomitance would be “saturated, terminated”
and would have to give way to a “nonexpressive conception of the
philosophical dialectic,” we can, on the contrary, observe everywhere
the survival and effectiveness of the very oldest “formulas of pathos”:
lamentations that rise and become imprecations, screamed curses
that become actions. There is no “politics of the truth” as Badiou
says—qualifying it as “real and logical” to better disqualify, in an
entirely Platonic fashion, what would be on the order of the imag-
inary or the emotional—without the truth of the sensible.43 At the very
moment when I write these lines (June 2012), all that Eisenstein put
into images in the scenes of lamentations in Battleship Potemkin is find-
ing a new value of urgency in the concomitance of tears shed at all the
funerals of the victims of the Syrian regime of Bachar el-Assad, the
cries hurled in the face of the police, and the arms that it is becoming
necessary to procure to ensure a future—now that it is impossible to
have dialogue—to such protest.
80 to render sensible
designates a field of conflicts, a division that many other words have
crossed over, for example when we want to hear in the word people (the
famous, the overrepresented in the glitter market) all those from which
the peoples are, rightly, excluded; or when we want to hear in the word
image (the medium for fame, for overrepresentation in glitter) all that the
images know, rightly, to contest. What is the meaning then of the word aes-
thetic when Jacques Rancière does not hesitate to write that “the emanci-
pation of workers was first of all an aesthetic revolution: the gap opened
in relationship to the sensible universe ‘imposed’ by a condition”?44
We are a long way here from the aesthetic that chooses for its sub-
jects the “criteria of art” or of beauty—what Carl Einstein denounces
as the ridiculous “beauty contests”—dear to academic institutions.
The aesthetic we are talking about from now on is a kind of knowl-
edge that chooses for subjects the events of the sensible, regardless of
whether or not they are “artistic.” Now, to better describe them, we
need not only that philosophical criticism developed by Jacques Ran-
cière, among others, but also a true anthropology that would benefit
from being informed by the “techniques of the body” (according to
the lesson of Marcel Mauss), the “formulas of pathos” (according to
the lesson of Aby Warburg), or the “thymic moments” (according
to the lesson of phenomenological descriptions, like those of Ludwig
Binswanger for example). But in order to describe, one must first
know how to write, that is, to take a position—literary, aesthetic,
ethical—in the language, that vast field of conflicts where the most
reductive and most open usages are encountered, the worst slo-
gans and the best questionings. An anthropology of sensible events
begins from the moment when one agrees to approach through look-
ing, through listening, through writing, even if it means renouncing
the apodictic claims of the metaphysics of school:
to render sensible 81
to make the world and human life understood through an orga-
nization of concepts. . . . That all changed when phenomenolog-
ical or existential philosophy chose for its task not to explain the
world or to discover its “conditions of possibility” but to formu-
late an experience of the world, a contact with the world that pre-
cedes all thinking about the world. . . . From then on the task of
literature and the task of philosophy could no longer be separated.
When it is a matter of articulating the experience of the world
and of showing how consciousness escapes into the world, we can
no longer profess to achieve a perfect transparency of expression.
Philosophical expression assumes the same ambiguities as literary
expression, if the world is made in such a way that it can only be
expressed in “stories” and pointed to with the finger.45
82 to render sensible
how to understand the full political as well as poetic scope of it: from
Louis Aragon’s Le Paysan de Paris and André Breton’s Nadja to Alfred
Döblin’s Alexanderplatz, from Brechtian montages to the scenaristic
writing of Moholy-Nagy, from Blaise Cendrars, Ilya Ehrenburg, or
Vladimir Mayakovsky—I am thinking for example of the extraordi-
nary “poem-reports” of 1925–192948—it is all a literary constellation
that, beyond the novelistic writings of the nineteenth century, would
seek to adopt the principle of documentary montage that we find later in
the works of W. G. Sebald, Charles Reznikoff, or closer to us, Jean-
Christophe Bailly.49
Now this principle of documentary montage—or remontage—is
inseparable from a cultural history profoundly marked, prior to the
cinema, by a certain use of photography.50 That was how the dialectic
encountered the sensible and how the political was embodied in the
new resources, including visual ones, of poetry. In 1924, for exam-
ple, Blaise Cendrars published a book entitled Kodak (documentaire);
the American firm having in the meantime asserted its rights, Cen-
drars had to reduce his title for the complete edition of his poems
in 1944 to simply Documentaires.51 In 1928, this principle entered into
the very poetics of the dreamy, amorous course of Nadja, the text of
which was punctuated by the urban photographs of Jacques-André
Boiffard and Man Ray.52 It was also necessary that the enterprise of
theoretical demontage conducted by Georges Bataille in the journal
Documents in 1929–1930 was not illustrated but very much supported
and required by the documentary iconography of Boiffard himself,
of Eli Lotar, and of many others as well.53 In those same years, the
sensible images of Germaine Krull came again to require the dialectical
thinking of Walter Benjamin on the Paris arcades (we can rediscover
some of those images in the archives of another great dialectician,
Theodor Adorno).54 When Ilya Ehrenburg published his book Mon
Paris in Moscow in 1933, he had his Leica photographed by El Lis-
sitzky—who was also the book’s designer—first facing forward with
himself in profile, then immediately photographed close up, a way of
to render sensible 83
saying that perhaps the Leica was the main author of this book com-
posed of an admirable series of images showing the diverse peoples
of Paris.55 And finally—to cut short this list that could go on very
much longer—how are we to understand Bertolt Brecht’s Work Jour-
nals or ABC of the War without their photographic montages, or James
Agee’s study without Walker Evans’s implacable photographs?56
Implacable images indeed.57 But not “insensible” for all that, not
in the least, these images that do not leave us insensible either. Of
course no one is crying in these images of poverty, in which unem-
ployment, hunger, and death as well lurk everywhere. One wife
almost seems to be biting her lower lip precisely in order not to cry; a
frantic child, squatting on ground, unable to play, looks into the void;
looking carefully, isn’t that other baby crying in its mother’s arms?
Thus in these images there is all possible dereliction and at the same
time all remaining dignity in the bond established with the photog-
rapher. As with August Sander, nothing was shot hastily, everything
results from a shared consideration, a mutual respect that took time to
be established. And that is how Walker Evans “renders sensible” to us
something crucial—and not only apparent—in the condition of the
American peoples of the Great Depression, something that remains
inseparable from the account James Agee would give of them.
In such a context then, what does the gesture of rendering sensible
mean? It does not mean to render unintelligible, whether the strict
versions of Platonism or of contemporary rationalism like it or not.
If Walter Benjamin constructed his whole approach of the “legibility
of history” around the notion of dialectical image—and not, for exam-
ple, on those of “dialectical idea,” or even “idea of the dialectic”—it is
very much because historical and anthropological intelligibility can-
not do without a dialectic of images, appearances, apparitions, ges-
tures, looks . . . all that could be called sensible events. As for the power
of legibility for which these events are the bearers, it is effective only
because it involves the very effectiveness of images to render accessi-
ble, to call up, not only aspects of things or states of phenomena but
84 to render sensible
also their sensible points, their “sore points,” as we so accurately say
to locate where sensitivity functions to excess, where something may
be wrong, where everything divides into the dialectical deployment
of memories, desires, and conflicts.
Thus to render sensible is also to render accessible that dialectic of
the symptom crossing through all history, usually without the knowl-
edge of official observers (I mean, for example, that James Agee and
Walker Evans would lay out before us certain aspects of the eco-
nomic crisis that the economists or historians of that era undoubt-
edly did not see so precisely). This could be a way of understanding
what Maurice Blanchot was saying when he evoked the “presence of
the people . . . not as the whole of social forces, ready for particular
political decisions, but in its . . . declaration of powerlessness.”58 In such a
way that “to render sensible” would mean, strictly speaking, to ren-
der sensible the faults, places, or moments through which, declaring
themselves “powerless,” the peoples affirm both what they lack and
what they desire. Walker Evans’s images (dry and yet so moving),
like James Agee’s descriptions (literal and yet so poetic), thus appear
as the rendering sensible and the declaration of powerlessness of those peo-
ples grappling with a historical and political situation that threatens
to destroy them.59
To render sensible thus would be to render accessible to the senses,
even to render accessible what our senses, like our intelligences, do
not always know how to perceive as “making sense”: something that
appears only as a flaw in the meaning, sign, or symptom. But in a
third sense, “to render sensible” also means that we ourselves, before
these flaws or symptoms, suddenly become “sensible” to something
of the life of the peoples—to something of the history—that escaped
us until then but that “regards” us directly. Thus, here we are “ren-
dered sensible” or sensitive to something new in the history of the
peoples that we desire, consequently, to know, to understand, and to
accompany. Here our senses, but also our significative productions
on the historical world, are moved by this “rendering sensible”: moved
to render sensible 85
in the double sense of putting into emotion and putting into move-
ment of thought.
Thus, here we are before the “declaration of powerlessness” of
the peoples—as it can be rendered sensible to us in the montages of
James Agee’s texts and Walker Evans’s images—left grappling with a
whole world of dialectical emotions, as if the legibility of history neces-
sitated that particular affective disposition that seizes us before such
dialectical images: the formula with the pathos that nevertheless divides
it, the intelligible with the sensible that nevertheless turns it upside
down.
86 to render sensible
5
sadri khiari
87
recognized by the state and recognizing itself in it—and the other a
minority—not recognized by the state and not recognizing itself in
it—have opposing responses, that poses a major strategic problem to
one as well as to the other.
This way of approaching the people remains very much incomplete, how-
ever, if we fail to add to the triptych already mentioned a fourth term
without which an understanding of power relationships in France would
be faulty. I am speaking of race. I maintain that the notion of people, in its
modern sense, was constructed in close connection with the social pro-
duction of races by colonization. In the history of modernity, some peo-
ples were thus explicitly affirmed as racial, and until very recent times (in
segregationist America, Hitler’s Germany, South Africa, and so on). The
racial dimension of the notion of people has generally been masked how-
ever by the dominant bourgeois universalism and egalitarianism. In the
abstract humanist notion of the people, there is in effect no question of
races; humanity is one, distributed into peoples-nations and not into races.
To avoid hasty accusations, I would nevertheless like to specify
what I mean by “race,” or more exactly by “social races,” since race is
nothing other than the relationship between domination and resis-
tance to oppression that exists between racialized human groups.
