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Cpar Q2 W3

This document discusses the history and development of digital art in filmmaking in the Philippines. It describes how a new wave of Filipino directors in the 1960s-1970s addressed social issues through films. It also discusses how the introduction of digital media and high-definition video in the late 1990s and 2000s gave rise to new digital filmmaking techniques. Several influential Filipino film directors are profiled who pioneered different styles and genres such as social realism, feminist themes, and longer takes. Technology continues to impact filmmaking through special effects and green screen techniques.

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Angelo Quinto
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58 views31 pages

Cpar Q2 W3

This document discusses the history and development of digital art in filmmaking in the Philippines. It describes how a new wave of Filipino directors in the 1960s-1970s addressed social issues through films. It also discusses how the introduction of digital media and high-definition video in the late 1990s and 2000s gave rise to new digital filmmaking techniques. Several influential Filipino film directors are profiled who pioneered different styles and genres such as social realism, feminist themes, and longer takes. Technology continues to impact filmmaking through special effects and green screen techniques.

Uploaded by

Angelo Quinto
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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and DIGITAL ART

ART
Unit II

A Window to
Different Worlds
lesson

lesson
a Window to
Different
Worlds
The film industry is faced with
a lot of challenges.
From 1960s to the years after
the fall of Marcos’s regime,
there was a lack of tax
incentives that could have
helped produce better films.
A new breed of Filipino
directors were brave
enough to direct films
that portrayed revolt,
labor unionism, social
ostracism, and class
division.
These were Lino Brocka,
Peque Gallaga, Ishmael
Bernal, Celso Ad Castillo,
and Marilou Diaz Abaya.
1975 movie Maynila, Sa
mga kuko ng Liwanag
(Manila: In the Claws of
Light)

In filmmaking, he used “conventional


love triangles, rape, and violent
action,” which revealed the suffering
in Filipino life due to economic
exploitation through symbols and an
elaborate plot
Oro, Plata, Mata and the famous
Shake Rattle and Roll I, II, III, and
IV and more than 20 other films

Born in Manila and studied in


Bacolod City. He directed some
award-winning films
Himala (1982)

Noted for his melodramas,


particularly with feminist and moral
themes.
Ang Pinakamandang
Hayop sa Balat ng Lupa)
Was a multi awarded film
director and the founder
and president of the
Marilou Diaz-Abaya Film
Institute and Arts Center,
a film school based in
Antipolo City.

Muro-Ami
The directors of the new wave either
“tended toward exposing relevant social
topics or hybridizing Filipino topics with
Western techniques” (David 1995, 1-2).
Also called alternative filmmakers, these
directors yearned for more creative
freedom in their works.
Eric de Guia
Raymond Red
Nick De Ocampo
Manny Reyes
Maryo J. Delos Reyes
Sigrid Andrea Bernardo
• also known as Kidlat Tahimik
• famous for his neocolonial
films and his short
documentaries such as
Bubong! (Roofs of the
World! Unite! 2006)
• was one of the first Filipino to
receive a Rotterdam Hubert
Bals Memorial grant and the
first for his short film Anino.
• He is also known for his super-8
films that explored the revolution
against the Spaniards through
the perspective of Andres
Bonifacio in his Bayani (1992)
and the revolution against the
Americans through Macario
Sakay’s eyes in Sakay (1993)
• in his practice of nonfiction
documentary films and short
films, filmed Revolutions
Happen Like Refrains in a
Song (1987)
• “a postmortem on the people
power revolution of 1986,” and A
Legacy of Violence (1990), which
contributed “a view of the
history of the country”
• satirical commentaries on
provincial politics are seen in
Suwapings (1994),
• a story of a citizen’s rebellion
against Barrio Talong’s cajeput
mayor whos plan was to dub a
group of Filipino-Americans as
hometown heroes if they
donate a huge amount of
money to him.
• Bamboo Flowers, the film
production did not only
require knowledge and the
skill in filmmaking,
• the director also had to
understand the people of
Bohol – their lives, beliefs,
and traditions, and their
relationship with nature
because the story revolves
around man and nature.
• Kita Kita is the highest-grossing
Philippine independent film,
garnering ₱320 million in the
box office and was selected by
CNN as the best romantic
comedy film in the last 25
years.
With the coming of digital media
in the late 1990s and early 2000s,
a new wave in digital form
emerged.

The high definition format came with the


digital age and made it possible for Brillante
Mendoza to film Slingshot (2007)
Brillante Mendoza
Lav Diaz
Cholo Laurel
Marie Jamora
Gil Portes
Auraeus Solito
Alvin Yapan
Maryo J. De los Reyes
Thy Womb is about the
Tawi-Tawi husband Bangas-
An (Bembol Roco) and wife
Shalela (Nora Aunor) who
had to end their marriage
because tradition has it
that a man shoukd leave
his barren wife and take
another one who can bear
him a child.
the filmmaker known to
“examine history from the
standpoint of the victims,”
would shoot in very long
takes, producing films with
running times of over five
hours
San Juan, Manila and a name
for himself in the industry
through his first feature film
Nasaan Ka Man (2005),
which received awards such
as Best in Story, Screenplay,
Picture, and Direction in 2005
from the Filipino Academy of
Movie Arts and the Gawad
Tanglaw ng Lahi.
filmed Ang Nawawala
(What Isn’t There, 2012).
It is a story of a 20-year-
old man named Gibson
who voluntarily stopped
speaking when he was a
child.
best known for Mga
Munting Tinig (2002),
which recounts the story of
a young, idealist, substitute
teacher in a provincial
public school.
a filmmaker from
Palawan, Region 4B, won
15 international awards,
three of which were
awards at the Berlinale,
for his Ang Pagdadalaga
ni Maximo Oliveros (The
Blossoming of Maximo
Oliveros, 2005),
Bicol, Region 5, won the
New Breed category of his
Debosyon (2013), a film
about the connection
between love and faith.
won the FAMAS award
for his Magnifico (2003),
which tells the story of a
little boy who brings
light to an impoverished
town.
Young film directors use

The Use of technology to create special


effects in film.

Technology in Film
Erik Matti
is the director of the first
full-length Filipino film
shot on green screen
chroma-key that “mixes
elements of action,
comedy, and horror in
order to juxtapose the old
sensibilities of the aswang
legend with contemporary
style” (Soriano 2012).
Tiktik: The Aswang Chronicles

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