The

GREATGIG BOOK
(,'1996
Edition)

768 songs (with lyricsand good chord changes)

for professionalmusicians

"E lue" Book

includes:

AlphabeticalIndex . Tuneswith a bullet symbol contain lyrics

Index by style . see below
page area- note that pagesare not continuous(so tunescan be addedlater)

1-98 . Standardand newer ballads

101-166 ('185-188) o EasYswing and moderatetempos
201-248 . Medium and uptempo swing
300-3'12(325-328) ' Society 2-beat and fanfares
351-364 . Dixieland
40'l-416 . Waltzes
431-470 . Special(ethnic, ceremonialetc.)
48.5-492 . Christmas
501-522(535-540) . Latin (bossa/samba)
551-558(565-568)(575-578) . Latin (rhumba, cha cha,tango)
601-608(611-6'|6) o lazz balladand eaSytempo
625-64/. (655-560) o lazz medium/tast and bebop
673-678 (685-696) o lazz waltz and latin/funk
 GREATGIG BooK (BIUE) Alphabetical Index

A 351 . Bitt Baitey (F) 444 Ciao, Ciao, Bambina (C)

105 . After You'veGone (C) 635 Billie'sBounce (F) 459 . Cielito Lindo (Bb)
443 Ah Marie (Cm) 539 BimBamBum (Bb) 432 Clarinet Polka (C)
110 . Ain't Misbehavin' (C) 355 . Birth Of The Blues (C) O92 . CloseTo You (Eb)
358 . Ain't She Sweet (C) 660 Bittersweet (C) 441 Come BackTo Sonento (Cm)
626 Airegan (Ab) 508 . BlackOrpheus (Am) 225 . Come Fly With Me (C)
441 Al Di La (Bb) 694 Blue Bossa (Cm) 117 . Come Rainor Come Shine (F)
357 . AlexandersRagtime Band (F) 059 . Blue Gardenia (G) 022 Come Sunday (Bb)
413 . Alice in Wonderland (C) 060 . Blue Hawaii (Bb) 643 Con Alma (E)
086 . All I tuk of You (Db) 602 BlueIn Green (Bb) 643 Confirmation (F)
062 . All My Tomorrows (Eb) 659 Blue Monk (Bb) 219 . CrazyRhythm (F)
243 . All Of Me (C) 101 . BlueMoon (Eb) 078 . Cry Me A River (Cm)
038 . All Of You (Eb) 135 . BlueRoom (F) l3i . Cute (C)
241 . All Or Nothing At Ail (C) 105 . BlueSkies (F)
D
204 . All The Things You Are (Ab) 575 . BlueTango (D) 632 Daahoud (Eb)
064 . Rll The Way (F) 658 BlueTrane (Cm) 466 . Daddy's Little Girl (g
302 Alley Cat (C) 044 . Blue Velvet (Bb) r 3 8 . Dancing ln The Dark (Eb)
215 . Almost Like Being In Love (Bb) 659 Blues For Alice (F) 126 . Dancing On The Ceiling (F)
112 . Alone Together (Dm) 149 . Bluesin The Night (Bb) 451 . Danny Boy (LondonderryAir) (C)
247 . Alright, Okay, you Win (Eb) 414 Bluesefte (Bb) 567 . Dansero (F)
403 . Atways (F) 012 . Body And Soul (Db) 3 5 8 . Darktown StruttersBall (C)
555 . AlwaysIn My Heart (Bb) 636 Bolivia (G) 0 i 9 . Dam That Dream (G)
558 . Amapola (Bb) 354 BourbonStreetParade (Ab) 205 . Day By Day (F)
554 . Amor (C) 535 . Brazil (Ab) '102 .
Days Of Wine And Roses (F)
444 AnemaE Core (G) 244 . BreezeAnd l, The (F) 409 . DearHeart (F)
039 . Angel Eyes (Cm) 463 BridalChorus (Bb) 2 2 7 . Dearly Beloved (q
462 . AnniversarySong (Em) 454 EunnyHop (F) 0 5 1 . Deep Purple (F)
462 . Anniversary Waltz (C) 013 . But Beautiful(G) 5 0 9 . Desifinado (F)
625 Anthropotogy Gb) 212 . But Not For Me (Eb) 634 Dig (Ab)
306 . Anything Coes (C) 159 . Button Up Your Overcoat (G) 5 1 3 . Dindi (C)
021 . April ln paris (C) 103 . Bye Bye Blackbird (F) 607 Django (Fm)
689 Armando'sRhumba (Cm) 353 . ByeBye Blues (C) 202 . Do Nothing Till You Hear (F)
402 . Around The World (C) 656 Byrdlike (F) 1 ' t 8 . Do You Know What lt Means (C)
442 . ArrivederciRoma (G)
456 Artsa Alinu (Dm)
c 6't1 Dolphin Dance (Eb)
302 . Cabaret (Eb) 245 . Don't Be That Way (Eb)
003 . As Time GoesBy (Eb) 512 . Call Me (Bb) o23 . Don't BlameMe (C)
659 Au Privave (F) 136 . Call Me lrresponsible (Ab) 201 . Don't Get Around Much (C)
455 Auld Lang Syne (F) 132 . CanadianSunset (Bb) 0 3 3 . Don't Go to Strangers(Bb)
047 . Autumn In New york (F) 568 Caravan (Fm) 5 1 1 . Don't Misunderstand(F)
105 . Autumn Leaves(Em) 094 . CastYour Fateto The Wind (F) 1 5 8 r Don't TakeYour LoveFrom Me (C)
36.l . Avalon (F) 309 . Cecilia (C) 642 Donna Lee (Ab)
I 691 Ceora (Ab) 1 5 7 . Don't Worry'Bout Me (Ab)
352 . BabyFace (C) 032 . ChancesAre (C) 613 Dory (Bb)
355 . BasinStreetBlues (C) 355 Charleston,The (Bb) 054 . Dream (C)
4 ' 1 0 . Baubles,Banglesand Beads (Ab) 233 . ChattanoogaChoo Choo (C)
. BeautifulLove (F) 1 4 5 . DreamA LittleDream (G)
tJ/ . Cheekto Cheek (C)
128 E
244 Bebop (Eb) 601
'155 . ChelseaBridge (Db) 028 EarlyAutumn (C)
Because of you (Eb) 228 Cherokee(Bb)
431 . BeerBarrelpolka (C) 049 . Eastof The Sun (G)
555 . Cherry Pink and Apple (Eb) O27 . Easy Living (F)
s52 . BeginThe Beguine (C) . Chicago (F)
357 050 . EasyStreet (Eb)
614 Bernie'sTune (Dm) 466 ChickenDance (C) 123 . EasyTo Love (G)
5 5 1 . Besame Mucho (Dm) 601 Child ls Born,A (Bb) 147 . Ebb Tide (C)
658 Bessie'sBlues (Eb) . Choo Choo Ch'Boogie (F)
248 404 . Edelweiss(Bb)
240 o BetweenThe Devil and the (F) 485 . ChristmasSong (Eb) 673 Elsa (Eb)
0 6 3 . Eewitched (C) 492 . ChristmasTime is Here (F) 005 . Embraceable You (F)
 403 . Emity (C) 469 . Cuantanamara(D)
075 . End of a LoveAffair. The (F) 053 . I Wilf Wait For you (Dm)
070 . Guessl,ll HangMy Tears
Out (C) 039 . I Wish You Love (F)
641 Epistrophy (C#) H 134 . I Won't Dance (C)
658 Equinox (Cm) 463 Hait To The Chief (C)
519 . Estate 485 . l'll Be Home For Christmas (C)
633 Half Nelson (C)
090 . Evergreen (C) 155 . I'll Be SeeingYou (Eb)
432 HappyWanderer,The (Bb)
'185 . EverybodyLovesSomebody (F) 108 . I'll Get By (C)
050 . HarborLights (Eb)
065 . EverythingHappensto Me (Bb) 222 . t'll RememberApril (G)
147 HarlemNocturne (Dm)
008 . EverytimeWe Say Goodbye (Eb) 411 o l'll Take Romance (F)
613 HauntedBallroom (F) 229 . I'm BeginningTo SeeThe (C)
230 . Exactly Like you (C) 455 Hava Nagitah (F) 028 . I'm Cetting Sentimental (F)
F 203 . Haveyou Met MissJones (F)
637 058 . I'm Glad There ls you (F)
Falling Crace (Ab) 486 r Haveyourselfa Merry Xmas (C)
409 . Faliing ln Love Again (Eb) 153 . l'm Gonna Sit RightDown (C)
461 . HawaiianWedding Song (C)
4'11 . Falling In Love With Love (Bb) 009 . I'm In The Mood For Love (C)
114 . Heart And Soul (F)
220 . FascinatingRhythm (F) 223 . I'm Old Fashioned (F)
080 . Heatheron The Hilt, The (F)
401 . Fascination(C) 359 I've Found A New Baby (D)
432 Helena pofka (F) 137 . I've Got My Love to Keep Me (F)
098 . Feelings(Em) 301 . Helto Doily (Bb)
5 1 5 . F e l i c i d a d e( C m ) 210 . I've Got The World on a (Eb)
416 . Hello young Lovers (Eb)
305 225 r I've Got You Under My Skin (Eb)
FineAnd Dandy (F) 010 r Here'sThat RainyDay (F)
'l
19 . Fine Romance,A (C) 069 . I've Grown Accustomedto (Eb)
138 . HeyThere (Eb) . lf Ever I Would Leaveyou (Bb)
352 . Five Foot Two (C) 081
464 Hokey pokey (Bb) 608 lf You Could SeeMe Now (Eb)
042 . Flamingo (F) 353 . Honeysuckle Rose (F) 520 . ff You Never Come To Me (Eb)
107 . Fly Me To The Moon (C) 434 . Hoop-Dee-Doo (Eb)
2A9 . Foggy Day, A (F) 056 . ilt Wind (Bb)
327 Hooray For Holl;nrood (F) i O27 . lmagination (Eb)
053 . FoolsRushIn (C) '133 .
How About you (G) 639 lmpressions (Dm)
048 . For All We Know (F) 052 r How Deep ts The Ocean (F)
031 . For SentimentalReasons(F) 130 In A Meltow Tone (Ab)
212 . How High The Moon (G) O24
069 . ForYou, For Me, Forevermore (F) ln A SentimentalMood (F)
505 . How Insensitive(Dm) 036 . In My Sotitude (Eb)
690 ForestFfower (C) 035 . How Long HasThis Been (G)
630 Four (Eb) 216 In The Mood (Ab)
676 How My HeartSings (C) 038 . In The Stiil of the Night (F)
566 . Frenesi (Ab)
I 084 . ln The Wee Smafl Hours (C)
689 Friends (C) 020 . I Can't Get Started (C)
246 . FromThis Moment On (Ab) 611 In Your Own SweetWay (Bb)
129 . I Can,t Give you Anything (Ab) . Indiana (F)
492 . Frostythe Snowman (C) 356
040 . I Concentrateon you (Eb)
G 607 Infant Eyes (Eb)
409 . I Coutd Have DancedAlt (C) . Invitation (Cm)
692 Gaviota (Cm) 224
115 . I Could Write a Book (C)
148 . Gee Baby,Ain,t I Good to (Cm) 452 lrish Washerwoman(G)
054 . I Cover The Waterfront (G) . lsn't lt Romantic (Eb)
504 . Gentle Rain (Am) 031
142 . I Didn,t Know What Time lt (G)
002 . Georgia (F) 655 lsotope (C)
139 . I Don't Know Why (Bb) . lt All DependsOn you (C)
306 . Get Me to the Churchon (G) 309
037 . I Fail in Love Too Easily (Eb) . lt Could HappenTo you (F)
070 . Ghost Of A Chance (C) 206
227 . I Get A Kick Out Of you (Eb) o lt Don't Mean a Thing (Bb)
614 Giant Steps (B) 210
166 . I Get Along Without you (Bb) . lt Had To Be you (Ab)
657 GingerbreadBoy (Bb) 102
537 | Go To Rio (Bb) . lt Might tu Weil Be Spring (G)
5 0 1 . Girl From lpanema (F) 054
034 . I Gor lt Bad (C) . lt Never EnteredMy Mind (F)
239 . Give Me The Simple Life (Eb) 083
301 . tGot Rhythm (Bb)
327 Give My RegardsTo Broadwa) (Bb) 674 tt's A Raggy Wattz (G)
158 . I Hadn,t Anyone Till you (F) . tt's Alright With Me (F)
1 5 2 . Glory of Love,The (G) 328
114 . I Heara Rhapsody (Eb) . tt's Delovely (F)
025 . God BlessThe Chitd (Eb) 307
00'l . I Left My Heart ln San (Bb)
461 GodfatherTheme (Cm) 124 . lt's Only a paper Moon (G)
1 15 . I Let A Song Go Out Of My (Eb) o lt's you Or No One (F)
5 1 6 . Going Out Of My Head (Bb) 222
311 e I LikeThe LikesOf you (Eb) . lt's Beena Long, Long Time. (F)
224 . Cone With The Wind (Eb) 151
151 . I Love paris (C)
025 . 6ood Morning Heartache (F) I
207 . I Love you (F) . Jada (F)
055 . Goodnight Sweetheart (C) 3S8
641 | Mean you (F) 578 . Jalousie (Bb)
415 Gravy Wattz (C)
015 . I Only Have EyesFor you (C) c lazz Samba (Eb)
229 . GreenDolphin Street (C) 537
604 I RememberCfifford (F)
5 5 3 . 6reen Eyes (Eb) 244 Jeanine (Ab)
010 . I Rememberyou (G)
4 1 2 . Greensleeves(Dm) 217 JerseyBounce (C)
188 . I SayA Little prayerFor you (C) o Jingle Betls (G)
691 Cregoryls Here (Bb) 491
O44 . I ShouldCare (C) . finglebetl Rock (C)
696 GrooveMerchant (Bb) 491
116 . I ThoughtAbout you (Eb)
535 Croovin' High (Eb) 640 Joshua (Dm)
686 | Totd you So (F)
634 Joy Spring (F)
 441 . Poor Butterfly (Ab) 518 . So Many Stars (C)
131 SwingingShepherdBtues (C)
078 . Portraitof Jenny,A (F) 507 . 5o Nice(SummerSamba) (F) T
035 . Preludeto a Kiss (C) 639 So What (Dm) 614 Take Five (Cm)
505 Pretty World (G) 326 . So What'sNew (C)
242 Take The "AnTrain (C)
310 o Puttin' On The Riu (Fm) 557 . Softly As In A Morning (Dm)
206 r Tangerine (F)
a 630 Solar (Cm) 442 Tarantelfa (Am)
536 . Quando,Quando (Bb) 6ss 5olid (Bb) 565 . Tea For Two (Ab)
628 Quasirnodo (Eb) 164 . Some EnchantedEvening (C)
113 . Teach Me Tonight (C)
408 Que Sera,Sera (Eb) 650 SomeOther Blues (F)
. Quiet Nights (Corcovado) (C) 140 . TenderTrap,The (Ab)
503 046 . SomeOther Time (C)
003 . Tenderly (Eb)
605 Quintessence(F) 237 . SomebodyLovesMe (G)
410 . TennesseeWaltz (C)
R 401 . SomedayMy princeWill (F)
655 Tenor Madness (Bb)
186 . Raindrops(F) 026 . SomeoneTo Watch Over Me (Eb)
058 . Thank ForThe Memory (F)
517 RecadoBossaNova 678 SometimeAgo (F) 12'l . That Old BtackMagic (Eb)
685 Recordame (Am) 095 . Somewhere (F)
135 . That Otd Feeling (Eb)
234 . Red Roses(for A Btue Lady) (C) 208 . SomewhereBeyondthe Sea (Eb)
015 . That's All (Bb)
061 . RedSailsIn The Sunset (G) 402 . SomewhereMy Love (G)
470 . That's Amore (F)
656 Relaxin'at Camarillo (Bb) 694 Song For My Father (Fm) 327 That's Entertainment(Bb)
627 Robbin'sNest (C) 585 Song For Strayhom (Eb) 'l54 .
That's Life (G)
363 . Rock-A-Byeyour Baby (C) 231 . Song is You, The (C)
'130 540 TheirsTears
RoseRoom (Ab) ]85 r SongSungBlue (F)
625 Theme,The (Bb)
328 . Rosetta (F) 032 SophisticatedLady (Ab) 214 . There ls No GreaterLove (Bb)
603 Round Midnight (Ebm) 693 Soul Eyes (Eb)
'163 202 . There Will Never Be Another (Eb)
487 . Rudotph (C) . Soundof Music,The (F)
242 . There'llBe SomeChanges (Bb)
467 RussianDance (G) 690 Spain (D) 139 . There'sA SmaltHotel (G)
s 551 . SpanishEyes (G) 020 . These FoolishThings (Eb)
211 . S'Wonderful (Eb) 555 . SpeakLow (F) 127 . They Can't TakeThat Away (Eb)
522 SaborA Mi (Eb) 629 Speak No Evit (Cm) 075 . TheI Sat lt's Wonderful (F)
642 Salt Peanuts (F) 657 Speedbail (C) 615 Things Ain't What They Used (F)
535 Sambade Orfeu (C) 045 . Spring Can ReallyHang you (C) O37 . Things We Did LastSummer, (G)
245 SanFrancisco(C) O49 . Spring ls Here (Ab) 686 Think On Me (D)
487 . SantaClausis Coming 354 . St. LouisBlues (G)
103 . Satin Doil (C) 238 . This Can't Be Love (Ab)
687 St. Thomas (C) 232 . This Could Be The Start (C)
4'14 Scarborough Fair (Dm) 'l
15 . Star Eyes (Eb) 187 . This Guy's In Love (Eb)
0 1 3 . S c o t c h & S o d a( E b ) 455 StarSpangledBanner (Bb) 073 . This ls All I Ask (F)
353 ScrappleFromThe Appte (F) 005 . Stardust (C) 538 This ls New (Cm)
601 SearchFor peace 223 . StarsFelt On Alabama (C) 467 . ThoseWereThe Days (Am)
051 . SecondTime Around, The (C) 035 . Steila By Starlight (Bb) 128 . Three Little Words (C)
215 . SecretLove (Eb) 512 StolenMoments (Cm) 538 . Tico Tico (Am)
093 . Sendin the Clowns (Ab) 217 Stompin'At The Savoy (F)
129 . SentimentalJourney (C) 325 . Tie A Yellow Ribbon (Eb)
120 . StormyWeather (Ab) 360
077 . SeptemberIn The Rain (Eb) Tiger Rag (Bb)
659 StraightNo Chaser (F) 021 . Till There Was you (Eb)
007 . SeptemberSong (C) 164 . Strangerin paradise (F)
629 101 . Time After Time (Bb)
Serenity (Eb) O94 r Strangeron the Shore (F) 088 . Time For Love, A (Bb)
625 Serpent'sTooth (Bb) 557 StrangersIn the Night (F) 067 . Time On My Hands (F)
639 SevenStepsTo Heaven (F) 219 String Of pearts (Eb) 361 Tin Roof Blues (Bb)
501 . ShadowOf your Smile (G) 455 Stripper,The (F) 238 . Too Close For Comfort (C)
353 . Sheikof Araby,The (Bb) 616 Strollin, (Db) 433 Too Fat potka (C)
213 . Shiny Stockings (Ab) 613 Sugar (Cm) 239 . Too MarvelousFor Words (G)
695 Sidewinder (Eb) 096 . SummerKnows,The (F)
489 . Silver Bells (C) 362 . Toot Toot Tootsie (C)
055 . Summerplace,A (Bb)
585 Silver'sSerenade(Em) '144 . 508 . Triste (Bb)
SummerWind (Eb) 072 . Try A Little Tenderness (Eb)
577 Simone (F) 004 . Summertime (Am)
186 . Sing (Bb) 635 Tune Up (D)
077 . SundayKind Of Love (F)
695 SisterSadie (G) 605 Turn Out The Stan
455 . Sunrise,Sunset (Gm)
0 1 9 . S k y t a r k( E b ) 218 Tuxedo function (Bb)
310 . SurreyWith The Fringe.The (G) 088
488 . Sleigh Ride (C) Twelfth of Never (D)
146 . Sweetand Lovely (G)
636 Smatter (Z7S) 033 . Twilight Time (G)
351 . SweetGeorgiaBrown (G)
075 . Smile (F) 071 r Two For The Road (C)
325 Sweet GypsyRose (C) 407 . Two HeartsIn 3/4 Time (C)
029 . SmokeG'etstn your Eyes (Eb)
1 19 . SweetLonaine (G)
456 Tzena (F)
 677 Ju-Ju 588 Manteca (Bb) 567 . NeverOn Sunday (Eb)
204 r JustFriends (G) 443 Maria Elena (C) . Nevertheless(Bb)
071
109 r fust ln Time (Bb) 5 3 9 . MasQue Nada . New York, New York (F)
304
230 . fust One Of Those Things (F) 074 . Masqueradeis Over. The (Eb) 637 Nical Dream (Bbm)
144 . fust SqueezeMe (F) 456 Mayim Mayim (Cm) . Nice'N' Easy (Eb)
133
K 1 5 2 . MeanTo Me (F) 111 o Nice Work if You can Get lt (G)
608 Kids Are Pretty People (F) 5 0 3 . Meditation (C) 211 . Night And Day (Eb)
614 Killer Joe (C) 087 . Memory (C) 677 Night Dreamer (G)
576 . KissOf Fire (Dm) 148 Memphisin June (C) 638 Night Has 1000 Eyes,The (G)
L 540 MeninaFlor (Eb) 63'l Night In Tunesia,A (Eb)
132 . L-O-V-ELove (F) 695 Mercy, Mercy, Mercy (8b) 082 . Night We Called it A Day, (C)
577 La Cumparsita (Cm) 406 Merry Widow Waltz (F) 042 . NightingaleSang in Berk.5q. (Eb)
577 La Paloma (Q 464 MexicanHat Dance (F) 145 . No Moon At All (Dm)
468 . La Vie en Rose (C) 359 Midnight In Moscow (C) 514 . No More Btues(ChegaDe (F)
308 . LadyBe Good (G) 057 . Midnight Sun (q 555 Nora/sThe Time (F)
533 Lady Bird (C) 628 Milestones (Old) (Bb) o
209 . LadI ls A Tramp, The (C) 456 Misirlou (Gm) 507 O GrandeAmor (Am)
602 Lament (F) oo2 . Misty (Eb) 443 O Sole Mio (Eb)
066 . LastNight When We Were (G) 626 Moanin' (Fm) 142 . Oh You CrazyMoon (G)
3 1 1 r Lat€,Late Show, The (F) 627 Moment's Notice (Eb) 452 . Old Cape Cod (F)
0 1 8 . Laura (C) 187 . MomentsTo Remember (Ab) 228 . Old Devil Moon (F)
627 LazyBird (G) 029 . Mona Lisa (F) 041 . Old Folk (Eb)
490 . Let lt Snow (F) 434 . Mood Indigo (Ab) 625 Oleo (Bb)
1 5 1 . Let'sDo lt (Bb) 052 . Moon Over Miami (G) 104 . On A ClearDay (G)
122 . Let'sFall in Love (C) 4 0 1 . Moon River (C) 125 . On a Slow Boat To China (Bb)
1 5 0 . Let'sGet Away From lt All (Eb) 1 0 4 . Moonglow (G) 305 . On The StreetWhere You Live (C)
588 LiberatedBrother (Gm) 162 . Moonlight BecomesYou (F) 303 . On The SunnySideOf The (C)
433 LiechtensteinerPolka (F) 0 1 6 . Moonlight ln Vermont (Eb) 504 . Once I Loved (F)
5 1 0 . LikeA Lover (C) 001 Moonlight Serenade(F) 017 . Once In Awhile (Eb)
'r1'l .
LikeSomeoneIn Love (Bb) 5 5 3 . More (C) 303 . One (Eb)
't50 .
Lil' Darlin' (Eb) 1 1 3 . More | SeeYou,The (Eb) 055 . One For My Baby (Eb)
468 . Limbo Rock (F) 022 . More Than You Know (C) 056 . One More ForThe Road (Eb)
364 . LimehouseBlues (Ab) s68 Morning (Bbm) 505 . One-NoteSamba (Bb)
505 Little Boat (C) i30 Moten Swing (Ab) 519 . OnlYTrustYour Heart
687 Little 5unflower (Dm) 248 . Mountain Greenery (C) 216 OpusOne (G)
221 . Long Ago And Far Away (F) 1 2 7 . Mr. Lucky (G) 630 Ornithology (6)
5 i 1 . LookOf Love (Dm) 558 Mr. Sims (C) 205 r Our Day Will Come (G)
s17 Lookto the Sky 359 MuskratRamble (Bb) 201 . Our Love ls HereTo Stay (F)
237 . Lot Of Living To Do, A (C) 236 . My BabyJustCaresFor Me (G) ]09 r Out Of Nowhere (C)
235 . LoveFor Sale (Bb) 1 5 5 . My Blue Heaven (Eb) 017 . Over The Rainbow (Eb)
085 LoveStory (Gm) 4 1 5 . My Buddy (G) P
r 4 5 . LoveWalked In (Eb) 412 . My FavoriteThings (Em) 150 . PaperDoll (F)
1 5 5 . LovelyTo Look At (F) 025 . My FoolishHeart (Bb) 055 . Party'sOver, The (Eb)
413 . Lover (C) 004 . My FunnyValentine (Cm) 602 PassionFlower (G)
243 . Lover,Come BackTo Me (Ab) 694 My LittleSuedeShoes (Eb) 602 Peace 8b)
043 . LoverMan (Dm) 444 My Love ForgiveMe (C) 141 . Peg'O' My Heart (Bb)
587 I'cky Jsuthern (D) 058 My MelancholyBaby (Eb) 207 . PenniesFrom Heaven (C)
s22 Lujon (Dm) 043 . My Old Flarne (G)
'r18 217 Pennsylvania5-5000 (G)
Lullabyof Birdland (Fm) 0 1 1 . My One And Only Love (C) 433 PennsylvaniaPolka (F)
646 . LushLife (Db) 080 . My Own True Love(Iara) (F) 693 Pensativa (Gb)
M 1 0 7 . My Romance (C) 058 . PenthouseSerenade(C)
208 . Mac The Knife (C) 0 1 6 . My Ship (F) 057 . People (C)
452 MacNamara's Band (F) 097 . My Way (F) 218 Perdido (Bb)
408 Mademoiselle de paris (D) 452 My Wild lrish Rose (Bb) 555 . Perfidia(C)
143 . MakeSomeoneHappy (F) N
'10 . 650 Perhaps (C)
1 Makin'Whoopee (F) 503 Naima (Fm) 079 . Piecesof Dreams (F)
441 MalaFemmena (Bb) 082 . NancyWith The Laughing (F) 4O8 Pigalle (C)
308 Mame (C) 626 Nardis (Em) 159 . PleaseDon't ta;k About Me (Eb)
518 Man And A Wornan,A (C) 0 1 1 r Nearness Of You,The (F) 5 5 4 . P o i n c i a n a( G )
126 . Manhattan (F) 520 . NeverLet Me Co (Db) 007 . PolkaDots & Moonbeams (F)
 U 156 . With A Song In My Heart (Eb)
220 . Undecided (C) 244 . Without a Song (Eb)
405 ' under Parisskies (Fm) 406 . wonderful copenhagen (c)
005 . Unforgettable (F) 247 Woodchopper,sBall (C)
364 . Up A Lazy River (F) 615 . Work Song (Fm)
414 Up f umped Spring (Bb) 245 . Wrap your Troubles (C)
V 404 . Wunderbar (G)
675 ValseHot (Ab) y
673 VeryEarly ( dlZ yardbird Suite (C)
009 . VeT ThoughtOf You, The (Ab) 512 . yeilow Days (F)
407 vienna Life (Bb) 362 . yes sir, That's My Baby (Eb)
406 . Vienna,My City Of Dreams (F) 112 . yesterdays(Dm)
656 Vierd Blues (Bb) 234 . you and the Night and the (Eb)
072 ' VioletsFor Your Furs (F) 556 . You BelongTo My Heart (Eb)
442 Volare (Bb) 240 . You Do SomethingTo Me (Eb)
W 09S . you Don,t Know Me (C)
236 ' Walkin' My Baby Back Home (Eb) 046 . You Don't Know What Love ls (Fm)
675 Waltz For Debby (F) 022 . you Go To My Head (C)
076 Warm Valley (Eb) 604 you Know I Care (Bb)
502 ' watch what Happens (Eb) l 06 . you Made Me Loveyou (c)
696 watermelonMan (F) 108 . you Make Me Feelso young (Bb)
502 . Wave (D) 125 . you SteppedOut of a Dream (C)
352 ' way Down Yonder In New (c) 123 . you'd Be so Nice to come (c)
089 . way we were, The (A) l4r . you're Getting to be a Habit (F)
221 'way You Lookronight, The (Eb) 153 - you're My Thrill (Fm)
008 ' We'll Be TogetherAgain (C) 124 . You'reNobody Till Somebody (F)
091 . We'veOnly JustBegun (F) OS9 . you,veChanged (Eb)
137 . Weaverof Dreams,A (C) S58 . youn (D)
463 Wedding March (Dm) Z
531 Well You Needn't (F)
674 West CoastBlues (Bb)
018 . What A DifferenceA Day (F)
014 . What Are You Doing the Rest (Am)
085 . What I Did For Love (C)
214 . What ls This Thing Cailed (C)
051 r What Kind of Fool Am I (C)
143 . Whar Now My Love (F)
678 What Was (C)
415 . What'll I Do? (Eb)
012 . Whar'sNew (C)
089 . When I Fall in Love (F)
451 . When lrish EyesAre Smiling (C)
117 . When LightsAre Low (F)
424 . When SunnyGetsBlue (F)
050 . When You Wish Upon A Star (C)
304 . When You'reSmiling (Bb)
'162 .
When Your LoverHasGone (Ab)
521 . Where Do You Start (Eb)
407 Wherels Your Heart (Eb)
048 . Whereor When (Eb)
612 WhisperNot (Cm)
307 . Whispering (Eb)
486 . White Christmas (C)
053 . Who Can I Turn To (Eb)
122 . Will You Stitt Be Mine (Ab)
030 . Willow Weep For Me (G)
676 Windows (Bb)
490 . Winter Wonderland (Eb)
529 Witch Hunt (Cm)
120 . Witchcraft (F)
 I LEFT tt,TYHEART IN SAI\[ FRAI\ICISCO I
ffony Bennett) Cross/Corv 54
Verse - Quick Rubato

C-7 F7 D-7 G-7 C-7 Bbtt A-7rs Dtlbg G_7 c7

The lov- li- nessof Par-is some-howsad-ly gay. The glory tharwas Rome was ofanother
Eb-6 (
,a
C-tas G-lvs FlC D7 G-7 C7 F

day. I've been ter- tily a-lone and for -got-ten in Man_ hat_ten,I'm go-inghomero my ci - ty by the bay.
setrempo E Bb Ebal*up,-t ;ib.l ''C- g-(a7)
C-7 Glrg C-7 F 7

I left mv heart- in San Fran - ci s- co,- high bn a hilI- it calls to

My love *iits there- in San Fran - cis- co- a - bove the
Sbdtg o7 C-7 F7 [Bb5o7 E-las ATbe D-7 Cil"t D-7 D 7

where lit- tle cab- le cars_ climb half- way to the stars,_ the morrring
C-7 B o7 c-7 F7 'c-7
FIE! A-7ID

fog- may chill the I don't care. My love waits blue_ and win - dy sea--
D7 Ec*t D - G 7 C 7 G - 7C 7 c-7 F7 Bb
t i

When I come home to San Fran - cis-co your rgold-en sun will shine on me.

MOONTLIGHT SERENADE
Glenn Miller 1939

6bo7 G-7 c7 F
r- 3-r f+

,F
D Z u o 6 _ 7 C 27' F F 7

A-7ts Dlug B -tts E7 A-7;s 2- D7 G-7 cTbe

D.C. alFine

H
 MISTY Erroll Garner/Johnnv Burke 1954

E sbat sb-t Abat nb-t

\ ( ) ' i J
Lookat me. I'm as helpless as a kit- ten up a tree, d I feel like I'm cling.ing ro a cloud; I
Walk my way, and a thou-sand vi - o- lins be-gin to play, or itmightbe the sound of your hel-lo, that
On mv own.would I warrder thru this wonder-landa- lone. nev-erknowingmy rightfootfrom my left, my

E'AT _?_ C-7 F-7 Bhag 1' G-7 F-7 Bfillg

3-r
C9

can't un - der- stand, get m ls- ty Just hold - ing your hand. Walk my
mus- ic I hear. -get mis - ty the mo - ment you're
hat from my glove, get mis - ty and too much in Iove.
l L f l
I f l l

" Eb Ab6 Eb
- l a l n
_: Bb-7 EbTug T3-r Ab^7

near. You cansay that you're Iea&ing me on, but it's just what I want you to do.

Ab6 t-
^
., -1
A-7 D7 C-7 Ft - 37 G-lus Ctag F-7 Bb7

Don't you notice how help less-ly I'm lost, that'swhy I'm fol- louring you.

GEORGIA
Hoagr Carmichael/Stuart Gorreli I 93O

Geor-eia.- Geor-gia- the whole day through, just an old sweet song keeps
Geor-gia- Geor-gia.- a song of you, comes as sweet and clear as
Geor--eia- Geor-gia.- no peace I find, just an old sweet song keeps
I

c7 A-7 Ab7 G-7 C+7 2. G-7 c7

Geor- gia my mi n d (Geor- gia on my mind) 2. moon - light through the pines.
3. Geor - gia on my mind.
tr D-7 G-7 D-7 gbt D-7 G-7 D-7 G7

Oth - er arrns reach out to il€, oth - er eyes smile ten- der- ly,
D-7 G-7 D-7 E7 A-7 Dtsg G-7 Ctag

D . C .a l 2 n d E n d F i n e
still in Deace ful dreams Ieads you--
 AS TIME GOES BY 3
Herman Hupfield igsl (Casablanca)

E , _r -: 1t Ab7 G-7 c7)

F -7r5 F-7 FilotEb/GC-7

must re- mernber this, a kiss is still a kiss, a sigh is still a sigh; the
whentwo lov- ers woo, they still say "f love you", on that you can re - ly; No
still the sameold storv. a fight for love and glory, a case of do or die; the
1'
Ffl.z s r,-z Bfirg Ebl; Eb6 E"7 .l''nb Bb-n Ff,ozEbt16

fun - da- ment - aI things ap ply as time goes by.- And by

mat- ter what the fu - ture bringsas time goes by.-
world will al - wavs wel- come

Ab G-lls C t a g F -7 A-tus Dtrg C-/G lrbttGb

Moon- light andlove songs nev - er out of date,heartsfull of pass-ion, jeal-ous-y and
harc: ffi- needs man

F7 Bb7 F-7 Bb7D.c.

at";ft G-7 Ctag F-t Bbrz Eb

man must have his mate, that no one can de ny. It's lov- ers, as goes by.

Often played as a waltz

TENDERLY
Walter Gross/Jack Lawrence lg46

Abl*n

The eve - ning breeze ca - ressed the trees ten - der

The shore was kissed by sea and misr ten - der
Abt F-e Ab-6 Ebn

The treln - bl_ing trees em- braced the breeze - l y

I can't for get how two hearts met breath- less - l y
'' -7rt
G-7 C7 F F -tas Bb7 8"7 C-7

Then you came wan - der-ing and

Your
by, lost in a sigh

Br7 2. F'7bs 8"7 C-7

we The shore was arms op - ened wide

F9 F#"2 G-7 C+7 F-7 b l Eb6

you took my
so ten- der
 MT FUNNTYVALENTINE Rodgers/Hart 7937

F-7 F-/8,

My fun - ny val sweet com- ic val - en- tine. you make me smile with my
D-las Gtsg g -(a7) C c-6

heart,- Your looks are l augh - a- bl e, un pho - to graph - a - ble,

Abdt l,:brc F-7 F-IEb Ab-6 Bhag r:bn F-7 G-7 F-7

yet you're my 'rite

fav - work of art.- Is your fi gure less than greek, is your
r}n F-7 G-7 F-7 Eblr- G7 C - eb-N Abat D-las Gtlg

mouth a lit - tle weak, when you o pen lt to speak, are you smart?- But
C- g _ (a 7 ) c-7 c-6 pibn D-tas b9

don't change a hair for ffie, if you care for ffi€, stay fun - ny vai - en- tine

c - 7 B e Bb-7 A7 6bat F-7 Bl.;.Lg Eb

stay,_ day val - en- dne's day.-

STTMMERTIME G. Gershwin/DuBose He\nvard tg35

Sum-mer Ume-- and the liv- in' is ea - sy,_ fish are jump -
in'
One of these morn - in's you. goin' to rise up sing- in',- then you'll spreadyour
wings
D- Eh E7 F7 E7 4'-6 B -6 A-6 B-6

and t cot- ton i s high.- Your dad - dy's rich- and your mam-my'sgood
and you'll take to the sky.- But till that morn in'- there's a no - thin' can

A-6 B - 6 A- D7 C/G A-7 D-7 A-

look SO hush Iit tle ba by don't you cry

harm with dad dy and mam - my stand - in' by.
 EMBRACEABLE YOU IralGeorge Gershwin 1930

fi,b"7 A-7 D7 F7 E7 A-7

Em - brace ffi€, my sweetem- brace a- ble Em - brace ffi9,

I love all the ma - ny charms a- bout a - bove all
-7rlEb Dtag t'G6
A-7 GIB B7I9r, E-7lD Cfi-tus Fpre

you l r - r e - place - a - b l e you. Just one look at you, my heart grew

I want my
B- B.TA Gf,-tasG - 6 F#-7 Btsg E-7 A7 D7 Bb7 A-7 ebz{tt

me.- You and vou a lone bring out the gyP sy in me.-
''
Gt A-7 E .u
nb-o GTIB Ffi-zls Btag E- B-(a7)

zums a- bout you._ Don't b e a naugh-ty ba- by, come to pa-pa, come to
8.7 A7 G/T) -7bs Dti'g (

pa - pa do. _ My sweet brace ble

UNFORGETTABLE Gordon lrving l95 t (Nat Cole)

G^7 G6 cil-tas Ffias cL7 -e63-r

Un-for- ger- ra-ble._

Un-for-*.,-,Eil=that's
in
what you
au -
'ry
are._
way._
Un- for- get-ta- ble,-
And for e- ver- more-
tho' near so
that's how you'll

7 B- Co7A7rcil,F^7 F-7 g,bt C Btrg E-7 A7

Like a son_q
of love that clin,es to me, how the thought of you does things
stay._ to me.

D9 Ebg De abt 2'

F^7 F-6
I

nev-er be-fore has some-one been That's why dar-ling, it's in- cre - di- ble,
c^7 Blsg E-7 Ae D-7 G7 c6 (A-7 D7 )

that some- one so un - tor-get ta- ble. thinks that I am un - for- get - ta- ble
 I

STARDUST Hoagr Carmichael 1929

And now the pur - ple dusk of

twi- iight rime, steals a - cross the mea- dows of
You wan- dered down the lane and my
far a - way. Leav- ing me a song that will not
D- E- 1-F7
A-

heart.- High up in the sky the Iit- tle starsclimb. al - ways re - mind-ing me rhar
die...- Love i s now the star-dust of yes- rer - day,
E- F#. G7 2' G7
c6 Q+

we're the m us - i c of years gone Some-times I

Be

F-6 Bbt*n

won - der why I spend the Ione- Iy nlgnt- dream _ in.e

s ide a g a r- d e n wall when
of u song. The
stars ate bright,- you ui in my arms. The
C D-t E-t ATbe D- 1.
Alag D_ D-7r7Ab

me - Io- dy hauntsmy rev-er - ie, and I am once a - gain with

night-en-gale tells his f^- ty rale When our
of par- a - dise, where ros - es
G7 GO G7 Q+ D-t f:boT CfE

Iove was new,_ and each kiss an - -

ra don,
A-7 D9 A-7 D9 G7 DJ G7 Q+

that was long a -

_go. my con - so- Ia tion is in the star dust of a song- Be-
F6 F-6 C E-lB A- CIG
d 7-
grew._ Tho' I dream
heart it will
B7E# FI E7 l'zt3 D --.7
t-, L^
-/
e9
- | |
D-t C

maln.-- e
mel-o- dv._ t h e mem- o- ry of love,s re _ frain-
 SEPTEMBER SONG Kurt Weill 1938

c-6 Ab7 (-3- c^7 D-7 E-7 A-7 o

Oh it's a long, long time, from May to Dec - em - ber, but the days grow
the au- tumn wea - ther. turns the leaves to flame,- one has- n't got
And thesefew pre- ciousdays, I'll spendwith you,- these pre- cious

1.D-7bs G7rur4 CA7

short- when you reachSep tem - ber.- Whenthe artumn ume for the wait- ing

C G7'uJ C6 tr F-6 / oJ % F-6

game.- Oh the days dwindle down, prec-iousfew,- Sep- tem - ber,

CATG D.c.atcoda S D7rur4 D7 D-tas Db^l C6

Nov- em ber, andthesefew days I'II spend with you.

POLI(A DOTS AND MOONBEAMS

Van Heusenr/Burke 1940

D-7

A coun-try dance was be - ing held in a gar - den, I felt a bump and heard an
The mus - ic start - ed and was I the per- plexed one, I held my breath and said "may
Now in a cot- tage built of li - lacs and laugh- ter I know the mean-ing of the
G-7 E-7 A7 D-7 nbt F Bb A-7 Ab-7

"oh, beg your par - don," sud- den ly I saw Pol - ka Dots and Moon - beams
I have the next one?" In my fright - ened anns Pol - ka Dots and Moon - beams
words "ev - er af - ter." and I'll al - ways see P o - k a Dots and Moon - beams
,-Gt A- Ab7G-7Cbt 2- G-7
, , c7 F6 E7

Fine
all a- round a pug - nosed dream.- spark - led on a pug- nosed dream. There were
when I kiss my pug- nosed dream.
A^7 Bh B-7 E7 A^7 Ffi4 B-7 E7

ques-tions in the eyes of oth- er dan - cers as we float- ed ov-er the floor. There were
A^7 Bh B-7 E7 A7 D7 G-7 c7

D . C -a l 2 n d E n d i n g
ques- tlons but my heart knew all the and per-haps few things more
 E\IERYTIME WE SAY GOODBYE Cole Porter L944

Ebn F-7 G-7 Abtt Br7 Ebat Cbt

Ev - 'ry time- we say good - bye, I die a lit- tle, ev-'ry time
When you're near- there's such an air of spri ng a-bout i t, I can hear

B^7 E7

we say good - bye, I worrder why a lit- tle, why the gods a- bove me who
a lark some - where be - gin to
gb-t Ebyr, pibdt Ab-7 obg G+7 c-7 GJ-.3_r B7
,

must be in the think so lit- tle of De, they al - Iow you to go.-
2'Abn
BbTruraBblvg QboT F-7 eh eb-t sh nbn

srng it. There's no Iove song fin - er, but how strange the change from

Ab-7^
,-_.'-.I
obg Ebn Ctug F -7 B bTrura Bhlg Eb6

-ry -
ma - Jor to ml - nor, tlme say good - bye

Fisher/Ia.ine 1945
WE'LL BE TOGETHERAGAIN
1
t:
c6 prbt D-7 G7 A- A-7 Dzttt
rt

tears, no fears, re -mem - ber there's al - ways to mor - row, SO

kiss, your smile, are mem-'ries I'll trea- sure for ev er' so
day, some waY' we both have a life- time be fore US' for

lrbn D-tvs
''co

what if we have to part, we'll be to- geth- er a gain.

try think- ing with your heart,
part - r ng rs not good bye,

Gltg c-6 G+7 c-6

I know you'll be lone- some, times when I know you'll be sad,

G7 Gbltn F7 D-tus ^ J-1

Ab7 G 7rur4 G9

don't let temp- ta - tion sur - round

 THE VERY THOUGHT OF YOU
Ray Noble f934

Ah Bb-7

The ve- ry thought of you,- and I for- get to do_ the lit- tle or-din-ar-y
Themerei - dea of you,- the long-ing herefor you._ You'll nev- er know how slow the
abrc F-e ebg Bb-7 Eb7 G-tl's c7 F-7 F-7tEb
t

things that ev- 'ry- one ought to do.- I'm liv - ing in a kind of day-dream,I'm hap-py as a
mo - mentsgo 'till I'm near to you.- I see your face in ev-'ry flow - er; your eyes in stars a-
t. g-7bs
Gtag C-7 F-e Bbe r,b-t nbt

king, and fool - ish tho' me that's e v - ' r y - thing.

2. D-tss Dbn
nb-t Ehtg Ah3

It's just the thought of you, the ve- ry thought of you, my

rM IN THE MOOD FOR I,OVE

Jimmy McHugfr/Fields 1935

^
o-.t
A-7 D-7 Co7 C

the mood for love, sim - ply b e - cause you're near

is in your eyes, bright as the stars we're un
a cloud a bove, if it should rain we'll let

Ebot D-7 D-7 G7 z.g

Fun - Dy, but when you're near EE, I'm in the mood for IOVe.
Fine
oh, is it a n - y won - der, f'm in the mood for
But for to - night for get ir, I'm in the mood for
D-t G7 C E-tss ATbe Glsg

Why stop think of wheth - Er, this lit - tle dream might

Ff,-zrs Bl''s E-7 A-7 D7 D-tus Gtvg

We've put our hearts we not a - fraid.

D.C al2nd ending(Fine)
r"
ro HERE'S TIIAT RATIVYDAY
Johnny Burke/Jimmy Van Heusen 194€

DEI BITE ETin Ebn r_3_r AIAT A_7 D7 Dtag

May- be . I should have saved those left o v - e r dreams, fun-ny but here's that rain- y
Where is that worn out wish that I threw a - side, af- ter i t brought my lov- er
GA7 D-7 G7 F 7rur4 F9 pbdt
Bbll-

day.- Here's that rarn - y day they told bout, and

near? I
A-7 D9 CTttt B+7 E9 rA
' -7 nzls|2 "
L)t': cA7

laughed at the thought that it might tum out this way Fun - ny how
D9/C B-7 E-7 A13 A-7lD Dtag G6

Iove be- comes a cold fun - ny that y day is here

I REMEIT{BER YOU Johnny Mercer lg42

c#-7bsF#7 D-7 c^7 C-7 F7

I re-mern-ber you, you're the one who made my dreams come true, a few kiss- es a
I re-mern-ber you, you're the one who said "f love you [oo", I do, did - n't you
B-7 p,bt ''A-7 D7 '' D-7
G7 [%o, F#-7 B7 E^7

go._
re- mem- ber too dis - tant bell,
know?-
F#-7 87 E^7 E-7 A7 D^7 A-7 D7 G6

and stars that fell like rain out of the blue.- When my life is
F#7
c#-7rs G6 c^7 B-tls Elag A-7 c-6 F7

through and the a n - gels ask me to re call- the thrill of them

G^7 E-7 Cf-zls c - 6 B-7 Bbttn A-7 D7 G6

shall tell rhem

 IItrT ONEAND ONLY LOVE 11
Wood/Mellin1953
A-7 D-7 {% A-7 FA7

+ + +
_ t e - you makes my heart sing like an Ap - ril breeze on the
The ve ry thoughtof
The sha- dows fall and spread their mis - ty charms, in the hush of light whileyou're
You fill my ea ' ger heart with such de - sire, ev-'ry kiss you give. sets my

E-7 A7rur4 ATrg D-7 G7 E/Gil A-7 D7 S o-z G7

J-4'
wings of Spring, and you ap - pear in all your splen-dor- my one and on- ly
in my arms, I feel your lips so warm and ten- der,- my one and on- ly
soul on fire. I give my - self in sweet sur ren- der,-
'.
E-t A7 D-7 G7 t'co pg-nspz
E r- 3-r c#-lvsr_3_r Ff-zls Btvg

love.- love. The touch- of your hand- is like heaven,- a

E- - 3-Cd-l's_=- Ff-Zus Btl'g E- _3_r E-fDfr E-tDt-3-r Cfi-tts

hea - ven that I've nev-er known. The blush on your cheeks when ev - er I speak

D-7 Ab7 ^
|-J_-l
G7rur4G7 D.C.alCoda s D-7 Gtrg c6

tells me that you are my own. one and on - IY love-

THE NEARNESS OF YOU 1937

Hoagr Carmichael/Washington

F47 c-7 F7 Bbn SboT

It's not the pale moon that ex - cltes ffi€, that thrills and ex - crtes ffi€, oh
It is - n't your sweet con - ver - s a - tion, that brings this s e n - s a - t i o n . oh
I need no soft lights to en - chant ffi€, if you'll o n - ly -grant me the

A-7 Dtug G-7 c 7 " +1. A-7

r-J--l
Ab9 G-7 C7rur4 2.F6 E

C
no,_ i t' s j u s t th e near- ness of you. It i s-n' t you.- w hen you'r einm y
no. _ i t' s l u s t th e near- ness o f
right- to hold you e v - e r S O
G-1 Ctvg F^7 F7rur4 C-7 B7 Bbn ETbg A-7 D7

ATTNS and I f'eelyou so close to me,- all my wild - est dreams come

G-7 Db7;ll C Jrur4C7.D.C. al CodaS e-zlsEbt*trDlsg G7rur4Gg G-7 Clvg F6 CTruraF6

true.- I need no tight.- and to feel in the night the near-nessof vou.-
L2 W.[IAT'S NEW? Burke/Haggafi tg39

Gt;g Bb-7,-3--r Eb7 Abn D-lvs Glug

y - - -

W hat ' s ne w ? ' How is world treat-ing you?- You have- n't
'V/e
What's new?- How did that ro- mance come throueh? have- n't met since
A - dieu,- Par- don my ask - ing what's new.- Of courseyou could- n't

'D-t
C- nhg,b Abn Gtag C6 Gtag "'G-l Clvg

v v

bir, Iove-ly as e - ver, I must ad - mit. What's new? What's new?

then, gee but it's nice to see you a - gain. rne
know, I have-n't changed, I love you so.

F6 g:b-t r-3-r p1bl Dbn G-tus Ctlg

a - bly I'm bor - ing you,- but rng you ls

F- nhrcbDbat Cttg F- nh D-tas Gltg

grand- and you were sweet to of- fer your hand- der - stand. D.C.atFine

BODYAIIID SOUL
Hetman/Sour/E)rtonlJohn Green I 930

Eb- Bhlg nb-t De Cbt F-7 Eo7

for you I sieh. for vou dear on - .ly.

and won- d'ring wly it's me you're wrong-rng,
re mak - ing, you know f'm yours for just the tak - ing;

nb-t sb-tnb gb-t D-r:3-r

9^ 1. Db Bbtvg z. pbAT
c-tas Ffig Eb-

Whv- have - n't seen it? I'm all for you, Bo-dy and Soul.
I you I
tell -ly mean it, Fine
I'd glad - sur - ren der
E-7 D/F* G-7 C7 Fil-7 B-7 E-7 A7 DA7

can't be-lieve it, it's hard to con- celve lt, that you'd turn a- way ro- mance.

D-7 G7 E-7 p:b"7 D-7 G7 c 7 B7 Bb7 D.C.alFine

Are you pre-tend-ing, it looks like the end-ing, un - less I could have one more chance to prove dear,
 BUT BEAUTIFT'L 13
Johnny Burke/ Jimmy Van Heusen
G6 cTrn B-tss Et;g A-7 C#-7rsFfi7reB-7 C^7

ife fun-ny or it's sad, or it's qui - et or it's mad, it's a good thing or it's
Love tear-ful or it's gay, it's a problem or it's play. It's a heart- ache eith - er
B-Zls Elrg A7 E-7/B g-(a7) Cil-tss D7 D I C B-7 E-7

bad, but beau- ti- ful Beau - ful to take a chance and
way but beau- ti- ful And . I'm think ing if you were mine I'd
1.A_7 D7 p-(a7)
G6 Btag E-7 A-7

if you fall you and f'm think- ing would - n't mind at all.-

nev - er let vou go' and that would be but beau- ti- ful

SCOTCHAND SODA
Dave Guard 1959

Abnt obg G-7 c7

Scotch 'n' so - da. ud in your eye, ba- by d o I feel high, oh me oh

Dry mar - ti - ni, jig - ,eer of gin. Oh what a spell you've got mg i n, oh
AII AII I need is one of your smiles, sun-shine of your eyes oh me oh my
''Bb-t ''
F7 F-7 nbt nh A7 Ebt F,b-t Eb7 Eb+7

hi,eh.

F- Bb7 Ebn

Peo - ple don't Ii e v e D €, they say that I'm just brag gin'.- But
F9 c-7 Fe c-7 F-7 ebt

I could the way I do and still be on the

G-7 c7 p,bt

Give me lov- ing ba- by I feel hish.-

 T4 WIIAT ARE YOU DOING THE REST OF YOTTRLIFE
Irgrande/Bergman 1969

A-/Gf A-lG A-/Fil

What are you do- ing the rest of your life?- North and South and East and
AII the sea- sonsand the timesof your days,- all the nick - les and the
Those tom- mor- rowswait ing deep in your eyes,- in a world of love you
FA7 E-7 D-7

West of your life,- I have on-ly one re quest for your life,
dimes of your days,- Iet the rea- sons and the rhymes of your days
keep in your eyes,- I' l l a wa - ken what's a sleep in your eyes,

B-las 1.E7rur4 E7 2.fra7

that you spend all with All the sezFsons and the me.-
all be - gin end with
r-.r it may take kiss or
tDt
t=J B-lus E7 B-las

'ry kind
of light, fields of dawn and for- ests of

p;b-t Dbtvg Gbdt

And when you stand be - fore the can - dles on the Oh let me be the

ct;g FA7

one to hear the D.C.alCoda

lent wish make. Those tom - mor- rows wait -

o E7rur4 E7 F9 B-lts

all of my life, Sum - mer, Win - ter, Spring and

F7f,tt A-IE B-7 E7 A-

Fallof mylife, all I ev-er will re - call in mv life, all my with you.
 I ONLY IIA\ZE EYES FOR YOU
Wa:renlDublin 1934
I5
D-7 At?, D-7 G7 3-r
D-7
l-J
D-7 G+7^
t-.r

the stars out to - night? I don't care if it's clou - dy or bright, cause I
moon may be high, but I can't see a thing in the sky, cause I
here S O zrm r, may - be mill - ions of peo- ple go by, but they

c^7 D-7Df'
tE-7 ''E-t
l-J
F 13 E-7 A7 nbq llbt nbg A13 nbt

o n - ly have eyes- for you- dear.- The

o n - Iy have eyes-
all dis a p - pear- from
Eo_, G7 F"7 E_7 A_7 G_7 Ctl'g F_6 r,bt E-7 A-7

I don't know if I'm in a gar - den,- or o n a crowd-ed a- ve - nue.-

nb-t Ab7 D.c.atcoaa$ Bbl*n A7 D-7 D-tls Gttg C

on- Iy have eyes- vou.-

TIIAT'S ALL Alan Brandt/Bob Haymes 1952

I can on- ly give you love that lasts for- ev - er, and the to be near each time you
I can on-.li give you coun-rrywalks in spring- dme, and a .promise-
hand to hold when leaves be - ein ro
If you're won- d'-ringwhdtI'm ask-ing in re - turn dear, you' l l be glad to know that my de-minds
are

D-7 G7 E-tas nb-t D-7 QTalt C-7 Gtvg

call; and the on - lv heart I own, for you and Y g u a - Ione that's all, that's
fall; and a love whbse burn - ing light will wzum the wln - [er night, that's all, that's
small; say it's me that you a- dore for now and e v - e r - more. that's all, that's

F 7sg z. pt6 F-7 Bb7 Ebat Clvg F-7 r,bt

a' , T . J
all. There are those. I am sure. who have told you, they would give you the world o r a
G-7 c7 F^7 DT"g G-7 c7 F 7rur4 F7 D.C. alFine

e
have are these arms fold you and a Iove time can nev- er des - trov. If you're
16 lrtrYSHIP Kurt Weill/Ira Gershwin i94l

Dlug Ge C 7rur4C7 G7 Ctvg

My ship has sails that Ne made of silk, the decks are trimmed with gold, and of
My ship's a- glow with a mil- lion pearls, and rub - ies fiil each bin. The
I do not care if that duy ar - rives, that dream need nev - er be, if the

F6 Ebz Dt*g S G-e E-las ATbg ''D-t G7 G-7 Ctug.lrD-t G-7c7bsp6

jam and s p i c e t h e r e ' sa p a r - a - dise in the hold My ship comes ln. I can
sunsits high in a sapphire sky when my
ship I sing does- n't
G-TC C7 G-TC C7 G-7 Bb-6 FA7 B-7bsE7 A-7 D-7

i
wait the years till it ap - pears, one fine day one spring. But the pearls and such, they
-at D-7 TtsATbsp-7 C7

won't mean much if there's miss- ing just one thing. I al- so bring my own true love to

FaTFfoZ
G-7 c7 F^9 B 7{il Sbal Eb7.u.€btx-t nbt Dbn Ctag F8

ship I singdoes-n't al- so bring my own true love to me.

Suessdorf/Blackburn I 939
MOONLIGHT IN VERMONT
s t'zpb
nbo C-7 F-7 Bb7 Eb6 c-7 obt F-7 DI F-E7

n- nres in a stream, fall - ing Ieaves,a sy - ca- rnore, Moon-light in Vee

I - cy fin- ger waves,- ski trails o n a moun-tain- side, snow-light in Ver
Ev'-ning sum-merbreeze,- warb- Iing o f a mea- dow lark. Moon-light in Ver
A-7 f- tt
D7 J
G^7 E-7 A-7 Abtttr

Te- le- _eraph ca- bles, they sing down the high - way and tra- vel each bend in the road.
Bb-7 Eb7 Ab^7 ^ | Flsg
-
gb-l A7*tt Abn BbTbe
t-J 3-r o.".,

Peo - ple who meet in this ro - man- tic set - ting are so hyp - no - tized by the love - ly,
Eb F7 E7
l J ' Eb6

Ii_eht
 O\TER THE RAINBOW Harold Arlen/Harburg I 938
T7
ctag F-7 obt

Some - where, o v - e r the rain - bow, way up high,- there's a

Some - where o v - e r the rain - bow, skies are blue,- and the
Some - where o v - e r the rain- bow. blue - birds fly,- birds fly

Ebtt C F7 F-7 F,bt 'Ebo F-7 p,ha?'' Ebe

land that I heard of once in a lul la by. tnre. Some-

dreams that you dare to dream real - ly do come Fine
ov er the rain - bow, why then, oh why can't n
Eb F-7 b Eb6 Eo7 F-7 ebt

day I'll wish up- on a star and wake up where the clouds are far be - hind me.- Where
Ebnt Aql,s Dlvg G-7 Sb"7 F-7 Bb+1

D.C.'alFine
trou- bles melt like le-mon drops, a way a- bove the chim- ney tops,that's where you'll find me.
Tag-Last
X onty Eb- F-7 ebt &
If hup-py lit-tle blue-birds fly be - yond the rain-bow, why oh why, can'r

ONCE IN AIIIHILE Green/Edwards i9l9

Eba;. G-7 ce G-7 Ce

Once in a - while will you try to grve one lit - tle thought to me?
Once in a - while, will you dreamof the mo - ments I sharedwith you?
I know that I'll be con - ten- ted with yes-ter-day's mem-o ry,
F-7 c7 F-l p,bt^ 1 G-7 C7
t--J J-]
F-7 ebt "Ebo Ab-7nboot

Though some-one else may be near er your heart. part

M o - ments be - fore we two drif ted a while. Fine
know - in-e you think of me once in a

GA7 E-7 A-1 D7 G47 r<-.!---

l
?-
u
A-7 DTsg

smol-der- ing em one spark may re - main. if

E -'l
|--
lJ
J;_-.]
A-7 G 13 Ctvg F-7 F,bt

. D . C .a l 2 n d E n d
me m spark may galn.
18 II\URA D. Raskin 1945

A-7 r---3-1 G^7 (crI G6 (cs ) G-7

ra- I S the face in the mis - tv light, foot - sreps-

ra- on the train that is pass - ing through,- those eyes.-

Clag
rr- 3-r F a 7 G b r 3 ) F 6@ b r : 1 . F - 7 Bbzrura Bb2.3_r Ebn

that you hear down the hall.- The laugh- that floats on a sum-mer night,
how fam - il - iar they seem

17 att D7 G^7 B-7 Et,g 2 . F- 7

. that you can nev - er oulte_ re - cali. you see gave

BfiA1 (e-z; (ot ) Qxbt1
D-las Glvg
't- ^ c^7 D-7 E-7
3 A-.lus Dlug G7rur4
QZ,,-, c6

your ver - y first kiss to you,- that Lau - 14- but she's on- ly a dream.-

WIIATA DIFFERENCE A DAY ITIADE

Grever/Adams ig34

G-7 CF"{3-1 r-3-r F ^7 ebg Abt*ttJ-r

^
J
What a diff-'rence a day made.- rwen- ry- four lit- rle ho brought the sun and the
What a diff-'rence a day makes,- there's a rain- bow be- fore skies a - bove can't be
G-7 c7 E-7 A7rur4 A+7

flow - ers.- where thereused to be rain-_ My yes- ter- day was blue dear,- to- day I'm part of
stor - my- since that mo- ment of
D-
G7

my lone- ly nights are through dear,_ since you said you were
2 F7
r_3 C-7 F7 B-las nb-o

What a dif f -' re n c e a bliss, that thrill - ine kiss. ItT hea-ven when you- find ro-mance on your
A-7 Ab.7 G-7 c7
3 __r F6

nu.- what a diff-'rence a day made, and the dif-'rence is you.--

 DARN TIIAT DREAIVI
Van Heus en /De l,ange I g3g
19
GA7 B,b-tnh A-7 B attT E-7 C#-tas B-lts Etag

Darn that dream I dream each night, you say you love me and you hold me tight,
Darn your lips and darn your eyes, they lift me h i g h a - b o v e t h e moon - Iit skies.
Darn that dream and bless it too, with -out that dream I nev- er would have you.
A-7 c-. B-7 P,bo7 1. A-7
Abl*n G6 Dlrg

out of sight, oh, darn that

p a r - a dise oh
won'[ come true, oh

c-7 F-7 sbt G-7 Fil-7

darn that dream. Darn that one - track mind of mine, can't un- der- stand that
F-7 Bbttg sba c-7 A-tas Dtsg _G-7 A-7 D7 nbg Dltg

you don't care. Just to chan_eethe mood I'm I'd wel-come a nice old night - mare.
D-C. al2nd End (Fine)

sffi Hoagr Carmichael/.1. Mercer l94l

t l

F-7 G-7 Abn Eb^TBb A7*n Ab,'

Skv lark,-have you an - y- rhing to say to me?- Won't you tell mewheremy
Skv lark,- have you seen a val - ley green with spring- where my heart czrn *go a
skv lark,- I don't know if you can find these things,- but my heart is rid- ing

c-7 F7 F-7 _._ Bb7 1. Eb _--- Ffig gbg

love can be?- Is there a mea-dow in the mist where some-one's wait-ing be kissed?
jour- ney- ing- ov - er the sha-dows and the
on the wings,- so if you see thern 4n - y
2' Eb p'b+7 Eb6 Ab^7 gb-11_3_1

rain, to a blos-somed cov-Ered lane? And in your lone - ly flight,- have-n't you heard the mus-ic
Ab^7 Ar7 G-tas c7 F- obt eb-t Eb+7 nbo

in the n i g h t,- won- der - ful mus - ic. faint as a will- 'o- the- wisp, cra-zy as a loon,
GA7 A7 D7 G Bb7o.". Eb Bb-z Bb7an
","o9

as a _syp sy ser-en - ad- in_e the moon oh. where, won't you lead me there?
20 I CAI\['T GET STARTED
Ira Gershwin/Vernon Duke 1935

I've flown a- round the world in a plane, I've set- tled re - vo - lu - tions l n Spain, the North Pole
A- round a golf course I'm un- der par, and all the morpieswant me to star, I've got a
In nine- teen twen - ty nine I sold short. in En-gland I'm pre.sent - ed at court" but you've got

c^7 A-7 D-9 Glrg t.gft*n 6g

Dg G7rur4 2.C QTart C
Fa7

I have chart - ed, but can'Iget start - ed with you, A- roundthe you. You're so su-
house, a show- place,but I get no placewith
E-7 A7 E-7 A7 D49 G 13 Ffr-7 E-7 D-7 G7 D-7 G7

preme, ly - rics I write of you, scheme just for the sight of you, dream both day and night of you,
E-7 A9 D 7rur4
Dlss6Trrr4 D.c.atco# CA7 nh A+7 D-e G7*r4 Glug C6

and what good does it do?In nine- reen me down-heart-ed'cause I can't get start - ed with you.