Sometimes, to better understand things, changing the words is
enough. Thus I propose systematically substituting the word “dis-
crimination” for its opposite, “privilege.” For some years, it has
generally been admitted that in France there exist forms of dis-
criminatory practices tied to skin color, origin, or culture. The law
From the point of view of the “colonized within,” the strategic difficulty
is no less acute. It already arose in segregationist America. To the black
integrationist leaders, Malcolm X retorted, “But my old man, how can
you consider yourself an American when you have never been treated
as an American in this country? . . . Let us suppose that ten men were
sitting down, were in the middle of eating dinner, and I came in and
went to sit down at their table. They ate; but in front of me there was an
empty plate. Is the fact that we are all sitting at the same table enough
T h e P o p u l i s m T h at I s
Not to Be Found
jacques rancière
A day does not go by when one does not hear denounced in Europe
the risk of populism. For all that, it is not easy to grasp exactly what this
word means. In Latin America in the 1930s and 1940s it served to des-
ignate a certain mode of government, establishing between a people and
its leader a relationship of direct embodiment, passing over and above
the forms of parliamentary representation. This mode of government
for which Vargas of Brazil and Perón of Argentina were the archetypes
was rechristened “twenty-first-century socialism” by Hugo Chávez. But
what in Europe today falls under the name of populism is something
else. It is not a mode of government. On the contrary, it is a certain atti-
tude of rejection in relationship to prevailing governmental practices.
What is a populist, as defined today by our governmental elites and their
ideologues? Through all the word’s vacillations, the dominant discourse
seems to characterize it by three essential traits: a style of speaking that
addresses itself directly to the people, going beyond its representatives
and notables; the assertion that governments and ruling elites are more
concerned with their own interests than the state; an identitary rhetoric
that expresses fear and rejection of foreigners.
101
It is clear nevertheless that these three traits are not necessarily
linked. An entity called the people exists that is the source of power
and the recognized interlocutor in political discourse: that is what
our constitutions assert, and it is the conviction that republican and
socialist orators of the past deployed without reservation. It is tied to
no form of racist sentiment or xenophobia whatsoever. Our politi-
cians think more about their own careers than the future of their cit-
izens, and our governments live in symbiosis with the representatives
of large financial interests: it takes no demagogue to proclaim that.
The same newspapers that denounce “populist” leanings provide us
with the most detailed evidence of it day after day. On their side, the
heads of the government and the state sometimes accused of pop-
ulism, like Berlusconi or Sarkozy, are very careful not to spread the
“populist” idea that the elite are corrupt. The term “populism” does
not serve to characterize a defined political force. On the contrary,
it benefits from the amalgams that it allows between political forces
that range from the extreme right to the radical left. It does not des-
ignate an ideology or even a coherent political style. It serves simply
to draw the image of a certain people.
Because “the people” does not exist. What exist are diverse or even
antagonistic figures of the people, figures constructed by privileging
certain modes of assembling, certain distinctive traits, certain capac-
ities or incapacities: an ethnic people defined by the community of
land or blood; a vigilant herding people by good pastureland; a dem-
ocratic people putting to use the skills of those who have no partic-
ular skills; an ignorant people that the oligarchs keep at a distance;
and so on. The notion of populism itself constructs a people char-
acterized by the formidable alloy of a capacity—the brute force of
great number—and an incapacity—the ignorance attributed to that
same great number. The third trait, racism, is essential for this con-
struction. It is a matter of showing the democrats, always suspected
of having their heads in the clouds, what is in truth the broad mass of
people: a pack possessed by a primary drive of rejection that is aimed
Fragile Collectivities,
Imagined Sovereignties
kevin olson
107
the question “What is a people?” comes back only in the form of a
discussion about universality, incompleteness, the partitioning of
society, class and group fractions, and various other questions about
group composition, then the most important point is being missed.
That is the answer registered in terms of the meaning and norma-
tive force of the people. To address that question we must attempt to
capture something ineffable about our own thoughts and practices,
something that is both persistent and fleeting. These are the politi-
cal imaginaries that create “the people” and give it normative force.
To tease this important theme out of the discussion that has come
before, (1) I begin by examining the rather different concerns of
Alain Badiou and Pierre Bourdieu, both of whom focus on the com-
position and fragility of the people. (2) Judith Butler and Georges
Didi-Huberman move us beyond this focus on the composition of
collectivities, bringing important insights about performativity and
sensibility to our understanding of the people. (3) These insights set
the stage for my own concerns about the normative character of the
people, the senses in which it is imagined as having important forms
of power. Viewed from this perspective, the people can be thought of
as a kind of “imagined sovereignty,” one that combines ideas of col-
lectivity and normative force. Only by tracing the development of
these ideas in our collective imagination do we understand why the
people occupies such a special place in our political tradition.
“The people” is a plastic and flexible notion that can be deployed in many
different ways. This is well documented in Alain Badiou’s “Twenty-Four
Notes on the Uses of the Word ‘People.’ ” He explores the grammar of
this term’s use, which allows it to be bent in a number of directions.
When this takes a nationalist form, it falls under suspicion. Locutions
108 conclusion
like “the French people” or “the Russian people” merely document the
inertia of a past political movement ossified in a state, according to
Badiou. This “national adjective + people” refers back to a historical past
of actual political energies that were dissipated in state formation. The
term is now deployed without actual referent to legitimate this state so
that it may serve the needs of capital. “The people” is deeply bound up
with the state in this sense, causing Badiou to give it the name “offi-
cial people.” By virtue of its depoliticization and orientation toward con-
sumption, Badiou dubs this the middle class. Thus in note 19 we find,
“The middle class is the ‘people’ of the capitalist oligarchies.”1 These are
the “false people,” Badiou says, because of their passive and diffuse non-
existence as a political force and their function in legitimating a system
that is, by implication, illegitimate.
A host of other categories stand in contrast. “The people’s peo-
ple” are the excluded and invisible; more specifically, they are invisi-
ble from the perspective of the official people. There are also people
who mobilize against colonization or empire, guided by a vision of a
national people. This is a different deployment of “national adjec-
tive + people.”2
Universalism hovers on the edge of Badiou’s discussion. A
fraction of the people mobilizes itself and overcomes the passiv-
ity of state cooptation by declaring itself “the people.” This is a
people defined by “the future perfect of a nonexistent state,” in
the case of an anticolonial struggle aiming at national liberation,
or “abolishing the existing state,” in the case of a group excluded
from the “official” people, one that Badiou claims would aim at
communist politics.3
Badiou maintains an awareness of the way modes of distinc-
tion shape this concept. Here his work intersects with that of Pierre
Bourdieu. Bourdieu is also interested in language in use. He parses
out the social dynamics underlying such usages, focusing on “pop-
ular” rather than “the people.” The shift from noun to adjective is
important. The grammar of “the people” is a constitutive grammar:
conclusion 109
it constitutes groups by naming them. “Popular,” in contrast, is a
weapon in the ongoing struggles of already-existing groups. It traces
the social dynamics through which groups are valued and revalued
in social space.4 Thus when we encounter difficulties in the use of
“popular,” its politics are already apparent. Those politics concern
the “proper” use of the adjective, where “proper” itself is a nexus of
dispute and is patterned by the very mechanisms of power and dis-
tinction that create groups. “Popular,” then, is an object of struggle
with constitutive significance.
The deployment of “popular” that most occupies Bourdieu’s
attention is to classify forms of language use. Here popular is defined
relationally as that which is excluded from “legitimate” language,
which is to say, language formed according to the “accepted” or
“proper” rules. It is also generated as an active strategy of defiance,
a refusal to interpolate oneself into the social order structured by
legitimate language. This is the choice to be a skilled speaker of a
devalued idiom rather than a poor speaker of an officially sanctioned
one. In these senses, language is both a marker of social difference
and a principal stake in struggles over it.
The people never becomes a political subject for Bourdieu. It
remains within the ambit of an ascribed category of social identity,
chiefly a devalued one. In this, he revitalizes a much older view, one
that had great currency in the France of the late ancien régime. Eigh-
teenth-century ironists like Voltaire and Gabriel-François Coyer
characterized the people as an abandoned, stigmatized class frac-
tion. Coyer’s 1755 Dissertation sur la nature du peuple, for instance, shows
a well-tuned sensitivity to the mechanisms of group distinction. Var-
ious occupational groups except themselves from “the people,” leav-
ing farmers, domestics, and artisans. Even among the artisans, those
who make luxury goods for the rich claim a refinement that excepts
them from the people. Left behind is “the mass of the people.”5
These are the ones, as Voltaire put it a decade later, “who have only
their arms for sustenance.”6
110 conclusion
Coyer’s commentary is post-Marxist ahead of its time, tracing out
social distinction as a matter of group formation rather than class.
Like Bourdieu, Coyer understands these dynamics as moves in a
game of better-than and worse-than. They are attempts to consol-
idate group identities while simultaneously revaluing them. Coyer’s
greatest sensitivity is to the cultural politics of social classification.
Such was society at the end of the Bourbon monarchy; such is society
under global neoliberalism for Bourdieu. Plus ça change . . .
The similarities and contrasts between these trenchant social crit-
ics is an interesting one. Bourdieu recapitulates, with considerably
greater theoretical sophistication, insights from several centuries past.
(Here his position as a successor of Marx is a decided advantage.)
From this perspective, it is interesting to speculate about the paral-
lels between the ancien régime and our own: history recounts a time
when resentment at social distinction and dispossession explodes in
an orgy of political change, tearing down a decadent regime of aristo-
cratic privilege at the hands of the people. But that is a different topic.
For the moment, it is sufficient to note the form of political analysis
we get from this view, found in both its eighteenth-and twenty-first-
century variants. That is a pointed critique of the politics of margin-
alization and deprivation. It delineates the ways (“social”) distinction
is a mechanism of (“political”) depoliticization and exclusion. The
social is the political and vice versa. For Coyer, this results in an atti-
tude toward the people that, he ironically implies, leaves us wonder-
ing whether they are rational at all or simply animals.7 For Bourdieu,
it shows up in a kind of voluntary self-silencing, in which people con-
clude they are unqualified to participate in politics or even to have
political opinions.8 His analysis is particularly trenchant because he
shows how particular group identities are internalized as forms of
conscious self-exclusion from politics. In these cases, being a member
of the people is the opposite of being politically engaged.
It is equally important to note what we do not get here, something
that is more present for Badiou: attention to the ways collectivities
conclusion 111
function as political agents. There is no account of how “the peo-
ple” becomes . . . a people. Or, more rigorously, the people for Bour-
dieu remains a self-marginalized, devalued social remainder, not a
political agent. Bourdieu would likely argue that this is not a the-
oretical overstatement so much as a frank assessment of the ways
material dispossession takes on social, cultural, psychic, and political
form. Yet that answer is not good enough, because occasionally the
people do form a people; occasionally the marginalized and scattered
remainder becomes a unified, self-aware political force; and we leave
too much on the table to ignore such occurrences and blind ourselves
to this other important sense of the people.
Of course, the phenomenon of collective political action is not
well developed by Badiou either. He traces the attribution of people-
hood through a number of political uses, delineating its problematic
and progressive deployments. The paradigms he posits are rather
stylized, however: the state serves capital and is thus legitimated by a
passive mass. These paradigms nonetheless serve to draw important
lines between passive and active collectivities, which Badiou reads
as the distinction between (passive) legitimation and (active) mobi-
lization. Here the advantages of his approach are sold short by the
uses he makes of it: a grammatical analysis of the deployment of “the
people”-as-language is pressed into the service of a relatively heavy-
handed political analysis (though one not without merits). What
Badiou best captures is the mobile, malleable character of “the peo-
ple” as an element of language. He focuses thereby on the senses in
which the people can be symbolically represented and pressed into
various uses.
