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Amay Namon II-Score and Parts

The document appears to be sheet music for a song titled "Amay Namon II". It contains musical notation for multiple instruments including bandurria, octavina, guitar, bass, and two banjos. The sheet music indicates the instruments, notes, rhythms, and chords for each section of the song.

Uploaded by

Vigorito Slovavic
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© © All Rights Reserved
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116 views10 pages

Amay Namon II-Score and Parts

The document appears to be sheet music for a song titled "Amay Namon II". It contains musical notation for multiple instruments including bandurria, octavina, guitar, bass, and two banjos. The sheet music indicates the instruments, notes, rhythms, and chords for each section of the song.

Uploaded by

Vigorito Slovavic
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Amay

Namon II

                   
Bandurria 1  
      
Bandurria 2               

Octavina                      

                              
Fm C7 Fm F7 B♭m C7

 
Guitar


            
Bass  

  
        
  

 
9

 
Ban. 1

 
Ban. 2     
    


    
                 
    
 
Oct.


       
     
                 
   
B♭m Fm C7


Guit.

    
Bass               
 
     

        
13

 
Ban. 1

           
 

Ban. 2


               
    
                       
Oct.

                 
                
Fm

Guit.

              
Bass  

     
        
18

Ban. 1

   
Ban. 2           

   
    
     
  
Oct.

   
                                  
C7

Guit.

          
Bass 

2
     
           
 
21

     
  
Ban. 1

Ban. 2          

 
            

           
Oct.

   
                                     
Fm

Guit.

              
Bass 

 
       
 

 
25

Ban. 1

   
     


Ban. 2


                
   
Oct.

                          
                   
C7

Guit.

            
Bass  

3
      
  
29

Ban. 1

    
Ban. 2  


           
     
  
Oct.

                 
Guit.                        
        
Bass    

  
             
 

    
32

 
     
Ban. 1

    
Ban. 2       
     
            
 
Oct.

 
                             
 


Fm B♭m C7 Fm B♭m



Guit.

            
Bass   

4
 
  
  
                
      
39

Ban. 1

          
       
        

Ban. 2

 
            
           

Oct.

           
                    
Fm B♭m Fm C7 Fm


      
Guit.

       
Bass       

5
Bandurria 1 Amay Namon II

 
                  

  

  
                        
           

10

 
                                          
  
19

           
    
 
             
     
30

  
             
   
 
43
Bandurria 2 Amay Namon II

                        
   

          
    
                 
10

    
           

           
     
20


                        
        
32

   
        

47
Octavina Amay Namon II

   

                       

    

                         
          
11

      
                                 
     

19

       
                           
   
30

    

        
     
40
Guitar Amay Namon II

     
                              

Fm C7 Fm F7 B♭m C7 B♭m

   


 C7   

                     
                                   
10 Fm Fm

                
      
 C7
              
                                 
15

        
              
                                        
20 Fm

   C7
                               
                                     
25

       
            
                                    
30 Fm

  

          
       
     
     
    
     
 
B♭m C7 Fm B♭m Fm B♭m Fm C7 Fm

  
35
Bass Amay Namon II


                    
         

                      
   
19

                     
      
31

         
 
46

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