THESE FOOLISH THINGS Strachey/Linct i935

F-7 nbt c-7

A c i g - a - r e t t e t h a t bears a Iip- stick's [ra- ces, an air - line tick - et to ro-

A tink- ling pia - no in the next a - part-ment, those stunrbling words that told you
The winds of March that make my heart a dan-cer, a te - Ie- phone that rings but

sbt S sb-t nbg

I

Ab^7 C
. _ r -7
i
1. F9

man- tic pla- ces, and sdll my heart has wtngs, these fool- ish things re-mind me of
what my heart meant. a fair- ground's paint - ed wings, these fool- ish
who's to ans- wer.

F-7 B,bt 2' F9

EbD7trc- E-lrs A-tts D7 G-

things re- mind me of you. You came, you sa% you conquered
Bbdt G-7 c-7 F7 G-7 Clrg F-7_ nbt

when you di that to ffi€, . D.C.atCoda

knew some- how this to be-

Ebe \'-] Ab C-r--_

7 3 Fe Bbt Eb
r_3
 APRIL IN PARIS Vernon Duke/Harburg 1932
2r
D-las^
l- J-l
Ba7 C^7 c6 D-trs
3-r
nh G t3 C^7 BlC C

A - pril in Par- is, chest- nuts in blos- som. hol - i- day tab- les
C^7 G- G-(A7) G_7 Gbl*n F6 E^7 F^7 B-tas Etug
r- 3-r r- 3-r

un- der the trees A - pril in Par- is this is a feel-ing

A-7 A-TG Ff,-zls Blvg E-tas A7b7G

no one can ev - er- prise.

F$-zls F"7 ClE fib"1 D-7 c6 A-7 B-tas Eltg

I ne- ver knew the charm of spring, nev - er met it face to face.- I nev- er knewmy
A- A-TG Ffiff 7re E^7 G7 D-tvs^
r-'l
B^7 C^7 c6
t-

heart could slng, nev - er missed a warrn em - 'till

brace; A- pril in Par-is,-
E-lvs Bbtrtr A 1 3 Ebtttt D 13 C#7 D-tas Gtag CB
J 3-r

whom can I turn ro. what. have you done to- my heart?

TTLL THERE WAS YOU

Meredith Wiison l95O

EEb E"7 F-7 eb-o Dbt Eb ch

There were bells on the hill, but nev-er heard them ring- ing, no I nev- er heard them at
There were birds in the sky, but nev-er saw them wing-ing, no I nev- er saw them at
There was love all a round,but nev-er heard it sing-ing, no I nev-er heard it at

F-z Bbt'g 1.Eb 8"7 F-7 p,bt Ab Eb^7 Abn

3-r

all ' t ill you.-

there was Therewere you.- And there was mus- ic and

A"7 r- 3-r Eb6 B 7C 7 F-7 F Bb7

-l
BV+ / o . c . a r 2 n dE n d

therc werewon-der-ful ros-es, they tell me, in sweetfra-grant msa-dowsof dawn and dew.Therewas
22 MORE TI{AI\[ YOU I(NOW Rose/EliscuAoumans I 929

Abl*n Gtag

Wheth - er you are here or yon- der, wheth - er you are false or true,
E - ven though your friends for - sakeyou, e - ven though you don't suc - ceed.
eb+ nh Abl;. Glvg ''D-7 pause
Abtttt Gtsg C- A-lrt D-7

whether you re- mainor warder, I'm grow-ing fonder of you. break you need.
wouldn't I be glad to take you, giveyouthe
o/
'/O f^l
GSz-3
--'
r, .r
I tal

f 6 G+7
t- \t G-e Clag-
--3
F^7 E-7 At|'g D-7 |- F-7^
\'-.] B,bt

More than you know, more than you know, man of my heart I love you so, late - Iy I
Wheth- er you're right, wheth - er you're wrong, man of my heart I'll string a long, you need me
Oh how I'd cr], oh how I'd cry, if you got tired and said good bye, more than I'd

D-9 Ab7t,n D-e/G Gtrg E-7 Atug D-7 G7 2- E-7 A7'g-

J
r-

find. you're on my mind, more than you know.- Wheth - er you're so, more than you'll

D-7 GTbeC6 F 9 C 6 -7rs Blsg tr E- C*-tts Ff-zls

show, more than you'd
Btrg E_7

ev - er know.- Lov- ing you the way that I do, there's noth-ing I can do a - bout
ev - er know.-
A-trs D7 G47 E-7 A 7.ur4 A7 D 7.uraD
7 D-e G 7rur4 G+7

D . S .a l 2 n d E n d ( F i n e )
Lov- ing may be all you can give, but hon- ey I can't live with - out Oh how I

COME ST'NDAY Duke Ellington 1946

Ebl*n D+7 G e c-e

- bove, God Al - mi_eht-y,

-God of Iove.- please look down

Bb6 nbonb fi,bo7rrbeEo, nbt D7 G-7

see my peo - I be-lievethat God put sun and

e through. moon up in rhe
ce F7 c-7 Dtrg G+7 C9 F+7
D.C. al Fine

sky,- I don't mind the .cause

_grayskies, they're just cloudspass-ing by.-
 YOU GO TO IWT HEAI) Gillespie/Coots 1938
23
Ebn G-7 pib-t Dbtvg 6bn C-tus F-tvs gb7at

You go to my head andyou lin- ger like as haunt-ing re- frain, and I find youspin-ning
You go to my head like a sip of bur-gurrdy brew, and the ve - ry
You go to my head, with a smilethatmakesmy tem-p'ra-turerise, like a sunrmer with a

nb-t C-tss F-tus Bb7*t + Ebnt c-7 Tb-tx

'round in
my brain, Iike the bubbles in a glassof cham-pagne. The
men- tion of you, like the kick- er in a ju - lep or two.
thou- sand Ju - lys, you in-tox- i-catemy
Ab6 A"7 nbnnb G-7 C-7

thrill of the thoueht you might give a thought to my plea casts a spell o-ver me. Srill I

A-7
l-g-.1
D7
i-v-.i
B-7 3-r
sbt
r-3-r
A-7 ^ Abt*n
l- e-l
GGf. F6 E7*rt

say to my- self "get a hold of your- self, can't you see that it nev- er can be.'' You
S Ebat c-7 nb-t Ebtvg 6bdt Ab-6 Dbz Ebnt^
r-1
G-TD3-r
t- r-

soul with your eyes. Though I'm cer-tain that this heart of mine has- n't a ghost of
c-7
r- 3 -r
A-tus
3-r
D7 c-7 c7 F-7 en
l-
CbnOh F-7 E 7 * n
r-3
nbo

chance in this cra- zv ro- mance.

DON'T BLI\ME ME Fields/McHugh 1932

C6 E-tls Atsg

Don't blame me for fall - ing in love with you, I'm un - der your spell, but
Can't vou see, when you do the things you do, if I can't con - ceal the
Blame your kiss, AS sweet as a kiss can be, and blame all your charms that
E -7rs
,-l

l- r-l A7 1.D-7 Q+ C6 G7 2.D-7 G7 c6trF

Fine
how can I help it, don't blame me. me. I can't help i
thrill that I'm feel - ing,
melt in my arms but
E7 A-7 D7 D-7 D-tss Glvg

that dog- gone moon a- bove makes me need some - one

24 WHEN SUNNY GETS BLTTE Fisher,/Segal 1956

When Sun- ny gets blue, her eyes get gray and cloud - y, then the rain be - gins to
When Sun- ny gets blue, she breathes a sigh of sad- ness, like the wind thar stirs the
But mem-'riesstill fade, and pret - ty dreams will rise up, where her oth - er dream fell
A-7 D7 B-tas eb-t nbt A-7 Ab-7 Db7

fall. Pit - ter, pat - ter, pit - ter, pat - ter, Iove is gone so what can mat - ter,
trees. Wind that sets the tree to sway-ing, Iike some v i - o lins a- play-ing,
through. Hur - ry new love, hur - ry here to kiss a way each lone - ly tear, and
G-7 c7 F;bt 1. A_7
D7 E-7 At'g

no sweet Iov - er man comes to call.

wierd and haunt- ing mel - o
D^7 E-7 F#-7 B D^7

Peo- ple used to love hear her laugh, see her smile, that's how she got her name.
D-7 G+7 c^7 A-7 F47
3-r
D - G 7 G-7 c 7

Since that sad af - fair, she's lost her smile, changed her style, some-how' she's .not the same. But
G-7 e7r - 3att ^ FA7 F ^7 cb G-7 Gb FA7
Repeatfor solos-

I4-'- '
LaStXgOOn
hold her near when Sun- ny gets blui hold her near when Sun- ny gets blue

IN A SENTIMENTAL MOOD Duke Ellington 1935

D- p-(a7) D-7 D-6 G_ 6_(a7) G_7 G-.

Gbt*tt

nb-t obn Ebt

Dbdt g,b-t nb-t Ab7 G-7 D.C. al2nd End (Fine)

 GOOD MORNING HEARTACHE 25

Good morrring heart- ache you old gloom-y sight.- Good morn - ing heart-ache, tho' we
Wish I'd for- get you, but you're here to stay.- It seemed I met you when my
Good morrring heart- ache, here we go a- -eain.- Good morn- ing heart-ache,you're the

A-tls nbt Dlsg G-7 Bb-6

-b-?
( A-7 Ab-7 s
said good - bye last night.- I turned and tossed un - til it seemedyou had gone,-
love went a-way.- N o w e v - ' r y - day I start by say - ing to you,-
one who knew me when.- Might as well get used to you hung- ing a- round,

c-7 2'
G-7 F C 9 G-7 c-7 Ctrg F6

r e
r:' but here you are with the dawn.- Good morn-ing heart-ache, what's new?-
lEl A+7 D- A+7 D^7 ?F(. D-7 G7 C^7 C7

Stop haunt-ing me now,- can'[ shakeyou nbl how Just leave me a - lone.- I've

c-7 F7 D.c.atcoda
S c-t Gbttn F6

got those mon - day blues, straight thru sun - day blues. Good morn-ins heart-achesit down.

GOD BLESS THE CHILD HerzogJrlBlrie

Horiday
re4r

nbat Ebt Ab6 Ebn;.Ebt Ablr- eb-t Eb7 nbq nbt

Them that's got shall get, them that's not shall lose, so the Bi - ble said,and it still is news.
Yes the more. while the weak ones fade,empty pock- ets don't ev - er
stron_g_qets makethe grade.
Rich re - la - tions give, crust of bread and sucn,you can help your-self, but don't take toomuch.
Abn Ab-6 G-7 Ctvg F-7 - Bb7 Eb6

Ma-ma may have, pa- pa may ti e,but Godbless rhechild rhat's got his own, t's eot his own.
'' z-g-7bg7Le
F-z Bbz C_ g_(a7) C_7 c-6 G-7

Yes the Mon- ey, you got lots of friends,- 'round the
crowd- in'
D-lus Gtsg C- C-(a7) C-7 c-6 G-7 C7 F -las B!ZE. atFine

When you're _eoneand spend-in' ends. they don't come no Rich re -

26 IWY FOOLISH HEART Young/Washington igSO

p,bdt p:bdt D-7 c-7 c-7/Bb A7rur4 A7

The night is like a love - ly tune, be - ware my fool - ish heart. How
Her lips are much too close to mine, be - ware my fool - ish hean, but
D-7 Dl*g G-7 obt , c_l
C-tss Flug

white the ev - er con - stant moon, take care my fool - ish heart. There's a
should our eag - er Ii p s c o m - bine then
gbdt F-7 Bbt*g Ebn A-las Dlug

line be-tween love and fa s - c i - n a - ti on that's hard to see on an ev- en - ing such as this, for they
G-7 D7t,e G-7 c7 c-7 G+7 c-7 F7

both give the ve - ry sslresen - sa ti on when you're lost in the mag-ic of a kiss.

let the fi start. For this time it is n't fas - ci - na - tion, or

Bbdt Ebl' prbt G 7 c-7 G7 c 13c+7 F7rur4FlAg Bbdl

dr eam t hat wi l l fa d e a n d l a l l a it's Iove. this time it's love, my fool - ish heart._

SOMEONE TO WATCH OVER ME

George/lra Gershwin I 926

A-tas nbrc Gb. G-78 E"7

There's a s o m e -b o - d y I' m l ong- i ng to see. I hope that he, turns out to be.
I'm a l i t - t l e l a m b who's lost in the wood, I know I could, al- ways be good,
W on' t y o u t e l l h i m piease to put on some speed, fol- low my lead, Oh how I need,

F-7 F7/A EVNt.6+7 C9 F+7 p,bg ''Eb Ab Eb Eb7E ^tabeb"nb

s om e-one w h o ' l l watch Fine

o v -e r me.-_ me._ Al- though he may nor be the
t o one w h o ' l l watch ov-er
some-one to watch ov-er me .

Ao7 nblebG7lB C-7 A-tus D 7 G 7 F9 Bbtsg

D . C .a t 2 n d E n d ( F i n e )
m an s om e g i rl s th i n k o 1 ' hand-some, to my heart he car- ries the kev.-
 IITIAGINATION Van Heusen,/Burke lg3g
27
4 Eo7 F-7 Bbt Ebn Abag G-tas c7
"ao,
I- ma-gi na- tior} fun - ny, makes a cloud - y
I- ma-gi
ls- it day sun - nY'
na- tion is- cfa - zy, your whole per- spec- tive gets ha ZY,
I- ma-gi na- tion is- sil - ly, you a - round wil
go ly nil -- lYt
C+7 Or'-z 1.G7 C7 F-7 nbt

makes a bee think of hon- ey, just as I,_ think of you-

starts you ask - ing a dai - sy what to do,
for e x - am - ple, I g o a - round want- ing
F-r
z.Eb^7 Bb-7 Ebt lElhbaz F-7 A-7 D7 G-7

what to do? Have you ev- er felt a gen- tle touch and then a kiss and
E-las ATbg D-7 G-7 c-7 Bb7rur4 Bb+t
fJ_._.., D.C. atCoda

then, and then find it's on- ly your i -ma- gr - na-non a - gain? Oh well, I- ma- gi-
F-7 P/L.3;= G7 Db7f,rrc7 F-9 BTrn
r-3
BbTrura Bbt Eba

go a- round want-ing you_ and yet can't i- ma-ginethatyou want me too.-

EASY LTVING Robin/Granger 1937

FA7 ^ Ff ^?
- J " l G-7 Gil't A-7 F7 Bbn Ebt

Liv - ing for you ls - liv- ing. Ir's ea- sy to live,

I'll nev - ei re - gret "u _qy
the years I'rn giv- ing, they're ea- sy to give,
whenyou're in love aftf
whenyou're in love and I'm
FAZ3_, D-7 G-7 c7 1-A-7 2 F nb-t Eb-7 ptbt
Dlag G-7 ctag

'
f'm so in love. there's noth- ing in life but you
hap-py ro do volr
_ what e v - e r -I do for Fine
l B ,l , -7
l_ Db^l Bb-t F-7 eb-t bt
&3____r A7*tr

may - be a fool but it's fun,- peo- ple say you rule me
Rb-2. b-rab G-trs c7 clBb A-lvs Dlsg
" G-7 C+7 D.c. at Fine

one wave of hdnd, ar - ling grand, they just don't un - der - stand.
Repeat lst verse
28 f'M GETTING SENTIMENTAL OVER YOU Bassmanles3
Ee ''Cl 'Gt
D+7 G7 F^7 Ctag c7 c7/E

I wasjust a notherwholaughedatrcmance,I said it wasnot for me.- meant to be

Thenyoumadeyouren-
E tranceandrightata glance I knew this was

r,-3--r B-tasE7 A-tus (nU4O^ J-.]

D 7 G7

J o-C/
Nev - er thoughtl'd fall,- but now O hear you call,- Iim 1A- tin' sen- ti-
Things you say and do,- just thrill me through and through- I'm get- tin' sen - ti
Won't you please be kind and just make up your mind- that you'll besweetand
t'G-l
c7 c7 'G-t ct?, B b F E T

t'
men - tal ov tal ov er you
A- Blsg

I thought with - out love,-

B-7 DT,g G-7 C7

e,
now - mit, - Iove - D.S. alCoda
must ad is all f'm think tng of.-
o. c7 F D7 G7 G-7 Ctf'
A
F

gentle, be gentlewith me._ se I'm sen

EARLYAUTUMN
Woody Herman/Ralph Burns lg4g

eha eb,El c47 Bb/i A7 Abat

t. ga7 Eb9 D-e Ab 2-c^7 Abtt Bbtt c^7

D-7 f;boT

D^7 nn Cg Bt*g Bbt A^7Ab7beGt3

 Johnny Mathis SMOI(E GETS IN YOTTREYES 29
Jerome Kern/Habach 1933

Eb6 QboT Ab Ao7

They asked me how I knew mv true love was true? I of course re -

Thev said some- dav vou'll find, ail who love are blind, when your heart's on
Nori laugh- ing frieilds' de - ride- tears- I ean- not hide, so "I smileand

nbnnb F,bg 1.G-7 c7 F_7 Bbt

plied,somethinghere in - side,- can- not $e d€ eyes.

Ire, you must re - a - Iize,-smokegets-in your
say, when a lovelyflame dies, smokelets in your eyes.

BA7 c#-7 3-r FfiTC|-Co7 C#-7 Fil7

So I chaffed them and gay.ly laughed, to thinkthey would doubt my love.

B^7 G#-7 F-7 Flbt Fibo c7 F-7 Bb7

D.S.al2nd Ending
Yet to- dav my love has flown a-way, rfly love.

MONALISA Livingston/Evans 1949

Mo- na L i - s a , M o - na Li- sa men have named you, you're so Iike the la- dy with the myetic
Do you smile to tempt a lov-er Mo- na Li - s3, or is this your way to hide a brok-en
1.G_TF C7 G_7 r-3-r c7 1-3-1

smile. Is it 'causeyou'relone-
on-ly ly theyhave blamedyou, for that MonaLisastrangsness inyour
F Ffi" G-7 c 1 3 "'Bb Bb- F c7

smile? Do you heart? Man- y dreamshavebeen

broughtto your doorstep,they just lie there,andthey
F F7 Bb Bo7 FlC F

die there, &r€youwarrn are you real Mo-na Li-sa, or just a coldand lon+ly, lovely work of art?
30 WILLOWWEEP F.OR ME
G13 ce F7

why did you send the darkness ro Arethe sha-dows for - e-ver to
nbg C+7 F6 C7 BI

be? Where's the light I'm long-ing ro see? oh

Ee A7 D9 Gl3
t1_S-i r-3 - 3-r
3-r

Iove, once we met by the old wil - Iow tree, now you'vegone and left nothing
c7 Fe D+7 G6 A-7 D7

noth ing but a sweet mem

xEc 3-1
c7 G
3-r
c7 A-7 p;boT Ar
<3- '

Wil- low weep for me, wil- low weep for ffie, bendyoubranches green a - Iong the stream
Gone my lov- er's dream, love- ly sum- mer dream, gone and left me here to weep my tears
weep- ing wil- low tree, weep in sym- pa- thy, bend yourbranch-es down a - long theground
GTB obt C 7rur4 C9 c-e Abe
t-3-r r-- 3-r

that runs to sea. Lis - ten to my plea Iis - ten wil- low and weep for m e.
in-to the stream. Sad as I can be, hear me wil- low and weep for
and cov er me. When the sha-dowsfall. bend oh wil- low and weep for me.
Ga7 c9 e G - 7 ^ G 7
DTTIAC- J-

Whis-per to the wind and say that love has sinned,

F7 nbt Ebt p.bt G7 C-
I

Abe

leave my heaft a - break-ing and mak- ing a moan. mur to the night, to
G- G7 c-7 F7 F,bt nh p,:bt
3-r A-7 Abt
3-r D.S. alFine

hide her star- ry light, none will find me

 ISN'T IT ROMANTIC Rodgers/Hart 1932
31
Bbt Eb6 C- F-7 ebt Ebnt F-7 nbt

I s -n ' t ro- man-uc, mus- ic in the night, a

Is- n't ro-
dream that can be heard. Is - n't it ro-
man-tic, mere-ly to be young on such a night as this? Is - n't it ro-
nba c 7 F-7 Bbt Eblr G-tusClag , . F _ l

man - tlc, morn- ing sha- dows write the old - esr mag - ic
man - tic, word. I
E v - ' r y note that's sung is like a lov - er's kiss.
D-zls G7 C- G7 Bb-t Bl7 6bn gt F- P-tbs Q,7

hear the bree-zesplay-ing in the trees a - bove. all the -world is say-ing
C- Fe ATrn B 2. F- F- D-tus Gtug C- C-7tBb

you were meant for love. Is - n't it ro Sweet sym-bols in the moon-light, do you mean that
c-6/A /ib-a G-7 cbt F-7 nbt lib-a

love per chance?_ n't rt ro - man tic?

FOR SENTIMENTAL REASONS Watson/Best 1945

D-7 G-7 c7 D-7 G-7

I love you, for sen- ti- men - tal rea - sons,_ I hope vou d o b e -
I Iove you,- and you a- lone were meant for me, please give iout Iov-ing
F D-7 Ge c7 1 . F
D7 G - 7 C l a g . l t ' F G-7G#" FlA

Iieve ilet I ' I I grve Y o u my heart part.-

heart to me. and say we'll nev - ei I
f ' v e giv - en you my heart.
G;1_,_, c 7 F Ah G-7 D-7

think of you ev - 'ry morn ev - 'ry night,

E-tas ATsg D-7
3_i
c7 C+7

dar - Iing, I'm nev - er - ev- er D.C. al Fine

you're sight.
I
32 CIIAIIICES ARE Stiilman/Allen tgST

C6 G+7 c^7 B-7 E7rur4 E7

Chances are, 'cause

I wear a sil- ly grin, the mo-mentyou come in - to view,
Just be - cause mv com po- sure sort of slips, the mo-ment that yourlips meet mine,
t'D7rur4
A-7 AlC* D7 D-7 G+7 2.D7

charrces are you think that I'm in love with vou Just be- heart's vour val- en - tine.-
chapces are you think my

D-7 G+7 A-las Dlag

In themagic of moonlight,- when I sigh"hold me close dear", chan-ces are you bo lieve thestars that
A7rur4 A7 F:bg Dg G7rur4 G+7 C6 G+7 Cq F9

fill the skies are in my eyes. Guess you feel you'll al-ways be the one and on-ly one for me, and
G^9 CTin B-e E7 A- crB c&rcil ot G+7

D.C. (Coda lastX)

r if you think you could well, chan-ces are yourchan-ces are aw'fly good.- Charrces
s D7*FD7
B-tus Etlg A-7 DTruraD7 G6

are at+'fly good, the charrces are your chan-ces are aw'fly good.

SOPHISTICATED II\DY
Dule Ellington/Mills/Parish I 933

l:bt G7 Gh ft

t- 6bt7 C-las 2. Ab^l

Ffig
 TIIIILIGHT TIME Nevis/Ram lgM
33
E-' -g

_Hea-verrly shadesof night are fall-Eg, it's twi- light time, out of the mistyourvoice is calling,
Deep erring sha-dows ga- thersplender, as day is done, fin- gers of nightwill soonsur-rerrder,
Deep in the dark your kiss willthrillme, like days of old, light-ing thespark of love thatfillsme,
C- E7

it's twr - light trme. When Pur- ple col - ored cur- tains mark the end of day, I
the set - ting sun. I count the mo - ments, dar- ling, rill you're here with ffi€, to -
with dreams u n - told. Each day I pray for ev- 'ning just to be with you, to -
1A9 2A7
, A-7 D7 D7 G C G

you, my at twi- light ge- ther, at at twi-

E-

Here, in the glow of day, keep our ren-de-vous be-neat the

A7 D7 C B-

Here, in the sweet and old way, fall in love a- gain as I did then.

DON'T GO TO STRAIVGERS Kent/Mason/Evans

reil

c^7 C^7 B+7 r---3-r E-IVS ATbg

Build your dreams to stars a - bove, but when you need someone tnre to love,
Play with fire till your fin - gers burn, and when there'sno place for you to turn,
Make vour mark for your friends to see but when you need more than com- pa- ny,
t'G7r,rr4 2-G7*r4
D-7^ F-6 G7 E-7 A7 D-7 G7 G7 C6 GTruraC6
T-J_..t

don'tgo to strarlgers,dar-ling colmeto me COIII€16 me.- For when

Bo:-a- ce ce Bbg F^7

e
you hear a call to fol- low your heart, you'll fol- low your heart I know I 've
A-7
3_r
De A-7 De D 7rur4 De G7rur4 G9
3-r t- D . C .a l 2 n d E n d

been throueh it all for I'm an old hand and I'll un-der- stand you go.
34 I GOT IT BAI) Duke Ellington t94l
E. oo, B-7 E-7 A7rur4 A7 A-7 F7#n E7 Eb7irlD7

ev- er treats me sweet and gen - tle the way he should, I got it that ain't
My poor heart is sen - ti - men- tal not made of wood,
He don't love me Iike I love him, no - bo- dv could,
1 G E _ 7A _ 7 D 7
Dbtt.tr

good. But when the week end' s o- ver and

G^7 F7*u Cfi-tts Ffiae B_7 E7 A-7 D7

mon- day rolls a - D.C.al2nd End

round. I end up like I start out just cry-in, my heart out

Yn: + lovely w_eeqing willow, Iostin the wood,_I_g_ot

it bad andrhatain't good.
Sd ft.t yilgs I.tell mu-gillow,no womanstrouta,"rgotit bad andthat ain;rgood.
Poygl' folks with goodlntentionstell me to saue'm!tears,I'rngaa t'm madabouthim,I can,rlive withouthim.
Lord aboveme maliehim love me,the way he shouth,I goi it uuE
*a tr,uiui;'G;J:-

MOOD INDIGO
Duke Ellington/Mills l9g I

Bbat F+7 Bbat Bbn c7

ain't been biue,

ain't been blue,
obt F7 nbs lrbt
'till you've
had that mood in - di- go. That feel- in' that goes down to my shoes, while
Bbn c7 F7 F+7 Bb Bbat G7

I sigh "Go long blues". AI - ways ger

c7 c-7 F7 Bb F7 Bb

mood in - di- go, srnce mv In the ev - 'ning when lightsare low,

cbt F7 B nbt

I'm so lonesomeI could cry. 'Cause

there'sno-body who caresa- bout me. I'm just a soul who's
pibt Bbnt G7 c7 c-7

blu - er than blue can be. When I get that mood in- di- go, down and die.
 STELI"A BY STARLIGHT
Victor Young/Ned Washington
35
1,11.1

E-tas ATbe c-7 F7 F-7 Bhlg r;bo nbt

<I--z/.' t
a ro- bin sings.- through years of endless springs,- the

Eqrs Alvg D-7 eb+ nh F^7 g-tbs 67 A-las

mur-mur of a brook at ev- en-tide,- that ripples by a nook where two Iov-ers hide.-
cd'? c-7 r-3-r Abl*tt sbn

great sym-pho-nic theme, that'sStel-la by star-light and not a dream.- My

E-lrs ATrg D-lts Gll'g C-lts Fttg nblr

she'sev-'ry - thing on earth to me.-

PRELTIDE TO A KISS Duke Ellington

r njg

G+7 F^7 Blvg E7 ATbg D-7

If you hear a song in blue, like a flow- er cry - ing for the dew,
If you hear a song that grows from my sen - ti - men - tal woes. that was
How my love song gent - Iy cries for the ten- der- ness, with - in your eyes, my
D-7 G+7 A-7 D7*tr 1.D-7 G+7 c^7
3-r l-3 A+7

that was my heart s e r - e n - a d - ing you, my pre- lude to

my heart try - ing to com - pose,
love is a p r e - lude that nev - er dies,

,.D-l
G+7 C6 B7 E^7 Cfi--. Ff,-zls 87 G*-7 G"7

e
l-ne
a pre- Iude to a Though it's Just a sim-ple mel-o- dy, with noth-ing fan-cy,
F*-7 F7rtt E^7 Cfr-7 Ffi-tts B 7 E^7 Alvg D-7Dfi-7E-7Ebt*n
Q Q, al2n{ End(fine)

noth-ing much, you could turn ir to a sym-pho- ny, Shu-bert tune with a Gersh-win rouch. Oh!
36 HOW LONG I{AS THIS BEEN GOING ON?
George/ Ira Gershwin lg27

I could cry_ sal- ty where have you been all these years?.
Thersvere chills-- up my spine,- and some thrills I can'tde - fine-
Kiss me once,-_ thencnce more what a dunce I was be - fore

" A-7 D7 G7 ,.ct nh D7 G^7

Iit- tle wow- tell me now'- how Iong has this been going on?-
Lis-ten sweet,--- I r e - peat,- how
what a break--- Hoaven's sake- how

c7 Eb7 D7 c6 cr[%, F7 c^7 c^7 F7

Iong has this been going on? oh I feel that I couldmelt,- in- to Heaven f'm
C^7 g$-tsspfi7B - E-6 gfi-7us
pfi7 B- E-6 B-7 B,bt
'er
hurled. I knoutrow Col urn-bus fell=_ alandEnd(Fine)
finding arroth - *orLil
#2) I could cry' sal-tytears.wherehaveI beenall theseyears?
Listen yo-u,tell medo, howlong hasthis beengoingon?
whatakick!howlbuzz. Bov.vouctickas noonedoes,'h"*rn".*#i-ili"Jffii;il;;JEffiJTgoo,gonr
-Dearwhenin yourarmsI cri:ei,thatdivinerendevousJo*
-tiiare,r"rr."." ir rri asreep,
lei,f;eGamfiuili , *".
Kiss
metwice.thenoncemore'thatmalestttriie,rers ii'roui wrrataurcar<,i;il;il4il;; tonghasthisbeen
gr

IN MT SOLITUDE Ellington /Delange/Mills I 9S4

Ebdt F-6 G-7 C-7 F-7 G7 2ndX) Bb%ura ebt

In my sol - tude you haunt ffi€' with re - ver- ies

In my sol - tude you taunt ffi€' with mem- or - ies
In my sol - tude I'm pray - -- irg, Dear Lord a- bove

BbTrura Bb7 Ebl;, "' Ebt Io

of daysgone by.- Inmv I sit in my chair,I'm filledrvithdespairJhere's

that nev- er die.-
sendbackmy love_

nbnb Bbt gb-t Ebt o.bo., Ao7 nbgb GboT F-7 Bbl

no onecould beso sad. With gloom ev-'ry-r6r6ere,f sit and I stare,I know thatI'llsoon go mad. Inmy
 THINGS WE DID II\ST STIMMER, THE
Sammy Cahn/Styne 1946
37
E7 A-7 I CA7

r - X J J . r
The boat rideswe wouldake, the moonlight on the lake, the way we dancedandhummedourfav- 'rite
The mid- way and the fun, the kew- pie dollswe won, the bell.you to prove that you were
The leaves be- gan to fade,like pro- mis- es wemade,how coulcl a Fng
love that seemedso right go
B-trs Etrg A-7 D7 o n_z E_7 1.A-7 D7 G Gil.A:7W

song, we did last sum- mer. I'll re all -win- ter long. The
strong,
wrong?
2. A-7 D7 Go7 G
Eo_, D-7 G7

mem- ber all win- ter long. ear- ly ing hike, the rent- ed dou - ble bike, the
C G+7 E-7 A7 E-7 A7

Iun- ches that we used to pack, we nev- er could ex- plain, that sud- den sum- mer rain, the
D7 GO D7 -7'5 Ettg G#.e-z D7 G
D.c.atcod SB

looks we got when we got back. sunlmer, I'll re merrrber all win+er long.

I F)[LL IN LOVE TOO EASILY

Styne/Cahn 1972

Bbt Ebn C- C-IB!

I fall in love too eas-i - ly, I fall in love too fast.

D-7b|Ab 6tae C- c-7tBb A-lls Dllg D-tss Glrg
r_ 3__r 3-r r-3

fall in love too ter- ri- blv for love

c-7 A-lss Dtsg G7 C6 C7

Myheartshould be well s c h o o l e d , ' c a u s e l ' v e b e e n fooled in the past. And still I

F-7 Bbt GJ_3__r c7 F-7 ^ BbTrg Eb6
\t -1

eas- i - ly, I fall in love

38 ALL OF YOU Cole Porter 1954

F}dt F-zls Bbtvg Ab6

l
''Evat
- l

I love the Iooks of you, the lure of you, the sweet of you, the
gain com -plete con - trol of you, and han dle

F-Zrs Bntg Eba16 QboT F-7 Bb7 Ebn nbn G-7r1Db

Ct

you' the eyes, the arms, the East,West, North and

''
ebt Ebn G-7 Abn

South of you. I'd love to ev-en the heart and soul of you.

A-lss Dtvg G-7 Clvg F- C 7 F - 7 Bb7 Ebo

small per-cent of me, do, for I all you.

IN THE STILL OF THE NIGHT

Cole Porter 1937

t'Bbg
G-7

In the still of the night,- as I gaze frgm r.ny at the moon in it's
ln the still of the night.- whiletheworld l s l n

F nbt G-7 C7 lzsbs E7 F#-zls

flight, my thoughtsall srray ro you. slum - ber the times with- out

F+7

nunrber, dar-ling when toYou'- urs I Iove you?

,lr?;" T.fi T,i; my dream come
2' gb-t ",,:"","
Ebt A-tas Dt'lg c- sb-o Bbt nbnb FlC 8"7

or will this dream of mine fade out sight, like moon, grow - ing
^ l
F/A AVo / G-7 c7 F
 I WISH YOU LOVE 39
Trenet,/Beach (French) I 946

G-7 c7 G-7 C7
rT--3-r
F^7 Bbr A-7 AboT

I wish you blue- birds in the spring, to give your heart a song to sing, and then a
And i n J u - ly a Iem- o - nade, to cool you in some leaf- y glade, I wishyou
I wish you shel - ter from the storrn, a c o zy fire to keepyou warm, but most of

G-7 e r. g7
_r_ F6 F#" C7,-, F7
t-r-1

kiss, but more than this, I wish you love. And in Ju- wealrh, I wish you love.
health and more than
all, whensnowflakes

My ach-ing heart and I a - gree, that youand I could nev- er be. so with my best, my ve- ry

G7
1-3-1
c7 --3-r
D.C. alCoda
,1\
tt
?r
L/
-,
_2_ F6

best, I setyou free. I wishyou fall I wish you love.

ANGEL EYES Matt Dennis/Brent 1946

c-7 Dttg Gtrg c- GtagC-7 C-7tBb A-tas D-7 G7

Try to think that love's not a- round.- srill it's un- com- forr'El! near.-
An- gel eyes that old dev - il sent,- they glow un- bear-a - bly bright,-
Par-don ffie, but I got - ta run,- the fact'sun- com- mon-Iv clear.-
C-7 DtagGtsgC- abq C-lG A:bt Gtug

My old heart ain't gain - in' no ground be- cause my an-gel eyes ain't here
Need I sav -
lhaj my love's -*ir spent,mis- spent with an-gel eyes to- night.
Got- ta find who's now num-ber one and whv my an-gel eyes ain't here.-
gb-q Ebtvg 6bn C-7 Ffig gb-g Ehag 4bal A-9 Dlag

drink up ali you peo ple,- or- der an-y-thingyou see._ Have fun you happy
G^7 G6/D C#-7 Ffias D-7 Gtvg Sebq Gtsg c_9

va o i--
D.C. atCoda
peo- ple, the drink and the laush's on me.- scuse me while I dis- ap- peal
40 I CONCENTRATE ON YOU Cole Porter 1939

Ebn Abt*rt Eb-g

Whenev- er skies look grey to me,_ and trouble be- gins to brew,-
Whenfortune cries "nav. nay" to me,- and people da clare "you're through",

1.F-7. _3_
C*-7 F#7 B z*tt

when ev- er the be- come strong, I con- cen-

r,bt Eb6 z'6b-7

obg Gbrura cb

trate on you when ev - er the blues be-come my o n - l y

nb-t Eb6 Ab6 E 6 pibn

On your smile

Gb,u,aCbn 5}-t Ebn

sweet, so ten - der, when at first my kiss

nbat M*-r Gb*,a6bn nb-t

the light in your eyes when you sur - ren der- and once a - gain

Bbat sbt Eb6 Abtt.tt G-7

uums in- ter - twine. And so when men say to me,

C 7rur4Gbl*tr F -7 BbTruralbl G7 C7rur4Clag nhnb

that love's young dream nev- ercomes frue,- to prove

C+7 F-e F7rur4 F9 B 7f tt sbt Eb6

ev - en wise men can be wrong, I corrcen- trate on v

 POOR BUTTERFLY Golden/Hubbel l916
4T
Dbe C7 Bt*u eb- nb-t Ehog r:bn !b? Ab6

Poor but - ter - fly 'neath

the blos-soms walt - lng, poor ter -
The moon and I know that she is faith - ful. f'm sure he

she loved him

F- F-7 CTBlrtt

pass ln-to years, as she smilesthru her tears, she mur- murs low. The moon and
2.F9 eb-t Blt;s Abrur4 Ab Dbl*n

But if he don't come back, then I nev-er sigh

Dol nb-t F1 Ebttg Ab6 F?
1--
I just mus' die. Poor but -

OLD FOLKS Robison/Hill 1938

D#._, Gtug c-7 B-7 Bb-7 A7 Abli, obt G-7 C7

Eu-'ry-oneknowshim as old folks, like the sea-sonshe'll comeandhe'll go, just as

leav-inghis spoon in his cof- fee, puts his nap- kin up un - der his chin andthat
quiteun-der-stand a - bout old folks, did he fight for the blue or the grey? For he's
F-7 8,7 Ebn 1'
t- 3 --r l.--.t'i-l
Clvg C-7 F7 F-7 sh t:

free as a bird and as good as his word, that's why ev-'ry - bo- dy loveshim so. Al- ways
yel-Iow cob pipe,it's so mel - low it's .ip., but
so dip-Io - ma- tic and s o d e m - o - cra - tic.

f F^-7 Bb7 Eb6 EbtTBb Bb-z nh 6bn

I l-- o-'1

y ou need-n ' t b e a -s h a me do f h i m. the ev-' ni ng af- ter sup-per. what stor - ies he would tell,
we al-ways let him have his way.
Dbt*tr Ebdt Ebt /|bn obg ct-- 7 .r^-] F7 F-7 Eb-7

the speechatGet-tys-burg for Lin- coln-that d?Y, know that one sowell. Don't
D . C .a l 2 n d E n d .
42 A NIGHTINGALE SAIIIG IN BERI(ELEY SgUARE
Sherwin/Maschwitz I 94O

Gzna- nb-a

That cer - tain night, the night we met, therewas mag- ic a-broad in the air, there were
I may be right I may be wrong, but I'm per-fect-ly will-ing to swear, that
The streets of town were paved with stars, it was such a ro- man- tic af - fair, and

ebll/gb F-7 EbaTG ab-t Obt p,bn c-7 F-7 Bbt Ebn C-7

an - gels din - ing at the Ritz, and night-in- gale sangin Ber - k'ley square.
when you tumed and smiled at me
as we kissed and said good-night,
''F-7 z'
F,bt 6-7bs Dlag

I Themoon that lin-gered o-ver Lon-don [own, poor puz-zled moon,

A-7 D7 G^7 A-7 D7 B-7 E-7 F-7 F;bt

wore a frown, how could he know we two were the whole darn worldseemed up- side down.

FII\MINGO Grouya/Anderson l94l

sbg

Fla mil - go,- like a flame in the sky,- fly - ing o- ver the
Fla mln - go- in your t r o - p i - c a l hue,- speak of pas-sion un -
Fla mln - go,- when the sun meets the sgar- say fare- well to my
obg c7 1. 2'
FA7 D7 G-7 c7 F6 Bb-6

is - Iand to my lov - er near bv Fla - true

dy - ing and a love that is
lov - er
l n
FA7 B 7ir1 Bb-7 Ebe bn D -r C_7 Fttg eb-t

The wind- srngs a song to you ils you go, song that I hear be- low
Ebe G-7 c7 D.C. alCoda + G-7 C7 to repeatpAJ
G_7 C7

the mur- mur- ing palms. and has-ten to me.-

LastX F A7
G-e Ctvs Gbt*tt Fg
 IftrY OLD F'II\ME
Coslow/Johnston lg34
43

My Old Flame, I can't ev-enthink of his name. But it's fun-ny now andthen,howmy
My Old Flame my new lov - ers seemso tame. For I haven't met a gent so mag -
My Old Flame, I can't ev-en think of his name. but I'll nev-er be thesameun- til

nbgT5- #A-t Ot C-7 F7 Bbn

thoughtsgo flash- ing back a- gain ro my old flame. I'vemet so man- y whohad
n i - fi - cent or el - e-gant as my old flame.
I dis - co- ver what be- came of my old flame.
A-llos r-3-r Dlug Ab7 r- s-.,G+7 c 7rur4 clrg F 7rur4 r- 3_]

Y * {

fas-ci- na-ting ways, fas-ci- na-tin' gue in their eyes. who tookme up to the

D7 G-7 E-7 A7 A-7 D7 D.c.at A-7 D+7 G6

but their at-temptsat love were on-ly im-i- tations of My FIame.

LOVER ITIAN
Davis/Ramirez/Sherman I 94 I

D-7 D-7 G-7 GJ c7

I don'i know *hy, but I'm feel- ing so sad.- I Iong to try some-thing I've nev- er had.-
The night is cold and I'm so all a- lone,- I'd give my soul just to call you my own.-
Some day we'li meet and you'll dry all my tears,- ft1sn whis-per sweet lit- tle things in my ears.-

Fltg Bb7 sb-t nh c-7 C7

Nev - er had n o k i s s -i n ' o h , w h a t ['ve been miss-in Lov-er Man oh where can vou
Got a moon a- bove De, but no one to love ffie,
Hug- gin' and a - k i s s -i n ' , o h w h a t I been m i s s -i n ' ,
''F o7
nbt 4-(a7) A-7 D7 GA7 A-7 B-7 A-7
l- \t

be? I've heard it said of ro- mance can be like a hea-ven- lv dream.

G- G -(a 7 ) G-7 c7 FA7 E-tvs ATre

,_E17._.,

bed with a prayer that you'll make love to D.C. alFine

De, strange as it
44 BLUE \TELVET Wayee/Morris

F2.-3:r Bb

She wore blue- vel-vet, blu- er than vel - vet was the night,
She wore blue- vel-vet, blu-er than vel - vet were her eyes,
Blue- vel-vet, but in my heart there'll a l - ways be,

c-7 r-3
s Bbtt Gtag c-7 F 7 2.C-7 F7

soft - er than sat - tn was the light from the stars.- She wore sighs, love was
warm - er than May her ten - der
Pre - cious and warm, a m e m - o

F-7 sbg E, Eb-7 Bb

l- r-l

Ours, a love I held feel - ing the rap- ture

Bbt Eb nb-t c-7 F7 ,r.". atcoda

grow, like a flame burn-ing bright-Iy, but when she left, gone was the glow of

C-7 F7 F- Bbe Eb F4'? ebo

ry throughthe years.- and still can seeblue velvet through my tears.-

I SHOTTLD CARE Cahn/ Stordahl/Weston I 943

G7rur4 E-7 Ag D-7 c^7 E-tvs A7

should care, should go a-round weeP lng. should care,

should care. should let it up - set rne. should care,
D-7 F-7 Bb9 c^7 r. 3 _7bsf7 G-7
r- 3-r r-o

I should go witlr-out sleeping. 'cept

Strange-ly e-nough I sleep well, for dream
but it just does-n't get me. May - be I won't find

F47 B-7 J-]

E7 A-7 A-7 3
De D*3_r Ge

but then I count mv sheep well, fun- ny how sheep can lull you to sleep.
2. B-lts
 SPRING CAN REALLY IIANG YOU UP THE MOST 45
Ld c^7 Bbn c^7 Bba; Cq
Ia.ndesman/Wolf lgss
A-7 D-7 G7

l. Spring this year has got me feel - ing like a horse that nev - er
Morn - ing's kiss, left
wakes trees and flo - wers, and to them I'd like to drink a
2. Spring is here, there's no mis- tak - ing, ro - bins buid- ing nests from coast to
Col - Iege boys are writ- ing son - nets. in the ten - der pas- sion they're e n -
E-7 Atag Ffl-zls F-7 E-7 A-7 D7

post, I lie in my room star - ing up at the ceil ing,

toast, I walk in the park Just to kill the lone - l y hours,
coutsL my heart tries to sing
grossed,
so thev won't hear it break ing,
but I'm on the shelf with lasi year's Eas - ter bon nets,
1. D-7
G7rur4 G7 c Bbn D-7 G7 c^7

Spring canreal- Iy hang you up the Spring can real - ly hang you up the most.
G-7/C c^7 G-TC c^7 G-TC c^7 G-TC c^7

Alt af - ter- noon those birds twrt - ter twrt, I know the tune, "this is
Love camemy way I love, this is i t".
hoped it would last, we had our day, now that's all in the pasL
c-7 FA7 c-7 F^7 Fil-7 ^ 87 E^7^ A-7
r-J-l J-.1 D7

Heard it be - fore and I know score and I've - cid - ed that

Spring came a- long, a Spring is a bore.
sea-son of song, full of sweet prom- ise but some-thing went wTong.
G^7 F47 c^7 Bbn Cq A-7 D-7 G7 E-7 Alug

Love seemedsure a - round the New Year, n o w i t ' s A - p r i l , Iove is Just a ghost,
Doc - tors once pro - scribed a ton - lC' sul- pha and mo - las- ses was the dose,
Ff,-zls F-7 S E-7 A-7 D7 D-7 G7 E-7 Atvg

C e e + ,
Spring ar- rived on rime, o n - I y what be-came of you Spring can real-
did - n't help a bit, my con
q
D-7 G7rur4 G7 C BbA Eb- Ab7 D-7

J J o
Spring can real-ly hang you up the most. tion mustbe chron- ic, spring canrear-ly ha-ngyou up the
E-7 Atag D-t c^7 D-7 c^7 B-zls Bb7 A-7 DzruraD7

the Par-ty's o - ver, old man Win- ter was a grac- tous host, but when
E-l A7 D-7 Db7 c^7

you keep pray- ing for the clo - ver. Spring can real-ly hang you
 You DON'T KI\[ow wlrar LovE rs n^velDepaurre4
obg Cll'g c712 Db^7 G-las

'oon',
vf,u know what love is, un +il you've learned the mean-ing of the blues,
You don't know how Iips hurt, un-
un ril you've kissed and had to pay the cost, un-
You don't know how heart'sburn, for love that can - not live yet nev - er dies,
un-
G-lrs Ctvg F-6 nbt 1.Db^7 G-lss Cttg

til you've loved a love you've had to Iose, you don't know what love
til you've flipped your heart and you were Iost, you
til you've faced each dawn with sleep-less eyes, you
z.pbn ctag F-6 El eb-z nbt Abn gb-t Eb7,u,a

don't know what Iove is. Do you know how a lost heart fears thought of rem - tn-
Ab^7 D-7 G7 c^7 Dbg Clsg D.C.al2ndEnd

and how that taste lose their

SOME OTHER TIME

Bernstein/Comdon/Green lg44

c^7 G Trura c^7 G 7rur4 c^7 G 7tu.4

Where has the time all gone to, have - n't done half the
This day was just a tok €D'
There's so much more em - too m a - ny words are
brac ing still to be done but
G-7 Dtr|- F - 6 E-7 A 7rur4 D-7 E-7 F^7 G 7rur4 cA7 G7rur4

things we want -
Qn Well, we'll catch up some oth- er ume.
still un - sPo
time is rac
'' z gAT p':bn
Ct7 G7rur4 sb-znbt EbTrura EbTrura Abal Ehag
e) vc> Fine €>
Just when the fun is start ing
I
comes the time for
A'AT AaTf 11 Abdt G+7 c^7 E-7 A-7 nh D7rur4 G 7trr4
D.C.atFine
 AUTTIMN IN NEWYORK 47
Vernon Duke 1934

Au-tumn in New York, why does it seem so in vlt ing?

Au-tumn in New York, the gleam-ing rooftops at sun down.
G-7 A-7 sbo c7 A-las Dttg

Au - tumn in New York, it spells the thrill of first night - ing.

Au - tumn in New York, it lifts you up when you're run down.
G-7 eb-t Eb7 6brt nb-t c-7 D-tts Gttg

Glit- ter ing crowds and shim-mer- ing clouds ln s o f steel,-

C:IIF they're
Jad - ed rou - es and gay di - vor- cees who Iunch at the Ritz,- will
c-7 A-tts D-7 Gtrg c^7 G-7 C+7

mak-ing me feel at home It's

tell you that "it's- di vine!" This
G-7 A-7 ebo c7 C+7 Fa7 G-7 A - 7 D7Db7

Au-tumn in New York, that brings the promise of new love,

Au-tumn in New York trans-formsthe slumsin - to May - fair,
c-7 D-7 Eb-a F7:?3 Bb- eb-tteb G-tus Ctsg

Au-tumn w York is of- ten mingled with pain

Au-tumn New York, you'll need no cas-tles in Spain
F-7 C+7 nbt Dbn lb+t Dbdt Gbnt

Dreamers with emp - ty hands, may sigh for CX ot- ic lands, it's
Lov- ers that bless the dark on benches in Cen- tral Park greet
G-7 A-7 sb-o Ctug F-

au- umn t n New York, i t ' s good ro Iive it a - gain.

Au- tumn in New York, it's good ro Iive it a - gain.
48 WHERE ORWHEN
Rodgers/Hart l93Z

It seems we stood and talked like this be fore, we Iooked at each oth - er in the
The clothes you're wear- ing are the clothes you worg, the smile you are smil - ing you were

^E-t
A7

same way then, but can't re- mem - ber where or when
smil - ing then but can't re- mem - ber where or when
D-7 G-7 E-7 A7 D-7 G-7

Some things that hap-pened for the first time,- seem to be hap- pen- ing a-
GT\D Ctag F F6 E-7bsA7 D-7 F7 Bbn

gain.- And so lt seemsthat we have -

met be fore, and laughed be -
A-tts Dlvg G_7 A-lss Dlag G-7 c7 Gbt*tr F 6/_

Ioved be - fore, but who knows

FOR ALL WE KIIIOW

Coots/l,ewis 1934

c7 r_3_r G-7 C7 F^7 D7

For all we know we may nev- er meet a- gain,- be - fore you go makethis
For all we know, this may on- ly be a dream,- we come we go. like a
G-7 c7 F/A trbo7 G-7

mo-ment sweet We won't say good - night til the last

rip - ple on a stream. so Iove me to

E-lus Alvg D- p-(a7) D-7 G7 G-7 c7 cbt B -ZlsElag

min - ute. I'll out my hand and rny heart will

A7 Ebt*n D 7rur4 D7 G-7 F6

\__/
mor- row was made for some, -mOf -
 EAST OF THE SUN 49
Brooks Bowman l gg4
G^7 c7 Bl-- 7 't^-1 A-7 J -.1

- and west of the moon,- we'll build a dream- house- of

A-7 ^ D7 Fil+sr-, 87
l-r-l t-3-r E-7

Iove- Near to the sun in the day,- near to the moon at night, we'll
€r_, A7 ry3_r D7 GA7 c7

Iive in a love-ly way dear, Iiv-ing on love and pale moon- light. Just you and [- for
B-7 E7 -7
c;Zr-, F7

a day,- \_/
Iove will not keep it that way,-
Ff-zls 87 E-7
ry4-, A-7's D7

up a-mong the stars we'll find, a har-mo-ny of life to a love- ly tune,

east of the sun and west of the
B-7 E7 sb-t Ebt A-7 3-1 D7 G

SPRING IS HERE Rodgers/Hart f938

p1bo7 p1bo7
3_r C-tus Flug

Sprine IS here, *l,y does-n't my heart so

Si,rinE is danc - ine? Spring is
here, why does-n't th-e:breeze E" light mEt Spring is
eb-t c-7r7Gb ^ Ft'g eb-t Gbg 6bat nbrc
f- !t-l F-7 F-fEb

here, why is - n't the waltz en - tranc - ing?

here, why
No de- sire. n o a m - b i - uon
does-n't the night in - vite me? May-be it's be - causeno - bo - d y
Dbn
B-7 E7 Br-7 Eb7

ffi€, may - be cause no- bo- dy needs

"'B-t E7 F,b-t Ebt c-7 Bb-t Ebt ebo

Spring
50 EASY STREET
Ebat c7 F-7 Ab-7

\J

Ea- sy street._ I'd love to live on e a - s y street,- N o- bo - dy works on

Life is sweet- for folks who live on e a - s y street,- no week - Iy pay - ments
Ea - sy street,- I' m te l l - i n' ev-' ry - o n e I meet if I could live on

Ebn C7 O r'-t Bb7 F7 F- Bbt

e a - s y street,- just s i t a - round all day (ust sit and play rhe hors- es)
you must meet- that make your hair turn
E a - s y sreet,- I would - n't want no
z'EbM eb-t nbt Abnt ab-t

grey._

Ebn Bb-7 Ebt Abat Ab-7 obt

know your for- tune's made- and if the sun makesyou

y per- spire,there'sa man that you can hire to plant
c-7 FtlDg F_7 Bb+t S 8 7 Bb+t Eb obt Eb

D.C. alCoda
trees, so you can have on I would- n't want no job to - day, so please go way.

IIIHEN YOU WISH UPON A STAR

Harline/Washington I g4O

iT ClE fib"7

When you u'ish up - o n a star, makes no diff- 'rence who you are. A n - y - thing your
If your heart is in your dream, no re - quest is too ex- treme. when you wish u p -
Lika a bolt out of the blue, fate steps in and sees you thru, when you wish u p -
-1 h l'
-\.; rvy.
D-7 q;"{ 2.c
, \ ( G7
A? D-7 G7 E-7 A7

€>
Fine
heart de- sires will come to you- do. kind,
on a star AS dream - ers
on a smr your dream comes true.
D-7 G7 C A-7 D7 D-tts Glvg

she brings the sweer ful -fill - -

 THE SECOND TIMEAROT]ND 51
Van Heusen/ Catrn 1945

f}oT c^7

Love is l o v e - l i - e r the se-cond time a - round,- just as won - der - ful with
Love's more comf'- ta- ble the se-cond time you fall,- like a friend- ly home the
A7 D-7 B-lts Etrg A-7 G-7 c7

both feet on the grou'E It's that se - cond time you hear your love song
se - cond time you call.- Who can say- what led us to this
t'Fa7
Db7 FlC A-7 D7 G7

sung,- makesyou think per-haps, that love like youth is wast - ed the young. Love's more
zF o7
nbg D-7 E*r4 Bbr:

\.--l

m l r - a - cle found? There are those who'll bet but and yet,
once
A7 A-7 G7rur4 C

met the se - cond -.

time round.-

DEEP PTIRPLE De Rose/Parish 1934

Ff;.7 G-7

J
When the deep pur-ple falls, ov er sleep- y gar - den walls, and the
In the still of the night, once a - gain I'll hold you tight, though you're
F47 A-t;s D7 ClE F " 7 DTtF|- G-7

-----.--
stars be gln to flick - e r in the skY'- thfough the mist of a
gone, your love Ii v e s on when moon- li,eht beams- and as long as my

mem- o you wan - der breath - ing my name with a

heart will lov - er we'll

2'6bol
C 7rur4C+7

In the al - ways meet, here in my deep pur- ple dreams.-

 I WILL WAIT FOR YOU 53
Michel l*grand/Gimbel 1965

If it takes for -ev-er I will wait for you, for a thou- sand
An- y - where you wan - der. an - y - where you go, ev- 'ry - day re
If it takes for -ev- er I will wait for you, for a thou- sand

sum- mers I will wait for you, 'Til you're 'til f'm
back be side [l€,
mem - ber how I love you SO, rn your heart be lieve what in my
sum- mers I will wait for you, 'Til you're 'til I 'M
here be side me.
G-7 Eqt5 Alvg D-7 E-tas ATrg D-7 G-7 ,.D_l

'til
hold-ing you, I hear you sigh here in my arms. An-y
heart I know that for - e v - er- more fll wait for you.
touching you, and for - e v - er- more shar- ing your love.
p,bnt G-7 D:7 nbn

clock will tick a-wav the hours one by one and then the time will come when all the wait- ing's done. The

B -zus Bp7
I
E-tlos Atlg A%uta A7 D.c.atFine

time when you re - turn and find me here and run straight anns. If it

FOOTS RUSH IN Bloom/Mercer 1940

D-7 c^7 ClE Ehg D-7 A+7

Foois rush l n - where an - gels fear to tread,- and so I come to you, my love,
Fools rush in- where wise men nev- er go,_ but wise men nev - er fall in love,
D-7 G] r.g A7
A7 D-7 Bqibs E7 A_ A_(^A_7

\i.i-l
\-.--l
my heart a- bove my head,- thoueh see the dan-eer
t \-r--l

therel-_ if there's a
so how are they to

chance for me- then I don't care._

\--l

When we met
F.6 ClG A-7

so op- en up your heart, and let this fool rush in.-

52 OLD CAPE COD
Rothrock 1956

Dbe

If you're fond of sand dunes and salt- y air, quaint lit- tle vil - lag - es here and there,
If you like the taste of a lob- ster stew, served by a win-dow withan o-cean view
If you spend an eve- ning, you'll want to stay, watch- ing the moon- light on Cape Cod bay,

+F7 ''r;b B,b-tnn Ab Bb7

you're sure to fall in love with old Cape Cod.- Cod.- Wind- ing roads that seem to

Eb Bo F-7 Bbtsg Eb nbt Ab sbtsbc 7

beck-on you, miles of green be- neath the skies of blue, church bells chim- ing on a Sun- day morn,re-

F-7 F7 BbTrura Bb+l D.c.at""oft F7 F,bt Eb

mind you of the town where you

a old Cape Cod.

MOON OVER MIAMI

Moon o v e - r Mi shine on my love and E €' so we can

Moon o v - e r Mi shine on as we be - gin, a dream or
Moon o v - e r Mi you know we're wait - ing for a lit tle

stroll be - side the roll of the roll - ing sea.

two that may come true when the tide comes
love, a iit - tle kiss, on Mi a - mi's shore.

B- E- B- -.--nf z D Fil7 o-l

B- Ff7

Hark to the song of the smil-ing trou - ba- dours. hark to the throb- bing gui lars,

B- E- B- i-5.-_
^ G-/Bb D/ A ^ r}t 3-r A.7 D7

D.C. atFine
hear how the waves of- fer thun-der-ous applause af - ter each the stars.
54 IT MIGHTAS WELL BE SPRING
Rodgers/Hammerstein I 945

f'm as resFlessa s a w i l - l ow i n a windstorm, f'm as jump- y as a pupper on a

I am star-ry eyed and vague-ly dis- con - tent - ed, like a nighrin-galewith-out a songro
I'm as bu- sy as a spi - der spirrning dav-dreams.I'm as gid- dy as a ba- by on a

D-7 c7 + C^7 DzlC GlB r,bg Dtag B-i Etst O-7 Abtin

stnng. I'd say that I hadspring fev-er, but I know it is - n't Spring.
sing, oh whyshould I havspring fev-er, when it
swing, I
2.A_l D7

is - n't ev-en Spring? I keepwistr-ing I were sornewhere else walk - ing down a srangenew
C E7 A-7 A-TG Ff-zls Btvg E-7 A7 D TturaD 7

slreet, hear- ing words that I have nev - er heard from a girl I've yet meet. I'm as

s C B7 E- A-7 D7 87 Etl,g A7

have-n't seen a cro-cus or a rose-bud, or a ro- bin on the wing, but I feel so gay ln a
A-7 D 7 G E-7 Cfr-tus
C-6 GtB E-7 A-7 Dll'g G

y way, that it might as well be Spring, It might Spring.