Judith Butler’s thinking about the people traces a different arc. Rather
than examining the composition of peoples, she focuses on the acts and
112 conclusion
processes through which they are created. Performativity occupies cen-
ter stage here as the means by which peoples posit themselves.
Like Bourdieu and Badiou, Butler notes the constitutive effects of
language in the formation of groups. “We, the people,” for instance,
is an utterance with constitutive effects in the creation of a group.
Butler shows that language is not primary in such instances, however.
She notes that this kind of expression is not simply a speech act but
one preceded by action: “the assembly of bodies, their gestures and
movements, their vocalizations, and their ways of acting in concert.”9
It is a performative political enactment that is prior to the speech
act itself. This is a politics of bodies assembled in groups, one that
amounts to an act of collective self-constitution. It creates an “ ‘anar-
chist’ energy or a permanent principle of revolution within demo-
cratic orders,” a force that legitimates political representation but
always exceeds it.10 The performance of collectivity also creates the
basis for a more familiar and easily identifiable act of self-designation:
“we, the people.” Collective political action thus precedes the speech
act itself: a material performative goes hand in hand with a discur-
sive one. In this sense, Butler’s notion of performativity is simultane-
ously discursive and material. It does not reduce one to the other but
emphasizes their distinct and interlocking character.
The complex, discursive-material character of the people is an
important insight on Butler’s part. She corrects our distorting ten-
dency to see all politics through the lens of the linguistic turn, crit-
icizing the focus on claims and speech acts at the expense of bodies
and the politics of the street. The potent political force of people
assembled in the square, before the parliament house, in silent vigil,
in tent cities, in celebration, protest, or mourning—all of this goes to
the core of contemporary politics, and Butler does us the great ser-
vice of thematizing it as vital to our understanding of the people.
Yet Butler may overstate the importance of materiality in relation
to discourse. The discursive constitution of a people—“we [are] the
people”—is not necessarily preceded by its performative enactment.
conclusion 113
To claim otherwise overestimates the role of embodiment in rela-
tion to discourse, according one priority over the other. One phe-
nomenon that is well captured by the linguistic turn, by thinkers as
different from one another as Ernesto Laclau and Jürgen Habermas,
is the virtualization of the people in contemporary politics.11 There
is a tendency for politics to be sublimated into discourse through
forms of dispersed and abstract media. We might call this “the work
of politics in the age of its technical mediation.” This is not to say
that thinkers like Laclau and Habermas have the full picture. They
overstate the case in the opposite direction, dissolving material-
ity and practice into abstract forms of discourse, and are much in
need of Butler’s corrective. But neither should we follow Butler in
thinking that physical, corporal enactment must precede discur-
sive self-constitution. The people need not assemble before declar-
ing themselves a people. Rather, we might think of performativity
as including material and discursive elements of various kinds. The
people is performed, but that performance can take many forms: the
outdoor politics of the people in the square or the virtualized pol-
itics of public opinion formation in electronic media, for example.
These forms are mixed and combined in complicated ways—always
performed, but in a complex mélange of materiality and discourse.
As rich as Butler’s insights about performativity are, they do not
go far enough to explain how a people becomes a people. Not present
in this insightful analysis are our reasons for saying that an assembled
group should have any particular significance. Why should a given
group be interpreted as “the people” and accorded a special norma-
tive status? Why should we attribute particular force to the claims of
such a group? How do we distinguish the performative enactment
of the people from any other kind of assembly? Performativity is not
enough to account for this in itself, nor is discursive self-assertion.
Earlier generations of political thinkers would have said, “We
hold the people to be special and significant because they are sover-
eign.” They would agree with Butler about the anarchist energy and
114 conclusion
permanent revolution of the people, attributing it to a form of col-
lective self-direction that was held to be natural or self-evident. This
response is not satisfactory either, of course. It merely begs the ques-
tion, pushing the burden back another step. It does not explain why
we think that some particular group is the people, or why we think
that this people is sovereign.
Butler would not try to salvage this way of approaching the prob-
lem. She has strong objections to the idea of sovereignty, even though
her ideas about anarchist energy and permanent revolution invoke
similar associations. In the company of thinkers like Walter Benja-
min, Jacques Derrida, Michel Foucault, and Carl Schmitt, she char-
acterizes sovereignty as a form of absolute mastery and control.12
Writing about performativity in language, for instance, she takes
pains to undermine what she has called “sovereign performatives.”
They are forms of “absolute and efficacious agency” in language, in
her view. To invoke them, Butler says, is to draw on a fantasy about a
return of sovereign power, a power that in language has always been
a fantasy.13 This fantasy invokes a conceptual frame that was rightly
rejected by Michel Foucault, she says, because it is built on a notion
of subjectivity that emphasizes the centrality of subjective agency
at the expense of diffuse relations of domination and control. Thus
she draws a sharp line between an absolutist conception of sover-
eignty and the more ineffable and diffuse power of the people that
she describes.
Butler’s objections to this notion of subjectivity lie in an insight-
ful analysis of the sense in which speech acts are insufficient to assert
peoplehood. A speech act is not a self-contained act. The conditions
for their assertion and acceptance are not given in the moment; “the
temporal conditions for making the speech act precede and exceed
the momentary occasion of its enunciation.”14 In other discussions
of performativity and language, she emphasizes the role of conven-
tion as that which stands outside of and beyond sovereign subjec-
tivity. The performative force of an utterance is generated from the
conclusion 115
conventions that it draws on. No one (singly, individually) exer-
cises sovereignty through speech. Because of the role of convention
in creating, stabilizing, and reproducing language, it is not possible
purely to exercise one’s own will in saying something. That utterance
depends upon a reservoir of convention for its meaning and force.
What then about performatives involving “the people”? Are those
also modeled on sovereign performativity? Here, Butler deempha-
sizes language to bring materiality more fully to the fore. In this
account, the performativity of the people is not linguistic and con-
ventional but performed through assembly. This does not seem quite
right, however. We should not be so quick to reject sovereignty as an
analytic concept, nor should we lose sight of convention as a vital part
of sovereign performatives. Political sovereignty is built on a long his-
tory of convention that has great currency in our culture. To object to
the intertwinement between subjectivity and sovereignty is to be dis-
tracted by intellectual constructs. The actually-existing commitments
of our culture contain many elements that, on closer scrutiny, fit
together poorly or do not make sense. A strong conception of subjec-
tivity associated with notions of absolute sovereign control is surely
one of those problematic ideas. However it is important to remem-
ber that there is much more in operation in our shared imagination of
politics than these (purified, rationally reconstructed) ideals.
Absolutist conceptions of sovereignty have always been coun-
terfactual assertions, more attempts to save some waning system
of authority than descriptions of reality. Thus, Hobbes and Filmer,
for instance, articulated powerful defenses of absolute monarchy as
a rearguard action against a seventeenth-century democratic revo-
lution. To dismiss sovereignty based on such narrow and counter-
factual conceptions is unfortunate. It singles out a small group of
(historically embattled) conceptions among many, only to dismiss
them, leaving aside the scattered plethora of other forms that prolif-
erated after the age of kings. Today, sovereignty is one of the princi-
pal ways we understand ideas like “the people,” which is not to say in
116 conclusion
any absolute or unitary form. Rather it gives us a historically situated
vocabulary for examining the genealogy of such ideas. It is precisely
this history that traces the conventions around the people. If we are
serious about bringing forward Butler’s admirable insights about the
people and performativity, we must view sovereignty (in piecemeal,
malleable, nonabsolutist form) as a principal locus of such conven-
tion. We must take a broader view of the noise and fiber of actu-
ally-existing cultural contents, including the ways that sovereignties
permeate our understanding of what it means to act as and declare
ourselves to be the people.
For help in this endeavor, let us turn to a second moment of the
people. Georges Didi-Huberman thematizes the ways the people
can be “rendered sensible,” which is to say brought to the focus of
our attention. For him, this is not necessarily a matter of making
present, in the sense of bringing into visibility something that is fully
there but obscure. Rather it is a critical and problematizing sensibil-
ity. This can be a matter of what he refers to, following Walter Ben-
jamin, as a dialectic of images, one that loosens our grasp on received
opinion by problematizing the sensible.15 It can also consist in open-
ing up alternative perceptions of history, critically interrogating the
representation of the people. Michel de Certeau, Michel Foucault,
and Arlette Farge are put forward by Didi-Huberman as exemplary
of this problematizing practice. Rendering something sensible can
involve bringing to attention things lacked and desired. In the case of
the people, for instance, he follows Maurice Blanchot in noting that
the powerlessness of the people itself can be rendered sensible. Sim-
ilarly, for Didi-Huberman rendering sensible can involve bringing to
our senses something that does not make sense. In these cases, Didi-
Huberman characterizes rendering sensible as a twofold movement:
being moved emotionally and moved to thought.16 There is, in other
words, a motivational-critical force to rendering sensible, one that
challenges existing truths and images while rendering these prob-
lematizations vivid to us.
conclusion 117
Didi-Huberman’s ethos of problematization holds particularly
for representative abstractions like “the people.” He is careful to
specify that the people does not exist “as a unity, identity, totality, or
generality”; it is a nonidentity that is always incomplete.17 Otherwise
put, the people should not be subsumed into the unity of one con-
cept. He sides with thinkers like Bataille, Blanchot, and Nancy, who
problematize notions of collectivity that are conceptualized as sim-
ple communion or substantial unity.18
Didi-Huberman’s focus thus falls on peoples in the plural,
by which he means specific and unique peoples. His attention is
directed to marginalized and invisible peoples, those without name,
without papers, without lodging, without rights, and without images.
He often refers to this in Jacques Rancière’s idiom of “the part with
no part.” His project of rendering the people sensible, he says, is to
return such peoples to the rank of full status as political subjects. In
this sense, his concerns intersect with those of Badiou, Bourdieu,
Coyer, and Rancière. Interestingly he does not characterize this
project as focusing on equality but on what he calls the upwelling of
heterogeneity (surgissement de l’hétérogène).19 The point is not to render
equal but to bring to the fore the wide variety of what is marginal-
ized and hidden from sensibility.
Didi-Huberman is careful not to hypostatize representation. His
reference to rendering sensible should be read as a careful choice:
not simply visibility but a broader form of sensibility that includes
aspects of attention, classification, and prioritization. It includes
practices that might otherwise be classified as cognition or percep-
tion, and it frames sensibility as an inherently intersubjective prac-
tice. It is no mistake, in this light, that Didi-Huberman refers at
various points to the imaginary character of peoples. He references
the differentiated, social character of this idea in Cornelius Castori-
adis’s work.20 Castoriadis talks about the imaginary without reduc-
ing it to a logic of identities or a positivist myth of representational
transparence. He renders the imaginary social, a space of community
118 conclusion
in which community itself is always under negotiation. By associ-
ating his project with the imaginary, on one hand, and community,
on the other, Didi-Huberman makes clear how rendering sensible
relates to peoples. First, he is interested in the broadest register of
the sensible world we share in common. Second, he frames a notion
of community in which imaginary classifications are always in play,
both potentially hypostatizing and always open to critique. And third,
he is keenly aware of the way these two things come together to ren-
der certain groups (“peoples”) marginal, of lesser value, or invisible.
