FE N DE R ® C U S TO M S H O P

2022
CUSTOM
GUITAR
DESIGN GUIDE

3
For more information go to fendercustomshop.com

LIMITED EDITION ROASTED ’61 STRAT® SUPER HEAVY RELIC®,

9235001497
FE N DE R ® C U S TO M S H O P

FOREWORD
A Fender Custom Shop instrument is extraordinary. You know it when you play one—it’s
definitely more than the sum of its parts. It’s filled with intangible, electrifying elements that
add a new dimension to your playing experience. It’s as if the instrument itself is imbued
with history, alive with the spirit of the place where it was built and the devotion of those
who crafted it.

The Custom Shop is home to Fender’s most skilled and talented builders. It’s a bustling,
noisy and creatively volcanic place that re-earns its nickname—the Dream Factory—every
day. Custom Shop builders are completely dedicated to their art—part craftsman, part
artist, part music fan and, more often than not, part mad scientist. They’re the best at what
For more information go to fendercustomshop.com

they do, and they pour all of their passion, hard-earned knowledge and skill into every
instrument they build. It’s no ordinary place, and the creations that come from it are no
ordinary instruments. Welcome to the Fender Custom Shop.

For players who wish to create a completely custom instrument—anything from a

humbucking pickup-equipped banjo to a custom-engraved aluminum-bodied Strat®—we
offer Masterbuilt, a singular experience working one-on-one with one of our Master
Builders. Custom-Built is for those prefer to start with one of our time-honored models and
personalize the specifications to meet your specific needs. Use this guide to design your
very own Masterbuilt or Custom-Built Fender guitar and make your dreams come true.
 FE N DE R ® C U S TO M S H O P
2

©2022 Fender Musical Instruments Corporation. FENDER®,

STRATOCASTER®, STRAT®, TELECASTER®, TELE®, PRECISION
BASS®, P BASS®, Jazz Bass®, J Bass®, ESQUIRE®, Nocaster® and
the distinctive headstock designs commonly found on Fender
guitars are registered trademarks of FMIC. All rights reserved.

All other trademarks are the property of their respective owners.

All Fender Custom Shop instruments are expertly crafted according

to exact order specifications and arrive free of defects. Those
instruments not abiding by this policy will be repaired, modified
or replaced by us at no cost to you. Consult your local retailer,
distributor or the Custom Care™ website (customcare.fender.com)
for details.

Fender Musical Instruments Corporation

17600 North Perimeter Drive
Scottsdale, AZ 85255-5440
T: (480) 596-9690
F: (480) 596-1384

fendercustomshop.com

All colors, features and specifications are subject to change

without notice.
FE N DE R ® C U S TO M S H O P

CONTENTS
Ordering Yours . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Masterbuilt. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Master Builders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Custom-Built. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Base Models . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Stratocaster Models. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Telecaster Models . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Precision Bass Models . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Jazz Bass Models. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Offset Models . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
For more information go to fendercustomshop.com

Aging Styles. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Tonewood Options. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
Body Wood. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
Neck Wood. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Color Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Neck Shapes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Fret Wire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Pickup Option . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Wiring Option . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Hardware Options. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Design Guide Order Form. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
4

FE N DE R ® C U S TO M S H O P
FE N DE R ® C U S TO M S H O P

HOW
TO USE THIS GUIDE
Is there a special Fender instrument that you have been dreaming
of your whole life? We have some good news for you! The Fender
Custom Shop can take your dreams and shape them into a tonal
reality. The process is simple:

01 SELECT A BUILD LEVEL

Masterbuilt or Custom-built

02 SELECT A CUSTOM SHOP BASE MODEL

Choose from a wide range of guitars and basses

03 SELECT AN AGING PACKAGE

04 SELECT YOUR OPTIONS

Choose your custom options from our extensive
menu of offerings

05 ADDITIONAL NOTES
Use the “additional notes” section if your desired
For more information go to fendercustomshop.com

options are not listed

06 SUBMIT YOUR ORDER

Take this completed design guide to a Custom Shop
Showcase Dealer which you can find at
www.fendercustomshop.com/dealers/
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FE N DE R ® C U S TO M S H O P
FE N DE R ® C U S TO M S H O P

01

BUILD LEVEL:
MASTERBUILT
In every art form there are those who have mastered their craft so thoroughly, through
years of training and experience, their work routinely commands extra acclaim and
admiration, not to mention outright awe. These astonishing artisans are the Master Builders
of the Fender Custom Shop; a select group of the most talented builders recognized around
the world for their matchless skill, limitless imagination and utter devotion to their art.

Crafting a guitar with a Custom Shop Master Builder is the ultimate artistic partnership—
simply put, no idea is too crazy and no job too large or too small. They’ll walk you through
everything—body design, neck shape, tonewoods, pickups, hardware and more—to
For more information go to fendercustomshop.com

give you the look, feel and sound that you’re searching for. From start to finish the Master
Builder will personally ensure that each guitar is built with the highest possible quality and
to your exact specifications. Additionally, it’s about more than just specifications, it’s about
making the instrument of your dreams a concrete reality.
MASTER

FE N DE R ® C U S TO M S H O P
BUILDERS
Imagine the greatest artists in history gathered under one roof;
Michelangelo, DaVinci, Picasso and Dali working next to each other,
sharing pigments, knowledge and expertise. The Fender Custom Shop is
exactly that, the world’s most esteemed luthiers gathered together to create
peerless instruments that are astounding works of art—the Master Builders.
They are known the world over for their skill and have built instruments
for Jeff Beck, Ritchie Blackmore, Eric Clapton, Dick Dale, Mike Dirnt, Bob
Dylan, Robben Ford, Buddy Guy, Merle Haggard, Reggie Hamilton, Mark
Hoppus, John 5, Keith Richards, Sting and U2... just to name a few!

DALE WILSON PAUL WALLER

Paul Waller is a Southern California native with
woodworking and luthiery in his blood. He
built his first guitar at age 14 in his high school
woodshop, joined a cabinet shop right out of
high school and, after a stint at a small Southern
California guitar maker, enrolled at the acclaimed
Roberto-Venn School of Luthiery in Phoenix, from
Dale Wilson arrived at Fender in 2003, which he graduated in spring of 2000.
joined the Custom Shop in 2005 and
became a Master Builder in 2011. Building Waller joined Fender in 2003. He spent two years 8
guitars has been a driving passion for the working closely with master archtop craftsman
California native since childhood. “Ever Bob Benedetto, and became steeped in the many
since I can remember, I’ve always loved facets of building techniques from all the Custom
guitars,” he said. “I didn’t dream of Shop’s Master Builders. After an extensive seven-
being a rock star; I dreamt of building the year apprenticeship, Waller became a Master
ultimate guitar. I was equally enthralled Builder in 2010.
with the guitars just as much as I was with
the players.” His Fender Custom Shop work includes bass
guitars for U2’s Adam Clayton, a custom Thinline
Woodworking runs in the Wilson family, Telecaster for U2 vocalist Bono, Telecaster guitars
and the requisite Custom Shop zeal for the Rolling Stones’ Keith Richards and co-work
for outstanding craftsmanship has long on a Stratocaster for fellow Stones guitarist Ronnie
been part of Dale’s DNA. He did repair Wood, Stratocaster guitars for Buddy Guy, the
work and mods in a small guitar shop Nile Rodgers “Hitmaker” Stratocaster, a custom
right out of high school in the late 1980s; double-neck Jazzmaster for Queens Of the Stone
subsequently, he moved on to stints at Age guitarist Troy Van Leeuwen, the George
Dobro and Rickenbacker before arriving Harrison Tribute Rosewood Telecaster, and the
at Fender, where he worked on Guild, George Harrison Rocky Stratocaster.
Gretsch and Benedetto guitars before
beginning his apprenticeship with various
Custom Shop Master Builders.

He enjoys calling upon his extensive

and varied experience as a craftsman to
create highly distinctive guitars such as the
S T EP 1 : BU I L D L E VE L

Resophonic Thinline Telecaster®. Wilson

also built five beautiful custom guitars for
the January 2011 NAMM Show while still
an apprentice and was asked to signed
the back of the headstocks, garnering him
his Master Builder status.
 JASON SMITH
FE N DE R ® C U S TO M S H O P

A Custom Shop veteran and son of Rock music and Fender are part of
longtime Fender R&D legend Dan Smith, Smith’s DNA. He joined the Fender
Jason Smith grew up on Fender — “It Custom Shop in 1995 and in 2006
has always been in my family,” he said, completed a five-year apprenticeship
“And I was always extremely interested under acclaimed Senior Master Builder
in everything my father did.” John English. Among many diverse
projects with English, Smith worked
Born in Rochester, N.Y., and raised in on a pair of double-neck Stratocaster
California, Smith remembers meeting guitars for Stone Temple Pilots guitarist
guitar greats from about age 5 on Dean DeLeo. He has since crafted
through his father’s work with Fender— fine instruments for players and acts
Eric Clapton, Yngwie Malmsteen, Jeff including John 5, Michael Landau, Flea,
Beck and Robben Ford, to name only a Josh Klinghoffer, Steve Harris, Reggie
few. He went to his first big rock concert Hamilton, Linkin Park, Kenny Wayne
at age six—Rush—and remembers Shepherd, Neon Trees and many others.
going backstage with his dad and
meeting Geddy Lee after the show.
Before he was even in his teens, Smith
was going to see Pink Floyd, ZZ Top
and many other major artists.

TODD KRAUSE

Todd Krause has built exquisitely crafted custom instruments for many of the world’s greatest artists,
9 including Jeff Beck, Eric Clapton, Bob Dylan, David Gilmour, Robbie Robertson, Kenny Wayne
Shepherd, Robin Trower, Roger Waters and many others.

His guitar-building apprenticeship began in early 1981 at Jackson/Charvel guitars. Krause arrived
at Fender in 1991 and steadily rose through several roles, including one-off instrument builder, R&D
model maker, and woodworking machinist. He became a Custom Shop Master Builder in 1997 and
has created countless distinctive instruments, all of which embody his personal design philosophy:
“Form and function are the biggest part of it,” he said. “It’s about the way an instrument sounds and
feels. It has to look cool, and it has to compel you to play.”

YURIY SHISHKOV
For more information go to fendercustomshop.com

From handcrafting many of his own woodworking tools to showcasing his world-
class luthier skills and custom inlay work, Yuriy Shishkov is truly one of the last of
the renaissance guitar builders. It was in the small confines of a root cellar in his
hometown of Gomel in the former Soviet Union that Shishkov got his start building
guitars for friends and colleagues.

When he arrived in the United States in 1990, Shishkov settled in the Chicago
area and collaborated with a range of top artists, including late shredder Dimebag
Darrel, Jimmy Page and Robert Plant, Nuno Bettencourt and Paul Stanley of Kiss.
Shishkov joined the Fender Custom Shop’s Master Builder team in 2000, and
continues to craft truly magnificent instruments featuring exquisite detail and inlay
work as the Fender Custom Shop’s Principal Master Builder.
GREG FESSLER

FE N DE R ® C U S TO M S H O P
Greg Fessler came to the Fender Custom Shop in 1990, working
his way up through the ranks as an apprentice. He assisted with
the Robben Ford signature line of guitars, eventually becoming the
sole builder of those instruments and, later, Ford’s personal builder.
Fessler has built one-off Stratocaster and Telecaster models for
a host of players, including Joe Bonnamasa, Jeff Healey, Hank
Marvin, John Mayer, Rhonda Smith,Neil Schon and Pete Wentz,
to name a few.

Fessler’s remarkable abilities as a Master Builder have earned him

accolades from many Fender artists and from discerning customers
worldwide. His meticulous attention to detail is exemplified in
every instrument he creates, each of which is a perfect example of
the intense commitment it takes to earn the title of Master Builder.

RON THORN
Ron Thorn brings his decades of expertise in
guitar luthiery, namely inlay work, to The Fender
Custom Shop. Thorn’s relationship with the Custom
Shop team began with his inlay business, Thorn
Inlay—which has been the sole inlay provider
for the Fender Custom Shop since the mid-90s.
He’s also built more than 800 custom instruments
under the name Thorn Guitars. Thorn is among
the first to assume the title Principal Master
Builder—one of the highest honors in the Fender
Custom Shop and the guitar building community.
10

DENNIS GALUSZKA
Like Fender itself, Dennis Galuszka is a Southern California native. Combining his dual passions
for music and woodworking, he began building high-end acoustic guitars during his 13 years as a
cabinetmaker. As a working drummer, it was a 1999 audition with one of the Fender Master Builders
that led to a job interview and a new kind of steady gig—as an apprentice at the Fender Custom Shop.

After only eight months there, Galuszka was promoted to Master Builder. He has since built finely
crafted instruments for influential players including Paul McCartney, Andy Summers, Johnny Marr,
Patrick Stump, Mike Dirnt, Sting and many others. He has lent his expertise to a number of truly
S T EP 1 : BU I L D L E VE L

distinctive instruments, including double-neck guitars and unusual takes on classic Fender designs
along with several artist models. “It’s all about the feel and sound of an instrument,” Galuszka said.
“Those things are number one with me, above everything else.”
FE N DE R ® C U S TO M S H O P

KYLE MCMILLIN
Kyle McMillin brings 15 years of musical instrument
experience to the Fender Custom Shop. McMillin
recently finished a five-year apprenticeship under
Principal Master Builder Yuriy Shishkov—working
on nearly 1,000 guitars while learning from the
esteemed builder. As a newly-minted Master
Builder, McMillin is now part of a team of the
finest guitar builders—the Fender Custom Shop.