DREAM Johnny Mercer 1944

Ff-7 E-7

Dream,- when you're feel - in' blue,- dream- that's the to do

Dream- when the day is thru,- dream- and they might come
Atvg D-7 F-7 r,bt c^7 ,.A_7
D7

Just- watch the smoke nngs nse in the aia- you'll find your
things- nev - er are as bad as thev seem,-
56 ONE FOR IVTYBABY
Haroid Arlen/J. Mercer 1943

It's quar - ter to three,- there's no- one in the place ex - cept you and me,-
'em got a lit-tle sto - ry you ought-a know.-
So, set up Joe,- I' v e

EbTruraEb7

We're drink- in' my friend to the end- of a brief ep i - sode,-

Dblxtrcl*g G+7 Ctag F-7 G-7 Ab6Bb7,o,a nbo A-7lDsD7

make it one for my ba - by and one more for the I

Well,
GAJ D-7 G47 D 7rur4 Gq D-7 GTruraDTrur4

got the rou - tlne,- so drop an - oth er nick - el in the ma- chine I'm
that's how it goes,- and Joe, I know you're get- ting anx-ious to close,- so

Gq_ D-7 G^7 D 7rur4 GA] D-7 G7rur4 G 7

feel - in' so bad,- I wish you'd make the mus- t c dream-y and sad Could
thanks for the cheer,- I hope you did - n't mind my bend- ing your ear.- This

c^7 Bbn c^7 Fe G^7 GNIFfr FZ*tt E7*g

tell you a lot,- but you've got to be true to your code rnake it
torch that I've found- must be drowned or i t soon might ex- plode make it

B+7 E7_*e A-7 B-7 c6 DTrura$ G6 D-7 G 7

one for my b a - b y and one more the road. You'd

C 7rur4 c7 C 7rur4 S+ E7 A7 D7rur4 G6 G7

nev - er know it, but bud- dy I'm a kind of po- et got a lot- ta things to say, and
C7rur4 c7 C 7rut4 c7 G-7 A7 Ebt D+7

when I'm gloom-y you sim - ply got - ta lis - ten to me, un - til it's talked a - wav. Well.

s B+ B 7 ETbeA7 A-7 De G6
 MIDMGHT SUN 57
Burke/Hampton/Mercer 1947

c^7 c-6

Your lips were like a red and r u - b y chal - ice, warm - er than the sum- mer night,-
I can't ex - plain the sil - ver rain that found me, or was that a moorrlight veil?-
The flame of it may dwin- dle to an em - ber, and the stars for - get to shine,-
, s
F7{tt Bb Bb^7

the clouds were like an a l - a bas - ter pal - ace ns - lng to a

The mus - ic of the u n - i verse a . - round D€' or was that a
and we may see the mea- dow in Dec - e m - ber, ic - y white and

Bb-6 Ebt*ri Ab

snow - y height,- star its own au ro - ra bo- re-

night - in gale?- then your arms mi rac - u - Ious- Iy
cry - stal lne. oh my dar - ling al - ways ,.I'll re -

6bn. nb-a Dbt*tr

- + '
a - lis, sud - den ly you held me tight, I could see the
found me; sud - den Iy the sky tumed pale,. I could see the
mem - ber when your Iips were close to mlne.- and we saw the

Mid - night Sun. Mid - night Sun.-

E^7 A7 D^7

Was there such a night? it's a thrill I still don't quite be lieve

D47 D-7 G7 E-7 Eb7 D-7 Dbttrt

at-ter you were gone, there was still some star-dust on mv sleeve.
58 PENTHOUSE SERENADE W.B.Jason 193i
--)
( ; (
DJ-3_r

Just pic- ture a pent - house way up in the sky, with hing - es on chim - neys for
From all of s o - c i - e - t y w e' l l stay a - loof, and live in pro-pri - e - ry
-1In our lit - tle pent- house, we'll a l - ways con- trive to keep love and ro - mance for
- {
7 h ' D-7 ^
l- !)
I

ft7 D-7
f- ,5
G7 sffi
stars to go by, a sweet slice of hea - ven for just you and I, when we're
there on the roof, two h e a - v e n - l y her - mits we will be in truth when
e - v e r a - live, in view of the H ud - son just o - ver the drive, when

We'll see life's mad pat terrL,\

A.? j)r

as we view Man hat - tan, then we can thank our luck - y stars,
G7 D-7 G7 D.C. alCoda s C ebt C

we're liv - ing

__.) wg're

IttrY METI\NCHOLY BABY Burnett,/Norton t9l l

Come to me my mel - an- chol - y ba cud- dle up and don't be

E v - ,ry cloud must have a sil-ver lin wait un - til the sun shines

blue,- all your fears are fool - ish fan - cy,

through,-

c-7 F-7 ,.
F7 Bbzrura F,bl Ab A"7

you know dear that f' m i n love with you.- Smile my hon- ey dear, while

nbnb Db7 c7 F-7 BbTrura p,bt Eb

a - wav each - - -
 YOU'VE CIIANGED 59
Fisher/Carcy 1942

Ebnt A-lls D+7 Dbt G-tas C+7

You've changed, that spar-kle in your eye is gone, your smile is just a care-less
You've changed, your kiss- es now are so bla - S€, you're bored with me in ev - 'ry
You've changed, you're not the an - gel I once knew, no need to tell me that we're
t'89
Fe ebs C-7 F-7 nbt

yawn, you're break-ing my heart, you've chang You've

*aY' I I
through, it's
''
Bg Bbe Bb-7 Abnt prb-t Dbe

un- der- stand, you've changed. You've for-got- ten the words "f love you"
nb-t nbt nbn pib-t Dbt

eachmem- o- ry that we shared.- You ig - nore ev-'ry star a - bove you' I can't

F-7 B*7 o.". atcoa# Be ehg Eb6

re- a-lize you ev- er cared.- You've all ov-er now. you've changed.-

BLUE GARDENIA Russell/Ire 1953

A-7 G^7 ci-tas F#7 Fa7 B-7 E7

Blue Gar - den- ia, now I ' m a - lone with you, and I am al - so blue,
you, Ga r - d e n -i a , once I was near her heart. af - ter the tear-drops start

A-7 n7
I
'' 'A-7Dtls
3- GA7 Elvg O DO D9

she has tossed us a side.And like hide? I lived for an ho - ur,

where are tear - drops to

C#-7F#7 B a7 Gl-z Cfr-7 F#7 B7 Etag E-7 A7 A-7

tell, love bloomed like a flow - er, the pe- tals fell. Blue Gar
G47 C9 B-tvs Etlig A-7 D 7rur4 xbt G6

thrown by a pass- ing pressed in mem- o

6(} BLUE IIAWAII Robin/Rainger 1937

Bb7 Ebn Eb G+7

Night and you and blue Ha - wa the night is hea-ven - ly

Love - ly you and blue Ha - wa with all this love - li - ness,
Dreams come true in blue Ha - wa and mine could all come true

Gtag c-7 eb-nbnbsbt

and hea- ven to there should be Iove.-

Eb Bb Bb7 c7

Come with me- while the moon is on the sga,- the night is young

C-7 F7 D.c.atcoaa $ C-7 F7 Bb ebnb Bb

we.- mag - rc night of nights with you.

IIARBOR LIGHTS Kennedy 1937

Eb

I saw the har - bor lights, they o n - l y told me we were part ing,
I watched the har - bor lights, how could I help if tears were start ing?
Now I know Ione - Iy nights, for all the while my heart i s whis - p'ring,
''
F-7 Bbt Eb

same old har - bor lights that once brought you to Iwatchedthe
Good - bye to ten - der nights
some oth - er har - bor lights

nhtr Ah prb-t obt

be - side the sil - v'ry sea. I longed to hold you near and kiss you just once
will steal your love from me.

Eb c-7 F7 Bb7 D . C .a l 2 n d E n d ( F i n e )
 WIIAT KIND OF FOOL A1VII? 61
Bricusse/Newiey l96t
G7rur4 GlUg C^7 Fa7 E-7 A 7rur4 D-7 G 7rur4 E-7

fell in love,- seems that I'm the o n - l y

ATrg c^7 A-7 D7

\--l

one that I have been think-ing of.- What kind of man is thisx An emp-ty shell,-
A-7 D7 B-7 E-7 A-7 D7 G 7ror4 G7

- ' t
a lone - ly cell which an emp - ty heart must dwell.- kind of
kind of
c^7 ATrg D-7 G7rur4

\__/
lips are these?- with ev - 'ry kiss,- whis- pered emp - ty words of
clown am I?- I know of life?- Why can't I cast a - way the
G/B ATre ATG Ffr-tas F-7

love that left me a - Ione like this,- why can't I fall in love? like oth - e r
mask of play and Iive my life?- Why can't I fall in love, rill I don't
CIE p}oT D7 D-7 G 7rur4 Gtug

peo - ple can and mav - be then I'll know what kind of fool am.-
give a damn-

RED SAIT,S IN THE ST'NSET

GA7 D-7 G7 C^7 Fl_3_r Sa7Qfio7A-7 G

Red sails in the sun - set, way out on the sea, oh car- ry my loved one
He sailed at the dawn-ing, all day I've been blue, red sails in the sun- set.

A-7 +3_r -tr7_. ., A-7 G7

QG*43 , G

home safe- lv to me. Swift wrngs you must bor-row straight for the shore,
I'm trusr ing in you.

_E7 3 E7 A7 D7 D.C. alFine

sail - ing more.

62 ALL IWTTOMORROWS Van Heusen/Cahn lg5g

(C#-ltt 3rdx
A-7 c_6 fi,bo7

To- duy I may not have a thing at all, ex - cept for just a dream or F4'
two, but
Right now it may not seem like spring at all, we'e drift- ing and the laughsare few, but
As Iong as I've got arms that cling at all, it's you that I'll be cling-ing to, and
Ffiiss Etl'g A-7 Dtag S 1 3 - l b s 9 7

f've got lots of plans for to- mor- row and all my to - mor- rows be - long to you. Right
I've got rain - bows planned for to- mor-row, and all my
to' mor- rows be - long to
all the dreams I dream, b"g, or bor- row, on some bright to- mor- row they'll all come
''D-t
Gt c c-l E-7 Cfi-tas6-(a7)

you. No one knows bet- ter than I, that love keeps pass-ing me by, that's fate.
G/B E-7 A-7 D7 l Talt E7 A-7 D7 o.c. atcoda

But with you side, I'll soon turn - ing the tide, Just
B-tus Eltg A-7 Etrg -7bs D7 G

all my bright to - mor - rows be - long you._

HOWDEEP IS THE OCEAN? Irving Berlin |gg2

C-lB C-TBb A-l"s G-7 A-tvs Dlag

How much d o I Iove I'll tell you no lie, how deep is o - cean,
How far would I tra - to be where you are? How far i s the jour- ney,
F-7 gbt 1.Eb7
eb-t nbt nbt nb-t nbt
how high is the sky? How ma-ny I think of you?-
from here t o a star?
B9 cb-t Fllg Bbt Gtag 'nb-t nbt G-lvs Ctbg

Y ? V
ttow ma-nv ros sprirrkled with dew? And if I ev- er lost you,
F-7 3_r xb_t Dbt nbnb F-7 Bbt
 WHO CAN I TURN TO? 63

Who can I turn to,- when n o - b o - dy needs meE- My

may - be to- mor- row- I'll find what I'm af - ter,- I'II
Ebn F-7 G-7 Abn B,b-t Eb7

heart wants to know and so I must go where des - t i - n y leads me.- Wirh
throw off my sor - row, beg, steal or bor - row, my share of laugh- ter.- Wirh
'Abn Ao7 DTtg G-7 c7 F-7 D-lts

\.._/
no star to guide me,- no- one be- side mer- I'll on my way and

p-7bs67be

af- ter the day dark-ness will find me.- you I could learn to,- with
c-e :7 Fil"z nbrc Qb"7 F-7 F,bt E6

you on a new day- I turn to if you turn a - wav?

BEIilITCHED Rodgers/Hart l94l

Cfr"t D-7 Dfr"t F6 F-6

w i l d a - g a i n , b e - guiled a - gain, a sim - per- ing, whim- per- ing child a- gain,
sing to him, each spring to him, and long for the day when I'll cling to him,
Could- n't sleep, would - n't sleep, when Iove came and told me I should- n't sleep,
'' ''
D-7 ATbg D-7 G7 GTD C7 F^7 E-7 A7

witched, both- ered and be wild- ered am I._ wild- ered am I._
D- A- D-7 G7

Lost my heart but of it? He is cold I a - gree,- he can laugh but

D-7 G7 E-7 p}oT D-7 G7 o.". arcoaa#D-7 G7 c

love it, al - thoueh the laugh's on me. I',ll wild- ered am I-

--

64 ALL THEWAY Van Heusen/Cahn 1957

F^l E-7r1 Alag D-7 Ge

When some- bo- dy loves you, it's no good un- less they love you' all the way.
When some-bo- dy needs y o u , i t' s no good un- less she needs you all the way.
B D#"t CTE F47 c-7 F7

Hap - py to be near you, when you need some-one to cheer you' all the way.
Through the good and lean years and for all the in be-tween years, come what may.

Bbll- c7 G-7 E-llos ATbg D-7 G7 c-7 F7

Tall - er than the tall - est tree is, that's how it's got to feel,
Who knows where the road will lead us. on- ly a fool would

Bbn A7 D-7 ,-3-r D-TC sb-t nbt 2'D- gb-tBbt

deep- er than deep blue sea is, that's how deep it goes if it's real. SaY'

FA] Afl Dtvg B-zls CgtBb A-tssDTrsG-7CTreF

if you letme love you, it's for sure I'm $on-na love you all way,

I COVER THEWATERF'RONT

cov- er the wat - er - front f'm watch- ing the sea, will the one I love be
cov- er the wat - er - front in search of my love, and I'm cov-ered by a
cov- er the wat - er - front f'm watch- ing th-e sga, for the one I love must

com - lng back to me?

star - less sky a me.-
soon come back to

A-7 D7 f-3-r B- nbt A-7 fi-. ,Go

Here am I- pa- tient - ly wait- ing,- hop- ing and long- ing.- oh, how yearn,
B-7 E7 c#-7 3_r F*7 B - 7 o_.1
^ E7 A-7 o-l
D7
 EVERYTHING I{APPENS TO ME 65
Matt Dennis/Adair l94l

c-7

I make a date for golf and you can bet your life it rains, I try to give a par- ty and the
I nev- er miss a thing, I've had the mea- sles and the mumps, and ev-'ry time I play an ace, my
I've te- le--sraphedand phoned,I sent an air-mail spe-cial too, your ans-werwasgood-bye, andtherewas

D-tss Gtrg c-7 nbt D-7 . DooT S

t

guy upstairs com- plains, I guessI'll go thru life just catchin' colds and miss-in' trains,
part-ner al - ways trumps, I guessI'm just a fool who nev- er looks be- fore he jumps,
ev- en post- age due, I fell in love just once and then it had to be with you,

ev- 'ry- thing hap - pens to me.- ev-'ry-thing hap - pens to me.-
F-7 Bbt*g Ebdt ctvg F-7 Bbu

first my heart thought you break this jinx for rne, love would turn the trick
Ebn E-7 A7*e DA7

but now I just can't fool this head that thinks for rne, I've

C7 c-7 F7 o.c.at coaa#C-7 Fl'rg Bb6

mort- gaged all my cas-tles in the hap - pens to me.-

A STTMMER PI,ACE Max Steiner,/Discant I 959

gb C-z C-7 F,ur4 Bb G-7 C-7 F7rur4 Bbl; c-7 F7 Bbn C-7 F7

There's a sum- mer place where it may raln or storTn, yet I'm safe and warm. for with -
in that sum- mer place your anns reach out to me and my heart is free from all
of a sum-mer place is that it's a - ny - where when two peo - ple share all their

Bb G-7 C-7 F7 Bb G-7C-7 F7 s G-7 nbm Eb C-7 sbn G-7 c-7 nb-a

care, or lt knows re are no oom- y skies when seen thru the eves of
hopes. all their dreams, all their rll
BbE F7rur4 c7 D.C. alCoda v B b
| ^ ' I

v
those who are biessed with love.
66 LAST NIGHT WHEN WE WERE YOUNG
Arlen/Harburg 1937
G^7 C7#n B-7 E7- 3-r GlA Ae Ebt clD Df_3__

Last night when we were young, lovewas a star, a song un -sung.- Lifewas so
To - day the world is - old, you flew a - way and tirne grew cold, whereis that

G#"2 A-7vs q+Llr_., 1B-7 F,bg A-7 Abt*n,lz.6n 6fr"t A-7 D7

ne% so real so bright, a-ges a Iast night go last night? To

star that seemedso brieht a-ges a
B-lls Etag Bb+t Ae ATbgB+7
351 Bfiag ATbg

Spring had de - pend-ed on mer+ ly this, a look a kiss.

DJ_ 3--r B-tus E-tlos A'n9.-, nbgOg Abttu

think that something so splen-did could slip a - way jn one lit- tle daybreak. So
G^7 A-7 Bbot B-7 E7 B-las Fe E7 ETrg

now, Iet's remi *isce - and re-eol -lect the sighes and- the - kiss-es, the armsthat
E-7b7A fib"7 A-7 Dlug G

clung young last night

TLL WIND Arlen/Koehler 1934

Bb6 A-tus Dtvg D_7G7 nb_t /ibt D-7 G7 C-trs FTbg Bb6 Gtag

Blow, ill wind, blow way, let me rist to day;you're blow- in' me no good, no
Go, ill wind, go *aY' skiesare oh gray a
SO round my neigtrbor hosd no
zgb6 ATre D7 E-7 Fo7 D/F# G7rur4

good. good. You're on-ly misleading the surrshine I'm needin'. ain'tthat ashame?-
G13 D7 E-7 F"7 D/Ff G7 Dbttn C-lss Ftbg

,
It's so hard to keep up with troubLs theycreepuo -
 PEOPLE Jule Styne/Merrill 1963
67
c^7 G7rur4 G7 c^7 G7tut4 6 ._ G7.ur4 CL7

\-..-/
Peo-ple,- pee ple who need people,- are the luck- i- est peo-ple- in the
Lov- ers- are ver- y spe- cial people,- they're the luck- i- est peo- ple- in the
t'B-z
E7 A- A-tas Dtvg

\--l

world We're chil- dren- need-ing oth-er chil- dren- and yet let- ting our grownup
G^7 A/Cfi c-6 G/B BboT A-7 D7 D-7 G7

pride hide all the need in - side,-act- ing more like chil- dren than chil- dren
,.G_t
c7 F GTIF F- CIE G-7 c 7

With one peFson,- one ver- y spe-cial per-son,- a feel- ing deepin your souE-
GTIF CIE Ffl-zls ClG A-7 D-7 G7

says you were half, now you're wib1i- No more hun- gerand thirst, but first, be a per-sonwho needs
C C 7 F F- G7'uf D-7 G7rur4 C
t-r-]

people,- peo- plewho need peo-ple- are the luck-i-est peo-ple in the world

TIME ON lltrf IIANDS Vincentyoumans,/Adamson

re3o

F^7 B-tas G-7 G-ll"s

\-..-/ \--l
\--l
Time on my noth - ing but
r
hands YOU
J
ln mv
J
arms,- love- in
Then if you fall.- once and for all,- I'll see my dreams come
,.cl ,.Al
G-7 C7 D!__ DTbg G7

vlew_ true- Mo - ments to spare for some- one you care-

G-7 C7 #L.,_, D-7 G7 G-7 c7 F^7
t-J-1

one love af - fair- for wirh trme on my hands-

DJJ-3 GL3_r G-7 c7 F6

t \-/
you in my arrns- and love in my heart, all for you.-
68 rM GII\D THERE IS YOU Maidera,/J Dorsey 1945

F^7 F-7 G-7

\_/ \-_/ \___/

In this world of or- di - na-ry peo-ple,-
--
extra-or-di-na-ry propt.l
In this world wherema- ny, many play at love- and hard- ly an-y stay at love_
1
'F^7
3-r rh G-7 C7 F^7 A- Abol G-7

f ' m glad there ls vou._ In this world of ov- er-rat-ed plea-sures-

f ' m glad there is
c7 F^7 A-tvs G-7 C7 F7 Bbn

of un-der-rat-ed trea- sures,--- I'm glad thereis you I'll live to Iove- I'll love to
sb-t nbt F^7 E-tvs A+7 D-7 G-7 c7

Iive with you be rne,- thiS role so new, I'll muddle thru with you to guide
Ebe Dtrg G-7 ^F/A Sbaz Ctag F6

you.- than ev - er, f'm glad there is you

TIIANKS F.OR THE MEMORY Rainger/Robin 1937

G-7 C7 C+7 CTG F/A

Thanks for the mentsG ry, of can- dle - Iight and wine,- cas- 'tles on the Rhine, the
Thanks for the meft G r], of rain - y af - ter- noons- swing- y Har- lem tunes, and
Thanks for the mentso- ry, of sun-burns at the shore- nights in Sing- a - pore, you
fibo7 E-tl's Ff"z G-7 CTtutaC7

Par - the - non and mo- ments on the Hud- son Riv - er Line, how lovely it was.
mot - or trips and burn - ing lips and burn- ing toast and prunes,
might have been a head-ache but you nev- er were a bore, so
Ab Bb-7 Ebt Ab Dll'g A-7

Ma- ny'sthe time that we feast- ed and ma- ny's the time that we fast- ed, oh, well it was swell while it
D-7 G7 G-7 C+7 D.C. al s G-7 C7 F

we did have fun and harm done. qr'l

 rVE GROWNACCUSTOMED TO HER NACE 69
't I-aeute/Lerner 1956
z\
$-r Abr: G-7 c-7 Bbt F-7 Bbt

I've grownac €us-tomed to her face,_ she al - most makestheday begin,_ I'vegrownac-
I've grownac cus- torned to her face,- she al- most makestheday begin,_ I've got- ten
Ab6 Ao7 nbnb C7 ebo Go7 F-7 Bbt

cus- tomed to the tune she whis- tlesnight and noon,hersmiles,herfrowns,her

ups, her downsaresec-ond
used to hearhersay,"Good morning" ev- 'ry day, her joys, her woes,her highs,
her lows are sec-ond
Eb l;bn G-7 c-7 F-7 Bb7

na- nrre to me no%-_ like breath-ing out and breath-ing in,- I was se-
na- ture to me no%-_ like breath-ing out and breath-ing in,- I'm ve- ry
Ab6 A"7 ebnb c+7 F-l Bbt Dbg C+7

renely in- depeFdentandconteatbeforewernet,sure ly I could al-waysbe that way againand yeu've

grownac-
grateful she'sawoma:r and so easy to for- get,ratlh-er likea ha-bii one can al-
wayjrealand yet l,ve grownac_
A-zts eb-t G-7 CTts F_7 Bb7*,+ nb

cus- tomed to her looks, ac cus - tomed to her voice, a€ -cus- tomed to her- face.
cus- tomed to the trace, of some- thing in the air, ac -cus-tomed to her- face.

FORYOU, FOR IWE, FOREVERMORE

George/Ira Gershrvin I 946

A-7 [bo7 G-7 1'F6

A-7 [bo7 G-7

For you for ffi€, for ev- er- more,_ - it's

I'm
bound be for ev - er- more,
yours, you're mine, and in our frJarti, the
c7 c-7 F7 C-7 Ftug Bb D-7 G7

it's see, we found by find- ing each oth-er, the love we wait
Dbt C+7 "'c-l F7 Bbl;. EbzruraEbl F ^7 Dlug

for.- I'm hap - pv end - ing starts what a love- Iy world this
G-7 C7 F^7 D-7 G7 C7rur4 C7 F6

world will be. world of love in for you, for me, for ev- er rnore_
70 GTTESST'LL IIANG MT TEARS OUT TO DRY
Jule Styne/Cahn LgM

B-7Bb7irqz Ab7*rl

When I want rain- I get sun- ny wea- ther, I'm just as blue as the skY,-
Friendsask me out.- I tell them I'm bu - sy, mustget a new al- i-bi,-
Some-bo - dy said- just for- get a - bout her, I gave that treat-ment a try,-

Clvg Bb7 S A-7 D7 D-7 G7ru,4 It C G7ru,4

since love is gone, can't pull my- self to - geth-er, guess I'll hang my tearsout to
I stay at home, and ask my-self where is she,
strange- ly e - nough,
2.c c7 G-7 c7 F^7 Bb
G-7

Dry lit- tle tezu- drops, lit- tle tear - drops, hang - ing on a string of

A7 E-7 A7 D-7 Ab7 G7'uJ

Flv lit- tle mem - 'ries, my lit- tle mem - 'ries, her of our cra- zy schemes.

S c C^TB A-7 C/ pfi-zbsB 7 E-7 Eb-7 D G 7rur4 C Q+?

+ J J - + + J e \r-_/
e
then one day she passed me right by- Oh well. I guess I'll hang my tears out to dry-

GHOST OF A CIIANCE VictorYoung/washington

resl

c^7 G+7 E-tvs Atlag F-7 Bb7

I need your love . s o bad- ly, I l o v e you oh SO mad - ly,

I thought at last I ' d found you, but oth - er loves sur round you,
But what's the good of schem- ing, I lnow I must be dream- ing,
'' 2c
c^7 D7 , G+7 E-7 ATrg D-7 G7 F- c ATrg

Er I don't stand a ghost of a chance with YOU.-

'-'DL3-r G+7 c^7

l- rt

If you'd sur - ren - der just for a ten or

Ff#I-3 B7 A7
 TWO F.OR THE ROAI) 7L
Mancini/Bricusse 1967

Ffi-tss Btsg E-7 E-tD C^7

- ll
If you're feeling
\--l

ran- cy [ree,_ comewander thru the world with me,- and an- y-placewe
In sunr mer-time the sun will shine- in win- ter we'll drink sum- mer wine, aod e\.'ry- daythat

A-7 A-/G D/F# A.7/G G^7 E-7

chance to be- will be our ren- dez- vous,- two for the road. we'll tra- vel down
you are mine will be a Iove- ly day-
A7/Cil D-7 D-/C GTIB E-l;s ATbg

years,col- lect-ing precious o - ries,- t-ing sou- ven - rs- and liv- ing
D-lrs Glrg c^7 c7 E- E-ID Cfi-tssC-6
\--,-/
life the way we please- In sunlmer-timethe As long as love still wears a smile, I
G/B c^7 B_7 Bb7 A-7 Dtug G

that we'll two for the road, and long, long

NEVERTHELESS Ruby l{a-lmar f 93t

FTC D-lrs Gtsg

May- be I'm right and may-beI'm wrong, and may-be I'm

weak, and may- be I'm strong, but
May - be I'll win, and may-beI'll lose, and may-be I'm in for cry- ing the blues,
May- be I'll live a life of re - grer, and maybe I'll give much more than I get,

c-7 ''ct *ct

G7 F7 Bb Gtvg c-7 Fe F7 Bb

nev- er- the- less, I'm in

Bbt F-7 Bbt Ebn

know at a glance, ter- ri- ble chan -- ces I'm - mg'

c7 G-7 C7 F7 D.C.alZnd End (Fine)

fine at the
72 VIOLETS FOR YOUR FURS MattDennis/Adairre4r

sb-t Eb7 A-t Dtag

I boughtyou for your furs, and it was spring for a- while, re - mem-ber?
I boughtyou for your furs, and there was blue in the win - try sky.
G-7 F^7 Bbn tG-t
A-7 D7

I bought you vi - o- lets for your fursl- and there was A - pril in Dec
You pinned the vi- o- lets to your furs and gave a Iift to the crowds pass-ing
c7 G-7 Cbt F6 c7

snow drift- ed down on the flow - ers and melr- ed where it lay, the snow Iooked like dew on the
FA7 ''G-t
G7 G-7 obt Bbn nbt F^7 A-tts

blos-somsas
You smiledatmeso sweetly, since thenonethoughtoc-
D7
G-7 e._., F6

love com -plete- Iy, the day that I boughtyou vi - o- Iets for your furs.

TRY A LITTLE TENDERI{ESS

Connally/Woods tg}2

c-7 gbt
Obg Ce

_9h" may be *"u- ryf wo-men do get wea_

ry
You knowshe'swait-ing,
.;ust an - ti - ci - pa_ting
You won't re-gret it, wo- men don't for- get it,

Bbt ''G70,
CtagF-7BhagfEl eb_t5lbt
And when she'swea-ry, try Iit- rle ren- der \-.-.._/
While she'swith-out them, try ness._
Iit- tle ten- der
It's all so ea - sy, try Iit- tle ren- der
Abn D-tas Glug
G-tss Cltg

men - tal, she has her grief and care,

G-lrs Ctsg F-7 F7
 THIS IS ALL I ASK 73
Gordon Jenkins 1958

As I ap- proach the prime of my life, I find I have the time of my life,

F^TA Abot G-7 F#"2 G-7 Bb: 7

Iearn-ing to en - joy at my lei- sure all the sim- ple plea-sures, and so I hap- pi- ly con -

A 13 nbg A-tts Dllg D-7 Gtvg Dbe CTag F6 Dz*g

cede, I ask,

G-7 C7 FA7

Beau- ti - ful girls, walk a lit- tle slow- er when you walk by
Wan- der- ing rainbows leave a bit of col- or for my heart to

me. Lin - ger- ing sun- sets. stay a lit- tle long- er with the Ione ly
own. Stars in the sky make my wish come true be- fore the night has
B-tas ETbg A- 4_(a7) A_7 D7

sea. Chil - ev-'ry where, at bad men,

A-7 D+7 G7 cfr't G7 c7

to that strange,en- chant-ed grown - ups sel-dom un- der-

stand. flown. and let the mus- ic play long as there's a

A- A-7 Dt?, G-7 C7tur4 F6

will stay young - er. than

74 THE IIASgUERADE rS OVER
Wrubel, Magidson tg3g

Ebrt G-l;s BbTru.a Bbl

My gray,_ and
G-7 Dbg BbTrur4 Bbtsg

way.- Your
Your
X E Eb c-7 sb-t
You
Bbt Ah D7

eyes don't shine Iike they used to shine, and the thrill is
words don't mean- what they used to mean, they were once in -
look the salne,- you're a lot the same, but my heart says
G-7 c7
3
F7 Bbt ffnbt

gone when your lips meer mine, I'm a - fraid the mas- que
spired, now they're just rou tine,
"no, no you're not the same",
Abat ltb-o 1. G-7
Clag

love-

----
Your love, and so love
tr F-7 Bbt G-7 Ctvg F-7 Bbt Fldt

guess I'll have to play Pug liac - ci and get my- self a clown's dis gulse, and
A-lus Dlvg G^7 G7 C-7 F7 B Zttt Bb7 o.r. arcoda
--F-3-r

to laugh with tears- in my eyes.

s Ebt Ab Dbe G-7 Ctug F-7 BbTrura Eb6

 THEY SAY TT'S WONDERFTIL 75
Irving Berlin 1946

Gq's

They say that fall - ing in Iove is won - der- ful,- It's won - derful,-
And with the moon a bove, it's won - der- ful.- it's won - derful,-

2.CTre

-----
SO they say.- so they tell me.-

Bb^7 Bb-6 F/A A-7 G#"1 A-7 A-TG

can't re - call who said it, I know I nev - er read it. o n - l y know they

F9 E7 A-7 D7 4}-t Db7 c-7 G-tas Clrg

tell me thatlove and the thingthat's known as romance ls

A-7 Ebe De D-7 G-7 C7 F6

\__/
won - der- ful, won - der-ful in e v - ' r y way,- so they say.

SMILE Chaplin/Ttrrner 1954

Smile, tho' your heart is ach - ing, smile e - ven tho' it's break- ing,
Light up your face with glad - ness, hide ev - 'ry trace of sad - ness,

A-7 fib"7 G-7 Dtag G-7

when there are clouds in the sky, you'll get by. If you smile though your
al - tho' a tear may be e - v e r s o near. That's the time you must
- l
BD- I F6

fear and sor - smile and may be to- mor - row, you'll see the
keep on try smile, what's the use of cry - ing, you' l l find that

come shin - ing thru you'll just smile.

is still worth - while,
-
Jl
I

76 THE END OFALOVEAFFATR Edward Redding f 950

E G-7 Eb^7

S o I walk a lit - tle too fast, and I drive a lit- tle roo fast, and I'm
S o I talk a Iit - tle roo much, and I Iaugh a lit- tle too much, and my
S o I smoke a lit - tle too much, and I drink a lit- tle too much, and the

rtbt -l
ED- I Dbn C7rur4

reck-less it's true, but what else can you do at the end of a love at - fair? So I
voice is too loud when f'm out in a crowd. so that peo - ple are apt to
tunes I re- quest are not al- ways the best, but the oneswherethe trurn-pets
2.F
[Eo-' G7 D-7 G7 D-7

stare. Do they know, do they care, that it's on - ly that f'm lone- ly and low zts can
D-7 G7 c^7 A-7 D7 D-7 G7 G-7 C7 D.c.atcoc*

be? And the smile on my face is- n't real - ly a smile at all.- S o I
c-7 F7 p,bn 3-r sbg F^7

at a mad-den-ing and I pre tend' that tak - ing her

G-7 C7 G-7 c7 F6

place. But what

IryARM VALLEY Duke Ellington f 943

F}n F-7 nbt

'' p,bt
Eb

SBb
 A STINDAY KIND OF IPVE 77
-yt", kima/B.Belle 1946
h{ ;r -.,.
{d
N:

Ctug *tr;6 DTbe

I want a Sun- day kind of love] a love to last past Sat - ur- day night,
I want a love that's on thesquare can't seemto frnd some - bo - dy to care,
My arms need some-one to en- fold,- to keepmewann when Morrday'sare cold,

G-7 sb-o nbt A-7 Dtag G-7 c7 r-3-r

I'd like ro know it's more than love at first sighE-- want a Sun- day kind of love.-
I'm on a Ione- Iy road that leads me no- where
a love for all my life ro have and to hold,-

Gbag F6

Fine
I want a I d o my Sun- day drearning and

Flsg Bb6 c-7 Fe Bb6 Abz*u6 D-7

all my Sun-dayschenringev - 'ry min- ute,ev- 'ry hour, of er'ry day. I'm hop- ing to dis-cor"er a

Ge oht ce Ff,"z G-7 o.c.arEJ

the way?-

SEPTEMBER IN THE RAIN

Waren/Dublin 1937

G-7 eb-t nh rtbn F-7 F.TE|

e'
The leaves of brown came tum - bling down, re mem - ber? ln sep -
The sun went just like
out a dy ing e m - ber,- that sep -
Though spring is here, to me it's still Sep tem - ber that sep -
Dbt*tt B 7#u p,bt Eb c 7 ''F-7 ,.Eb
ebt r,b-t nbt
\---
tem in the rain.- e v - ' r y word of

r,b-t Eb7 Ab^7 Obt C-7 F-7 gbl

D.c.arFine

love I heard you the rairr'drops seemedto play a sweet re - frain.- Though
 _.

78 PORTRATT OF. JENNIE Robinson/Burdge ig48

E Dbt Ebg

A por- tralt of Jen-ni more love - ly to see,- than a

The por- trait of Jen-ni is etched on my heart,-where her
the por- trait of Jen-nie I nev - er will part,- for there
''A-7 ''A-l
D-7 GJ3-rC2.3-r A+7 De G:7 CP-r, , D-7

mas - ter-piece, how- ev- er fa- mous it be. *' por-traitor fea - tureshave been
[El
G-7 ctag F6 nbg F6 B-7 E7 A^7 D-7 G 7 3-r

sketched from the start- Ah the co- lor and beau- ry of line and the glow of her
E-7 ATLg D-7 Abe G 9 G t a g G-7

spi - rit di- vine de - sign. With the por- trait of

s A-7 D-7
all
G;Z-, , r-3,-r
in Hea-ven's

C7*r4
own
Ctvg F6

n't an- y of Jen- nie, ex - cept in my

CRY MEARNTER
Arthur Homilton 1953

Bbt Ebn

Now- you say you're lon+ ly,- you cry the whole night ftil- well you can
Now- you say you're sor- ry,- for be- ing so un true- well you can
Now- you say you love me,- well just to prove you do,- come on and
'Eb
Dtug

cry me a riv- er. cry me a riv- er, I cried a riv-er ov- er vou.
G- r-3-r A-tvs Dliog G-.-3-r A-tvs Dlsg

You drove ffie, near- ly drove me out of my head, while you -nereer sheda tear.-
G- r- 3-r A-tvs 7beG D-7 G7 D.c. at Fine
 PIECES OF DREAIVIS 79
Michel Legrande/Bergman l97O

G-7 A-7 D-7 G-7/F CT.E C7

--- ^ \-._/
Lit- tle bov lost ln searchof Lit - tle boy tound- you go a
Lit- tle boy false in searchof lit - tle boy true,- will you be

F^7 ra-1
\J- / A _ 1|
rt- B-lss c-7 c#"t A1/c#

won- der- ing, wan- der- ing, sttrm- bl - ing, tum- bl- ing, round, round.
ev - er done tra - vel- ing, al- ways un - rav- el- ing you, you?
,.D_7 D-TC B-tss E7 A-7 F7ru14

When will you find.- what's on the tip of your mind?.

Bbn FIA G-7 C7 A-7 D7 G-7 c7

Why are you blind to all you ev - er were, nev- er were, real- ly are, near-ly are?

G-7r7Db

run-nlng a - way- could lead you fur- ther a - Stra|,- and as for

FTC C7"
C7*ta ce F7rur4 c-7 B ZruBb^7 nb-t Ebt

fish - ing in streams-- for pie - ces of dreams- those

F^7 D-7 G-7 c7 F6 G-7 A-7 D-7

pie-ceswill
\__/
nev- er fit, what is the senseof it?
r
Lit- tle bov blue,- don't let vour

G-7 G-7tF CTIE c7 FA7 G-7

-
lit - tle sneep roam- it's time come blow your hom, meet the morn.

A-7 B-lss c-7 Ctvg F6 Bb6 F6

look and see, can you be far from home

80 THE HEATHER ON THE HILL Loewe/l-erner 1947

G-7 c7 C-L F7

The mist of May in the gloam - in', and all the cloudsare hold in' still_
The morrrin' dew blink- in' yon - der, there'sIa - zy mus- ic in the rill_
That when the mist in the gloam - in' and all the cloudsare hold in' still_

Bbat A-7 D7 G-7 DTA Bbat 8"7 F/C Ctvg

so take my hand and s g o roam- in' thru the hea- ther on the hill.
and all I wirnt to do is wan- der
if you're not there I won't go roam'in'

Gbn Eb-t nb-t Dbt eb-t pbt

hilr. Theremay be oth- er days as rich and rare, theremay be oth- er springs as full and
Abll D-7 G7 c^7 c#'t D-7 G7 C7*ra C7

fair, but they won't be the same they'llcomeand go, D.C.atCoda

know.
D-7 G-7LID|rrc -Q-z G-7 C7

MT OWN TRTIE LOVE (TARA'S THEME)

Steiner/David l94l

G-7 c7 G-7 C7 Frur4 F FlA Bb

y own true love,

No lips bur yours,
my own true love, at last f 've found ybu,
no iums but yours, will ev - er lead me
And by your kiss, you've shown true love, I'm yours for - e v - e r ,
hrl^ G-7 C7 z-p G-7 C7 F

my own true love. ,

thru hea- ven's ooors.Fine
I roamed the earth
my own true love.
A-7 G-7 A-7 G-7
 IF EVER I WOTILD LEAVE YOU
I-oeure/I*rner 196O
81
\
c-7 Bbn fJ
$,,

\-_-_../
If ev- er would leave you,- it would- n't be in sum - mer,-
But if I'd ev-er leave you,- it could- n't be in au - tumn,-
If ev- er I would leave you,- how could it be in spring - time?-
€- l *
-1 1,
\J-li
uXd.i
'
,
"*-l
c-7 F7 Bbtt

see - ing you m sum mer, I nev er would go.-

how I'd leave in au tumn I nev er will know-
know - ing how in spring f'm be - witched by you SOr-
'--)
.
Bb7 l:' / Eb6 + c-7 F7
l-o
sbn

Your hair streaked with sun - light,- your lips red as flame,-
I've seen how you spar - kle,- when fall nips the atr,-
oh No! not in spring - time,--

e \__/
your face with a lus - ter- that puts gold to shame.
I know you in au tumn
''
c-t FTre sba

u
But if I'd I must there.

D D+ GA7 E-7 A7 D47 D6

leave run - nlng I

mer- ri- ly thru the snow?- Or o n a
! ' F, .4 }
Ffl F#+ E-7 A7 D6 F7 i-,
D.C. alCoda

win - try eve - ning when you catch the fi- re's glow

s Abe 3 - r r - - 3
i .*?
J - ' Bb6 r'':"-'
/;- .l.
'
C9

sum mer, win - ter fall,- DO, nev - er you-

E7b9
l t B^7 Bb6
82 NAI\ICY UIITH THE II\UGHING FACE
Varr Heusen/Phil Silvers lg44

G-7

If I don't see her each day I InISS her, Gee, what a thrill each
She takes the win- ter and makes it sum - mer, sum- mer could take some
I swear to good-ness you can't re sist her, sor- ry for you she

A-7 AboT G-7 DU G-7 E-tus A7 ,.D-l

time I kiss her. Be-[ieve me I've got a case- on Nan- cy with the laugtring facY
Ies- sonsfrom her. Pic- ture a tom- boy in lace,- that's
has no sis - ter. No one could e v - e r re- place- my

G-7 ,.D_l
Dltg Bb-7 Ebt F6 A+7 D-7 A+7

Fine
Sheakesthe Nan- cv with the Iaugh-ing face. Do you ev- er hearmis- sion bellsring-

D-7 A+7 D-7 A+7 D-7 G7 C7

ing? well, she'll gtve you the ve ry sameglow.- When she

FA7 D-7 G'7 Alag D-7 G7 G c7 Dlag

speaks you would think it was sing ing, just to hear her say "Hel Io" I swear to
D.C.al2nd End(Fine)

THE NIGHTWE CALLED ITADAY

Matt Dennis/Tom Adair lg42

A-tls Dtlog G^7 F#-zls-

'l-J-l Btug E-7 E-?t#
l- rt

There was a moon out in sPace, but a cloud drift- ed ov - er lts face, you
I heard the song of the spheres Iike a min - or la- ment in my ears, I
The moon went down. stars were gone, but the sun did - n't rise with the dawn, there

Cil-tus " ''Got

AbJIi
1
'l-\'^ B-7 Bbt A-7 GA7 Dt|,g G7
i- r-]

kissedme and went on your way, the night we l t a day. heard the day.
had- n't the heart left to pray,
 83
THE NIGHT wE CALLED ITADAY (pg 2l

c^7 D-7 Dfi"z ClE A-lvs ^ Bt*g ^ E--t A7

Soft thru the dark, hoot of an owl in the sky,

D,c'atcoda
Ffi-tvs Btvg E-7 Al - o7 Ebl*n D 7rot4 -DZb|

sad tho' his song, no blu - er was he than I. The moon went

s E-7 E-6 B-7 Bbt A-7 Ab7

r-T9-T
G^7

was-n't a thine night we

IT NEVER ENTERED MTMIND

Rodgers/Hart f94O

FA7 Bbaz F^7 Bbn A-7 G-7 F6 G-7 s

Once I laughed when I heard you say - ing that I'd be play.- ing so - li-taire,
Once you told me I was mis- tak - €D, that I'd -
a- wak en with the sun
Once you warned me that if you scorned ffie, I'd sing the maid- en's pray'r a-gain,

e
u n - e a - s y in my ea - sy chair,- it nev- er en- tered mv mind
and or- der or - ange juice for one,-
and wish you were

c 7E . u

it nev- er en-teredmymind You have what- I lack my- self,-

G-7 C7 F ^7 G-7 A-7 Ab7 G-7 C 7rur4 C7

and now I ev-en have to scratchmy back my - self

A-l"s Dlvg G-7 C 7rut4 A-7 D7 G-7 C 7rut4

7 -
there a- gain,- to get in - to my hair a- gain,- it nev - er en- tered my mind
84 TN THE WEE SIT{ALL HOTTRS
David Mann/Bob Hilliard lg5S

c^7 D-7 c^7 D-7 c^7 G7rut4 c^7 c7

When the sun is high in the af- ter- noon sky, you can al- ways find some-thing to do, but from

E-7 B7*g E-7 F#-ZlsBTbeE-7 A7ibg D7 G7

dusk to dawn. as the clock ticks on, some-thing hap - pens ro you.

/'')
i l
(,)
l ^

c^7 FA7 F-6 Bbt*n C^7 /* c#'l* D-7,{ G7

wee small ho- urs of the morn- lng,_ while the whole wide world is fast a - sleep, you

D-7 G7 G/F E-tas ATsg Ffi-tas Btlg E-7 D-7 G 7

lie a- wake and think a- bout the girl, nev- er, ev - er think of counting sheep. When your

c^7 c7 FA7 F-6 Bbt*tr C^7 -7 ctrg F ^7 ATIE

lone - Iy heart has learnedits les-sonl- you'd be her's if on- ly she would call, in the

D-7 D#.7 C6tE Bbg ATbg D-7 Gtag C6 G7rur4

wee small ho- urs of the morn- ing,- that's the time you miss her most of all.

D-7 D7 Glag

time you miss

 WIIAT I DID FOR LOVE 85
Chorus Line

-Ua--
Kiss to - day good - bye, the sweet-ness and the sor - ro%
Look my eyes are dry, the dream was ours to bor - row.-
Kiss to - day good - bye, and point me t'ward t o - mor - row.-
C crBs F-

we did what we had to do,- and I can't re - gret what I did for love,
It's zts if we al - ways knew but I won't for- got what I did for love,
Wish rne luck, the surme to
D-lts G GfF z. B- GID

what I did for love.- Look my eyes are dry

what I did for love.
A- A-lG Fa7 Erur4E7 A- A-/G F#-Zls B rur4 87 E-

Gone,- love is nev-er zls we tra- vel on Iove's what we'll re-
D-tas G' D.C. alCoda Se- AvG DztnfiA-7tED7 F CIE

mem- ber. Kisstoday goodbye you._ Won't for- get, can't re- gret what
D'7 G7rur4 C CIB! FvAb C ctBb F-tAb C

what I did for Iove,-

LOVE STORY
Ebdt

tD
7rur4

E.-

rf\
Tr D 7rur4 D7 G- EbN G-
 ITIEMORY 87
Webber/Nunn 1981 Cats 82
n
c'1

Mid-night, not a sound frorn the pave-ment has the moonlosther mem-'ry. She is smil-ing a -
Mem-'ry, all a - lone in the moorrlight, I can smile at the old days, I wasbeau-ti - ful
Day- light I must wait for the sun- rise, I must think of a new life and I must-n'tgive
€7
'"r-21A-
E- A'l D-7 .kbL Fi?
IJ

lone. In the Iamp - light where with - ered Ieaves col Iect at my feet and the
then. I re - mem - ber the time I knew what hap - pi - ness was let the
in when the dawn comes to night will b e a mem- o - ry too and a

G7 C tr E- F E-

bt - glns moan. 'ry .J'

street lamp seems to beat a
'ry live gain. out ends of smok - ey days the
day will gin-

C D

fa-ta-list-ic warn- rng. Some one mut- ters and a street

stale cold srnell of the morn- ing. The street lamp di es a - noth-er night

E- rl
a , 7 d\t, D.C. alCda

and soon it will morn - ing.

a noth - er day
/1
./^
Bb7 Eb G{t

dawn - rng it's so e a - s y t o leave me all a - Ione with the

!#: q'
\ '1
Ab G- F-7

of my days in the sun. If you touch me you'll un - der - stand what

r.1a?OVt
dq-lqbtyot Eb g
day has be
88 A TIME F'OR LO\IE
Johnny Mandel/Webster I 966
3rdX _ B|AT
I

A-tts DTtg G-e

f Af
tnt
2ndX- G-i -9 prbntcb Bb/F
BD^7 lrbg/Bb ebo c13

A time for sum- mer skies for hum- ming birds and but - ter- flies, for
A time for climbing hills, for lean - ing out of win- dow sills a d -
As time goes drift- ing by, the wil - low bendsand so do I, but

c-7 Eb^TBb o 1'Pl7.ur+

P 7 A-las Dtlbg
,.A_rrt
Dtlg

ten-der words that har mo-nize with A timefor

m i - r - i n g the daf fo- dils a
oh my friends what ev er sky a
-l--
A
G - 7A - ' D 7 G-7 9 D-7IF A7 D-7 Dtl,g G-7 F-

hold- ing hands to geth - er, a time for rain - bow col-ored wea- ther, a time of make be-lieve thar

E-tvs A7 D^7 c-7 Fttg D.C. alCoda + A-7 A-tas Dlvg

we' v e been dream - ing of. As ['ve

bove, known a
G-7 ce F7rur4 Flag

time for spring, a time for fall. but best of all ume

TWELFTH OF. NEVER

Dtr
F#-7
 THEWAYWEWERE
Hamlisch/Bergman 1973
89
E-7 F47 A-7 A-/G F^7 E- E7 A- A-lG S

Mem - 'ries- light the corn- er of my mind,--- mis- ty wa- ter col-or menr'ries
pic tures of the smilesweleft be -hind,--_ smiles we gave to one an - oth- er -
Mem - 'ries- may be beau- ti - ful and yet,- what's to pain- ful to re - mer*ber,-
F^7 ''
Grur4 Ctz E-7 F^7 G7 "'ct7 c7
t- J' -----
of the way we were- were
for the way we
D-7 A7*ra A7

sim - ple then, or has time re- writ- ten ev-'ry line?
G7 c^7 G7tur4 G7 o.c.atcoda

had the chance to do i t all a-gain, would we?- could we?-

S poz E7rur4 E7 A- A-lG Fa7 E-7 F^7 E-7

we sim- ply choose to for - get-- - So it's the laugh- ter we will re - merrFber-
F^7 E-7 A-7 D-7 G7rur4 CL7 FA7 G7rur4 c^7

\.---l

when- ev- er we re mem - ber- the way we wgre- way we were-

IITHEN I N$LL IN LOVE Young/Heym€rn1952

Dlag G-7 C7rur4 F DlAg G-7 CTbg Bbg nfi D7

When I fall in love it will be for - ev- er, - or I'll nev - er fall in
When I give my heart, it will be com - plete- ly, - or I'll nev - er give my
1 F
G-7 Dbl*nC7rur4C7V Dtug G-7 clvg, Fa7 Ebt A-las Dtrg

Iove- In a rest-lessworld like this, love is end - ed be-fore it's be- gun, and too ma-
heart- and the
G-7 E-tus Ebl*n 'F
Dtbg G-7 c7 o7 BTitt

ny moon- light kiss - es seem to cool the warmth of the sun. mo - ment I
B,btt ETrg A-tvs Dtlg G-7 Eb7 F Dllg G-7 Ctag F 6

feel that you feel that way when I fall in love with you.-
90 EVERGREEN
Barbara Streisand /Paul Williams IgT2

E C

sott as an ea - sy chair.- Love,- fresh urs the

morn - lng Eur._ One,- love that is shared by two

T\-7
L/,
G G 7tur4 C r- 3-r

I have found- with you.- un - der the

F/G D-7 Nichols/Williams t9Z0

I was al - ways cer- tain that love would srow.-

E-7 F^7

Love.- ev- er- green,_ sel - dom seen by

Ebdt sbtc F6

You and will make each night a firsr.

E-7 sbtc c 7 FA7 B 7rur4 87

Eu-'ry day a b e grn - nrng Spir - its rise and their

E-7 gbdt CTD
r- 3-r D1 F/G r-3-r

dance is hearsed. They warm and ex - cite 'cause

us. we have the bright
c^7 3-r Bb/C D-7 F/G

love.- Two li_ehtsthat as one. Morn - ing glo and the

 EVERGREEN (pg.2l
91
Lr_, A-7 E-7

mid - night sun.- Time.- we've learned to sail a -- bove.-

nbrc trA7 o^- t p-(a7) C

r- 3-r

Tirne won'tchange the mean - ing of, one love,- agelessand

DlC Cfr/C C C|''IC

green
nbrc C#/C C

WE'VE OM,YJUST BEGTTN

Nichols/Williams l97O

A-7 D-7 r_3_r G-7

We've on - ly just be gun to Iive,- white lace and prom- ls - es,

Be - fore the ris - ing sun we fly,- so ma ny roads to choose.
And when the eve-ning comes we smile so much of life a - head,

D-7 t'C
|-3-l G-7 7rur4 FA7 Bbli, Fa7 Bbn

a kiss for luck and we're on our way. and yes,we'vejustbe- gun.-
we start out walk- ing and learn to iltr,
we'll find a place where there's room to groq
.
G^l DA7 GA7 D^7 Ga7

Shar-ing hor- i- zonsthat are new IO US, watch-ing the signs a- Iong the way,
6bn BA7 Gbn Ba7 Gb ET7 C 7rur4

talk-ing it ov - er just the two of us, work-ing togeth - er duy to day, to

t' 'F t7
C 7rur4 FA7 gbtt Bbn gbn
FA7 A47

we' ve on- ly just be- gun.-

92 CLOSE TO YOU
-7
'\ Hoffman lgsg
l ) "
Ab/' €7# G7 G-7 c-7 Ab q"

J ' 7
Why do birds sud- den - Iy ap Pear ev-'ry trme you are near? Justlike me,
Why do stars fall down from the sky, ev-'ry time you walk by?
Thar is why all the boys in town fol-low you a l l a - round,

F -7 B bTrura Ebn
tb a}

they want to be, close to you.- Why do On the day that you were born the

}P 1
I

an - gels got to - geth - er and de ci - ded ro cre-ate a drearn come true,

Ab Abat lrba Bb

sprin-kled moon dust in your hair of gold and star-lightin your eyes of blue. That is
Sab t- 3-r F-7 BbTrura pbnt
 SEND IN THE CLOIIINS 93
Stephen Sondheim 1973
E Ab
Eb7,u.,a -l -
.EP /sus*
A
Ap EbTrura

I . s n- ' I ri c h ' / Are we a pair'l Me here at Iast on the ground, you in the
l s -n ' t bliss'l D o n ' t y o u a p - prclvc'/ One who keeps tear-i n g a- round, one who can't

plbdt
Eb7ru,4
nbtnb -l
2. L?

atr. S e n d i n th c c l o w n s . [s - n't it Send in the

m ov c . wherc are the

Ab C Truta trc_
clown.s. Just whcn ['d stoppcd op doors, in- al Iy

C- F-7 ebrcb Dbo

k now- ing th c o n c th a l I w a n t-e d w a s mak-ing my en - trance a- gain with my u - su - al

C 7,u.,a Bbqas C
Bb-zl.s -7n
C-7/Eb EbTru,anVnb EbTrura
nbtN EbTrura

flair. s u re o l ' my lincs. no onc is there. Don't you love

Is - n't it
Ab ElrTru.a Ab EbTrura

tarcc'l My l a u l t f'ear. I thoughr [ha[ you' d w ant w hat I want. Sor- ry my

r ic h' l Is n'I qucer'l los - in-rl my tim - in-e this lat in my ca
l,bn ''Ebgllrb

dcar. h u t w h c rc a rc th c c l o w ns' .' Quick send in the cl ow ns. don't both- er they're
I \-\-1. andwhcrcarc thc c l o w ns' l There ou_qht to be

EbTrur+
4b EbTru*a '
Ebg/tb EbTrura

cl ow ns. W cl l , ma_v-bc
next vear...
94 CAST YOUR FI}TE TO THE WlNDtnceGuarardi/werber

L/'

C
A month of nights, a year of days, Oc to-ber dri ft- i ng i n- to Mays, I
I shift my course a - Iong the breeze, won't sail upwind on me - mo - nes, the
There nev - er was, there could- n't be, a place in time for men like IIl9, who'd
So n o w I' m old. I'm wise. I'm smart. I'm just a man with half a heart, I
F Bb

t,
set my sail me tide comes ln ano I just cast my fate to the wind.
emP- ty sky is my best friend, and I
drink the dark and laugh at duy, and let their wild- est dreams blow a - way-
won- der how it might have been. had I not cast my fate to the wind.
''ct
C7 Bb Bb tt Bb C

time has such a way of chang-ing rnan through-out the years.- And now I'm re - ar -

Bb F B b C F D.C.al3rd/4thverse

rang- rng- life through all my [ears.-

STRAIIIGER ON THE SHORE

G-7 C7 Bb-

Here I stand,- watch- ing the tide go out:- so all a - lone and
watched your ship- as it sailed out to sea,- tak - ing dl my
Why oh why,- must I go on like this?- shall I just be a
l-- ''
G-7 c7 l F/A F7 Cttg F F 7

Fine
just dream- ing dreams of you. dreams and tak- ing all of me.-
lone ly strang-er on the shore?
G-7 c7

The sigh - ing of waves, the wail - ing of the wind,-

Bb G7 G-7 (
 SOMEWHERE Bernsteinr/ Sondheim 7957
95
ctfu,

There's a place for US' some- where a place forUS' peace and qul - et and
There's a time for US, some- day a time for US' time t o - geth - er with
There's a place for US, a time and ace for U S , hold my hand and we're
A-7 D-7S nb Eb zg- Ab ,-

o - pen air wait for us time to ca.re. some - day,- some- where.-
time to spare, time to learn,
half- way there,
FF7-g_,nba3_r G-7 ?_nh l-
^
it -1
E-7

We'll find a new way of Iiv- ing, we'll find a wav of for - giv- ing,- some- where.-
Bb Ab b- J 7A b n F
nL -1
+3-i t--

hold my hand and I'll take you there, some - how,- some - day,- some - where.-

YOU DON'T KI\IOWME

Cindy Walker/Eddi e Arnold

Yougiveyour hand to me, and then you say hel - lo, and I can hard - lv speak, my heart is
No youdon't know the one, who dreams of you at night andlongs to kiss your Iips andlongs to
Yougiveyour hand to me and then you saygood-bye, I watchyou walk a - way, be- side the

Ff"z A7 1- D-7

beat- ing so, and an-y one can tell you think you know me well, but you don't
hold you tight, to y o u I' m just a friend, that's all I've
luck - y guy, to nev - er, nev- er know the one who
C D7 D-7 G7 C C 7

\./ \--.-/ ' e 4 _ .

\.-/ \--l Fne
know me.- No, you don't e v - e r been. but you don't know me.- For
loves you so.
F 1-3- C Cil"t D-7 .t -l G7

I nev-er knew the art of mak- ing love, though my heart ached with love for you.- A-
A- E- D7 G7 D.C.al2nd End(Fine)

fraid and shv. I let my chance go by, the chance you might have loved me too. You give your
lr-
96 THE SUMMER KI\IOWS Michel l*grand/Bergman L97L

The sum- mer smiles. the sum- mer knows, and un - a- shamed, she sheds her clothes. The

sb-tpt Bg4\ bczln

sum-mer smoothesthe rest- less sky, and Iov- ing- ly, she warms the sand on which you lie. The
I

F Bb-6lF F7rur4

sum-mer knows, the sum- mer's wrse. the doubts with - in your eyes, and

sbo

so she takes her sum- mer time, tells the moon to wait and the sun lin - ger,

Ab^7 Ehag pibn D7 G G-las

twists the world 'round her sum - mer fin - ger, lets you the wol- der of it all. And

F/C nb-e1g FlC sb-otc

if you've learned your les- son well, there's lit- tle more for her to tell.

F-/C gb-atc F-

Iast ca- time

 MTWAY 97
Frarrcois/Thibault/Anka 1967

And now the end is near, and so I face the fin - al cur- tain, my
Re grets, I've had a few, but then a - gain, too few to men- tion, I
I've loved, I've laughed and cried, I've had my share of los - ing, and
G-7 c7

friend, I'II say it clear, I'll statemy case, of which I'm cer- tain, f've
did what I had to do, and saw it thru with - out ex - emp tion. I
now as tears sub- side, I find it all s o a mus- ing. To

nb-e

lived a life that's full, I trapeled each and ev - 'ry high- wdy, and
planned eachchart-ered course, eachcare-ful step a - long the by - way, and
think I did all that and may I s3Y' "not in a shy way", oh

F^7 G-7 gL_r Bbe

more, much more than this, I did it my way- Re

more, much more that this, I did it my
flo, oh no not ft€, I did it my
2.
F6 t- 3-r Bbn

way- Yes,therewere tlmes, I'm sureyou knew, when I bit off morethan I could
For what in man? what has he got, if not him - self, then he has

G-7 c7 A-7

chew, but thru it all, when there was doubt, I ate it UP, and spit it
not, to say the things he tru- Iy feels, and not the words of one who

D-7

out, I faced it all, and I stood tall, and did it my way.

kneels, the re - cord shows I took the blowsw. and did it my way.
eqh g - (a7)
FEELINGS
E-7

Feel- ings,- nottring more than feel- ings trying to for - ger my
Tear-drops,- roll- ing down on my trying to for - get
l4;'
my
D7 3-r G6 B-7b87 c^TB A-7 D7

feel- ings of love. Feel- ings,- for all my life I'll

B-7 Etag A-7 G^7 B-tts Elug

feel it, I wish I'd nev-er met you girl, you'lhevercornea - gain.

c^7 clB A-7 D7 B-7 Etug A-7 D7

Feel-ings feel-ings, wo, wo, wo, feel you a- gun in my

Fil-7 87 5-(a7) E-7

Feel- ings, feel- ings like nev - er Iost you,

A-7 D7 G D-7 G7

and feel- ings like I'll nev- er have you a- garn ln my D.S. alCoda
r02 THE DAYS OFWINEAND ROSES
Henry Mancini/Johnny Mercer 1962

FA7 nbt D7 us

The days of wine and roses, Iaugh and nm a - way,

My lone - t y heart dis - c l o - just a pas- sing breeze,
sb-a Eb7 ,.A-l D-7 G-7

----
like a child at play.- Through the mea-dow land t o - w ard a elesing door, a

E-las
filled with mem - or- ies,-

ATbg D-7
of

G7
the

G-7 c7 tr ,.
A_l

door marked ne- ver- more, that was-n't there be- fore._ The gol - den smile that

D-7 D-TC B-tvs Etl"g A_7 D_7 G_7 c7 F6

tro- duced me to- the days of wine and ros- es and you

IT IIAD TO BE YOU
Isham Jones,/I(ahn 1924
Eb+t Ab nb+t Abn

It had to be you, - -
it had to De vou._ I wan a- round
Some oth- ersI've seen might nev-er be mean, -
might nev er be cross,
Bbz F-7 Bbt F-7 1 Bb7 Bb-7

and fi- nal-ly found some- bo - dy who- could make me be tn:e

or try to be boss,- but they wouldn't do-
Ebt c7 F-7 C+7 F-7 - l -
b?l Eb7

could make me be blue,- and e'*en be glad,- justto besad, think-ingof you.-

nbt n*t z F,bt

Dbn Db-6

Some oth- ersl've seen do.- For nobo- dv else- gave me a thrill,- with allyoufaults
Abn c7 F-7 Eb7 Bb- Eb7 Ab

love you still. It had to be you, won-der-ful you, had to be you

ro4 ONA CLEAR DAY I*rner/Lane 1965

G^7 CTrn G^7 B-7

On a clear day,- rise and look a roundvou.- andvou'll seewho- you are.

ETag A-7 FTtn B-7 fibo7

O n a clear da!- how it will as -tound you,- glow of your be-ing out-
6- 4-(47) A-7 De D-7 G7 D-7 G7 c^7

shinesev-'ry star.You feel e\F'ry mountain, seaand shore- You can hear,from far and
A 7 t G^7 B-7

near, a world you've nev - er heard be-fore- clear day,- on that clear day,
E7 A-7 GIB C G/B ' G

ev-er - and

MOONGLOW Hudson/Del-ange /Mills t 934

It must have been moon - glow, way up in the blue, it musthavebeen

I still hear you say - ing "dear one, hold me fast", and I start in
And And now whenthere's moon- glow, way uD in the blue, I al- ways re -
D7 G/B Bb"t
I

Bh G{BGT -; El^,
G7 F#'.

moon-glow, that led me straight to you Fine We--- seemedto float right thru the
pray - ing, "oh lord, please let this last.i' -ffag 3Xs)
mem - ber. that moon-glow gave me you.

B-7 E 7 A7 E-7 A7 Eb7 Dbt

 AUTUMN LEAVES 105
Joseph Kosma/Johnny Mercer L947

A-7 D7 GA7 c^7 F*-tus

The fall - ing Ieaves.- drift by my win- dow the au - tumn leaves
I see your lips,- the sum-mer kiss- es.- the sun - burned hands

2.87 E-

I used to hold.- Since you

A-7 D7

went a-way,_ the days grow long.- and soon I'll hear- old wirrter's song.- But I

Fil-zls Btlg E- A7 D-7 G7 c^7 Btsg E-

miss you most of all, my dar-ling,- when au - fumn leaves start to fall.-

BLUE SIilES Irving Berlin L927

p -(a7) D-7 Bb-

BIue skies- smi - ling at fre'' noth - ing but

Blue - birds- sing - ing a song noth - ing but
Blue days,- all of them gone noth - ing but

I D-7 G-7 C+7 1. E-tvs A7 c7

blues skies-- do I
blue birds- all day Iong.
blue skies- from now on.

F Bb- F

Nev- er saw the sun shin-ing so bright. nev - er saw things go - ing so right.
No - ti- cing the days h u r - r y - i n g by, when you're in Iove, my how they fly.
D.C. alFine
106 YOU ITIADE ME LOVE YOU J.V.Monaco I g 13

ClE f;bo7

You made me love you, d i d -n' t want to do it, did-n't want to do rt. You made me
You made me sigh for, d i d-n' t wan- na tell you, did-n't want to tell you. I want some
1.D-7 G7 D-7 CIE A7

want you, andallthetime I knewit. I guessyoualwaysknewit. You made me hap - py someunres,

D7 D-7 G7 G+7

you made me glad, but thereweretimes dear, you made me feel so bad.
2.D_7 B7 E7 F_7E 7 F 7 7 F . 7
E7 A7 G- A7 G- A7

love that's tnre, yes I do,'deedI do, you know I do. Gim- rne, ginrme what I cry for, you
D7 F^7 F-6 C A-7 D7 G7 C

know you got the brand of kisses that I'd die for, you know you made love you.