Thus the political logic of rendering sensible has a strong, critical
focus on forms of social exclusion, picking up themes shared with
others but revealing their deployment and reproduction in the imag-
inary domain.
In this sense, Didi-Huberman’s critical focus on representations
in the broadest sense provides a corrective to a narrower emphasis
on language in the constitution of peoples. The world-constituting
power of language carries over to political collectivities, particularly
in the form of naming. This is reflected in the perspectives of But-
ler and Badiou. Bourdieu displays it in a different way: social iden-
tity is quietly duplexed onto language use, not in the form of naming
but in the minute variations of usage that code social identity. This
is a very incomplete picture, however. Without rejecting language,
Didi-Huberman pushes outside its bounds to reveal the symbolic
elements at work in the formation of political collectivities.
Didi-Huberman’s emphasis on forms of representation does
impose certain limits on his views, however. One of those is a ten-
dency to view peoples as objects of representation rather than as
subjects of politics. They are variously represented, hypostatized,
rendered sensible, and/or occluded from sensibility: objects of repre-
sentations. What Didi-Huberman thematizes much less (with some
exceptions)21 is the active, self-constituting dimensions of peoples—
the dimensions that capture Butler’s attention. This is likely a mat-
ter of his framing of the task rather than any deeper narrowness
conclusion 119
of his views: the idea of rendering sensible is implicitly structured
around the accessibility of objects of representation. It is an objecti-
fying perspective, one that comes to seem limited when the objects
are peoples.
What is arguably missing from Didi-Huberman’s reflections is a
particular sense of the people that takes it as a political collectiv-
ity with a special normative status. This problem manifests itself in
a second limitation of this perspective. Didi-Huberman asserts that
there is no “people,” only peoples. This is, in certain ways, an impor-
tant insight about the logic of collective identity and the dangers of
fixity and closure. Yet in seeking to prevent us from hypostatizing
the people, Didi-Huberman goes too far in the other direction. “The
people” has a vital reality in contemporary cultures and constitutes
an important part of our modern political imaginaries. To rule that
out-of-bounds is to fail to interrogate it as a rich source of meaning
in contemporary democratic societies. It is to impose a kind of con-
ceptual correctness where it may not be warranted. Better would be
to let the archive speak for itself, noting occasions when “the peo-
ple” is an organizing concept and others in which “peoples” is more
appropriate.
The importance of using both of these concepts in an interpre-
tively astute way is elegantly illustrated by the title of this book. The
question posed is not “What are peoples?” but “What is a people?”
The choice is an important one, since questions about “peoples”
tend to sound like episodes from the philosophical anthropology
of the eighteenth and nineteenth centuries: the peoples of the earth,
the natural characteristics that separate one people from another,
and so forth. The guiding impulse of that project was to catalog dif-
ferent human types. In contrast, investigating the meaning of “a peo-
ple” is at once vital for interpreting our received common sense and
an opportunity to problematize it. Implicit in this undertaking is the
idea that there is often some particular people, “the people,” that is
taken as having singular importance within a given context. This is
120 conclusion
the idea that guides Jacques Rancière, for instance, when he distin-
guishes between “the very idea of a democratic people” and polit-
ical attempts to subvert that idea by merging it with “the image of
the dangerous masses.”22 Rancière agrees with Didi-Huberman that
there is no “people” as such, yet he is also keenly aware that images of
the people circulate in our collective imagination, and some of them
exert a powerful normative force in politics. He has traced some of
these images in his own work, particularly the diverse essays pub-
lished in Les Révoltes Logiques between 1975 and 1985.23 Following the
consequences of this line of thought, we can say that the people is an
imaginary entity; it has a tangible reality for us because we imagine
it as such. Investigating the sources of its special, normative charac-
ter is to inquire into the intersubjective, shared, imaginary construc-
tion of the people.
When we ask “What is a people?” we are not asking a purely
socio-ontological question: about its formation in the social space
of our collective imagination. The social ontology of the people piv-
ots around a crucial, constitutive semantic element. What the people
is depends upon what the people means. Put otherwise, the most cru-
cial element is the way the people takes on shades of meaning in the
ongoing process of construction. To ask questions about the place
of the people in our shared imaginaries is thus to ask about the way
we construct visions of the people and endow them with meaning.
In this sense, the people goes beyond being a simple collective iden-
tity that assembles individuals into groups. It is a meaningful collec-
tivity that we endow with normative value. The people is important
in politics because it has these normative valences, ones that change
with time and context, and are thus all the more interesting.
Following Didi-Huberman’s inspiration, we should ask about the
diffuse and ineffable image of the people that we do share: one that
is part of our shared imaginary, our very conception of what poli-
tics is and how it functions. That is the question we could see being
posed, for instance, by Judith Butler’s evocation of the force of the
conclusion 121
people assembled. We think of such assemblies in some way as “the
people.” The question is how and why?
In this vein, one can imagine a different kind of rendering sensi-
ble of the people. It is something that groups do for themselves, a self-
reflexive practice that we might call a performative rendering sensible.
Such an idea expands Didi-Huberman’s insights in Butler’s direction.
Here we can point out that political demonstrations and other material,
public manifestations of the people render sensible and problematize
at the same time. They bring forth identities and claims into the public,
giving the lie to silences and omissions of public attention. At the same
time, the meaning of an assembly or public display is not entirely clear.
It has a nonverbal facticity that invites interpretation, just like an image
or object. As such, assemblies constitute a form of problematization.
They provoke and enter into the public construction of meaning rather
than unilaterally providing it. In all of these ways, a Butlerian perspec-
tive on performativity can be joined with Didi-Huberman’s insights
on interpretation and problematization. It turns our attention toward
issues of political imaginaries and self-constitution, and especially what
happens when the two come together. Didi-Huberman’s notion of
rendering sensible can be retasked in a project of critique connected to
our shared political imaginaries and the ways that they constitute the
normative bases for popular politics.
Imagined Sovereignties
A great deal of attention has been devoted to the fragile, fleeting nature
of the people as a collectivity. It is clear, however, that the instabilities
of the people are not simply a problem of composition. They are not a
problem of collectivity as such: of its unstable and shifting makeup, of
the tendency of the affluent to except themselves from the whole, leav-
ing only those who have no part. As we have seen in Didi-Huberman’s
work, the people is very much grounded in the way we perceive and
122 conclusion
value particular kinds of collectivities. This work insightfully thematizes
the representational, imaginary, and symbolic aspects of the people. To
elaborate the project I have been pointing toward so far, I would like
to push Didi-Huberman’s insights further in this direction, approaching
the people as a more general normative category.
We need to account for the ways that the people takes on nor-
mative colorations—the ways it becomes a politically significant
collectivity. This is tantamount to asking how we understand the
difference between a mere gathering of individuals—say, a bowling
league or a sales convention—and “the people” in its fully sanctified
sense. In Badiou’s language, we are trying to discern what changes
when a minority detachment declares itself the people. From But-
ler’s perspective, we are trying to determine what makes an assem-
bly into the people. In both cases, we are asking how a group adopts
the normative mantle of the people, claiming authorization to act in
the name of a collectivity with a special normative status. We are try-
ing to determine what act of transubstantiation creates these nor-
matively special collectivities, where otherwise we would see only
individuals assembled.
To understand this phenomenon, we need to examine the norma-
tive background that endows the people with its special status. There
is a host of historically specific terms that describe aspects of this:
popular sovereignty, “the power of the people,” constituent power,
the subtle normative shadings of related terms like nations, publics,
crowds, masses, and mobs. For shorthand, we might call these sov-
ereign imaginaries. They include the absolutist conceptions of sover-
eignty criticized by Butler, as well as various fragmentary, piecemeal,
part-wise authorizations that are ineffable because they are nowhere
explicitly granted. Such ideas are part of the reservoir of our back-
ground assumptions about political action: imaginaries about who is
entitled to act and on what basis.
At the center of this heterogeneous ensemble we find “the peo-
ple,” with all of the subtleties and instabilities of composition that we
conclusion 123
have already examined. Also revealed here are the constructions that
surround the people and invest it with normative powers: “the power
of the people,” the sanctity of foundings and new beginnings, as well
as other forms of rectitude and authorization. These powers accrete
through slow processes of formation that lead us to think of the peo-
ple as a distinctive collectivity and an important political actor.
To see how sovereign imaginaries develop over time, we must
examine them in their historical specificity. The notion of the peo-
ple takes on a politically significant role in modern Europe in the late
middle ages, when it functions to acclaim the king. With the gradual
disintegration of monarchy in the seventeenth and eighteenth cen-
turies, the people first constitutes a euphemized criticism of royal
rule, then its competitor, and finally its replacement. These themes
transform in new ways in the early nineteenth century. In some
cases they furnish a basis for the progressive breakup of colonialism
and the host of new sovereignties that it spawned. In other ways,
nineteenth-century nationalism pushes the people aside in favor of
the nation as a collectivity of choice. At the same time, subnational
collectivities like crowds and masses become increasingly prominent,
largely as objects of fear in the barricade politics of revolutionary
Europe and the anxious imaginations of early social scientists.24
These imagined normativities enter a broad field of action as
they arrive in the twentieth century. There is the mobilization of the
people in the Russian Revolution and the subsequent formation of
Soviets that was celebrated by Hannah Arendt.25 More perversely,
there is the popular basis of National Socialism in Germany and
the widespread popular acclaim of fascism in Italy. There are pop-
ular insurgencies in Hungary in 1956 and Czechoslovakia in 1968,
then again across the whole Soviet empire in 1989. The unworking
of colonialism across the globe in the nineteenth and twentieth cen-
turies furnishes a whole different set of paradigms for imagining the
people and its powers. More recently, we have Tahrir Square and the
rest of the Arab Spring, pro-democracy protests in Hong Kong, and
124 conclusion
anti-austerity demonstrations in Europe. The Internet and other
communication technologies have created wikis, blogs, and other
postindustrial knowledge projects of all kinds, in which the people
stands for new forms of decentralized, democratized epistemology.
In all of these instances, the people and its powers are imagined in
new and different ways.
This historical kaleidoscope reveals important aspects of the ways
that political collectivities are imagined. It includes not only notions
of collectivity itself—say, “peoples”—but also the normative statuses
with which they are endowed—their “powers.” Most prominently,
we see that the power of the people is an unstable set of histori-
cally contingent, changing cultural and material constructions that
are continually problematized even while they are being elaborated.
They are formed out of a complex web of symbolic contents, acts,
and practices of imagination. Such efforts of imagination are always
partial, incomplete, more a form of symbolic and material politics
than a fully worked out, coherent doctrine.
Consider, for instance, a pivotal moment in this history: the for-
mation of modern ideas of the people in eighteenth-century France.