VINCENT VAN TRIGT

Originally from the Netherlands, Vincent moved to
California in 2005 and began working for Fender
immediately. After wearing a variety of hats in different
11
departments, he started in the Custom Shop in 2012.
A 2-year assistant role with Stephen Stern at the Gretsch
Custom Shop was followed by a 5-year apprenticeship
with John Cruz. During which he worked on many
prestigious guitars, including the replica of Gary Moore’s
’61 Stratocaster, a 30-piece run of the Jimmie and
Stevie Ray Vaughan 30th anniversary Stratocasters,
and most recently the Phil Lynott Precision Bass.
For more information go to fendercustomshop.com
 12

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FE N DE R ® C U S TO M S H O P

01

13

BUILD LEVEL:
CUSTOM BUILT
Your dreams are what make the Fender Custom Shop the reality that it is today. From its
inception in 1987, the Custom Shop has grown from two builders to today’s more than
50 artisans—a veteran band of builders, each a specialist dedicated to their own area of
expertise—working together to build your ideal Fender to your exact specifications. From
neck shaping and fretwork to finishing and aging—every step of creation—each Custom
Shop craftsperson brings years of hard-earned skill and dedication to bear on your
custom-built guitar with one goal in mind—to create an instrument and playing experience
that can only come from the Fender Custom Shop.
For more information go to fendercustomshop.com

A Fender Custom-Built guitar lets you define your ideal instrument. Begin with one of our
base models and choose from our vast selection of options to customize it as little or as
much as you want to meet your personal needs, aesthetic taste and playing style.

Whatever shape your dream may be, our luthiers stand ready to craft an instrument that
will unlock your utmost creativity and self-expression. Their passion is bringing your dreams
to reality, to create the ultimate instrument—one personally customized exclusively for you.
 14

S T EP 1 : BU I L D L E VE L FE N DE R ® C U S TO M S H O P
FE N DE R ® C U S TO M S H O P

02

15
For more information go to fendercustomshop.com

SELECT A
BASE MODEL
Each base model includes specifications listed as period accurate but can be customized
based on the player’s playing style and taste.
STRATOCASTER BASE MODELS

FE N DE R ® C U S TO M S H O P
1955 STRATOCASTER
SHOWN IN 2-COLOR SUNBURST
1956 STRATOCASTER
SHOWN IN WHITE-BLONDE

BODY WOOD ASH BODY WOOD ALDER

BODY FINISH NITROCELLULOSE LACQUER BODY FINISH NITROCELLULOSE LACQUER
NECK WOOD MAPLE NECK WOOD MAPLE
NECK SHAPE ‘55 “U” NECK SHAPE 10/56 “V”
FINGERBOARD 1-PIECE MAPLE FINGERBOARD 1-PIECE MAPLE
RADIUS 7.25” RADIUS 7.25”
FRET SIZE VINTAGE FRET SIZE VINTAGE
FACE DOTS BLACK MICARTA – WIDE SPACING FACE DOTS BLACK MICARTA – WIDE SPACING
NUT MICARTA NUT MICARTA
TUNERS FENDER GOTOH VINTAGE TUNERS FENDER GOTOH VINTAGE
HARDWARE NICKEL / CHROME HARDWARE NICKEL / CHROME
BRIDGE VINTAGE SYNCHRONIZED TREMOLO BRIDGE VINTAGE SYNCHRONIZED TREMOLO
PICKGUARD 1-PLY WHITE PICKGUARD 1-PLY WHITE
WIRING VINTAGE STRAT W/ 3-WAY SWITCH WIRING VINTAGE STRAT W/ 3-WAY SWITCH
PICKUPS FCS 1950S STRAT PICKUPS FCS 1950S STRAT

16

1960 STRATOCASTER
SHOWN IN DAKOTA RED
1963 STRATOCASTER
SHOWN IN 3-COLOR SUNBURST

BODY WOOD ALDER BODY WOOD ALDER

BODY FINISH NITROCELLULOSE LACQUER BODY FINISH NITROCELLULOSE LACQUER
NECK WOOD MAPLE NECK WOOD MAPLE
NECK SHAPE ‘60S OVAL “C” NECK SHAPE 60S OVAL “C”
FINGERBOARD SLAB ROSEWOOD FINGERBOARD ROUND-LAM ROSEWOOD
RADIUS 7.25” RADIUS 7.25”
FRET SIZE VINTAGE FRET SIZE VINTAGE
FACE DOTS CLAY – WIDE SPACING FACE DOTS CLAY – NARROW SPACING
NUT MICARTA NUT MICARTA
TUNERS FENDER GOTOH VINTAGE TUNERS FENDER GOTOH VINTAGE
HARDWARE NICKEL / CHROME HARDWARE NICKEL / CHROME
BRIDGE VINTAGE SYNCHRONIZED TREMOLO BRIDGE VINTAGE SYNCHRONIZED TREMOLO
PICKGUARD 3-PLY WHITE PICKGUARD 3-PLY WHITE
WIRING VINTAGE STRAT W/ 3-WAY SWITCH WIRING VINTAGE STRAT W/ 3-WAY SWITCH
PICKUPS FCS 1960S STRAT PICKUPS FCS 1960S STRAT
S T EP 2 : BAS E
FE N DE R ® C U S TO M S H O P

1965 STRATOCASTER
SHOWN IN AZTEC GOLD
1969 STRATOCASTER
SHOWN IN SONIC BLUE

BODY WOOD ALDER BODY WOOD ALDER

BODY FINISH NITROCELLULOSE LACQUER BODY FINISH NITROCELLULOSE LACQUER
NECK WOOD MAPLE NECK WOOD MAPLE – URETHANE FINISH
NECK SHAPE ‘65 “C” NECK SHAPE ‘69 “C”
FINGERBOARD ROUND-LAM ROSEWOOD FINGERBOARD ROUND-LAM ROSEWOOD OR MAPLE
RADIUS 7.25” RADIUS 7.25”
FRET SIZE VINTAGE FRET SIZE VINTAGE
FACE DOTS PEARL – NARROW SPACING FACE DOTS PEARL WHITE OR BLACK
NUT MICARTA NUT MICARTA
TUNERS FENDER GOTOH VINTAGE TUNERS SCHALLER “F”
HARDWARE NICKEL / CHROME HARDWARE NICKEL / CHROME
BRIDGE VINTAGE SYNCHRONIZED TREMOLO BRIDGE VINTAGE SYNCHRONIZED TREMOLO
PICKGUARD 3-PLY WHITE PICKGUARD 3-PLY WHITE
WIRING VINTAGE STRAT W/ 3-WAY SWITCH WIRING VINTAGE STRAT W/ 3-WAY SWITCH
PICKUPS FCS 1965 STRAT PICKUPS FCS 1969 STRAT

17

TELECASTER BASE MODELS

1951 NOCASTER
SHOWN IN HONEY BLONDE
1952 TELECASTER
SHOWN IN 2-COLOR SUNBURST

BODY WOOD ASH BODY WOOD ASH

BODY FINISH NITROCELLULOSE LACQUER BODY FINISH NITROCELLULOSE LACQUER
NECK WOOD MAPLE NECK WOOD MAPLE
NECK SHAPE NOCASTER “U” NECK SHAPE ‘52 “U”
FINGERBOARD 1-PIECE MAPLE FINGERBOARD 1-PIECE MAPLE
RADIUS 7.25” RADIUS 7.25”
FRET SIZE F VINTAGE FRET SIZE VINTAGE
FACE DOTS BLACK MICARTA – NARROW SPACING FACE DOTS BLACK MICARTA – WIDE SPACING
NUT MICARTA NUT MICARTA
For more information go to fendercustomshop.com

TUNERS FENDER GOTOH VINTAGE TUNERS FENDER GOTOH VINTAGE

HARDWARE NICKEL / CHROME HARDWARE NICKEL / CHROME
BRIDGE VINTAGE WITH BRASS SADDLES BRIDGE VINTAGE WITH BRASS SADDLES
PICKGUARD 1-PLY BLACK PICKGUARD 1-PLY BLACK
WIRING VINTAGE TELE W/ 3-WAY SWITCH WIRING VINTAGE TELE W/ 3-WAY SWITCH
PICKUPS FCS 1951 NOCASTER PICKUPS FCS 1951 NOCASTER
 FE N DE R ® C U S TO M S H O P
1960 TELECASTER
SHOWN IN WHITE BLONDE
1960 TELECASTER CUSTOM
SHOWN IN BLACK

BODY WOOD ALDER BODY WOOD DOUBLE-BOUND ALDER

BODY FINISH NITROCELLULOSE LACQUER BODY FINISH NITROCELLULOSE LACQUER
NECK WOOD MAPLE NECK WOOD MAPLE
NECK SHAPE ‘60S OVAL “C” NECK SHAPE | ‘60S OVAL “C”
FINGERBOARD SLAB ROSEWOOD FINGERBOARD | SLAB ROSEWOOD
RADIUS 7.25” RADIUS 7.25”
FRET SIZE VINTAGE FRET SIZE VINTAGE
FACE DOTS CLAY – NARROW SPACING FACE DOTS CLAY
NUT MICARTA NUT MICARTA
TUNERS FENDER GOTOH VINTAGE TUNERS FENDER GOTOH VINTAGE
HARDWARE NICKEL / CHROME HARDWARE NICKEL / CHROME
BRIDGE VINTAGE WITH THREADED SADDLES BRIDGE VINTAGE WITH THREADED SADDLES
PICKGUARD 3-PLY WHITE PICKGUARD 3-PLY WHITE
WIRING VINTAGE TELE W/ 3-WAY SWITCH WIRING VINTAGE TELE W/ 3-WAY SWITCH
PICKUPS FCS ‘60 - ‘63 TELECASTER PICKUPS FCS ‘60 - ‘63 TELECASTER

18

1963 TELECASTER
SHOWN IN LAKE PLACID BLUE
1967 TELECASTER
SHOWN IN CANDY APPLE RED

BODY WOOD ALDER BODY WOOD ALDER

BODY FINISH NITROCELLULOSE LACQUER BODY FINISH NITROCELLULOSE LACQUER
NECK WOOD MAPLE NECK WOOD MAPLE
NECK SHAPE ‘60S OVAL “C” NECK SHAPE ‘60S OVAL “C”
FINGERBOARD ROUND-LAM ROSEWOOD FINGERBOARD ROSEWOOD OR MAPLE
RADIUS 7.25” RADIUS 7.25”
FRET SIZE VINTAGE FRET SIZE VINTAGE
FACE DOTS CLAY FACE DOTS PEARL WHITE OR BLACK MICARTA
NUT MICARTA NUT MICARTA
TUNERS FENDER GOTOH VINTAGE TUNERS SCHALLER “F”
HARDWARE NICKEL / CHROME HARDWARE NICKEL / CHROME
BRIDGE VINTAGE WITH THREADED SADDLES BRIDGE VINTAGE WITH THREADED SADDLES
PICKGUARD 3-PLY WHITE PICKGUARD 3-PLY WHITE
WIRING VINTAGE TELE W/ 3-WAY SWITCH WIRING VINTAGE TELE W/ 3-WAY SWITCH
PICKUPS FCS ‘60 - 63 TELECASTER PICKUPS FCS 1967 TELECASTER
S T EP 2 : BAS E
FE N DE R ® C U S TO M S H O P

1959 ESQUIRE
SHOWN IN 3-COLOR SUNBURST
1950’s THINLINE TELECASTER
SHOWN IN 2-COLOR SUNBURST

BODY WOOD ASH BODY WOOD ASH

BODY FINISH NITROCELLULOSE LACQUER BODY FINISH NITROCELLULOSE LACQUER
NECK WOOD MAPLE NECK WOOD MAPLE
NECK SHAPE ‘59 “C” NECK SHAPE NOCASTER “U”
FINGERBOARD SLAB ROSEWOOD OR MAPLE FINGERBOARD 1-PIECE MAPLE
RADIUS 7.25” RADIUS 7.25”
FRET SIZE VINTAGE FRET SIZE VINTAGE
FACE DOTS MICARTA BLACK - WIDE SPACING FACE DOTS CLAY - NARROW SPACING
NUT MICARTA NUT MICARTA
TUNERS FENDER GOTOH VINTAGE TUNERS FENDER GOTOH VINTAGE
HARDWARE NICKEL / CHROME HARDWARE NICKEL / CHROME
BRIDGE VINTAGE ‘59 W/THREADED BRIDGE VINTAGE WITH BRASS SADDLES
PICKGUARD 1-PLY PARCHMENT PICKGUARD 1-PLY WHITE
WIRING VINTAGE ESQUIRE 3-WAY SWITCH WIRING VINTAGE TELE W/ 3-WAY SWITCH
PICKUPS FCS VINTAGE TELECASTER PICKUPS FCS 1951 NOCASTER

19

PRECISION BASS BASE MODELS

1955 PRECISION BASS

SHOWN IN VINTAGE BLONDE
1959 PRECISION BASS
SHOWN IN BLACK

BODY WOOD ASH BODY WOOD ALDER

BODY FINISH NITROCELLULOSE LACQUER BODY FINISH NITROCELLULOSE LACQUER
NECK WOOD QUARTERSAWN MAPLE NECK WOOD QUARTERSAWN MAPLE
NECK SHAPE ‘55 PBASS SOFT “V” NECK SHAPE ‘60S PBASS OVAL “C”
FINGERBOARD 1-PIECE MAPLE FINGERBOARD SLAB ROSEWOOD
RADIUS 7.25” RADIUS 7.25”
FRET SIZE VINTAGE FRET SIZE VINTAGE
FACE DOTS CLAY FACE DOTS CLAY
NUT MICARTA NUT MICARTA
TUNERS FENDER GOTOH REVERSE TUNERS FENDER GOTOH REVERSE
For more information go to fendercustomshop.com

HARDWARE NICKEL / CHROME HARDWARE NICKEL / CHROME

BRIDGE VINTAGE BRIDGE VINTAGE
PICKGUARD 1-PLY WHITE PICKGUARD GOLD ANODIZED
WIRING VINTAGE PRECISION BASS WIRING VINTAGE PRECISION BASS
PICKUPS FCS 1950S PRECISION BASS PICKUPS FCS ‘59 - ‘62 BASS
 FE N DE R ® C U S TO M S H O P
1960 PRECISION BASS
SHOWN IN 3-COLOR SUNBURST