AF"TER YOU'VE GONE Creamer/l^ayton1918

F^7

Af - ter you'vegone-- and left me cryin', af - ter you've gone,- there'sno de-ny- ing,
There'llcome a time- nowdon'tfor-get it, there'llcome a time- when you regret it.
,.Dl
G7 c^7 c6 c7

you'll feel blue- you'll feel sad,- you'll miss the dear-estpal you've ev-er had.-
2.D_t A7 D-7 F-6 c6 E7 A; D7

Some day, you grow lone - ly, your heartwill break like mine and you'll want me on ly,
c6 G7 c6

- ter you've gone-

 Ittrf RO[,IAI\[CE Lo7
Rodgers/Hart 1935

C^7 EanT A-

My mance does- n't have to have a moon in the sky. My ro rnance does'n1t
My maRce does- n't need a cas- tle ris - ing in Spain, nor a dance to a

A-7 ATbg D-7 G7 t. gL7 c7 FA7Bbt*n c^7 c7 Fa7 Bbt*n C^7

need a blue la €oon *tan&ing by. No month of May, no twink- ling

con - stant- ly sur -pris --ing re

Ffi-ZrsBtvgE-7

hide a - way, no soft gui tars. - My ro - frain. Widea -wake, -Ican makemyrnost farr

B-las Etug A-7 Bbt*n E-7 A-7 D-7 G7 C6

tas- tic dreamscome true. my does R't need a thing but you.

FLYME TO THE MOON Bart Howard 1954

Fly me ro rhe moon- and let me play a - mong the stars let me seewhat spring
Fill my heartwith song- and let me sing for - ev - er more- You are all I long
B-lss E7 A-7 A7 D-7 D#"t

ls like on ju pi - ter and mars.- In oth- er words- hold my

for, all I wor - ship and a - dore,- In oth- er words- please be
1. E-7
D-7 G7 c^7

hand oth- er words:

B -ZrsElag B-7bsE7

D.C.alCoda
in other words. you.- Last X
I love

D-7 c6

true er words- love vnll_

t08 YOU MAI(E ME FEEL SO YOUNG
Gordon/Myrow i946

G+7 C-7 F7 8"7 F-TC F7 O

You rhake me
{eel so voung you makeme feel like spltng hassprun_s-
The mo- ment that you speak_ I wan- na go play
You make me feel so vouns ntoe and seek
you makeme feel there's songsto be sung_
sbt c-7 D-7 G-7 - C7 F7

and ev-'ry-time I see you I'm such ahap-py

I wan-na go and bounce the just like a
2D-7 G - 7_ c 7 F7 [Etot Eo7 F-7 en Bbt

a toy bal- Ioon I are just Iike a cou-ple of tots,_

F-7 Bb7 A-tls Dtlg G-7 c-7 D-7 Eb6 Eo7 F7G- FTb.c. atcoda

rurrning a-cross a meadow pick - ing up lots of for get-me-not$_ -

Bbt Ebdt p.b-e
-:?---J3- D-7 Gttg c-7 F7 D-7 Gtrg
| 't-l
|

bellsto be rung, and a wonder-fulflingto be flung- And ev-en whenl,m old and gray,_
c-7 F7 EbA D7 Gtug c-7 D-7 Eb^7 F7 Bb

I'mgo*na feeltheway I do ro young_

I'LL GET BY TUrk/Ahlert 1928

B-7 Etag tD-7

Alag A-7

I'll get by as long as

Pov- er- tv- have you.- Though there be rain_
may come to that's tlue,-- but
D7 D.7 G7 Dltg G7 Q + C c#ot D-7 Gtlg

and dark- ness too,- I'll not com- plain_ see it through
,.D_l
B-t;s E7 Etrg A_ E_7 A+7 D-7 Gtag C
 JUST IN TIME 109
Comden,/Green /Styne I 956
Bbnt A-tls nbg

Just m I foundyou just ln tlme, fore you ciune, my trme was rurFnlng
G-7 c7 Bb7 Ebnt

low.- I was lost. the losing dice were tossed, my brid- ges all were crossed,
Ab^7 A-tus DTbg G- D7lF G-TP

no - where to go._ Now you're here, and now I know just where I'm

CTE Bb6 Ab7 G7 ce

go- ing, no doubt or fear, I've found my way- For love came just in time,
F7 Bbo G-7 c7 C-7 F7 nba

you found me and changedmy lone - ly life, that love- ly day.-

OUT OF NOWHERE Green/Heyrnan f931

G^7 J-.1
eb-t Ebt G^7
r- \' -.1

You came a - long- from out of no where,--- and you took my heart-
If you should go- back to your no where-:-- a161 leav- ing me with-

and found it free Won- der- ful dreams, won - der- ful schemes from nowhere-
I'll al- ways wait

Eb7 Dlvg z.
r-3-r D7rur4 ETbe

made ev-'ry hour, sweetas a flow- er, for me._ for your re- turn out of
A-7 c-6 B-7 Bb.7 A-7 D7 G6 /

- where-=- hop- ing you'll bring your love to me

T
lto ITIAKIN' \IIIITOOPEE Kahn/Donaldson lg2g

F#"2 G-7 F47 gbn eb-o

An- oth- er bride, a n - o th - er June, an - oth- er sun ny hon - ey {noon;

A lot of shoes, a lot of an- oth - er
rice, the groom is nervous, he ans-wers twice.
He's wasbing dishes and ba- by clothes, It,s real- ly
he's so arn bitious- he
but don't for-
A-7 D-7 prb-t nbt 1F
c7 D- obt Ct (,q")
sea - son, an oth - er rea _ son for mak - in' whoop - ee.-
kill - in' that he's so will - in' to make whoop - ee
get folks, that's what
JAg _ser folks for mak - in' whoop - ee.
2 . F
Bb6 lgl A-7bs Dll'g G-7 G-lts Cltg

ture a tle love nest,

FA7
down where the ros - es
A-7ts Dlug G-7 G-tts Clag A-7 D7 G-t c7

ciing, the same sweet love- nest, think what a year will bring. He's wash - ing

#:lr jn
shesits ff"Ti:::JT#?j:
alonemost night, He *::l**:
every docsn,td;;; ::,,J^","jlll.
;;;;";;;;#'*^
shefeers
negrected
Irr'tstcc*o andnes
ano he,s
suspected
suspectedofmakin'whoopee.
of makin,
whoopee.
J"d;;t ;;Hl;r ffi ;::ilJTff'li;j;H';ff;:
h:1busv' but she savs "is he?" He's makin'whoopee.
ff:1:
He doesn'tmake much;gn;;';;;;
H: fft#"l.
judge,*"::';
,'now
Hesays ::11,,1l:
*yt1 i;i $"
five thousanrrncr aa--,,.,,-- ..,-:T:,_?t
rfuip.tr,"i.lr",ri;;;;6iil;r"iT"T'#:yt""ff",]i",il'riit:r,:"H.o_
"uppo." *.tin,*r,.
A[N'T MISBEITAVIN' Fats Waller/Razaf lg2g

E"7 F-t F#oz

Rb-o

No one to talk with, all by my-self. No I'm hap- py on

I know for cer- tain, the one I love. the shelf.
I'm just you I'm think - in' ol
I don't stay out late, don't care to go, I'm me and my ra - d i - o ,
c7 F-z ebt sbt EE;; Eb G7

Ain't mis - be _ hav _ in, I,m sav_ in, my love for

ain't mis _ be _ hav _ in, you.- you._
I,m sav_ in, my love for
t:r ain't mis - be - hav - in, I,m sav- in, my love for
ll)l r.
you.
Ab7

Like Jack Hor - ner cor - ner, don't go no - where, what do I care
B "7 C-t p,bt C7 F -t p,bt D.C. atCoda s Eb
 NICE WORK TF YOU CAN GET IT 111
lra / George Gershwin I 937

De 3-.r A 13 ff,bo7

Hold - ing hands at mid - night ' n e a t h a s t a r - r y

sky,
Stroll - ing with the one girl, sigh - ing sigh af - ter sigh,
Lov - ing one who loves you, and the tak - ing that vow
_(C6,G7o,Bb.",A-7) lst X
B-7 E-7 A-7 E-7 A-7 D7rur4 G (cf,-zrsPg

nice work if vou can get it, and you can get it if you fiT/.-
E- c7 E-l AT:

wait - ing at the cot - tage door-

A-7 D+7 C7*n

D.C. al Coda
where two hearts be - come- one, - who could ask for an-y-thing more?

Ae Ee A-e D7rur4 G6

won't

LIKE SOMEONE IN LOVE Van Heuson/Burke 1949

c-7tBb Abl*n

Late- ly find my - self out gaz - lng at stars, hear- ing gut -
Late- ly seem to walk as though I had wings, bump in to
sn(A-t D7) Ebn sb-t nbt Abll. D-7 G7

tars, like some- one ln love. Some- times the things I do a s -

things, like some- one in love. Each time I look at you I ' m

most-Iy when -ev- er you re a- - round

z. gL7
F7 F#" G-7 c 7 F-7 Bbt El

limp as glove, and feel-ine like some-one

TT2 ALONE TOGETHER

Bbt*n

A - Ione- to be-yond the

A . lone- to the blind-ing

A-tls Dtllg G-6 G-7 C 7rur4 Etag gb-t

B-7 nbg

world,- we're not too to cling- to - geth- er,- we're

night,- we're not in for - geth-er,-
we're- to and

B Z*tt 1'
E:7bs Atag D^7 Alug "'Do7

strong as long as
what is there to - gerh - er.
A-lrs Dll"g G- 6-G7) G-6 G-tls

love- is as deep the sea.- Iove-

Clag F^7 E-las Atag D- B-tus Bbtttt Attg

a s a love- can And we- can

E-7 Ebt*n D- B -zls Bbl*n ATLg D-

known,- lone- to - geth- er.

YESTERDAYS Jerome ld:ern/ Otto Harbach 1933

E-tus ATrg E-tas ATrg D- D-/C#

Yes ter - days, yes - ter days, days I knew as

youth was mine, truth was mine, joy ous, free and
D-TC B-lus Etag A+7 De Gt3

hap - py, sweet - ques - tered days. otd days, gold en

flam - ing life, - sooth, was mine. Sad I, glado am
ce F13 Bba9 E-lus ATbe D-
 JEACH ME TONIGHT 113
De Paul/samly catrn 1954
lAf ^, ^F, v4 F ^ -":rr
G7

Did you say I've got a lot to learn.- well don't think I'rn try - ing not to learn,
C o f it,- right down to the X, X Z of it,
clear my love-- should the teach-er stand so near my love,
E-lss D-7 1. c^7 D_7 G7

sincethis is the per- fect spot to learn, Teachme to n[ht. Stareing with the A, B,
help me solve the m y s - t e r - y - o f - i t ,
g r a d -u - a - tion's
*col Bbgcn E- G7 c^7 cil"t D-7 G7

e Fine
night. The sky's a black - board high bove you; if -a shoot- ing star go
c6 Ff,-trs BTbg E- E-7 A-7 D7 G7 G+7 D.c.arFine

by, I'lluse that star to write I loveyou, a tho* sandtimesa-crossthe sky. One thing is- n,t ve-ry

THE MORE I SEEYOU Waren/Gordon 1945

Eb F-7 G-7 Ctag F-7 Eb F-7

The more I see you,- the more I want you.- Some-how this feel - ing
Can you im a gine - how much I love you,- The more I see vou.
'G-l
Clag F-7 Bbt Eh- Bbtle Db-z Gb7

just grows and grows_ When- ev- er you're gone €ome -more- mad-
B ^7 nb-t Bb+7 Eb-nb-nb C-7 F7 F-7
^ l a
IJP /sus'
A

bout you, so lost with -out -you,- and so it goes- Can you im

as years go by I know the o n - I y one for me can on - ly

Ebnt F-7 G-7 Abtt Fl/A nbBb ctsg F-7 Bb7 Eb

---r-

you,_ my zums won't free my heart won't

TL4 I HEAR A RIIAPSODY Fragos/Baker 1940

Ebl;. G-7bIDbCrrn

And when I hear you call,- SO soft - ly to me,- I don't hear a

And when your spar- kling eyes- are srnil- ing at me.- then soft thru the
My dar - ling hold me tight- and whis-per to me.- Then soft thru a

F-zls Bbtvg 1'

Eb6 G+7

, Fine
call at all,- rhap so - oy.-
star lit skies-
star ry night
t'^-rrt
Ec- A-tas Dlag
"*
My days are you're a - way.-
Bbn 3-r D-tss Glag G+7 D.c.atFine

My heart looks

HEARTAND SOUL Hoagr Carmichael/l,oesser I 938

G-7 D-7 c7

Heart and I fell in love with you, Heart and soul,- the way a foolwould do,
Heart and I begged to be a - dored lost con - trol,- and tunrbled ov - er - board,
Now I what one small kiss can do, look at me,- it's got rne lov - ing you,

D-7 C7 SF D-7 '' G-7 C7 2.

_ F7

mad ly,- be- causeyou held me tight and stole a kiss in the night. moon-mlst.
glad ly,- that mag - ic night we kissed there in the there in the
mad ly,- be- cause the kiss vou

Bb A7 D7 G7 C7 F7 E7 A7 B b t

Ohbutyourlipswere thrill _ lng, much too thrill - ing. Neper bofore were mlne so

C7 F7 E7 C7 D.C. alCoda
Sez D7 G-7

-
 I LETA SONG GO OUT OF ITIY HEART 115
D. Ellington/Mills 1938

I let a song go out of myheart, it was the sweetsest mel- o- dy,

Sinceyou and I have drifted a - part life doesn'tmean a thing to me,
I let a song go out of myheart, -
be lieveme dar-ling when I say

F-/AbG- F- Gb. Eb/G Ab7 S tl c-7

I know I lost hea - 'cause you were the song Fine

Am I too
pleasecome back sweet mus - I k n o w l *t wrong.
know sweet mu - u n
tr ,.lr*on'' Bb7 Ebdt D - G 7 C- C-IB C-IB! C-IA

to make a -mends? we were mezrnt to

nbqDfi Gbt B7 Bb+t S nbn'b BbTruraEb6

be morethanjust friends, just friends. til you re - nrrn some day.

STAR EYES Gene De Paul/Raye 1943

E Ebn c-7 Bbt Ebl;, Ab7

Star Eyes, that to me is what your eyes are, soft as stars in Ap - ril
Star Eyes, flash- ing eyes in which my hopes rise, Iet me showyou where my
Star Eyes, when, if e - ver will my lips know if it's me for whomthose
Dbnt G-lvs Clag F47 F-tss Bbtrg

skies are, tell me some day you'll ful- fill their pronr ise of a thrill.
heart lies, Iet me prove that it a- dores that lov - li - nessof yours.
lips glow? Makes no dif-f'rence where vou are. your eyes still hold my wishing

Abl;. Ab-7 obt Gbtt

All my life I've felt con- tent to star-gazeat the skies, now I orr ly want to melt the
F-7 BD I D.c.arcoda
S G-tus Db7 C7 F-7 Bb7,u,a Eb6

star-dustin your eyes. star eyes, how love ly you are.

116 A-tvs
I THOUGHTABOUT YOU Van Heusen/Mercer 1939

Ebat Ablttt C+7 Gbrg Fe

I took a trip on a trarn- and I thoughta - boutyou.

At ev-'ry stop that we made- o h I thoughta - boutyou
F-7 D-tus G7 c-7 B7 Bb-7 Eb7

I passeda shad-ow- y lane and I thought a bout you

ButwhenI pulleddown theshade
- then I real - ly felt blue

Abn ltb-t t.F.bA7 F-7 G-7 Ab^7

Two or three cars parked un - der the sta^rs,- a win&ing stream-

peekedthrough the crack and looked at the track,- the

Aqas Dllg A-tus DTbg G-7 Gb7 F-7 Bb7

moon shin- ing down on sornelit - tle town and with eachbeam- sameolddream
''Ebrt
c-7 A-tss Abt*tt G-7 Gb7 F-7 Bb7 Eb6

one going back to you, and what did I I thoughta- bout you

I COTTLDWRITE A BOOK Rodgers/Hart 1940

c^7 A7 D-7 c^7 A-7 D-9 G7 c^7

If they asked me I could write a book-- a- bout the way you walkand
And the sim - ple sec- ret of the plot,- is just to tell them that I

C^7 pboT
I

whis - per and look I could write pre - face how we

love you a I then the

G/D D7/C G/B BboT A-7 D7 D-7 zp'- 4-(a7)

met, so the world would nev-er for - get,--- And the world dis
A-7 4.-6 G-7 C7 FA7 Bb7 C^7 E+7 F6 G7 c^7
 COME RAIN OR COME SHINE TT7
F^7 Mercer/Arlen 1946
E-lls ATbg D-7

I'm go*.na love you like no- body's loved you, come rain or comeshine-
You're gon-nalove me like no- bo-dy's loved me,
1. G9 G-7 C9 c-7 B7*ueb-a

High as a rnour tain or deepas a ri*er, come rain or comeshine I guesswhenyou

F-6 Bb-t eb-ttnb G-7 C7 B-tas Et'lg -7bs

met me. rt was Just one of those things,- but don't ev-er 'cause
bet me, f'm
Dlag G-7 Ctvg 2.Ffr_7rs Bll'g B-lvs Ettg

gon- na be if you let me. Hap- py to- gettrer, un -h"p- py to-gether,

A E-7 A7 D13 A-7 Aht*n G7 Abl*tr

won't it be fine Days may be cloudy or sulFny, we're in or we're outof the
G7 ATbe D-7 Bbt*n A9 D-6 (c-z c7)

money, but I'm with you alvays, I'm with vou rain or shine

TTZHENLIGHTS ARE LOW

Benny Carter/Spence Williams 1936
F^7 G-7 A-7 G-7 FA7 Bb^j A-7 D7

Sweet mus- lc soft and mel low, sooth - ing and slow,
Dear, we're so close to - geth er' I loveyou SO'
Lips meeeing soft and ten der, love's all a - glow,
G-7 c7 P,l7*n D7 G7 C 7rur4

strains of a mel low cel - - lo, when the lights are low.
why talk a - bout the weath - €r,
why should't we sur - ren - der?
sb-t Eb7 Ab^7 c#_7 Ffi7 B^7

Two hearts re- veal mus - ic hath charm,

E-7 A7 D^7 G7 G-7 Clsg

life's so ap - peal D.C. alFine

1II
DO YOU I{NOW WIIAT IT MEANS TO MISS NEIII ORLEANS
1946 Altr-r/ De lange

G+7 c^7 A-7

Do you know what it means to missNew Or-leans, and mrss lt eachnight and
Miss the moss cov- ered vines, the tall sug- ar pines where mock - ing birds used to
Do you know what it means to miss New Or-leans, when that'swhere you left your

C/G A7s 1'D-7

ltbt

day? I know T'm not wrong, the feel- ing's get-tlng strong-er the long - er I stay a-way.
sing, and I'd like ro see the l a z - y Mis- sis - sip - pi a
heart? And there'ssome-thine more: I miss the one I care for
G7 2-D-7 G7 C t rsb-t
Miss the hur - ry- ing in spnng. The moon - Iight on the bay- ou, a cre-ole
eb-t Ebt /iba A-7 D7 G6

I dream a - bout mag -no in and I'm

Sron
D-7 G7 D.c.atcoda S D-7 G7 C

wish - ing that was there.

LULUIBY OF BIRDIIIND
George Shearing lg12

D-lus Bb-z Ebt

nbn Ebttg tl:bn Obt G-tl's Ctsg

I z.nbn

Abn Gbt*u Fe Ftvg Ebg Ebttg

I
AFINE ROMANCE 119
I c6 A-7 GTD D#'t
Kern/Fields 1936
E-7 A-7

I €
fine
fine
ro-mance,with n:-
rGmance,you won'r
kisges, fine- romance, [Y
nertle, fine- romance, you
I D-7 ''c6
F7 c/E^
l-\,-i
ATbg D-7
t G7 E-7

I friend-
won'f
this is. We shouldbe like a
wres-tle, I
couple of hot to -ma - tOeS;--
but you're ascoldas

A7
I rF--l ? De D-7 G7 c^7

I yes- ter-days mashedpo

Ffi-tas
-ta

B7 E-7 A7
might as well play bridge with my old
D-t Gtrg co

aunts!- I have'nt got a chance---- this is a fine. ro {nance!+

A fine romance,my good felrow,you take
romance,I,il takejeilo !
You'recalmerthant[esealsin tr,J4Ti.o".*-,-utl"asttheyflaptheirfinstoexpressemotion.
A fine romance,wirh no quurr.ir, *ith
no iilG;o no morars!
I've nevermussedthe cte;ein viru.bfi;;Gnln*,r,I nevergetthechance,Thisis a fine romance!

SWEETTOW
Mitchell Parish/Cliff Burweil Ig28
G^7 F7 E7 D7 D#.1 E-7 GTD c 7

I've
A brandnew
Each you will
til that
E7 A7 A-7 1 ''
B-t E7 A-7 D7 Go7 C_1 D-7 G7

choochootoy,_ whenI'm with my SweetLor

re - a- Iize-- why I Iove my SweetLor raine-
hup- py day_ when I mar- ry SweetLor Fine

c^7 ETB A-7 c7/G F^7 A-7 CTG

When rng I don't miss the sun, rn my sweetie's smile-
FI E7 A-las D7 E7 Ebt D7
that f 'm luc- ky one,
the aisle D.C. at Fine
r2o^ WITCHCRAFT Leigh/ Coleman 1957 Sinatra

Scz

Thosefirgers in my hair, that slycome hith-er stare that strips my consciencebare

it's
It's such an an-cientpitch, but one I wouldn't switch. 'cause
there's no
F6 C-7 B 7rtt Bho Bb-

witch craft- And I'vegot no d+fense forit, the heat is too in-tense for it.
F-/Ab G7:13 F^9

what goodwould 'Cause

conlmon sense for it do? it's witchcraft!- Wick - ed
Bb13 FA9 B-lvs ETbg
1-3;-1

witchcraft- al - though I- know it's strict- ly ta -boo

A- F/A A-7 D9 Dtag

When you a -rouse the need - tn fne, heart says "yes, in- deed" in ffi€,
r:btc c7 s C7 F6

whatvou'relead- nier witch than vou

STORMTWEATHER Harold Arlen/Koehler I 933

Ao7 eb-t Efilg Ab7 Dbat ob-o

Don't know why, there'sno sun up in the sky, Stornry weather, sincerny galand I ain'tto
Life is bare, gloom and 'rywhere,storm-
-Tir'ry _ev- y wea-ther just can'tgetmy poor self to
Can't go Otr' e v - ' r y thing I- had ls goffi, storal y wea- ther, since my tal an'o-t ain't te
Ab/c FTbg',-t Ab F-7 ''
C-t Ftrg Bb-t 7 Ab prbt

gether, keepsrairrin' all the riru is so weaFy all the time-

g+ther, I'm wear-y all
\
Repeat last 2 bars
gether, keepsrairrin' all the
Db E3-rDo7 rbnb ptbt -:=Do7 Nnb nbt

When shewentzFway the blueswalked in and met me. If she stays away old rock-in chairwillgetme.
,--":-r Do7 nbnb Ab7 C-tts Ftvg Bb7 Eb7
o.". atcoda
 TIIAT OLD BII\CK ITIAGIC Arlen/Mercer 1943
t2r
Ebat Eb6

That old black mag - ic ftas me in its spell-- that old black mag - ic thagou
The sarne old tin - glethat t feel in - side- and then that el - e-vator
,.F_l
Bbt F-7 sbt F-7 Bb7

weave so well- - gers up my spine,- the

F-7 g*t G-7 c7 F-7 Bb7 2. Db7

same old witch craft wtren your eyes meet mine.- The starts its ride- and
Abn ,,b-a G-7 QboT F-7
I

Ab-6 ^
r-3

'round
down and down I go, and 'round-- I go, Iike a leaf that'scaughtin the
G-7 c-7 ;-3-r Ablttt

I should stay a-way but what can I do I hear your

G-7 C13 F- -?

name and I'm a -flam+-- flame with such a burrring de-

obg r-3-r Bbq Bnlg

slre,---- that on- Iy your kiss put out the

--l
L? Eb6 Ebtt Ebe Bb-(ott

you're the er,- I have wait - for,_ the

,ed
Bb-7 ebg Ab^7

'ry time-- your lips meet mine

G-7 Qb"7 F-7

dar-ling down and I go, 'round 'round

and I go,
3_r
F-zls r-3
BbTrura

loraingthe spin I'm in, underthat old black mag icealled- love
I,22 $TEL YOU STILL BE MINE?
2ndX ontyrakealt.met/ch(Cl Matt Dennis/Tom Adair f 940

bs c-7 F7 sb-t Ebl Abn cf tF7) )

When lov- ers make no .ren- de - vous - to stroll a - long fifth- av - € -

When cabsdon'tdrive a- roundthe Ptrk,- no win-dows light the surnmer
girlshavelost their charms- when sir - ens iust meanfalse a -
F:7 lWhenglamour
Bl-l
€ - +
q:7bi Ctvg F-7 Bbe

when this fam - i - - liar -world is - through,---

dark- when love has lost its se - cret spark---
larms- when lov - ers heed no call to arms_
E7 fib7 art gb-t Ebt

- will vou still be mine? mine? When moon- light

LEJDb,g Gbe Abnt

on the Hud - son's not ro - man- cv. - and spring no long-er turns

B-7 E7 gb-l nn D.c.arcodaSgbz Bb-e Ebe Abn

young man's fan - cy. will you still

LET'S NALL IN LOVE Koehler/Arlen I 933

G7 +
Let's fall in love, why should-n't we fall in love? Our hearts are made
Let's close our eyes and make opur own- Par- a - dise, lit - th we know
Let's fall in love. why should-n't we fall in love? Now is the time

Abt*rt ".8_7rt

of it, Iet'stake a chance why be afrairl of it? of rt.-

of it, still we can try- to make a g o
A-7 4-(47) A-7
-3- De EboT E-7 A-7 D-7 ,-, G7

We- might havebeenmeant for each oth - er,- be- or not to be, let our
c^7 cfi.t D-7 G7 D.c.
at*or& E-7 A-7 D-7 7 c6
 YOU'D BE SO NICE TO COME HOME TO 123
Cole Porter 1942
E 7 A- B-las Elvg G-7 c7

You'd be so- nlce - t o come home to,- you'd be so- nice by the
D-7 D-/C B-tl's E7 B-lrs Etvg A- A-lG

fire,- while the breeze on high la by,- - you'd be

Ff-zls 7re B-las Et|'g B-llos Etrg

all could de - sire- - stars- chilled by

A- |-3-

wln un- der an Au - gust moon burn m g a bove-=- you'd be

Ebot E-7 F6 Fil"z C-TG bg Dfig G 7 C

nice, you'dbe pa - ra dise to corne home to- love-

EASYTO LOVE Cole Porter 1936

4' e'
You'd be so ea sy to love, so ea - sy to i - delize, all
We'd be so grand at the game, so care - free to - geth - er -that it
B-7 1.E7be A-7 D7 GA7 C^7 B-7 Bb7 A-7

oth- ers a tove, the yearning for, soswell to

does seem a

keepev- 'ryhome fireburn ing for. - shame, that you can't see your
GA7 B-7 BboT A-7 D7 G6

fu - ture with 'cause

me. vou'd be oh, love.
T

L24 rT'S ONLYA PAPER MOON Harold Arlen

Say it's on- ly a pa- per moon. sail - ing ov- er a car&board sea,
Yes it's on- ly a carFvas sky, hang - ing ov- er a mus- Iim tree,
It's a Bamum and Bai-ley world, just as phoney AS can be.

but it wouldr't be make be-lieve if you

c6 C#"t G^TD E+7

out your love, it's a y tonk par - ade, with

c6 Cil'z G^TD B-tvs E7 A-7 D+7

D.C. alFine
mel-o-dy played pen- ny ar - cade.

YOU'RE NOBODY TTLL SOMEBODY I,OVES YOU

Morgan/Stock/Cave l9M

You're no - b o - dy ti ll some - bo - d y loves you,- you're

The world is still the same, you'll never change it,- as

some- bo- dy cares. be king, may Poss-ess

De A7 A-7 D7

world and all its gold, but gold won't bri happi-ness when you're grow-ing old.-

FTsll
 YOU STEPPED OUT OFADREAM r25
Brown/Ikhn l94O

l-
^
.t -t
Db^7 3-r Eb7 Eb6 Eb+

Yort steppedout of a dream,-- you are too won - der- ful- ro be what you
You steppedout of a cloud- I want to take y o u a - way,_ a- way from the
l$bdt
/tba 3___r G-7 c7 FA7

Could there be eyes like yours--- could there be lips like yours,
A-7 D7 3-r nb-t l:bt D-7 G 7

e
could there be smiles like )iours_ hon - est and Jy?
''
Gbt F7 D-lts Gltg c^7

crowd- And have you all to my self, a-- I o n e and -a- part,
E-7 ,[" D-7 G7 GL3_r c^7

out of dream-

ON A SLOW BOAT TO CHINA Frank Loesser 1948

Bb GTIB c-7 cil"t nbn

I ' d love to you o n a slow boat to Chi - na,
Out on the
all ro my - self, - t
ny with a moon big and shi - ny, melt-ing your heart of

lone- - Get you and keep you

stone rn my anns e v - e r -

G-7 c13 c-7 F7 cbt F7 F+7

'Eb

leave all your lov- ers,- weep ing on the far a- way shore I'd love to

/tbt A7 Bb Abt GTvg c7 C-7 F7 Bb

get you slow boat to Chi- na to my - self - a lene -

r26 DANCING ON THE CEILING
Rodgers/Hart lg3t

A+7 Bo7 fibo7 o G-7 c7

He danc- es ov - er- head, on the ceil - ing near my bed, in my

I try to hide in vain, un der- neath my coun- ter- pane, there's
I love my ceil- ing more, my
since i t i s a danc-ing floor
Ebt Dtag I r.z.G - 7 c7 Elnm Eo7#tt

sight,- the night.-

love,--- I whis - per "go a - w a y m y l o v -
a bove..-
F F7 Bb- A.7 D7 G-7 Ctsg

fair", but I'm so grate-ful D.C. alCoda

to dis_cov-er he's still there.
F

[4ANffi Rodgers/Hart l92S

\bo7 G-7 F^7 Bbt A-7 Ab.t

We'll have Man- hat - tan, the Bronx and Sta - ten is - land too,- it's love- ly
And rell me what street com - pares with Mott street in r" - t;- sweetpusbcarts
G-7 Dlrg G-7 Ctag ''A-7
Dlug G-7 C 7 F AboT G-7 c7
go- in' througtr- the zoo,_
gent-ly glid - it's ver- y fan-cy on old De-lan-cy
ing
D-7 A7 D_7 G7 D-7 G7 G-7 F#oz G-7 c 7

streetyou know the subway charmsus so,_ when bal-my breeees blow to and fro.
,.A-r$
D7 G-7 nb-o F D-7

by the great big cit- y's a wond- 'rous toy just made for girl
G7 A-7 trbo7 G-7 c7 E
I

boy- we'll turn Man - hat_tan rn - to an isle of

 THEY CAN'T TAKE TrrarAwAYFRoIu
ME r27
IralGeorge Gershwin
BbTrura
nba G-7 F-7

The way you wffryour haL_

Ihe way younmilejust beams_ the wayyou sip your tgar___
The way you hold your knife,_ the wayyou sing off ktY-
the way wedancedtill three,---
BbTru.a
Ebat Bb-t Ebt W G-7 F-7

the mem-'ry of all thar

the way you haunt my dreams No, No, they can't take that a-wayfromme.
No, No, they

BbTrura z 6bat
F-7 Bb7 Eba A-Zlsp 7Leey-7 c7
The wayyour smile just beams
can't take that a- way from me.-
We may nev-er, ne\aer
G-7 C7 G-7 A7 D7rur4 D7 G-7 c7 G-7 G-71T7

meet a-gain on the bumpy road to love. I'll al- ways, al-ways keepthe mem- ,ry
F7 B7#n Bb7ru.+ D.C. atCoda Bb7ru14 Bb-t Eb7ru.+
Ebl

of-- , The uray you hold yourknife

the way you've changedmy Iife,-
nbn F-7 C- Dbg Ebnb, G-7/Bbp-TSb Bbt Ebe
No,No,they

can't take that awav

No, they can'ttake that a _ way _ fronr
me!

Mf,I. LUCIfT
Henry Mancini lg5g

D-7 G7 c-7 Bbtt

Thy call us Iuck- y.-
A luck- y you and luck - y {-
rairrb6w- Iightsthe sky,- girl,- luck - v guy_
when we Ktss_ when we srgh-
A-7 D7 B-t E-t c-7 A-7 D7 D-7 G7

Whenyou take my handor touch

my cheelc__ I know I'm on a Iifetime luck- y
''Bbol p:bdt
srreak_ A luck- y
A-7 D7 B-7 r,bt A-7 DTruraD7 G6

sayI'm luck-y, mister luck-y I

guy_ and you'rethe rea- son why_
r2g CHEEK TO CHEEK Irving Berlin lg34

ATbg D-7 Gtag ATsg D-7 Glag PboT ClE

Heaven,- I'm in heaven,- and my heartbeats so that I can hard- Iy

Heaven,- I'm in heaven,- and the caresthat hung a - round me thru the
Bbt A7 G7 D-7 G7 D-7 E7

speak,--- and seem to find the hap - pi - n e s I seek,-

week,--- seem van - ish like a gam - bler's Iuck - y streak-
A7 D-7 G7 ATag 2.c
c

whenwe're out togeth - er danc ing cheek

G7 G7

love to climb a moun tain- -and reachthe highest peak_ but it does-n'tthrillme
love to go out fish ing,- - in riv - er or a creek_ but L don'ten-joy it
G7 z.g rlr-l
vrc-

half as much- as danc- ing cheek to cheek

half as much-
o h r
as danc- ing cheek to cheek
C-IBb D-7
l- J -]
B-tas E7 A_7 D7 D-7 G7

I wantmy arrns a- bout you,_ the charma- bout you will car- ry me through_ to
D.C. al Fine

THREE LITTLE WORDS

Kalmar/Ruby l gSO
D-7 E-7 A7 + D-7
G7

fhree lit- tle worqs,___ - oh what I,d give for

lhree lit- tle words,__ - that,s all I Iive for
Three lit- tle *ordr,__ ;Gi,; iii _ tte let - ters
>, nSn De obg 8., G-7

to hear those feel in

and what my heart they tell sin - cere -
I ly,
t .
F6 Bb7A7 Ab7G7 S o-z Gtug c6
 I CAI\['T GTVE YOU ANTYTHING BUT LOVE L29
Jimmy McHugh/Dorothy Fields L928

c-7 sb-t Ebt t'Ab

I can't give you a n - y - thing but love by. That's the on- lv
Gee, I'd like to see you Iook- ing swell by.
C-7 Ftag sb-t Ebt /tbt Eb-t abt Dbtt

thingI've plenty of, ba by. Dream awhile, scheme awhile, we're sure to find-
Db6 C7 B7Bb7 F-7 Bb7 Eb7 Bb-t Ebt

hap - pi- ness, and I guess, all those things you've a l - ways pined for.
2.6b7
zb-t /tbt Dhn Db6 Dblr.

Dia- mond brace-lets. Wool- worth does-n't Till that luck - y

Do7 Nnb F7 nb-t Bbs Flttg nba

day, you know darned well ba-by, I can't give you an- y- thing but love-

SENTIMENTAL JOTTRNEY
Green/Brown 1944

Gon- na take a sen - ti - men-tal jour- ney, gon - na set my heart at ease,
Got my bae. I got my re- ser- va- tion, spenteachdime I could af- ford.
Nev- ei thou"ghtmy heart could be so year- ny, whv did I de- cide to roam?

gon- na make a sen- ti - merr tal JOUr-ney, to re- new old mem _ o - ries._Frne
Like a child in wild an - ti - ci - .p a- ti on, long to hear that "all a - board.u-
Gon-na take a sen- ti- merr tal JOUr-ney, sen- ti- men- tal jour ney home-
F#'z C

Sev - en- that's the I'll be wait- in' up for

D7 A-7 E-/G G7 D.C. al Fine

rail - road track- that takes me back.-

130 IN A MELLOW TONE / ROSE ROOM
Duke Ellington 1943?

ITIOTEN SWING Benny Moten

I

(Bb-7 r}t c-7 F7 )

D.C.at2nd End.Fine
r-371
 LTL'DARLIN' 131

F-6

CUTE Neal Hefti/Styne 1958

D-7 E-7 A7 D-7 G9 c6 D-7 E-7 A7

J'

Mind if I say you're cute! In ev-'ry

I mean I like your style, that sly in -
D-7 G9 G-7 G-7 C7 F^7 E-7 D-7 F-6

way you're cute! Those big blue eyes,

trigu - ing smile. Your e v ' ' r y mood,
C F7E7 A7 Ffi-tvs B7 E^7

that rurned up nose, that cool and care - free

your at ti - tude

f;-7bs 67be

lust you're cute!

SWTNGIN' SHEPHERD BLUES

 r3.2
f.-O:V-E Kaempert 1964

G-7 G-7

'3L"
is for the way you look at ffi€,
(60rt
for the ly one I
Love is all that I can give to you. Love more than a game for

u"- ry, ve- ry ex - tra or- di- n&ry. '(8"

is e-venmorethan a- ny-onethat
lovecanmakeit,

you a-dorecan. take my heartand pleasedon'tbreak it, love was madefor me and vou.

CANADIAN STTNSET
Hqnvood/Gimbel 1956

t-3
l-3

Once- I was a - lone so,- lone - ly and then-

Cold,-- cold was the wind Warm,-- warm were your lips,_
Dou'n,- down calne the sun.- Fast,-- fast beat my heart-
Bbt Ebt t'G-z 2.F
c7

you came out of nowhere-- Iike the sun- Fhe

up from the hills thrills-
out there- on the ski trail- wherryour kiss- pan_
filled me with
I knew-- as the sun ser from that day- we'd nev- er
G-7 3,-1 CTug F 1-F6
r- G-7 Dtrg G-7

A week-end in Ca - na - da,- a changeof scene, themost bar- gainedfor.-

And then I dis coveredyou. - and in your

"'D-t E7 A- B-trs Etug A- 7be_ G-7 C7

Iove at2nd End (Fine)

that could-n't - _D_.C.
nore
Basslinefor f irstI barsof tune
 NICE'N'EASY 133
Spence,/Bergman 1960

Eb+ Eb6 Eb7 S F-7

Let's take it nice and ea sY' it's gon- na be so e a - s y for us to fall

H"y, ba- by, what's your hur ry? Re- lax and don'tyou wor - r/, we're gon-na fall
The prob lem now, of course, is to sim- ply hold your hor- ses,
,.G-t ''G-l
Ctsg F-7 B7 Bb7 Ctvg F-7 D-Zls6 7beQ-7 c-(a7/B

in love- in love-- We're on the road [o r]mance,

C-ztBb Abn nbrc D7 G-tts F7 F-7 Bb7

D.C. alCoda
that's safe to say,- but let's make all stoPS a- long the wav-

G7 6_tbs6b7 sbtc c-7 F-7 Bb7

to rush would be a crime- 'cause nice 'n' ea -

sy does it ev-'ry

HOWABOUTYOU [:.ne, Freed 1941

I like New York in June, how a- bout you?- like a Gershwin tune.
f ' m mad a - borx good book+, can't get my fill,-
B-lus Etvg A1lcil c-6 A-7 G6 Fpls

h o w a - bout you?- love a fi - re- side when a storrn ls due,-

B Co7 F#7 Gf"z A-7 DTag

po- ta - to chips, moon- Iight and mo- tor a- bout you?-

and Frank-lin Roose- velt's looks, give me a thrill, hold - ing hands in the mov- ie show.
7nb A-7 A-lG Ffi-zrs3 E-7 A-7 D 7 G

when all the lights are low may not be new, but I like it, how a-bout you?-
rs,4 I WON'T DANCE
Jerome Kern/Hammerstein t g3S

G7rur4 E-7 D-7 G7rur4

I won't dance, don't ask ffi€' I won't dance, don't ask D€,
You know what? You're Iove - Iy, and so what, you're love - Iy,
I won't dance, whv should I? I won't dance, How could I?
E-7 G7rur4 c^7 c7
-__-__.r'
I won't dance ma - dame with you,_ my heart won't
but oh, what you do to
I won't
mgr_ I'm like an
dance, rner - ci beau coEP,--_ I know that

D-tl's Gl'lg s 1D-7

G7rur4

t o
Iet rny feet do things they ---/ ----
should oo.
o - cean wave that's bumped on the shore,
mu - sic Ieads the way to ro mance,
,.cl
F6 D-lls Glag Bb-t Ebt

I feel so ab-so-lute-lv stumped on the

Eb-7

When you dance you're charm - ing and you,re gen - tle
Dbtt
nb-t Dbt

spec ially when you - --._/

nen tal.-
B7
c7

but this feel - ing pure - ly

--.-r'
tal,- for hea - ven
B-7 E 7 / D-7 G7
\.-/ --.-/
rest US, not AS
and that's why,

c7 E-7 Ebt
 TIIAT OLD FEELING 135
Fain/Brown 1937

nba p-(a7)

I saw you last night and got that old feel - ing, when you came in sight,
Once a - g a i n I s e e m e d to feel rhar ol d yearn-ing, and I knew the spark
1.F _7bs
Bb7 C- G7

I got htat old feel - ing.

of love was
G-zls c7 c-7 nbt

thrill,
2.A_7rs

stilI burn - ing, there'll be no new ro - mance for De,

nb-t Dbt c-7 F7 F -tas Bbtsg

start, for that old my heart.

BLTTEROOM
Rodgers/Hart L926

D-1 G-7 c7 A-7 D-7 G-7

We'll have a blue room, a new room, for two room, where ev-'ry- day's a
Not Iike a ball - room, a small room, a hall room, where I can smoke my
I ' , ll wear my trous - seau, and Rob - i n - s o n Cru - soe is not so far from
Bbnt Eb7 D-7 1.G-7 2.F
G7 ClAg

hol i-day be cause you're mar - ried to me. knee.

piPe a - way, with your wee head up - on m'J stairs.
world - Iy cares AS our blue room far a- way uP
c7 G-7 c7 F _Eb7 A-7 Dtvg

We will thrive oD, keep a - live oD, just noth - ing kiss €S ,

G-7 c7 r}t D7 D-7 G7 G-7 c7

D.C. alFine
with mis - ter and tle blue
186 CALL ME IRRESPONSIBLE
Van Heusen/Cahn 1963

Call me lr- re- spon-si- ble, call me un-re- Ii - a-ble, throw in un- de-pend_a- ble
Call me un-pre- dict- a - ble. tell fr€, I'm im- prac-ti-cal, rain- bows I'm in-clinedto pur_
1
Ft'', F,b-t DIEI' {be C-las Ftl'g

my fool - ish al i- bis bore- you?.

Bbt Bb-t Ebt C-tus FTre nb-g

Well, not too clev - er, I - dor+ you. -

a
Call me
D7 .&be C-llos Fll'g nb-g .Ebe
rr- respon - si- ble, yes I'm un- re- li - a- ble, but it's un-deni
C-t,s a- bly
Ftlug sb-g 3-r Bb-tas Eb.zag Ab

ir - re- spon si - bly you.-

THE GLORY OF. LOVE

You've gor to glve a lirtle, take a lit- tle and let your poor heart
You've got to Iaugh a lit-tle, break a lit- tle,
c r y a Iit- tle, be- fore the clouds roll
You've got to win a lit- tle, by a lit- tle,
Iose a Iit- tle and al- ways have the blues a lit- tle.
G E-7 A-7 D7 1'G
E- A-7 D7 CC-G

that's the sto- ry of, that'stheglo- ry of love_ You'vegotto Iove

C
G ( G l

long as there's two US' we've got the world and all its charms. And
C- c-7/Bb A 7 A-lus D7 D.C.al2nd End (F

the world thru with us, we've got eachoth - er's tums. You've got to
 r'\IE GOT ltrT LO\TE TO KEEP ME WARIVI L37
Irring Berlin 1937
FA7

Thc snow rs s n o w - l ng the wind is bl ow - ing, but I can

I can't rc - me m - ber a worse Dec - e m - ber just watch those
My heart's on ii - re. the flame goes hi gh - er, so I will

- - -R
-7b5 tr +7 G-7 Ff'z

wea - ther thc storm. w hat do I care how much it might storm?
i - c i - c l e s lbrm what do I care if i - ci - cles form?
wea - ther the storm. what do I care how much it may storm?
'F
G-1 ce DTlg G-7 Ah G-7 C7

got my love io keep me warTn

B -71-s Etse@o- n -(A7)

11 A-7

Off with my o- ver coat,- off with my glove,

A-7 D7 G-7 c7 D.C. alFine

nced no I' m burn - i ng w i th love. My

AWEA\IER OF DREAIVIS Victor Young/Elliot i95l

c^7 l- 3 ----_r B -zl-s ETvg A-7 r_3_r

You're a wea- ver o l ' d re a m s . you a n d your strange I'as - ci na- tton, you're a wea-ver of
You're a wca- vcr o l ' d rc a ms . you a n d y0ur lips warm and ten- der. just like mag- ic it
G-7 c7 F47 Bbt*rt

i - I

. vo u a n d y o u r c o me h i th - c r srnile. j ust to hear you speak can leave me

t h r i l l -i n s . c n - c h a n t- i n _ q m e L(x). I'm i n your spel l and there's no cure, I ' m
1.n -,
tr't Ae D-e Ge

- |
weak as a t'rahc irr anns. p(x)r lit-tlc babe i n arms. help- less be- fore your charms.

w- E>-7 Abl D-7 t-- 3 -r Ge c^7

causc vou'rc a wca- vcr <ll' dreams and I' m rn l ove w i th vou.-
r
188 HEYTHERE
Adler/Ross tg54

c-7 tr-7 3-r BL Eb c-7 FL3_r nbt c7

Hey there,- you wirh the stars I N your eyes, Iove nev - er made a fool of you,
get her,- her with her nose i n the air, she has you danc- ing on a string,
+Z-g Bb7 1.Eb
G E-7 A-7 3-1 D7

you used to be so Hey there,- you on that high - fly- ing

break it and she won't
G E-7 +3_r D7 G-7 c7 F-t

cloud, tho' she won't throw crumb to you, you think some-day she'll come to you,_
sbt r:- 3-r
2.8
nbt ^g 3-r A"7

bet- ter for - care. Won't you take rhis ad - vice, hand you like
Ebnb G-TB!G_trs c7 pib-a -l
*Lr-, .ftlL3-r

broth-er? or are you not see- ing things too clear, are you too much in love to
G-Zls Ctag Fl-_3_r BbTrur+M-.3-r nnbnb

IS It all go - ing in one

DANCING IN THE DARK

Schwartz /Dietz lg}l
p:brt fibo7 F-7 F -las

\r--l

Danc-ing in the dark,- till the tune ends,we're danc_ing in the

Look-ing for the dark- and soon
Iight- of a new love to bright-en up the night,- I have
Bhlg Eb F;b-t tG-zrt
clag F-tus

it ends, we're waltz-ing in the won- der of why we're here

you, love, and we can face the time hur - ries
mus - ic to
 I DON'T KNOWWIIT Ahlert/Turk 1931
139

All day longyou'reask-ingme, what I seeinyou, all daylongI'm answeringbut whatgooddoesit do?
c-7 F Ffiot G; 7 F 7

noth- ing to ex - plain, just love you, love you, you once a- galn,

r- 3-r D-7 DboT c-7 F7

I don't know why I love you like I do, I don't know why, I just do.
FTC F7 c-7 F7rut4 C-7 Flvg Bb

I don't know why you thrill me like you do, I don't know *hy, you just do. You
Bb ptbt G7 C7 F7 c7 c-7 F7

nev - er seem to want -manc-ing, the on- ly time you hold me is when we're danc- ing,
--l
b7 D-7 r_3_r G7 C-7 F7 Bb

don't know why Iove you like I do, I don't know *hy, I just do.

THERE'S A SIT,IALLHOTEL Rodgers/Hart1936

G^7 G6 G^7 G6 G^7 C7 B-7 BboT A-7 D 7 0

There's a small - tel with a wish - ing well, I wish that wEre there t o -
There's a bri - dal suite, one room bright and neat, com - plete-for us te share t o -
When the stee-ple bell says"good- night, sleepwell", we'll thank the small ho - tel t o -
'GA7
G6 G^7 G6 "'Go7 D-7 G7 C^7

geth er._ gbth er._ Look - ing

D-7 G7 c^7 E7 A-7

win dis - tant stee - ple, riot a sign

E7 A-las D7 D.c.at coaa#G L7

geth - er.-
/

r40 THE TENDER TRAP

Van Heusen/Cahn tg55

Ab6 A"7 Eb-t1s5

You see a pair of laughing eyes_

- and sud-.den - ly you'resighing
You're handin handb*neath ttre trles sighs,
And and soonthere'smus- ic in thJbreeze,
all at once it seemsso nice_
the folks are throw- ing shoesand
rice,
Ebt Eb-J Abt
C+7

you're thinking no-rhing'swrong,

yilstring a - long, boy, then
you're act-ingkind of smarr un _ til snap! Y
you your heart just goes whapl
hur-ry to a spot,that,sjust a dot on the map!
Bbt S eb-t Enag tAb
Bb-t Ebt

thoseeyes, thosesighs, they'repart

thosetrees, of the ten- dertrap!_
that breeze, they'repart You're
you won - der how of the ten- der trap_
it all
,. Ab
G-t's Ctag

Some star - night, when her kiss- es make You tin - gle,
Ah G-tas Ctag F-7 Bbt Bb-t Ebt-
D.C.

she'll hod you tight and you'll your- self for be _ ing sin - gle.

EbTrur+

there's no get - ting out, you

Ab6
 YOU'FIE GETTING TO BE A IIABIT WITH ME t4I
Waren, Dubin 1932

A-7 G-7 F^1 3 __-1 G-7

v-3- 1_

Eu-'ry kiss,ev-'ry hug seemsto act just likea drug, you're gerting to be a hab'it withme.

Let me stay in yourarms,I'm ad dic-ted to your charms,you're geFtingto be a habit withme.

A7 Dtsg G-7 C7 A-7 AboT G-7 C*,,.4

I used to think vour love was some- thing that I could take or leave
Fil,I G-7 C7 A-7 D-7 G7r,rr4 G7

lone,- but now I could- n't do with - out my sup- ply, I you my
,-nrcI A7
C7ru.4 C7 D7 G-7 Abot

own. Oh I you've got me in your clut-chesand I can't break free, you re

G-7 C7 F Eb7 D7 G-7 3-r F
r-3-r t-

get-ting to be a hab- it with me, can'tbreakit, you're get-ting to be a hab- it with me__

PEG 'O'ITtrYHEART Fisher/Bryan l9l3

G-7 c7

Peg 'o' my heart- I love you, don't let us part,- I love you.
Peg 'o' my heart- your glan - ces make my heart say,- how's chan-ces?.

I al- ways knew- it would be you,- since I heard your lilt-ing laugh-'ter,
come be my own-
c-7 F7 2.c-7 Bh

it's your I-rish heart I'm come, make your home mmy
r42 I DIDN'T KI\IOW WTIAT TIME IT WAS ROdgCrS/HArt1939

I- did - n I know whar l r m e i t was. then- I met you-

I- did - n t" know w hat day i t w as. you- hel d my hand,
I- did - n t t
know w hat year i t w ' as. life- was no prize,

oh- what a Io v e - l y tl me i r w a s . h o w s u b - l i m e i t was too. grand.

warTn- like the mo n l h Of May was.I L and I' l l say i r was
I- want - ed l o v e a n d here i r was s h i n - i n g out of your

G,-. F#-zls B7 Ffi-zrs B7 E-7 G7

Grand- [o l'rc a l i v e . to bc young. to be mad. to be yours a lone.

C D 7 G E-7 A-7 D 7

Grand- to sec y o u r face. f'eel your touch. hear your voice say I ' m a l l your

A-7 A-tvs G/D B7 c6 D 7rur4 G

and know w hat ti me

OH YOU CR,AZY MOON Van Heusen/Burke 1939

A-7 A-7 Dla') G^7 B-7 Etvg

When thcy' m c [. thc way they smi l eci . I saw thar I was thru,
When the.v k i s s c d they tricd to say that it was just in fun.
There thc,v are. thcy f'ell in lovc. I guess you think you're smaft,
A7
^ l -
b?/ A-7
l
'G6
r
'Go
D7l''.) i E7 cfrqasF#7
r--'

oh. you c r a - l v m o o n . _ what .1i.t

y()u , Fine
LIIIJ
oone.-
oh. you cra- t-y moon._ lclok w h a t you've hean-
oh, you cra- zy moon._ you broke my
B- Gf-zrs C#-tvs Filv,) B-7 E7

i
Once you p ro - m i s c d me. you know . thar it w oul d nev er end,
A. EF -' tb 5
t f r B -las E7:i3 Ae A-7
 ITIAKE SOMEONE ITAPPY L43
Styne/Comden f960

Make som+one hap-py, make Just one-- someone hup- py. makejustone
Fame,- if you win it, comes and goes-- in a min- ute. where's the real
g - (a7) c-7 Fe Bb Bb+ Bb6 eb-t

heart the heartyou sing. to,- one- smile that cheers you, one facethat
stuff in life to cting- to?,- Love is the ans- wer. somsone to
Ebt 1'
FA7 Bbn A.7 D7 G-7 c7

lights when rt nears You, one girl you're ev-'ry

love is the ans - wer,

Bbt*tt

once you've found her, build your world a round hea make some-onehap- py,
A-7 Dtvg G-7 ce F6

makejust one some-one hup-py and yorr will be hap py too.-

WIIAT NOW iltrr LOVE Becaud/Sigman 1962

r-3 3-r F,bn r- 3-r G-7 c7

l.Whatnow my love?- Now that you Ieft me,- how can I live- thru another
Watch-ing my dreams turn- lng to ash - es- and mv hopes- in- to bits of
2.Whatnow my Iove now that it's o - ver- I feel the world closine in on
Here come tha stars- rurrr bling a -round me- there'sthesky where-- theseasJroul&e.
3.Whatnow my love,- now there is no- thing- on - ly my last eood -
F ,.Fl
3-r G-7 c7

day. Watch ing my l.once I could see,- once I could

clay.-
feel,-
2.What now my love- now that you.re gone,-
bye.p_7
J-.]
G-7 c7 F7 Bb-7

now I am numb.. I ' v e be - come u{l real I walk the nighq-

I'd be a fool to go on and on.- No one would care,-
Abnt Dbrt 3-r G-lls C 7rur4 c7 r-3-r

with- out a goal strippedof .my. . heart- my soul What now mv

no one would cry_ if I sho[rld live or die.
I-44 SUMMERWIND Mayer/Mercer i965
EachChoruscan
modulateup
Ctug sbg

The sum- mer wind- came blow- ing in- a cross the sga"- lt
Like paint- ed kites- the days and nights- went fly - ing by,- the
The au- tumn wind,- the win - ter winds- have comeand gone.- and
F-7 sbg Eb

lin - gered there- to touch your hair- and walk with mer- all
world was new- be-neath a blue- um brel - la skY,- then,
still the days,- the lone - ly days- go on and onr- and
Bb-7 Ebe Ab

sum - mer Iong- we safg a song- and strolled the gold - en sand,
soft - er than- a prp - er man- one day it called to you,
guess who sighs- his l u l - l a - bies- through nights that nev - er end,
ebnb BbTrura Bbt S E b Bb7

- hearts and the sum - mer wind

you to the sum - mer wind
- kle friend, the sum - mer wind
Abe ebo
\-/
sum - mer wind,- the sum- mer wind,- the sum- mer wind.-

JUST SgTTEEZE ME D. Ellington/Gaines 1946

F ^7 G-7 A-7 G-7 FA7 G-7 A-7 Dlag G-7

Treat me sweet and gen tle- when you say good- night, just squeeze- me._
I g e t s e n - t i - men tal- when you hold me tight, Just
When I ger this feel ing- I ' m i n e c - sta - cv. so
c7 F^7 G-7 c7 E-p-'
but please rng you srnce you went a - way,
t-3

sing- ing the blues a- way each day, count- ing the and wait- ing for you,
G- 37 G-7
 LO\TE WALI(ED IN r45
George/Ira Gershwin Ig38

Love- walked right in and drove the sha- dows a way,- love-
One- look and I for got the gloom of the past,- One_
c-7 F7 F-7 nbt nb-t nbt

walked right in and brought my sun - nl - est day.- One- mag - tc mo- ment
look and I had found my fu - ture at Iast.- One- look and I had
1'6bn
G - 7 C 7 F-7 Dbg Eb Clag F7 F-7 Bbt

and my heart seemed to know,- that love said "hel - Ior"- thoughnor a word was spo-ken.
"'6bal F-7 Dbe Eb Ctrg F-7 Bhrg Eb

found ---/
world com-plete- Iy when love walked in with you

NO MOONAT ALL

A7/C# D7b?C

No moon at a l l .- what a night,_ e v - e n light- ning bugs have dimmed their light,-
Don't make a sound,- it's so dark,- ev- en Fi-do is a- f r a i d to bark,-
No moon ar all,- up a- bove,- this is noth- ing like they rold us of,-
E-7rlBh D- ebt A7 D-7 A7

stars have dis - ap - peared from \__/

sight d there's at all.-
what a p e r - fect chance to park,
jus t to think we fell in love,
D7

-'
Shouid \4'ant mos - phere- for in - spi ra - tion

F6 ATrg

make- it clear, that to night is right andbri_ehrmoon_light might

in- ter- fere.-
146 DREAIVI A LITTLE DREAIVI OF ME
Kahn Andre l93t
nh D7

Stars shin- ing bright a - bove You, night breez- es seem to whis - per I love you,
say "night- ie night" and kiss me, just hold me right and tell me you miss Be,
Sweet dreamsdll sun - bearns find vou. sweetdreams that leave all wor- ries be - hind vou.

A-7 F7 1 . G
IT-- 3-r
A-7 D7

birds srng - lng ln the sy - c a - more trees, dream a lit- tle dream
while I'm a - lone and blue as can be
but in your dreams what - ev - er thay be,
2,G
nfi ot c sbt Eb c-7 F-7 Bb7 Eb c-7
3-r r- 3-r t- 3-r

dream a lit-tle dream of me. Stars fad- ing, but I lin-ger on, dear, still crav-ing your
F-7 r,bt Eb C-7 F-7 F,bt Eb Ab A-7 D7
3-r
D.C. al2nd End (Fine

I'm long - ing ro lin - ger till dawn, dear, say- ing rhis;
Just

SWEETAND LOVELY TobiasArntreim l 93l

G-7 _b7 q7 c'1 G-7 c7

Sweet and love - Iy, sweet- er than the ros - e s t n May

Skies a - bove me nev - er were as blue as her eyes,
Sweet and love - ly, sweet- er than the ros - e s i n May,
F F7 Bbat nbt c^7 G7

€>
and love ly, hea ven must have sent her my way.
she Ioves D9, who would want a sweet-er sur-prise
she Ioves ffi9' there is noth - ing more I can say
p,bt c^7 F-7 r,bt c^7

nes- tles rn my arms so ten- der- ly,- there's a thrill that words carFnot ex-
Press.
obt Ebdt Eb-7
 EBB TIDE
Maxwell, Sigmond tg53
r47
c^7 A-7 D-7 Glsg c^7

o . u v
First the tidY rush- es in,- plantsa kiss on the shore,then rolls out to
S o I rush to your side like the on coming tide with one burning
G-7tBb '' 2'E-tr7A
A7rn D-lvs Gti'g fi7 att

sea is ve-ry StiII once more. S o I arms Gpen wide?

thought, will your
D-7 -3-r B-tls E7b2
3-r A-7 .t
D-7b7Ab Ab+

last we're face to face, and as we thru an em - brace, I can tell, I can feel, you are
A-7 D-7 _Gtsg c6 A-7 D-lvs Gtrg

Iove, you are real, real - ly mrne ln in the dark. in the

c^7 A-7 D-7 G7tur4 G7 c6
\-,-/
P€sce in the of your zums-

IIARLEM NOCTTIRNE
Earl Hagen 1940

G-(a7) G_7 Bb7#q\ t'

D-6 Lasttimevampout ,.D_6
D- Db7

c-7 c-7 c-7

F-7 Bbr:

D.C.al 1st End.

r4g MEMPHIS IN JUNE H. Carmichael

Gbe Fe Ebe Bbe G+7

c^7 D-7 E-7 c^7 G+7 I'cot C;

c^7 D-7 E-7 ,-rJtTG c^7 F^TG c^7 B7

B+7 E-7 A 13 Blvg

B+7 E-7 D7rur4 D13

GEE BABY, A[I\['T T GOOD tr.OR YOU

C- r : 3 -r Ab7 r----!-r Ftl'g

Love makes me treat you the way that I do, ba- by, ain't I good
noth in's too good for a girl that's so true,
2'
nbt Ab r-3-r W, ,

Fne
you. ffrere's you. Bought you a fur coat for christ - mas,
E, r-3 Ab 3-r Bb"7 D-las G7
3-r D.C. alFine

a dia - mond ring, tnr

 BLUES IN THE NIGHT L49,
xE Bb r- 3-r
Harold Arlen/Jotrnny Mercer l94l
t-3-r

' 3
My ma- ma done tol' me, when I wasin knee pants, my ma- ma done tol' rr€, ,ori- A
From Nat - chez to Mo- bile. from Mem-phisto St. Joe, where- ev-er
the four winds blow'- I
Eb7 Bbt
r_3_, 3-r

wom-an- 'll sweet talk and give you the big eye' but when the sweet talk-in's done,-
v

been in somebig towns an' heardme somebig talk, but there is one thing I know
F c7 Ft: 7
1- 3-1

-lT- an'sarwo-face,_a wor- ri- something who'll leaveyou to sing the blues-
ct
in the night.
tr nbt Bb l- 3-t

a-fall- in', hear the train a cal l - i n' , whoo - ee,- (my ma-ma done tol' me)-
C-lls F7 Bb r:3-r

Hear dat lone- some whis- tle blow-in' cross the treslile. whoo- ee- (my ma-ma done tol' me) a
F7 3-r c 73-r F7 Bb -
r- ;3-1
r-

whooE h- whoo- ee, Ol' click-e-ty clack's a ec-hoing back the blues in the night. The eve-nin'
nbg C-lrs Fti'g obt Clug

breeze- 'll start the trees to cry - in' and the moon - 'll hide its
Take my word, the m o c k- i n g - b i r d - ' l l sing the sad - dest kind of
''G-7rt
Glvg c7 F7 C-tts F7

when you get the blues ln night

he knows things are
''G-rrt
c7 F7 cb nb-a FTA-, nbt c7 F7
-3-i D.s.atcoda

wrong
s Bb -ea
and she's right.

ebt c7 F7 F7rur4

(J.

ni_eht. Hum u
J
ma - ma was right, there blues_ in the night.
15 0 LET'S GET AIITAY FROM IT ALL
Matt Dennis/Tom Adair lg4l
E ,.bo Eb6 sbt Ab6 Ao7 G-Zls Cltg

Let'stake a boat to Ber-mu da,- Iet's take a plane to Saint Paul,-

Let's take a trip in a rail er._ no need to come back at all.-
Let's go again to Ni - a gra,_ this time we'll look at the "Fall".,
F-7 ebt S ols ce t'Fg
F-7 Bbt

let's take a kay - a k to Quin-cy or Ny ack, let's get a-way from it all.
Let's take a pow - der to Bos-ton for Chow - der,
let's leave our hut dear, get
''
Fg sbg Eb6 eh Eolu A-7rsD7 G_7 F-7 Bbt
v

let's get a- way from it a l l .- W e' l l tra- vel 'round from town to town. we'll vrs-tt -'ry
ev
Eb6 Bb Bo7 C-7 Fe ebt Bb+7 D.C. alCoda

state,_ A las- ka and Ha wa-ii too- then all the eight-

obq ce F-7 Fbttn nba

out of our rut dear, let's get a- way from it all.

