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Pe3 Module No. 6 Hip-Hop and Street Dance

1) The document is a lesson plan from the University of Makati about hip-hop and street dance. It discusses the origins and characteristics of hip-hop culture and defines street dance. 2) The content section explains the four fundamental aspects of hip-hop including rapping, DJing, breaking, and graffiti art. It also defines elements of street dance like bounce and tightening. 3) Different street dance styles are outlined including old school styles like breaking, popping, and locking as well as new styles like krumping and house. Performance is assessed based on participation, motor skills, and content knowledge.

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0% found this document useful (0 votes)
460 views5 pages

Pe3 Module No. 6 Hip-Hop and Street Dance

1) The document is a lesson plan from the University of Makati about hip-hop and street dance. It discusses the origins and characteristics of hip-hop culture and defines street dance. 2) The content section explains the four fundamental aspects of hip-hop including rapping, DJing, breaking, and graffiti art. It also defines elements of street dance like bounce and tightening. 3) Different street dance styles are outlined including old school styles like breaking, popping, and locking as well as new styles like krumping and house. Performance is assessed based on participation, motor skills, and content knowledge.

Uploaded by

Gabo Alfonso
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF, TXT or read online on Scribd
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UNIVERSITY OF MAKATI

J.P Rizal Ext., West Rembo, Makati City


HIGHER SCHOOL NG UMAK

HEALTH OPTIMIZING PHYSICAL EDUCATION DEPARTMENT

SUBJECT MODULE NO. TITLE

PHYSICAL EDUCATION 3 6 Hip-Hop and Street Dance

LEARNING OBJECTIVES

At the end of the lesson, students should be able to:


1. demonstrate understanding on hip- hop and street dance and
2. perform a hip- hop dance.

INTRODUCTION

“Hip-hop is more than music. It has crossed cultural boundaries that other music genres never
crossed. Hip-hop is not only the music you listen to, but the way you walk, talk, dress, and act. Hip- hop is a
state of mind. An entire generation, thirty year strong. We are hip- hop generation. Rap is what we do. Hip-
hop. Hip-hop is how we live!‟‟. KRS One, Rapper and Architect of Hip-hop

Hip-hop culture is from the African-American group of people who were looking for a creative outlet
to vent their frustrations and disappointments with society (Dimalanta, 2006). It started with funky beats
reverberating at house or basement parties and the streets of New York. According to Aldridge and Steward
(2005), it has developed as a „‟cultural and artistic phenomenon affecting the youth worldwide as it reflects
the social, economic, political, and cultural realities and conditions of their lives, speaking to them in a
language and manner they understand‟‟.

On the other hand, street dance is one of the newest dance genres in the 20th century that
immensely attracts the new generation particularly the youth. It came from the African-American hip-hop
culture that tremendously spread worldwide.

HEALTH OPTIMIZING PHYSICAL EDUCATION 1 | P a g e


UNIVERSITY OF MAKATI
J.P Rizal Ext., West Rembo, Makati City
HIGHER SCHOOL NG UMAK

CONTENT

FOUR FUNDAMENTAL CHARACTERISTICS OF HIP-HOP

1. Rapping (Mcing) - Rapping is a vocal element, and rap music is the heart of the hip-hop musical
genre (Dimalanta, 2006).
2. Disc Jockeying (Djing) – Disc jockeying means scratching or turn-table record mixing.
3. Break Dancing (B-boying) – an elaborate social dance form that came from teenage Latino and
African American makes in the South Bronx of New York City circa 1970. According to Defrantz
(2004), it started „‟as a form of fighting, a mixture of physically demanding movements which
exploited the daredevil prowess of their performers, and stylized punching and kicking movements
directed at an opponent”.
4. Graffiti Art- Also known as aerosol art.

WHAT IS STREET DANCE?

 The word street dance arrived in the Philippines from the United stated during the 1980‟s but only
gained unparalleled popularity during the 1990‟s.
 According to Dimalanta (2006), the word street dance is a “Filipinized version” of hip-hop dance that
was specifically used by Filipino dancers.
 Other countries, especially the United States, use the term hip-hop dance when referring to hip-hop
dance styles. It is only here in the Philippines where the term street dance has been commonly
used.