BODY WOOD ASH

BODY FINISH NITROCELLULOSE LACQUER
NECK WOOD MAPLE
NECK SHAPE ‘60S PBASS OVAL “C”
FINGERBOARD SLAB ROSEWOOD
RADIUS 7.25”
FRET SIZE VINTAGE
FACE DOTS CLAY
NUT MICARTA
TUNERS FENDER GOTOH REVERSE
HARDWARE NICKEL / CHROME
BRIDGE VINTAGE
PICKGUARD 4-PLY TORTOISE SHELL
WIRING VINTAGE PRECISION BASS
PICKUPS FCS ‘59 - ‘62 BASS

20

JAZZ BASS BASE MODEL

1964 JAZZ BASS

SHOWN IN SONIC BLUE

BODY WOOD ALDER

BODY FINISH NITROCELLULOSE LACQUER
NECK WOOD MAPLE
NECK SHAPE ‘60 “U”
FINGERBOARD ROUND-LAM ROSEWOOD
RADIUS 7.25”
FRET SIZE VINTAGE
FACE DOTS CLAY
NUT MICARTA
TUNERS FENDER GOTOH REVERSE
HARDWARE NICKEL / CHROME
BRIDGE VINTAGE
PICKGUARD 4-PLY TORTOISE SHELL
WIRING VINTAGE JAZZ BASS
PICKUPS FCS VINTAGE JAZZ BASS
S T EP 2 : BAS E
 OFFSET BASE MODELS
FE N DE R ® C U S TO M S H O P

1962 JAZZMASTER
SHOWN IN SURF GREEN
1962 JAGUAR
SHOWN IN FIESTA RED

BODY WOOD ALDER BODY WOOD ALDER

BODY FINISH NITROCELLULOSE LACQUER BODY FINISH NITROCELLULOSE LACQUER
NECK WOOD MAPLE NECK WOOD MAPLE
NECK SHAPE JAZZMASTER “C” NECK SHAPE JAGUAR “C”
FINGERBOARD SLAB ROSEWOOD FINGERBOARD SLAB ROSEWOOD
RADIUS 7.25” RADIUS 7.25”
FRET SIZE VINTAGE FRET SIZE VINTAGE
FACE DOTS CLAY FACE DOTS CLAY
NUT MICARTA NUT MICARTA
TUNERS FENDER GOTOH VINTAGE TUNERS FENDER GOTOH VINTAGE
HARDWARE NICKEL / CHROME HARDWARE NICKEL / CHROME
BRIDGE VINTAGE JAGUAR/JAZZMASTER BRIDGE VINTAGE JAGUAR/JAZZMASTER
PICKGUARD 3-PLY WHITE PICKGUARD 3-PLY WHITE
WIRING VINTAGE JAZZMASTER WIRING VINTAGE JAGUAR
PICKUPS FCS JAZZMASTER PICKUPS FCS JAGUAR

21

BASS VI
SHOWN IN 3-COLOR SUNBURST

BODY WOOD ALDER

BODY FINISH NITROCELLULOSE LACQUER
NECK WOOD QUARTERSAWN MAPLE
NECK SHAPE “C”
FINGERBOARD SLAB ROSEWOOD
RADIUS 7.25”
FRET SIZE VINTAGE
FACE DOTS CLAY
NUT MICARTA
TUNERS FENDER GOTOH VINTAGE
For more information go to fendercustomshop.com

HARDWARE NICKEL / CHROME

BRIDGE VINTAGE JAGUAR
PICKGUARD 4-PLY TORTOISE SHELL
WIRING VINTAGE BASS VI
PICKUPS FCS JAGUAR
 FE N DE R ® C U S TO M S H O P
22

S T EP 2 : BAS E

1558902803 ANCHO POBLANO STRAT – 2-COLOR SUNBURST

1558902801 ANCHO POBLANO STRAT – WHITE BLONDE
 23
For more information go to fendercustomshop.com FE N DE R ® C U S TO M S H O P

03

SELECT AN
AGING STYLE
NEW OLD STOCK(NOS)

FE N DE R ® C U S TO M S H O P
SHOWN IN 1956 STRATOCASTER IN WHITE BLONDE

Models from the past that have survived to the present day looking brand new. An all-lacquer finish that looks as if it hasn’t aged at
all - as if you went back in time and bought it.

CLOSET CLASSIC
SHOWN IN LIMITED EDITION 1958 JAZZMASTER IN 2-COLOR SUNBURST

No real playing wear, but more subtle indications of the ages, such as a finish that has lost its sheen, mild discoloration of plastic
parts, metal hardware showing slight oxidation, “mild” finish checking and minor surface scratches on the body and headstock.

24

DLX CLOSET CLASSIC

SHOWN IN POST-MODERN TELECASTER IN FADED FIREMIST SILVER

Well taken care of and religiously polished throughout the years. The owner of this guitar took pride in keeping it clean and shiny.
Over time the finish started showing age and like a fine wine it evolved into something complex and refined. Moderate finish check-
ing, oxidation of hardware, and mild discoloration of parts give this finish its distinct look and feel.

S T EP 3 : AG ING S T YL E
 JOURNEYMAN RELIC®
FE N DE R ® C U S TO M S H O P

SHOWN IN 1959 JAZZMASTER IN AGED FIESTA RED

Handed down or changed hands through the years, but mostly played around the house, with the occasional jam session or week-
end gig. Has been well taken care of over the years but has finish checking, some “friendly” down-to-the-wood nicks and dings,
dullish hardware, and moderate playing wear—a very lucky find.

RELIC®
SHOWN IN 1960 STRATOCASTER IN AGED DAPHNE BLUE

The Authentic worn-in wear of a guitar that has experienced many years of regular use in clubs and bars. Marks that tell a story,
finish checking all over the body; scars dings and dents from bridge to headstock.

25

HEAVY RELIC®
SHOWN IN 1953 TELECASTER IN BUTTERSCOTCH BLONDE
For more information go to fendercustomshop.com

The heaviest of the relic treatments, designed to evoke decades of the most punishing play and touring. From serious dinged and
wear to intensely discolored hardware and finish, the true battle-hardened workhorse.
 FE N DE R ® C U S TO M S H O P
26

S T EP 3 : AG ING S T YL E

LIMITED EDITION '61 STRAT® HEAVY

RELIC®, AGED VINTAGE WHITE OVER
3-COLOR SUNBURST - 9231013161
 27
For more information go to fendercustomshop.com FE N DE R ® C U S TO M S H O P

04

SELECT
YOUR OPTIONS
 FE N DE R ® C U S TO M S H O P
TONEWOOD OPTIONS
BODY WOOD OPTIONS

ALDER ASH MAHOGANY

A fantastic tone wood long used by Fender Strong and dense, ash is a longtime A dense, dark tone wood that yields warm
for it’s electric guitar bodies, alder is noted Fender classic for electric instrument bodies tone and midrange bite, mahogany is
for bright, balanced and resonant tone with Notably resonant and sweet sounding, it’s a great option that adds a unique and
pronounced upper midrange, excellent characterized by well-defined midrange complex sonic and visual twist to your build.
sustain and sharp attack. It also features and strong low end.
large, swirling grain patterns.

28

ROASTED ASH OKUME ROASTED ALDER

Strong and ultra-stable, a roasted ash body A warm-sounding tone wood with figured The roasting process will darken the wood
is a thing of beauty. Not only does the grain patterns that make it an excellent while keeping it very stable and durable. As
roasting process accentuate the figuring of choice for a guitar body spread. with a slab of wood that has dried over the
the wood, it also crystallizes the sap, giving years, the properties change slightly and
it the sound of old wood. add to the richness and depth of tone.
S T EP 4 : OP T I ONS
 QUILT/FLAME TOP OPTIONS
FE N DE R ® C U S TO M S H O P

QUILT MAPLE TOP AA FLAME MAPLE TOP AAA FLAME MAPLE TOP
A beautifully figured wood, quilt maple AA flame maple features tiger-like striping AAA flame maple sorts a more intense
works especially well with transparent and in the wood grain. Many believe that this is concentration of figuring than AA Flame.
natural finishes that allow the flowing grain caused by the tree swaying in the wind, the The bold stripes are always a beautiful
to show through. minerals in the ground and other ephemeral touch in natural and transparent finishes.
variables. We aren’t positive about that, but
we do know it provides a strikingly beautiful
look to any instrument neck or body.

29

SPALTED MAPLE KOA MAPLE BURL

Spalted maple combines excellent strength Beautiful and highly stable tone-wood Highly figured maple top used on our Artisan
and bright, crisp tone with incredibly prized for it’s resonance, workability and models with a gorgeous marbled swirl.
unique and captivating figured lines and attractive figure.
streaks to give your instrument an elegant
look and sound.
For more information go to fendercustomshop.com
NECK WOOD OPTIONS

FE N DE R ® C U S TO M S H O P
MAPLE NECK FLAME MAPLE BIRDSEYE MAPLE
Light in color, with a bright, chimey tone, With its strong, vibrant figure, flame maple Small round figuring in the wood which
maple is favorite amongst many Fender is one of our favorite ways to liven up the produces small “birdseye” markings. Used
players for its look, feel and tone. look of a maple neck. on many Custom Shop guitars, a birdseye
maple neck will add a unique and striking
look to your guitar.

30

ROASTED MAPLE NECK ROSEWOOD NECK ROASTED FLAME

Roasted maple creates an aged and dark Darker in color and warmer in tone than MAPLE
look to the wood as well as making it more maple, rosewood can be specially sorted
Roasting maple brings out the figure and
resonant and slightly lighter in weight. for a darker color. In 1959, all Fenders were
creates a caramelized dark tiger striping.
outfitted with rosewood fingerboards, which
was a significant departure from the look
and tone of the previous maple boards.

NECK TINT OPTIONS

S T EP 4 : OP T I ONS

LIGHT TINT MEDIUM TINT DARK TINT

 31
For more information go to fendercustomshop.com FE N DE R ® C U S TO M S H O P

SELECT A
COLOR OPTION
 FE N DE R ® C U S TO M S H O P
00 3 COLOR SUNBURST 01 WHITE BLONDE 02 LAKE PLACID BLUE 03 2 COLOR SUNBURST

04 DAPHNE BLUE 05 OLYMPIC WHITE 06 06 | BLACK 07 VINTAGE BLONDE

08 OCEAN TURQUOISE 09 CANDY APPLE RED 12 RED SPARKLE 13 BLUE SPARKLE

15 HOT ROD RED 17 SILVER SPARKLE 18 GOLD SPARKLE 19 SAGE GREEN METALLIC

32

20 AMBER 21 NATURAL 22 SUNSET ORANGE TRANS 23 PEARL WHITE

24 INCA SILVER 25 25 | CHROME RED 26 VIOLET 27 SAPPHIRE BLUE TRANS

28 CRIMSON BURST 29 BLUE AGAVE 30 CHERRY SUNBURST 31 AGED CHERRY SUNBURST

32 BROWN SUNBURST 33 VIOLIN BURST 34 AGED NATURAL 36 BLUE BURST

S T EP 4 : OP T I ONS

37 ANTIQUE BURST 38 CRIMSON TRANS 39 EBONY TRANS 40 FIESTA RED

FE N DE R ® C U S TO M S H O P

41 VINTAGE WHITE 42 MERCEDES BLUE 43 PEWTER 44 SHORELINE GOLD

45 TEAL GREEN METALLIC 46 SHERWOOD GREEN MET. 47 SIENNA SUNBURST 48 TEAL GREEN TRANS

49 SEA FOAM GREEN 52 TOBACCO BURST 53 FIRE MIST GOLD 54 DAKOTA RED

55 FROST WHITE 56 SHELL PINK 57 SURF GREEN 58 TORINO RED

33

59 BLACK PEARL 60 EMERALD GREEN TRANS 61 BING CHERRY TRANS 62 COBALT BLUE TRANS

63 GRAFFITI YELLOW 66 BURGUNDY MIST MET. 67 HONEY BLONDE 68 LIME GREEN

For more information go to fendercustomshop.com

70 CADIUM ORANGE 71 CANDY GREEN 72 SONIC BLUE 73 MIDNIGHT BLUE

74 AQUA MARINE METALLIC 75 MIDNIGHT WINE 76 MIDNIGHT PURPLE 77 FROST RED

78 AZTEC GOLD 79 FROST GOLD 81 SURF PEARL 82 CANDY TANGERINE

 FE N DE R ® C U S TO M S H O P
83 BLUE ICE METALLIC 84 COPPER 85 BRIGHT AMBER MET 86 BRIGHT SAPPHIRE MET.