PAPER DOLL Johnny Black lgts

Eb7 Dtag
F Gh G-7

I'm goin'to buy a pa-per doll that I can call my own, a

doll thatotherfellows can-not steal, and then the
FlA fibo7 clc A7 G7 c7

flir- ty, flir-ty guys wirh flir - ty eyes, will have rc flirt with dol-lies who are real. When
G-7 c7 Fa7 Ff "z G-7 c7 A7

I come home at night she will be wait-ing, she'll the tru-est doll in all this world. I'd
Bb Bo7 FlC D7 G7 c7 F
 LET'S DO IT
151
FTC BbtD FTC

When the Iit-tle blue-biid, who has nev - er said a word starts to sing "Spring, Spring."
When the lit-tleblue-bell. in the bot- tom of the dell, start to ring "Ding, ding."
''c-l 2'
F7 nbt nb-nbn c7 F7 nbn- 8"7

Whenrhe Whenrhe lit tleblueclerk,

in the middle of his work,startsa tune to themoon up a-
c-7 F7 gba nh nba Eb- Bb B o7 C-7 F+7

e
bove, it is that's all. sim-ply tell-ing us to fall
And that's why
In Spain, the
Bbo c-7 F7 Bbo /ibt

birds do ir, bees do ir,, e v - e n e - du - ca- ted fleas do it,

best uP- Per sets do ir, Lith - u - a n - i - ans and l_etts do it,
Bba c-7 ''
F7 I D7 Gtrg c e F+7 z13ba
D+7

let's do it, let's fall in love. In Spain,the love. The dutch in

G-7 c-7 Bbn F-7 Bbt Eber.
I

old Am - ster - dam do it,_ not to men - don the Finns. folks in Si
rrbt Dbat c-7 F+7 El ek c-7 F7

am do it. think of Si - a- mese twins. Some Ar-gen tines. with-out-

^l
means do it,
BD G-7 nbt nba G-7 C-las Ftag eba
peo - ple say in
beans do it, Iet's do it, let's fall in love.---

sponges they say do it, oystersdown in oyster

Bay do it, let,s do it, let,s fall in love.
cold cape cod clams 'gainst their wishes
do it, even lazy jellyfrshdo it, Iet,s do it let,s
fall in love.
Electric eels' I might add, do it, though it
shocks 'em I know, why ask if shad do it, ..waiter
bring me shadrow,,,
In shallow shoals,English solesdo it, goldfish
in the privacy of bowls do it, let,s do it let,s
fall in love.
r5.2 MEAN TO ME Ahlert/Turk 1929

Ff"z C-7 F+7 rlbn rlbg S

mean to me,_ why must you be mean to me?- Gee, hon - ey, it
I stay home- each night when you say you'll phone,- you don't and I'm
It must be- greaL fun to be mean ro me you should - n't for
G-7 F ^7 D-7 ,.G-7 t- +7

seemsto me_ you love to see me cry - lng, I don'dcnowwhy.-

Ieft a- lone- sing- ing the blues and sigh- ing,

3b& G-7 C-9

cold - Iy eachday- in the you al - ways

nbg Ge C 7.ur4 C+7

some bo
D-7 ce F6

me.

THE GLORY OF. I,OVE Billy HiU 1936

You've got to grve a lit- tle, take a l i t-tl e and let your poor heart break a lit- rle,
You've got to laugh a lit- tle, cry a lit- tle, be- fore the clouds roll by a lir- tle,
You've got to win a lit- tle, lose a lit- tle and al- ways have the blues a lit- tle.
G E=7 A-7 1.G
D7 E - A-7 D7 C C-G

rhat'sthe sro-ry of, that'srhe glo-ry of love You've got to

tr

long two of us. ve got the all its charms. And

C- c-7tBb A7 A-7 D 7 o.c.at2ndEnd(Fine)
 rM GONNA SIT RIGHT DOWN 153
Ahlert/Young 1935

I'm gon-na sit right down and write my- self a let- ter,_ and make be- Iieve it camefrom
I'm gon- na smile and Say, "f hopeyou're feel-ing bet- ter,"_ and close"withlove"the way you

F A7, , . D _ l D-7 GTtura G7 c6 CTtBbA7

you.- I'm gon-na write words,oh so sweet, they'regon- na knockme off my

do.-

kiss-es on the bot- tom, I'll be glad I got 'em, f'm gon-na I'm gon-na sit right down and

F6 Fil.t ClG F,bt A 7 D7 D-7 G7 C D- C

write my - self a let - ter- citme from vou.-

YOU'RE IItrYTHRILL Washington/Lane 1934

G-zls Clag G-tss Ctvg C-tas

You're my thrill, you do some- thing to [o, you send chills right
You're my thrill, how my pulse in creas- es, I just go to
Where's mv thrill? Why this strange de s i - r e that keeps mount - ing

Gb7 Ftrg eb-t cbs F-7 obg s c-7 F7

thru ffi€, and I look at you, 'cause you're my thrill. Mmmm.- Mmmm.-
pie - ces when I Iook at you, 'cause you're my thrill.
high - er? When I look at you I can't sit still 'cause
p,b-t F7 gb-t D-7 G 7 C CIG

noth - ing else could mat - ter. Mmmm. Mmmm, here's mv heart on a

Cbg F9 o.c. atcoda

sil- ver plat- ter. you're- my- thrill.

L5,4 THAT'S LIFE Kelly Gordon/Dean Kay 1964

Bb7 A7

That's Life, that'swhatpeople say, you're rid- inghigh in Ap- ril, shotdown in May, but I
That's life, fun- ny as it seems, somepeopieget theirkicks, step-pin'on dreams,but
I

know I'm gon- na change that tune, when I'm back on top in
'cause this
don't Iet it get me down,

"' At D7 |..:3-r G lgc7 3-r 3-t r.:3-r

ol' world keeps go- mg a - round. I've been a pup- pet, a pau- per, a pr- rate, a po- et, a

r-3
c6 r-3-r sbt

pawn and a king- I've been down and ov- er and out I know one thing,

A7 D7

eachtime I find my-self flat on my pick my-self up and get back in the race-That's

B7 E-7 ^7 C-
G -3- -a--e-

life I can't de-ny it, I thought of quir ting but my heartjust won't buy it

G Fil-zls 87 E-7 ATbg D 7 G

didn'tthink it was worth try,- I'd roll my-self up in a big ball and die
 rLL BE SEEING YOU 155
Sammy Fain/Irving Ihtrat t9S8
G+7 F-7 Ctsg F-7 Ctrg F-7 Ct;g

rII be seelng yoir in all the old fa - mil - iar pla-ces that this heart of
nl be seeing you e v - 'ry love - ly sum- mer'sday, in
in ev - 'ry-thing that's
1.DIE; Eb6 c-7 F-7

mine em- brac-es all day thru. In that small ca - fe, park a -
Iight and gay, I'll
BbTrur+ gb+l nba nb+t

cross the wa chi - dren's carous- al, the chest-nut trees, the wish- ing *rX
''
G-t obg C 7'u'4 C7 F- F-trcb D-tts Glvg c_7

al - ways think of you that way I'll find you in the morn- ing sun, when the night is
F7rur4 F-7 F-las btbg nba

I'll be look-ing at the moon, but I'll be see-ing you.

BECAUSE OF YOU Wilhnson,/Hammerstein

Cltg F-7 G-7 Cb_t F-7 Bbtvgg,bai
pba Eb Ct,;g F-7 G-7 Gb-tf -t nbt

Be-cause of e
a song in my heart.- Because of you, my ro - mancehad im
pbn nbo Eb G-tss Clag F-7 Clag F-7

start.-- Because of you, the sun will shine, the moon and stars will say you're mine, for-
Fe Fllog F-7 G-7 cb-t F-7 nbt

ev- er and nev- er to part._ I on - ly live for your love and your
pbn Eb6 G-tvs Ctrg F-7 Cttg F-7 Abn 6-tbs 17

it's par - a dise ro be nearyou like this.- Be - cause of you my

c-7 Fe F-7 Bbt nba

Iife is now worth - while, and I can smile, be cause of you.

;l n

156 UITTH A SONG IN MT HEART Rodgers/Hart 1929

p,bt F-7 fibt 9"7

With a song my I be- hold your a do - ra- ble face,

At the sound your h e a - v e n o - p e n s its por-tals to ile,
c-7 D-tls Gtrg D-tts Glag

just a song at the start, bur ir soon is a hymn to our grace.

can I help but re JOlCe, . that a song such as ours came to be?
c-7/Bb A-tas S lrbt t-3-r C-TG

When the mus - ic swells f'm touch- ing your hand,-__

But I al - ways knew-
A-lts D7
l-- 3 -1 G7 Ctag Bh:lg

it tells that you're -

s
stand tng near, D.C. alCoda
and
Ei/BL A-tas ab-o Eb/G eboT F-7 Bhrg Eb

life through,- in my for

MTBLT]E HEAVEN Donaldson/Whitin g t92T

BbTrur4 nbrc F-t pbn D7 Dbt C7

When whippoor-wills call- and ev'ningis

A turn to the right.- hur-ry to
Just Mol- lie and a Iit- tlewhite Iight- will leadyouto
me and ba- byrnakes tltree,- we're happy in
F13 gbr: Ebo z.p,b_t
nbt
my hea - ven. A turn to the You'll see a
Ab6 G-7 c7 F- Cllg F-7 QhoT

smil - face fi-re place, co zy room,

F-7 sbt F-7 nbt nbo F -t BbTrura

nes- tled where

Just
 DON'TWORRY'BOUT ME r57
Rube Bloom/Koehler f 939

Bb-tas
-.1
Ebt;g Ehrg
r- 3

Don't wor- ry'bout me,- I'll get a- long,- for - get a-bout me, be happy my

nbe gb-t ebrc B o7 sb-t EbTrura Gbg

r- 3.-r r-3

love.- Let's say that our lit - tle show is ov - er and so the sto - ry ends,

G-7 Ctvg F-7

t-3-1
Bbt EbTrura Ebt

why not call it a day the sen- si - ble way, and still be friends "Look
Bb-trs
3-1
Ehrg Ab F-7 nb-t^J-.1 l-3-r

out for your-self'- should be the rule,- give your heart and your love to whom -
nh 3-r
r-
D+7 Dbn Ab+7Obn r- 3-r ob-o
r-3-r

ev - er you love. Don't be a fool,- darl- ing, why should you cling to some fad-ing thing that
Ab G+7 Cbt F7 Bb-tus Ebtrg Ab6
r-3-r

used to be? you can for-get, don't wor - ry'bout me.

Also played as aw-altz

BEAUTIF'UL LOVE Young/King/Gillspie I 93 I

E-lss Alug D- D-7 G-7

J '

B eau- t i- fu l love, you're all a mys - rer- y, beau - ti- ful love, what
Beau- ti- ful love, I've roamed your pa - ra- dise, search - ing for love, my
c7 FA7 E-7 A7 D-7 G-7 Bb7 A7

have you done to me?- I was con - ten - ted till you czrme a - long, thrill- ing my
dreams to re - a- lize.- Reach-ing for hea- ven, de-pend- ing on you, beau- ti- ful

B 7*tt E-lus Atsg z.D_B7rn Bb7 A7 D_

-' /
your song. Beau-ti- ful love ill mv dreams come
15 8 DON'T TAKE YOUR LOVE FROM ME
Henry Nemo lg4l

D-7 E-7 p:boT GTtD D-7 G7

Tear a star from out the star- and the sky feels blue,- 1gar a
Would you take the wingsfrom birds so that they cal'[ fly,- woul$ou
1.c
D-7 Alug D-7 G7 D-7 Df .Z CTE

pe - tal from a rose- and the rose weeps too. Take your heart a-
take the ocean's roar- and leave

f;b'7 ATbg D-7 ATbe D-7 Atlg D-7 Gt;g

way from mine and mine will sure- Iy break, life is yours to make,

please keep the spark a wake. Woul{ou just a sigh?- All this your heart won't
F-7 Bb7 c6 E-tas Atvg D-7 A+7 D-7 Gt'g c6

€ > e
this is what I beg of you, don't take your from me._
--r-

I ITADN'TAIVTONE TILL YOU

Ray Noble 1938

G-7 ce ctag F6 G-TF F6 A_7 D7 Gt3

v -

I had-n't a n - y - o n e _ ti Il you._ I w a s a lone - ly one- rill you.-

I had to save my love- for you,_ I nev- er gave my love- rill you._
,.G_t
C7 Atug D-7 B_tas E7 A^7 Fil-7

. I usedto Iie awake and wonder if there coul6e

Andhnmv
B-7 Etlg A7 9 ''
G7 c7 Bba

wide world just made forme, now I see.I had to Ione Iy heart de - mandng it,
F/C A-lus Dlag G-7 ce Ctag F6 Ebe F6
 PLEASE DON'T TALKABOUT ME
159
Sidnev Clare l93O
G - 7 b sC 7 SFe

Pleasedon't talk a - bout rle when I'm gone oh hon- ey, though our friendship ceas-
_ If you can'! say an-- y - thing real nice,--- it's bet- ter not to talk at all
Makei no dif-f'reice howl car- ry on,- re- mern ber,

lBbt: Eba Ctrg F_7 z.Bbr:.

es from now on And lis- ten, ismyad- We're part- ing,

you go your way, I'll go mine,it's bestthat I do- Here's a kiss, I hope that this brings

Bbt Gbot F-7 Bbt

D.C. alCoda
s F-7 Bfirg Eba

lots of luck to you. pleasedon't talk a-bout me when I'm gone

BUTTON T'P YOT'R OVERCOAT

Henderson/DeSylvia

D7rur4 E-7 A7 CtD D7

But- ton up your o v - e r- c o aL- when the wind is free, take gooY
Eat an ap - ple ev-'ry-day get to bed by three,
Keep a- way from boot- leg hootch- whenvou're on a spree,

D7 1G E_7 A_7 D7 2.6 D-7 G7

'of t a v
care your-sell, you be long to me.- long to me- Be careful
C G GA7 E-7 A7

cross-mg streets, oo - oo, don't eat cut out sweets, oo- oo,

D7 clD D7 G^7 A-7 G C 7 G

you'll get a pain and ru ln your tum- tum. long to

160 LIL'DARLIN'
NeaI Hefti/Howard f g5g

BbTrura G-7 c7 ctrg Fe

You may va - c a uon i n H a - w a - ii,-

Tho' you may or go to
fly to Scot - tish High - Iands,--
or try some
No mat - ter where you citre r.o tra - vel,_ no mat - rcr
BbTrura p}dt EVI ebo Ab-6

Switz - er - land to when you're

isle near Nap - o - the snow cov- ered mouI}
when you're "Ihe C*np- bell's are Com-
what you choose to
when - ev-er your head hits that pil -
Ybt G-7 C7 F9

3'---,4
talns,- or fan - ning your - self by the sea,-
ing",- or hum- min ..Ttle Isle of Cap-d",-
low,- what - ev - er the ho - ur may be,_
, / , s uds .
Eh" rl
?.F_t A
n Ur-7 C7 nbt -
G-7ts ClAg

a n - y - b o d - y bm
u re ! a n - y - bod-y butme!
tr
G-7

c a - fe on the Rhine -
an-y p l a c e a - Iong the line,_ I'n for -
Fe Bbt r,b-t

give you when a sfarFger puts your

lit-tle heart in dan-ger if his face re-sernblesmine._
. l I
Whenyou
4L'-, ,11:-, Eb nbt AL-r-., €r_., G-7 ctag

vrs- lt a and the sing- er keeps sing- in'

F9
F-7 G-zls Ctsg

sud- den- ly he re mrn

D.C.al2nd End(code
me._
sv
6-7Ls Cttg
Eb
 I LO\TE PARIS Cole Porter 1953
161
e e
I love Par- is in
D-lvs Glvg

\---l

fall,- I love Par- is in win - ter when it dnz- zles,

D-tts G7 C- C6 D-7 CIE D-7

I love Par- is in the sum-mer when it siz-zles. I

C6 D-7 CIE D-7 C6 D-7 E-7 gboT D-7 G7

mo - ment.- mo - ment of the yea\-

1-D-7
Fil'z CIG G7

€ \--l
> +
Par- is, why oh why do I love Par- is? be- causemy love is near.-

i'r-, G7 E-7 A7 D-7 G7 C

be- cause my Iove,- be- cause my love-

IT'S BEEN ALONG, LONG TIMF, Styne/Cahn r945

F6 r-3-r F L7 F/A. Ab7 CetG c 7

Just kiss me once. then kiss me twice, then kiss me once a- gain, it's been a long, long

G -(a 7 ) G-7 3--r C7 G-7 C+7 FA7

Have- n't felt like this my dear,since can't re-mem- ber when, it's been a long, long time. You'll nev- er

A-t;s Dtvg A-lvs Dltg G-7 Clsg G-tvs Clvg

know how ma- ny dreams I dreamed a- boutyou, or just how emp- ty they all seemedwith- out you,

F- FA A-7 .-r-- DJ G-7 C7 F6

kiss me once and kiss me twice, then kiss me once a- gain, it's been a long, Iong time.
L62 WHEN YOUR LO\TER IIAS GONE E.A.Swan l93I

Whenyou're a lone, who cares for sky - lit Whenyou're a

What lone - ly hours, the ev- 'ning sha- dows what lone- Iy
F-7 Bbt Ob-o ,.F_l
Ab6 C7

lone, the mag - lc moon- light dies, at break of dawn.

hours, with mem-'ries lin - ger ing, like fad - ed

ebt D-las G l s g c-7 F7 r,b-t nb+t ebo A"7 p;b-t nb+t

there is no when your gone.

87 F;b-t

flowers, life can'tmean an - y- thing, whenyour lov- er has gone.-

MOONLIGHT BECOMES YOU

Varr Heusen/Burke Lg4Z

A-TD!TA| G-7 Ctag F,bn Ettg AJ_, D7

Moon- light be - comes you, lt goes with your hair, you cer - tain - ly know the
Moon- light be - comesyou, f'm thrilled at rhe sight, and I could get so ro
If I say I love you, I want you to know, it's not just be- causetheres

G-7 Ctvg
o ''
A7 Dtlg Ctug
tFo
c-7
G7 F7 Bbn G-7 3-r

right things ro wear._ You're all dressed

man - tic to
moon- light, al

C-7 F7*ra F9 FTbe

dream-ing, now don't tell me that I'm wrong, and what a night to go dream-ing,
Gt-- 7J^-1 G-7C 7 o.".atcoctaS A-tasDtag G 7 G-7 Ctvg F6
3
 THE SOUND OF ITIUSIC
Rodgers/Hammerstein I 959
163
Fo7

--_/
The hills are a - live with thesound of mus lc,- with
I go to the hills when my heart is lone l.,
rJ, - I
1'
G-7 c7

songs they have sung for a thou - sand ye:us. The

know I will hear what I've heard be
F6 F"7

hills fill my heart with the sound

F Bb c7

heart wants to srng ev - it hears, my heart wants to

Bb ff,bo7 FTC BboT F6/A

like thewings of the birds that rise from the lake My

Bb CTIBb F6/A D-7 GTID Dbt F7

heart wants to sigh like chime that flies from the church o n a breeze,
Bh fi,bol F6/A FTC Bb CTIB| F6IA

laugh Iike brook when it trips and fall ov - er stones

D- A-7 D-7 G7

sing thru the night Iike a lark is learn - ing to pray.

" Bba/D sb-anb F6/C A-7

My heart will be blessed with the sound

A-7 c7
r64 STRANGER IN PARADISE
Forest/Wright l9b3

G-7

Tiakemy hand, f'm a srang-erin pa-ra-dise, all lost in a won- der-land. a strang-er in
Star-ry eyed, that'sa dan-gerin par-ra-dise for mor-tals who stand be- side an an - gel like
fer-vent prayer, of a strang-erin pa-ra-dise?Don't send me in dark des-pair
from all that I
t'F6 'F6
A-7 D-7 Dbz Gbn

pa-radise. If you. I seeyour face- and I uls - cend- ed-

nb-l r_3._r F 7rur4 F7 Bb-t eh-o A9 A13

out of the com - m@ace,_ irrtothe rare. sPace,- I hangsus-

Dg pib-t G-7 c7 Dlag al Coda

pend-ed, know there'sachance that you care. Won you ans- wer the
F6 D-TC GTtB CTIBb F^T
f-J

hurrger for. But o - p e n y o u r an - gel's to thestrang- er in pa-radise

Dtag ?.2 <Ierome Kern,/Fields 1935
G-7 Cltg

and tell him that he need be a strang- er no more._

SOME ENCIIAIIITED EVENING

Rodgers/Hammerstein 1949

c
Some errchanFedeve-ning!.- you may see a stran-ger,- you may see a sran- ger
Some errchanFedevening some-one may be Iaugh-ing you mayhearherlaughing,
Some errchanEedevenin_q when you find your lnre love when you feel her call you
E+ c6 D-7 EJ-,j A- crc
a-cross a crowd-ed Ans some-how you
\i-

know,- you know ev - en thenY

a-cross a crowd-ed and night af - ter night,- as skange zls it seems.-
 SOME ENCIIANTED EVENING (pg. Zl 165
D-7 2 . c

e \__/
that some- where you'll see her a - galn and a r
oreams--
the sound of her Iaugh-ter will sing in your
G7 c G 7 C G7 A-7 D7 G7 o.r.
atcoda

Who can ex-plainit? Who cantell you why? Foolsgive you rezFsons, wise men nev-er ry.-

A- CzlG F E- D-7 G7 C

own,- or all thru your life you may dream all a Ione.-

G7 ClG G7 C/G G7 C/G D-7 D-TG C

Once you have found her, nev-er let her go, once you have found her, nev- er go.

IPVELYTO I,OOKAT
Jerome Kern/Fields 1935

e
\/
lnvely tolookat, de - lightful roknow and heaven to kiss,- a com- bi - na- tion like this

c7 F6 r_ 3 _ r D7 G-7 C

e
is quitemy most im- pos- si-bleschemeometrue. Im a - gine find- ing a dream like you,You're

F6 B-tls EJ__r_, A7 De Gtvg

love- ly to look ?t, thrill-ing to hold you ter - ri bly tight,-

G-7 r- 3-] C G-7 r_ 3_r clvg F6

we're to-geth-er, thonoon is new, and oh, it's lovely to look at you to - night.

t
r66 I GET ALONG WTTHOUT YOU VERY WELL
Hoary Carmichael l93g

Bb c-7 F7rur4 BbM C-7 D-7 DboT

I get a - long with - out you v e ' r y well, of course I

I've for - got ten you just Iike I should, of course I
I get -
a Iong with - out you v e ' r y well, of course I
c-7 Bo7 c-7 F7 c-7 Bo7

do, e x - cept when soft rains and drip from

have, e x - cePt to hear your name- or some- one's
do e x - cePt per haps in Spring,- but I should
c-7 G+7 c-7 F7rur4 Fllog

leaves, then I re - call the thrill of be mg shel- tered in your

Iaugh that is the same, but f've for - gor [en you just like I
nev er think of spring for that would sure Iy break my heart in
t'Bb&*rt
nbn Db"t c-7 F7 c-7

of course
a - Iong with

tr J;', F,bn
should.
two'-
D7Fil

\--l

am,_ to

Bblr, Bb7*ura Bbt

e r
think my break-ing heart- could fool the moon,-
nbe E"7 sbn DTFil G-7

r€>
store? phone once no iy's
C 7rur4
F7rur4
D.C. al2nd End (Fine)
 SONG SUNG BLUE 185
Neil Diamond 1972

Song song blue, ev - 'ry- bo-dy knows one, song sung

Song(song)sung(sung)blue(blue)weepin'like a wil - low, song(song)sung(sung)
F

blue, ev - 'ry gar-den grows one, me and you are sub-ject

blue(blue)sleep-in' on my pil - low. Fun- ny thing but you can

c7

to the bluesnow and then, but when you take the blues and make a
sing it with a cry in your voice, and be- fore you know it start to feel - in

F G-7

\/
you sing them out a - gain. sing them out a-gain
you sim - ply got no choice.

EVERYBODY LOVES SOMEBODY Lane/Taylor 1948

Ev-' r y - bo- d y l o v e s s o me -b o -d y s o m e - ti me,- ev-

' ry -
bo - dy fal l s i n l ove soms how, -
Ev- 'ry - bo- dy finds some- bo- dy some- place,- there's no tell - ing where love may ap- pear,-
Ev- 'ry- bo-dy loves some-bo-dy some- time.- and al- though my dream was o- ver - due,-

q7 2 , F
F Pl A-7 Ab-z G-7 b) C]

some- thing in your kiss just told me my some- ume is here.-

some- thing in my heart keeps say - ing my some-place is
your love made it well worth wait - ing for some- one Iike yOU.- Fine

F7 C-TG F7 Bb F+7 Bb

If I had it in mv pow- er.- I'd ar - range for ev-'ry girl to have your charms,-
D- -s--D-(a7) D-7 G7 G-7 F#"t G-7 C7

D . C .a l 2 n d E n d ( F i n e )
' ry
t hen ev - ' r y m i n - u te , e v -' ry h o - u r,- ev- boy w oul d fi nd what I found in your arms.-
186 RAINDROPS
E Fp? F^7 f-r /
T

Raindrops are fall-in' on my head and just like the guy whosefeet are too big for his
did me sometalk-in'to the sun and I said I did - n't like the way he got things
Raindropskeep fall-in' on my head, but thatdoesn't mean my eyeswill soonbe n:rn- ing
A-7 A-7 D7 G-7

bed, noth- ing seemsto fit, these rain- drops are fall- in' on my head, they keep fall- in'
done, sleep in' on the job, these rain- drops are fall- in' on my head, they keep fall- in'
red, cry - in's not for me,'cause I'm nev - er gon- na stop the rain by cortsplain-in'
C 7rur4 le F^7F7 Bb C C 7

So I just thing I know- theblueu they send to meet me won'tdefeat

Butthere'sone
A-7 be-causeI'm De G-7

it won't be long- till hap- pi- ness steps up- to greet

D.C.alCoda sF FA7 G-7 C 7rur4 F

free- noth-in's wor- ry- ing me.-

SING
Bo7

(./'
Sine. sPg a song, sins out Ioud, sing out strong,
5lng, slng a song, mak-eit
Bb Bb D7 G-7 c7 c-7

sing of good times not bad, sing of happy not sad.

F-7 Bbt Eb Drt

sirn-ple to last your whole life long- don't wor-ry that it's not good e-nough for
G-7 C7 C-7 F7 Bb Bb F7
 THIS GTIYS IN I,OVE
Bacharach. David
L87
Ebdt t&; Db}i/ Ebtt

You see this 8uY- this guy's in love with you,- yes,I'm in love,-
I've heard some talk,- they say you think I'm fine,- this guy's in love

Ab^i, D-7 G7 c-7 fl eb-t EbTrrr+Eb7

who looks at you the way I do,- when you smile I can tell we
and what I'd do to make you mine- tell me how,- is it so, don't
Abn G-7 c-7 F-e

know each oth- er ve- ry well, how can I show you, I ' m glad to
let me be the last to know, my hands are shak - ing, don't let my

BbTrur4 Ebtt Ab/i Ebtt ptbal

know you,'cause I need your love- I want yourlove,-

heartkeepbreaking,'cause
Eb^7 D-7 C-7 F7 Bb Bb^l r;bt r-3-r Eb

sayyou're in love, in love with this guy,- if not,I'll just die-

MOMENTS TO REMEMBER Allen/Stillman 1955

sb-t

The New Year's eve we did the town, the day we tore the goal post down,
The qui - et walks, the noi - sy fun, the ball room pize we al - most won,
When oth - er nights and oth - er days may find us gone our sep'-rate ways,
''Bb-t 'Bb-t
Eb7 AboTAb Bb-7 Eb7 Ebr

we will have these mo- ments to re

obtp;bAb Eb-z ptbt lEor

Fine
mem - ber. Tho' sum- mer turns to win - ter and the pre-sent dis- ap -
At pibt Db Ab F- BDI
-l
BD- t
-l -
bD t D.c. at

pears, the laueh-ter we were elad to share will e - cho thru the years. When
-I

188 I SAYA LITTLE PRAYER

Bacharach/David 1967

A-7 D-7 CIG

ment I wake b e - fore I put on my

for the bus, w hi l e rid - ing I think of

E E 7 A-7 D-7

say a lit- tle prayer for you While comD ing my hair now
say a lit- tle prayer for you. At work I just take time

CIG C B7 E

'ring what say a lit-tle prayer for you.-

and wond - dress to wear now,-
and all thru my cof - fee break time,- say a lit-tle prayer for you.-

EF G E- Bb G

for- ev- et y o u ' l l stay in my heart will love you, for - ev- er, for- ev- er.

C B b C G E-

nev- er will part, oh, how I'll love you, to geth- er, to- geth- er that's how it must be, to

C F G E

you would for me.-

Eo_, D-7 F c^7

My dar-- ling be lieve me, there is no - one- but you.

c^7 ( cA7 G7rur4 ;- 3-1

Please love me too,- I'm in Iove with you,-

cA7 G7rur4 c^7 G7rur4

Draver--
 OUR LOVE IS HERE TO STAY 20-r
Gershwin 1952

G 13 G+7

It's ve - ry clear- our Iove is here to stay,- more than a year,

But oh my dear,- our love is here to stay,- to - geth-er we're
C 7rur4 Clrg Ebt D7 B-trs Ellg A-7 D7 G-7 c7

for- ev- er and a day.- The ra - di o- and the te - le - phone and

go- ing a long, long way.- In time the Rock-ies may crum-ble, Gi - bral- ter may tum - ble,
1F Bb E-tas ATrg D-7 G7 G-7 C7

mov- ies that know may just be pass-ing fan-cies and in time may go.- But oh mv
2 Ebt G-7 Gf,.Z A-7 G-7 C7 F6

they're on- ly made of clay, but, our love is stay.-

DON'T GET AROTTNDMUCH ANTTMORE

Duke Ellington L942

c^7 D-TEbctE F -Ct n7Bb7A7

Et'-.t | | ATrg

Missedthe sat-ur-day dance,- heard thev crowd-ed the floor could-n't bear it with-out
ThoughtI'd vis-ir the club,- got as far as the door they'd have asked me a- bout
Been in- vi- ted on dates.- might have gone but what for aw- f'ly diff-rent with-out

D7 G7 2.G-7 C7

€> Fine
you,_ d o n ' tg e t a ro u n d m u c h' an-y- more. Thoughtl'dvis-it the

F-6 E- D-7 c7

Dar ling guess_ my

F Ffi-tas Btvg

nev er the less, why stir up rnem - o - ries. Been in - vi - ted on

20.2 DO NOTHING'TILLYOU HEAR FROM ME
Duke Ellington t g4S
D7*'1 G^7 D-7 c^7

Do noth-in' 'rill youh#om Pay no at - ten- tion to what's

Do noth-in' 'till youhearfrom At leastcon- si - der our ro-
said.
Somekiss may cloud my me- mo mance.
and oth - er armsmayhold a thrill,
c-6 r1 E+7 A-7

whv peo - ple tear the seam of a - ny one's dream

If you should take the word of o v - er my head.
IS
oth - ers you've heard, I have - n't a chance.
but please do noth-in' 'till you hear it from D€' and yqq_nev - er will.
G6
*n -7 D7 'cH:, Bb7rura IEJ$oz
/'t
'7

Do noth - in till. you hear from True f've been

4 seen
L

d'r Abat G^7 A;

with somsonenew. but doesthat

that I'm un- true. When we're a -part,-
B-7 E7 Ai D7rur4 D.C. alFine

you. may cloud my me- mo

THERE WTLL NEVER BEANOTHER YOU

War:ren/Gordon lg4T
Ebl; D-tas Glug c-7

There will be ma- ny oth - er niehts Iike this,-

There will be oth - er when I'll be stan&ine
Iips that i may kiss,- but they won't thrill mE
sb-t Eb7 Abl;- pib-a Ebat I
here with some-one new
Iike yours used to do
There
Yes
will be oth - er
I may dream a
songs to sing, an oth- er fall an -
mill- ion dreams but how canthey come
I
1.c-7
c-7 F7 F-7 sbt
I
oth- er spring
,.Fr:
but

Ebl;
there will nev

Abltn
er be

G-7
an - oth

CTvg
you._
F-7 Bfiug Eb
I
 ALL OF ME 2o'3'
Simons/Marks l93l

A 7rur4

AII of me,- why not take all of me? Can;t you see
Your good- bye- left me with eyes that cry. How can r,

D-7 1.87
ATag r_3 B-tas E7 A-7

I'm no good with out- Take my lips, I want to lose-

go on dear with out-
De A-7 D-7

them,- take my arms,- I'll nev-er use- them.- You took the
F-6 E-7 A7 D-tlos Gtug c6

that once was my heart, why not take all of me._

IIAVE YOU MET MISS JOI\IES Rogers/Hart 1937

FA7 Ff,'z G-7

Have you met mlss some - one said as we shook hands.

Then I said miss Jones,- you're a girl who un der stands,

A-7 16b-tpbt 2'

D-7 G-7 c7 c-7 F7

a)
She was just mlss Jones

tr
to me. free.- And all at
f'm a man who must be
Bbaz Ab-7 >bt Gb^7

once I lost my breath, and all at once cared to death and all at once
D^7 A|'7 Dbt Gbn G-7 C7 F^7 E+7 Ebt D7

.-.-e
owned the earth and sky. Now f've met miss Jones,
G-7 c7 p,bt A-7 [bo7 G-7 r^t 1
FA7

and we'll keep on meet 'till we

ing die, mrssJones and I.
204 ALL TI{E THINGS YOU ARE
Jerome Kern/Hammerstein I 93g
r,b-t Ebt Abat Dbn G7

prom-ised at spring-time, that makes the lone- ly win- ter seem

c-7 F-t Bbt Ebat

Iong.- zue the breath - Iess hush of ev - 'ning that

Abdt D7 GA7 A-7 D7

brink of a love-ly glow that Iights a

Ff-zls E^7 C+7

star,- the dear - est things you are._

F-7 r;b-t Ebt Dbn Db-7

my hap - py arms will hold you day I'll

r,b-t Ebt (G-zrtCtrsy

that mo-ment things mme.-

JITST FRIENDS Klemmer/Iewis lg3l

c^7 r_3_r c_7 G^7 l- 3-r

lov - ers no Just friends,- but not like be -

friends- drif- ting a - part"_ two friends- but one bro - ken
nbt D7 Ffi-t's Btvg E-7

fore.. fio think of what we've to kiss a seems like pre -

heart, We
A7 E-7 ,*-3_r A-7 D7 Db7 2'
A-7 D7

tend - end - ing.- Ioved we laughed we cried and

F#-tus Bt'g
A-7 D7 G6
 DAYBY DAY 2o,5'
Sammy Cahn/Stordahl/Weston I 945

G-7 C7 Fa7

Day by day,- I'm fall - lng more in love with you, and day by day
day by day- you're mak - i n s all my dreams come true. so come what may
1'A-7 A7
3-r fih"7 G-7 G-7F E7

my love seems to grow.-

I want you to
p-(a7) D-7 D-7

it's deep - er dear by

2. A-7rs

that know- a - lone

I

FA7 Eb9 D 7rur4 Dlvg G-7 Cttg FA7

day day.-

OT]R DAYWILL COME

Hillard/Garson 1963

A-7

Our day w i l l come we'll have ev thing. We'll share the

Our day w i l l come we just wait while. No tezrs for

A-7 D-7 qL ,_,

jov fall - in love can bring. No one can tell me that I'm too
US' think and wear a smile. Our dreams ore mag - ic be - cause we'll

t. ea7 c-7 B-7 Bb7 A-7 D7

young to know I iove you so,- and you love

2. cL7 c-7 G E-7 A-7 D7

y_ come.-
20,6 TANGERINE
Scher?in ger/ Mercer lg42

D+7 G-7 c7 Shlr"' G-7 C7 G-7 c7

Tan- ger - ine.- she is

\-.--l

all they clairn- with her eyesof nightand lips asbrightas

And I've Seen,-- toastSfOr tanger-ine.- raisedin ev- 'ry bar a- cross the Ai_ gen_
tF a7
D+7 G-7 C7 F47 B_tas ETrg A^7 F#_7

Thrger ---/
lne, - when she dances bv.- -
sen-or i - tas stareand

B-7 D7 D+7 'Al

Dtlg G-7

ca - bal - le- ros sigh_ And yes she has them all on the
E-tas ATbg D_7 GzA'7
r3-r c7 F6

iltr, but her heart be- longs just to one, her eart be-longs to

IT COTILD IIAPPEN TO yOU vanHeuson/Burke

ts44

A-tas Dtl'g G_7 B-tus ETbg A-7

your heart from sight, lock your dreams at night, could

an eye on Spring, run when church bells nng, could
Bblr- ATbg A-Zas DtiDg G_7 Bb-o

hap- pen
hap- pen Don't count stars or you rnay
AII I did was won - der
''Ft7
E-lss ATbg D-7 G-7 A-7
I

Bb^7C7

srum- ble drops a sigh and tum - ble.

how your uumscould

happened
 I LOVE YOU 207
Cole Porter 1943

G-las Clag FA7 G-7 c 7 ^

.r -]
f-

. -
"r Iove you", humsthe A - pril breeze,- "f love yorfo:'-. ec-ho the
,,7 Iove you" the gold- en dawn a - grees,-

Fa7Brt s-) tf [ is - , w A^7 G F4l B-7 E7 A^7

as once more sne sees daf - fo - dils.

G-7 ,,-.Q7 r_ 3_r F L7 -7bs Dlvg

spnng again, and birds on the wings a- gain, stzlrt to sing again the old me-lo-
G7 c7 D.c.atcoda S A-las DlYg G7 G-7 C7 F6

it all be- longs ro you

PENNIES FROM HEAVEN

BUrke/Johnson 1936

c^7 D-7 E-7 f:boT Dl=?_s_., c^7 D-7

Ev - 'ry time rains, it ralns, pen- nies from hea- ven. Don't you know each
Tradethem for pack- age of sun-shineand flow- ers. If you want the

t'E-7
Eb"7 Ql7 , G7 G-7 C+7

pen- nies from hea- ven You'll find your for- tune fall - ing
E7 Eb1 D7 A-7 D7 G7 D-7 G+7

all o-ver town.- be surethat your um-brel-la is up - side down.-

ctB liA7__3_r

things you love, you must have sho- wers So when you hear it thun - der,

E-7 fibo7 D-7 Gtrg c6

don't run un- der a tree,- there'll be pen-niesin hea-ven for you and
208 MACK THE KNilF.E Blitzstein/Weili t92g

c#"t D-7 D-t

Sinatra

oh the shark has,- pret - $ teeth dear, and he shows them

shark bites with his teeth dear scar - let bil lows
ClE EboT D-7

ly white- Just a jack knife has Mac-

to spread- Fan - cy gloves
Heath dear,-
though- wears Mac- Heath dear,-
D-7 Ge c6
----
and he keeps it out of sight_
so there's not A- When the
trace of red-
bodl'jusr
oozingrife;
someone'ssneakingaroundthecomer,courdtha
f. iJll'j1T*j::Y::TiT:11":a mz
1iililf:.:1,"r.'"::::"i^'"::T:l:::"tdroppinsdoJn;the""-;;;:,;;;';r;*"."Trl;?
illi;T,-,-':::::::Yf:o*r":*no"^n,'"or*"."*;il;ff':;HilTf
6 SukevTawdry,JennvDiver,polrvpeachum,LucvBrow",on,o"u""r".rir""*;ililffi:r;:-:

SOMEWHERE BEYOND THE SEA

1947 Trenet/t awrence
F6 D-7 G-7 s&_r F6 D-7 G:, SZ3-r F^7 A7

Some where;-- be- yond the sea, some where wait - ing for
Some where - D€'
be- yond the sga, she's
We'll meet there watch- ing for me
be- yond the shore, we'll
7 r g kiss just as be fore-=-
FA7 D-7 BbatD7/A G-7 c7 D-7 Bbdt

my lov - er stands on gold - en sands-- and watch - es the

if I could fly Iike birds on ships that go
high,- then straight to her
hup-py we'll be be - yond rhe arms I'd go
sea and nev - er a -
,.Gl gain I'll go
c7 " ' G - t c 7 F6 4'6 F#-7 B-7

sail lng. Some

It's far. be- yond
A6 F#-7 B-7
A^7 A6 C6 A-7

star, it's near be yond the moon_

D-7 G7 c^7 A-7
3- D-7 G-7
 THE II\DY IS A TRAMP 2ol9
Roders/Hart L937

E c^7 Eb-7 nb-t nbt

She gets too hun - gry for din - ner at eight,- she likes the thea-ter but
She don't Iike crapgames with Bar - ons andEarls.- won't go to Har-lern in
G7 c^7 G-7 C7 F^7 F-7

nev - er comes late,- she nev er both-ers with peo - ple shehates
e r - mine and pearls,- w on' t di sh the dirt with the rest -
of the girls.

E-7 Atag D-7 Gtug lr6a7 ATrg D-7 G7 T^7 EJro, c7

that's whythe la-dy is a tramp.- tramp.- She like the free- fresh-
E-7 A-7 D-7 G7 E-7 A7 D-7 G7 c^7

in her hair,- life wittrout care.- she'sbroke,- it's oke,-

nb-t /tbt D-7 E7 A-7 D7 G7 c^7

cold and it's damp.- that's why the la- dy tramp.-

AFOGGYDAY
George/Ira Gershwin 1937

A fog - gy day in Lon - don town, had me low and

How Iong I wondered could this thing last? But the age of mira cles
l {
G7 G-7 C 7 | " Fa7 C-7 F7 Bb6 gb-o F ^7

had me down, I view the morn-ins the Bri- tish mu-

had - n ' [ passed,
A-7
''
D7 G7 c-l nbt

se-um had lost its charm. For sud - den - ly I saw

F ^TC G-TC F^TC G-TC A-7 D-7 G-7 C7 F6

fog-gy Lon-don town the was shin

2ro I'vE GoT THE woRLD oNA STRTNG
Arlen/Koehler l gg2

ObgCt F-t eb-a ebg Ab7#rt

I ' v e got the world on a string,_ sit-tin' on a rain-bow, got

f've got a song that I sing,_ f in-
I can make the rain go, an f in-
G-7 cb-t F-t Bbt Eo7 t. e+7
F-t ebg

What a world, what a

Iife, I ' m Iove.-
Luc - ky DO, can't you see, f ' m love
z-gb6eba
A" Eb6 Eo_,
tou". Fine
Life is a beau-ti-ful thing,
as long as I hold rhe srring
F9 _r ^ Repeatlstverse
F-e Bb9 D.c. at2ndEnd

I'd be a s'i so and so,- if I should ev-er let go I've got the

IT DON'T MEATTA THING

(m'rTArN'TGOT TI{A[ SWING) DukeEuingron/Miusrssz

G-/F# G-lF G-/E Ebt DT G-7 G7

It don't mean a thing if rt ain't gor that
It don't mean a swIng,
thing, all you got to do is sing,
Gbtrrt 1'
F7rur4 Bba D+7

doo wah, doo wah. doo wah, doo wah, doo wah.
doo wah. doo wah, dbo wah.
2' F7rur4
F,ba F-t nbt nbo
doo wah, doo wah, dbo wah. FfrP makes no 'rence
if it's sweet or hot,-
G-7 c7 A-tas Dtag

Just give that rhy - thm

ry - thing you got._ D . C .a l 2 n d (Fine)
 NIGHTAND DAY
Cole Porter L932
2LL
Bb7 3_r Ebu nba

Night and d^y- you are the one.- On - ly you be- neath the
Day and nigh- why is it so?- That this long - ing for you
,
Bbt r_3_r E'LT eba A-zus nb-t G-7

moon and un-der the sun.- Whether near to me or far, it's no mat- ter darling
fol - lows where-ev- er I go.- In the roar-ing traf-fic's boom, in the si- lenceof mv
Qb.7 F-7 r,bt Ebat 2. nbo

- f _ A A r - t t -
where you !ue,- I ,tinu of vou nightand day_
tr #l?-''' room' Dayandnight Night and

Ebtt Gbnri

daY,- urrder the hide of rn€'- there'san oh, such a hurrgry yearn
Ebat C-7 A-tas nb-t

side of me.- through spend my

Qb"7 Bbt Eb6

life mak - ing love night and day-

.S WONDERfl'L George/lra Gershwin L927

8"7 F-7 BbTruraBbrE

'S Won - - ful,- 'S

'Saw - mar - vel- ous you should care--
ful nice,- 'Spar- 'S what
a- dise I love
t Eb
Ctrg F-7 Bnag A-l;s Dlug LIZIGa7 E-7 A-7 D7

me see- You've made my life SO

B-7 ETvg A-7 D7 Ge c13 Fe Bbrs E 7

glam- or- ous,- you can'tblame me for feel- ing am - or- ous.-
[5l
r\'f rib GboT F-7
I
l-J'
Cig F-7 Bfilg Eb

'S 'S mar-vel-

won- der-ful,- ous,- that you should chre_
2I,2 HOWHIGH THE MOON

Some- where there's mus - how faint the tune some- where there's hea -
Some- times there's mus - it's where you are some-where there's hea -

Ebat

how high rhe moon There is no moon a - bove when love is fu a- way
how near so far. The dark- est night would shine if you would come see me
A-tas Dttg G^7 A-7 B-7 Bbt Dlag

too,_ 'till
it comes true,- that you love me as I love you. Some timesthere's
I;--
lGaT A_7 B-7 Bbt A-7 D7 GA7

un- til you will, how stilr my heart,how high the moon

BUT NOT F.OR ME

IralGeorge Gershwin lg30

Ebli C-7 F-7 Bbtrg l:bt c-7

They'rewrit-ing songs of love but not for me._ A luc-ky star's a - bove
I w a s a fool ro fall and get that way,- Heigh-ho, a - las and al -
F-7 Bhag Ebt eb-t nbt fibo7 pibn eb-o

but not for me._ With love to lead the way, f've found more
so lack - a day.- Al - though I can't dis- miss the mem - 'ry
I tEboT Eblr- C-7 G,TE F-7 B Zttt Bhlg

of gray, than an - y Rus - sian play could guar- an - tee.-

Bbtsg

I guess she's not_

 SHII{Y STOCKINGS 2r9'
Frank Foster /E.Fitzgerald 1956

nbt Eb7

I walked with my ba - by and I know noth- ing flat, she's

I'm hip and I'm luc - kv to have some- one well en - dowed. a

obt Ab6IC 8"7 B-7

got some- thing mel - low lots of fel - lows whis - tle at. When
girl half as love - Iy would make lots of fel - Iows proud. I

Db-7 c-7 ,.F7

nb-t Eb7

? walk, I know soon as we re out,

her charms, but ong's real - ly a ball

shad - ow of doubt

Iove those shi - ny stock - ings most of

SHOUT CHORUS
sbt sb-t Eb7

Bb-7
214 THERE IS NO GREATER LOVE
Isham Jones/Symes lg36

Bbn nh G7

There is no great- er Iove than what I feel for you._ No great - er

There is no great - er thrill than what you bring to me,- no swee - ter
There is no great- er love i n all the world, i i ' s true- No great - er
1. C7
F7 C-7 F7

love,- no heart so true. There is no song than what you slng to

love than what I feel for
Bb A-trs D7 G- A-ll,s D7

me._ Fine
You're the sweet I
you._ have e v - e r

G- A-ll's D7 G- c7 F7 D.C.al2ndEnd.

e
you are mine lone.

WHAT IS THIS THING CALLED LOVE?

Cole Porter 1929
G-tss ct;g e p-7tt

What is this thing- called love? This fun ny thing-

Just who can solve- i t' s m y s - t e r - y? Why should it make-
ask the Lord- i n heaven a - bove. What
1.
GTbe c^7 2'
Glag c^7

e
Just me?

3-1 Bbat

saw you there- one won- der-ful ay. took my heart-

D-7 G7 D.C. atCoda s Dbt G+7

why thine-
 SECRET LOVE
Webster,/Fain 1953
2I.5
Ebnlgbzrur+gba7
BbTrura Ebn BbTrura
Eb^7Bb%ura
Ebn Abn G-7 Ctvg

Once had a sec- ret roH that lived with - in the heart of
So told a frien& ly star- the way that dream- ers of - ten
F-7 Bbt F-7 Bb7 F-7 Bbt F-7

-
mer_ all too soon my sec - ret love, be- came im -
do,- just how won - der - ful vou il€' and why I'm
lEl
''F-t ''Glt, t-e_7
BbTrura Bbtsg Eb Bfi',g F7

pat- lent to be free-

so in love with you_

Bbl;, Bb6 Bb-7 Ebt Dbt Fldt F-7

high - est hills, e - v e n told the gold- en daf - fo- dils,

G-7 Abdt Dbrg ce F-7 Bbt Bfirg Eb

+
heart's an o- pen door--- and my sec-ret love's no sec-retan-y- more-

ALMOST LII(E BEING IN LOVE I*rner/Loewe 1947

Ebtt D-7 )b.7 c-7 F7rur4

day this has been,what a rare mood I'm in, why it's al- most like be- ing
smile on mv face for the whole hum - an race,why it's al- most like be- ing

lEl^-' D7 G^7 G-7

love- There'sa of life seems to be,- bell that is

love-

c-7 A-lvs Dtvg E rro' F7 D-7 DboT

nng - lng for me-- And from the way that I feel, when the bell starts to peal. I would

c-7 c#'t sbn |lboT c-7 F7 Bb

swear I was fall- ing, I could swear I was falling, It's al- mostlike being in love_
216 IN THE MOOD Joe Garland 1939 (Glenn Miller)

Se b

OPUS ONE

A-7 D7 tG/B fibo7 A-7 D7

 STOMPTN'AT THE SAVOY 2L7
Goodman 1936

c7 F.- Bbt A3 F#.t

JERSEY BOUNCE

PENNSYLVANIA 650()()

B7
218 PERDIDO
Juan Trzol 1942

trD7 A-7
lT-o-'1

Shout Chorus use rhythm bridge

-7
r-3- C-7

''ca ,
Bo7 c! F7 gbt ribt

TTDKEDOJTTNCTION
Hawkins l93g

ebtn ribt F7 BbTID Eb7 F7

s
Bb Bbtle Eb Bbrp

nb-a

D.C. al Coda (LastX)

L Fb3-r-l 3._ I
l- J-l
[-J-]
^ - ?
| v *e BbO
 219
CRAZT RI{TTHM
Caesar/Meyer/Kahn I 928
lrnpr ' r dpl
FA7 G-7 trbo7

Cra-zy rhy- thm, here'sthe door - way. I'll go my way, you'll go your way,
Here is where we have a show - down, I'mtoo high-hat, you'retoolow down,

c7 1. F pibt Ge Cbg F G-7 A-7 D-

cruzy rhy-thm, from now on we're though. you. they say that
cr*zy rhy-thm, here'sgood-bye to you.

c-7 F7 Bbn Bb6 Bb-6

when a high-brow meets a low - brow, walk-ing a-long Broad- way, soon the high- brow,

A+7 D9 G+7 ce F^7) G-7 A-7 D-7

he has no - brow, ain't it ashame, and you're to blame. What'sthe use of pro-hi-bi

G7 Ab7 G7 C 7rur4 C7 Dbe c7 F

You producethe samecon-di crtzy rhy-thm I've gonecra - zy too.

STRING OF PEARI,S
Gray/Del^ange 1941
220 UNDECTDED
Shavers/ Robin lg3g

c^7 c^7 F7f ll

First you say you do and then you don't, and then you say you will and then you won't. you,re
Now you want to play and then it's Do, and when-you sayyou'll stay,that's when you go.
If you'vegoi a heartand i f you'rekind, then don'tkeepus a - part,make up yourmind.

D-7 bt G7 1c6 A b 7G 7 '' ca D-7 D#"7ClE

tDl un - de- ci - ded now, so what are you gon - na do?

:^G-7 I've been
c9 G-7 ce C+7 Ebltn

srt-tlngon a fence, and it does'n't make rnuchsense,.causeyou keepme in suspense

andyou know it. Thenyou
D7 CIE po DTtF|, G 7rur4 G7 G+7

pro-mise to re- turn, when you don't I real-ly burn, well I . D.C. al Fine
guessI'll nE-er Iearn, and i
snow lt.

NASCINATINGffi IralGeorge Gershwin I 926

G-l G-1 G-7

Fas-ci-nat-ing rhy - thm you've got me on the fas - ci nat - ln8 rhy - thm I' all a -
once it did-n't mat-ter but now you're do-ing when you start to pat- ter, I'm so un_
G-7 C7 c-7 F7 -7
F7

qul What a messyou're mak-ing,

hap
ner want to know why I'm
won't you the day ofP de - cide
luk. to run a - long some- where
c-7 F7 c-7 F7 Bb D 7 t'G-z c7 F6

al- ways shak-ing just like

far a- wayoff, and make Each morn - tng get up with the sun,
oh how I
E-. D-7 G7 c7 A-las Dtlg

(start a- hop- ping, nev-erstopping)

to find at night no work has been done. I kdow
,' G-l
At;rg D-7 G e G-J c7 G-J G 7 C t a gF 6

long to be the man I used

222 I'LL REMEMBERAPRIL
De Paui/Raye l94l

This love- ly day will lengthen ln-to ev-'ning, we'll sigh good - bye to all we've
The fire will dwin-dle in - to glow- ing ash- es, for flames and love live such a
A-7 D7 B-lvs Etlg

ev- er had. A Ione, where we have walked to geth - er, I'II r e -

lit- tle while. I won't for - get, but I w on' t be lone - ly, I'll r e -
A-7 GA7 G6 c-7 F7 Bbn

mem-berA- pril and be glad. I'll be corFtent you loved me once in

menrber A- pril and I'll smile.
D7 G+7 C-7 F7 Bbn A-7
1-3-1

A- pril, your lips were w:um Iove and Spring were new. But I'm not a - fraid of
p{l-z
G^7 G6 rll ' B7 E^7 D7

D.C. alFine
Au- tumn and her sor- row. for I'll re - mern-ber A-pril and you.

rT'S YOU OR NO ONE St5rne,Catrn 1948

It's you or no- one for me,- I'm sure of this- each time we kiss.-
Pleasedon't say no to my plea"- 'cause
if you do,- then I'm all
nb-t nbn A-7

e- ver and when for- e-ver's done, you'll find that you are

through.- There's this a bout you, my

p,b-t Dbt A-7 D7 G-7 C7 F6
 f,M OLD NASHIONED 223^
Jerome Kern/Mercer 1942
F6 D-7 G-7 c7 FA7 D-7 G-7 c7 Bb/F FA7

old fash - ioned, I love the moon - light, I love the old fash- ioned
A7 D-7 G9 D-7 G9 Abt*n

things.- The sound of rain up -=-, oD the win- dow Pile, the

G-7 A-7 Bb6 GTtB C 7rur4 c7 IEJ F6 D-7 G-7 C7

star-ry song that A pril sings This years fan-cies are

FA7 D-7 B-7 E7 A^7 B-7 c*-7 D7 E7 F#"t G-7 C7

lFl pass - ing fan- cies, but sigh-ing sighs, hold - ing hands, these my heart un- der- stands.
wJ F6 D-7 G-7 C7 F^7 T)-7 G-7 C7 c-7 F7 nbll Ebttn

I'm old fash - ioned, but I don't mind it, that's how I want to

A-7 D-7 B-tvs Bb-6 A-7 D-7 G-7 C7 F6

old fash-ioned with me.

STARSFELLONffi Perkins/Parish 1934

c Bb7 A7 D7 Q+ C^7 D-7 E-7 flbo7

We lived our lit - tle dra - ma we kissed l n a field of white,

I can't for - get the gla - mour your eyes held a ten - der light
My heart beat like a ham - mer, my fums wound a - round you tight,

D-7 A7 D-7 G 7 1. C A7 D-7 Gt]'g 2. C^7 D-7 pboT E-7

€
stars fell on Al- a ba- ma last night. night. I nev- er

D-7 G7 E-7 f;b"1 D-7 G7

planned in my i - m a - g i na - tion a srt- a fair- y

D-7 G7 ETGil A-7 A-lG E^7 G7

(Fine)
D.C.al?n_d_End
land where no one else could en - ter and in the cen-ter just you and me oear.
224 IN-VMHrION
\\
Kaper/WashingtonI9S2

3-r

-/v

You and your smile_ hold astrangein-vi _ ta- tion,- some-how it seems we'vesharedour
How long must I stay- in a world of il - Iu-sion,- be where you are, so near yet so
F7 ebt -l
Eb-7 ?_
.t
s
dreams,but Time af - ter time_ ln a room full of strarlgers out of the
far a Pan._ Hop - ing ypu:ll say_ with a warm in- vi
/ibt Dhag cf_,
l_EJ Fi7 B-7

blue sudderrly you are there.- Wher- ev-er I go,- the glow of temp - ta-tion,_
B-7 E7 EatT ^ A-7
5-] 'tZ-3

glan-cing my way,_ in the gray of the davrn.- And al - ways your eyes_
D7 D ah7 G-7 E-lus nbt
1-3;-1 3i-r D an7 GattT

smilethatstrange ta-tion,- then youare gone,- whereohwherehaveyou gone?_

B z*u pTdt gb7at gb-<azl

ta- tion- "wherehaveyou been?_ Iing come come in-to myheart.",

GONE WITH THE IVIND Madigson l9S7

F-7 nh Ebat F-7 Bbt Ebn A-7 D7 G6

Gone with the wind. just like a leaf that has

now all is blown a - way. Gone with the wind,
gone, gone is the rap- ture rhat filled my heart. Gone with the wind,
A-7 oL.. GA7 1.G-
3-1
Ff"z F-7
f- r-]

my ro - mance has flown a - way. Yes-ter-day's

the glad - ness that kiss-es are on my lips
filled my heart.
Ebn G-zls Clag F-7 sbt C-

Ihada life- time of hea-ven at ny finger -

Bb7 G_7bsC7F_7 sbg
 rVE GOT YOU UNDER IIIY SKIN 225l
Cole Porter 1936
F-7 nbt Ebn Cttg Bb7

you- un- der my I've got you- deep

p}at
Ebdt G-7 QboT

heart of mgr- deep in my heart,- you're real-ly a Part of me,-

F-7 nbt Ebn Eb6 F-7 r,bt

got you- sKrn.- so- not to grve

Ebn nbo D Ebn nbo

said to my- self "this af - fair will nev- er go so well" but

D- 7 -. G7
r-3 -r BlC C^7tB A-7 A-TG F-7

why should try to re - sist when dar- ling I know so well,- I've got
BbTrura Ebn nbo F-trcb Bbt17,l
l- 3-r 3-r l-3-r t-3

-
un- der my skin. I'd sac- ri- fice an- y- thing, come what might, for the
Ebdt pbt /,:bllitp,b obJf1r\
3 r- 3-r r-3-r r-3 Ebn Gbt*tt

sakeof hav-ing you near, in spiteof a warrring voicethat comes in the night and re - peats and r+peats in my

F-7 Gtag c- c-7tBb Ab sbt14b G-7 C-TG- . ,eboT F-7

t-3-r -

you know lit-tle fool,- you nev- er can win,_ use your
Ebat eb-t nbt Ab rrb-e obg

wake up to re - al i - ty " .- But each time do, just the thought of you makes me
Ebn D b z * t tC t v g F-7 Bhlg Ebdt

be-fore I be got you_ un - der mv

F
226 COIT{E FLY WITH IWE

James Van Heusen,/Sammy Cahn

lgsg

c^7 p:b"7
D-7 Ab%uraG7rur4 G9

Come fly with me, Iet's fly, Iet's fly a - way!

Come fly with De, let's float If
down to Pe - ru.
V/eath-er- wise. it's such In
a love Iy day.
Just
c^7 c6 G-7 c7 F49 Bbe C^7

you can use some ex - ot - ic booze there,s

a bar in old Bom - bay. Come fly
La- ma land there's a onemanband with mI ler,sfly,
and I'll toot his flute for you.. Come fly with me, Iet's
say thewords and we'll beat the birds down fly,
to A - ca-pul- co Bay. It's per- fect for a fly
''Dr"
G7rur4 G7 E+7 Ge ,.Drrn
D-t G7 C G7rur4
--..--
Iet's fly- - w ay._ e < >

tr take off tn \-..-z

the Dlue.
Iet's fly a way!
Ab* nb-t Eb7rr,+

Once I ger you up there, the air rar we'll just glid[
nb-t Eb7 Ab F-t nb-t EbTru Ab Ab+ 11ba Dtag

s t a r - r y - eyed.
F--/
Once I get you up there,_ ril be hold - ing

B-t E7 A - 7 D 7rur4 D7 G G 7rur4 G 7 ,qbt G%uraGlag

\--l

you so near. you may hear_

an - gels cher, 'cause we're to- geth - er.
D.C. at Cda
F9 E_tas ebg E-tus Alag D7rur4 D9
r\--l
hon ey
fly with ile, let's f7v,
G 7rur4 Gtl'g
 I GETAKICK OUT OF YOU 227
Bnlg Eb^7 G-7 gtbs p-7

I get no kick from cham- pagne,_ mere al - co hol does- n't

Some get a kick from co - calne,- I'm sure that if I had
I get no kick in a plane.- Fly - ing too high with sorne
G-7 Ctsg ry-3_1 Rb7 G7 ce F-7
"a7
thrill me ar all, so tell me why should be true I get a kick
Bhtg Eb abal.G-7 C l a g 2Ebn E"7- 3 - Bbt

out of you?- ev- en one sniff it would bore me tep-, rif - ic - 'lyJ
D-7 G7 G-tvs Ctsg F-7 Bbtsg Eb F-7 Fil"znvCf Bls;r

too.- get a kick- out of you._ I g e t a

EbTrura
r---r-'l
obtrrbAb obtnbAb nb-t nbg G-trs c7

kick c>
see you're stand- ing fore me.
F- Dbt*n Clug Fe F-zls btrg

I get a clear to D€, you don't a- dore

G-/D c-7 F-7 J
eh libt G7 Ce F-7
^ l -
Eet

gal in the my i- dea of nothing to do,_ I get a kick out of you.-

DEARLYBELOVED Jerome Kern/J.Mercer l94Z

G7 D-7

Dear- ly be lov- ed, how clear- Iy I see, some-wherein hea-ven you were fash- ioned for
No- thing could save me. fate gave me a sign, I know that I'll be yours come show - er or
G7 1 .c 6 A-7 D-7 G7 c^7 A-7 nb-t rtbt

me. An - gel eyes- knew you,_ to you.-

shine.

mere - lv.-- dear - ly

I
be - Iov - ed mlne.
228 OLD DEVTL MOON
I-ane/Harburg 1946

Ebat

I- look at you and s ud-den - ly,- some-thing in your eyes I

You've- see,_
g o t me fl y -i n g high and wide- o n a mag- ic car- pet ride_
pbat p,bn
F^7 c-7 F7

soon be-gins be- witch-ing me._ It's that old dev- il moon- that you stole
full of but- ter- flies in - side Wan - na ca, wan-na croon,- wan - na laugh
eb-o Ebt*n l:b-t Obt Gb C7 F6 nba

from theskies,- it's that old dev-il moon- ln your eyes._ You and your glance
like a loon.- it's that old dev-il moon- in your eyes.- Just when I rhink
t'F6
Eb^7 r-3-r Dl7 F 1
\J/ D-7

make this rGmance_ too hot to han - dle. Starsin the night blaz-ing their light
G7 3-r G-7 C7 (Break) t'
F6

can't hold a can - dle to your raz-zle daz- zle. think I'm- free as a dove,_
F6 nba t- 3-r A-tas Dlug G-7 C7b: F6
I l-J-

old dev- il moon, deepin your eyes, blinds me with Iove-

CHEROI(EE Ray Noble f 938

 GREEN DOLPHIN STREET 229
I\aper/Washington

Lov one love - lv Love came- plan - ning to

Through these- mo - ments a - mem - 'ries- live in my
,.D_l
c^7 Swing
c^7

Green Dol - phin sup - plies the

2. Swing
r,bt Ebn G7 D-7 D-lC B-tas ETbg

set- ting for nights be- yond for - getting- and When I
A-7 A-lG Ff-zls Btrg E-7 A7 D-7 G7

found on- Green Dol - phin

rM BEGINNING TO SEE THE LIGHT

H. James/Ellington 1944

F-6 E-7 f}.7 bt

nev- er cared much for moon- lit skies. I nev- er wink back at fi - re - flies. but
nev- er went in for af - ter elow. oJ can-dle light on _the mis-tle - roe, but
nev- er made love by lan- tern fiine, I nev- er saw rain-bows in my wine, but

Ffl-zls F-6 ^
U
- l
b7 -A^ l De Ge t'c6
A7

now that the stars are in your eyes, - gin- ning to light.-
now when you turn the l4-p dg* lg*,
now that your lips are burn-rng mlne,
2
c6 B-7 E7 r,b-t \b7 ,

light. Used to ram- ble in the park,- sha - dow box-ing in the dark.

