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Kafi

Raga Kafi is a melancholic raga that uses a minor third (komal Ga) and belongs to the thumri semi-classical genre of Indian music. It allows for very expressive melodies and moods of expectation when resting on Re or Pa. The composition is in Teental with a tempo of 100 bpm and follows the Aroha and Avroha structure typical of Raga Kafi, including its characteristic notes of Vadi Pa and Samvadi Sa.

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Divyansh Apurva
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0% found this document useful (0 votes)
158 views3 pages

Kafi

Raga Kafi is a melancholic raga that uses a minor third (komal Ga) and belongs to the thumri semi-classical genre of Indian music. It allows for very expressive melodies and moods of expectation when resting on Re or Pa. The composition is in Teental with a tempo of 100 bpm and follows the Aroha and Avroha structure typical of Raga Kafi, including its characteristic notes of Vadi Pa and Samvadi Sa.

Uploaded by

Divyansh Apurva
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF, TXT or read online on Scribd
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Raga Kafi

Its minor third komal Ga puts Kafi amongst the melancholic ragas. It belongs to the thumri
semi-classical genre. Very expressive melodies can be created using it. Resting on the Re or the
Pa creates expection moods.

Jati Sampoorna
Vadi Pa
Samvadi Sa
Time Any Time (classically around midnight)
Aroha S R G M P D N Ṡ
Avroha Ṡ N D P M G R S

1
Raga Kafi
Composition Teental – Madhya (100 bpm)

Dha Dhin Dhin Dha Dha Dhin Dhin Dha Dha Tin Tin Ta Ta Dhin Dhin Dha
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
Sthai
R M PD
| } N DP
| } G R G M M
P − P − DM
| } P R M PD
| } N DP
| } G R G M M
P − P − DM
| } P D D D − D N DP
| } D M P
PD
| } NṠ N D PM
| } P R M PD
| } N DP
| } G R G M M
| }
P − P − DM
| } P ; ;

Antara
D M P D Ṡ − Ṡ Ṙ

| Ṙ} Ġ Ṙ Ṡ N D Ṡ − D M P D Ṡ − Ṡ Ṙ

| Ṙ} Ġ Ṙ Ṡ N D Ṡ − Ṡ Ṡ Ṡ Ṙ N − D P
PD
| } NṠ N D PM
| } P R M PD
| } N DP
| } G R G M M
| }
Sthai Alap
P − P − DM
| } P R M PD
| } N DP
| } G R G M M
S R M P − − M P G R − − RG MP
| } − M
| }
G R − G R S R M PD
| } N DP
| } G R G M M

S R M P − − MP
| } DN D P − − MP
| } DP
| } M P
| }
G R − G R S R M PD
| } N DP
| } G R G M M

SR
|} MP
| } DN N D P − − MP
| } DN Ṡ − N D P −
| } | }
− DM
| } P G R S R M PD
| } N DP
| } G R G M M

SR
|} MP
| } DN Ṡ − − N D Ṡ − − − DN |ṠṘ} Ġ Ṙ
| } | }
− − Ġ Ṙ Ṡ − − − NṠ Ṙ N D P − MP
| } DP
| }
| }
M G R G R S R M PD
| } N DP
| } G R G M M

Antara Alap
P − P − DM
| } P R M D M P D Ṡ − Ṡ Ṙ

| Ṙ} Ġ Ṙ Ṡ N D Ṡ − D M P D Ṡ − Ṡ Ṙ

MP
| } DN Ṡ − N D Ṡ − D M P D Ṡ − Ṡ Ṙ
| }

| Ṙ} ṀĠ Ṙ Ṡ ND PM
| } PD
| } NṠ D M P D Ṡ − Ṡ Ṙ
| } | } | }
DN Ṡ
| Ṙ} Ġ Ṙ N D Ṡ − D M P D Ṡ − Ṡ Ṙ
| }

| Ṙ} Ġ Ṙ Ṡ N D Ṡ − Ṡ Ṡ Ṡ Ṙ N − D P
PD
| } NṠ N D PM
| } P R M PD
| } N DP
| } G R G M M
| }

2
Dha Dhin Dhin Dha Dha Dhin Dhin Dha Dha Tin Tin Ta Ta Dhin Dhin Dha
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
Sthai Tanas
SR
|} MP
| } DN DP
| } MG RS
|} R M PD
| } N DP
| } G R G M M
| } | }
MP
| } DN ṠN DP
| } MG RS
|} R M PD
| } N DP
| } G R G M M
| } | } | }
DN Ṡ
| Ṙ} ṠN DP
| } MG RS
|} R M PD
| } N DP
| } G R G M M
| } | } | }

| Ṙ} ĠṘ ṠN DP
| } MG RS
|} R M PD
| } N DP
| } G R G M M
| } | } | }
DN Ṡ
| Ṙ} ṀĠ Ṙ
| Ṡ} ND PM
| } R M PD
| } N DP
| } G R G GM P,M
| } | } | } | } | }
PD
| }, PD
| } N,D NṠ ND PM
| } R M PD
| } N DP
| } G MG RS
| }, ṠN DP
| }
| } | } | } | } | }
ṀĠ | Ṡ} ,
Ṙ ṠN DP
| }, MG RS
|} R M PD
| } N DP
| } GM P,M PD
| }, PD
| } N,D
| } | } | } | } | } | }
NṠ , DN Ṡ,N DP
| }, MG RS
|} R M PD
| } N DP
| } G R G M M
| } | } | } | }
RS ND NS RG , MG RS RG MP
| }, DP MG MP DN , ṠN DP DN Ṡ
| Ṙ} ,
|} |˙ ˙} |˙ } | } | } |} | } | } | } | } | } | } | } | }
ĠṘ ṠN DP
| } MP
| } MG RS
|} R M PD
| } N DP
| } G R G M M
| } | } | }

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