87 COBALT BLUE METALLIC 88 DESERT SUNSET 89 DESERT SAND 90 BALTIC BLUE

92 WALNUT 93 PURPLE METALLIC 94 PURPLE TRANS 95 | AGED VINTAGE WHITE

96 ORANGE 97 CHOCOLATE 3 TONE SB 98 HLE GOLD 99 NOCASTER BLONDE

34

BG BRITISH RACING GREEN BT BUTTERSCOTCH BLONDE CF CHARCOAL FROST MET CR CIMARRON RED

CS CHARTREUSE SPARKLE DB DIRTY WHITE BLONDE HB HONEY BURST MS MAGENTA SPARKLE

OS ORANGE SPARKLE PS PURPLE SPARKLE SR SEMINOLE RED SS SEAFOAM GREEN SPARKLE

TT TAOS TURQUOISE • YOUR COLOR • YOUR COLOR AGED • YOUR COLOR FADED
*Example shown in Adds a golden tint to Creates the look of a color that
Fiesta Red. simulate aging. has faded over time.
S T EP 4 : OP T I ONS
 35
For more information go to fendercustomshop.com FE N DE R ® C U S TO M S H O P

SELECT A
NECK SHAPE
 #1 ʼ52 STYLE “U” #8Fret
1st ’60 J BASS “U” 12th Fret 1st Fr
1st Fret 12th Fret 1st
1st Fret 12th Fret 1st Fret 12th Fret
2th Fret 1st
1st Fret
Fret 12th
12th Fret
Fret 1st Fret 12th Fret 0.82
0.82
GUITAR NECK SHAPES 0.790

FE N DE R ® C U S TO M S H O P
0.990 0.990
0.820 0.870 0.82
0.85
0.990
0.990 0.990
0.990 0.790
0.790 0.990
0.990
0.850
0.790 0.940
0.990 0.990
0.990 0.990
#1 ʼ52 STYLE “U” #19
#1
#8
1st
#19 MODERN “C” #2
#2
#1 ʼ52 STYLE “U” #8 ’60 J BASS “U” 1st
#2
#8 ʼ57
1st Fret STYLE
’60 SOFT
J BASS “U”“V”12th Fret 1st Fret
#12 12th Fret 1st Fr
1st Fret ʼ51 P BASS “U” 12th Fret 1st
0.82
1st Fret 12th Fret 1st Fret 12th Fret
2th Fret 1st
1st Fret
Fret 12th
12th Fret
Fret 1st Fret 12th Fret 0.85
0.85
0.990 0.990 0.790
0.850 0.990 0.940
0.990 0.92
0.88
0.850 0.890
0.850
0.850 0.940
0.940
0.990
0.990 0.990
0.990
0.790 0.930 0.850 0.910
#1
0.990 0.940 0.990
#1 ʼ52 STYLE “U” #8 ʼ57
#2 ’60 J BASS
STYLE “U”“V”
SOFT #2
#12
1st
#2
#3
#2 ʼ57 STYLE SOFT “V” #20 MODERN “V”
#12 ʼ51 P BASS “U” 12th 1st
#3
1st Fret ʼ60 STYLE OVAL “C”12th Fret #13
1st
1st Fret
Fret 1969 “U” 12th Fret
Fret 1st Fr
#12 ʼ51 P BASS “U” 1st Fret 12th Fret 1st
1st
0.85
1st Fret 12th Fret 1st Fret 12th Fret
2th Fret 1st Fret
1st Fret
0.850 12th Fret
12th Fret 1st Fret 12th Fret 0.88
0.88
0.990 0.790
0.940 0.930
0.990 0.850
0.880 0.82
0.82
0.790
0.790 0.980
0.930
0.930 0.850
0.850 0.910
0.910
0.930 0.850
#2
0.925 0.990
0.910 0.950
#2 ʼ57 STYLE SOFT “V” #3
1.000
#2
#12 ʼ60 STYLE
ʼ51 OVAL
P BASS
10/56 “U”“C”
“V”
#13
#2
#3
1st
#23
#3 ʼ60 STYLE OVAL “C” #13 1969 “U”
1st Fret 1st
#13
#6 ʼ57 BASS “U” “V”12th Fret
1969 SOFT 1st Fret
1st Fret
#14 1951 “U”
12th
12th Fret
Fret 1st Fr
1st
1st Fret 12th Fret 360.88
1st Fret 12th Fret 1st Fret 12th Fret
2th Fret 1st Fret
0.790 12th0.930
Fret 1st Fret
0.850 12th0.910
Fret 0.82
0.82
0.925 0.990 0.950
0.820 0.79
0.82
0.910
0.925
0.925 0.990
0.990 0.950
0.950 1.000
1.000 #2
0.790
0.990 0.950
#3 ʼ60 STYLE OVAL “C”
0.990
1.000
0.875
#13 1969 “U” 0.950 #2
#6
#26 ʼ57 CCBASS SOFT
JAZZ “V”
BASS #14
1st
#4
#2
#6
1st Fret ʼ57 BASS SOFT “V”12th Fret #14
1st
4 STRING
1951 “U” “C” 12th Fret
1st Fret
Fret 12th Fret 1st1st
Fr
#7
#14 ʼ60 P 1951
BASS OVAL
“U” “C” #18
1st Fret LARGE “C” 12th Fret 1st
0.82
1st Fret 12th Fret 1st Fret 12th Fret
12th Fret 1st Fret
0.925 12th0.990
Fret 0.790
0.79
0.79
0.950 1.000
0.990 0.875
1st Fret 12th FretFret 1st1st
Fret
0.790 12th FretFret 0.83
0.84
1st Fret
0.790
0.790 12th
0.990
0.990 0.875
0.875
Fret 12th 0.970
0.950
0.950
#2
2th FretFret
12th
0.990 0.875
#6 ʼ57 BASS SOFT “V”
0.950
#14 ʼ60 P 1951
0.820 “U” “C”0.974 #2
0.820
0.820 0.870
0.870 #70.820
#28 BASS
ʼ59OVAL
“C” 0.974 #18
1st
#5
#5
0.990
0.990
#7
1st Fret ʼ60 P BASS OVAL “C”
12th Fret #18
1st Fret LARGE “C” 12th Fret 1st
” #18 LARGE “C” #29
1st Fret ʼ65 STRAT “C” 12th Fret 0.79
#19
#19 MODERN
MODERN“C”
“C” #29 ʼ65 STRAT “C”
0.790 0.83
0.8
S T EP 4 : OP T I ONS

0.990 0.875
1st1st
FretFret 12th Fret
12th Fret 1st1st
FretFret 12th Fret0.950
12th Fret
0.830
1.00
th FretFret
#2
12th
0.925
0.850
#7 0.850 ʼ60 P BASS OVAL “C” 0.890
0.890
0.925
#18 LARGE “C” 0.950
0.950 #5
1st
#59 ʼ63 “C”
0.990
0.990

#20 MODERN “V” #30

#30 ʼ55
ʼ55P BASS
P BASSSOFT
SOFT“V”
“V” 0.8
 #8Fret
#29
1st ’60 JSTRAT
ʼ65 BASS “C”
“U” 12th Fret 1st
#20FretFret
1st MODERN “V” 12th FretFret
12th 1st Fret
#12 ʼ51 P BASS “U” 1st Fret 12th Fret 1st Fret
Fret
th
2th Fret
Fret 1st
#12 Fret
Fret ʼ51 P BASS “U”
1stFret 12th
12th Fret
Fret 1st 12th Fret
Fret 1st Fret 12th Fret 1st Fret
et 1st0.820
Fret 12th Fret
GUITAR NECK SHAPES (CONT.)
0.820 0.925
FE N DE R ® C U S TO M S H O P

0.870 0.850 0.974

0.890
et 1st Fret 12th Fret 0.880 0.980 0.820
0.870 0.820 0.974
.990
0.990 0.925
0.940 0.990 0.880
0.950 0.980 0.820
0.890
30 0.850 0.910
#19 MODERN “C” #29 ʼ65 STRAT “C” #30
30 0.850 0.910 #20 MODERN
10/56 “V”“V” #36
#23
#29 ʼ65 STRAT “C” 12th Fret #36
#30
1st Fret ʼ55
#12 P BASS
ʼ51 P BASSSOFT
“U” “V” 1st
#23FretFret
1st 10/56 “V” 12th FretFret
12th 1st Fret
#13 1969 “U” 1st Fret
1st Fret
Fret 12th Fret
Fret 1st Fret 12th Fret
Fret
th Fret
th Fret #13
1st 1969 “U” 12th
1st Fret
Fret 1st Fret 12th Fret 1st Fret
0.925 12th Fret
ret 1st0.850
Fret 12th Fret
0.890 0.880 0.950
0.980 0.820

ret 1st 0.925

Fret 12th Fret 0.820 0.820
990 0.850 0.950 0.910
0.930
0.890 0.910
0.820 0.820 0.820
.980 0.910
90
#20
0.950
MODERN “V”
0.900
1.000 #30
#23 ʼ55 P10/56
BASS SOFT
“V” “V” #36
90
#30
0.950
ʼ55 1969
P BASS“U”
SOFT “V”1.000 #26 CC JAZZ BASS #40
#13
1st Fret 12th Fret 1st Fret 4 STRING “C”12th Fret
#36 JAGUAR / #26
1st Fret CC JAZZ BASS 12th Fret #40
1st Fret
Fret
th Fret #14
1st
JAZZMASTER
1951 “U” “C” 12th Fret 4 STRING “C” 12th Fret
2th Fret 1st Fret
Fret 12th Fret 1st Fret 1st Fret
Fret #14
1st Fret
0.880 1951 “U” 12th Fret
0.980 0.820
1st Fret
0.820 12th
0.900Fret 1st Fret
0.820
ret 1st Fret 12th Fret 0.910

ret
.910
0.980 1st 0.820
Fret 12th Fret
0.900 0.790 0.840
0.990 0.950 1.000 0.970
0.910
0.820
#23 10/56 “V” 0.970 #36
0.790 JAGUAR /
#26 JAZZMASTER 0.840
90 0.875 0.950 CC JAZZ BASS
“C”
0.970
#40
#36
0.875 JAGUAR / 4 STRING “C”
90
#14
1st Fret JAZZMASTER
0.950
1951 “U” “C” 12th Fret #28
1st Fret ʼ59 “C” 12th Fret #51
1st Fret 12th Fret 1st Fret
#40 ʼ75 JAZZ BASS #28 ʼ59 “C” #51
Fret
h Fret
2th
37
Fret #18 1st Fret
1st Fret LARGE “C” 12th Fret
12th Fret 1st Fret 12th Fret
0.820
Fret #180.820
1st Fret LARGE “C” 0.910
12th Fret 0.790
1st Fret
0.970
12th Fret
0.970
0.840

0.820 0.970
0.910
000 0.875 0.830
0.990 0.950 1.00
#26
0.840 CC JAZZ BASS #40
0.830 ʼ75 JAZZ BASS
0.970
4 STRING “C” 0.960 #28 ʼ59 “C” 1.00 #51 ʼ
#40 ʼ75 JAZZ BASS
#18
1st Fret LARGE “C” 12th Fret 1st#59
Fret ʼ63 “C” 12th Fret
1st Fret 12th Fret
FretFret
th
#51
1st Fret
ʼ66 STRAT OVAL “C”12th Fret #59 ʼ63 “C”
0.790 0.840
0.970 0.830 0.960
Fret 1.00

950 0.840
0.970 0.960
For more information go to fendercustomshop.com

#28 ʼ59 “C” #51

#59ʼ66 STRAT
ʼ63OVAL
“C” “C”
1.00
#51 ʼ66 STRAT OVAL “C”
1st Fret 12th Fret

th Fret
0.830
1.00

1.00

#59 ʼ63 “C”

 1st

1st Fret 12th Fret 1st Fret

1st Fret
0.925 12th0.990
12th Fret
Fret 1st Fr
BASS NECK SHAPES
0.950

FE N DE R ® C U S TO M S H O P
0.82
h Fret 1st Fret 12th Fret
0.990 0.990 0.790 0.990 0.820
0.820 0.870
#6 ʼ57 BASS SOFT “V” #14
1st Fret 12th Fret 1st
0.990 0.790 0.990 #19
1st Fret
1st Fret 12th
12th Fret
Fret 1st1st
Fre
2th Fret #1
1st Fret ʼ52 STYLE “U” 12th Fret #8 ’60 J BASS “U” #29
2th Fret 1st Fret 12th Fret
#19
0.820
MODERN “C” 0.870
1st
0.82
1st Fret 12th Fret 1st Fret 12th Fret
#8
1st Fret ’60 J BASS “U” 12th Fret 1st Fret
0.790
1st Fret
0.820 12th Fret
12th0.990
Fret
0.870 1st0.82
Fr
0.790 0.875
0.990 0.990
12th Fret 0.85
2th Fret 1st Fret 12th Fret
h Fret
0.990 1st0.790
Fret 12th Fret
0.990 0.820 #2
0.820
0.850
0.870
#19
0.940 MODERN “C” 0.974 0.925
0.990 0.850
#19 MODERN “C”
0.990
0.890 #2
0.990 #8
0.820 ’60 J BASS “U” 0.974
#71st Fretʼ60 P BASS OVAL “C” 12th Fret #18
1st
0.870
0.990 #8
0.940
’60 J BASS “U” 0.990 #2
#19 #29
1st Fret ʼ65 STRAT “C” 12th Fret 1st
2th Fret #2
1st Fret ʼ57 MODERN
STYLE SOFT“C”
“V”12th Fret #30
#12
#20 ʼ51 P BASS“V”
MODERN “U” 1st 0.92
2th Fret 1st 1st
FretFret 12th
12thFret 0.850
1st Fret 12th Fret
#29 ʼ65 STRAT “C” Fret 0.890
0.92
#12
1st Fret ʼ51 P BASS “U” 12th Fret 1st Fret
1st0.850
Fret 12th Fret
12th Fret
0.890 1st Fr
12th Fret
0.990 0.940 0.990 0.88
2th Fret 1st Fret 12th Fret 0.925
h Fret
0.990 1st0.940
Fret
0.850
0.790
12th Fret
0.990
0.890
#20 MODERN “V”
0.950 #3
0.930 0.850
0.990
0.880
#20 MODERN “V”
0.910
0.980 0.820 #3
0.890
#12
0.925
ʼ51 P BASS “U” 0.950 1st Fret 12th Fret #2
1st
0.930 0.850
#12 #20 ʼ51 P BASS “U”
MODERN “V”
0.910 #30
1st Fret
ʼ55 P BASS SOFT “V”
12th Fret 1st
2th Fret #3Fret ʼ60 STYLE OVAL “C”12th Fret
1st #13
#23 1969 “U”
10/56 “V” #36
2th Fret 1st1st
FretFret 12thFret
12th Fret 1st Fret
0.880 12th Fret 381st
#30
#13 ʼ551969
P BASS
“U”SOFT “V”
0.980 0.82

1st Fret 12th Fret 1st0.880

1st Fret
Fret 12th Fret
12th Fret
0.980 1st0.82
Fr
12th Fret
0.930 0.850 0.910
0.82
2th0.930
Fret 1st0.880
Fret 12th0.910
Fret
h Fret 0.850
1st Fret 0.980
12th Fret
0.820
#23 10/56 “V” 0.900 #3
0.910
0.925 0.990 0.820
#23
0.950 10/56 “V” 1.000
0.910
0.820 #3
#13 1969 “U” #2
0.980 0.820
#23 10/56 “V” 0.900 #36
1st Fret JAGUAR / 12th Fret 1st
0.990 #13
0.950 1969 “U” 1.000 JAZZMASTER “C” 12th Fret 1st
1st Fret
2th Fret 1st Fret
#6 Fret ʼ57 BASS SOFT “V”12th Fret #26
#14 CC JAZZ“U”
1951 BASS #40
1st Fret
2th Fret 1st1st
#36 Fret JAGUAR / 12th Fret
12th Fret 0.820 4 STRING “C” 12th Fret0.910 1st 0.82