A-1 D7 l n
DI G7 D.c.atFine

came and caused a spark. that's a four a- larm fire now.-

2s,0 JIIST ONE OF THOSE THINGS Cole Porter l93S
(n:T A7
- )
A7 B-7C"7A1/C1C-7 F7 B-las eb-o
was just one_ of those things,- just one of those cra - zy flings.--
was Just one- of those nights,- just one of those fa- bu - lous flights
F/A F-6/Ab G - 7 C7 F6 G - C 7 t.p-7|s Alag 2 . F - 7 B
E$nz
f--J
3-r f 'lf- /

one of those bells rhat now and then nngs,

Just one things.- 11 *-as
trip to the moon on gos- sa- mer wings.
Eb E"7 (D-7 G7 )
F-t sbt G7 A-7 ff,bo7GTIB

thought a bit- of the end of it- when we start- ed paint - ing the town,- we,d have
c6 A-7 Ffr-tls F- E-7 flb"7 G-7tD C7 E-tas Atug

r-r been a- ware-that our love af-tair- was too hot not
ICJ D- A7B-7C"7 ATC#C-7
to cool down.- So good-
F13 r,bn sb-o
bye dear, and A- here's hop - ing we meet now and then it was
A-t DI F#.7 G-7 Ct'g F F7/A Bb B. F/C C7 F

fun,- it was just

EXACTLY LII(E YOU

Fields/McHugh l93O
c^7

_ I know why l.ve wait-ed, know why I've been blue, prayed each night for
-YtV should *e spend mon-ey on a show or lwo,
sorne-one ex -
Now I know wtrv moth-er no one does those love scenesex -
taught me to be [rue, she meant me for some- one ex -
A7 D - 7G 7 2.c F7 c7 F^7 F-6 /

act-ly like youl___ act- ly like you- you make me feel so grand, I want b hand the
Fine
c^7 FA7 F-6 E-7 A7 D-7 G,7o.r. Fine

world to you._ you to un- der- stand .ach fool_ ish Iit- tle scheme
I'm schenr.ing, dream,I,m dreanring.
 THE SONG IS YOU 23r
Kern/Hammerstein lgg2

c^7 f;b"7

hearmus-ic when I look ar YoU' abeau- ti - ful themeofev- 'ry dreamI ev- er
hearmus-ic when I touchyour hand,- a beau- ti - ful mel- o- dy from someen-chant_ed

D-7 G7 l- 3-1 I r. E-7- A7 G7

down deep my heart,- I hear it play,-

down deep my

Bbt E-7 D-7 G7 2'

E-7

start,_ the melt a - way heart,- I hear it

D-7 G7 c6 Bbrs c6 Ffi-trsBtsg

saY' this day?

c#-7 F#-7 c#-7

I a- lone- have heard this love- ly strain,- I a-lone- have heard this
Afr-tas Dfr7 G#-7 r-r/*l
t -l? ,
r- 3-r

glad
for- ev- er i n - side of me,- whv can't I
F#13
c^7 frbo7

go,_ why can't I let you know? Why can't I Iet you know the song my heart would
D-t G7 r:-3-r CA7 G-7 C7 Bbe J-1

rhapso.dy of love and youth and spring,_

G7 c6 gbr: C6

thewordsare true thesongis

29.2 THrs
coulD BE THE STARToF soM'TrrrNc Brc
Steve Allen l9l
eb c-7 F-7 gbt

You're walk-ing a - long the street or you're at a par- ty,_

You'relunch-ingat "Twen- ty One"_ or else you're a
and watch-ing your di - et,-
You're up in an de-clin ing a
ae - replane_ or din - ing at Sar-di's,- or ly ing at
F-7 F-/Eb D-tus Gtrg C-7 B+ gb-t Ebt lrbn

Ione and then- you s u d den- Iy dig,- you're look- ing in

Char-Iot Russe,- a c - cept some-one's eyes,
ing a fig,- when out of the
M a - I i - bu,- a - lone clear blue sky,
on the sand,- you sud-den-ly hear a bell
A-lts D7 G-7 1'
Ct;g F-t Bbt G-7 Gb

you sud den- ly re a - lize-' that this could be the start of some-thing big.
it's sud den- Iy gal and guy,- and this could be the start of something
and right a- way you can tell- that this could be rhe start of something grand.
F-t sbt nba Bb-trcb ebt sb-tnb
You're lunch - ing at big. There's no con. trol - Iing the un - roll- ing of your fate my friend,
Ebt Bl*tPS F;btEs Bb-tnb sbt Abn

who know's what writ - ten in the mag - lc book? But when a lov- er you dis-
sb-tnb Ab F-7 c-7 F-7 Bbl D.c.atcocra
(t-a

cov - er at the garc my friend,_

in-vite her in with-out a se- cond look. You're up in a
G-7 c7 F-t Bbt Eb
This could be the start of some-thing, this could be the shrt of some_thing fine!_
lou're doingyourincometax,or buyin'a toothbru{lo. hurryinghome
thesuddenlv thereyougo,th"'uiry nextthingyoutnq*, because thehouris late,
You'rehavin'a snowbaiiiiiitlor is this u. ril ,il li*rrtr,ing big.
whenall of a sudden fii.5Q"'U,Ei#i yorr.i ,ingi.,i|; "6uibhappyru-ne or knockin,on wood,
youlo"o[up^uno thoir ;;;ne new,
Yourdestined loveryou'll Jit"oii"r il i.iqlt1.'ri'igilo1n, oh-thii .oura'u"ir," ,tun-orsomething good.
becausethemeetins ,o [""pt;;; heartawak"ilh nrghtandday
mavut n""t*g::.{1q{:;i";ri;;ff&1Ji"'"',
You'rewatchine ,p ;r countingyoui.oney, wanrit to srip away.
Thensuddenly ihtte sheis,you tant to be*i6." it. ir, inJo.!rs.
t :$:";; i" ;;#;;l;';;;if" orderingwine,
tr,ii ,nu.tbethe,ruiror rtmething- (To
 CffiOOcAcHOOCHOO 23,3
Wa:ren,/Gordon 1941

G rur4 E-7 A7

Par - don me boy,- is that the Chat-ta- noo- ga choo choo tracktwen- ty nine,
I can af- ford- to board a Chat-ta-noo-ga choo choo,- I've got my fare,
There's gon - na be,- a cer- tain par- ty at the sta - tion,- sat - in and lace.

+ 1.D-7 G7

---
boy can you g r m - m e a snrne-- You Ieave the
and just a tri - fle to spare.-
I used to call fun - ny face

CTG FlA

penn-syl- van-ra sta- tion 'bout a quar - ter to four,- read a mag - a - zine and than you're
When you hearthe whis- tie blow-ine eight to the bar,- then vou know that Tenn - e - see is

F/A F7 Bb 8"7

ln B a l - t i - more.- din - ner ln the di ner, noth - i n ' could be fin - er,
not ve- ry far sho - vel all the coal in, got - ta keep it roll - in'
''
Gllg Dbt c7 F G 7

D.C. alCoda
than to have your ham and eggs ln you are-
woo woo Chat - ta - n o o - g a

D-7 C ClB C7lBb F/A

She's gon na cry- un-til I t e l l her that I'll nev - er roam-

r,bt CIG A-7 D7 Gtsg C

Chat ta- noo- ga choo choo. won't vou choo choo me

234 YOU AND THE NIGHT AI\[D THE MUSIC
Schwartz /DieU 1934

You and the night and the mu - sic, fill me with flam - ing de - sire,
You and the night and the mu - sic, thrill ffie, but will we be one,
If we must live for the mo- ment, love till the -
mo ment is through,

3-r
n
\ J '
7b9 c^7 A-7

set - ting my be - ing com - plete- ly on fire. U n - til the

af - ter the night and the mus- ic are done?
pibg Dlag G7
3-r 3-r 1- 3-1 371
D-tss Gtsg

pale light of dawn-ing and day-lighr.our hearts will be throb- bing gui
Abn 3-r 3-
A-7as Dl;g G7 D-tas Dbtttr

morn - lng may come with - out warn - ing, and take
s
a way the stars.
n-7t5 Gtag
IJ
\'-..1
t-3
A-lus Dtrg Gtvg C-

night and you?

RED ROSES F.OR A BLTIE II\DY Tepper 1948

C B7 E+7

I want some red ros - es for a la- mrs - ter flor - ist
Wrap up some red ros - es for a la- send them to the
A7 E-7 A7 D-7 1-G7 E-7

take my or- der please.- We had a sil - ly quar- rel the oth - er day,
sweet-est gal in town,- and if they do the
A-7 D7 A-7 D7 D-7 a7

flow - ers chase Wrap up some

 LOVE FOR SALE 29,5
zndx-EbAi/ Bbdt 2ndX,3rdx-fibA7
I

Cole Porter 1930

1stx,3rdx-f,b9 gb-t

Love- for sale,- a p - p e - uz- rng young love for

Who- will buy?- Who would like to sam - ple my sup -
Love- for sale,- ap - pe tiz- ing young love for
gbn
r,b-t Ebe /ibt S Dbs fop notes2ndX

sale,- Iove that's fresh and still un - spoiled, love that's o n - l y

plv?- Who's pre - pared to pay the price for a trip to
sale If you want to buy my wares,

slight - ly soiled, saleH

pa - ra ' dise? love- sale-

nb-t Dbat Bhag nb-t

the po- ets pipe of love, in their child- ish I know ev- 'ry

Db^7 B^7 nbt B7 r,bt

type of love, bet - ter far than they. If you want thrill of love,

nb-o r--3-r Gbt*n G-tas Ctug F*-7 B7 F-tvs p,bt

I've been thru the mill of love. old love, new love, ev-'ry love but true love.
D.C. alCoda

cbt

fol- low me and climb the srairs.

G-zls Gbn Ft?3

2s,6 MT BABYJUST CARES F'OR ME
Donaldson/Kahn lg30

My ba- by d o n ' t care for shows, my ba - by don't care for clothes,

My ba- by don't care for rings, or oth - er ex pen- sive- things,
B-7 SboT A-7 Ettg A-7 A_7/G Ffi-7as
97

my ba - by just cares for My ba- by don't care for

BTE 8 . 7 A7 D7 A-7 Dtag

furs and lac - es.- my ba - by don't care for high- toned plac- es
,B-7rt
ETbg E7 A-7 c^7 Cfr-tus Fpag

she's sen- si- ble as can M y b a - by

B-7 E7 A-7 D7 G

knows-- tt,- my ba- by jusr

WALKTN' IT4fYBABY BACK HOME

pl4i.

Gee, it's great. af - ter be - ing out late, walk- in' my b.a -
We go tlong har- mo ni - zinz a {ong, - .UV back home,
or I'm re-clt - mg a poem,
Af- ter I kind - a straight- en my tie, she has to bor - row my Comb,
, C", 'Eb 'Eb p,-tbspTbe
Bbs Bfirg F-7Bbt

arm m arm, o v - e r mea-dow and farm, walk- in' my ba- by back home.
owls go by andthey give me the eye, home.
one kiss, then, I con trn- ue a- gain,

G-7 D+7 G-J- c-7tBb A-7 DTA

stop for a- while, she gives me a smile, snug-glesher head to my chest. We

G-7 D+ G-t_ 7 F 7 F-7 Bb7
 ll ,rl
\ I
/ cl.ltll
c
A LOT OF LIVIN' TO DO
Strouse/Adams f 960
23^7
Use for 1st 8 bars

There are girls just ripe for some kiss-in', and I mean
And there's wine all read - y for tast- in', and there's Cadillacs,
Life's a ball, if on - ly you know it, and it's all

c7 3-r F6 D-7 Df,oz E-7

to kiss me a few, oh, those girls don't know what they're miss-in',
got - ta 'cause time
all shi- ny and new, move, is a - nrast-in',
just wait- in' for you' you're a live, so come on and show it.

A-7 D-7 ,G7 Bbz A7 ptbt G 7

lot of lir'- in And there's liv- in'

tr F^7 Bb7 Eb4.-,Ab^TEb

do. There's mus- ic to play, plac- es to go, peo- ple to see,

Eblrt F-7 Bb7 D-7 G7 D.C.al2nd End (Fine)

thing -for -you Life's

SOMEBODY I,OVES ME Gershwin /MacDon aJd 1924

Bb-7Eb7 G^7
s Ebt

Some-bo- dy loves me, I won- der who, I won- der she can be.-
Some-bo- dy loves me, I won- der who,

A-7 Dtag G^7 SboT A-7 D7 G^7 E-7 B-7 Gfi-tvs c#7
cf-zrsp'p:be Ffrivs

Sorne-bo- dy loves me, I wish I knew, who she can be wor- ries me.-

B- E7 A- B-tss A-7 B-7b7E A- A_(A7A_7 A_6 E-7 A7

For ev-'ry girl who pass-es me I shout, hey, may be, - you were meant to

E-7 A7 A-7 De ft-rtt Etug A-7 Dtvg G6

D.C.alCoda
be my lov - ing by.
23,8 TOO CLOSE F.OR COMFORT
Boch/Holofcener l956

Brt E-7rlBb ATbe D-7r7Ab

Be wise, be smart, be - have my tieart,don't up - set- yow cart hen she's

Be soft, be sweet, but be sis - creet,don't ge off your beat,she'stoo
Be firm be fair, be sure, be - waFe, oR your guard, take care while there's
1t.gt7 D-7 G7 C ClB A- CTG F7 F-7

so close- Be close for com - fort. Too close,too close for com- fon.
c^7 G-7 C7 F7 F-7 Eb6 D-7;?,q,T
please not too close,too close to know just say "when"-
+ c C^TB A- CTG F7 F-7 Ebat

such temp -ta one thing to an-oth- er,

Ab7 D-lls Gttg C-

she's much too for com- fort

THIS CAN'T BE LOVE Rodgers/Hart 1938

t'Ab
Dbs F-7

This can't be feel so well. no sobs, no sor - rows. ne

This can't be diz - zy spell- my
This can't be feel so well- but
eb+ Ebttg "'c-t F-7 F,b-t Efirg Ab G-7

sighs head is not- skies- My heart does standstifi1

c7 F-7 C7ilg Ftsg Bbg Ebtls

just hear it beat--- this is too sweet to- be- love-

Dbg c-7 F 7 eb-t Efilg Ab
 TOO ITIARVEI,OUS FOR WORDS 239
Whiting/Mercer L937

A-7 De A-7 De G6

You're just too mar- ve- lous, too mar-ve- lous for words, like glo- ri - ous,
It's all so worder- ful, I'll nev- er find the words, that say e- nough,

c7 G Gf,"z 2.317 C#-7Ffi7 B 6

glam- or- ous, and that old stand-by, arrFor-ous. It's mean they just aren't swell e- nough. You're
tell e- nough, I
D-7 G7ru.4 D-7 G7rur4 CA7 F7

much too much, and Just too er be

E-7 A7 A-7 D7 A-7 G c1 F7

Web- ster's dic- tion - ar --y. -And - so I'm bor- row- ing a love song from the

B-Zls Elsg A-7 c-7 F7 A-7 Dlag G en,

birds, to tell vou that You're mar- ve- lous for

GTVE ME THE SIMPLE LIFE Bloom/Ruby 1945

Bb7 Ebn c-7 Bb-7

\r-l \-/

I don't be-lieve in fret - tin'and griev- h', why mess a- round with strife,- I nev-
Somefind it plea- sant din - ing on phea- sant, those things roll off my knife,- just serve
Some like the high road, I like the low 'road, free from the care and strife,- sounds corn-

A-tvs tb-t G-7 c-7 1. F_7 C7 F-7 Br7c'

er was cut out to step and strut out, give me the sim- ple life
me to - ma- toes and mashed po - ta - toes,
v and seed- y, but yes in - deed- y,
z F_7 Bb7 Eb g.1 F-7 Bb7 F-7 Bb7

the sim-plelifea" A cot-tage s a that's spa-cious and

Eb D-lss Glsg c-7 F-7 nfic

house that rings laughter and the ones you side=-

D-C.al2nd End (Fine)
r,r
240^
BETWEEN THE DEVILAND THE DEEP BLUE SEA
Harold Arlen/Koehler l 93 I

G.7 C7

don't want you, but I'd hate to lose you,

for give 'cause
you, I can't for - get you,
should hate you, but I guess I love you,

'F
Et'g

you've got me in be- tween the the deep blue sea.

A^7 F#-7 B-7 E7 AlC# C :

I ought to cross off my list, but when you come knock- ing at my door,

A-7 D-7 G7 bt G7 C7

fate seems to give my heart a twist, come run- nlng

YOU DO SOMETHING TO ME Cole Porter 1929

Eh nba

do thing that sim - ply mys

nbg c7
G_7bs F7

Tell ffi9' why should it you have the

F-7 sbs G-7 Qb.7 shn CtE

pow'r to hyp no - tize Iive 'neath your spell,

B/8, sbn ebg Eb D7

so well, for you

F-7 Bb7 Eb6
?,4r ALL OR NOTHINGAT ALL Altman/L,awrence Ig4O

4-(a7)

or noth - ing at all,

All_ or no - thing at all,
fell- under the spell of your call
,
A- 4_(a7) A-7 Bbg
r_3_r

half a Iove nev - er ap pealed - to - \_--_._

if rne. -
it's love there is no in be tw9€Ilp-____
I would be caught in the un - der to%__ __
G- 6-(A7) G-7 G-6 D- p-(a7) D_7 D_6
J '

If your heart nev - "er could yield to mg,- then I'd

why be - gin, then cry for some- thing that might have been Do' I'd
so, you see, f've got to say,
D-7 pl7iln 'B-las
1 -
2'
c^7 Etlg eb-t Ebt

rath - e r have thing at all.-

ra - ther have thing at all

tr Ab Ab+ prba AFt- \t sb-t Ebt

please,don't bring your Iips so close to my cheek- don't

Ab Ab+ Dbteb Ab Ebt

I'II bC Iost yond re - eall The

Ebt Bb-7 nbt eb-t nbt G-tas C t a g

the touch your hand, makes weak- and my

D-lls Glag C C7 B-lss Etag D.C. al Coda

heart may grow

o D-7 B-trs ETre

noth - ing at
242 THERE'LL BE SOME CIIAI\IGES ITIADE
Billy Higgons l92t

D-7 D-7 G7

For there's a change in the wea - ther, tiiere's a change ln the sea,
I ' m goin' to cahnge my way of liv i n ' , if that ai n' t e nough,

t'A-l
G-7 G-7 c7 D7

-a
so from now on there' be change in me. My walk will be f'rent, my
then I'll catrngethe way that I strut my stuff, 'cause

G7 G-7 c7 D-7IF

talk name. me ts gorn goin' to

"A-7 D7 D-7 F7

no- bo- dy wants you when pu're old gray, there'll be some chan- ges
Bb G7 c7 ^l
B0

there'll be some chan - ges

TAKE THE "A'' TRAIN Billy Strayhorn l94l

D7*n

D-7
 IPVER, COME BACK TO ME 243.
Romburg /Hammerstein L928

ebo G-lus Ctag F-7

The sky was blue, and high a bove the moon was new,
You came at last, love had it's day, that day is past,
The sky is blue, the night is cold, the moon is ne%

ebs Bo7 Ab/C C.7 F-7 Bbs nb-t sbg

and so was love, this eag- er heart of mine was sing

you'vegone a - way. This aching heart of mine is sing

t' z. 6b6
l:ba tfi Dbo ob-o 4b6 8"7 eb-t pht Dbt*n cTbg

"lov- er, here can you be?"

"lov- er, come back to

F- nb-o

I re- merrrber e v - ' r y lit- tle thing you used to do.

c7 l'b-t Dbt G-7 C7 F-

ly, ev-'ry walk a- long f've

Bb-o Bbq Bb-t Ebt

walkeda- long with you'

FTsg Bb-t c-7 F-7

but love is old, and while I'm wait- ing here, this heart of mine ls

Prb-t ATig nbo Abt obo Eb7*,a p;ba

sing ing, er, come back me.tt

244 TVTTHOUTA SONG Vincent Youmans/Rose I g2g

sbt G+7 Abtt Dbe g:bas

Wthout a song, the day would nev-er end, without a song,

Thafield of corn would nev - er see a plow, thadield of com,
I'll nev- er know whatmakes the rain to fall. f'll nev-er know
A7{tt Abnt Ebdg G-zls C t r g F-7

the road would nev-er bend, e

whenthingsgo wrong, a man ain't got a friend,
would be de sert-ed now, a man is born, but he's no good,no- how,
what makes the grurssso tall, I on-ly know there ain't no Iove at all
BbTrura
'' Eba Gbr: BbTrura Bb+t '' Eba
BA9

wittrout a Ftne ---.-=

song._ Thatfield of song._
Dbg Ebo nh lE Ab* G-7 C7 F-7 sbt

got my trou-ble and woe, but sure as Iknowthe Jor - dan willroll,
G-7 A-tl"s Dlag G-7 C 7rur4 F'7 Bb7

I'll ger a-long as Iong as a song is strong in mysoul.

C. alFine
I'il nev - er

THE BREDZEAND I Lecuona/Stillman 1928

c7 C l * gr- r-l

The breeze and I are say-ingwith a sigh- ---/

that you_ no long-er
The breeze and I are whis-per-ing good- bye- to dreams- we used to
F " A-rrt D 7 G-7 C 7rur4 FA7 A-7 D-7

Ours was a Iove song that seemed con-stant as the moon,ending

in a

Dtog G-7 3-r

-
\rr-l

strange, mourn - ful tune.- And all a - bout me, they know you have de-
G-7 c F D-I G-7 c7 F
I
WRAP YOT]R TROUBLES IN DREAMS 245
I Gt3 c6 G+7 FA7
Harry Barris/Koehler/Moll

Ettg A-7
I 93 I

When skiesare cloud - y and gray,- they're on - ly gray for a day,- so

Un til that sun- shinepeeps thru,- there's on - ly one thing to do,_
Just re - mem- ber that sun- shine- al - ways fol - lows the rain,_
A-7 D9 t'D-l
G13 C6 G+7 I2.D-t G+7 C E 7

' I
wrap your trou-bles in dreams, and dream your troFbles a - way. Fine
Un dreamyour trou-bles a - way. your
A-7 87 E7 A7 D7 G7 E7

cas - tlesmaytum - ble,that's fate, af - ter ill,- life's real - Iy ny that's wav._
A-7 87 E7 A7 D7 G7 C G+7
D.C.alZnd End

No use to grum - ble, just smileas they fall,- were-n't you king for a day? Say!

DON'T BE TIIAT WAY

Benny Goodman/Parish I g3b

E nbo C-7 F-7 nb+t Eb6 C-7 g*t

F-7
r-3-r

e
Don' t cry,- oh hon- ey pleasedon't be that way. Cloudsin the
The rain- will bring the vi - o - lers of Muy, tezusiue in
Sweet heart,- tO-mor- row is an- oth- er day Don'breakmy
ebo c-7 F-7 ff,b+7 t. p:b6
F-7 B*t

sky should O€V- er make you feel that way- The

vain, SO hon - ey please don't be that Fine
heart, oh hon - ey please don't be thar

i'nbo F-7 Ff"z EbIG D7

you'll have ffi€, I' l l have you. Sweet

246^ FROM THTS MOMENT ON Cole Porter 195O

G-7 c7 obn Eb-z Ar7

From this mo - ment oI], you for mg,

From this hap - py day, no more blue
From this mo - ment O D ' you and I

plbat S Db-tozr Db-6 Ab^7 r.pba7 G-7 C+7

I
on ly- two for tea from this mo- ment on.-
on ly- whoop- dee - doo from this
we'll be- rid - in'

2.F-7 Eb-7 Ab7 |,bn

mo- ment For you've the love- I need so much,-

Ab6 Gbt*n F7rut4 F7 sbnb E"7

got the skin- to touch the arms-

F-7 Ab-7 Cttg

hold me tight,- got the sweet lips to kiss me good- night.-

Db-7 Cbt Ab^l Dbn Gbt*n F7 Bb-7 Ehag Ab

gone,- from this mo ment on.-

SAN FRANCISCO r936

S c

E"_

Oc
 ALRIGHT, OI(AY, YOU WIN 247
Watts/Wyche 1955

Eb Bb+ Eb Bb+ Eb X Ebt

Well, al - right,-- 'ell,

O- kay- you win, love with you. al- right,

Ab Eb

o you wtn,- what can I do?"

P;bl r-3-r TS

do an-y-thing you say,- just goFta be thatway- Well, al- right.

ltbt

All that I am ask - in'. want from you- just love me like

Bbt Eb Bh+

you and won't be hard to do Well al- right,- O - kay,-

Bb'+ Eb D.S. al Coda Sabz Eb Ab7

vou wtn.- f'm Sweet Ba - by take by the hand

A
tb sb nbnbN Eb A b 8 7 Eb Bl*np,b

well, al-right o- kay- you win!-

WOODCHOPPER'S BALL
2;48 CHOO CHOO CH'BOOGIE
F7 Horton, Darling, Gabler lg45

e
I'm headin' for the sta - tion with my pack on my back, I'rn tired of trans-port- a- tion in the
I'm gon- na set-tle down be- side the rail road track, and live the life o' Ril- ey in a
ebt

back of a hack.- I Iove to hear the rhy - thm of the click ty clack,- and
beat- en down shack.- So when I hear a whis - tle I can peep the crack,- and
F7 c7

hear the lone-some whis-tle see the smokefrom the stack,- and pal a- round with dem - o- crat-ic
watch the train a - roll- in' when i t' s ball - in' the jack,- for I just love the rhy- thm of the
F F,bt p,bt

fel - lows named t'Mac"r- so take me right back to the track, Jack! Coo- choo
clicl-e - fy clack.-
F7 p'bt

woo - woo_ boo - gie woo - choo - choo.

1C7 2cl
t- 3-t
C"7 c7 F6
t-3-r

choo-choo ch'-boogie, take merightback to the track, Jack! I'm take rne right back to the track, Jack!

MOUNTAIN GREENERY Rodgers/Hart 1926

c6 A-7 D-7 G7 c6 A_7 D_7 c6 A-7

sD7
I n a moun- taln green- er- y where God paintsthe scen-
er- y, just two cra- zy peo - ple to -
While you love your lov - er, let blueskies be your cov - er, when it rains,we'll laugh at the
Beanscould get no keen - er, re - cep- tion in a bean- er- y, bless our
G7 "'ct F6 c7 F6 F-6

geth - er.- And if you're good,-

\-i-l -_._/
--.-- \_/
I'll search for wood so you cancook-
wea - ther.
E-7 A-7 D7 D-7 G7 D-7 G7 c6

while I sand look ing- moun - tarn g r e e n - e r - y h o m e . -

 HELI,O DOLLY 30 1
Jerry Herman 1963
t'p,batlp

Dol - Iy, well hel Io, Dol - ly, it's so nice to have you
sway- in', for the band's play-in' one of
lboT c-7 F7 C- c-7 lrbtc

b e - Iong. You're look ing swell Dol - ly, we can tell

c-7 F7 Bh Bh F7

Dol- ly, you're still you're still crow-in' you're still

z. Bbt Ebn D7

your old fav-'rite songs from way back when. take her lwap fel- las,
gol - Iy g€e, fel- Ias,
G- D- c7 Bb Bo7 C-7 F7

find her an emp - ty lup, fel- las, D o l - l y - ' l l nev- er go a- way a - gain.-
find her a va - cant knee fel- las
C-7 F7 c7 c7 F7 Bb

Dol- lv- 'll nev-er go a-way, D ol - l y-' l l nev-er go a-w ay a- gal n . _

I GOT RI{YTHM
George/Ira Gershwin 1930

Bb G-7 C-7 F7 D-7 Dh C-7 F7 nb r,bt nb-e S Bb F7

I got rhy-thm. got mus - ic, got my man who could ask for a-ny-thing
I got dai-sies green pas- tures,
I got star-light, got sweet dreams,

.sbEot

Old man trou - ble, don't mind hirn, You won't

D.C. alFine +Bb Ab7 G7 c7 F7 Bb

find him 'round

my ask for a-ny-thing more, who could ask for a-ny-thing more?
3,o.2 CABARE.T Kandor/Ebb 1966

Bbe nbt

Whatgood is sit- ting a - Ione-in yourroorn?- Comehearthe mus- ic play,-

Put down the knit-ting, the book and the broom time for a hol- i daY,-
Ao7 G-7 C7 F-7 Bb7 1.8b6 g*t

life is -ba - ret old churn come to ca- ba ret.-

2Eb6 tr Ab-6 Eb6 C - g-(a7) C-7 F9

ret. Cometastethe wine. comehear the band, comeblow the horn, start cel-e- brating
Bb/ nba ebg sba B"+t

right this way your ta-bleswait-ing. No use per -mit- ting sorne proph- et of doorn- to
Start by ad - mit- ting frem cra- dle to tomb it
ebe G-7 gb-t r;bt Ab D7 SC-z
A-7bs

wipe ev - 'ry smile a way,--- life IS a ca- ba - r e t old- chum

is - n't that long a stay,-
F-7 BbTrura sba D.C. alCoda
lastX o G-7 C7 Abat

come to the ca - ba-ret ret old chum on- ly

6-tbsg7 C7 G,-7 BbTrura nba

ret old chura come to- ret. -

ALLEY CAT 1962

D-7

D.C. al Fine
-s<
 ONE Hamlisch/Kleban 1975 (Cholrs Line)
303
'nu,ro
Eb F -7 BbTrura

Ebtt Ebn
7 l J - ' J r
sin -'gu-lar sen-sa-tion ry lit - tle Step she takes,-
c7
.'Ie .'e .
'rymovethat she
thril- ling combi-nation, Onemilend sud-den- ly no - body
I G- t Dzrs6- Gf,-zls I C#7/F

else will do, you know you'll nev - er be lone you

AT|E E9 Ebn A7

7 l t t . J r
mo - rhent in her pres-ence 'get
and you ban for - the rest,-
A-7bsD7 G- G7 l
c Celce t F7 l Bb7

for the girl is sec- ond best to none, son, ooh, give heryour at- te*tion,
l
r c-7 I G-7 t c7 l c 7 Fe Bbt Use Introas End

real - lv have to

ON THE SUNIVYSIDE OF THE STREET

McHugh/Fields 1930

B-tvs E7 G7 Gil"z A-7 D7

Grab your coat andget your hat, leave your woFry on the door-step, just dir-ect your feet to the
Can't you hear a pit- ter pat? and the happy tune is your st€p, life canbe so sweet on the
I f I nev-erhavea cent, I'll be rich as Rock-e -fel --ler, - gold dustat my feet on the
D-7 G7 2 . C G-7 C7

sun-ny- side of the street. Can't you street. I used to walk in the shad" with those
Fine
F D7 A-7 D7 G 7 D-7 G7

blues on par - ade,- but I'm not a - fraid-- this rov- er crossed o- ver.
3,04 NEW YORI(, NEW YORI(
Kander/Ebb 1977 (l\i"nVY)
lntro-Last 4 bars

G-/C t--3-r G-7 C7 F

Start sprea&in' the news, f'm leav-ing to - day, I want to be a part of it,
These va - ga-bond shoes are long-ing to stray and step a- round the heart of it
My iit - tle rown blues are melt-ing a- way, I'll make a brand new start of it

1'
F6 G-7 C7 r- 3-r F47 F7 Bb^7

New York, New York. Theseva-ga-bond New York, New York. I want to wake up in the

Bh-6^ F6 A-7 ^
\t D7 G-7 C7 D.S. al3rd ending
I l-J
r- -o-1

ci-ty that does-n't sleep, to find I'm king of the hill, top of the heap. My lit- tle town
3'
F6 c-7 Bb-6 : D+7

in old New York. If I can make it there, I'd make it a ny - where,

G-7 A-7 B|AT C 7rur4 Gr7 c7

it's up to you, New York, New york

WHEN YOU'f,IE SMILING Fisher/Goodwin/Shay I 928

G7

When you're smil - ing,- when you're smil - ing,- the whole world smiles with
C- F7

you,- when you're laugh-ing- when you're laugh-ing-

Bb Bb7

shin - ing But when you're cry ing- bring on the rain,-
F7 Bb

stop your sigh - ing- hap - py Keep on smil - ing.-

G7 c-7 Bb
 ON THE STREET WHERE YOU LTVE 305
lerner/l,oewe 1956 (My Fair hdy)
G7rur4 G7 G7 C

I have of- ten walked down this streetbe-fore,- but the pavement al- ways
Arethere li - lac trees-- in the heartof town?- Can you hear a lark in
Peo-ple stop and stare,- they don't bother me,- for there's no- whereelse on
p:boT D-7 G7 D-7 F-6 CIE

stayed be- neath my feet be- fore- all at once elm I sev- 'ral stor-ies high
an- y oth- er part of town?- Does en - chantmentpour- out of ev - 'ry door?
earth that I would rather be.- Let the time go by,- I won't care if I

know- ing f'm on the street where you live- Are ther street where you
no it's just on the
can be here on the

D-7 Df oZ CIE tr E7 F#-7 Gol E7IGil^

r-5

live And oh,- that tow - er- ing feel- ing,- just to

F-6 F["7-. C CIB CIB| CIA Ab7 CtG Ffi-tas 1- 3,-1

know- some - how you are near That o ver- po\rFer- ing
B 7rur4 B7 E^7 D-7 -r1
\lr / D.c. ar2nd Ending

feel- ing- that an - y se- cond you may sud- den- lt ap - pear.--- Peo- ple

FINEAI\[D DANDY Kay Swift 1930

c7

gbg C-7 Cil"tp,bn Eb7,u,a G - 7C T v g

306 GET ME TO THE CHURCH IN TIME
Lerner/Loewe 1956 (My Fair hay)

I'm get - manried in the morn- ing,- Ding Dong the bells are gon-na
I got - be there in the morn- ing,- sprucedup and look-ing in my
I'm get - mar-ried in the morn- lng,- Ding Dong the bellsare gon-na

G G/F#GlE GID

chime- Pull out the stop-per, let's have a whop per, but get
prime- Girls, come and kiss ffi€, show how you'll miss ffie, but
chime- Kick up a rum- pus, but

Bb- D1/A G

church on time- If Iam danc- ing,- roll up the floor- If I am whiseling,

7 D.C. al Fine Sc B-

throw me out the door!- For don't lose the com-pass, and get me to the

C G E-7 A 7 GID B - E-7 A7 A-7 D7 G

church, the church. for Pete'ssake get me to the church

AIYYTIIING GOES
Cole Porter 1934

In old - en days a glimpse of stock - ing was looked on as some-thing shock -

Good auth - ors too who once knew bet - ter words now on - ly use four let
So though I'm not a great ro - man - cgr, I know that you're bound to ans
'F/,-trt

ing, now hea- ven knows- an- y- thing goes- The world hasgone
ter words,writ-ing prose__
wer when I pro -poSe; -
BTFfr E-7/G BTFfr

mad today, and good's bad today, and black's white to- day, and day's night to- day, when most
E-7 Ae Cfi"z D-7 G7 D.c.at Fine
 IT'S DELO\TELY 3o^7
cole Porter lg36
FA7

nlgnt ls young, sky is cleX and if you want to go walk-ingdear, it's de-
F#'t G-7 c7 G- Eb/G

v
lightful, it's de - li-cious, it's de -love-Jy. urrderstand reason*h; you're
G-6 G-7 G#"t F/A

sen-ti- men tal, 'cause I, it's de -light-fuI, - it's de -li-cious, it's de -love-{y.

G-7C7 -7 F7 Bbnc-7 c#.t F;bn Bbn

You can tell at a glance what a swell night this is for ro- mance, you can
Bb-t nbg G-7 c7 F

hear dearMother Na- ture mur - mur-ing r

low
\ /
"let your selfgo."- Se pleasebe
s*eif my
F+ F6 F47 F FIE

chick- adee, and when r ki; you Just say to me, "it's de -lighttul, it's de -it's de-
Ebltn Dltg Dblt"tt C7*ra c7 F6

lect-able. ir's de lir- i-ous. - it's di lemma ir's ilehm]t. it's deluxe,it'sde -lovely.

IIIHISPERING Rose,/Shonberger I92O

A-7 Dtvg Ebn

Whis- per- ing whiie you cud-dle near whis - per- so no one dbar
Whis- per- ing why you'll n e v - e r leave ihg
whis - per- mg why you'll nev - er
nfi c7 F7 F-7 Bbt tEh

can I ffi€, each lit tle -whis- per -seems to cheer I know
grieve l whis - per and say that you be lieve - me,
G- QboT F-7 Bbt 2
F-7 BbTru14

's
true there's no one but you. You're whis- per-ing I love
308 tt{AltflE Jerry Herman l 966

c^7 D-7 G7 A3 D- D_(a7)

You cozx the blues right out of the horn, Mame- you charm the
You make the cot - ton ea sy to pick, Mame- you give my
D-7 G7 1. cL7
E7 A-
f
husk right off of the corn, Mame you got the ban-joes strum min' and
old mint ju l"p a
E: Ae D-7 G7

pluck- in' out beat the band, the whole plan - ta - €ion hum min' since
C c#" D-7 G7 2.E7
A-

you brought Dix ie back ro Dix ie Iand. kick, Mame- you make that
a
l? E: A9 D- G7

old mag - no lia tree blos-som at the men-tion of vour name,

you've made us feel a- live a- gain,
E- Ae D 13 D+7 D-7 G7 C ?

and giv-en us the drive a- gain, to makethe south r+vive a- gain, Mame-

UIDYBE GOOD George,ira Gershwin IgZ4

B-7 Etag A-7

oh, sweet and love - ly la dy, be good-

I am so oh I a - d y be good
aw fly mis - u n - der - stood, so la- dy - b e good -
I'm just a Ione- some babe in the wood.---- so la - dy, be good---

oh please have some

E-7 A-7 D7 D.c.atFine

pr ty,_
 IT ALL DEPENDS ON YOU 309
Ray Henderson/DeSylva/Brown I 926

c^7 c6 G7rut4 G+7 C^7 c6 G7rur4 G+7 E-7 frb"7

I canbe hap-py, I can be sad, I can be good or I can be bad, it all de pends on

D-7 G7 D- p _ (a 7 ) D-7 G7 D- p_(a7) D-7 G7

you,- I can be lone- ly out in a crowd, I can be hum- ble, I can be proud, it

D-7 G9 G+7 c^7 AtrgD-7G7 G-7 c7 F F 6

vou.- I can save mon- ey, or spendit, go right on liv-ing

or end it. You're to blame, hon-ey, for what I I know that I can be bcg-gar,

G7rur4 G+7 CL7 C^TB sbg A7 D7 D-7 G7 c6

an- y old thing, it all pends on you.-

CECILIA Dreyer/Ruby f925

c^7 Cfr"t D-7 G9 D-7 G7 D-7 G7

Does yor:moth - er know you'rcut, Ce - ci Does sheknow that I'm about to

How about a lit - tlekiss, Ce - ci Just a kiss vou'Il nev - erniss Ce-

Oh, ffiy, when I look in your eyes,- some-thing tells me

D- Eh" CIE F CIE Eb"G/D "'B-rrt Elvs A-7 D7 yfi-7vsfi7

you and I should get to - geth - er. Why do

B/C C E-7 A7 D-7 G7 c6

eep on wast- ing oh, Ce-ci - lia, say that you'll be mine.
 IT ALL DEPENDS ON YOU 30e
Ray Henderson/DeSylva/Brown I 926

c^7 c6 G 7rur4 G+7 C^7 G7rur4 G+7 E-7 f:bo7

I canbe hap-py, I can be sad, I can be good or I can be bad, it all de - pends on
D-7 G7 D- p_(a7) p_(a7)
D-7 G7 D- D-7 G7

you,_ I can be lone- ly out in a crowd, I can be I can be proud, it

D-7 G9 G+7 c^7 AtvsD-7G7 G-7 c7 F F6

all de - pends on you._ I can save mon- ey, or spendit, go right on liv-ing
FA7 E7 7 D7ru.4 D-7 G7 A" GTB CN

or end it. You're to blame, hon-ey, for what I do.- I know rhat I can be beg-gar,
G 7rur4 G+7 C^7 C^TB sbg A7 D7 D-7 G7 c6

I can be king, most an- y old thing, it de - pends on vou.-

CECILIA Dreyer/Ruby f925

c^7 Cl't D-7 D-7 D-7 G7

Does yotmtoth - e r know you'nrt, Ce cl lia? Does sheknow that I'm about to
How about a lit - tlekiss, Ce ci lia? Just a kiss you'll nev - erniss Ce-
''Btlc
c6 CIE flbo7 D-7 G7 G7 D-7 G7

steal you? Oh, ffiy, when I look in your eyes,- some-thing tells me
C D - Eb" CIE ClE Eb"G/D "'B-'rrt Etlg A-l D7 gt
Ffi-7bs
I

you and I should get to - geth - er. Why do

BlC C E-7 A7 D-7 G7 c6

p on wast- ing oh, Ce-ci - Iia. sav that you'll be

3to THE SURREYWITH THE FRINGE
ON TOP
Rodgers/Hammerstein I 94

G^TFil
G^7lFil G^7/D

Chicks and ducks and geese ber ier scur-ry.

Watch that fringe and when I take you out in'the sur-rev.
see how it flut_ters when I drive them high-sreppin'
Two bright side- Iights wink - in' and blink-in'. struriers.
ain't no fin - er rig f'm a- think-in',
G^7 c^7 B-7 Sat ''A-tDl ''e,-l p,

when I take you 'the

out in sur- rey with the fringe
Nos - ey p o k e s - ' l l peek thru theirshut-ters and their eyes
on top. pop.
you can keep your will
rig if you'rethinkin' .at I'd
D-7 G7
G7

wheels are yel- ler, the up- hol_

ster_y's brown, the dash-board's gen-u- ine Ieath - er, with
E-7 7 D B-t E-7 A7 A-7 D7

is - in-glass cuptains ya'can roll right

sC ETIB A-7 F9 G
down,

Gfi"z
in case there'sa changein the

A-7 D7 G

lit - tle sur- rey with the fringe

top.

PUTTIN'ON THE RJrI]z

Irving Berlin lg2g

F-trcb Dbn F-/C F-trnb Dbdt F-/C

If you'reblue anO you don't know where to

Dif- f'rent typeswho wear go to, why don't you go wherefash-
a day coat, pants with stripes ion
Come let's mix where Rock - and c u t - a - way coats, per-fect
-
e fell- ors, walk with sticks
or um brel - Ias in their
G-tss Ctag F- F-7/EbDbnF- tr F,b-t

stts, put- tin' on the Fine

no.-
fits,- mil- lion dol- lar
mitts,-
Eb7 ,+ba
 THE II\TE II\TE SHOW 3rl
Berlin/611ied 1956

Gee. it's co - zy in the park tonight,- when you cud - dle up and
Hear the cra - zy mus - ic in thdrees, see the flow - ers danc- ing
Then we am - ble back ro my frordoor, say goo&night and then we
E'7
E7 Ebt D7 s Ge

hold meight,- stars a- bove theyseem tdcnow,- we're put- tin' on the
in thbreeze,- old manmoon be- gins togro%- he's joining in the
kiss somcnore,- guess youknow I like youso,- it start-ed at the
Tt F6 Elek 8"7

Iate, ladrow. late, ladrow. Birds that should be dreadng, in chirging a song,
c-7 F7 Bbe Bo7
G-7 C7

while fi- re-flies are gleaning, we kissed, kissed dl night long.

ce F6

start- ed at the Iate, show.

I LII(E THE LII(ES OF YOU

Vernon Duke/Harburg I 933

Eb C-7 F-7 Bbt c-7 F-7 Bbt Eb C-7

I like the Iikes of you, I like the things you do, I mean I
I like your eyes of blue, I think they're blue don't you? I mean I
I like the Iikes of you, your looks are pure de luxe, looks like I
'F-7 -B,b-7
F7/A Bb7 nbe Bbt
2 ,
Eb7 Aba

like the likes of you. Fine

oh dear, if I could on - Iy say what I
like youreyes of blue.
Iike the likes of you.
nba F-7 Bbtas,, ETin

mean, I mean if I could mean what I sav. that is I D.

mean to say that I mean to say
3L2 ITIARGIE Conrad/Benny Ig2O

nbo

My lit- tle Mar I ' m al-ways think-ing of you,

Bbnt F,b-t Ebt F6
F a
E7 Eb1
- l -

D7

I'll tell the world I love you. Don't for get your
c7 c7 G-7 C7 F6

I have boughta homeand ring and ev - 'rything,for Mar gle' you'vbeenmy

c-7 F7 Bb6 A7 Clvg F6

days are nev - er blue. Af- ter all is said

Rf D7 G-7 C7rur4 ClVg F6 Gr'"
done. there is real- ly on - ly one, Mar - gie, Mar-gie, it's

HOW CAN YOU DO ME LII(E YOU DO?

Austin/Bergere 1924

c D-7 G7

Horcomeyou do me like you do, do, do, how comeyou do Iike you do?
F C Bb7 A 7 D7 G7

Why do you try to make me feel soblue? I ain'tdonenottring to you.

c7 bt

Do me right or elsejust let me be, 'cause

I can beat you do- in' what you're doin' to me.
If you rave I'll haveto get you told, for I can change your tem - p'ra- ture from hot tocold,

C F c gbt tt D7 G7 C

Howcome you do me like you do, do,do, howcomeyou do me like you

 TIE AYELLOW RIBBON 3.25
nb Ebn

nb

I'm com- ing home, I've done my time,- now I've got to know what is
Bus dri- ver, please look for me.- 'cause
I could-n't bear to see
F- Ab-

and is - n't mine,- if you re- ceived my Iet - ter, tell - ing you
what I might see,- I'm real - Iy still in pri - son and my love
nb-o

I'll soon be free,- then you know just what to do- if you still want
she holds the key,- a sim - ple yel - low rib - bon's all- I need to set me
t

Bb7 Ab-6 Bb7 Eb

wrote and told her please, Tie a yel - Iow

wrote and told her please,
G-

rib - bon round the old oak tree,- it's been three Iong years, do you
c7 F- Ab- Eb G 7

still want me?- don't see rib - bon round the old oak
C- Eb Eb+ C- c7

tree, I'll stay on the bus, for - get a- bout us, put the blame
F- Ab- F-7 Bbt Eb

\./ \-.r.-/

I don't see a rib- bon round the old oak- tree.- Now the

F-

whole darn bus is cheer-in and can't be- lieve hun - dred yel - low
Ab- F-7 Bbt

rib - bons round the old- oak tree.-

9.26^ SO WIIAT'S NE$T?
A7

So tell rne babe what's new?- and how's the scene with you"- Gee, it's
Yeah I need you so,- how you'll nev - er know,- gee, it's
So tell me babe what's new,- you glad to see me too?- Hey, my

,.Gl 2.
C Cfi" D-7 G7 G7

good to see you babe good to see you

F F- A-7 D7

You walked in, light went oD, all o - ver my face, you lit up the place, and you've been

G7 + G 7 E-7 A7 D-7 Df;.z

gone just too long now. So world is spin- nin', now I knowI'm win- nin', vou s[av

E-7 A-7 D-7 D$.2 E-7 A-7 D-7 Dfi.7 E-7 A7 D-7 G 7 C

home now. don't ev - er and I'll say babe.it's good to see you!

SWEET GYPSY ROSE r973

G 7 D 7 G 7 D 7 G 7 C
 THAT'S ENTERTAINMENT 327
Shwartz/Dietz IgS3
C-7 D7

HOORAYFOR HOLLYITOOD Whiting/Mercer lgsz

A7

. GfvE IttrY REGARDS TO BROADWAY Georgecohen

ts78

G7 c-7 F7 G-7C7 F7 nba

3.28 IT'S ALRIGHT WITH ME Cole Porter 1953

p-(47) D-7 G7 D-7

It's the wrong time and the wrong place- though your face is charm -ing it's the
It's the wrong song- in the wrong sfyle,- though your smile is love - ly- it's the
It's the wrong game- with the wrong chips- though your lips are tempt -ing, they'rethe

G-7 c7 A-lvs Dlug D-7 s

wrong face,- it's not her face but such a charm- ing face,- that it's all right
wrong smile- it's not her smile but such a love - ly smile- that it's all right
wrong lips,- they're not her lips, but they're such tempt- ing lips- that if some night
1.G7 E-lrs ATbg 'G-t ct F6 c-7
\_._/
with me.- It's the with me- You can't know how hap- py I
Glsg G-tas ctag Fa7 A-tl,s

am that we met, I'm strang+ly at tract-ed tc You'- There's some-one f'm

7be G7 G-7 G-7tp E-lss ATvg D.c.atcoda

try- ing so hard for - get,- dont you want to for -get sorne one too?-
G7 c7 FA7 C-7 F7 Bbn - __G7
. G-LC7_.L

are free, dear, it's all right,- it's all right with me

ROSETTA Woode Hines 1935

c7

Ro seF ta, - my Ro - s e t - t a , - in my heart dear, there's no one but

You told me- that you loved*.i,- nev - er leave me for some- bo - dy
Ro seF ta. - my Ro - s e t - w - please say I ' m just the one, dear, for
,.A_7 Itl
I rtl
G-7 C7 "' F6 B-tss Etag B-lts Etvg

Fine You've made mv life a

new-
you-
D-lvs Gtvg c^7 A-7 D-7 G7 G-7 C 7 o.c. al 2ndEnd(Finr
 SWEET GEORGIABROWN
35 I
Bernie/Pinkard/Casey I 925
nbt

No gal made has got a shade Sweet Geor- gia Brown Two left feet

oh so neat, has Sweet Geor- gia Brown,- They all sigh and wan- na die for

sb-t Eb7 Ab6

Sweet Geor- gia Brown. I'll tell you just why,- you know I don't lie,

much ! Fel - lers she can't get fel - lers

G-zls G7 F7 sbt nbt

she ain't met Geor- gia claimed her, Geor- gia named her, Sweet Geor- gia Brown.-

BILL BAILEY Hughie Cannon L9O2

Won't you come home Bill Bai - Iey, won't you come home. She moans the
Re - mem - ber that rain - y eve that I drove you out, with noth - in' but a

whole day long. I' l l do the cook-i n' H on-ey. I' l l pay the renL

c7 C+7 G-7 C7 2-F7 Bb Bh

I know I've done you wrong. fine tooth comb. I know I'rn to

GIB FIC G-7 C7

blame, well ain't it shame'BillBai-leywon'tyoupIeasecomehome.-

3'5.2 WAY DOWN YONDER IN NEW ORLEAI\IS
Creamer/l,ayton 1922
G-7 c7 F^7

way down yon - der ln New Or- leans in the land of dream-y scenes_
Cre oie b a - bies with flas}r ing eyes,- soft- Iy whis-per with ten - der sighs,-
1.F
c7 G-7 C+7 F

there's gar- den of den,- that's what I mean_

A7 Ab7 G7

Stop! Oh won't you give your la- dy fair, a lit- tle smile- Stop! You bet your

C7rur4 c7 F
I- D-

life you'll lin-ger there, a lit- tle while. There is hea- ven right here on earth,-
Thev've got an - gels right here on earth,-
F Ffi'z G-7 c7 F6

with those beau - ri- tul queens-__ way down yon - der in New Or leans-
wear- ing lit tle blue jeans,-

FTVE F.OOT TWO Henderson/Lewis 1925

Five foot two, eyes of blue, oh what those five feet can do,
Turned up nose, turned down hose, yes a flap- per' one of those
Could she love, could she woo, could she could she could she coo,
D7 S rt . G 7 C AP I'' n z. G7

a- ny-bedy seen my seen my Now if you

E7

ive foot two, co- vered with furs- mbnd rings,

G7 D.C.alCoda sc7 C
 HONEYSUCI(LE ROSE 353
WaJler/Raz,af 1929

Ev - 'ry hon- ey bee, fills with jeal - ous ly, when they see you out with
When you're pass-in' by, flow- ers droop and sigh, and I know the rea - son
When I'm tak- in' sips from your tast - y lips, seems the hon - ey fair - ly
G-7 C7 F F/A Bb c7 F

ffi€' I don't blame them, good- ness Hon - ey- suc-kle Rose
*hy, you're much sweet - er'
drips, you're con - fec - tion,
F7

you're up.

SCRAPPLE FROM THEAPPLE Charlie Parker

1.A-7 D7

a)

tr A7 D.C. al Fine
2nd Ending

BYE, BYE, BLUES

Bye, bye, blues- bells ring,

Just we through- don't sigh,

no more pin - ing. bye, blues-

35,4
ST. LOUIS BLUES
W.C. Handy 1914

I hate to see the ev-'ning sun go down,-

Feel-ing to- mor- row hate to see the ev-'ning sun go
Iike I feel to - daY,- Feel to-mor- row Iike I feel to -
G7 p+
G

down.- cause my ba- by,- he done left this town

day,- I'll pack my trunk- St. Lou- is
make my get- a - way._
Weren't for
G- C- c#" D7

wo - man with her dia - mond

pow - der- and for store man 'round
bought
man I love

A7 D7
a)
by her

E would not

blues just as
man got a heart like
G
G

the sea,- he wouldn't have gone me._

BOURBON STREET PARADE

 BASIN STREET BLTIES 355
Spencer Williams
D-7 Di"I CIE Eb D-7 G9 /

Won't- cha come a - long with D €, to the Mis - sis- sip - pi?
The band's there to meet us, old friends to greet us,
CTEb FlA F-6/Ab 1.2.
C/G_ (Break)

We'll take a boat to the land of dreams.-

steam down the riv - er down to New
where all thelightandthe darkfolks meet,_ Or- Ieans.
l-Fr Hea - ven on earth, they call i t
l9l
Ba - sin Street.
F r-
A7 D7

Bas-in Street,- is the street,- where the e_ lite al- ways meet, IN New Or-leans,
G7 Q+ CIE frb"7 D-t G7 C

land of dreams,- you'll nev-er know how nice rt seems or

Just how much it real-ly means. GIad to be,
E7 A nbt A7 D7 G7 C

yes sir- ree, where wel-come'sfree,_ '---C--€

dear to me where can lose my Bas-in Street blues.-

BIRTH OF'THE BLT'ES

xtr cil"t D-7 Dil"7
DeSylvia/Brown/Henderson

clE Etag
1926

Th.y heard the breeze in the trees- srng - ing wierd-

And from a jail m e l - o - dies,
came the wail- of a -
And then
down heart - ed frail,
they nursed it, re - hearsed i t, and gave- out the news
F^7 Ff"z D-7 G7 1'
c A"7 Bo7

and they made- that the start of the blues.- And from
and thay played- thar AS part of the blues.-
that the South- land- gave birth to the blues.-
8,, F7 E7 F7 E7 F7

From a whip Per - will our iII,- they took a new- note,_
A7 Bb7 nbt D7 G 7 G A"7 lo

thru it was worn_ in-to a blue- note. And then they

356 THECMTON

E-las

C7*n

INDIANA MacDona]d/Hanlev lg]-z

nbt 1'
G-7 c7

Back home a gatn- in In- di a - na,_ and it seems that I can

The new mown hay- sendsall its fra- grance- from the
F7 Bb F Ebt D7 G7

-V-\r-
the gleam- ing ca*dle- light still shin- ing bright thru rhe mores_
G-7 C7 ".G_l E-lrs ATreD_7 A+7

for me.- The new mown fields I used to roam._ When I dream a-bout the
E-las Atrg D- D-TC GTB G7 F D- G-7 C7
-Vv---

moon- light on the bash,- long my home.-

 CHICAGO Fred Fisher 1922
3,57
G7

chi - ca- $oi Chi {a - go, that tod- dl- in'town (tod- dl- in'town), Chi €a- go, chi-
On State street, that great street, I justwanna say (ustwarrna say). They dothings they
l'67rur467
C Eh D-7 G7 C c^7

ca- go, I'll show you a-round. I love it! Bet your bot-tom doLlar you lose the blues
De A-7 De D-7 G7 D-7 G7 E-7 Fj7 D-7 G7ru,4

Chi -ca - go, - the foks who vrs- tt all wan- na set down.
2.8_7 E7 A- A7 F Bbg

e
don't do on Broad way. You'll have the time, the of your life,
CIG G+ Eh G7 C

bring all your friends,your kids and your wife, to Chi €a- gq Chi €a-go rny home town

ALEXAI\IDER'S RAGTIME BAND

Irving Berlin 1911

Come on and hear, corne on and hear, A I - e x - a n - d e r s rag-tirn€ band. Come on and
Come on a long, - coms on € - long, let {ne take you by the hand. Up to the
Bb r.F

hear, come on and hear, it's the best band in the They can play a 9-
D call likeJou
man, up to the man who's the Iead- er of the if you 1936 Movie
C co G7

fore, so nat-ur-al that you want to go to that'sjust the best-estband what

F7 Bb

Hon - ev lamb. Come on a care {o hear the Swan- ee riv- er played

FIC F/A AboT G-7 C7 I

rag- trme, come on hear, come on and hear AI- ex an-ders Fag-timeband.
r
358 AIN'T SHE SWEET yeilen/Aserrg2z

cbinb D-7 q Gb,7/Db, D-7 G7

,, , C E7

Ain't she sweet? See her com - ing down the

Ain't street. you ve-ry
she nice? Look her o - ver once or
I twice.
re peat don't yeu think that's kind of neat?
D7 G7 2 . C

con- fi- den - tial- ly,

eye- in her dir-
C c7 C C#" D-7

Oh me oh my,_ that per

DARI(TOWN STRUTTER'S BALL

Shelton Brooks lgt7

I'll be down to get you in a ta - xi horrey, you

Re bet-ter be read - y about
rnem-ber wheri we get therehorey, the two _halfpaseight,
steps goin' to have'em all, goin' to
1G7
C F)"t D-7 G7 z.p

nowdearie don't be rate, I wantto be therewhenthe band startsplaying. danceoutbothmyshoes,

C/G A7 D7 G7 C

wherthey play that Iyroll blues, to Flor-rew night aFthe dark-town strut-ter's
ball-

JADA 1918

Jada, Ja-da Ja-da Jing, Jing,

Ja-da,
G7 F/A AboT GT c7

Ja-da Ja-da Jing, Jing,

That's a fun- ny lit- tle bit of mel - o- dy,
FlA [bo7 G=7 F Ebt D7 G7 c7
 MUSI(RAT RAMBLE Kid Ory 359
Eou Ebz Ebz eh

rVE FOUND ANEIT BABY

D.C. al2nd End (Fine)

MIDNIGHT IN MOSCOW Sedoi/Matusovoslqy

g-tbsQ7 c- GT]D nba c-7 Eb Ab G-7 Eb D-7 G7

360 TIGER RAG
E
 AVALON 36 I

A- va-lon.- sitle- the bay-

left my A - va- Ion,- sail'd a Way.-:-- I

D7 G- D7 G- Fo

dream of her and A - va- lon- dusk-- to dawn--

F D7 G- c7 F

think I'll tra- vel on- lon -

TIN ROOF BLTIES New Orleans Rtrythm Kings

r-3-r Bbl

-l
E?
l_-J Eb7 ^
l- .J

tcr

2'c9 l-3-r
r31
3,62 BABY NACE
D-7 CIE

B a - b y face,- you got the cut- est lit - tle ba _

B a - b y face,- by face,-
I ' m - u p i n hea-ven when I'm
D-7 G7 C E_tas A7 D7

take your place,_ by face,- my poor heart

2-87
Fl E'f A- c7

you sure have start - ed some-thin'. in your

I did - n't
Ff" ClG A7
need a shove,
nhc

Iove with your prer - ty ba- by face.

TOOT TOOT TOOTSIE Ituhn/Erdman t922

D-7 c^7 c6
Toot Toot Toot'sie good bye,-
Kiss me Toot Toot Toot- sie don't
Toot- sie and then.-
Toot Toot do it ov-er a
Toot- sie d o n ' t cry, Toot Toot Toot- sie good
1 . c
C^7 C*"t D-7 G7 D-7 G7 C E h D-7 G7

choo choo train that

a- way from words can tell how
,.Fl sad it makes me.
C
G7

Watch for the D'c' atFine

nev- er fail,_ if you don't get a let_ter then you,ll
know I'm in jail.-

YES STR, TIIAT'S MYBABY Donaldson/Ibhn f g2S

Yes sir, that's my ba- by. no sic I

don't mean may-be, yes sir, that's my ba-by now._
Yes ma'am,we'vede-ci- deJ. no ma'am, wg
won't hide it, yeS,ma'am, you're invi_
ted now
2' Bbt EbTruraEbl Ab G cb F7 Bbt
 ROCK-A-BYE YOTTRBABY
Schwartz /Lewis /Young I 9 I 8
363
D-7 Dfr"I ClE fboT D-7 G7 D-7 G7 D-7

Rock- a - bye your ba- by with a dix - ie mel- o dy, when you croon,
Weep no more my la- dy, sing that song a- gain for ffi€, and old black Joe,

G7 C A-7 D7 G7 D-7 Ge

croon a tune, from the heart of Dix ie. ust hang your cra- dle,
D-7 G7 E-7 A7 GID A-7 D7

mam-my mlne, right on that Mas-on and swing it from Vir-gin

G7 D-7 G7 F7 E7

to Ten- nes- see with all the just as though

A7 D7

knee. A mil- lion ba- by kiss- es ['ll de- Iiv gr' the min - ute that you sing that
ClG ( r}t D7 G7 C

Swa- nee riv rock- a- bye your rock- a-bye ba Dix-iemel-o - dv.