Under the ancien régime, “the people” is a term of art in a genre
of political criticism. It used by public intellectuals like Voltaire
and Coyer to attack the monarchy in a backhanded way, euphemiz-
ing politics as a form of social critique and removing its sting with
humor and irony. These writings are very much a part of the intel-
lectual scene of salons and sociétés de pensée. As conditions change,
however, the monarchy weakens and the people is pressed into a dif-
ferent function. It now becomes a conceptual means to retheorize
sovereignty. Gone is the unified agency and will of the king; in its
place steps a rather problematic, fraught attempt to universalize the
people and endow it with the kind of normative status that the king
used to bear. Conceptual pieces and remainders of royal sovereignty
are repurposed to create new notions of the people, with somewhat
mixed and unstable results.26
conclusion 125
In this era, the people and its powers are articulated within a set of
unresolved problematics. These ideas are created to take the place
of royal sovereignty; they try to respond to the problematic situa-
tion at the same time that they are inscribed within it. As a result,
there is continued unsettlement and controversy over the composi-
tion of the collective identities. Throughout this time period, there
is substantial disagreement about what the people actually means—
who it signifies, who is included, on what basis, by what right. This
includes often paradoxical attempts to claim its universal character
simultaneously with forms of differentiation. In this sense there is
a complex web of associations between sovereignty and collective
identity. Universalism and particularity compete with one another.
There is confusion whether sovereignty and power proceed from “all
the people” or various partisan movements, factions, or insurgencies.
There are questions whether parts of the people might be disqual-
ified from sovereignty, or by extension, certain material conditions
might disqualify specific groups. Such attempts to settle the meaning
and composition of the people are also attempts to settle the ques-
tion of sovereignty.
The doctrines descended from those revolutionary events in
eighteenth-century France imagine the people in an implicitly exclu-
sionist way conditioned by a history of colonialism that reaches
back before the Revolution. Thus we see the kinds of tensions that
Sadri Khiari identifies: constructions of the people that default to an
unmarked white European imaginary, requiring marked exceptions
for anyone of a different identity. Khiari notes the implicit exclusion
of black, Arab, and Muslim French citizens from “the French peo-
ple” because they do not fit the imagined identity category. This, he
says, happens in an almost subliminal way: someone descended from
“French stock” can easily identify with the French people by claiming
a privileged relation with the nation-state, whereas a Malian-French
or Senegalese-French citizen cannot make the same claim with-
out considerable cultural dissonance. To subvert these imaginaries,
126 conclusion
Khiari insightfully notes the need for a “redistribution of cultural
and symbolic powers” to bring nationality under interrogation from
a “decolonial” perspective.27 His work brings an important historical
element, the colonial history of Europe, to contemporary construc-
tions of the people. It thus draws attention to race as a principal way
of not having a part in contemporary societies. It is also implicitly
focuses attention on the ways that the people is imagined: in this case,
as durable, national-racial imaginaries that are warped by internal
tensions even though they are lived by millions of Europeans.
The value of tracing such transformations is to observe how the
power of the people is imagined as a normative construction—as having
an inherent value, natural rectitude, or obligatory force. The people
are imagined as having power, and that power can vary consider-
ably in its forms, sources, and concentrations. Attempts to settle the
meaning and composition of the people are also attempts to attach
normative connotations to them. Power is created with the people.
We can call the processes of constructing the normative back-
ground of sovereignties “normatization.”28 It creates value in the
political imaginary by forging connections between collectivities of
various kinds and other ideas and practices. These associations and
projections can be made with a space or territory; they can be coun-
terfactual or actual; they can be projected into the future or the past,
articulated across space, time, and collective identity in characteris-
tic, distinct, and variable ways. Such associations can include differ-
ent arrangements of national and territorial space, different appeals
to temporality, both in a past-oriented nostalgic mode and a future-
oriented, prospective one, or association with other normative val-
ues. What lies in common to all of these variations is the creation
of a collectivity as having a normative character. The form it takes
is a variable and characteristic feature of the particular case under
consideration.
In this sense, postulating a political identity can itself be a strat-
egy of normatization. It can project that identity into the past to
conclusion 127
naturalize it and give it value, or project it into the future as a goal
worthy of completion, one that has value now, counterfactually, by
virtue of the expectation that it will be completed in the future. A
whole set of fantasies and imaginations can be called into play in
complicated ways: heroic pasts, sanctified founding moments, future
ideal states. All of these play on identity within a politics of meaning.
In such cases political identity is less the point than are the processes
of normatization that invoke it. Demands for identity are a proxy
for the discursive and practical negotiation of sovereign imaginaries.
These are practices of imagination that articulate new visions of pol-
itics. They are a self-referential, self-reinforcing practice that creates
the imaginary bases of popular power.
Consider, for example, the creative ways that normatization
endows a collectivity with force by invoking time. Locating one’s
people or nation in an ancient past, for instance, gives it a kind of
naturalized value.29 More radically, such a community can be located
in an eternal past, as Emmanuel Sieyès does in his famous essay on
the Third Estate.30 Past-looking temporalities can also reference
a more specific point in time, drawing on the special character of
a privileged historical starting point, as in stories of revolutionary
founding. Employed in a more abstract sense, this is also the central
normative device of social contract theory.
Temporality can be used in a future-oriented sense as well. Here
the people defines a goal to be completed or a potential to be real-
ized. In this construction, the people is endowed with normativity
by virtue of its future promise.31 Something like this strategy oper-
ates implicitly in many criticisms of the fragmented and exclusion-
ary character of present peoples. It highlights forms of distinction
and exclusion as a way of pointing toward a world in which they will
be overcome.
The people can also be imagined as having a normative status by
associating it with concepts of space. This is particularly true when a
people alleges itself always to have existed on some territory. It puts
128 conclusion
into play a double strategy of normatization, in which time is com-
bined with space to naturalize the particular group in a double sense.
It taps into some notion, never well articulated, that ancient terri-
torial claims confer a material durability on that people, which in
turn creates a presumption of rectitude for its present and future
actions. Without trying very hard, one can think of many current
political conflicts that play on such ideas. Another way to give the
people power is to associate them with a bounded, sovereign ter-
ritory. This “Westphalian” strategy unifies populace, territory, and
jurisdiction in a way that taps into some of our most deeply held nor-
mative ideals. It forms the idea of a democratically self-regulating
people, one in which the subjects of the law are also its authors. Even
though such ideas are deeply entrenched in our current political tra-
dition, there is nothing natural or necessary about them. Like other
sovereign imaginaries, they have accreted over a long period of time
through processes of normatization.
There are many other ways in which the people can take on nor-
mative value, too many to detail here. What is important is the more
general point that the people acquires its normative force in con-
crete and often unexpected ways. The paths of normatization cannot
be exhaustively described because they are contingent improvisa-
tions within particular circumstances. Such improvisations have a
strongly practical and material character. Sovereign imaginaries are
articulated, inter alia, through particular understandings of time,
space, and collective identity, and through association with various
other normative concepts. Normativity, in this view, is not a natural
characteristic of certain political forms. Rather, it is constructed of a
piece with them. The “power of the people,” by extension, is a prod-
uct of particular ways of imagining politics. The normative force of
such ideas is created by summoning particular constellations of ele-
ments and constructing durable sovereign imaginaries out of them.
Performativity plays a large role in these processes of collective
imagination. Political acts and collectivities take their meaning from
conclusion 129
such imaginaries, which define who, collectively, counts as a politi-
cally significant actor. At the same time, such acts and collectivities
contribute to creating our sovereign imaginaries. The people takes
its power from performativity in a double sense: by drawing on nor-
mative imaginaries and by contributing to their creation. The power
of the people has a performative dimension, but it also contrib-
utes to the background of shared meanings against which other per-
formances are understood. Put otherwise, it helps to construct the
matrix of significations within which practice is perceived. When it
comes to collectivity, action can help to constitute the intersubjec-
tive, normative basis of reality. It does something in the (intangible,
intersubjective) world. Actions of certain sorts exercise a constitu-
tive influence on our political imaginaries.
With these insights, we are back to Butler’s idea of the peo-
ple assembled, but with a different angle of view. One of the most
potent effects of collective action, I believe, is to performatively cre-
ate the imaginary bases of popular politics. By acting together, we
build a normative basis of ideas about what it means to be a people.
Chief among these ideas are our images of the significance of collec-
tive assembly, popular voice, and the whole range of cases in which
we take collective action to have an important and sometimes deci-
sive significance in politics.
This happens in both a compositional and normative sense. It
affects what we think “a people” is and what significance we attach
to it. Acting like a people can precede and create the imaginary
preconditions for being a people. This is similar to the forms of
self-authorization described by Jacques Derrida, Jason Frank, and
Bonnie Honig.32 It is not self-authorization in a specific, narrow,
legal-political sense, however: not “we hereby create the legal bases
for our existence as a people” but rather the long, slow accretion
of normative expectations about collectivity and normativity. It is a
form of imaginary politics in the broadest, most cultural, and most
deeply shared sense.
130 conclusion
Having said this, we have not yet erased the problems and ten-
sions that generate ideas of the people. As our ongoing controversies
about “the people” indicate, these ideas have never really settled into
place. They retain their chafing, problematic form. What it means
to be a people, and to act with the authorization of a people, is still
problematized and politicized. By exposing this to view, my inten-
tion is very much in sympathy with Didi-Huberman’s: a kind of ren-
dering sensible of the people and the politics surrounding it. By
bringing back to attention the still-problematic nature of the peo-
ple, we resist attempts to co-opt its special status while reopening
questions about the sources and nature of our sovereign imaginaries.
We can now return to the question “What is a people?” A geneal-
ogy of popular politics reveals a churning complexity just below the
surface of one of our most sacred political ideals. It has a specific
history, born out of problematics and remaining so today. The actu-
ally-existing imaginaries that populate this history can be quite mal-
leable and contingent. They envision agencies and authorizations in
a wide variety of forms. Yet their two crucial elements always travel
together: peoples have powers. They are imagined replete with nor-
mative force. The people, in short, is an imagined collectivity that
bears an imagined sovereignty.
The many different manifestations of the people at the turn of
the millennium—the people of the Berlin Wall, Tahrir Square, or
Zuccotti Park—all take on significance because of these sovereign
imaginaries at the same time that they performatively help to cre-
ate such imaginaries. The people is a potent creation of our collec-
tive imagination, one that is revitalized when it is enacted—and thus
reimagined—in new ways.
conclusion 131
NOTES
133
same term décalages (translated as “gaps”), citing the work of Michel de
Certeau, to draw attention to the dialectical divisions, fissures, and tears
that mark his proposed history of peoples in the plural.
6. Althusser, “Rousseau: The Social Contract,” 129. We should add, how-
ever, that the many individuals do not exist any more than the one-
ness of the people prior and externally to the political and ideological
processes that constitute the modern category of individuality, which
as the holder of inalienable rights would have to be historicized in
ways that Althusser is characteristically unwilling to do. Even later,
in his definition of ideology as the interpellation of individuals into
subjects, Althusser’s treatment strangely enough still refuses to insert
an element of history into the theory of the subject. See L. Althusser,
“Ideology and Ideological State Apparatuses,” in Lenin and Philosophy and
Other Essays, trans. B. Brewster (London: Monthly Review Press, 2001),
127–86.