#14
1st Fret JAZZMASTER
1951 “U” “C” 12th Fret 0.820
1st 0.82
12th Fret
0.990 1st Fret
Fret 12th
12th Fret
0.910
Fret 1st Fr
0.950 1.000 0.820 0.79
2th0.990
Fret 1st0.820
Fret 12th Fret
0.910 0.970
h Fret 1st0.950
Fret 12th Fret
1.000 #26 CC JAZZ BASS #4
1.000
0.790
0.990 #26
0.875
0.790 4 STRING
CC “C”
JAZZ BASS 0.950
0.970 #4
0.840

0.910
#26
#14
0.820 1951
CC “U”BASS
JAZZ 0.970 #40 4 STRING “C”
1st Fret ʼ75 JAZZ BASS 12th Fret #2
1st
0.875
0.990
#14 4 STRING
1951 “U” “C” 0.950
1st Fret 12th Fret 1st
2th Fret 1st Fret 12th Fret
#71st Fretʼ60 P BASS OVAL “C” 12th Fret #28
#18
1st Fret ʼ59 “C”
LARGE “C” 12th Fret #51
1st
12th Fret 1st Fret 0.790
#40 ʼ75 JAZZ BASS 12th Fret 0.970
0.84
12th Fret #18 LARGE “C” 0.790 0.84
1st Fret 0.970
12th Fret
S T EP 4 : OP T I ONS

0.990 0.875
0.790 0.950 0.840
0.970 0.960 0.83
2th0.990
Fret 1st Fret
0.875 12th Fret
0.950
#28 ʼ59 “C” #5
0.950 0.830
#28 ʼ59 “C” 1.00 #5
” 0.970
#18#28
0.840 ʼ59 “C”
LARGE “C” 0.960
#51
1st Fret ʼ66 STRAT OVAL “C” 12th Fret #5
” #18 LARGE “C” 1st Fret 12th Fret
1st Fret 12th Fret #59 ʼ63 “C”
0.830
FE N DE R ® C U S TO M S H O P

39

SELECT A
FRET WIRE
For more information go to fendercustomshop.com

Custom Shop frets are made from only the highest quality nickel, and can be made in a
variety of different heights and thicknesses. Larger frets tend to account for easier string
bending. Smaller frets are “true to vintage” in many cases, and facilitate easier chording.

Medium jumbo frets are designed to be the perfect marriage between small vintage frets
and modern jumbo frets. Keep the following examples in mind when choosing the frets
that you want on your guitar.
 FE N DE R ® C U S TO M S H O P
VINTAGE MEDIUM VINTAGE MEDIUM JUMBO
45085 47095 6150
H: 0.045” H: 0.047” H: 0.047”
W: 0.085” W: 0.095” W: 0.104”
Our smallest wire, slightly larger Slightly lower than 6105. A popular middle of the road
than Fender’s original wire. wire, not too wide, not too tall.

*Also available in Stainless Steel

on Master Built guitars only. 40

NARROW TALL JUMBO

6105 6100
H: 0.055” H: 0.057”
W: 0.095” W: 0.110”
Our most popular wire. A good Our largest wire that gives an
alternative if vintage wire feels almost scalloped feel.
too small for you.
*Also available in Stainless Steel
on Master Built guitars only.
S T EP 4 : OP T I ONS
FE N DE R ® C U S TO M S H O P

41

SELECT A
PICKUP OPTION
For more information go to fendercustomshop.com

Hand-Wound: True to Fender history prior to 1965, hand-wound or “scatter-

wound” pickups are distinctly unique in character. Each pickup has its own subtle
nuances and personalized character which is what made the original Fender
pickups so sought after and prized.

Machine Wound: Each pickup is consistent and even in winds making each one
sound and respond relatively the same. Though most of the Custom Shop pickups
are hand-wound, some players prefer the consistency of machine-wound pickups,
so we are happy to offer both options.
STRATOCASTER PICKUPS

FE N DE R ® C U S TO M S H O P
‘50S STRAT FAT ‘50S STRAT ‘60S STRAT
Crafted to faithfully replicate the cutting 1950s Stratocaster sound you know and Classic 1960s design with alnico 2 magnets,
tones reminiscent of 1950s Stratocaster® love. Hot-rodded wiring design delivers formvar wire and a vintage stagger. Strat
guitars. Alnico 5 magnets, vintage stagger enhanced bass response and an extra shot sound with glistening highs and warm
and formvar wire. of 21st-century attitude. punchy lows.

42

TEXAS SPECIAL™ STRAT DUAL-MAG STRAT EL DIABLO STRAT

Characterized by their midrange chirp, Vintage style calibrated pickup set with Overwound and dipped in the special sauce
crystalline highs and tight bass, Fender unbeveled alnico 5 magnets on the bass side for a big open sound. Slightly hotter than
Texas Special™ Strat pickups feature an and beveled alnico 2 magnets on the treble. the Ancho Poblanos with calibrated alnico 5
overwound single-coil construction that The two magnet types create balance and pickups with custom low G (middle and neck)
produces big Texas-blues tone. consistency in tone and allow for improved and flush with high D (bridge) pole pieces.
clarity string to string.

ANCHO POBLANO VINTAGE NOISELESS™ TOMATILLO STRAT

STRAT STRAT Cousins to the Ancho Poblanos, dipped in
S T EP 4 : OP T I ONS

Simmered in a secret Custom Shop sauce Produce all the brilliant clarity, definition and the same secret sauce. Alnico 2 magnets will
and then individually calibrated from neck harmonic attributes of vintage single-coil simulate what an older alnico 5 might sound
to bridge. Uniquely overwound by hand Strat tone without the hum. like today for a sweeter more flavorful tone.
for a wide range of high-output tones—from
blistering-hot output to sizzling vintage
warmth—with plenty of tonal flexibility.
 TELECASTER PICKUPS
FE N DE R ® C U S TO M S H O P

‘51 TELE/NOCASTER ‘51 LOADED NOCASTER ‘56/’57 TELECASTER

Created with the original design in mind to Extra winds of #43 gauge enamel wire give An accurate1:1 recreation of the Tele pickups we
accurately mimic the twang and shimmer of these pickups fat, juicy tone. Perfect for driving constructed during ‘56/’57. These pickups have
the originals. These period-correct single- a preamp into gritty overdrive, these high-output all the grunt and snarl of the originals, thanks to
coil pickups impart tight low end and clear, pickups burn with vintage-inspired tone, thanks the unbeveled, staggered alnico 5 magnets and
balanced midrange. to the bridge pickup’s alnico 3 magnets and enamel-coated wire.
neck pickup’s alnico 5 magnets.

‘63 TELE ‘67 TELE TWISTED TELE TEXAS SPECIAL TELE

43 A true replication of the original Lower output Tele pickups with High-output Telecaster guitar tone Fender Custom Shop Texas Special
’63 Tele Pickups with all the bite Grey bobbins and copper with a dash of sparkling Tele pickups are built to produce
and warmth to spare. Alnico 2 baseplate with a vintage stagger, Stratocaster® guitar character. blistering hot output, along with
Magnets, vintage stagger and alnico 5 magnets and enamel wire noticeable presence and midrange.
enamel wire. for crystal clear Tele twang.

BASS PICKUPS
For more information go to fendercustomshop.com

‘64 JAZZ BASS ‘75 JAZZ BASS NOISELESS JAZZ BASS HAND WOUND P-BASS
These vintage-style pickups Vintage bobbin construction, Alnico Fender Noiseless Jazz Bass pickups Alnico 5 magnets and enamel wire,
produce warm, clear and articulate 5 magnets, flush mounted pole produce all the brilliant clarity, hand-wound just like we did in the
tone, with great low-end definition, pieces and enamel wire provide definition and harmonic attributes of ‘50s and ‘60s. The most iconic bass
up-front midrange punch and warm tones, enhanced dynamics a vintage Jazz Bass without the hum. pickup in the world.
singing high end. and even string response.
HUMBUCKER PICKUPS

FE N DE R ® C U S TO M S H O P
SHAWBUCKER CuNiFe WIDE RANGE
Full of multi-dimensional tone with well- The look of the famous Fender pickup design of
defined overtones, this open-coil pickup the early 1970s with period correct magnets, as
complements and balances your guitar’s used on original-era Telecaster Thinline, Telecaster
natural voice while playing well with other Custom and Telecaster Deluxe models.
pickup designs.

P-90 PICKUPS

44

CSP-90
CSP-90 This classic design sings with pure Fender
tone, bringing clear articulation to every note you
play, from delicately nuanced cleans to snarling,
spitting means.

S T EP 4 : OP T I ONS
 FE N DE R ® C U S TO M S H O P

45
For more information go to fendercustomshop.com

SELECT A
WIRING OPTION
STRATOCASTER WIRING

FE N DE R ® C U S TO M S H O P
POS 1 POS 2 POS 3

3 WAY SELECTOR SWITCH

POS 1 - BRIDGE PICKUP (NO TONE FUNCTION)
POS 2 - MIDDLE PICKUP
POS 3 - NECK PICKUP

MASTER VOLUME

TONE CONTROL T 1 (NECK PICKUP)

TONE CONTROL 2 (MIDDLE PICKUP)

VINTAGE STRAT w/3 WAY SWITCH
3 SINGLE COIL PICKUPS

POS 1 POS 2 POS 3 POS 4 POS 5

5 WAY SELECTOR SWITCH

POS 1 - BRIDGE PICKUP
POS 2 - BRIDGE & MIDDLE PICKUP 46
POS 3 - MIDDLE PICKUP
POS 4 - NECK & MIDDLE PICKUP
POS 5 - NECK PICKUP

MASTER VOLUME

TONE CONTROL (NECK PICKUP)

POS 4, 5
MODERN STRAT w/5 WAY SWITCH TONE CONTROL (MIDDLE / BRIDGE PICKUP)
3 SINGLE COIL PICKUPS POS 1, 2, 3

POS 1 POS 2 POS 3 POS 4 POS 5

5 WAY SELECTOR SWITCH

POS 1 - BRIDGE PICKUP
POS 2 - BRIDGE & MIDDLE PICKUP
POS 3 - MIDDLE PICKUP
POS 4 - NECK & MIDDLE PICKUP
POS 5 - NECK PICKUP

MASTER VOLUME

TONE CONTROL
POS 3, 4, 5
S T EP 4 : OP T I ONS

VINTAGE MODIFIED STRAT#1 TONE CONTROL (BRIDGE PICKUP)

w/5 WAY SWITCH AND 3 SINGLE COIL PICKUPS POS 1, 2,
FE N DE R ® C U S TO M S H O P

POS 1 POS 2 POS 3 POS 4 POS 5

5 WAY SELECTOR SWITCH

POS 1 - BRIDGE PICKUP
POS 2 - BRIDGE & MIDDLE PICKUP
POS 3 - MIDDLE PICKUP
POS 4 - NECK & MIDDLE PICKUP
POS 5 - NECK PICKUP

MASTER VOLUME w/TONE-SAVER BLEED

TONE CONTROL (NECK & MIDDLE PICKUP)

POS 2, 3, 4, 5
POS 1 POS 2 POS 3 POS 4 POS 5
VINTAGE MODIFIED STRAT#2 w/BLEED TONE CONTROL (BRIDGE PICKUP)
w/5 WAY SWITCH AND 3 SINGLE COIL PICKUPS POS 1, 2,
5 WAY SELECTOR SWITCH
POS 1 - BRIDGE PICKUP
POS 2 - BRIDGE & MIDDLE PICKUP
POS 3 - MIDDLE PICKUP
POS 4 - NECK & MIDDLE PICKUP
POS 5 - NECK PICKUP

MASTER VOLUME w/TONE-SAVER BLEED

TONE CONTROL (NECK & MIDDLE PICKUP)

POSPOS
2, 3,
1 4,POS
5 2 POS 3 POS 4 POS 5 POS 1 POS 2 POS 3 POS 4 POS 5

VINTAGE MODIFIED STRAT#2 w/BLEED TONE CONTROL (BRIDGE PICKUP)

w/5 WAY SWITCH AND 3 SINGLE COIL PICKUPS POS5 1,
WAY2, SELECTOR SWITCH 5 WAY SELECTOR SWITCH
POS 1 - BRIDGE PICKUP POS 1 - BRIDGE (BRIDGE/NECK w/BLENDER)
POS 2 - BRIDGE & MIDDLE PICKUP POS 2 - BRIDGE & MIDDLE (ALL 3 w/BLENDER)
POS 3 - MIDDLE PICKUP POS 3 - MIDDLE PICKUP
POS 4 - NECK & MIDDLE PICKUP POS 4 - NECK & MIDDLE (ALL 3 w/BLENDER)
POS 5 - NECK PICKUP POS 5 - NECK PICKUP (NECK/BRIDGE w/BLENDER)

MASTER VOLUME w/TONE-SAVER BLEED MASTER VOLUME w/TONE-SAVER BLEED

TONE CONTROL (NECK & MIDDLE PICKUP) MASTER TONE CONTROL

POS 2, 3, 4, 5 POS 1, 2, 3, 4, 5
POS 1 POS 2 POS 3 POS 4 POS 5
VINTAGE MODIFIED STRAT#2 w/BLEED TONE CONTROL (BRIDGE PICKUP) STRAT BLENDER w/5 WAY SWITCH BLENDER (NECK & BRIDGE PICKUP)
w/5 WAY SWITCH AND 3 SINGLE COIL PICKUPS POS 1, 2, 3 SINGLE COIL PICKUPS POS 1, 2, 4, 5
5 WAY SELECTOR SWITCH
POS 1 - BRIDGE (BRIDGE/NECK w/BLENDER) 7 PICKUP COMBINATIONS
POS 2 - BRIDGE & MIDDLE (ALL 3 w/BLENDER)
POS 3 - MIDDLE PICKUP
POS 4 - NECK & MIDDLE (ALL 3 w/BLENDER)
POS 5 - NECK PICKUP (NECK/BRIDGE w/BLENDER)