THE SHEIK OFARABY Snyder/Smith/Wheeler 192L

Sheik of Ar your love be - longs

stars that shine wili light our
Bb/D )b"7 c-7 Fe c-7

me. At night when you're r n - t o your

F7 B b 6 8 " 7 c-7 F7 "Ft Ebt*tt D7 G+7

tent I'll creeD_ love.- You'll rule

c7

Iand with me,- the sheik

364 LIMEHOUSE BLUES Philip Braham/Furber LgzZ

Oh, Iimehouse kid,_ oh, oh. oh, Iimehouse kid,- go- ing the way that the
oh, lime-houseblues,- I' v e the real lime-house blues.-

Gtrg Ab Db7 c7 F-

rest of them did poor bro - ken blos-= som and no - bo- dy'schild,
Bb7 fib"7 gbt 2.Bbs

haunt-ing and taunt-- ing, you're just kind of wild.- oh, oh can't seem to shake
Ab G cb F 7*. _

off those sad Chi - na blues Rings on your fin- gers and

Eb7 Bb-tas nbt Dbeblc nb-Ab

for youcrown,- that is the sto of old Chin - a- town

UP A-I.AZY RI\TER
Hoagl Carmichael 1931

ZY, h a - z y n v - e r ilJ
u p a l a - z y n v - e r by the 'la -
old mill ilD, the "ln the
u p a l a - z y riv - er where the rob- in's song, a- wakes a bright new mom- ing, we can

c7 F c7

noondaysun, Iin-ger in thshade o f a kind old tree, a - way your - bles,drCam

loaf a- long,
F 8"7 FIC D7

dream with me. blueskiesup a-bove, ev - 'ryone's in love,

G7 F E 7 D7 ce

-
 MOON RTVER 40^r
Johnny Mercer/Henry Mancini 196O

Moon riv - er, wid - er than a mile, I'm cross-rng you in style some- day.
Two drif- ters, off to see the world, there's such a lot of world to see.

dream mak-er, you heart where - ev- er you're going I'm glrng your way. at ter the
F7 C F C F C A- D-7 G7 C

same rain-bows end, waitin"roundthe bend, my huc-kle-ber-ryfriend, moon river

SOMEDAY n/ff PRINCE WILL COME

Moray/Churchill 1937
c7
(J.
4'
Some day my prince will come, some day I'll find my love, and how
He'll whis - per "I love you" and steal a kiss or two, though he's

thrill - ing the rno-ment will be,- when the prince of my dreamscomesto me.-

A+7 \b"7 A-7 D7 G-7 C7 F

way I'll find my love, some - day, some - day when my dreams come true.-

NASCINATION Marchetti/Manning I 9O4

F7f tt Eh D-7

t was fas-ci - na tion I know, and it might have end - ed right there at the start.
It was fas-ci - na tion I know, see-ing y o u a - Ione with the moon - light a - bove,
D-7 D-7lDT7

-iv

pass - ing glance,

.
lust t a brief ro mance, I might have gone on my way emp-ty- heaft- ed.
t hen touched your

2. D- D-7 C D - G 7 C

t was las- cl hand, and next mo- ment I kissed you, bs- ci- ca- tion turned
40.2 SOMEWHERE MTLOVE 1965 Dr. Zhivago

G/B fibo7 A-7 D7 A-7 D7

Some where my love there will be songs to SlDg- al - thoughhe

Some where a hill,_ blos-soms in green and gold,- and there are
You'll come to me_ out of the long a go,_ warm as the
TiII then my sweet- think of me now and then God - speedmy
A-7 D7 $F A_7 D7 G D7 C CIB ClA ClG

snow_ cov- ers the hope of springs- Some - duy,- we'llmeet a

dreams,-- all that your heart can hold-
wind- soft as the kiss of snow-
love

c C#.t GID Bb sile nbrc sb/F Bb

some - dry- when - ev- er the spring breaks

sA-7 DlA D7 Dtlg G

'till you
are mlne a - g a m

AROT'ND THE WORLD Young/Adamson 1956

A round the world I searchfor _you, I travelled oD, when hop" was gone to keep a
It might have been in Coun-ty Down, or in New York, in gay Par
D-7 G7 D-7 G7 D-7 G7 D-7

- vous. I know some- where, some - time, some you'd look De' and would

see, the smile you're smil- ing now. It or ev- en Lon - don town, no more will
A7 D-7 G 7 C
 EMILY 443-
Johnny Mandel 1964
c^7 A-7 D-7 G7 c^7 G-7 Ctag F ^7 Bb7

E- mi-ly. E- mi-ly, E- mi- ly,- has the mur-mur-lng sound of May- All
A^7 F#-7 B-7 E7rur4 E7 A-7 D7 D-7 G+7

sil- ver bells, cor- al shells. car-ou-sels.- and the laughter of children at play, say.
c^7 A-7 D-7 c^7 G-7 C7 FA7 E%ura

E- mi- ly, E- mi-ly, E- mi-ly,- and we t o a mar- vel- ous view, two
A.7 87 E-7 A7 D-7 G7 C A-7

lov-ers a lone and out of sight- seeing l - m:!'ges_ in the fire - light- As my
Ffi-zls Blsg E-7 A7 D-7 G7 c6

eyes vis- ual - ize a they see dream- i- Iy, E- mi- ly too.-

ALlryAYS irving Berlin 1925

I'll be l o v - lng you al - ways- with a love that's al- ways.

Days may not be fair al - ways
C %ura F B-7 E7

when the things you've planned, need a help- ing hand, I will un - der - stand.

al - ways , always. that's when I'll be there al - ways-- not tor tust an

Bb-t F G7 G-7 C 7 F

hour, for just a day, not for just a year but aI - ways
40,4 EDELWEISS
Rodgers/Hammerstein I 959

- welss, E - del - weiss, ev-'ry morn - ing you greet me,

FTA sbn Eb Bb/F F7 Bb

and bright, you hap - py ro meet m9.

Bb sbn CIE F F7

Blos - som of snow may you bloom and gro% bloom and grow for - ev
Bb F-6/Ab nbtc Bb-tcb sbn F7 Bb

WTTNDERBAR
Cole Porter 1948

G^7 G^7

Wun- der - bar,- Wun-der - bar,- p-er- fect night for Iove.- Here I
Wun- der - bar,- Wun-der - bar,- we're a - Ione and hand in glove,- not a
Wun- der ' bar,- Wun-der - bar.- there's one fav-'rite star a - bove,- what a
A-7 B-tvs Ep A-7 D7 A-7 A-7LsD7 G6

a
iun, here you are,- why tru-ly Wun - dr Wun - der
cloud near and far why, more than Wun - der
bright shin - ing

2 . G
F-7 Bhrg sba c-7 Bhrg

o h r care dear,- for you mad- ly,-- and I long dear- for your kiss.
c-7 A-7 Dtag G6 E- Cfi-tas F*7 B- E7

I would dear,- for you glad- ly,- you're di - vine dear,_ and your mine dear.
A- D]D.C. aI S A-7 D7 A-7 Dttg G6
 UNDER PARIS SKIES 40,5
E gb-t

Stran- ger be - ware, there's Iove in the arc, un-der Par - l s skies,-
Love be - comes king, the mo- ment it's Spring,un-der Par -is skies,-
Just look and see what happened to me un-der Par -is skies,-
F- Bb- F-

try to be smart and don't let your heart catch on fire.-

lone - ly hearts meet some - where on the street of de - sire.-
watch what you do. the same thing can hap - pen to you.-

Pa- ri- sian love can bloom, high in sky - lit o r l n a

Db p,b-t eb-o r\ r-1,

gay ca fe. where h u n ' dreds of poe- ple can see

F- Bb-7

I was- n't smart and I lost my heart un- der Par skies
c7 F

don' t ev - e r be heart brok- en strang- er like me. oh I feel in

FA7 Tacit c-7

beau'ti-f'ly cruel

D-7 A7 D-

Par - is JUSI a gay co quette, who wants to love and then for - get.

G-7 F
I Ffi" Tacit C c7 F- c7

Stran- ger be - ware, there's love in the arr

D . C .a l F i n e 1 s t E n d
40,6 WONDERFUL COPENITAGEN Frank Loesser lg50

E-7rIBb A7

Won- der-ful, won - der-ful, Co- pen - hag- en, friend - Iy old girl o f a town. "Neath her
won - der-ful. won - der-ful Co- pen - hag- en, sal - ty old queen of the sea. Once I
1A- E- G7

ta - vern iight mer - ry night, us clink and drink one down.-

A- A- p+ D7 G7 C

pen - hag- en, won - der- ful, won - der- ful hag- en for me.-

VIENNA, lttrr CITY OF DREAMST*"_,*ki/ caesar

1e37
Ff,'z G-7 C+7

,ream when Vi lS, as o'er the Da- nube the moon - light gleams.
Hold me and r, night-time i s end- less and love su - preme.
1' FIA fib"7 C7 G-6 c7 Frur4 F6

Waltz to Vi - en - na's live,laugh,and love like the en

o Q 7rur4 Clag F6

two heartswill na's dream-

MERRY WIDOW WAT.frZ Franz khar

I
TWO HEARTS rN 3/4 TrME 407
I C O C C C EboT
StolzlYoung t93O

I Two hearts beat with a Joy com - plete, oh what a night for you and me.- Two
po
I
po D-7 D-7 D-7 G7 D-7 Grur4 G7 c^7

I with
c7
a Iove
F6
so sweet, while
A-7
walt- zing
D7
dream - i
D-7
ly.-
G7G+

I I'll shareyour charms 'till the break of dawn,- Iocked rn your :ums 'till the new day is born.
Qc C Co C E-tts ATbe D7 G7 C

with a joy com - plete, walt- zing new pa - ra - dise.-

VIENNA LIFE

D.C al2nd End - Fine

WHERE rs YottR HEART (Moulin Rouge)

Bb7 F-7 Bb7 '.Eb p,bt ,.EV p,bt

F-7

D-Zls G7
40,8 guE SERA SERA

PIGALLE
C^7 C

\--./
G-7

sot

ITIADEMOISELLE DE PARTS
 I COULD IIAVE DANCED ALLNIGHT 409
Lerner/Loewe 1956
E- CD- E-7 A7 D-7

I could have danced all night, I couldhave danced all night,and still have begged
for more.
D- p-(a7)
D-7 D-6 G 7rur4 G7 c^7
t + '
could have spread my wings and done thou- sand things I've nev - er done be - fore.
E Fil-787 E G A-7D7 G7 F C/ED-

I-ll nev-er know made it so ex - cit why all at once my hearttook flight.
F D-7 C
_ G 7

know when begun to dance with I coul dhave danced, danced,danced, all night

FRLLING IN I,OVE AGAIN Fred Hollander lg3O

Ebt 6bat Ab-6 G-7 CTreF-7 Bhrg nba F-7 Bb7

Fall- in_ein Iove a- gain, nev-er want-ed to, what am I to do, can't hetp it)- Fine
Love'sal-ways been my game, play it how I taY' I was made that way, can't help it.
G7 c-e F7 F-7 bt
.c.

Men clus-ter round me like moth around a flame. and if their wings burn, I know f'm not to blame.

DEAR HEART
F^7 F7 Bb !o Ge G-7 C7 F47

Dear e'
heart, wish you were here to warm this night.- My dear heart,
Soon I'll kiss you hel - l o at our front door,- and dear heart
F7 B bs o S e Ah G - c 7 F F 7 nb-o F A 7 D-7

seems like a year since you've been out of my sight.- A sin-gle room, a ta-ble for one, it's a
want you to k n o w I' l l
G9 G-7 C7 o.". atcoda$r D-7 G-7 C7 F B b F

Ionesome town all right._ But leave your arms nev-er - more._
4ro Redd Stewart/Pee Wee Kine

I was walz- ing with my dar- lin' to the Ten- nes - see waltz, whenan
In- tro ducedhim to my lovedone and whilethey were waltz- ing my
Yes I lost my lit - tle dar- lin' the nightthey were playingthe

hup - pened to In - tro friend - stole rny

beau - ti tut
C trc E7

sweet - heart from I r e mem - ber the night and the

T e n - n e s - s e e waltz-Fine
D.C.al2nd End(Fine)
F C G7

Ten- nes-see waltz, now I much I have lost.-

BATIBLES, BAIIIGLES AND BEADS Forest/Wright 1953

Bb-7 Ebe Abl;. F-7 eb-t rlg Aba;

Baubles, barrgles, hear how they jing, jing- a-ling - a, bangles bright shin- y
D-7 Ge c^7 A-7 D-7 Ge

beads. Spat-kles, span-gles, my heartwill sing, sing- a- ling - a, wear- ing baubles,
c^7 F#-7 87 E^7 A7

gles and beads. I' ll glit - ter and gleam SO, make
Eb7 ebe B-7 nb-t Ebe Abn F7

some-bo- dy so that some-day he may buy me a ring, .ing- a- ling- a,

sb-t Ebe Abat Ft'g Bb-t Ebe
. t . -
AD^t
 FALLING IN LO\TE WTTH LOVE 4tL
Rodgers/Hart 1938
Bbn Bbo Bb^7 c-7 F7 C-7 F7

Fall- ing love with Iove is fall - ing for make be - Iieve
I fell love with love one night whn the moon was full
c-7 c-7 F7 Bbn Bba Bbn Bb6

Fall - ing in love with love is play- ing the fool

I was un wise with eyes un - a - ble to see

Car- ing too rnuch is such a ju - ve- nile '-.

I fell in love with love, with love ev - er
G- 6-(a7) G-7 G-6 c-7 F7

Learn- ing to trust ls just for chil - dren in school

2 A_7 D7

last - ing.- But love fell out with

I'LL TAKE ROITIAIIICE

Oakland/Hammerstein 1937
F6 D-7 G-7 c7 ClBb A-7 llbt Dbn Gb^7 G-7

I'll take ro - manca- while my heart is young and ea - ger to fly, I'll glve my
I'll take ro - mance- while my arrnsetre strons ancl ea - ler for I' ll grve my
first real ro - manc€-
YoU'
while my heart is youn! and ea - ger and gay, I'll glve my
Dlsg G-7 C7 Ab7 G-7 c7 2'Fa c-e

heart a tu, I'll take ro mance-

arTns their cue, I'll take ro
heart a way, I'll take ro mance
B-las Elsg lEer l ^
DI Dbn Bbz nb-t Ab7 Dbl;,

So my lov- er when you want ffic, call me in the hush of the eve -
c#-7 F#7 B ^7 E^7 A-7 D7 G-7 c7 D.C.al Fine

nlng, when you in the hush of the eve-ning, I'll rush to my

4I,2 MT NAVORITE THINGS Richard Rodgers l g59

E-7 F#-7 c^7

Rain-dropson ros-esand whiskerson kit-tens, brightcopper ket- tles and warmwool-en

Crearn col- ored poniesand crisp apple miFrens,
strudels, door-bellsandsleigtbellsand shnit-zel with
noodles.
A-7 D7 G^7 c^7 GA7 c^7 Fil-tus B7
4'
pack- ag- es tied up with string, these are a few of my fav - or- ite
geese
that fly with rhe moon on their wings,
things.
tr ,;,f
E^7 A^7 A^7

Girls in white dress-eswith blue sa-tin sashes, snow-flakes that stay nose and eye - lashes,
A-7 D7 G^7 c^7 G^7 c^7 Ff -zls Btag
e'
sil- ver white win-ters that melt in- to Spring. these are a few of my fav - or- ite things.
E-7 Fil-tls Blag E-t E-7ID c^7

When the dog bites, bee stings, when I'm feel ing sad,
c^7 G^7TD D%ura

sim-ply re mem- ber my fav- or- ite things and then I don't feel
G6 c^7 G6 c^7 G^7 c^7 ( r'#-zls

GREENSLEEVES
D-7

las my love, you to cast me off did court-

C Bb A7 D-

you so long, light

C D-

sleeves, all my Joy, sleeves was

C A- A7
 LOVER Rodgers/Hart t9g3 413
Ffr-7 F-7
- t -
BD/ E-7 A7

Lov - er when I'm near you, and I hear you speak my name,
Lov - er, when we're danc - ing keep on glanc - ing in my eyes,
Lov - er, please be ten der, when you're ten - der, fears de - part,
nb-t Ab7 D-7 Scz 1cd7 nfi D-7 G7 'Cal
C6 F#-7 87

soft - Iy in my ear you breathe a

'till flame.
love's own en - tranc- ing mus- ic
lov - er I sur-ren-der
E^7 Fo7 F#-7 B7 E^7 Fo7 F#-7 B 7

All of my fu - ture is Your ev- ,ry plan I d e sign

G^7 GT.7 D7 p;boT D-7
G7 Glag

prom- ise you'll al - ways con

Sct C

ALICE IN WONDERLIIND Fain/Hiltard l95l

D-7 c^7 F^7 B-l's Etrg A-7 Eb7

Iice in won how do you get to won - der- land?

clouds go roll they roll a - way and Ieave the sky,
lice ln won where is the path to won - der- Iand.
G7 E-7 D-7 G7 E;7AJ--D-t
' n '
G7

O- ver the hiII or un der - Iand, or

whereis the Just be hind the
land b e - yond the eye that peo
o - ver the
ple can - not
hiil or here or there? I won - der
''
co7 A-7 D7 q E-7 A-7 D-7

rlr..fr"--
where- do starsgo? Where is
FA7 D"7
+7 D-7 Ai Dq lbloEt 2ndEnd-Fir

the cres-cent must be some where in the sun-ny af -

4L4 BLUESETTE
Jean Theilemans

Bbn A-lss D7 G-7 F-7 Bbt

Ebn

B^7

D-7
^- _.l-l'9 c-7 Bbn Abrt Bbn ptbn
"fit

UP JTIMPED SPRING Freddie Hubbard

gbtt c-7 F7 G-7 G-/F E-lvs ATrg

tB -7it

lEo-,
D.C al 2nd End.Fine

SCARBOROUGH EAIR
D- D-

D- C D- G C D-
 WIIA'T'LL I DO?
Irving Beriin 1924
415
Ab-6 nbrc F -tts Eb^7 BbT.ura

What-'ll I do- when you_ are far- a way- and I- am blue, what-'ll I
What-'ll I do- when I_ am won - 'dring who,-who's Iov-- ing you, what-'ll I
WhenI'm a lone- with on- - ly dreams- of you- that won't come true, what-'ll I
Eb6 1.Bb7rur+
3-1
lBam F-7 Ab6

--..---
Fine
I What'll I do- with just- a pho-- ro-
obg Ebl;. Dbt c7 F7 Bb7ru.+ gh D.c.atFine
r-3

graph- tell- my to.- When I'm a

IttrT BUDDY Ihhn/Donaldson lg22

6bo7 A-7

Nights are long slnce you went a way, I think a

Miss your voice the touch of your hand,- just ro
P,bo7 A-7 D7 GTF E7 A-7

bout you all the day, my bud-dy,- my bud- dy,- no bo- dy

know that you un- der stand, my bud-dy,- my bud- dy,- your bud-dy

quite

GRA\tr WAT.TIZ Steve Allen 1963

CTE F6 Fil"I C Ffi-zls

4I-6^ HELLO YOTING LO\TERS
Rodgers/Hammerstein 195 I

Hel Io young erswho - ev er you NE, I hope your

Be brave young ers and fol - lou,your star, be brave and
Don't cry young erswhat - ev er you do, don't cry be

F-7 p,bt BbTrura Bbt Gb7 Bbt s

trou- blesare few, all mgood wish - es go with youto - night,
faith - fuland trug,- cling ver- y close toeach oth - er to - night,
causef'm a Ione,- all of my mem-'riesare hap- py to - night,

I've been in love Iike you.

I've been in love like

Ab6/C eb-t Abolg

wings on your heels, fly down the

D-tts Gll'g

street I n a trance. fly down a street on a

c-7 ctag F-7 B,bl D.c.atcoda

chance that you'll meet, andyou meet not rcal - ly by chance.- Don't

Ebt

love of my own. I've had a love of mv

Dbt*n C+7 F-7 Eb6
 BEER BARREL POLI(A 43^L
Brown/Timm 1939

ClE Eh

Roll out the bar- rel,- we'll have a bar- rel

Zing! Boom! Ta ra- rel,- ring out a
c7

the bar- rel we've got the blues on the run._

good song of cheer, now's the time to roll the banrel,- for the gang's
c1 F___ D- C

Fine
all here-

Backto C Chorus
43.2 THE IIAPPY WANDERER
F7 Bb
LIECHTENSTEINER POLI(A 433

PENNSNTANIA POLIIA

TOO NTr POLI(A

Cf" D-7 G7 C
;

434 HOOP-DEE-DOO Delugg/Ioesser lgSO

Hoop- dee - doo, Hoop- dee- doo, pol-ka and my trou-bles are through
Eb

Hoopdee- doo, Hoop- dee- doo, this kind of rnus-ic is like hea-ven
nbt

got me high- er than a

c7 F-7 s
Hand me down my soup and fish, I am gon-na get my wish
Eb

night. tronrbone play- in' ta dah-dah - dah. I get a

Ebt1s5 Ebt Bb-t Ebt sb-t nbt

I al- ways will-

Bb-t Ebt

- ways smile,_ .cause

that's my
, sryle. When there's fid- dle in the
Ab7 DbIC

mid-dle and he oplays the rune so play the tune so sweet that I could
nbnb?ebob F7 Bbt

me to the floor and hear me yell for more .ciuse f'm a

nbt Ab Bbt

do my might, rain may fall

Eb C7 F-7 nbt
 ITIAII\ FEMMENA
Toto/Allen 1951
441
Bbn

AL DI II\ Donita/Dralce 196l

q" c-7 F7

COME BACK TO SORRENTO Ernesto De Curtis 1935

442 ffiERCAROITIA Rascal/Sigman tg54

ETB A-

Ro m4- good- bye, good- bye to Rome- Ci- ty of a

Ro ma,- it's time for us to part,- savetheweding
A7 D7

mil- lion moorlit pla- ces, ci - t y o f a mil- lion warm em - bra - ces, where I found the
bells for mv re turrr ing, keep my lov- er's arms out- stretched and yearn-ing, please be sure the
1D7 C- D 7 G Bb7 A-7 D7 2'Dl
G

one of all the fa- ces far from home. Ar - burn- ing in her heart.
flame of love keeps

VOII\RE 1958

D7 DJ' Eb- nbt Eb- nbt

zBb Gtag

.C. 1.2.at Coda

 AH ITIARIE 443'

ITIARIA ELENA Barcelata/Russell I 933

O SOLE MIO
Bb7 I 1'
444 AIVEIT{A E CORE Saive D'Esposito l95O

B-7 fibo7

\r..-/

G6 fibo7 A-7 D7 ATbe^ D^7 D#"2r-3-r E 7

r-J

''A-t
A7 1_3_1 A-7 Dt^
f-J

Mescoli/lee 196O
IttrT IPVE FORGTVE ME

G-7 Cbt F-7 F;bt ' gbz'*oS Eb G-las Cl_ag

Ebdt Eb/G Gb.l F-7 t'BbTrur+ 2'Bb7*ra

sel F-7 3b7rur+gb F-7 BbTrur+

Eb

Modlugno/Parish 1959

CIAO CIAO BAMBINA

ATff' D-7 G7 cA7 G7*ra

c^7 c6

E-7 frbo7 D-7 pb"7 zE-7 A7 gb"l D-7 G7rrr4

 DAIIINT BOY 45r
Fred Weatherly l9l3

CIE A-7 D7

Oh Dan- ny boy, the pipes the pipes are call - ing,- from glen to glen, and down the moun- tain -
But when ye come,and all the flow'rs are dy - ing, i f I a m dead, as dead I well may

D-7 G7 c7 F F- D-7 G7

side, the sum-mer's gone and all the ros-es fall - id"g; it's you, it's you must go and I must
be, ye'll come and find the place where I a m ly - ing, and kneel and say an A v - e there for

C G7 F CtE C

bide. But come ye back when sum- mer's in the mea or when the
me. And I shall hear, though soft you tread a - bove and all my
A- A-lG CIE D7 G7 c7 Ff"z

val - iey's hushed and white with snow, it's here I'll be in sun- shine or in
grave will warm - er, sweet - er be, for you will bend and tell me that you

CIG A- F-/Ab ClG A-7 D-7 G7 C

e
sha dow, oh Dan - ny boy, oh, Dan - ny boy, I love you so.
love ffi€, and I shall sleep in peace un - til you come to me.

WHEN IRISH EYES ARE SHINING Ball/Oicot l912

When rish eyes are smil- ing.- sure it's like a morn in Spring.
When rish hearts are hap- py,- all the world seems bright and gay,

In the Ii lt of laugh - ter

and when I rish

When eves are sure they way.-

45.2 MT UIILD IRISH ROSE
Bb Bbz

TO O - liLA-LO O -R_tt-LOO -f,lAl

IRISH WASHERWOMAN

McNAMARA'S BAI\ID
 SUNRISE SUNSET
'Fiddler
on the roof'
455

Is this the lit- rle girl I car - ried? Is this the lit - tle boy at play?-
Whendid she ger to be a beau - ty? When did he grow to be so tall?-
Now is the lit- tle boy a bride - groom? Now is the Iit - tle girl a bride?-
Placethe gold ring a- roundher fin - ger, sharethe sweet wine andbreakthe glass,-

G7 1 .C _
Ebt D+7

I don't re mem- ber grow ing old when did they?-

Was - n't ir y e s - r c r - day when
Un - der the c a - n o PY I side by side.-
soon the full cir - cle w i l l have
2' c- A7 p+

they were small Sun- rise,- sun-set, sun- nse,-

come to pass Sun- rise,- sun- set, sun- rise.-
A-tts G- A-zls C-

sun- set, swift Iy- flow the days,- seed-lings turn o - ver night to
sun- seL swift lv- fly the years.- One sea - son fol- low - ine an -
Bbnt A-lls t' 2'
D7 G- Dltg G-

sun - flowers, blos- som- ing ev - en gaze,- hap - pi - ness and tears.-
oth - e r la - den with

HAVA NAGIII\H
456 II4AYIM ITIAYIM

A 7 G F f - e 7l ' O

ARTSAALINU

MISIRLOU
 IIAWAIIAN WEDDING SONG 46r
C G 7 C C 7 G 7 C G 7 C E 7 A-7

This is the mo-ment I've wait- ed for, hear my heart sing-ing, soon bells will be
G7 C co D7 G7 C co

nng- mg. This is the mo- ment. sweet A lo - ha. I will love you long- er than for-
Ge C G + C A7 D7 G7

ev- er, prorlr ise me that you will leave me nev-er. Here and now dear. all my love I
C co Ge C

vow dear, promise me that you will leave me nev-er, I will love you long- er than for - ev-er.
c7 F D7 G7 C A 7 D7

clouds won't hide the sun. Blue skies of Ha smile on

De A7 D7 G7

this our wed - dine day. you with all

GODntrHER (SPEAK SOFTLY LOVE)

Eb6
 BRTDAL CHORUS (LOHENGRTN) 46,9'

Sc-z

WEDDING lt[ARCH (Recessionat)

D-6 E7

,-a-., c,7

IIAIL TO THE CHIEF

464 THE MEXICAN IIAT DAI\ICE

E F

THE HOI(EY POI(EY

treb

THE BTTNI{THOP
 AULD I,ANG SYNE 46,5
c7 F F 7

A7 D-7 G-7

STAR SPANGLED BANNER

FTAG- DT|F#G-7 C7 F F T B b

nbn

THE STRIPPER
F F7 E Tgbt D7 Ge

drums (a la strip) drurns(a la strip)

466 CHICI(EN DANCE

DADDY'S LITTLE GIRL

Gerlach/Burke 1949

D7

You'rethe end of the rain-bow,my pot o' gold, you're dad-dy's lit-tle girl

Bb ce F7

hold. A pre-cious gem t s whatyou are,you're mornmy's bright and shin-ing star.You're

Bb D7 G - D 7 G- D7

spi-rit of ChrisEmas,
rny star on the tree,you're the Eas- ter bun-ny to morrFmy and me, you're

Eb BF Bb D7 G- c7 F7 Bb

sug-ar, you're spice,you're ev-'ry-thing nice, and you're dad-dy's lit - tle girl.
 THOSE WERE THE DAYS 46-7
Gene Raskin
A-6 A-7 A-6 D- D-6

Once up- on a time there was a lav - em, where we used to raise a glass or rwo,
Then the bu - sy years went rush-ing by us, we lost our star - ry no- tions on the way,
Just to-night I stood be- fore the ta- vem, noth-ingseemed the way it used to
Through the door there ciune fam- i- liar laugh-ter, be,
I saw your face and heard you call my name,
D- A-7 A-6 B7

mem-ber how we laughed a- way the hours, and dreamed of the great things that we would do.
if bychance I'd see you in the [a - vern, w e' d smile at one - an - oth - er and we'd
in the glass I
say
saw a strange re - flec- tion, was that lone - ly fel - low real - Iy
oh my friends we're old - er but no me?
wis - er, for in our hearts the dreams are till the salne,
E7 A. D- G

Those were the days, my friend, we thought they'd nev-er end, we'd sing and dance for -
G7 D- A-

eve - er and a day, we'd live the life we chose. w e' d fight and nev - er lose.
A-

for we were young and sure way- La la la la la la,

D- F7 A-

those were the days, oh yes, those were the

RUSSIAN DANCE
46,8 II\\rtE EN ROSE Louiguy/David 1950

Hold me close and hold me fast, the mag- ic spell you this is La Vie En Rose.
Quand il me prend dans ses bras, il me par - le tout Je vois La Vie en Rose.

D-7 D-7 G7 C G 7

When you kiss me hea- ven sighs, and tho' I close my eyes I see Rose.
il me dit des mots d'a - mour, des mots de tous les jours. Il ca m'fait quel-que cho - se.

C c^7 C c7

When you press me to your heart, I'm in a world a part, a world where ros- es bloom,
il est en - tre dans mon coeur u - ne part de bon - heur dont je con - nais Ia cause.

F6 F-6 ClE ATbg A-7 De D-7 Gttg

and when you speak, an - gels sing from a-bove, ev-'ry day words seemto turn m - to love songs.
C'est lue pour moe, moe pour lui, dans la vie. il me I'a dit, I's ju re pour la vle - e.

C c^7 c6 D-7 G7 c6

Give your heart and soul to me and life will a l - ways be. La Vie En Rose.
Et des que je I ' a - c o i s a - l o r s j e sens en mor mon coeur qui bat.

LIMBO ROCK

Ev-'ry Lim - bo boy and girl, all a round the lim - bo world, gon - na
First you spread your lim - bo feet, then you move to lim - bo beat, lim - bo
Get your - self a lim - bo girl, give that chick a l i m - bo whirl, there's a

c7 F Bb

do the lim - bo rock, all a round the lim - bo clock. Jackbe lirrrbo, Jack be quick,
an- kle, lim - bo knee, bendback like the lim - bo tree.
lim- bo moon a - bove you will fall in lim - bo love
F c7
e
Jackeo urrderlim - bo stick. all a roundthe lim - bo clock, hey,let's do the lim - bo rock.
 CIELITO LINDO 46,9

I'll nev er for - get her the night rhat I met her a thou - sand gui -
I thought to re - sist her but I i n - a l - Iy kissed her when I heard my
lo F7 F7

--r'
tars were play - rng._ and stars a bove were say- ing, love's in &e
heart say sur - ren - der- then with a sigh so ten- der, we said good-
t'F7
F7rur4 F7 "'F7 F* Bb

iur and my head was sway - ing.- I night of splen - der.

bye t o a
Bb BF'. Eb C- F7 Bb

Ay, Ay, Ay, Ay,- That night was hea - ven,- When
Ay, Ay, Ay, Ay,- That night wzls hea - ven,- is
Bb Bo c-7 F7 c-7

one Iit - tle kiss brought such hea- ven-ly bliss and rny life was
srill in my heart tho' we've drift - ed a Part, but some - day I
1'F7 2' F7
Bb F7 Bb

com - plete a-gain. know w e' l l meet a - gain.-

GUAI\[TANAIVIARA
E-7

Guan- ta- na- me- ra g u a - Jr- ra Guan- ta- na - me- ra.

A7

ra gua-Jl- ra Guan-ta-na-me - ra Yo soy un hom- bre sin- ce- ro De don- de

D l-r
TJ A7 G A7

cre-ce la pal-ma Yo soy un hom-bre sin-ce-ro -

de don-de cre ce la
A7 G A 7 G A7

pal- ma Yan- tes de mo- rir- me quie - ro E- char- mis ver- sos del al
 TITAT'S AIVTORE 470
Warren,/Brooks lgss

Na-po - where love is king, when boy meets girl, here.s what thev srng..._
F

When the moon hits your eye like a big prz- za Ple' that's a
When the stars make you drool just like pas- ta fa zool, that's a
G-7 c7 c7 G- c7 G-

world seems to shine Iike you've

dance down the street with a

had too much wine, that's

cloud at your Bells will
F
Ff"z

nng, ting - a- Iing - a ling, ting - a- ling - a Iing, and you'll sing vee - ta bel- Ia,-
G-7 c7 c7 G- C7

hearts will play, dp - py rip - py tay, dp - py rip - py tdy, Iike a gay

tel
feet, you're Iove.-
Ebt*tt D7

When you walk in dream but you know you're not

gb-o
!o c7 Bo

dream ing sig rer-

ffie' but
c7 Bo c7 b- e

see, back in old Na - po li, -

that's a mo
 CHRISTIT{AS SONG 4E5
Mel Torme 1946

Ebrt F-7 G-i 6btt Ebn Bb-z nbt w#

Abtt D-7b5G

chest- nuts roast-ing on an oF en fire, Jack Frost nip- ping at your nose.
knows a tur-key andsome mis-tle toe help to make the sea-son bright,
so, I'm of - fer- ing this sirrrpre phraseto kids from one to nine-
ty two. Al-
c-7 eb-0 Eb^7^ t'Ga7
6-7bsg7bs Ab-7 Dbt Gbn sbt

Yule- tide car- ols be- ing sungby a choir and folks dressedup as es- ki - mos. El.'ry- body
t i - n y tots, with their eyesall a- glow, will
2'G-7 7 F-:- Bbt ^trpo eb-t Plt Abn F-7

find it hard to sleep to - night. They know that San ta's on his w?y, he's loaded
Bb-t Ebt Abnt eb-t Dbt Gbtt

lots of toys and goodies on his sleigh, andev-'ry moth-er's child is gon- na spy, to seeif
F7ru14 E 7' F-7 F,bl D.c.atcoda S c-z
-a- i'
Ab-6

rein - deer real- ly know how to fly. though it's been siad ma- ny
btt D7 Eb6 BbTrura nbo BbTrura F:bo BbTrur4 Eb6

tlmes,m&ny ways, "Mer-ry christ-mas, Mer-ry christ- mas, Mer-ry Christ- rnas

rLL BE HOME FOR CHRISTITIAS

Kent/Gannon,/Ram 1943
EboT D-7 E-lvs A7 1.D-7

I'II home for Christ-mas,- you can count on me.

Christ - mas eve will find ffi€- where the love light
D-7 D-tas G7 I A-7 D 7tur4 D7 D-7

have snow and mis tle - toe, amd pre- sents on the tree.-
2.D-7 F ClE p-tbs 67 D-7 GTruraG7 C

gleams- be home for Christ if on- ly in my dreams-

486
IIAVE YOURSELFA MERRY LITTLE CHRISTITIAS
Marten/Blane ig44
A-7 D-7 G 7rur4 A7 D-7 G7 C A-7

Have your- self a mer-ry lir tle Christ-mas, let your heart be light, from now on, our
Have your- self a mer-ry lir tle christ-mas, make the yuletide gay, from now on, our
Through the years we all will be to - gerh- er, if the fates al low, hang a shirring
,.D_l z.g-7bs
B-los E7 A7 D-7 G7 A-7 G-7

trou - bles will be out of sight trou - bles will be far a - way.-
F^7 F-6 E-7 |]boT D-7 Grrr4 G7 CA7

Here we are as in old - en days, hap - py gold - en days of yore,

Ffr-t;s Btag E-7 A7 A-7 De D-7 G7

D.C. alCoda
faith - ful friends who are dear to uS, gath- er neetr to us once more.

B-7ss Elug A-7 Ab+7 G-7 Cbt Fa7 D-7 G 7 C

star up on the high- est bough and have your-self a mer-ry lit-tle Chrisemas now

WHITE CHRISTITIAS Iruing Berlin 1942

FlC c^7 BlC C^7 D-7 Ab7 G7

I'm- dream-ing o f a white ChrisFmas, Just like the ones I used to know,-
I'm- dream-ing o f a white Christ-mas, with ev-'ry Chrisemascard I write,-
D-7 G7rur4 C C^7 C7 1.F Fa7 F-6 c^7 A7 D7

where the tree- tops glis- ten and chil- dren lis- ten to sleigh bells in the
may your days be mer- ry and
''F o7
D-7 G7 sbt C^7 C#"t D-7 G7 C

Vv----\
L_e
snow- bright-- Christ-mas-es be white.
 RUDOLPH THE RED-NOSED REINDEER 487
Johnny Marks 1949

CIE Eh

Ru - dolph the red - nosed rein - deer, had a v e - r y shi - ny nose,

All of the oth - er rain - deer used to Iaugh and call him names,
Then how the rein - deer loved him as they shout- ed out with glee,

D-7 G7 D-7 G7 ,.D_7 'D-l

G+7 G7

and if you ev - er saw it, you would ev-en say it glows. join in an - y reindeer
they nev - er let poor Ru - dolph you'llgo downin his- to -
Ru- dolph the re&nosed rein - deer.

C C 7 Ff,"z c#"t D-7 c#"t

one fog - gy Christ - mas eve, San - ta came to

G G#"2 A-7 D7 D-7

Ru - dolph with your bright, won't you guide my sleigh to night

SAI\ITA CLAUS IS COMING TO TOIVN

Coots/Gillespie 1934

You bet - ter watch out, you bet - ter not cry, bet-ter not pout f 'm tell- in' you why,
He's mak- ing a Iist and check-ing it rwice, gon-nafind out who's naughty and nice,

A-7 D-7 G 7 C

San - ta €
Claus is towi:

G-7 c7 G-7

sees you when you're sleep - ing. knows when you're a wake, he
A-7 D7 G^7 G#"t A-7 D7 G7 D.c. at Fine

knows if you've been good for good - ness

488 SLEIGH RIDE Leroy Anderson

xE
Justhearthose sleighbells jin-gl+ing, .ing - ting tin-gle- ing too, come on it's
Ourside the snow is falling and friends are calling, "yoo - hoo,"

G^7 E-7

a sleighride to-getber with you. Out-side Gi&dy-

c*-7 Fil7 B^7 c#-7 Cfr.7

up, gid- dy- up, - uP' let's go, we're rid ing "in a

Fil7 B^7 E7

won- der- land -dy - uP, gid- dy- up, up, it's grand,

A^7 A 7r,rr4

Just hold-ing i our hand, we're gliG ing e Iong with a song of 5, win - ter fai- ry

E G^7 E-7 A-7 _ D7 G^7 E-7 A-7 D7

Iand. Our cheeksare nice and ros- y and com - fy co- zy Ne w€, we're snug-gled
Let's take that road be - fore us and sing a chorus or two. Come on, it's
G^7 E-7 A-7 o G A-7

up to- geth- er like two birds of a feather would be. Let's take you.
Iove-ly weath er for a sleigh ride to- gerh- er with you.

G^7
 Sleigh Ride (page 2) 489

be the per - fect end - ing of a per - fect day, we'll be

pass a - round the cof - fee and the pump kin pie, it - 'll

slng-mg the songs we love to sing with - out a sin- gle stop, at the fi - re-place while we
near- ly be like a pic- ture print by Cur - ri - er and

c*-7 F#7 BA7 D7rur4 E-7 A7

watch the chest- nuts Pop! There's a

D 7rur4 D.S. alFine

these won- der-ful things the things re - mem- ber all thru lives.

SILVER BELIS Livingston 195O

G7

Cit- y side-walks, bu- sy sidewalks,dressedin hol - i - day style, in the air there's a
Strings of streerlights,ev-en stop lighrs, blink a bright red and green,as the shop- pers rush
C C c7

feel - ing of Christ- mas. Chi - dren laugh - ing, peo- ple pass tng, meet- lng
home with their trea - sures. Hear the snow crunch, see the kids bunch, this is
F D7 G7 C G 7

smile af - ter smile, and on ev

'ry street cor - ner you hear.
San ta's big scene, and a bove all this bus - tle you hear.
C F G7 D7
-
sil sil ver bells, Christ mas
Ring hear them ring it will
'Gl 2'G7

Christ
49o^ ITTTNTERWONDERII\ND
Bernasd/Smith 1934

Eo7 F-7 Bb7

'nin'? in the lane, snow is glist-'nin', a

Sleighbelis ring, are you list-
Gone a way is the blue- bird, here to stay ls the new bird, he
La - ter on w e ' l l con spi - ro, as we sit by the fi - re, to
t'
Bbt G-7 Fe Bbt Eh Bb7rora

beau- ti - ful sight, we're hap- py to- night, walk-in' in a wirrterwonder - land. Gone
sings a love song as we go a- long, Fine
faci un- a- fraid- the plans that we made,
'Eb G D 7
D7 D 7 C

t' r L..J
In the meadow we canbuild a snow-man, then pre- tend that he is par-son brown,

F7 Bb c7 F7 F-7 Bbt

man, but you can do thejob when You're in

LET IT SNOW Styne/Cahn 1954

A-7 AboT CTG C7

Oh, the weath-er out - side is fright-frrl, but the fire is so de- light- tuI,
It does-n't show signs of stop-ping,and I brought some corn for pop ping,
The fi - re is slow- ly dy - ing, and my dear, we're still god- bye- ing,

G-7 D7 D-7 G7 G-7 cTrg

and since we've no place to go, let it snow! let snow! let
the lights are turned way down low,
but uts long as you love mg so,

It When we fin- ai- ly kiss good - night, how I

c 7 B 7 B b 7A 7
I JINGLE BELL ROCK 49L
I
Booth/Beal L957

I Jin- gle bell, jin- gle bell,

Jin- gle bell, jin- gle bell,
jin- gle bell rock,
jin- gle bell rock,
jin- gle bell swing and
jin- gle bells chime in
jin- gle bells nng,
jin- gle bell time,

I D-7 G7 D-7 G7 D-7 G+7

I snow- in' and blow - in' up

danc- in' and pranc- in' in
bush-els of fun,
iin - gle bell square,
hop has be- gun.

I D7 G7 c7 tr F

I the fros- ty What a bright- time, it's the right- time to rock the night a -

D7 D-7 G7
I
way, jin- gle bell- time i s a swell tlme- to go glid- in' on a one- horse sleigh.

C c^7 C C6 Bbz A7 F

Gid-dy-up, jin-gle horse, pick up your feet, Jin-gie a- round the clock; mix and min- gle in a

F-6 D7 s C s D7 GJ D7 G7 C

that's the jirrgle bell, that'sthe jirrgle bell rock.

JINGLE BELIS J.S. Pierpont

Dash ing thru the snow, in a one-horse o- pen sleigh, o' gr the fields we go'
Bells on bob- tails r. i^n. . o
8, mak- ing spi-rits Urigit, fun it is to
2.G
G D7 G

laugh ing all the way. rideandsinga sleighingsong to- night. Jin-gle bells, jirgle bells,

,.D7 'Dl

jin-gle all the way, oh whatfun it is to ridein a one-horseo-pensleigh. one-horse o-pen sleigh.
492 CHRTSTIT{AS TIME IS HERE
Vince Guaraldi/l.ee Mendelson l 966

Ebltrt Ebttn Bb-t

Christ - mas - tlme IS hap- pi - ness and cheer, time for all that
Snow - flakes in the car- ols ev - 'rv
Christ - mas time
where, old - en times and
is fam-'lies draw - ine near, oh that we could
A-7 p,b-t G-7 S
CTrura 'Fog
Dbdt Gblttt

chil- dren call their fav-'rite time of year. Sleigh bells in the air,
an-cient rhymes of loveand dreamsto
al- ways see such spi- rit thru the year.
Dbdt Gbt*n F^7 Ebt Pe G-7 Q+ ce
beau- ty ev 'ry - where,
yule- tide light, a fi-ie-side and joy- ful mem-
F6 AbtDb Fg Nnb Fg

FROSTYTHE SNOWMAN
F#"2 C/G

Fros - ty the Snowman, was a jol-ly, hap- py soul,_

Fros - ty with a corn- cob pipe and a
rhe sno\rAman is a
Fros - ty the snornrman was a .f.tr- V tale they sav.- he was made of snow,but the
uve as he could be._ and the chil - dren say he could
C/G ''G7
c G7 .l''o-t G7 C F Ff;oz

but- ton nori and two eyesmadeout of coal. 4 ' J -

chil- dren know how he czuneto life one day. There must havebeensome
laugh and play just same as you and me.

C/G D-7 G7 C G Elag A-7 D7 D-7 G7

mag-ic in thar old silk hat they found, for when

they placed it on his head he be-gan dance-i-HffiA:
C 2.
G7 G7 C
 THE GIRL FROM IPAI\IEII{A 50 1
Jobim/De Moreas

Tall and tan andyoung and love - ly, the girl from I- pa- ne ma goeswalk-ing, and when
Whenshe walks,she'slike a sam- ba,that swings so cool and sways so gen-tle, that when
Tall and tan andyoung and love- ly, the girl from I - pa- ne ma goes walk- ing, and when
G-7 cbt r.pA7 Gb7 2. FA7

--/
she pass- €s, each one she pass ES goes
she pass- €S,each one she pass es goes
she pass- €s, I srnile, but she does- n't
Gb^7 r-3-r 3-r B7 cb-t r- 3,-r

Oh,- but I watch her so sad - ly.- How can I tell her I
D7 G-7 r__3_r r- 3.-r
-.1 -
L?t

love her?. Yes- I would give my heart glad - ly

r- 9-r A-7 G-7 3__r r- 3-r Clsg

to the sea, she looksstraight a- headnot at

THE SIIADOW OF YOUR SMILE

Johnny Mandel/Webster f 965
F#-7 B7 Blts E-7 A7

The sha- dow of your smile when you all rny

Our wist - ful lit - tle star was far kissedyoirr
1
A-7 D7 G^7 c^7 Bl

dreams and light the dawn- Look ln- to my eyes my love and
E-7 E-7ID C#-tas Ffiiss F#-7

i
all the love- Iy things you
ila'
'zrre
to wist-ful lit- tle
B-lts p7 att En-t B-7 F7

lips and so did I.- Now when I re - member spring__ all the joy that love can bring,-
E7rut4 Elvg Eb7 D7.ur4 D7)e G6

I will - - -
 MEDITATION Jobim/Mendonca lg12
503
Ff,-zls

In- my lone - Ii - ness,- when you're gone and I'm all by my- self
Though- you're far a - way,_ I have on - Iy to close my eyes
I_ will wait for you- 'til
the sun falls from out of the sky,
pb"7 Ctp. E-7 A7 D-7 F-7 ebt
tT-.t-l

and I needyour
Just think of you- and the
and you are back to sta_v._ just close my eyes,- and the
for what else can I do?- will wait for you- me- di -
E-7 Alag D-7 3_r G7

though of you hold - rng me neiu makes my Ione li - ness soon d i s - a p - pear
sad - ness that miss- ing you brings, soon i s gone and this heart of mine ,ing,
F^7 Bbt E-7 fibo7 3-r
3-r t-; 3-r D-7 G7

Yes,- D.C. alCoda

s
I love you so- that for me is I need
sbt ATbs /rbt Gtl,g c6

---:L-g
ta- ting how sweet life will be when you come back to me.

gurET NTGHTS(CORCOVADO)
Jobim 1963
D9IA G-7

Qui- et nishrs of gui - et v - - v

?
qui- et chords from mv gur- tar, floaring on the si -
This is wh?re I wdnt ro heirewith you so closL to D€, until the fin- al flick-
Gbltn F47 ,.F-l nbg E-7

lence that sur-rounds Qui - etthoughtsand qui - et dreams, qui-etwalksbyqui-

er of life's em - ber,
A+7 D9 D-7

et streams and a win-dow look rng on the moun tains and the sea, love
z . F- 7 Bbe E-7 A-7 D-7

I who was lost and J'E

lone- ly,- be-liev-ing life was on - Iy- a bit- ter tra-gic
Glrg E-7 A+7 D-7 G9 Gtrg C BbC

r'-J J
ioY.E,nuTu. withyou the mearring of ex - tst-ence,o my love.
504 ONCE I LO\TED Jobim/Gilbert 1965

G-7 C+7 F#'z Gfi"z

Once- I Ioved, and I gave so much love to this love, it was the
Then- one day, from my in - fi - nite sad-nessyou came and brought me

A-7 A-7/G F-7 gb+7 Ebat E-lus

world to me. Once- I cried at the though I was fool-ish and

love a-gain.- Now- I know that no mat - ter what ev - er be -

proud and let you say good - bye.- let you go.- I will hold you close,
falls, I'll nev - er
c^7 F7 Bbn 8"7 3-r
Bb-6
r-

make you stay, ve is the sad- dest thing- when

A-6 Ablln G-7 Atvg D-6

goes a - way,- sad- dest thing when it goes a'way.-

GENTLE RAIN Luis Bonfa 1967

A-6 B-tas E7 A-7 D7 G-7 c7

We both are lost and a lone in the world. walk with me- in the gen- tle
I fell your tears as they fall on my cheek, they Ne warm- like the gen- tle

F6 Ffi-zls Btag E-lvs ATvg

rain.- Don't be a - fraid, I've a hand for your hand and I

rain.- Come lit - tle one, you've got me in the world, and our
T\-
'J
7b5 B-tss E7 1-4.-6 Bb7 2. A-7 D7 G-7

will be your love for a while.- sad.- like the gen - tle
love will be sweet, will be
F6 c7 F6 E-7 A- E7
 ONE NOTE SAIVIBA 505
Jobim/Mendonca 196l
Db7 B7f,n

This is just a lit tle sam - ba, built up - o n a s i n - g l e note. Oth - er

S o I come back to my first nole, a s I must come back to you. I will
D-7 obt c-7 B 7*tt

notes are bound to fol low but the roor is still that note. Now this
pour in - t o that one note all the love I feel for you. A - n y
F-7 sbt nbn e prbt

new one is the con - se - quence of the one we've Just been through,
one who wants the whole show Re, Mi, Fa, Sol. La, Ti, DO
D-7 obt c-7 B zfu Bb6

the un a - voi d - a- bl e con-se-quence of you.

Ab7 Db^7

There's so ma-ny people who can talk and talk and talk and just say nothing or near-ly no- thing.

ob-t cbt B^7 C-tus B7*n

J
I have used up all thescales I know and at the end I've come to nG ng or near- ly no thing, so I
Sar, Db6 c7 B^7 Bh6

He will find him- self with show, bet- ter play you know.

LTTTLE BOAT (O BARgUNHO)

Menescal /I{aye 1962

c^7

E-7

Gtug
506 HOW INSENSATTVE Jobim 1963

|lb.7

How- in - sen - sa- tive- I must have seemed,-when she told me that sheloved
Now- she'sgone a- way- and I'm -
a lone- with the merrr'ry of her last

B-las Bbn Eb^7 E-tas

me.- How- un-moved and cold- I must have seemed- when she
look.- Vague- and drawn and sad,- I see it still,- all her
ATrg D- Dbt*tt c-7 F7 B -zls

told me so srn- cere ly.- Why.- she must have asked

heart-break in that last look.- How- she must have asked.
Bbn E-lts Atvg D-7 G+7 C-9

Just turn- and stare in i - cy si lence?- What-

just turn- and stare in i - cysi lence.- What
B-7 Etug E-tas D-

was I tosay,- what can you say,- when this love af-fur is ov
wasI to do what can one do,- when a love af- fair is ov

PRETTYWORLD(SA@
 so NrcE (suMMER SATVTBA) 507
Valle/Gimbel 1965

Soine-one to hold me tight, would be VC some- one to love me right,

Some- one to cling to ffi9, stay with me right some- one to sing to me
Bbn Bb6

beve - ry Some- one t o u n - der- stand each lit - tle dream of El€,
tle sam - ba Some- one to take mv heart then give her heart to ffie,

some-one to take me hand, to be a rcam with me. So nice,- life would be so nlce,-
some-one who's read - y to give love a start with me. Oh yes,- that would be so

E-lvs Atvg D-7 G 13 G-7 obt ce

if one day I'd find- some-onewho would take my hand and sanrba thru life withme.
''
G-t Cttg sbg

and me, I could see

O GRAI\IDEAMOR
Jobim 1958
508 TRISTE Jobim

Bb,; Gbl; Bj Bbn

Sad is to live in sol - i-tude far fromyour tra*quil at - titude,

D-7 Gt;g c-7 c-7tBb A-7 G-7 G-1/p

sad is to know that no one er can live on a dream

E-tss ATbe B-7 E-7 A7 D-7 G7 c-7 F7

that nev - ercanbe,- will nerer be,- dream er awake- wake up and see.-
Bbn Bb-7 Eb7 Bb Bbat

Your bea*ty is an ae - roplane so high my heartcan'6ear thestrain.

F-7 Bbt Ebn Ab7 D-7 G-7

-
a heart that stops when you pass by, ly to causeme pain,
c7 c-7 ./ ./ F7 Bb-7 pbt / /

vO - zT
_ 7,-' T L___U
r - tucle

BII\CK ORPHEUS (A DAY IN THE LIFE) LuisBonrare5e

B-7rsB7be A- B-ZrsgTbe
A- D-7 G7 c^7 C#"1 ATbg

day in the life ofa fool- sad and a long lone ly day- I walkthe
G7 c^7 F^7 B-lus Ellg A- B-7LIE7

a - ve- nue"- and hope I run ln - to- the wel-come sight f y"off- con} lng my way_
A- B-ti.sEtsg A- B-las Etvg E-tas ATrg D-7

stop just a - cross from your door---- but you're nev- er there a- ny - more- So
D-7 D-TC B-7r\7te A- A-7/G FA7 B-Zls Elag A- It e -7bsg7sp
(.t '

back room, and there in gloom I cI]' tears of good - bye.-

X
,Last A- D-7 A-7 D-7 A-7 D-7 E-7 A-
 DESAFINADO 509
Jobim 1959
G7*tt G-7

Love l s like a nev- er end - ing mel o - dy.- Po - ets have com-
Once your kiss - es raised me to a fev er pitch,- now the or- che-
Tune your heart to mine the way it used to be.- Join with me in
1. G-7
so-ttt Dtrg ATrg

pared i t t o a sym-pho-ny.- A sym- pho- ny con- duc

stra- tion does - n't seem so rich.-
har - mo - ny and
D7 Dtvg Glag Gbat

light- ing of rhe love is slight- ly

2' G-7
eb-o B -ZlsE7 A^7 fibo7

Late-ly you have changed the tune we usedto sing,- like the bos-sa no

8.7 E7 tr A^7 ff'bo7 B-7

swlng._ e to har - mon - ize, two souls rn Per - ect tune.-

A^7 F#-7 B-7 E7 c^7 c#"2

now the song and the words don't ev-en rhyme,- 'cause
you for-got the me-lo- dy our

D-7 G7 G-7 A-tvs Dtag G-7 g- 7 * t l

.D.C. alCoda

hearts would al- ways croon. and so what good's a heart that slight-ly out of tune?

S A-trs Dtrg G-7 Bb-6 A-7

sin_q of lov - ing. We're bound to get in tune a-gai n, be

11boT G'r / sb-t

long There'll be no D e - s a - f i - n a - d o when your be- longs to me com - plete - ly,

nbt G7 c7 F6

then you won't be slight - ly out of tune,- you'll sing a long with me-
5ro LIKE A LO\IER Caymmi/Motta i96Z
Sergio Mendes

G 7rur4 c^7

Like a lov- er the morn-ing sun,_ slow - ly ris - es and kiss - es

Like a lov-er the
you a - wake.
riv - er wind,_ sighs and ripples its fin - gers through your hair.
Like a lov-er the vel - vet moon_ sharesyour pil- low and watch - es while you
sleep.

B-7 E-7 A 7rur4 A 9 D^7 G13 G+7

Your smile is soft and drow - sy as you let it play

up - on your face,
Up on yourcheek it lin ges, nev - er hav-ing known a sweet- er place,
Its Iight ar - rives on rip toe, gent- ly tak-ing you in its em - brace,
GlF c^7 G7*ra

Oh, how dream might be like the morn- ing sun to you.
Oh, how dream might be like the riv - er wind to you.
Oh, how dream might be like the vel - vet moon to you.

G 7.ur4 c^7 F-IC c^7

that knows your lips)-

E-7

De' my and a tab - Ie that ger- tips,

F#-tvs 813 B+7 E_7

it be ffi€,
love,- bring an end to the
A-7 A-/G D7tFfr G 7rur4 G7 D.C. al Fine

--
nights
 THE LOOK OF. LOVE 511
Bacharach/David 1965
BbA;

look of love is in your eyes, a look your smile can'[ dis- guise.
look of love, it's on your face, a Iook that time can't e - rase.
A 7rur4 A7 D- D7 gbn Bb- F^7

look of love, it's say-ingso much more than words can ev-er say,
mine to - night, let this be the start of so ma- ny nightslike this,
sho A 7rur4 D-7 G7 F6

and what my heart has heard, well it takes my breath a-way.

I can hard-ly wait i-oholdlou,
let's take a Iov er's vow and seal it with a kiss.
G-7 F6 G-7
r-3

feel my arms around you, Iong I have wait-ed, wait- ed Just to Iove !ou, now that I have found you.

D- G- D- G- D-

You've got the please don't ev-er love you so, don't ev - er go.

DON'T MTSUNDERSTTTND Gordon Parks lgss

FA7 B-tas 7be Ebat A-las Dlrg

Don't mis- un- der) stand.- we are on - Iy stran - gers.

Don't mis-takemv smile.- ' on our wav to some-one else, to
-this
it just means i'm lone -"1y, love me till day is past and
Don't mis- un - der- stand.- you are no con- cem of mine. but in caseyou're free sometimeand vou
-,

ce
I I r. 44
l"rr-/ Ur $ F^7 2.G_7 C7
F^7 Dtag

sorne-place we for - got.- Don't mis-take mv then for- get we met.- We'rejust passing
need some time with
G- E-las ATbe D- D-7/C B-lus Bbt*tr FlA Abt*n

rn some sec-ret place. yi el di ng to a song one day to love the pain a -

olY
SA-2" 7be G-7 C 9 C t a g F Bb-oF^7

Don ' t mi s -u n -d e r me some-time to hold my hand then I will der- stand

5L2 C.ALL ME
Tony Hatch 1965

If you're feel - ing sad and lone - ly,- there's a ser- vice I can ren - der.
When it seemsyour friends de - sert you,- there'ssome-bo - dy think - ing of you.
If you call I'll be right with you,- you and I should be to- geth- er,
Abn Gbn

Tell the one who loves you on - ly, I can be so warm and ten- der. Call me._
['m the one who'll nev - er hurt you, may-be that'sbe- cause I love you.
Take this love I long ro give you, I'll be at your side for - ev - er.
eb-t Gbnt E,J 6bn E-7

be a- fraid you can call Inay-h it's late but just call me,- tell me and I'll
z.p+7 c-7 F7 c-7 F7 Bb

. Fine
rouno.- Nowdon'tfor- get me, 'causeif you let me,_ I will al-ways staywith
c-7 F7 C-7 F7 ebo C-7 F7

you. You got-ta trust me, that's how it must be._ there's so much that I can do

YE.LLOWDAYS
G-7

re mem-ber [hen the sun - light had a spe- cial kind of bright-ness, and the
She would hold ffie, and a smile would spread a-round us so com- plete - ly, and the
Life is emp - ty, and the -
sun light s-eemsso harsh in - stead of ten - der. and the

A-lus Dtlg t'c9

F6 A-tvs Dtug

Iaugh- ter has a v- ers Iight-ness, yel-low days.-

soft - ness of a kiss wguld lin - 'ger
r e - sweet-,1y,
Iaugh-ter'sjust an e c - h o I mem- ber

"'ct F6 c-7

days, yel -low Fin"

days. But then came thun - der and I heard her sav good- bye thru tears of
Bb nb-t r}t Ab D-Zrs Glag c7 D.C. al 2nd End(Fine)
 DINDI 513
Jobim/Gilbert 1965

Ebat Dbat 3-r Ebn 3-r Dbn

Sky, so vast is the tky, with far a - way clouds just wan - der - ing by,

c^7 3-r
A-7 D-e G13

do they gio? oh, I don't know, don't

nbn v-1 Dbn r-3 Ebdt r- 3-r obn

Wind that speaks to the leaves,- tell - ing stor - ies that no - one be - Iieves,

c^7 l- r, -l
A-e D-e G13

stor - ies of Iove-

Ebn Dbnt nbn Ebtug

oh, Din if I on - ly had words I would say all the beau - ti ful
oh, Din Iike the song of the wind in the trees,that's how my heart i s
know Din I'd be run- ning and searching for you like a ri - ver that

Ab-(azl 1.2.
8;_7

things that I see, whenyou're with me, oh my Din - di.

sing - ing Din - di, hup - py Din- di, when you're with me.
can't find the sea, that would be me.wittrout you, my Din - di.

G- nb-o G- eb-a G- Ctsg

I love you rnore each day,- yes do,

nb-o F- Dh-63__r
r-
F-7 btrgo

I'd let you go a- way- if you with you.

