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Pantomime KV 446 (1783/1975) : 1. Pantalone and Colombine

This document contains musical notation for a violin piece titled "Pantomime KV 446" composed by Mozart in 1783 and reconstructed by Schnittke in 1975. The piece depicts six scenes from a pantomime: 1) Pantalone and Colombine, 2) The Dottore, 3) Pierrot, 4) The Dottore and Colombine, 5) A Table is Brought in, and 6) Pierrot is Frightened. The musical notation uses symbols to indicate notes, rhythms, dynamics, and expression.

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55 views4 pages

Pantomime KV 446 (1783/1975) : 1. Pantalone and Colombine

This document contains musical notation for a violin piece titled "Pantomime KV 446" composed by Mozart in 1783 and reconstructed by Schnittke in 1975. The piece depicts six scenes from a pantomime: 1) Pantalone and Colombine, 2) The Dottore, 3) Pierrot, 4) The Dottore and Colombine, 5) A Table is Brought in, and 6) Pierrot is Frightened. The musical notation uses symbols to indicate notes, rhythms, dynamics, and expression.

Uploaded by

slatan
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Violino I

Pantomime KV 446 (1783/1975)


1. Pantalone and Colombine
W. A. Mozart (1756-1791)
Free reconstruction A. Schnittke (1934-1998)

   
                  
Allegro
          
     

              
    
     
8

  

                         
          
16


 
                               1.
     
24 2.

    

2. The Dottore

  
Maestoso

 
               
3

 
     
           
         


     
 


             

            
    


      

  
       
      
         

  sub. 

                  
               

       
     
           
   


            

    
 


   
                    
3

 
   
                  

 
Adagio

             
  attacca

3. Pierrot
Allegro
       

         
  
    
 

                                
    

                         
         


         
 
   
   
           

            
               
 

        
     


                   
1.

  

  2.         
  


            

4. The Dottore and Colombine


5. A Table is Brought in

                  
Andante molto

        
   

        

                      
  


       
                           
1. 2.

    
      

6. Pierrot is Frightened

     
Adagio

      
      
 
 
 

           
     
  


                                           
   
      

    
                           



7. Finale

Allegro moderato

       
pizz.

        

              

     
   
    
                
        
 


                    
arco


 
 
        
      

             
       
           
    


     
    
   

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