MASTER VOLUME w/TONE-SAVER BLEED

MASTER TONE CONTROL

POSPOS
1, 2,
1 3,POS
4, 52 POS 3 POS 4 POS 5 POS 1 POS 2 POS 3 POS 4 POS 5
47 BLENDER (NECK & BRIDGE PICKUP)
STRAT BLENDER w/5 WAY SWITCH
3 SINGLE COIL PICKUPS POS5 1,
WAY2, 4,SELECTOR
5 SWITCH 5 WAY SELECTOR SWITCH
7 PICKUP COMBINATIONS POS 1 - BRIDGE (BRIDGE/NECK w/BLENDER) POS 1 - BRIDGE (BRIDGE/NECK w/BLENDER)
POS 2 - BRIDGE & MIDDLE (ALL 3 w/BLENDER) POS 2 - BRIDGE & MIDDLE (ALL 3 w/BLENDER)
POS 3 - MIDDLE PICKUP POS 3 - MIDDLE PICKUP
POS 4 - NECK & MIDDLE (ALL 3 w/BLENDER) POS 4 - NECK & MIDDLE (ALL 3 w/BLENDER)
POS 5 - NECK PICKUP (NECK/BRIDGE w/BLENDER) POS 5 - NECK PICK (NECK/BRIDGE w/BLENDER)
MASTER VOLUME w/TONE-SAVER BLEED MASTER VOLUME w/TONE-SAVER BLEED
MASTER TONE CONTROL MASTER TONE CONTROL w/GREASEBUCKET
POS 1, 2, 3, 4, 5 POS 1, 2, 3, 4, 5
POS 1 POS 2 POS 3 POS 4 POS 5
STRAT BLENDER w/5 WAY SWITCH BLENDER (NECK & BRIDGE PICKUP) POS 1 POS
BLENDER 2 POS
(NECK 3 POS 4PICKUP)
& BRIDGE POS 5
POS 1, 2, 4, 5 STRAT BLENDER w/GREASEBUCKET TONE
3 SINGLE COIL PICKUPS 5 WAY SWITCH 3 SINGLE COIL PICKUPS POS 1, 2, 4, 5
7 PICKUP COMBINATIONS 5 WAY SELECTOR SWITCH
7 PICKUP COMBINATIONS 5 WAY SELECTOR SWITCH
POS 1 - BRIDGE (BRIDGE/NECK w/BLENDER)
POS 1 - BRIDGE (BRIDGE/NECK w/BLENDER)
POS 2 - BRIDGE & MIDDLE (ALL 3 w/BLENDER)
POS 2 - BRIDGE & MIDDLE (ALL 3 w/BLENDER)
POS 3 - MIDDLE PICKUP
POS 3 - MIDDLE PICKUP
POS 4 - NECK & MIDDLE (ALL 3 w/BLENDER)
POS 4 - NECK & MIDDLE
POS 5 - NECK PICK (NECK/BRIDGE w/BLENDER)
POS 5 - NECK PICK
MASTER VOLUME w/TONE-SAVER BLEED
MASTER VOLUME
MASTER TONE CONTROL w/GREASEBUCKET
MASTER TONE CONTROL
POSPOS
1, 2,
1 3,POS
4, 52 POS 3 POS 4 POS 5
POS 1, 2, 3, 4, 5
STRAT BLENDER w/GREASEBUCKET TONE BLENDER (NECK & BRIDGE PICKUP)
For more information go to fendercustomshop.com

FAT '50S STRAT 1/2 BLENDER BLENDER (NECK PICKUP)

5 WAY SWITCH 3 SINGLE COIL PICKUPS POS5 1,
WAY2, 4,SELECTOR
5 SWITCH
POS 1 - BRIDGE (BRIDGE/NECK w/BLENDER) 5-WAY SWITCH 3 SINGLE COIL PICKUPS POS 1, 2
7 PICKUP COMBINATIONS
POS 2 - BRIDGE & MIDDLE (ALL 3 w/BLENDER) 7 PICKUP COMBINATIONS
POS 3 - MIDDLE PICKUP
POS 4 - NECK & MIDDLE (ALL 3 w/BLENDER)
POS 5 - NECK PICK (NECK/BRIDGE w/BLENDER)

MASTER VOLUME w/TONE-SAVER BLEED

MASTER TONE CONTROL w/GREASEBUCKET

POS 1, 2, 3, 4, 5
STRAT BLENDER w/GREASEBUCKET TONE BLENDER (NECK & BRIDGE PICKUP)
5 WAY SWITCH 3 SINGLE COIL PICKUPS POS 1, 2, 4, 5
7 PICKUP COMBINATIONS
 FE N DE R ® C U S TO M S H O P
POS 1 POS 2 POS 3 POS 4 POS 5

5 WAY SELECTOR SWITCH

POS 5 - NECK PICKUP
POS 4 - NECK & MIDDLE PICKUP
POS 3 - MIDDLE PICKUP
POS 2 - BRIDGE & MIDDLE PICKUP
POS 1 - BRIDGE PICKUP
10

MASTER VOLUME
9

8
VOLUME

7
2
3

6
10
4 5 9

TONE CONTROL (NECK PICKUP)

8
TONE

7
2
POS 4, 5
3

6
4 5
10
9

8
H-S-S STRATOCASTER TONE
TONE CONTROL (MIDDLE / BRIDGE PICKUP)

7
2
3

6
5

POS 1, 2, 3, 4
4

POS 1 POS 2 POS 3 POS 4 POS 5

5 WAY SELECTOR SWITCH

POS 5 - NECK PICKUP
POS 4 - NECK & MIDDLE PICKUP
POS 3 - MIDDLE PICKUP
POS 2 - BRIDGE & MIDDLE PICKUP
POS 1 - BRIDGE PICKUP
10

MASTER VOLUME
9
8

VOLUME
POS 1 POS 2 POS 3 POS 4 POS 5 POS 1 POS 2 POS 3 POS 4 POS 5
1

7
2

3
6

10
4 5 9

TONE
WAYCONTROL
SELECTOR(NECK PICKUP)
8

TONE
5 SWITCH 5 WAY SELECTOR SWITCH
1

7
2

POS 5
4,-5NECK PICKUP
3
6

4 5
10
9 POS POS 1 - BRIDGE PICKUP
POS
TONE4 CONTROL
- NECK & MIDDLE
(MIDDLEPICKUP POS 2 - BRIDGE & MIDDLE PICKUP
8

H-S-S STRATOCASTER TONE

/ BRIDGE PICKUP)
1

7
2

POS
POS 3
1,-2,MIDDLE
3, 4 PICKUP POS 3 - MIDDLE PICKUP
3
6

4 5

POS 2 - BRIDGE & MIDDLE PICKUP POS 4 - NECK & MIDDLE PICKUP
POS 1 - BRIDGE PICKUP POS 5 - NECK PICKUP
10 10
9

MASTER VOLUME
9

MASTER VOLUME

8
8

VOLUME VOLUME

1
1

7
7

2
2

6
3 5
10
6

4 5
10
9 4 9

TONE CONTROL (NECK PICKUP)

8
TONE CONTROL (NECK PICKUP)
8

TONE TONE

1
1

7
7

2
POS 4, 5
2

POS 4, 5

6
3 5
6

4 5 4

10 10
9 9

TONE CONTROL (MIDDLE / BRIDGE PICKUP)

8
8

H-S-S STRATOCASTER TONE

TONE CONTROL (MIDDLE / BRIDGE PICKUP)
TONE

1
H-S-H STRATOCASTER
1

7
7

POS 1, 2, 3

2
2

6
3 5
6

5 4

POS
POS 11, POS
2, 3,24 POS 3 POS 4 POS 5
4

5 WAY SELECTOR SWITCH

POS 1 - BRIDGE PICKUP
POS 2 - BRIDGE & MIDDLE PICKUP
POS 3 - MIDDLE PICKUP
POS 4 - NECK & MIDDLE PICKUP
POS 5 - NECK PICKUP
10
9

MASTER VOLUME
8

VOLUME
POS 1 POS 2 POS 3 POS 4 POS 5
1

7
2

3
6

10
4 5 9

TONE CONTROL (NECK PICKUP) POS 1 POS 2 POS 3

48
8

TONE
1

5 WAY SELECTOR SWITCH

7
2

POS 4, 5
3
6

4 5
10
9
POS 1 - BRIDGE PICKUP 3 WAY SELECTOR SWITCH
TONE2 CONTROL
- BRIDGE &(MIDDLE
MIDDLE/PICKUP
BRIDGE PICKUP)
8

TONE
POS
1

H-S-H STRATOCASTER POS 1 - BRIDGE PICKUP

7

POS
POS 1,
3 -2,MIDDLE
3
2

PICKUP
6

4 5

POS 2 - BRIDGE & NECK PICKUP

POS 4 - NECK & MIDDLE PICKUP POS 3 - NECK PICKUP
POS 5 - NECK PICKUP
10

MASTER VOLUME
10 9
9
8

MASTER VOLUME
8

VOLUME
1

VOLUME
1

7
7

3
2

10
3 4 5
6

10 9
4 5

TONE CONTROL (NECK PICKUP)

9
8

TONE CONTROL (NECK PICKUP)

8

TONE
1

TONE
1

7
7

3
2

POS 4, 5
3 4 5
6

4 5
10
10 9
9

TONE CONTROL (MIDDLE / BRIDGE PICKUP) TONE CONTROL (BRIDGE PICKUP)

8
8

TONE
1

TONE
H-H STRATOCASTER
1

H-S-H STRATOCASTER
7
7

POS 1, 2, 3
3
2

3 4 5
6

4 5

POS 1 POS 2 POS 3

3 WAY SELECTOR SWITCH

POS 1 - BRIDGE PICKUP
POS 2 - BRIDGE & NECK PICKUP
POS 3 - NECK PICKUP
10

MASTER VOLUME
9
8

VOLUME
1

7
2

3
6

10
4 5 9

TONE
POS 1 CONTROL
POS 2 POS(NECK
3 PICKUP)
8

TONE
1

7
2

3
6

4 5
10

3 WAYCONTROL
SELECTOR(BRIDGE
SWITCHPICKUP)
9

TONE
8

TONE
1

H-H STRATOCASTER POS 1 - BRIDGE PICKUP

7
2

3
6

4 5

POS 2 - BRIDGE & NECK PICKUP

POS 3 - NECK PICKUP
10

MASTER VOLUME
9
8

VOLUME
1

7
2

3
6

10
4 5 9

TONE CONTROL (NECK PICKUP)

8

TONE
1

7
2

3
6

4 5
10
9

TONE CONTROL (BRIDGE PICKUP)

8

TONE
1

H-H STRATOCASTER
7
2

3
6

4 5
S T EP 4 : OP T I ONS
 TELECASTER WIRING
FE N DE R ® C U S TO M S H O P

3 WAY SELECTOR SWITCH 3 WAY SELECTOR SWITCH

POS 1 POS 2 POS 3 POS 1 POS 2 POS 3

POS 3 - NECK PU w/SWITCH
PRESET BASS (NO TONE CONTROL) POS 3 - NECK PICKUP
3 WAY SELECTOR
POS 2 - NECK PU (NO TONE CONTROL) POS 2 - BRIDGE & NECK PICKUPS
POS 1 - NECK AND BRIDGE PUs w/ BLEND CONTROL POS 1 - BRIDGE PICKUP

MASTER VOLUME CONTROL MASTER VOLUME CONTROL

POS 1 POS 2 POS 3

VINTAGE TELECASTER, POS 3 - NECK PU w/ PRESET BASS (NO TONE CONTROL)

POS 2 - NECK PU (NO TONE CONTROL) MODERN TELECASTER
NOCASTER & MODIFIED MASTER TONE CONTROL
NOCASTER POS 1 - CONTROL
BLEND NECK AND(POS
BRIDGE PUs w/ BLEND CONTROL
1 ONLY)
1950 - 1952 MASTER VOLUME CONTROL

49
VINTAGE TELECASTER,
NOCASTER & MODIFIED
NOCASTER BLEND CONTROL (POS 1 ONLY)
1950 - 1952

3 WAY SELECTOR SWITCH 3 WAY SELECTOR SWITCH

POS 1 POS 2 POS 3 POS 1 POS 2 POS 3

POS 3 - NECK PU w/SWITCH
PRESET BASS (NO TONE CONTROL) POS 3 - NECK PICKUP
3 WAY SELECTOR POS 2 - BRIDGE & NECK PICKUPS
POS 2 - NECK PICKUP w/TONE CONTROL
POS 1 - BRIDGE PICKUP w/ TONE CONTROL POS 1 - BRIDGE PICKUP
MASTER VOLUME CONTROL MASTER VOLUME CONTROL
POS 1 POS 2 POS 3
POS 3 - NECK PU w/ PRESET BASS (NO TONE CONTROL)
VINTAGE TELECASTER POS 2 - NECK PICKUP w/TONE CONTROL H-H TELECASTER
1953 - 1967 TONE
POS 1 CONTROL (POS 1 &
- BRIDGE PICKUP w/2TONE
ONLY)CONTROL MASTER TONE CONTROL
For more information go to fendercustomshop.com

MASTER VOLUME CONTROL

VINTAGE TELECASTER
1953 - 1967 TONE CONTROL (POS 1 & 2 ONLY)

3 WAY SELECTOR SWITCH

POS 1 POS 2 POS 3

POS 3 - NECK PICKUP
3 WAY
POS SELECTOR
2 - BRIDGE SWITCH
& NECK PICKUPS
POS 1 - BRIDGE PICKUP
MASTER VOLUME CONTROL
POS 1 POS 2 POS 3
POS 3 - NECK PICKUP
H-S TELECASTER POS 2 - BRIDGE & NECK PICKUPS
POS 1 - BRIDGE
MASTER PICKUP
TONE CONTROL
MASTER VOLUME CONTROL
 3 WAY SELECTOR SWITCH

FE N DE R ® C U S TO M S H O P
POS 1 POS 2 POS 3
POS 3 - NECK PICKUP
POS 2 - BRIDGE & NECK PICKUPS
POS 1 - BRIDGE PICKUP
MASTER VOLUME CONTROL