5I4 CHEGA DE SAUDADE (NO MORE BLUES)
Jobim /Hendri cks /Cavanaugh 1962

ED- D-7/C ATbe I t.n-

No more blues,- I'm goin' back home,- no no more blues,- I pro-mise nomoreto
No more tears- and no more sighs,- and no more fears,- I'll
E-tvs Atvg D- D-7/C B-tus E7 A- Bba;'
l- 3-r 3_r

Home is where- the heart is._ the fun - ny part is,- my heart'sbeen
ATrg D- Dtrg G- G-7tF A7r7E

right here all a- long.- say no more good- byes,- if trav- el beck ons me,- I
D- D-7C B-tls E-las Alag D- A7

r=f wear I'm gon-na re- fuse, I'm gon- na set down and there'll be no more blues.-
f t{ Daz c1 BTDI E-7 -_ A7rur4 A7

Eu - 'ry day while I am far a-way,- my thoughts turn home- ward,- for- ev- er home
D"7 D^7 F#_7 F"7 E-7

trav- elled 'round the world in search of hap - pl - ness,- but all my
E-tus Atas D^7 D^TC# B-7

hap-pi-ness I found- was in my home - town. No more blues.- I'm

E7 F#7 B-7 nb-t A-7 Dlrg

goin' back home,- DO' no more dues,- I'm thru with all my wan-- drin', now I'll set-
GA7 G-7 F#-7 87 E7 A 7rur4

tle down and live mv life andbuild a homeand find a wife. When we set-tle down there'll be no moreblues,

B7 E7 E-7 A7 D E-tts Atvg

 A F'ELICIDADE (GOODBYE TRISTESSE) 515
Jobim/ Shaper i 9S9
7
C _ C _ ( a 7 )C _ 7 C _ 6 Dtvg

Good - bye Tris- tessegood- bye,_ for why should I b e

G- F-7 Bbt Ebn nba Ctrg F-7 D-trs Glag

Soon- her kiss will fill my heart with glad - ness-

B'7 eb-t nbt Ab G7

I can bear the sad- ness un - til then And when I've found her, my
(--
D-tss G7 C- D-tts G7 s C- F-7 Bbt

arms will fold round her, and love will warm my heart a - gain.-
Eb /,bt sb-t -l -
Ezt

Will the chill Bra - zi- Iian nights for - ev-er hide her? Deep in- to the aut-umn of mv
eba F-7 Bbt A-tas D+7
l-e

days.- My searchnev-er - ending, my heart nev-er mending, the con-stantmem- o- ry

A-tus D+7 G-lrs ct|'g F-7bs Bbt Eb

of her and the Joy rt was to love her. Oh DO, some day soon ['m sure that I'll
D-las Gtag C- D-tus G7 C- F" D-lss G 7

find her,- then love will start to warm my heart garn.

c- C- D-tl's c-r
galn. And love will starr wann my heart
C- D-lrs G7 C - F 1C -

love will stail to WAITN my heart gain. Good - bye Tris- tesse good-
C- g -(a7) c-7 C-6 C- g - (a7) c-7 c-6
516 GOIN' OUT OF ltrr HEAT)
Randazzo 1964

Well think I'm go- in' out of my head- yes I think I'm go - in' out of my head
And think I'm go- in' out of my head- 'cause
I can't ex- plain the tearsthat I shed

c^7 F6 F-7 Bb7 Ebnt

ver you,_ you want you to

ver you,_ you._ see you each
Ebtt

want D9, I need you so bad - ly, I can't think of an - v ' thing but
morn - ing, but you just walk past ffi€, you don't ev en know that I e

c^7 2. C^7

you._ And Go in' out of my

c^7 D.7/G CL7 3--r D.TG

head- o - ver you, out of my head,- o - ver YOU; out of my

C F C F F 3-r

head day and night, night and day and night, wrong or right, I must rhink of a
D/Ff F-6 CIE Eb"7 3-r

way i n - t o heart,-- there's no rea

GID A-tls DTtg
- G G7'u'4 G7 D.C. al Finc

why rny should a - part-

Vamp Out at End

yes I think I'm go - in' out of my head

 RECADO BOSSANOVA 5L7

0D_

LOOK TO THE SI(Y

Ebat nb-t Abl
!-3-

plb-t ' Lr; r 3-r ,r^.L^'

(ibo7
r-3-r r-3-r rF-'l
-j-3-r l-3
518 SO MAN-r STARS Sergio Mendez/ Bergman l96Z

F/G Gtvg G-7 cltg rr__3___r

dawn- is filled with dreams- so ma-ny dreams, which one ts mine?One must be
wind is filled with songs- so ma- ny songs, which one is mine?
F^7 Bbr: E- CIE E-6 E-7 g,-(t7) E-7

e'
right for me.- Which dream- of all the dreams- when there's a dream for ev - 'ry star?_
song_ songs_ song
A7*e r-:-_3_r D-7 Gtag C8 1 A7rur4 A7*g 2.c6 F^-

and there are oh- so ma- ny stars- so ma-ny stars-

F#-e F7rtt E-e ATbg D-e

Ione the count-less days- the en&less nights that I have searched. so ma-ny eyes, so many
GTag E 13 E+7 A7*r4 ATrg F/G Glag

smiles Which one to choose? Which way to go? How can I

A 17-3-1 D-e Gtrg C8

tell?- How can I know?- Out of oh,_ so ma-ny stars, so ma- ny stars_

AilIANAND AWOMAN L^ailKeller 1966

c^7

Bbn

E-7 D.C.alCodaLast

Db^7 C^7
 ESTATE ' Bruno Martino/BrighetU 1986 519
G- aoo9 G- A-zls D7l?, G - a o o9 G - 7 C-7 F%u'a FTsg

Estd6, you batheme in the glow of your car - esses. you turn my tirrrid's no's to eag-er
Estat6, Oh howyourgolden surrlightbendsthewillow, your blos-somssendtheirper-fume to my
Estat6, And whenyousleepbe-neatha snow-y cover, I'll keepyou in my heartjustlike a
F-7 Bbs Ebtt Eb-7 Ab7 1A-7
Dtibg 2'A-t
D7

yes 's You sweep a - way my sor-rowswith your sighs. Al- ways feelyou
piL'low oh, who could knowyou half as well as I.
lov-er, then wait un - til you come a - gain to me.
GA7 Cfi-zrs B-7 ETrg

'ry
nezume, in ev - song the morn - ing breezecom Pos - es. If
c-7 F7rur4 Flvg Bb7*ra Bbtbg Eb/g Abrr A-7 Dt?3

the tender won - ders of the Ros - es each time the set-ting sun smiles on the
G-7 c-7 D7 G-7 c-7

ONLY TRUSTYOT'R HEART

Benny Carter/Sammy Cahn 1964

B-7*g A-7 D-7

Nev- er tmst the STATS when you're a - bout to fall in Iove, look for hid - den
Nev- er trust the moon when you're a - bout to taste her kiss, she knowa all the
Nev- er trust your dream when you're a - bout to fall in love, for your dreamwill
G 13 G+7 S 6oz ''G-7
Clsg ,.G-7 Gb7 A-TE

_s.igns be- fore you start to sigh- Just wait for a

lines, and she knows how to lie.-
quick - ly fall a
D-7 FlC B-las E+7 A- Ab-7 G-7 C7
-------
night D.C.alCoda
when the
s Bbz*n ATrg D-7
skies are

F-7 Bbz C
bare,

E-7 A7
then

D-t's
if you still

Gllg C
care

e
pail._ if you'resmart- really smart-
5.20 NEVER LET ME GO Livingston/Evans 1956

Dbtug

Nev - er let me go, Iove me much too much, if you let me go, life would lose its touch.
world was ov- er - turned at the ve- ry start, all my bridg-es burned by my flam-ing hearr,

what would I be with - out you, there's no place for me with- out you. Nev- er let me go,
you'd nev - er leave me.
Abtvg Db-6 r_3_r Gbt*n B^7

I'd be so lost if you went a- way,- there's be a thou - sand hours the day

,.
F-rrs BblS Eb F-7 G-7 Clvg Flvg Fl

with - out you Be - cause of one ca- ress my would

nb-l r-3-r ebt eb-t Ahlg Db6

You could-n't hurt me. couldvou?- Nev- er let me go,- nev- er let me go.-

IFYOU NEVER COME TO ME

pbn

no- of a moon- Iight glow,-

may- you will nev - er come,-

F-e r- 3-r eb-t obg r- 3-t

or the peaks where the win - ter snows,what's

if you nev - er come to me.- what's the

w-3_r GjZ_, ce Clrg Ft*g Bbt*g l- 3-r

the use of waves that will break tn the cool of the eve-ning?- What is the
use of my won - der- ful dreams and why would they need me,- where would they

Eb13 AbTrura Ebn E7tn

 WHERE DO YOU START 52r
Johnny Mandei/Alan Bergman 1988

Eb8 nbnqnb Eb8

Where do you start? How do you sep - a - rate the present from the past? How do you
Which books are yours?Which tapesand dreams be- Iong to you andwhich
are mine? our livesare
Where do you start? Do you al - low your-self a lit- tle time ro cry or do you
Bb-t F;b+t Abdt ebe /'b-t eb-o

deal with all the things you thought would last, that did - n't last? with bits of
tan - gled like the bran- ches o f a vine, that in - ter twine. So m a - ny
close your eyes and kiss it all good bye? I guess you try. And though I

G-z ce S F e Bbt;g 'Eba cbg

mem- 'ries scat- tered here and there. I

--..--l

look a- round and don't know where to start.

ha - bits that we'll have to break and yes-ter- days we'll have to take a
don't know where and don't know when, I'll

B ^7 Bb7rura .I
rplg tr Ab-7 DbTrura Gbatr;b-t

Which books are part. one daythere'll be a song or somlthing in the arr agaln to

c-7 p7 art abrynb Cb-tBb7,u,+ BboT ebrynb D.C.atCoda

catchmeby sur-prise
andyou'll be thereagain. A moment what might have been.Wheredo you

Bbrs G-e c13 G-e

find my- self in love a- gain, I pro mise there will al- ways be a lirtle place no one will see, a

F7tu14 F13 Bbzruran'r,lf.. Eb8 F-7rp,bEb8

deep my heart,
 522 SABORAMI Composer

----
Bb-t

Abn

LUJON
Henry Mancini 1960

x Eo-n

Bb-t

Ab1f, ^.r-.i-3-r
?2 .a. h^
Gbat
Samba
BR'FTZIL 535
Barroso/Russell 1939
. l
r_ 3_r r_3_r nbl 3-: Ab6
r-3-t

Bra- zil, the Bra - zil that I knew where I wan- dered with vou-
Gb7 F7 nb-t Bb-7 Eb7

livesin my im- a- gi - na Where the songs are pass-ion-ate,and the smile has flash in it,
sb-t nbt Bb-7 nbt Ab nb-t Ebt Ab gb-t nbt

and a kiss hasart in it, for you put your heart in it,- and I dream- of old- Bra-

where hearts were en ter- tain-ing June,

Bb-t Eb7

we stoodbe - neath an arn-ber moon, and soft- ly rngr- mured "some-day soon."
Ab Bb- Ebtug nbt G7 cbz@ F7 cbt

clung to-' - geth

cbt F7

tom- rnor-row was a - no- ther day, the morn - ing found me miles a- way
7 Cbt F7 Bb- #s 6 f l s

mil- lion

when twi- light dims the sky a- bove, re- call- ing
eb-t nbg

thrilis of our love there's one thing I'm cer- tain ol

sb-t r:bt Ab Bb-7 r}7 Ab Uke Intro rhythm

will- ro old- Bra zil.

536 guAr{Do, guAI\[Do,guANDo
Renis/Boone 1962

BO7E

Tell me whenwill you be mlng, tell me quan-do,quan-do, quan do

When will you say yes to me tell me quan-do,quan-do, quan do
I can't wait a mo- ment more, tell me quan-do,quan-do, quan do.-

8"7 C-7 F7 r / Bb

We can share a love di - vine, please don't make rne wait a galn.-
You mean h a p - p i - n e s s for me oh my love please tell me when.-
Say it's me that you a - dore.- and then dar- line tell me more.-

8"7 2- Bb EI F-7ebt /

When will you say yes Ev-'ry mo - ments a day,-

Eb

ev - 'ry day seems a lifetime, let me show you the way-

/ / / C-7 F7 / F7 Bb B o7 D's'at'

joy be-yond com- pare I can't wait a mo - ment

SAMBAD'ORPHEU
Luiz Bonfa 1959

./ ./ D-7

G-7 FA7

F-7 B'07 D-7 D.C. al2nd ending (Fine

 JAZZ SAMBA (So Danco Samba) 5,3-7
Jobim/Gimbal 1963
Bb+7 Bb+l

dan-ca so darrca
z' p,*7

darrca sam - ba, so darrca sarn - ba,

Bb-t nbg AbAi

Bb9 D.c.atFine

Jet from R i - o to New York and straiehto Car- ne- gie Hall.

Eb6 F:7 nhg Eb6

so danca sam - ba. so danca

I GO TO RIO

1.D-7 Glag

D.C al Coda 2nd

D.C.Lastx gotoQ-7
538 TICO TICO Abreu/Drake 1943

ETB ETG A-

Oh, tGco - to-cotic, oh, ti-co - ti-cotock, this ti - co - ti-co,he'sthecuc-koo in my clock, andwhenhe
I ' v e got a heavydate a ter-a - tet ateight. so speakoh ri-.co,tell me is it get-ting late? If f'm on

A-/E A- 1.B7tF|f
B7 E7

says"cuck-oo" he meansit's time to woo, it's ti co - timefor all thelouersin the block. I've gor a
lime,"cockoo". b u t i f I' m late "woowoo" Theone my
,.El
A- C

hearthas gone to may not want to wait. Forjust a birdie, and a bird-ie that goes nowhere. he knows of

D-7 G7

ev-'ry lorrer's lane and how to go there. For in af - fairs of the heart, my ti-co's ter-ri-bly smart, he tells me

C G7 C G7

"gent- Iy, sen- ti- ment- ly at the ohoh r hear my lit-tle co call-ing, be-cause the

CIE F Ffl" ClG

tikme is right and shades of nighr are fall-ing. not so cuck-oo cock-oo in the clock. ti-co-
2.
D-7 G7 C

ri
I
 MAS gUE NADA
Jorge Ben/Deane 1963
539
A-7 E 7rur4 / D-7 G 7rur4 A-7 B-/A
/ (LastX ontyfi

Oooo, when your eyes meet mine

Pow! Pow!
2. A-7
B-tls Eltg A- B-las Ettg

feel ing that be- gins TO grow andgrow and grow in_ side
\r_r.-/

me. til I
A- E7 A-
Freak)

\r_/

feel like I'm gon- na ex- plode.

Oh, this is what you do to me.
D-7 Are your lips
G7 c^7 c6 D-7 B-tts

say - ing rhings that you feel in yourheart?

If yourheartis bearing mad-ly then
Elig A- B -Zls Eltg B-tls Eztg

let the mus- ic start._ \--l

Hold ft€, hold fte, It's hea- ven ooo it's hea-ven when you
A- B-lts El"g A- E7 A- D-C. al tst ending figurc

hold me. want you night and day, ooo I want you here to sta

BIM BAIVI BUM

Morales lg41

t7-3-1 F-t

Eb G3' Cl -tJa g^
r- 3-r F
tT- G-7 Ctvg
t-3 r-3

nrr J'T
5,40- MENINA FLOR. lnuis Bonfa, Maria Toiedo

C+7
a
V

F-e 1'tgbt

F-7 G^7

2ndX
F-e G-7 F-7 "t "nO

Itp,bT G-7 zSbt

THETR'S TEARS Claire Fischer

Dbn C 7rur4 d-r F- (#5, 6, #5) F7|"g

nh-q t.67be Dll'g

Ab-tls G 7 C 6 Gbzlti " Dbot Gart7 Q7 alt F-

 BESAIVIE MUCHO 55r
Velazquez / Sl<ylar I 94 1

Be- sa- me,- be- sa - me much - or_ each time I cling to your
Dear-estone,- if you should leave ffi€' each lit- tle dream would take

G r ., 4,78 , D_ A-/C Bb& A7 D7

kiss I hear mus - ic di - B e - sa- me much - o,-

wing and my life would be through,- b e - sa- me much - o,-
E-tvs ATrg D- 3
D-7t r,bt G-ID D-

hold me my dar- ling and say that you'll a l - ways be

love me for- ev - er and make all my dreams come true.-

".,-] D - E-tas Atag

This joy is some-thingnew, my anns en- fold - ing you, nev- er knew this thrill be - fore,

G- B-tus nbt A7 D.c.atFine

who ev-er thought I'd you close to ffie, whis-p'ring "It's you

SPANNSH EYES Kaempfert/Singleton f 965

D7

Blue- span-ish tear- drops are fall- ing from your

pret - ti - est eyes in all of
D7

pr.ftj pleasedon't cry,- this is just a - di - os and not good - bye.-

True,- span- ish eyes,- pleasesmile for me once more be- fore I go.-
G G7 C

bring- ing you all the love vour heart can hold.-
D7 G

you and your span-ish eyes will wait for me.-

55.2 BEGIN THE BEGUINE Cole porter

c^7 c6
D-t G7

When they be-gin_ the Be guine

with youonce more_- un-der it bringsbackthe sound
the stars._ sf mus-i c so t en- der _
and down by the shore an
D-t or- chestra,s play_ing._
G 7rur4 1.G7

bringsback a night- of trop- i-cal splen-der,_

r t brings back a mem_ ' .'/
ev - en the palms o- ry ev - er gree._
seem to be sway- ing_
when theybe-gin I't "
2' G7
C C- F7 --3-r Bb

L-
the Be gulne To live it again- is past all en dear.our._
Ebt l--3 6bnt A-lts
ex - cept when thattune
Ab r-3 G
clutches my heart,_ and therewe are_ swear-ing love for- ev- er,-
Fl7 ,-r-., G G 7 and pro-mis-ing nev- er,
C CA c^7 c6
3 C
t-3 r- 3;-1

nev - er to part._ What mo- ments di vine, what

raP- ture se reng, -
c7 D- G7
till clouds came a- Iong to
dj
r. rr3-r F-
9-r rT-3-r t- 3-r
r_3 D-zls
perse the joys we had tast-
ed And now when I hearpeo-ple
curse the chance that was
G 7rur4- wast- ed,
|-J-t C
3-r t- 3-1 c6
know but too well_
what they mean,_ so don't let them be - _ein
the B e -
c^7 c6 Iet them be-gin the Be guine,
L, G7
make them

gulne. let the love that was once a

play,- rill the fire re- marn an em
stars that were there b e - Iet it
fore re-urn a - bove
F D- rill
E-t A-7 t'G7rur4

sleeplike the dead de -

wms-per to me once whe.n they be- gin__
the Be-
sucl- den- ly knou,
C _

G7

guine.- Oh yes what hea

(^, when they be-gin-
D-t D-tas t he Be,
C
 GREEN EYES
Menendz/Rivera L929
553
Ebtt F;ba

Your green eyes with their soft lights- your eyes that pro- mise sweetnights
Those cool and lim - pid green a pool where-in my love lies
"y"r,---
Ebn 8"7 1. F-7 Bbt

u#g to my soul a long- ing- a thirst for love di- vine-

so deepthat in my search-ing,- for hap- pi- ness I
F-7 Bbt

hold you,- to find you and en YoU'- our lips meet,

C7 F7 Bbt z.p-

with a thrill so sub - lime.- Thbsecool and lim- pid

F-7 Bbt

J'
that thev will haunt me all thru my life they'll taunt me,-
Ebe

butwillthey ev-er want il€, green eYesmake my dreams come true

MORE
G^7 A-7 D7 G^7

More than the great- est love the world has known, this is the love I'il give to
More than the sim - ple words I t r y r o SaY' I on - ly live to love you
Long - er than e - v e r is a long, long time, but far be - yond f o r - e - v e r ,
A-7 D7 E- E-(47) E-7 E-6 A-7

you a - lone- More than you'll e - ver know, my arrns long to hold you so, my life will be
moreeach day,
you" be mirie. I know I nev- er lived be - fore, and my heart is ver- y sure, no one
A7 A-/D D7 D7 G6
arc-,ra +
D.c.Norepeat A-7

in your keeping, wak-ing, sleeping, laughing, weep- ing. else could love vou more-
55,4 AIVIOR Ruiz/Slrylar i941

c^7 E-7 A-7

mor, rnor,- this word so sweet that re -peat, means I a-

mor, Iove,- when you're a- way there no day and nights are

D-7 G7 p-(a7) D-7 G7 D-7

dore you a - mor, my love,- would you de- ny this heart that
ione- lv.- a - mor, my love,- make life di- vine, say you'll be

I'Gz c6 Blvg E- F#-tvs B7

---
I have placed be- fore you. can't find an- oth- er word with mean-rng so clear,

Fil-zls B7 E- G E 7 A-7 D7

lips try to whis-persweet-er thingsin your ear. But some- how or oth-er noth- ing soundsquite so dear
A.7 D7 D-7 G7 ? G j $o c6

this soft car - ess- rng know.- A - mlne, and love me

G7 Ab7 c6 Ar7 c

and loveme mor-

POINCIANA Simon/Bernier 1936

an - 4- your branch- es speak to me of Iove,- The pale moon

an ' a,- some- how I feel the jun - gle heat- with - in me
an - 4- tho skies may turn from blue to my love
GA7 T4-u
Fine is ev-'ry-where,its
is cast- ing sha- dows from a- bove.- Poin - ci
there grows a rhyth- mic sav- age beat.-
will "live for - ev - er and a dav.-
D7 C- A-7 D7 o.r. atFine
 SPEAK LOW
Weili/Nash r943
555
G-7 3 __r G-7 ce 3-r G-7 t-3-r

Speak low- whenyou speak, love,- our sum-mer day with- ers a -
Speak low,- dar-Jingspeak low,- Iove is a spark lost in the
We're Iate,- dar- ling we're late,- the cur- tain de - scends, ev - 'ry- thing
A-tvs Dt;g sb-t nbt S eb-t Eb7

way, too soon, too soon.Speak low- whenyou speak, our mGmentrs
dark too soon, too soon. I feel- wher- ev - er I go,- that to- mor- row is
ends, too soon, too soon. I wait,- dar- ling I

3-r G-7 ce t. p Bb7 A-7 Dttg 2 . F

we're swept a - part too soon.Speak soon.- Trme is so old

and al- ways too

6b-ran Ab-6 Ebn Dbt*n c7

and love Iove is pure gold- and time a thief. we're

A-las D7 G-7 C 13 F6

walt,_ will you speak Iow to ffi€, speak and soon.-

PERT'IDIA Dominguez/Ix,eds f 939

Tlo you_ my heart cries out "Per - f i - d i - for I found you, the
Your eyes- are ech - o- ing per - f i - d i - for- get- ful of our
And now_ I know my love was not for and so I'll take ir
C
l-i
A - s DJ_s G7 E7

love of my Iife, ln some- bo - dy el - se's arns._ Your

pro - mise of love, your shar- ing an - oth- er's charms.-
back with a sigh, per
D-

sad la- ment, my dreams have fad - ed like brok- en mel- o - dy, while the
D- E7 G7 S p-z G 7 C

gods of love look down andlaugh at whatro.ma*tic fools we mor-tals

be. fid - i- a's one good-bye.
556 ALUTAYStN MT HEART
Lecuona/Gannon lg4T

F+l

al- ways in my heart,- ev-en tho'you're far a- way,_ I canhearthemus-ic

nbg Bbn tb"7 c-7 F7 c-7 C-tus

of the song of sangwith you. You are al-ways in my heart,_ andwhenskiesa- Uoueare
F7 c-7 F7 A7 Bb F 7sur4

gmy,_ I re-merrrberthat you care, and then

and there,
rhesunbreaksttroull- fust U"-foffito
Bb F+7 Bb D-t,s

sleep,- there's a ren-dovous I keep,- and thedream I al-ways meet, helps me for-
Gttg C- nb-a /rbg

get we're far a -

Part._ don't know ex- act- lv when dear, I'm sure we'll meet a.
Bb sbn Db"7 c-7 F7 Bb

and my dar- Iing, dll we you are al- ways in heart.-

YOU BELONG TO I THEART

LaralGilbert l94S

Ebn

You be-
'Twas long ro my heart,- now and for - and our love had its
a mJment li(e this,- do you re - And your eyes threw a
F-7 ebg Ebn B bTrura

start,_ not long a go._

kiss,- We were gath- er- ing stars while a
when they met mIne.- Now we own all the stars and a
G-7 Clag ' Bbg F-7

mil - lion -
played our tove sonq when I said "f love you" ev
mil- lion are still play- ing,- dar - Iing ry
you are the song and you'll
BbTrura Eb t'
ebt BbTruro ebt
556 ALUTAYS IN MT HEART l.ecuona/Gannon lg4}

al- ways in my heart,- ev-en tho' vou' re far a- way,- I canhearthemus-ic

nbg nbn pb"7 c-7 F7 c-7 C-las

of the song of Iove sang with you. You are al-wavs in mv heart,- and when skies a- bove are
F7 c-7 F7 A7 Bb F7rur4

gray,- I re-menrberthat you care, and thenand there, the sun breaks through. Just be- fore I go to
Bh F{__ Bb D-lrs

sleep,- there'sa ren-devous I keep,- and the dream I al- ways meet, helps me for-
Glag Eb-6

get we'refar a - part.- I don' t know ex- act-ly when dear, but I'm sure we'll
Bb BbtD }boT c-7 F7 Bb

and my dar- ling, till we do, you are al-ways in my heart.-

YOU BELONG TO ITtrYHEART L^aralGilbert 1943

Ebn

You be - long to my heart,- now and for - and our love had its
'Twas
a moment like this,- do you re - And your eyes threw a
F-7 Bbg Ebat Bh7rura

start,- not long a go.- We were gath- er- ing stars while a
kiss,- when they met mtne.- Now we own all the stars and a
G-7 Ctvg I Bbs F-7

mil- Iion gul - tars played our love song when I said "f love you" ev - 'ry
mil - lion gui ' tars are srill play- ing,- dar - ling you Ne the song and you'll
1' t'
BbTrura Eb ebt BbTrur, Bb7 Eb
 SOFTIY, AS IN A MORI\IING SUNRISE 557
Romberg/Hammerstein L928
E-tlos A7 E-lls AT D-

Soft- ly,- as ln a morrring sun-rise, the light of lovecomes steafing

Flam-ing- with all the glow of sun-rise, a burrring kiss is sealing,
Soft- ly,- as in a eve-ning sun- set,- the light thatgave you -
elo- ry
E-712 Bbz A7 D- 1.E-7rsATbe
-
[Eil-"
H
I
f

in - to a newborn day,-
\i._/

oh. For the passions thatthrill- love,--

the vow that all be- tray
A-lvs D7 G- B-lts ETbg

and lift you high to hea vgnr- the passions that kill love andletyoufall to hell,
E-llos A7P s Bbz A7

ends each sto will take it all a - wav

STRANGERS IN THE NIGHT Campfert/Singleton

Strarrgers in the nisht_ ex- chang-ing glan-ces, word'ring in the nighf- what are the chan-ces,
e v - e r sincethatnilh t_ we've beei to*-g?th- er, lov - ers at first sight,- in love for- ev - er,

s Ah G-7 C7 G-7

we'd be shar-rng love be- fore the night was through- Som+ thing in your eyes-
it turned out so right-
c7 G-7 c7 G-7

was ln- vl- trng, som+ thing in your smile was so ex-ci-ting, something in my heart-
F F7

told me I must have you_ Stran- ger-rn night--

A-las Dlvg G-J Bb-6

straFgers rn night, '

[p to the moment w enAe saidourfirsthel-lo. lit- tle did we know,
L D.7 G-7 C7rur4 D.c.at coda S G-7 C%u'a F

love wasjust a glance &way, a warm embracingdancea-way. And for stran-gersin the night.
558 YOURS Roig/Gamse l93l
I

CIE p,boT
G 7rur4 G7 FlC

Yours till the stars lose their glo - ry,- yours till the birds fail
Yours in the gray of De - cem- ber,-
D-7 G7 D-7 G7rur4 G7 D-7 G7 D-7

srng,- yours till the end of life's this pledge to

'Al
G+7 c^7 D-7 G7 E-7 A7

you deffi bring.- here or far dis

D-7 Art D-7 p;boT ClE D-7

shores, I've nev er loved an - y - one the way I love you, how could

F-7 Bb7 C A7 D-7 G7 C

\--..-
when I was born to be-

AITIAPOII\ LaCalle/G€rmse 1924

Frur4

A - m a - p o - 14- my pret- ty lit- tle pop - PY,- you're like that love- ly flow'r so
A - m a - P o - la- the pret- ty lit- tle Pop- PY,- must cop- y its en - dear - ing

'E;blD F7 F7rur4 C-7 F7

Pb"l C-7 F7

-----
and hea-ven-lv.- Since I found you,- my heart is wrapped
F7 c-7 F+7

round you,- and lov - ing you, it A- ma

charm from A- ma Po lu-

sbn |iboT c-7 Bb
I
I

I
I

565
I

TEAFOR TWO
Vincent Youmans/Caesar lg24

Eb7 C-7 8"7

Pic- ture you up - on my knee,just tea for two and two for tea,just me for you and
Day willbreakand you'll a- wake,and start to bake a sug- ar cake for me to take for
Bb-t Ebt lr Ab Bb- C-7 F-7 D-7 D-7 G7

you for me Ione- No- bo - y near us to see us or hear us, no

all the boys see_
c^7 F7 E-7 EboT D-7 G7 D-7 G7

friendsorre - lations on weekendva - ca- tions.we won'thave it knowndear,that we own a t e - I e -

c^7 Bb-z Ebt ,.

C_,rrt FTg Bb- C-ll's cbt F7

phone I see._ We will raise a fam- i-

Ao7 Bb- Gbe sb-t Ebt p,ba

girl for me, oh can't you see how hap- py we would

CHERRY PINKAIIID APPLE BLOSSOM WHITE

I.otuiguy/David l95O
F-7 Bbt

It's chenrypink and ap- ple blos-somwhite when your true lov - er comesyour *aY'
The sto-ry goesthatonce a cher- ry tree be - side an ap - ple tree did grow,
And that is why the po- ets al- wayswrite if there's a new moon bright a bove,
F-7 Bbt

it's cher- ry pink and ap - ple blos- som white- the po - ets say.
and there a boy once met his bride to be.-- long, Iong a - go.
it's cher- ry pink and ap - ple blos- som white
tr Bb7
when you're in
Eb
love

The story goesthat once a The boy looked in - to hereyes, it was a sight to en-thrall,thebreez-es
And as they gent-ly ca- ressed,thelov-ersloolkedupto find, the branches
p,bt tEb f} D.c. at Fine

join-edin theirsighs, the blossoms start- ed to fall. And as

thev twined.And that is why the po-ets
of the two trees were in - ter twined.
 TEAFOR TWO Vincent Youmans/Caesar 1924
565
sb-t Ebt Bb-7 Ebt Abn Dbt c-7 Bo7 Bb-7 Eb7

Pic- ture you up - on my knee,just tea for two and two for tea,just me for you and
Day willbreakand you'll a- wake,and start to bake a sug- ar cakefor me to take for

sb-t Eb7 1 - A b Bb- C-7 F-7 D-7 D-7 G7

you for m e a No- bo - near us to see us br hear us. no

all the boys to see-
c^7 F7 E-7 EboT D-7 G7 D-7 G7

-a
friendsorre - lations on weekendva - ca- tions,we won'thave it knowndear.that we own te- le -
,.
C_,rrt Flyg

phone dear. see.- We will raise a fam-

Ao7 Bb- Cbg p;btc Bo7 Bb-7 Ebz Ab6

boy for you a girl for me, oh can't you seehow hap- py we would be?

CHERRY PINKAIIID APPLE BLOSSOM WHITE

Louiguy/David 1950

It's cherry pink and ap- ple blos-somwhite when your true lov - er comesyour *aY'
The sto-ry goesthatonce a cher- ry tree be - side an ap - ple tree did grow,
And that is why the po- ets al- wayswrite if there's a new moon bright a bove,
-l
F-7 Bbt L?

it's cher- ry pink and ap - ple blos- som white-- the po - ets say-
and there a boy once met his bride to be,- long, long a go.
it's cher- ry pink and ap - ple blos- som white-
tr
when you're in love
Bb7 Eb

The story goesthat once a The boy looked in- to hereyes, it was a sight toen-thrall,thebreez-es
And ai they gent-ly ca- rdssed,thelov-ersloolkedupto find, the branches

Bbt ,.Eb /J D.c. at Fine

join_edin theirsighs, the blossoms start- ed to fall. And as they twined.And that is why the poets
of the two trees were in - ter - twined.
566 FRENESI
Domingeu z / Chasles I 939

Bb-1 Eb7 Br-7 Ebz Ab

I wardered down in-to Mex 1- CO.- While I wasthere.

Sometime a- go-

Bb-7 E;7 Ab A7 D-7

I felt romance ev-'ry where moon was shin- ing bright and I could hearlaugfuing

A7 D-7G7 A7 D-7 G7 Eb7

Ev-'ry-onewas gay,- this was the start of their ho -

voi-cesin the night-

Eb7 x ry Bb-' Ebt sb-t

It was fi - es- ta down in Mex i - co,- and so I stoPPeda-while to see the show,
A love- ly se-no- ri - ta caught my eye,- I stood en-chant-ed as she wan- dered by,
And now with- out a heart to call my own,- a great-er haP- Pi-nessI've nev - er known,

Eb7 Ab S Bb-z Eb7 Ab

I knewthat Fre- ne- si meant "please love me". And I would say
and nev - er knowing that it celme from Ine, I gent - ly sighed
because her kiss- es are for me a - lone,

trc
A love- ly se-no-n- ta Shestoppedand raisedhereYes to mine,- her lips just pleaded to be

C Break
E-7
I Bb7

kissed- her eyes were soft as can- dle shine-

Bb-7 Eb7 Break D.S.alCoda Ssb-z Eb7 Ab

sist?- And now without a heartto who woul& n't say Fre-ne -
 NEVER ON SUNDAY 56-7
Hadjidakis/Towne tgOO

Bb7 E,

oh you can kiss me on Mon - day. a Mon- day, a Mon- day is ve- r!, ve- ry good._
Or you can kiss me on a Wednes"dav.a Thurs-day, a Fri - day, and Sat-ur- day is best,-
r,bt

Or you cankiss me on a Tues-day,a Tues-day,a Tues-day, in fact I wish you would.-

but nev-er, nev-er on a Sun-day, a Sun-day, a Sun-day, 'cause that's my day of rest.-

2 nbtCcb nh,

Or you can kiss me on a Most you can be my guesq-

F-7 F,bt nbrcchsbaF2 . E

an- y day you say,- but my day of rest.

Just name the day,- thatyou like rhe

DAIIISERO
Hayman 1953

G-7 c7 F^7 F6 G-7 F^7 F6

_ V _

Hold me close- and hold me tight,- hold rne now while my head seems Iight,-
If I dream- of new de-lights, it's a part of this night of nights,-
Here be - fore- my v e - ry eyes,_ I couldswear this is p a - r a d^ise.-
G-7 c7 A-tas D7 Ge C+7

thrills like this- lin - ger so,- when I hear them play Dan
and while I- feel this gloq- Iet them play and play Dan
this is all- mine I know when I hear them play Dan
A7 A+7 D7{.n

In my heart I know that if I've heard one tune, I've heard a thou- sand themes-
G7 G+7 C7#n G-7

and all I find there's on - ly one that thrills me to ex-tremes

568 MORI\IING Ciare Fischer - Cal Tjader

Bb-7 Bb-t

'Bb-t
Ebt

''Bb-t Ebz

eb-t

A A A
Bb-t C-lus Ftag eb-t C-tvs Flsg Bb-7

CM Duke Ellington lTtzol L937

Clag

Night atshineso bright- the myrt'ry of theirfad-'ing

Sleep-- u- pon my shoul'der as we creep- a-crossthe sandsso I may
Yor'' besideme, here be-neaththe blue- my dream of love is conr ing
F-7 'rs-r F-6

- 'u
light that shines - pon our ca-'ra- van
tJ.p this mern'ry of our ca-ra- van
- true with- in our de-sert ca-ra- van
swins
IEJ F7 , C-tus FTbg Bbq F-lvs Bbtsg

Ebe Bb-7 Ebt EbtugAb6 G-7,7C C7 D.c.atFine

a rest
I

in$n my zums, a s I :hrill to the ma- glc charms- of

't ^ lr
 BLUE TANGO 575
Anderson/Parish 1962

Here I
Eb While the
Bb7

.,W , gTJ tr- tl

am with you- m a world of blue-- and we're
mus - ic plays,- we re - call the dayu when our

lt Eb

, w_r
tan- go we loved when first we met.- While the

love was that we could- n't soon for - get.- A s I

So just
Ab Eb

, rJ_r
kiss your cheek- we don't have to speak the vi- o-
hold me tight in your zums to- night- and this Blue

1
lins, like a choir, ex pressthe desire we used to know not long a go. So just
Yan- go will be our

thrili-ing mem-o-ry of love-

 BLUE TAIYGO 575
Anderson/Parish 1962

Here I
While the
Eb Bb7

, m-! ,W fr - . rl
am with yorr m a world of blue-- and we're
mus - ic plays,- we re - call the day* when our

, g-u
danc-ing to the tan- go we loved when first we met- While the

love was tune that we could- n't soon for get.- A s I

So just
Ab Eb

r7
L I

kiss your cheek- we don't have to speak the v l - o -

hold me tight in your arms to- night- and this Blue

Bbt

'1

lins, like a choir, ex - pressthe d+sire we used to know not long a go. So just
Yan- go will be our

thrill-ing mem-o- ry of love-

576 KISS OF FIRE Villoldo/Allen ig52

I touchyour lips and all at once the sparksgo flying, thosedev-il lips that know so well the art of

Iy - ing. And tho' I see the dan - ger, still the flame grows high - er,

F- X F -

must sur-ren-der to your kiss of Just like a torch, you set the soul with-in me
Give me your lips, the lips you on - ly let me
F7 Bb-

burn- ing, I must go on a - Iong this road of no re - turn- ing. And tho' it
bor - row, Iove me to night and let the dev - il take to - mor- row. I know that
F- c7

burns me and it turnsme in - to ash - es, my wholeworld crash- es with-out yourkissof

I must have your kiss al-thoughit dooms me, tho' it con - sumes me, your kiss of fi -
-l -
F- L7t Ab

I can't sist you, what good is there ln try - ing, what good is there de -

Ab c7

ny- lng, you're all - si- re. Since first

F- Db c7 Db7

plete - ly, if I'm a slave, then it's a slave I want don' t pi- t y

c7 Dbt c7 D.S. alFine

 II\ CUMPARSITA 577
Rodriguez 1953
C-

Ec_

LA PALOIIIA

- ? - i---;
t- l.-l-.1
- t-
r_ ^
r_J_.]
-| 3 -- | G7
578- JALOUSIE Gade/Bloom 1925

3-r r:b-tp,b Bb- Bb-7 Eb-

J e a l - o u s- y , -
\---l

tor - ture me,- won - cler,

-

night . and day you I some-times

F+7 Bb- F7 Bb- 3-r

if this spell that I'm can o n - l y b e a mel-o-dy.- For Iknow no

nb-nb Bb- obtp -7rs3-r

one but me- has won your heart- but. when the mus - ic starts,- my peace de -

F7 Bb- 3
Bb

'itt
parts. From the rno - ment they play that lan - gour - ous strain we sur -

Bb7 Eb- 3-r C-tvs

all- its charm once a- gain, this jeal - ous

- 2 - |

i; .i .* -- Bb-

that tor-tures me

dance to a tan - go of love,- your heart beats with mrne as we

fear that the mus - ic will end,- and shat - ter the spell it may

Dl-.3_r

swav.- Your eyes gives the ans- wer I'm dream- ing soft word your
lend

p_L3_r F7 Bb "'Ft/c F-7 Bb7

cruel lips will make me be lieve, wheryour

Eb Eb- ebrr, Bb
I A cHrLDrs BoRN 6Of
Thad Jones
II ^ , ,Bbdt nb-nb Bbn rb_nb Bbn Eb_tBb

I
I
I DanT

I
I
SEARCH F.OR PEACE McCoy Tlrner 1965
A-zls Dlug G7rur4 G7 A-lrs Dfig G7rur4

G-lts Cltg F-7 gbt Eb-t r-.-3-r /lbl r.:3-r

c13 ltbn19
rr -]
c 13 ^ A|]3/C ct3 A-7 r_3_r
r- |-J-] ,_3+q,bl3/c,_s_

G-g 6bn16 IibA'.tc G-e ^ ef ^TG G 7rur4

I- \t

D.C. alFine

CHEI,SEA BRIDGE Billy Strayhorn f 941

Ab-rn> Bb-tazlAb-razl Bb7

1'
c7 87
6o.2 II\IIIENT J.J.Johnson

l:bt Dbat G-7 c7 F q J

t
A-trs Dtvg G-7 E-trs Alrg D-7/c gJ sb-t A-7
D-t

PASSION T.I,OWER
Billy Strayhorn
Ffi-zls F7#tt Ff-7ts^ F7*n
l- \t -1 Et?' eh De D7b2

-7bs
B z*tt

A+7

D.C. alFine

PEACE Horace Silver

A-las Abt G-7 Ctag B^7
r-3 C-trs Ftag Bbat

B-7 E7 A^7 Ff-7 Eb-tts /rbt pbal

y-3-1 r-3-r r3-
Cl*n B7t.n Bbaq
I

Fine

BLTTEIN GREEN Miles Davis l95g

Bbn A7f,e D-7 Dbt*n c-7 Filg Bbat ^t?, D-7

p,7 alt A-7

 ROUND MIDNIGHT 603
Williarns/Thelonius Monk L944
DattT

BbuttT

c-lvs F-zls BbanT Eb-t ptbt B-7 E7 sb-t nh ptb-t Dbt

1.C_lts
Ab7 1-3-1 r-3-r
B 7*tt Bb7 E7,n wrttBb?- +;hForsoros

C-tls Ftsg Bb7 C-t's

l,:b-t Dbt Gbn B 7in Bb7 BbattT

[atin Double X feel D.C.al2nd End.

C-l;sFlVg C-lvs FlAg r-3-r Gb-7 87 Gb-t 87 r-3-r

B-7 E7 F-zls Bbtug Eb Bb- nh tb-t nh Cb-t 87 F-zrs BbtsgEbll,*n

eb-ttEb BTEb
, sAbat
ATEb,-.j
Coltrane

B^78i,, Bnlg B^7tBb Bfiog

ilnb r-3-r F-7tBb i-3- Gblrn D.C. al Coda last X

S abaz Dbn Abn

Ritard
6,0,4 YOU KIIIOW I CARE
A7 c-7tp F7 E-7 A7

Ebat Ab7 DIFfi G/F AlE Eb-tasgt C#-7F#7B -7E7 G attT

tr c-7tF C.7E AIF BINTF C-7IF

sbnE tb-t obt En-t C-78

A7 C-TF F7 nbt Ebat ebt D-7 G art7 gt*np7 E-tas Ebt S

r3-r

S D-7 G att7 gt*nP7 E-las nh D-7 G ar17CTrn B^7

I REMEMBER CLIFFORD Benny Golson

tntroBbn C 7rur4 Ctsg Alag ATC# D-i C-7 Bb-t nb-7G-7 C 7rur4 Clag

Fine = Fmaj7
A7 t'B -ttt
X EFaT Bbat Bo7 c7 Cil"t D- D-TC Etlg A- A-7IG

z.g-7bs

tr B-tus Etug A-7 Dtvg G-7 Q7 att Fa7 E-las Atllg D- D-TC

B-Zls Elsg A-7 D7 G-7C7 S B-tus Etsg A-lus Dlag G-7 Q7 att
LastX D.C.to lntrr
 TURIIT OUT THE STARS 605
Bill Evans 1966
B-lts Ettg A-7 Atsg D-7 G7 A-7
C^7 F-7 Bbt Ebdt C-7

A-7 D7 GA7 E-7 c#-7 F#7 B A7 G#_7 C#_7 Bb-tas Ebtag

ltb-t F-zls nb-t Eb-tnb B^7 Eb-ttgb A7rur4ATrs D^TA

A7rur4 A7

E-7 Bbt*n
I

A+7 D-7 Ab7*rr G+7 c-7 Ebe

Abn Cts Gtvg C-7 EbTrura

B-7rs Eltg

gLTNTESSENCE Quincy Jones l96l

EbTrur+ Abdl

l.c 7sus4_ Bb-A

A 7 D T r e Q g C1 3

G-zls Clag p-(a7)

606 LUSH LIFE Billy Strayhorn 1949

obo Dbat B9

used to vls - lt all the ve- ry gay pla- ces, thosecomewhat may places, where one re-
girls I knew had sadand sul-len gray fa- ces with dis - tin - gue traces, that used to

nb-t F-7 cb-t /rb-t D Dbat j

lax - es on the ax - is of the wheel of life, to get the feel of life from jazz and
be there, you could see where they'd been washed a- way by too ma - n y thru the day,twelve on-

Db-6 G-zrsC7 F- F-6 F-7 F-6 F-

cock- tails. Then you came a- long with your sir-en song to tempt me to mad-ness,
c- cbt F-6 F-7 F-6 Dw_ Eo7

I thought for a- while that your poig- nant smile was tinged with the sad-ness
nb-t lrbt B 7*u gbg nb-t A7|,tr nb-t nbt

of a great love for me. Ah yes! I was wrong, a-gain I was wrong.
obn Dz*tt J
Db& D7t.n Dbo C-tl's 87 E^7 DTin
-l

#f. 1'
is lbne garn and o n - l y yeil ev- ry - thing seemed so ow
Dbat D7{tt Dbn DTin obo Db,7 c7 F^7 A7*n
t-g-t

.#' J 1 '
ltle w- ful a - gatn a trough - ful bf hearts co-uld on- ly be a bore. A
Abn Ebt*g Abn E-7 A7 D^7 D-7 G7 C^7 M-.. ,
' t10
in Par- is will ease the bite of I care is 'in
to Ie spite of it.
Dbn D7 tt o_ Dbal D7{il obo -.g-tbsgl F-7 Bb7

. J

I for- +
*lii, while yet you still bfrn - ing in - side my
Gb-7 B7 A7 pibt Dbn Cbt F-7 Bb7

mance is mush sti- fling those who strive, I'll live a lush life in some dive,
cb-t B7 A7 pibt E^7 nbO D ^ 7 G 7 obo D7Dr6
 INFANT EYES 6,o^7
Wayne Shorter 1965

G-7 F-7 Ebn ATbg

Gbtt

BbTrura ptb-t EbTrura

G-7

Gbn

DJAIIIGO John Lewis i 955

F-7 Bb-7 G-trs Clag

Bb-7 Abn

Dbll' G-lvs

F-e Bh-e C+7

Bb-6
608 KIDS ARE PRETTY PEOPLE

D- A7 r- 3 -"1 D- C-7 F7 Bb7 A7

2.D_
B -tas A7 D- Bbli. G-7
r-3-r
Ebn
1-3-1 r-3-t t-3

c-7 F 7r-.1^ Bbnt nbt FlC c-7

FIC A7*g D- A7 -s- D- c-7 F7 Bb7 A7

D-^ G7 c-7 F7 sbt

r3-r
F}t
r3-
E-tss - ? -
, i-r
ATbg
rt -]
D-
t-r-1 l-

IFYOU COULD SEE ME NOW Tadd De

nbl; prbt Ebn prbt

G-7 F#-7 87 F-7 sbt$S.r .r F-7 sbt "'A-',rtOb-

6- Cbt

A-7 D7 B-7 E7 A-7 D7 B-7 E7 A-1 c-7

Bbtt c-7 F-7 nbt 0 nb ( 6bazB ^ 7 E

D.C.alCoda
 DOLPHIN DANCE 611

c-7

c-7

B-7

IN YOUR OIryN SIITEET WAY Dave Bmbeck

Bbn*tr

Ab7rura
6-L2 UTHISPER NOT Benny Golson f 956

A-Zls Dtvg

z. g-7bs

ebzE

D-las Glvg

EveryX For Solos

. LastX Onlv
SS Eqis ATrg D- D-tC GIB Bb-6 F/A p1bt G-7 ATbg G-

STOLEN MOMENTS Oliver Nelsor

c-7 D-7 g,bn D-7

G-78

p:b"7 G+7
 SUGAR 613

'' Abttn

DOXY Sonny Rollins

IIAUNTED BALLROOM Victor Feldman L9TT

F^7 Dtsg G-7 ce A-7 Dtlg G-7 Ce F,b-t Ebt*n

pib-t Dbt*tr Fil-7 Be c-7 S 7*,F"t-, Dbn Ebzrg

Ob-t C-7 FTrggb-t

F-7

D-t C 7rur4
F
6.14 TAKE FTVE Dave Brubeck l 965

C- G-7

D.S.roA

KILLER JOE Benny Golson

bt

GIANT STEPS
G BbI A-7 Dt G sbt E, F#7

BERNIE'S TT'NE BemieMiller1953

 F-7
WORI( SONG
Nat Adderly,/Oscar Brown Jr.
615

Break- in' up big rocks on the chain gang, break-in' rocks and serv- lng my time.
I conrmit the crime. Lawd o' need- in', crime of be - in' hun- grey and poor.
Jjudge he say "five years hard la - bor, on the chain gang you goin' ta go",
Wan - na see mv sweet hon- ey ba - by, wan- na break this chain off an frfl,
c-7 c7

Breakin' rocks out here on the chaingang 'cause

I been con- vict ed of crime.
Left the gro - cer store man a blee& in', when he caught me rob bin' his store.
heard the judge say 'five years of lab - or", heard mv wom- an screztm "Lawd y Do",
wan- na lay down some whereit's sha- dv. Lawd, ii sure is hot in the sun.
F-7

Hold it ste- a- dv right there- while I hit there I reck- on that ought-ta git ir, been
F7 Bb7 G7 %_3_r

work- in', but I still got so terr- ible long to go.-

THINGS ATN'T IMITAT THEY USED TO BE

Bb-6

Bbt

tumaround
-1 F F T s b sb- F Abot G-7 C7 F F 7-] pb sb-
1;3 r 3-r f- 3 J
 STROLLIN'
616 Horace Silver 1960

Dbat 8.7 A7 Eb-t Abt

Dba;. tb-t Dbz G-7 C7

Bbt*g

*e g}t*rt

2'F-7 nb-q Bbt*g P$7itr

Bbt*g Eb-t AbTruraAbtugDbo F-7 nb-g Abtsg

Abt*s ClDb
 ANTHROPOLOGY
Parker/Gillespie
625
E sbo F7 Bb6 G-7 F-7 Bbt

D.C.al2nd End (Fine)

OLEO Sonny Rollins

E sbnt
F7

2-c-7F7 Bb6

SERPENT'S TOOTH
gbat C-7 C,t"7 n-7

THE THEME JazzMessengers

Miies Davis
Bbnr- |lboT gbn
r_3_r Bbal Db"7 nbn ,-3-r

BblD,-3_, Bbn 1. F7
Bb r-3-r
6.26 NARDIS Miles Davis

E E-7 FA7 (Eaz

) st c^7 (r-z;

E ^ 7 ( r z t s)

D.C. al2nd End (Fine)

AIREGIN Sonny Rollins

F-

F7 gb^7

G-Zls Ctl'g

F7 B7

MOAIIIIN'
(
_ F - f'-B b
fflfsoro" Ai,7 G7 C7)
F-

z.g-7bs Flvg

D.C. al2nd End (Fine)

 ROBBTN'S NEST 6.27
Sir Charles Thompson

tr Etvg ATrg

D.C. alCoda

T.AN BIRI) John Coltrane

D7 C-7 F-7 ebn

,- e_l i-:-..i

Fine
A^7 Bb-7 Eb7 D7 GA7 nb-t Dbt

D-C. al2nd End (Fine)

MOMENT'S NOTICE
eh Ebnt l:b-t Dbt D-7
6.28 MILESTONES OId Miles? John irwis?

FA7 F-7 en
en Eb
Eb

c-7 Flug

c-7

A^7 A-7 l-\'-.1

^ GA7 A-7 B-7

A-7 D7,-3 B-7 E7 D.s.atFine

r:3-r r:3-r l- 3-r

guAsrMoDo
Ebn G-tus Clvg F

c-7

Cllg

D-7 c-7 A-lvs

Bbtlg
 WITCH HUNT 629,
Wa'rne Shorter

F7

SPEAK NO EVIL
c-7 Dbn c-7 Dbn

Dbn c-7 Dbat

A7irl

Gbt*rt Bbl*n

SERENITY

Ebat

D-7b87re
630 ORNITHOLOGY Charlie Parker / Benny Harris

G^7 c7

1 .G -

A-trs D7 B-7 E- 371 - 3 = , - 3 = , - 3 - A-7 2 . G

, - 31r 3ar 3 1 -3=

A-7 B:7 A-7 D7 GA7 A-7 D7

-32-32-32 , ,-31,-31-3C ,-3=.-31 .-31

l;rii)i'")

Miles Davis
FOUR
p,bn nb-t r;bt

Ab,i/ lib-t obt nbn

SOII\R
G-7 c7 F^7

Ebat obn D-lus Glug

 A NIGHT IN TUNESIA 63 I
Dizzy Gillespie

Eb7 V

v,
Atvg S

E-tus Atvg D.S. alCoda

Ebt*tr

G7*tl 6-(47)

Gbt*g E-l;s ATbe

WELLYOU NEEDN'T Thelonius Monk

C7 D.c.atFine
63.2 DAAHOTTD Clifford Brown 1952

solochanges- Bbltg
Eb-t nh ob-t cb B At Nochord

-
Eb-7 cbt BA7 Bb+t
Ar-7 Cbt F7 E^7 S ebaz

"f' a T-r
Bb-7

Ab-7 Db7 nb-t plbt

IABA SO
UseSoloChanses

YARDBIRD STIITE Charlie Parker

c nh Sez

G7 D.c.atcoda
 I,ADY BIRD --- IIALF NEI,SON 633
Tadd Dameron
Miles Davis
LadyBird CA7

y-3j "r-s1

a)
A

a)

A 1-3-'1 .-

D-7 G7 c^7 Eb7 Abn Db7

' z $ + '
?"
A

A - 5 1- 3-1 f-......,.- l-= F_

E-7 Ebz D-7 Db7 Ffiz*r

634 JOY SPRING Clifford Brown

r}t

A-7 Abttn CJ

obt cbn

tr G^7

./ ./ Bbl p,bt7,_s_

D.C. alFine

DIG Miles Davis

t g,b7

Abn B;7 Abn

 GROOVIN'HIGH 635
Di?zy Giliespie

DI

TT'NE T'P
Miles Davis

BILLIE'S BOTINCE
Charlie Parker
636 SIT{ATTER
Eb%u,a

B^7 eb-t

{7alt 17 att

D-7 E-7 Fa7$tt Bbn A-7 AbatG-7 Gbl; F7

EbTrura B a7f ll Bb-7 Aeolian

C-7 Aeotian Abattn

Bb^7 A-7 Abn G-7 6bat F7 nb-t

BOLIVIA Cedar Walton 1975

Bass&Piano
(N.C.) (G7)

A13 D^7 /rh"?,

G A7 (latin feel) F$z*r Ca7*tt

B-7 B-TA Ab-tas

Blug Bbnt Ect

 Latin
NICAS DREAIVI 637
Horace Silver
B b-razl f,b-,:tt

ab-t

Bb-razl

AbTrura Afi'g

Bb-<n>

Ab-rozl Gbat C-lls

FALLING GRACE Steye Swallow

Ab^7 D7E|- G-7 F-7 r,bt Ebalg Dzn|"

G-7n F47

A-7 D7 G47 c-7

E-tls Altg D-7 obt C-7 Bbn r- 3-r Eblr 3 a \

s
S AbAT
Ar,_ Q Dbaz
638 THIS IS NEW Kurt Weii ( a la Chick Corea)

c-6 /

l t

Bb-6 Ebt*g Eb-7 Ab7 D-7 G7

Gbl*rt B 7#tt

p,b-t Ebl*tt 6bat Bb-tss Ehag

THE NIGHT IIAS ATHOUSAND EYES

Brainin/Berner 1948 ( a Ia J. Coltrane)

irrz
I t-rt
T - \ -t z
t-t

Abn
 SEVEN STEPS TO HEAVEN 639
Intro Victor Feldman/Miles Davis 1963
Interludeafter solo

nba 1.FA7 2.F^7

= r c) e)
tl
V
'lH
V
;=7f a
DTI c c
t' ?/
-j't r 1uFrt I 1 0
t
?
l
V 7 " U
FA7 Bb^7 E-7 A 7 D-64b7 G7 Eb6 E6 F6

E C N D-7 G7 F-7 Bbt Eblr, ab-t obt

F^7 F;bn E-7 A 7 D-(A7AbtGt

Form AABBA IMPRESSIONS Miles Darris

E G-7

D.C. al Fine

FormAABA SO WIIAT Miles Davis

E D-7

tr nb-t
640 JOSHUA
Victor Feldman 1963

X E

D-7 D7rur4 D-7 D7rur4

Bb-ec-e

D.S. alCoda
Last X go to End

CA9 Bb-9 F^TE ATbg

 EPISTROPI{Y 64L

Gbt*n

I MEAIII YOU
6.42 DONNA LEE Chariie Parker

Bb

Bb-7

ob-t

t- 3-r c7*e

tr-^
^l- J-l trbo7

Bb-7

SALT PEANUTS Dizzy Gillespie l94l

Bb6 B o7F6 No Chord F6

Bb6B 07F6

D-e c7 G-7 C+7

 CONF.IRil4trUON
Charlie Parker 6,43.

Bbt S A-tas Dtl,g

Clag

t:-3-r Attg
F7

Bbz

Ftlog

D&

th-ttt

CONALIT{A
Dizzy Gillespie

ebt

''
cA7 87
6,44 JEAIIUNE
Duke pearson l960
Ab-7

pib-t

Fil-7 E^7

r,b-t Ebttg
r-3-r

z.6bn p:b-t nbt [EIolot G-7

F^7

BEBOP Dvry Gillespie Lg44

I g- Nochord

LastXOnlyQu,,l

Ebn F-6 C-/G c-7 Flvg

Bbn Ebttg Abdt

E
SOLID 655
I
I
I
I
TENOR ITIADNESS Sonny Rollins
Ebt nbt

Joe Henderson

AbTrura

NOW'S THE TIME Charlie Parker

r,bt F7
 *r!
ffi

656
--J
iitr
'-t

BYRDLII(E
*a
..il
Freddie Hubbard ;r'n

A-lts G-Zls cltg

Q-lbsgt*e

G-7

RELI\XIN'Af Cffi Charlie Parker

Eb7

c-7

VIERD BLUES Miles Davis

r,bt nbt p,bt

nbt Bbt

Gllg C!t= ;- 3-1 Sehz Gt,g

r-3-r

A
Ssbz
 SPEEDBALL 651
Stanley Turrentine

A
;
-D-7n \s c ; r
r
- l

^ | ? G7

I c 7(N.c.)

I
r| GINGERBREAD BOY Jimmv Heath

c-7 F7 Bbt*g E7
T
I

T
I
I Bbt*g

I
i Clvg ,/ '/ F7*e fiBbl*g
Tacit
Bbt*g
Tacit Solos = Bb Blue

i
i
658 EgurNox

Ab7|11

BESSTE'S BLUES
Ebt

F-7 ebt

MR. SIMS

nbrc
 BLT]ES FOR ALICE
Charlie Parker
65e
Atag D-7 G7

STRAIGHT NO CIIASER Thelonius Monk

I

Bb7

BLUE MONK
Bbt

AU PRNTAVE Charlie Parker

 660 SOITIE OTHER BLUES
John Coltrane I

B7

PERI{APS Charlie Parker f g4g

c7

Intro and B BITTERSWEET Sam Jones

[ds7*J BbTrura

A7rur4
674 rT'S A RAGGY WAT',TZ Dave Brubeck

E G D7 GO G7 |lb.7

ATbg

B-7 E-7

D.C. alFine

WEST COAST BLUES Wes Montgomery 1960

Bbt sa Ab7 Bbt

B-7

Bbt

sbt

c-7 c-7

S Bbn Ab-7
 WALTZ FOR DEBBY 6^75
FA7 D-7 G-7 C7 A1/G DTF|" GTF

6-tvfib

r,bn D-7 G13 ptbn Dbdt G-7

G-7r1Db

A
F8

VAI,SE HOT Sonny Rollins

Bb- Ebt Ab Bb- Ebt Ab Bb- nh nbl: Eb- Ab obn nb- AbTt Db
I
EISA 673-
l lntro nfinb Ofinb nb-tnb F-tnb nfinb
E,alI Zrnders 1963

obtnb nbagb F-7tBb

l
l ETlAb nb-t

n Eb-7 Ab7 ob-t cb7

I
nb-t
tl
il c-7tBb Bb-7

il Ett/tb Eb-t16lo
I
J

VERY EARLY Bill Evans

Bbt Ebdt

Ebl;' E-7 F#-7

/^
G^7 er&E rtr E-7F#-7 G^7 A7 E-7 87 E7 A^7
J

676. HOW MT HEART SINGS

Earl Zinders
E-7 A-7 D-7 G7 c^7

B-tas 1' A-7

Gf"z A-TG Ffl-zls

E-7tB EI oorre

D^7TE C^7tD

G-7 Ffi-zls B attT

WINDOWS Chick Corea

c7

DbTrura

abt ptbt e7 _e_,

3-r

Ebn D-7 c-7 c-7tBb A-tts A-7,7G D7E|/

B 7#tt
Irt 677
STMONE Frank Foster

I Ebn D-7 A 7rur4 D-7 D-7

I A7rur4 D 7rur4 D7 att

I
I
I p,bt E-7

J['-JU Wayne Shorter

B+7

Bb+7

lrbn E-7

Bttg F47

NIGHTDREAMER Wayne Shorter

G^7 Bbt nbt

F7rur4
678 SOMETIMEAGO
FA7

EbAi. pTalt

G-7

WIIAT WAS

E Dbs

c-7

E so,

A-7
 RECORDAIVIE 685
Joe Henderson

''
87n,

SILVER'S SERENADE Hor:aceSilver

-e E-e

Bbn

SONG FOR STRAYHORN Gerry Mulligan

Abdt
 RECORDAIVIE 685

SILVER'S SERENADE

SONG FOR STRAYHORN Gerry Mulligan

686 I TOLD YOU SO George Cables

Dltg fibo7 C^TE

r,b-t A-7 ptb-t Repeatstast X onp6

Latin/Rock THINK ON ME George Cables

D 7rur4 F7'u'4
r-3-r

C^TB BA7

nb-ttCb E^7
 Calypso sT. THOIT{AS 6,87
Sonny Rollins
C E-7 A7 D-7 G7 C G+7

E-7 A7 G+7 A7

,qb+l

LITTLE ST'NFLOS'iER Freddie Hubbard

l67irr

Bossa

LUCKY SOUTHERN Keith Jarrett

Intro
D^7

tr F$-7

Ff;-7 GA7

D/Ffl
688 Montuna
I,IANTECA Dizzy Gillispie/ Gil Fuller

\s-t Dfiag

ab-t Dbt:',g

Gbnt Ff-zls 87 F -las Bnrg C-l's g.lbg

l
D.S.toA
Repeatand Ritrrd

Solos- Bb CueBridge

LIBERATED BROTHER Horace Silver

G-7 C7 x EG - 7 C7 /

G-7 C7 Bb-t vbt G-7 c7 ET9 sb-t Ebt

-7
tCl

''
D70,

Bb-7 ebt G-7 Btre n - Bb-7 C7n :>

r,b-t Ybt Q%."{ F-7 ep n EftznR+zn -D7*g D.S.atcoda LastX

E7 Dlte Abt*n
lj AR]TIANDO'S RHUMBA 689
r Chick Corea

t
I trc7
I tb."J-r,-, I3> A"7 nbnb
I
eb-r,b
I Bbzag F:b6

I On Cue - Shoutlst 8 bar

Unison

I
I
FRIENDS
I F6/c
Orl-Ctlg

[Alcot F^TC

I
l
I E^7/B A^TB E^7/B cbnb gbtttX

I Abnt

I F-6/C CTBb 4-(a7)

I
c^7 F ^TC
I
690 No Chord
SPAIN Chick Corea i 923
E-e F#7tuta

X E-7

FP*e Last X Onlv I

D . C .a l F i n e I

[El*"Chord

A
LastX, FineOnly4 A7

TOREST FLOWER Charles Llovd

A^7 G^7

c^7 Bbat D-tss

BTnn
 GREGORY IS HERE
69 1
Horace Silver 1972

B Trtt c-e B7|"tt

c-e A-lvs Dlvg

c-e B 7*tt Bbn

Bb-7

e oz
Fe P;3'11'ii5l3iT"o$

ke Morgart

Abn sb-t nbt Abn E -7 Abz

D-7

C-lvs Flvg

Eb7rura
692 GAVIOTA Clare Fischer

I
I
Latin (Bolero-Guajira)112

Vamptillcue
Fe Ffece

I
Ab D-lus

Atlg Glvg F7*n ,n

2.A-7 A-TG 7/F# Fe A7*g

Dlvg

D.C.to IntroVamp
 PENSATTVA 69:
Clare Fischer

67trl G#-trs Gt7|"n

D^7 Dbttg

XE G7*n Gbnt GTru Gb/J

D^7 Abl*n G^7 F#-7 B7 E-7 A7 D^7

ptb-t 2G7irl

Bbl*tr

c^7 B-7 E7*g A^7,, Gfr-7 F#-7 B-7

ETvg

SOUL EYES Mal Waldron 1964

F-7

G-lus Clvg Abli, A-tus Dtrg t6d7

Ab-7 "'G-',rt

p,b7att Ebnt D-t;s Glvg fi g,bn BA7 Ebnt

6,94 Form AAB
SONG FOR MT NilTHER Horace Silver

Med. Bossa

Ebg

BLT'E BOSSA Kenny Dorham

F-7 D-lis

Eb-7 Dbn

IWY LITTLE STIEDE SHOES

F-7 Bbt sbo F-7 Bbt

Abn
 SISTER SADIE
695

trc7

lt
I SIDEWTNDER
I Lee Morgan

I
I
I
t
I
I
I
I
696 MERCY, ITIERCY, MERCY Joe Zawenul

BbID Eb7

GROOVE MERCIIAIIIT Jerome Richardson

nbt Bbt F7

sb r'bttrlb G-7

ebn D7B#Wc-7

nbn DtlF# c-7 Ebt sbn D7IFfr

G-7 Eb7, Sc_7

S c-z

WATERMELON MAI{