Electronic and Chance Music
Electronic and Chance Music
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Almighty C. Tabuena
Philippine Normal University
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Introduction
A revolution occurred in 20th-century music as listening to the new forms of media and
technologies developed in recording, capturing, reproducing, and distributing music gained
popularity worldwide. Moreover, people nowadays are able to be exposed to a wider range
of music than ever before, giving rise to the phenomenon of world music. This lesson will just
introduce electronic music and the Chance music popularized by John Cage.
Objectives:
Learning Competencies
The Learner:
Electronic Music
Technology and music create another significant movement in the field of music education,
giving supplementary knowledge and skills to provide learners move toward 21st-century
occurrences, trends, and developments.
“I have been waiting a long time for electronics to free music from the
tempered scale and the limitations of musical instruments.” — Edgard Varese
What is MIDI?
MIDI stands for Musical Instrument Digital Interface. The development of the MIDI system has
been a major catalyst in the recent unprecedented explosion of music technology. MIDI has
put powerful computer instrument networks and software in the hands of less technically
versed musicians and amateurs and has provided new and time-saving tools for computer
musicians.
One of the functions of MIDI is to set music with no big effort in the actual playing
performance, to provide music accompaniment whether played in a single line melody or in
an orchestrated form, by the use of computer-assisted music software and other devices
generated by “General MIDI.” Some examples of MIDI Arrangements could have listened to
my SoundCloud, the most used music example is my music arrangements of Papal
Songs when the Papal Visit happened in the Philippines in 2015. The mass repertoire was
arranged through software to produce a kind of accompaniment, a piece of orchestral
background music, for some holy mass purposes.
Sample MIDI Arrangement by Almighty Tabuena using Finale PrintMusic 2014 software.
The title of the composition is Laudate Dominum by Fr. Manoling Francisco, composed for
the Papal Visit last 2015.
Chance music – indeterminacy at the level of composition. During the writing of the
piece, the composer employs a chance procedure. Once the work is finished, the score
is followed exactly in the same way all traditional music scores are.
Aleatory music – indeterminacy at the level of performance. The performer is asked
to make decisions that will affect either details or even the form of the piece. In many
instances, elements of chance music and aleatory music coexist in the same work
(John Cage).
Stochastic music – indeterminacy at the level of composition but involving strict
mathematical tools (stochastic distributions).
John Cage’s 4′ 33” – a chance musical work that instructed the pianist to merely open the
piano lid and remain silent for the length of time indicated by the title. The work was
intended to convey the impossibility of achieving total silence since surrounding sounds can
still be heard amidst the silence of the piano performance.
Listen to some music of John Cage such as the 4′ 33” and the Ocean of Sounds, do they have
in common with other music in the 20th century?
1. Among the resulting new styles were electronic music and chance music. These
expanded the concept of music far beyond the conventions of earlier periods and
challenged both the new composers and the listening public.
2. From the United States, there was John Cage with his truly unconventional
composition techniques. Cage’s works feature the widest array of sounds from the
most inventive sources.
Bibliography
Hass, J. (2010). “Chapter three: How MIDI works”. Indiana University Jacobs School of
Music.
Kelly, T. F. (2013). Music then and now. United States of America: W. W. Norton & Company,
Inc.
Perez, V. V. et. al. (2006). Music, arts, physical education, and health – citizenship
advancement training (MAPEH-CAT IV). Quezon City: St. Bernadette Publishing House
Corporation.
Sunico, R. M. (2015). Horizons grade 10 learner’s materials, music and arts appreciation for
young Filipinos. Quezon City: Tawid Publications.
To cite this article (APA Style 7th Edition) - from Music Classroom Guide: Asian
and Contemporary Music:
Tabuena, A. C. (2018, May 28). Electronic and chance music. Music Classroom
Guide: Asian and Contemporary Music.
https://actmusicguide.wordpress.com/2018/05/28/electronic-and-chance/
Instruction to cite this article (APA Style 7th Edition) - from ResearchGate:
Replace the link (from the suggested citation above) with the DOI specified in the
article (located below the article title).