H-S TELECASTER
MASTER TONE CONTROL

3 WAY SELECTOR SWITCH 3 WAY SELECTOR SWITCH

POS 1 POS 2 POS 3 POS 1 POS 2 POS 3

POS 3 - NECK PICKUP POS 3 - NECK PICKUP
POS 2 - BRIDGE & NECK PICKUPS POS 2 - BRIDGE & NECK PICKUPS
POS 1 - BRIDGE PICKUP POS 1 - BRIDGE PICKUP
MASTER VOLUME CONTROL MASTER VOLUME CONTROL

H-S TELECASTER H-H TELECASTER

MASTER TONE CONTROL MASTER TONE CONTROL

50

3 WAY SELECTOR SWITCH

POSSELECTOR
3 WAY 1 POS 2 SWITCH
POS 3 3 WAY SELECTOR SWITCH
POS 3 - NECK PICKUP
POS 2 - BRIDGE & NECK PICKUPS
POS 1 - BRIDGE PICKUP
POS 1 POS 2 POS 3 POS 1 POS 2 POS 3
MASTER VOLUME CONTROL
POS 3 - NECK PICKUP POS 3 - BRIDGE PICKUPS (VOLUME AND TONE)
POS 2 - BRIDGE & NECK PICKUPS POS 2 - BRIDGE PICKUP (VOLUME CONTROL)
POS 1 - BRIDGE PICKUP POS 1 - BRIDGE PICKUP STRAIGHT TO OUTPUT JACK
H-H TELECASTER MASTER VOLUME CONTROL MASTER VOLUME CONTROL
MASTER TONE CONTROL

H-S TELECASTER FULL THROTTLE ESQUIRE

MASTER TONE CONTROL MASTER TONE CONTROL
S T EP 4 : OP T I ONS
 PRECISION BASS WIRING
FE N DE R ® C U S TO M S H O P

MASTER VOLUME CONTROL

VINTAGE P BASS
MASTER TONE CONTROL

JAZZ BASS WIRING

51

VOLUME NECK PICKUP (UPPER)

TONE CONTROL NECK PICKUP (LOWER)

VOLUME BRIDGE PICKUP (UPPER)

TONE CONTROL BRIDGE PICKUP (LOWER)
VINTAGE ‘60 JAZZ BASS
STACKED KNOBS
For more information go to fendercustomshop.com

VOLUME NECK PICKUP

VOLUME BRIDGE PICKUP

MASTER TONE CONTROL

VINTAGE ‘64 JAZZ BASS

 SELECT
HARDWARE OPTIONS
52

S T EP 4 : OP T I ONS FE N DE R ® C U S TO M S H O P
 STRATOCASTER BRIDGES
FE N DE R ® C U S TO M S H O P

VINTAGE SYNCHRONIZED 2-POINT CLASSIC PLAYER 2-POINT CUSTOM CLASSIC

TREMOLO TREMOLO TREMOLO
Original Stratocaster tremolo made using Polished steel two-point synchronized tremolo Polished steel two-point synchronized
original die-cast moulds and punch presses. bridge assembly. tremolo bridge assembly with polished-steel
block saddles.

RSD STRAT TREMOLO FLOYD ROSE® ORIGINAL VINTAGE HARD-TAIL

Vintage style with improved pivot geometry, Double-locking tremolo bridge, recessed for Original hard-tail Strat bridge made using
plating tolerances, string spacing and arm pick hand comfort providing laser-accurate original die cast moulds and punch presses.
tension adjustment. intonation and ultra-stable tuning when
combined with the Floyd Rose R3 locking nut.

TELECASTER BRIDGES
53

'51-'53 TELECASTER - '54-'57 TELECASTER - '60 & UP TELECASTER '67 TELE-SLOTTED

BRASS SADDLES STEEL SADDLES THREADED SADDLES STEEL SADDLES
Telecaster ashtray bridge plate Period correct ashtray bridge Period correct ashtray bridge Vintage style ashtray bridge
For more information go to fendercustomshop.com

with original tooling marks, serial plate and steel barrel saddles for plate and threaded steel saddles plate with notched steel saddles.
number and 3 brass saddles. bright Tele® twang. for bright Tele® twang.

RSD TELE CUSTOM DELUXE TELE VINTAGE RSD TELE

Low profile bridge plate, Modern six-saddle bridge Vintage style ashtray bridge plate
compensated brass saddles with assembly with string-through-body with compensated RSD Saddles.
refined look and feel. plate, and polished steel saddles.
BASS BRIDGES

FE N DE R ® C U S TO M S H O P
VINTAGE THREADED VINTAGE GROOVE SADDLES
SADDLES Vintage Fender bass bridge assembly with
Genuine Fender bass bridge assembly with nickel-plated steel bridge plate and four
nickel-plated steel bridge plate and four grooved barrel saddles.
threaded barrel saddles.

54

AMERICAN DELUXE BASS BRIDGE RSD BASS

Chrome plated steel bridge plate with Hi-Mass Bridge constructed from a solid brass
partially threaded stainless steel saddles and billet with threaded steel saddles.
string through body or top load option.

JAZZMASTER/JAGUAR BRIDGES

RSD J-BRIDGE VINTAGE JAZZ/JAG

S T EP 4 : OP T I ONS

Two movable brass saddles bolted to a cold Nickel-plated bridge assembly with 6
rolled steel base provides an articulate tone adjustable threaded saddles.
with more punch, attack and continuity than
its predecessor. The J-Bridge lets the sound of
the guitar ring through and gives a stronger
primary note.
 TUNING MACHINES
FE N DE R ® C U S TO M S H O P

SCHALLER F MODERN AMERICAN

STANDARD

55
MODERN LOCKING VINTAGE LOCKING

VINTAGE STYLE VINTAGE STYLE BASS

For more information go to fendercustomshop.com

VINTAGE STYLE BASS "LOLLIPOP" MODERN BASS

PICKGUARDS

FE N DE R ® C U S TO M S H O P
3-PLY WHITE 3-PLY EGGSHELL 3-PLY PARCHMENT

3-PLY MINT GREEN ANODIZED GOLD 4-PLY BROWN SHELL

56

BLACK BLACK PEARLOID WHITE PEARLOID

3-PLY WHITE 3-PLY PARCHMENT 1-PLY PARCHMENT

S T EP 4 : OP T I ONS

3-PLY BLACK BLACK PHENOLIC

 SWITCH TIPS, CONTROL KNOBS, AND PICKUP COVERS
FE N DE R ® C U S TO M S H O P

SWITCH TIPS

WHITE EGGSHELL AGED WHITE VINTAGE WHITE BLACK

CONTROL KNOBS

WHITE EGGSHELL AGED WHITE

57

VINTAGE WHITE BLACK

PICKUP COVERS
For more information go to fendercustomshop.com

WHITE EGGSHELL AGED WHITE

VINTAGE WHITE BLACK

DESIGN GUIDE ORDER FORM

FE N DE R ® C U S TO M S H O P
BUILD LEVEL (SELECT ONE) ☐ CLOSET CLASSIC/NOS HDW
☐ DLX CLOSET CLASSIC
☐ MASTERBUILT ☐ JOURNEYMAN RELIC®
SELECT BUILDER ________________________ ☐ JOURNEYMAN RELIC/CLOSET CLASSIC HDW
☐ ADD PREMIUM BUILDER
☐ RELIC
☐ CUSTOM-BUILT
☐ RELIC/CLOSET CLASSIC HDW
☐ HEAVY RELIC
BASE MODEL ☐ HEAVY RELIC/CLOSET CLASSIC HDW
STRATOCASTER (START AT PG 16)

☐ 1955 STRATOCASTER (ASH) CUSTOM OPTIONS

☐ 1956 STRATOCASTER (ALDER) CONSTRUCTION
☐ OTHER 1950‘S STRATOCASTER (ALDER)________
☐ LEFT HANDED
☐ 1960 STRATOCASTVER (ALDER)
☐ CHAMBERED BODY
☐ 1963 STRATOCASTER (ALDER)
☐ HOLLOW BODY W/ F-HOLE (WITH ARM CONTOUR)
☐ 1965 STRATOCASTER (ALDER)
☐ BOUND BODY TOP (NO ARM CONTOUR)
☐ 1966 STRATOCASTER (ALDER/LARGE HEADSTOCK)
☐ BOUND BODY TOP & BACK (NO CONTOURS)
☐ 1969 STRATOCASTER (ALDER/LARGE HEADSTOCK)
☐ BOUND FINGERBOARD
☐ OTHER 1960‘S STRATOCASTER (ALDER) ________
☐ BOUND HEADSTOCK
☐ AMERICAN CUSTOM STRATOCASTER (ALDER)
☐ REVERSE HEADSTOCK
☐ ANVIL FLIGHT CASE OPTION (STRAT)
☐ CONTOURED NECK HEEL
NOCASTER/TELECASTER/ESQUIRE (START AT PG 18) ☐ REVERSE ANGLE BRIDGE PICKUP ROUT

☐ 1951 NOCASTER (ASH) BODY WOOD

☐ 1952 TELECASTER (ASH)
☐ BASE MODEL BODY WOOD
☐ OTHER 1950‘S TELECASTER (ASH) ________
☐ ALDER
☐ 1960 TELECASTER (ALDER)
☐ ASH
☐ 1960 TELECASTER CUSTOM (ALDER)
☐ EASTERN WHITE PINE 58
☐ 1963 TELECASTER (ALDER)
☐ OKOUME
☐ 1967 TELECASTER (ALDER)
☐ FIJI MAHOGANY
☐ OTHER 1960‘S TELECASTER (ALDER) ________
☐ ROASTED ALDER
☐ 1959 ESQUIRE (ASH)
☐ ROASTED ASH
☐ OTHER YEAR ESQUIRE ________ (THRU ‘69)
☐ ROASTED PINE
☐ '50S THINLINE TELECASTER
☐ SORT FOR LIGHT WEIGHT BODY WOOD
☐ AMERICAN CUSTOM TELECASTER (ASH)
☐ OTHER BODY WOOD
☐ ANVIL FLIGHT CASE OPTION (TELE) ☐ BODY WOOD/EXOTIC TOP
JAZZMASTER/JAGUAR/BASS VI (START AT PG 22) ☐ FLAME MAPLE TOP 2A

☐ 1962 JAZZMASTER (ALDER) ☐ QUILTED MAPLE TOP 2A

☐ OTHER YEAR JAZZMASTER (ALDER) ________ (THRU ’66) ☐ SPALTED MAPLE TOP

☐ 1962 JAGUAR (ASH) ☐ MAPLE BURL TOP

☐ BUCKEYE BURL TOP
☐ OTHER YEAR JAGUAR (ALDER) ________ (THRU ’65)
☐ ZIRICOTE TOP
☐ BASS VI (ALDER)
☐ COCOBOLLO TOP
FENDER BASS (START AT PG 20) ☐ FIGURED KOA TOP 4A
☐ 1955 PRECISION BASS (ASH) ☐ OTHER EXOTIC TOP
☐ 1959 PRECISION BASS (ALDER)
BODY COLOR (SELECT FROM PAGE 32)
☐ 1960 PRECISION BASS (ALDER)
☐ OTHER YEAR PRECISION BASS (ALDER) ________ ☐ SINGLE COLOR #________
(THRU ’69)
☐ COLOR OVER COLOR #________ O #________
☐ 1964 JAZZ BASS (ALDER)
☐ SPARKLE COLOR
☐ 1975 JAZZ BASS (ALDER)
☐ PINK PAISLEY (TOP)
☐ OTHER YEAR JAZZ BASS ________ (THRU ’74)
☐ PINK PAISLEY (TOP & BACK)

AGING STYLE (START AT PG 24) ☐ BLACK PAISLEY (TOP)

DE S IG N G U ID E

☐ BLACK PAISLEY (TOP & BACK)

☐ NOS (NEW OLD STOCK) ☐ BLUE FLOWER (TOP)
☐ TIME CAPSULE (FLASH-COAT NOS/CC HDW) ☐ BLUE FLOWER (TOP & BACK)
☐ CLOSET CLASSIC

*For base model specifications see page 17

 CUSTOM OPTIONS (CONTINUED) ☐
FE N DE R ® C U S TO M S H O P

9.5" TO 14" COMPOUND RADIUS

BODY FINISH ☐ 9.5" TO 16" COMPOUND RADIUS (BASS ONLY)

☐ SCALLOPED FINGERBOARD
☐ BASE MODEL FINISH
☐ NITRO LACQUER WIDTH AT NUT
☐ NITRO LACQUER / WLS UNDERCOAT ☐ BASE MODEL WIDTH AT NUT
☐ FLASH COAT LACQUER ☐ 1.650"
☐ URETHANE ☐ 1.685"

NECK WOOD
☐ 1.6875"

☐ BASE MODEL NECK WOOD (FLAT SAWN MAPLE) NUT MATERIAL

☐ RIFT SAWN MAPLE ☐ BASE MODEL NUT MATERIAL
☐ QUARTERSAWN MAPLE ☐ MICARTA
☐ FLAME MAPLE 2A ☐ BONE
☐ FLAME QUARTERSAWN MAPLE 2A ☐ GRAPHITE
☐ FLAME MAPLE 3A ☐ LSR ROLLERNUT
☐ BIRDSEYE MAPLE 2A
☐ BIRDSEYE MAPLE 3A NUMBER OF FRETS
☐ ROASTED BIRDSEYE MAPLE 3A
☐ BASE MODEL NUMBER OF FRETS
☐ ROASTED RIFT SAWN MAPLE ☐ 22 FRETS (STRAT/TELE)
☐ ROASTED QUARTERSAWN MAPLE
FRET WIRE
☐ ROASTED FLAME MAPLE 3A
☐ INDIAN ROSEWOOD ☐ BASE MODEL FRET WIRE