7. Rousseau, Social Contract, 149 (emphasis added).
8. Rousseau, Émile, quoted in Althusser, “Rousseau: The Social Contract,”
130 (emphasis added).
9. Althusser, “Rousseau: The Social Contract,” 132–33.
10. Marx, “On the Jewish Question,” in The Marx–Engels Reader, ed. R. C.
Tucker (New York: Norton, 1978), 46.
11. Althusser, “Rousseau: The Social Contract,” 154.
12. Ibid., 155, 159.
13. J. Rancière, Disagreement: Philosophy and Politics, trans. J. Rose (Minneap-
olis: University of Minnesota Press, 1999), 87–88 (translation slightly
modified). We can compare Rancière’s argument with the way in which
another student of Althusser’s, Étienne Balibar, mobilizes the antinomy
between “man” and “citizen,” like the tension between “liberty” and
“equality,” not as an impasse but as the master key to unlock the poli-
tics of what he calls equaliberty, in É. Balibar, “ ‘Rights of Man’ and ‘Rights
of the Citizen’: The Modern Dialectic of Equality and Freedom,” in
Masses, Classes, Ideas: Studies on Politics and Philosophy Before and After Marx, trans.
J. Swenson (New York: Routledge, 1994), 39–59.
134 introduction
14. J. Rancière, “Preface to the English edition,” in Staging the People: The
Proletarian and His Double, trans. D. Fernbach (London: Verso, 2011),
18. In the French original, Rancière uses the expression les gros mots
(“coarse words”) to justify and explain the role of “words today seen as
awkward—people, poor, revolution, factory, workers, proletarians—and
wielded by outmoded characters.” See J. Rancière, “Préface: Les gros
mots,” in Les Scènes du peuple (Les Révoltes Logiques, 1975/1985) (Lyon: Horlieu,
2003), 16. Bourdieu uses the same expression below and adds a further
level of sociological reflexivity by studying how the binary distinctions
of high and low, delicate and coarse, etc., are very much part and parcel
of the linguistic and ideological construction of the “popular,” whose
“properly political” consequences are always unstable and open to mul-
tiple counter-finalities.
15. Rancière, Disagreement, 88 (translation modified).
16. L. Althusser, “The ‘Piccolo Teatro’: Bertolazzi and Brecht. Notes on a
Materialist Theatre,” in For Marx, trans. B. Brewster (London: Verso,
1969), 138n4.
17. E. Laclau, “The Politics of Rhetoric,” in The Rhetorical Foundations of Soci-
ety (London: Verso, 2014), 94. Laclau famously generalizes the logic
of hegemony as a way of overcoming the class essentialism of ortho-
dox Marxism in his book coauthored with Chantal Mouffe, Hegemony and
Socialist Strategy: Towards a Radical Democratic Politics (London: Verso, 1985).
18. Rancière, Disagreement, 88 (translation modified).
19. Rancière, “Preface to the English Edition,” in Staging the People, 15.
20. M. Heidegger, Being and Time: A Translation of “Sein und Zeit,” trans.
J. Stambaugh (Albany: State University of New York Press, 1996), 352.
21. M. Heidegger, Contributions to Philosophy (Of the Event), trans. R. Rojcewicz
and D. Vallega-Neu (Bloomington: Indiana University Press, 2012),
35. For a chronological interpretation of Heidegger’s different uses of
the term Volk that goes to great lengths to try and separate the philoso-
pher’s meditations from the racist biopolitics of Nazism, see H. France-
Lanord, “Peuple,” in Le Dictionnaire Martin Heidegger, ed. P. Arjakovsky,
F. Fédier, and H. France-Lanord (Paris: Cerf, 2013), 991–1012.
introduction 135
22. Heidegger, Contributions to Philosophy, 42.
23. P. Lacoue-Labarthe, Heidegger, Art, and Politics: The Fiction of the Political, trans.
C. Turner (Cambridge, Mass.: Basil Blackwell, 1990), 113–14. With the
mention of 1967 the author is referring to a talk from this same year
that Heidegger delivered in Athens, Greece, entitled “The Provenance
of Art and the Destination of Thought,” which Lacoue-Labarthe then
compares to Heidegger’s 1933 “Rectoral Address.” In this quote and the
next, Lacoue-Labarthe uses “historial” as the translation of the German
term geschichtlich, which in Heidegger’s lexicon refers to the history of
Being (Geschichte) as opposed to history or historiography in the com-
mon sense (Historie). At stake is not this or that historical occurrence
but the event of being as the ontological possibility of historicity or his-
toriality as such.
24. Ibid., 13 and 112 (translation modified).
25. Ibid., 4–5. See also J.-L. Nancy, The Inoperative Community, ed. Peter Con-
nor (Minneapolis: University of Minnesota Press, 1991), and Blanchot’s
response in The Unavowable Community, trans. P. Joris (Barrytown, N.Y.:
Station Hill, 1988). Georges Didi-Huberman’s idea of “rendering sen-
sible” the absence or powerlessness of the people is openly indebted to
this post-Heideggerian line of thinking.
136 introduction
1920); P. Guiraud, Le Français populaire (Paris: Presses Universitaires de
France, 1965); and also from the same perspective, H. Frei, La Grammaire
des fautes (Paris, 1929; Geneva: Slatkine Reprints, 1971).
5. See J. Cellard and A. Rey, Dictionnaire du français non conventionel (Paris:
Hachette, 1980), viii.
6. Let it suffice to note, for example, that in the discourse gathered on the
least strained market—a conversation between women—the lexicon
of slang is almost totally absent; in the case observed, it only appears
when one of the speakers quotes the words of a man (“tu va m’fout’ le camp
tout d’suite”) to which she immediately adds, “That’s how he talks, like an
old Parisian kid, yeah, he has a kind of hard luck look, his cap always to
one side, oh yeah, you can see!” A little later the same character repeats
the word “pognon”—slang for money, “dough”— right after having
related the words of a café owner in which it appeared. See Y. Delsaut,
“L’économie du langage populaire,” Actes de la Recherche en Sciences Sociales
4 (July 1975): 33–40. Empirical analysis ought to attempt to determine
the speakers’ feelings about a word belonging to slang or legitimate lan-
guage (instead of imposing the observer’s definition); among other
things, that would allow us to understand numerous traits described as
“errors” that are the product of a misplaced sense of distinction.
7. That is what makes the legitimate language, in the guise of going in cir-
cles or nowhere, so often turn to the advantage of the dominants, like so
many circular definitions or tautologies of vulgarity and distinction.
8. Given the role played by spontaneous sociolinguistics and express inter-
ventions by families and schools that they prompt and direct in the
maintenance or the transformation of the language, a sociolinguistic
analysis of linguistic change cannot ignore this sort of linguistic custom or
right that in particular determines pedagogical practices.
9. Even as he accepts the division that is fundamental to the very notion of
“popular language,” Henri Bauche observes that the “bourgeois speech
in its familiar use presents numerous traits in common with popu-
lar language” (Bauche, Langage populaire, 9). And later, “The boundaries
between slang—the various slangs—and popular language are sometimes
4. To Render Sensible
1. H. Arendt, Qu’est-ce que la politique? (1950–1959), trans. S. Courtine-
Denamy (Paris: Le Seuil, 1995), 39–43. [Trans.:—See Arendt, The Prom-
ise of Politics, ed. J. Kohn, trans. J. Woods (New York: Random House,
2005).]
2. First Contact, directed by B. Connolly and R. Anderson (New York: Film-
makers Library, 1982). See F. Niney, L’Épreuve du réel à l’écran: Essai sur le
principe de réalité documentaire (Brussels: De Boeck Université, 2000), 283.
3. I have already tried to justify this plural in Peuples exposés, peuples figurants,
L’oeil de l’histoire 4 (Paris: Les Éditions de Minuit, 2012).
4. See “Populisms,” special issue, Critique 68, no. 776–77 (2012).
5. P. Rosanvallon, Le Peuple introuvable: Histoire de la représentation démocratique
en France (Paris: Gallimard, 1998), 11, 13, with a reference to the article
by O. Beaud, “Repräsentation et Stellvertretung: Sur une distinction de Carl
Schmitt,” Droits: Revue française de théorie juridique, no. 6 (1987): 11–20.
6. C. Schmitt, Theorie de la Constitution (1928), trans. L. Deroche (Paris:
Presses Universitaires de France, 1993), 347 (translation slightly mod-
ified). [Trans.:—See Schmitt, Constitutional Theory, J. Seitzer (Durham,
N.C.: Duke University Press, 2008).]
7. Ibid., 218, 381, 419–20, and so on. See also C. Schmitt, État, mouvement,
peuple: L’organisation triadique de l’unité politique (1933), trans. A. Pilleul (Paris:
Éditions Kimé, 1997), 48–63. [Trans.:—See Schmitt, State, Movement,
People, trans. S. Draghici (Corvallis, Ore.: Plutarch Press, 2001).] I have
150 conclusion
Schmitt, Political Theology: Four Chapters on the Concept of Sovereignty, trans. G.
Schwab (Chicago: University of Chicago Press, 1985).
13. Butler, Excitable Speech, 77–78.
14. Butler, “We, the People,”53.
15. G. Didi-Huberman, Peuples exposés, Peuples figurants(Paris: Les Éditions de
Minuit, 2012), 17; “To Render Sensible,” in this volume, 84.
16. Didi-Huberman, “To Render Sensible,”74–78.
17. Ibid., 85.
18. Didi-Huberman, Peuples exposés, 96–105.
19. Ibid., 33, 108–9.
20. Ibid., 105.
21. Ibid., 30–31.
22. J. Rancière, “The Populism That Is Not to Be Found,” in this volume,
105.
23. Collected and translated as J. Rancière, Staging the People: The Proletarian
and His Double, trans. D. Fernbach (London: Verso, 2011) and The Intellec-
tual and His People: Staging the People, Volume 2, trans. D. Fernbach (London:
Verso, 2012).
24. I have developed this narrative in greater detail in Imagined Sovereignties:
The Power of the People and Other Myths of the Modern Age (New York: Cam-
bridge University Press, 2016).
25. H. Arendt, On Revolution (New York: Penguin, 2006), 248–50.
26. Olson, Imagined Sovereignties, chap. 4.
27. S. Khiari, “The People and the Third People,” in this volume, 87–88, 89.
28. Olson, Imagined Sovereignties, chap. 5.
29. B. Anderson, Imagined Communities: Reflections on the Origin and Spread of
Nationalism, rev. ed. (London: Verso, 1991), 178–85; R. Smith, Stories of
Peoplehood: The Politics and Morals of Political Membership (Cambridge: Cam-
bridge University Press, 2003), 64–69, 103–16.
30. E. Sieyès, “What Is the Third Estate?” (1789), in Political Writings, ed. and
trans. M. Sonenscher (Indianapolis: Hackett, 2003), 136.
