0% found this document useful (0 votes)
201 views4 pages

Jazz Chord Essentials: Triads: Jens Larsen WWW - Jenslarsen.nl

1. The document discusses jazz chord essentials focusing on triads. It provides examples of chords consisting of triads plus root notes, triads as inversions, basic cadences using Dm7, G7, and Cmaj7 chords, and altered dominant chords using diminished triads. 2. Further examples demonstrate alterations, extensions, and suspensions of G7 chords, using an 11th instead of a 5th on m7 and maj7 chords, and a turnaround progression ending with A7alt chords. 3. Diagrams illustrate the finger placements and notes for each chord type discussed.

Uploaded by

River
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
201 views4 pages

Jazz Chord Essentials: Triads: Jens Larsen WWW - Jenslarsen.nl

1. The document discusses jazz chord essentials focusing on triads. It provides examples of chords consisting of triads plus root notes, triads as inversions, basic cadences using Dm7, G7, and Cmaj7 chords, and altered dominant chords using diminished triads. 2. Further examples demonstrate alterations, extensions, and suspensions of G7 chords, using an 11th instead of a 5th on m7 and maj7 chords, and a turnaround progression ending with A7alt chords. 3. Diagrams illustrate the finger placements and notes for each chord type discussed.

Uploaded by

River
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 4

Jazz Chord Essentials: Triads

Jens Larsen
www.jenslarsen.nl
Standard tuning

= 120
Example 1 - Chords consisting of a triad + a root note
Cmaj7 Em
1 2
E-Gt

0 5 8 12 0 5 8 12
0 4 9 12 0 4 9 12
2 5 9 14 2 5 9 14
3 3 15
8

Cmaj7 Dm7 Em7 Fmaj7 G7 Am7 Bm7( 5) Cmaj7

3 4

5 6 8 10 12 13 15 17
4 5 7 9 10 12 14 16
5 7 9 10 12 14 15 17
3 5 7 8 10 12 14 15

1/4
Example 2 - Triads as chords in inversions
C
8 9 10 11

0 3 8 12
1 5 8 13 1 5 8 13
0 5 9 12 0 5 9 12 0 5 9 12
2 5 10 14 2 5 10 14 2 5 10 14
3 7 10 15 3 7 10 15
3 8 12 15

Dm
12 13 14 15

1 5 10 13
3 6 10 15 3 6 10 15
2 7 10 14 2 7 10 14 2 7 10 14
3 7 12 15 3 7 12 15 3 7 12 15
5 6 12 17 5 8 12 17
5 10 13 17

Bdim
16 17 18 19

1 7 10 13
3 6 12 15 3 6 12 15
4 7 10 16 4 7 10 16 4 7 10 16
3 9 12 15 3 9 12 15 3 9 12 15
5 8 14 17 5 8 14 17
7 10 13 19

Example 3 - Basic Cadences


Dm7 G7 Cmaj7 Dm7 G7 Cmaj7 Dm7 G7 Cmaj7
20 21 22 23 24 25

1 3 5 6 6 8 10 12 12
2 4 4 5 7 9 10 10 12
3 3 5 7 9 9 10 12 14

Example 4 - Altered dominant: use diminished triad from the 7th


D 7 G7( 9)
26 27

9 9 0 6 9 12
10 10 1 4 10 13
9 9 3 6 9 15
10
9

2/4
Example 5 - Alterations, extensions and suspensions
G7
28 29

3 5 6 6 12 12
4 4 7 9 10 10
3 3 9 9 12 14

G7
30 31

3 2 6 6 12 12
4 4 7 6 10 10
3 3 9 9 12 11

32 33

3 3 6 6 12 13
4 5 7 7 10 10
3 3 9 10 12 12

Example 6 - 11th instead of 5 on m7 chords and major 7th chords


Dm7
34 35

1 1 6 6 10 8
2 0 5 5 10 10
3 3 7 5 10 10

Cmaj7
36 37

5 5 8 7 12 12
4 4 9 9 12 11
5 4 9 9 14 14

Cmaj7
38 39

5 5 8 8 12 10
4 2 9 9 12 12
5 5 9 7 14 14

3/4
Example 7 - Turnaround
Dm7 G7 Cmaj7 A7alt
40 41 42 43

1 1 0 3 5 2 8
2 0 1 4 4 3 2 3 6
3 3 3 3 5 5 5 8

Dm7 G7 Cmaj7 A7alt


44 45 46 47

6 6 8 10 13 11
5 7 8 9 9 12 12
5 7 9 9 9 11 11

Dm7 G7 Cmaj7 A7alt


48 49 50 51

8 10 11 9 10 12 13 11
10 10 10 10 12 12 12 12
10 10 9 9 14 14 11 11

Dm7 G7 Cmaj7
52 53 54 55

7 (7)
10 12 10 8 (8)
10 12 10 10 10 9
10 14 13
8

4/4

You might also like

pFad - Phonifier reborn

Pfad - The Proxy pFad of © 2024 Garber Painting. All rights reserved.

Note: This service is not intended for secure transactions such as banking, social media, email, or purchasing. Use at your own risk. We assume no liability whatsoever for broken pages.


Alternative Proxies:

Alternative Proxy

pFad Proxy

pFad v3 Proxy

pFad v4 Proxy