HEALTH OPTIMIZING PHYSICAL EDUCATION 2 | P a g e


UNIVERSITY OF MAKATI
J.P Rizal Ext., West Rembo, Makati City
HIGHER SCHOOL NG UMAK

ELEMENTS OF STREET DANCE

1. Bounce or Recoil is a quick contraction and retraction, or vise-versa movement with energy and
vitality.
2. Tightening of the Body is controlled with firmness and strength to prepare it for explosive and
sudden movements.
3. Agility and Coordination. The body changes a complex array of interlocking rhythms, percussive
accents of isolated body- parts pop out in unexpected phrasing and that break dancers perform
elaborate spins, balances, flips, contortions, and freezes.
4. Fun. Hip-hop is not only exciting but enjoyable as well.

DIFFERENT STREET DANCE STYLES

A.) OLD SCHOOL STREET DANCE STYLE


1. Breaking is also known as break dancing; it is an unstructured and highly improvisational style
that incorporates gymnastics and acrobatics movements (Ojofeitimi et al., 2010).
MOVES USED IN BREAK DANCING
a.) Power Moves
The Windmill. It is a move in which the dancer spins from his upper back to his chest while
twirling the legs around his body in a V- shape.
Head Spins. The dancers spin on his head, often while wearing a stocking cap or
handkerchief.
Flare. This is an incredibly difficult move borrowed from gymnastics and resembles the use of
a Pommel Horse, but is performed without one.
Jackhammer. It is a move performed on the ground having the dancer balancing on one
hand and laying his body on the elbow of the same arm.

b.) Basic Moves

Top Rock. This is a simple dance done standing up to initiate break dancing.
Uprock. This is doing a top rock with someone else, sort of like a fight without contact and
very rhythmic.
6- step. It resembles walking in a circle on the ground.

HEALTH OPTIMIZING PHYSICAL EDUCATION 3 | P a g e


UNIVERSITY OF MAKATI
J.P Rizal Ext., West Rembo, Makati City
HIGHER SCHOOL NG UMAK

Moonwalk. It is a move where a dancer slides backward while their legs appear to be walking
forward.
Worm. It is a move in which a dancer lies on the ground and forms a rippling motion through
his body.

2. Popping is a quick contraction and relaxation of muscle to produce jerking of various joints
(Ojefeitimi et al., 2012).
3. Locking is created by Don Campbell in Los Angeles, California in 1969. It relies on fast, distinct
arm and hand movements combined with relaxed hips and legs wherein the lock is the basic
move used.

B.) THE NEW SCHOOL DANCE STYLE

1. Krumping is characterized by unrestrained, rapid-fire, and highly energetic moves of the limbs
and torso (Ojofeitimi et al., 2010).
2. House is a dance style that emphasizes a fast and complex footsteps with fluid movements of
the torso (Ojofeitimi et al., 2010).
3. Street Jazz is a combination of hip-hop dance style and jazz movements.

ASSESSMENT

Just Dance

1. Create your own hip-hop dance steps


2. Use hip-hop music
3. Minimum of 32 counts maximum of 64 counts
4. Practice, perform, record
5. Submit it to your group leader
6. You will be graded using the criteria below.

HEALTH OPTIMIZING PHYSICAL EDUCATION 4 | P a g e


UNIVERSITY OF MAKATI
J.P Rizal Ext., West Rembo, Makati City
HIGHER SCHOOL NG UMAK

CRITERIA

Physical Education Description Percentage


Outcomes

Participates Behavior Attitude Effort 40


appropriately Sportsmanship
Cooperation
30
Motor Skills Gross and fine motor skill
development relative to grade level

30
Content Knowledge Motor Skill Knowledge and
or Application vocabulary, Apply knowledge to an
activity setting
100%

REFERENCE

Physical Education and Health Volume II

PREPARED BY: MS. KIO MAE D. MARVIDA

HEALTH OPTIMIZING PHYSICAL EDUCATION 5 | P a g e

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