31. J. Derrida, “Declarations of Independence,” trans. T. Keenan and
T. Pepper, New Political Science 7, no. 1 (1986): 10; Derrida, The Politics of
conclusion 151
Friendship, trans. G. Collins (London: Verso, 2005), 306; J. Frank, Constit-
uent Moments: Enacting the People in Postrevolutionary America (Durham, N.C.:
Duke University Press, 2010), 5–6.
32. Derrida, “Declarations of Independence,” 10; Frank, Constituent Moments,
8; B. Honig, “Declarations of Independence: Arendt and Derrida on the
Problem of Founding a Republic,” American Political Science Review 85, no. 1
(1991): 97–113.
152 conclusion
INDEX
ABC of the War (Brecht), 84 anarchist energy, 51, 113, 114, 115
accent pointu (northern accent), 36 anthropological effectiveness of
acclamation, 68, 69 relics, 72
adjective + people, 24. See also anthropology, 2, 78, 81, 120
national adjective + people anti-austerity demonstrations
adjective pairs, system of, 36 (Europe), 124
Adorno, Theodor, 69, 83 antiphrasis, 139n17
aesthetic, 65, 79, 80–81 Arab Spring, 26, 124
Agamben, Giorgio, 71 Aragon, Louis, 83
Agee, James, 82, 84, 85, 86 Arendt, Hannah, 50, 60, 65, 74, 124
Aisthesis (Rancière), 82 aristocratism, 29, 38, 40
Alexanderplatz (Döblin), 83 Aristotle, 29
Althusser, Louis, 6, 7, 8, 9, 10–11, Assad, Bachar, 80
13, 20 assembly, 24, 25, 49–64, 113, 114,
Althusser’s Lesson (Rancière), 11 116, 122, 123, 130
153
Auschwitz, 19 body politic, 6, 9, 57, 64
Austin, J. L., 54 Boiffard, Jacques-André, 83
Bourdieu, Pierre, 4, 32–48, 108,
Badiou, Alain, 11, 14, 21–31, 80, 109–12, 113, 118, 119
108, 109, 111, 112, 113, 118, 119, Brecht, Bertolt, 84
123 Breton, André, 83
Bailly, Jean-Christophe, 83 Burckhardt, Jacob, 74, 77
Balibar, Étienne, 134n13 Butler, Judith, 3, 14, 49–64, 108,
Bataille, Georges, 72, 78, 82, 83, 118 112–17, 119, 121–22, 123, 130
Battleship Potemkin (film), 80
Bauche, Henri, 37, 137–138n9 Carné, Marcel, 34
Being and Time (Heidegger), 16, 17 Carnets d’enquêtes (Zola), 78
Benjamin, Walter, 69, 70, 71, 72, 73, Castoriadis, Cornelius, 118
76, 78, 80, 82, 83, 84, 115, 117 Cendrars, Blaise, 83
Berlin Wall, 131 censorship, 43, 44
Berlusconi, Silvio, 102 Certeau, Michel de, 74, 117
Binswanger, Ludwig, 81 Chávez, Hugo, 15, 101
Black Notebooks (Heidegger), 18 citizenship, 64, 89, 92, 95, 104
Blanchot, Maurice, 16, 85, 117, 118 classes: dominant classes, 72,
Bloch, Ernst, 69, 82 89; middle class, 29, 30,
Bloch, Marc, 77 109; popular classes, 33–35;
bodily acts, linguistic speech as subordinate classes, 89, 95,
linked to, 57 97; working classes, 33–35, 44,
bodily life, 60, 61, 63 95, 100
body/bodies: as activated by history classification, 111, 118, 119,
and as acting upon it, 77; as 139n16
affectively in the world, 77–78; class racism, 138n13
mobility as right of, 63; as more class struggle, 10, 11, 73, 89
than active agents of resistance, coinages, 35
62–63; plurality of, 59–60, 61; collective cultural rights, 99
reasons for assembly of, 63; as collective identity, 120, 121, 126,
set of relations, 61; techniques 127, 129
of, 81; as vulnerable, 64 collective political action, 112, 113
154 index
collectivity: action as helping to Contributions to Philosophy (Of the Event)
constitute intersubjective, (Heidegger), 17, 18
normative basis of reality in, 130; Coyer, Gabriel-François, 110, 111,
creation of as having normative 118, 125
character, 127; forms of, 107; crowds, 107, 123, 124
fragile, fleeting nature of the cultural law, 42
people as, 122; notions of, 118; as cultural legitimacy, principles of, 43
passive or active, 112; as political
agent, 111–12; subnational Da-sein, 16–17, 19
collectivities, 124; symbolic declaration of powerlessness,
elements in formation of, 119; 85, 86
unsettlement and controversy “Declaration of the Rights of Man
over composition of, 126 and of the Citizen” (Marx), 9
colonialism: history of, 126; delinquent culture, 42
unworking of, 124 democratic rule, 51
colonized within, 97 Derrida, Jacques, 10, 55, 115, 130
commonly used, 33 detachment, 27–28, 123
communist politics, 31, 109 deviances, history of, 74
condition of life, 60 dialectical/dialectic, 69–74, 79, 80,
Confessions (Rousseau), 11 82, 83; emotions, 86; idea, 84;
confused representations, network images, 69, 70, 71, 84, 86, 117;
of as engendered by social of the symptom, 85
subjects, 35 Didi-Huberman, Georges, 15, 16,
conscious intervention, 36 65–86, 108, 117–19, 120, 121,
constituent power, 123 122, 123, 131
constructive principle (konstructiv Disagreement: Philosophy and Politics
Prinzip), 73, 74 (Rancière), 11–12
contingent hegemonic articulation, Discourse on Inequality (Rousseau), 10
14 discrimination, 40, 90–91, 98, 103
contract, Rousseau’s notion of, 8 dispositions, hierarchy of, 41
contract model, 6 Dissertation sur la nature du peuple
contractual exchange, Rousseau’s (Coyer), 110
formula of, 6, 7, 8 Döblin, Alfred, 83
index 155
Documentaires (Cendrars), 83 false people, 29, 109
documentary montage, 83 Farge, Arlette, 76, 117
Documents (Bataille), 83 fascism, 69, 124
dominant classes, 72, 89 faubourien (Paris working-class
dominant culture, 96 accent), 36
dominant markets, 39, 41, 43, 44, Faure, Alain, 78
46, 47, 48 Felman, Shoshana, 57
dominant oppositions, 37 Filmer, Robert, 116
the dominated, 37, 38, 39, 42, 43, 44, First Contact (documentary), 66
47, 48 FN (Front national), 94
dream image, 70, 72 For Marx (Althusser), 10, 11, 13
dualistic mode of thought, 39 Foucault, Michel, 74, 75, 76, 115, 117
dualist taxonomies, 37 France, masking of racial
hierarchies in, 92
Effusion et tourment (Farge), 76–77 Frank, Jason, 130
Egyptian people, 26 freedom of assembly, 49–64, 113
Ehrenburg, Ilya, 83 freedom of association, 50
Einstein, Carl, 69, 81 free markets, 39, 43, 44, 46, 48
Eisenstein, Sergei, 72, 80 Frei, Hans Wilhelm, 37
elected regime, 50, 51 French, how to be French without
Émile (Rousseau), 7 being French, 97–100
emotion-people, 68, 69 French culture, 99
enunciation, 52, 53, 54, 55, 56, 115 French history, 99
equality, embodiment of in French nation, 93
practices of assembly, 59 French nationalism, 94
Evans, Walker, 84, 85, 86 French people, 22, 23, 24, 26, 87, 92,
event-people, 68 93, 94, 97, 109, 126
Éwanjé-Épée, Félix Boggio, 96 French state, 93, 98
exclusion, 2, 3, 4, 68, 96, 111, 119, French stock, 91, 93, 97, 126
126, 128 frequencies, 35, 43
expression, scholastic norms Freud, Sigmund, 70, 72, 73
of, 42 Front national (FN), 94
extra-parliamentary power, 51 Führertum, 67
156 index
gathering, 54, 56, 123 implicit definitions, 34
Gemeinschaft, 16 insurgencies, 124, 126
gender, effect of, 41, 46–48 International Labor Organization,
generation, effect of, 41 50
Gleichschaltung, 53 invisible peoples, 118
group distinction, mechanisms of,
110 Jew as Pariah, The (Arendt), 74
group psychology, 2
Kant, Immanuel, 8–9
Habermas, Jürgen, 114 Kehre, 17
Haraway, Donna, 61 Khiari, Sadri, 14, 15, 87–100, 126,
Hardt, Michael, 15 127
Hegel, G. W. F., 8–9, 68, 69, 74 Kodak (documentaire) (Cendrars), 83
Heidegger, Art, and Politics (Lacoue- Kracauer, Siegfried, 69
Labarthe), 18 Krull, Germaine, 83
Heidegger, Martin, 16–19
heterotopias, 74–80 Laclau, Ernesto, 4, 14, 114
history of deviances, 74 Lacoue-Labarthe, Philippe, 16, 18,
history of solitudes, 74 19
Hobbes, Thomas, 14, 116 La Nouvelle Héloise (Rousseau), 11
Hollande, François, 25 La Nuit des prolétaires (Rancière), 78
Hong Kong pro-democracy La Parole ouvrière (Faure and
protests, 124 Rancière), 78
Honig, Bonnie, 130 Le Bon, Gustave, 103
Lefort, Claude, 79
illocutionary act, 56 Left Front, 94, 96
images: dialectical, 69, 70, 71, left-wing populism, 15
84, 86, 117; dream, 70, 72; legibility: crystals of (Lesbarkeit), 69;
implacable, 84 of history, 84, 86; power of, 84
imaginary peoples, 65, 68, 69 legitimate language, 33, 35, 36, 41,
imagined sovereignty, 108, 122–31 42, 110
immigrants, 28, 34, 42, 95, 96, 98, Le Paysan de Paris (Aragon), 83
105 Le Pen, Marine, 21, 104, 105
index 157
Le Peuple introuvable (Rosanvallon), material dispossession, 112
66 Mauss, Marcel, 81, 82
Le scandale du corps parlant, 57 Mayakovsky, Vladimir, 83
Les Révoltes Logiques (journal), 12, 121 Mélenchon, Jean-Luc, 21, 94–95,
Les Scènes du peuple (Rancière), 13–14 96, 97
le tiers peuple, 14 Merleau-Ponty, Maurice, 78, 79, 82
liberation: national liberation, 23, methodical observation, program
24, 25–26, 27, 31, 89, 109; and of, 44
use of term “people,” 22–23 Michelet, Jules, 74, 78
liberation movements, 89 middle class, 29, 30, 109
life, condition of, 60 minority detachment, 27–28, 123
linguistic counter-legitimacy, 42 minority peoples, 89
linguistic habitus, 39 Moholy-Nagy, László, 83
linguistic law, 42 Mon Paris (Ehrenburg), 83
linguistic speech, 57 Morales, Evo, 15
Lissitzky, El, 83
Lotar, Eli, 83 Nadja (Breton), 83
lowlife, 34, 41, 43 nameless of history, 73
lumpenproletariat, 34 naming, 25, 52, 110, 119
Nancy, Jean-Luc, 16, 19, 118
Magliani-Belkacem, Stella, 96 nation, concept of, 89
Malcolm X, 97–98 national adjective + people, 23, 26,
mandate, 66, 67, 70, 71 109
Man Ray, 83 National Front, 104
Mao Zedong, 28 national identity, 30, 93, 99, 104
marginalized peoples, 112, 118 nationalism, 94, 95, 124
marseillais (Marseilles accent), 36 national liberation, 23, 24, 25–26,
Marx, Karl, 5, 9, 11, 14, 23, 27, 76, 27, 31, 89, 109
78, 79, 111 National Socialism, 124
Marxism, 11, 12, 15 national sovereignty, 89, 94, 95
masses, 2, 28, 29, 68, 69, 103, 105, national union, 89
107, 121, 123, 124 national wars, 89
mass psychology, 2 nation-people, 68
158 index
Nazi Germany/Nazism, 16, 19, 21, particularity, 126
92, 104 Parti socialiste (PS), 93
Negri, Antonio, 15 Pasolini, Pier Paolo, 72
neo-liberalism, 95, 111 Passagenwerk (Benjamin), 70, 78
neo-populists, 16 pathos, formulas of, 70, 80, 81, 86
new people, 27, 30, 31 patois, 36
Nietzsche, Friedrich, 68, 77 people: abstract humanist notion
nonconventional French of, 90; acting like a people,
dictionaries, 33, 35 130; against whom are they
nonconventional language, 33 constituted, 88–90; as
nonexistent mass, 28 category constituted on basis of
nonexistent state, 30, 109 exclusion, 2; as category of the
normativity, 128, 129, 130 right of state, 24; claiming to be
normatization, 127, 128, 129 part of, 87; complex, discursive-
material character of, 113;
Occupy movement, 52, 59 composition and fragility of,
official people, 28, 29, 30, 31, 109 108; as designating something
Of Grammatology (Derrida), 10 singular, 26; as designating
Of Ideology (Badiou), 11 subject of a political process,
Olson, Kevin, 107–31 27; imaginary character of,
On Populist Reason (Laclau), 4 118; as imaginary entity, 121;
“On the Jewish Question” (Marx), 9 as imagined collectivity that
opinion-people, 68 bears an imagined sovereignty,
opposition: dominant oppositions, 131; material elements of, 88;
37; between masculine and meaning and significance of,
feminine, 138n10, 140n21 107; as more general normative
oppressed. See tradition of the category, 123; as name for
oppressed (Tradition der political process that produces
Unterdrückten) its own subject, 20; negative
others, 103 senses of term, 30; as neutral
term, 21; no people as such,
parliamentary forms of power, 51 120, 121; normative character
Partage du sensible (Rancière), 80 of, 108; as not a progressive
index 159
people (continued ) performative enactments, 53, 54–55,
noun, 21; as not existing, 66, 58, 113, 114
102; as not to be found, 70; performativity, 108, 112–17, 122,
the people’s people, 28; as 129, 130
political category, 1, 3, 4, 13, permanent revolution, 115
20, 31; as political collectivity Plato, 19, 29, 69, 80, 84
with special normative status, plural action, 52, 55
120; as political notion, plural body/plural bodies, 60, 63
89; positive senses of term, plurality: of bodies, 59, 61;
30–31; as privileged term for condition of, 58
articulating sphere of modern political action: background
politics, 2–3; racial dimension assumptions about, 123;
of notion of, 90; as rendered collective political action, 112,
sensible, 80–86, 117, 118, 113; crux of, 14
119, 120, 122, 131; as result of political becoming, process of, 5
process of political becoming, political depoliticization and
5; revalorization of category exclusion, 111
of, 15; social ontology of, 121; political effectiveness of relics, 72
and socioeconomic order, 90; political imaginaries, 108, 120, 122,
as standing for new forms of 130
decentralized, democratized political plurality, 63
epistemology, 125; strategic political sociality, 56
dimension of, 89; as taking political sovereignty, 116
on normative value, 129; Political Theology (Schmitt), 67
talking about in the plural, political theory, role/text of, 3, 4
2; as term of art in ancien politics: communist politics, 31,
régime, 125; use of term when 109; final aim of, 62; of power,
accompanied by an adjective, 95; progressive politics, 30;
22, 23–24; virtualization of in of the street, 59, 113; survival
contemporary politics, 114. See as precondition of, 60; of the
also specific groups of people truth, 80
people-nation, 89, 90 popular, 4, 22, 25, 32–48, 109–10;
peoples, as having powers, 131 art, 33, 35; classes, 33–35;
160 index
language, 33, 34, 35, 36, 37, 38, racial minorities, 98
39, 44, 47; medicine, 35; realism, racism, 102, 103. See also class racism
40; religion, 33, 35; will, 50, 61 radical left, national inflexion of,
popular sovereignty, 49, 50–52, 53, 93–97
54, 55, 89, 94, 95, 98, 99, 123 Rancière, Jacques, 11, 13, 14, 15, 78,
populism, 15, 21, 66, 101–5 79, 80, 81, 82, 101–5, 118, 121
populist celebration, 68 Reading Capital (Althusser), 10, 11
post-Marxist, 16, 111 real real men, 138n11
power: extra-parliamentary refoulement, 73
power, 51; of legibility, 84; remontage, 83
parliamentary forms of, 51; of Repräsentation, 67
the people, 12, 53, 66, 115, 123, representation: according to
124, 125, 127, 129, 130; politics Schmitt, 67; forms of, 51, 119;
of, 95; tradition of, 73 of the people/the peoples,
powerlessness, declaration of, 85, 86 65–69, 71, 78, 117; of powers,
power relationships, 88, 90, 92, 93 71; question of, 66; and
practical knowledge, 36 Rosanvallon’s emotion-people,
private exchanges, 43 68; work of, 38
privilege, 90, 91 répression, 73
problematization, 117, 118, 122 resistance: bodies as capable of,
program of methodical observation, 63; networks of, 62; to official
44 norms, 40; reasons for, 62
progressive politics, 30 Reznikoff, Charles, 83
Proletarian Nights (Rancière), 12 right of assembly (or association),
proletariat, 14, 15, 16, 20, 23, 34 50
protests/uprisings, 3, 124 rights of collective bargaining, 50
PS. See Parti socialiste rips, 69
public exchanges, 43, 44–46 Rocha, Glauber, 72
Puerta del Sol (Spain), 3, 59 Rosanvallon, Pierre, 66–67, 68,
69, 71
race: concept of, 90–93; as principal Rouch, Jean, 72
way of not having a part in Rousseau, Jean-Jacques, 4–5, 6, 7, 8,
contemporary societies, 127 9, 10, 14, 20, 24
index 161
Roussel, Raymond, 74 slang, 33, 34, 36, 37, 38, 41, 43, 44
royal sovereignty, 125, 126 social classification, 111
Russian people, 109 social distinction, 111
social identity, 110, 119
Saint-Denis, 87 Socialist Party, 95
Sander, August, 84 social plurality, 52
Sarkozy, Nicolas, 99, 102 social races, 90, 92
Sartre, Jean-Paul, 78 Social Contract, The (Rousseau), 4, 5,
Schmitt, Carl, 67, 68, 69, 71, 6, 7, 9, 10
73, 115 sociolinguistics, 36, 137n8
scholastic norms of expression, sociology, 2, 4
42 solitudes, history of, 74
secularism, 96, 99, 104 sovereign people, 14, 28
self-authorization, 130 sovereign performatives/sovereign
self-constitution, 3, 51, 52, 54, 55, 63, performativity, 115, 116
113, 114, 119, 122 sovereignty, 24, 96, 115, 116, 117,
self-designation, 52, 54, 113 123, 125. See also citizenship;
self-determination, 99 imagined sovereignty;
self-direction, 115 national sovereignty; popular
self-exclusion, 111 sovereignty; royal sovereignty
self-formation, 58 Soviets, formation of, 124
self-making, 51, 52, 54 space of appearance, 60
self-silencing, 111 speaking in unison, 52, 56
sensible: dialectic as encountering, speech act, 49, 52, 53, 54, 55, 56, 57,
83; dialectic of the, 82; events of 58, 113, 115
the, 81; points of contact with spontaneous sociolinguistics, 36,
dialectical, 79, 80; rendering 137n8
of, 80–86, 117, 118, 119, 120, Staging the People (Rancière), 12, 15
122, 131; truth of, 80; world of standard language, 35, 39
the, 65 Starobinski, Jean, 140–41n24
sensible events, 81, 84 Stellvertretung, 67
Sieyès, Emmanuel, 128 Straus, Erwin, 78
162 index
stylistic affectation, 43 truth of the sensible, 80
subjectivity: notion of, 115; and “Twenty-Four Notes on the Uses of
sovereignty, 116; will to, 20 the Word ‘People’ ” (Badiou),
subnational collectivities, 124 108
subordinate classes, 89, 95, 97
suburban youth, 103 UMP (Union pour un mouvement
surging multitudes, 61–62 populaire), 94
survival, as precondition of universalism, 90, 109, 126
politics, 60 Unterdrückung, 73, 74
symbolic domination, 37 upwelling of heterogeneity
symbolic figuration, 67 (surgissement de l’hétérogène), 118
symbolic imposition, 41 usage marks, 33
syncopes, 68 U.S. Constitution, 53
system of adjective pairs, 36 U.S. Declaration of Independence,
55
Tahrir Square (Egypt), 3, 26, 49, 59, utopias, 75
124, 131
Taine, Hippolyte, 103 Vargas, Getúlio, 101
theoretical framework (theoretische Verdrängung, 73
Armatur), 73 Verfassungslehre (Schmitt), 67
third people, 14, 87–100 Vietnamese people, 22, 25
Thomas, Saint, 25 Volk, 16, 19, 21
thymic moments, 81 Volksgemeinschaft, 16
Tocqueville, Alexis de, 71 Voltaire, 110, 125
totalitarian guidances, 67, 68 vulgar language, 38–39
toughs, 34, 35, 38, 41, 138–39n14, vulnerability, 61, 63, 64
138n12, 140n21
tradition of power, 73 Warburg, Aby, 68, 69, 70, 72, 76,
tradition of the oppressed 77, 81
(Tradition der Unterdrückten), 73, “we, the people,” 3, 49, 51–59, 64,
74, 76 113
Traumdeutung (Freud), 70 Webald, W. G., 83
index 163
Westphalian strategy, 129 “Work of Art in the Age of
Willis, Paul E., 40 Mechanical Reproduction,
will to subjectivity, 20 The” (Benjamin), 70
workers’ movement, 103 work of representation, 38
working classes, 33–35, 44,
95, 100 xenophobia, 102, 104
working people, 26
Work Journals (Brecht), 84 Zuccotti Park, 131
164 index
New Directions in Critical Theory