☐ OTHER NECK WOOD __________________ ☐ VINTAGE

☐ MEDIUM VINTAGE 47095
NECK TINT ☐ NARROW TALL 6105
☐ NO TINT ☐ MEDIUM JUMBO 6150
☐ LIGHT TINT ☐ JUMBO 6100
☐ MEDIUM TINT ☐ OTHER FRET WIRE __________________
☐ DARK TINT
POSITION & SIDE MARKERS
59 NECK FINISH
☐ BASE MODEL DOT MATERIAL
☐ BASE MODEL FINISH
☐ BLACK
☐ NITRO LACQUER
☐ WHITE
☐ FLASH COAT LACQUER
☐ VINTAGE CLAY
☐ URETHANE
☐ MOP WHITE
☐ SATIN URETHANE
☐ BLACK POLY PEARL BLOCK INLAY
☐ SATIN LACQUER
☐ WHITE POLY PEARL BLOCK INLAY
☐ MATCHING PAINTED HEADCAP
☐ ABALONE
NECK SHAPE ☐ WHITE MOP BLOCK INLAY
☐ BASE MODEL NECK SHAPE*
12TH FRET DOT SPACING
☐ CUSTOM NECK SHAPE # _______ (START AT PAGE 35)
☐ BASE MODEL DOT SPACING
FINGERBOARD WOOD ☐ WIDE 12TH FRET DOT SPACING
☐ BASE MODEL FINGERBOARD WOOD ☐ NARROW 12TH FRET DOT SPACING
☐
For more information go to fendercustomshop.com

1-PIECE MAPLE NECK

TRUSS ROD
☐ ROUND-LAM MAPLE
☐ SLAB ROSEWOOD ☐ BASE MODEL TRUSS ROD
☐ ROUND-LAM ROSEWOOD ☐ BI-FLEX™ (STRAT/TELE HEADSTOCK ADJUST)
☐ SORT FOR DARK ROSEWOOD HARDWARE COLOR
☐ AFRICAN BLACKWOOD ☐ BASE MODEL HARDWARE COLOR (NICKEL/
CHROME)
☐ EBONY
☐ GOLD
FINGERBOARD RADIUS NECK PLATE
☐ BASE MODEL FINGERBOARD RADIUS
☐ BASE MODEL NECK PLATE (R SERIAL)
☐ 7.25" RADIUS
☐ V-LOGO NECK PLATE
☐ 9.5" RADIUS
☐ F-LOGO NECK PLATE
☐ 12.00" RADIUS
☐ F-LOGO NECK PLATE (CONTOURED HEEL)
☐ 7.25" TO 9.5" VINTAGE COMPOUND RADIUS
☐ 7.25" TO 12" COMPOUND RADIUS
☐ 9.5" TO 12" COMPOUND RADIUS
*For base model specifications see page 17
BRIDGE CONTROL KNOBS

FE N DE R ® C U S TO M S H O P
☐ BASE MODEL BRIDGE ☐ BASE MODEL CONTROL KNOBS
STRATOCASTER BRIDGE STRATOCASTER KNOBS
☐ AM VINTAGE SYNCHRONIZED TREMOLO ☐ WHITE
☐ CUSTOM SHOP VINTAGE STRAT TREMOLO ☐ EGGSHELL
☐ 2-POINT CLASSIC PLAYER TREMOLO ☐ PARCHMENT
☐ 2-POINT CUSTOM CLASSIC TREMOLO ☐ VINTAGE WHITE
☐ RSD STRAT TREMOLO ☐ BLACK
☐ VINTAGE HARD-TAIL TELECASTER/PRECISION BASS KNOBS
☐ CUSTOM CLASSIC HARD-TAIL ☐ VINTAGE KNURLED
☐ FLOYD ROSE® DOUBLE LOCKING ☐ ALUMINUM KNURLED
TELECASTER BRIDGE
STRATOCASTER PICKUP COVERS
☐ ’51 – ’53 TELE – BRASS SADDLES
☐ ’54 – ’57 TELE – STEEL SADDLES ☐ BASE MODEL COVERS
☐ ’58 - '63 TELE – THREADED SADDLES ☐ WHITE
☐ ’64 - '66 TELE – THREADED SADDLES ☐ EGGSHELL WHITE
☐ ’67 TELE – SLOTTED STEEL SADDLES ☐ PARCHMENT WHITE
☐ CUSTOM DELUXE TELE BRIDGE ☐ VINTAGE WHITE
☐ RSD TELE BRIDGE ☐ BLACK
☐ RSD HARDTAIL (SAWED OFF TELE) ☐ LIPSTICK COVERS (EACH)
☐ BIGSBY ® B-5 VIBRATO TAILPIECE WIRING
PRECISION/JAZZ BASS
☐ VINTAGE 2-SADDLE BRIDGE ☐ BASE MODEL WIRING
STRATOCASTER WIRING
☐ VINTAGE THREADED SADDLES BRIDGE
☐ VINTAGE GROOVE SADDLES BRIDGE ☐ VINTAGE STRAT
☐ AMERICAN DELUXE ☐ MODERN STRAT
☐ RSD BASS BRIDGE ☐ VINTAGE MODIFIED #1
☐ AMERICAN STANDARD "HIGH MASS" ☐ VINTAGE MODIFIED #2 W/ TONE-SAVER
☐ FENDER "HIGH MASS" ☐ STRAT BLENDER
JAZZMASTER/JAGUAR ☐ STRAT BLENDER W/ GREASEBUCKET
☐ RSD J-BRIDGE ☐ FAT 50'S HOOKUP
☐ 1/2 BLENDER WITH TONE SAVER TREBLE BLEED 60
TUNING MACHINES ☐ 1/2 BLENDER WITH GREASE BUCKET 2
☐ BASE MODEL TUNING MACHINES ☐ FAT 50'S HOOKUP W/ HALF BLENDER
☐ VINTAGE STYLE ☐ FAT 50'S HOOKUP W/ GREASEBUCKET
☐ VINTAGE STAGGERED ☐ H-S-S POMO STRAT 250/500
☐ VINTAGE LOCKING ☐ H-S-S CONFIGURATION
☐ SPERZEL DELUXE ☐ H-S-H CONFIGURATION
☐ SPERZEL DELUXE W/ PEARL BUTTONS ☐ H-H CONFIGURATION
☐ SPERZEL TRIM-LOK ™ ☐ OTHER STRAT WIRING_________________
☐ FENDER/SCHALLER "F" TELECASTER/ESQUIRE WIRING
☐ OTHER _________________________ ☐ VINTAGE ESQUIRE (1-PICKUP)
PICKGUARD ☐ FULL THROTTLE ESQUIRE (1-PICKUP)
☐ '51 NOCASTER ('50-'52 BLACKGUARD)
☐ BASE MODEL PICKGUARD
☐ '51 MODIFIED NOCASTER
☐ 1-PLY WHITE ☐ '53-'59 VINTAGE TELE
☐ 1-PLY EGGSHELL ☐ MODERN TELE
☐ 1-PLY PARCHMENT ☐ MODERN TELE W/ GREASEBUCKET
☐ 1-PLY BLACK ☐ MODERN TELE W/ 4-WAY SWITCH
☐ 1-PLY BLACK PHENOLIC LAMINATE ☐ MODERN TELE WITH 4-WAY
☐ 3-PLY WHITE ☐ FAT '50S TELE
☐ 3-PLY EGGSHELL ☐ FAT 50S DUAL P90 TELE
☐ 3-PLY PARCHMENT ☐ FAT 50S DUAL P90 TELE W/ ANGLED SWITCH
☐ 3-PLY MINT GREEN ☐ NASHVILLE TELE W/ BLENDER
☐ 3-PLY BLACK ☐ NASHVILLE TELE (3-PICKUP TELE)
☐ 4-PLY BROWN SHELL ☐ H-S TELE DUAL-STACK 250/500
☐ BLACK PEARLOID ☐ H-S TELE CABALLO 250/500
☐ WHITE PEARLOID ☐ H-H TELE
☐ ☐ OTHER TELE WIRING_________________
DE S IG N G U ID E

ANODIZED GOLD
☐ OTHER _________________________ ☐ FULL THROTTLE ESQUIRE (1-PICKUP)
JAZZ BASS® WIRING
☐ VINTAGE JAZZ BASS W/ CONCENTRIC KNOBS
☐ VINTAGE JAZZ BASS VOL, VOL, TONE
*For base model specifications see page 17
 MISCELLANEOUS ELECTRONICS
FE N DE R ® C U S TO M S H O P

HW DUAL-MAG STRAT ☐ ☐ ☐
☐ 3-WAY SWITCH (STRAT)
☐ REVERSE TELE CONTROL PLATE
HW DUAL-MAG II STRAT ☐ ☐ ☐
☐ TONE-SAVER TREBLE BLEED HW EL DIABLO STRAT ☐ ☐ ☐
☐ GREASEBUCKET TONE CONTROL
HW TOMATILLO STRAT ☐ ☐ ☐
☐ TBX TONE CONTROL
☐ NO-LOAD TONE CONTROL HW ANCHO POBLANO STRAT ☐ ☐ ☐
☐ S-1 SWITCH OTHER STRAT PICKUPS
S-1 FUNCTION _______________________
FENDER LACE SENSOR ☐ ☐ ☐
PICKUPS FENDER VINTAGE NOISELESS ☐ ☐ ☐
PICKUPS N M B DUNCAN® SLDS-1 HOT RAILS™ ☐ ☐ ☐
BASE MODEL PICKUPS* ☐ ☐ ☐ DUNCAN SSL-3 HOT STRAT ☐ ☐ ☐
RWRP MIDDLE PICKUP ☐ DUNCAN LI’L SCREAMIN’ DEMON™ ☐ ☐ ☐
STRATOCASTER PICKUPS (PRICE PER PICKUP) DUNCAN SLS-1 LIPSTICK TUBE ☐ ☐ ☐
'54 STRAT ☐ ☐ ☐ TELECASTER PICKUPS (PRICE PER PICKUP)
'50S STRAT ☐ ☐ ☐ ORIGINAL BLACKGUARD TELE (OBG) - ☐ -
FAT '50S STRAT ☐ ☐ ☐ ’51 TELECASTER/NOCASTER ☐ - ☐
'60S STRAT ☐ ☐ ☐ ’56/’57 TELE ☐ - ☐
FAT '60S STRAT ☐ ☐ ☐ ’63 TELE ☐ - ☐
'58 STRAT ☐ ☐ ☐ ’64 TELE ☐ - ☐
'59 STRAT ☐ ☐ ☐ ’67 TELE ☐ - ☐
'65 STRAT ☐ ☐ ☐ TEXAS SPECIAL TELE ☐ - ☐
'66 STRAT ☐ ☐ ☐ TWISTED TELE ☐ - ☐
'69 STRAT ☐ ☐ ☐ HAND-WOUND TELE® PICKUPS
61 (PRICE PER PICKUP)
TEXAS SPECIAL STRAT ☐ ☐ ☐ ADD JOSEFINA MASTER WOUND UPGRADE ☐ - ☐
HAND-WOUND STRAT® PICKUPS (PRICE PER PICKUP)
HW ORIGINAL BLACKGUARD (OBG) - - ☐
ADD JOSEFINA MASTER WOUND UPGRADE
HW '50/'51 BLACKGUARD ☐ - ☐
HW '50S STRAT ☐ ☐ ☐ HW '50/'51 CRUSHED BLACKGUARD - - ☐
HW FAT '50S STRAT ☐ ☐ ☐ HW ’51 NOCASTER ☐ - ☐
HW '55 STRAT ☐ ☐ ☐ HW ’51 LOADED NOCASTER ☐ - ☐
HW '56 STRAT ☐ ☐ ☐ HW ‘55/’56 TELE ☐ - ☐
HW '57 STRAT ☐ ☐ ☐ HW ’58 TELE ☐ - ☐
HW '59 STRAT ☐ ☐ ☐ HW ’63 TELE ☐ - ☐
HW '60 STRAT ☐ ☐ ☐ HW ’64 TELE ☐ - ☐
HW FAT '60 STRAT ☐ ☐ ☐ HW ’67 TELE ☐ - ☐
For more information go to fendercustomshop.com

HW '60/'63 STRAT ☐ ☐ ☐ HW TWISTED TELE ☐ - ☐

HW '64 STRAT ☐ ☐ ☐ HW TEXAS SPECIAL TELE ☐ - ☐
HW FAT '64 STRAT ☐ ☐ ☐ HW RED HOT TELE ☐ - ☐
HW '65 STRAT ☐ ☐ ☐ H/W TOMATILLO TELE ☐ - ☐
HW '66 STRAT ☐ ☐ ☐ OTHER TELE PICKUPS

HW '69 STRAT ☐ ☐ ☐ FENDER VINTAGE NOISELESS ☐ - ☐

HW TEXAS SPECIAL STRAT ☐ ☐ ☐ DUNCAN FIVE-TWO TELE ☐ - ☐
HW TROPOSPHERE™ STRAT ☐ ☐ ☐ DUNCAN QUARTER POUND ☐ - ☐
HW MASTER DESIGN LTD STRAT ☐ ☐ ☐ DUNCAN LITTLE ‘59 ™
☐ - ☐
HW MASTER DESIGN BONE TONE ☐ ☐ ☐

*For base model specifications see page 17

HUMBUCKING/P90 PICKUPS N M B BASS PICKUPS N M B

FE N DE R ® C U S TO M S H O P
FENDER SHAWBUCKER ☐ - ☐ PRECISION BASS PICKUPS
EVH ® WOLFGANG HUMBUCKER ☐ - ☐ ‘55 PRECISION BASS - ☐ -

EVH FRANKENSTEIN HUMBUCKER ☐ - ☐ ‘57 PRECISION BASS - ☐ -

DUNCAN SH-1 59 ☐ - - ‘59 – ‘62 PRECISION BASS - ☐ -

DUNCAN SH-55 SETH LOVER - - ☐ ‘59 – ‘62 PRECISION BASS (FLAT POLES) - ☐ -

DUNCAN SH-4 JB BRIDGE ☐ ☐ HW ’55 PRECISION BASS - ☐ -

DUNCAN TB-4 TREMBUCKER™ ☐ - ☐ HW ‘57 PRECISION BASS - ☐ -

DUNCAN SH-PG1 PEARLY GATES™ ☐ - ☐ HW ‘62 PRECISION BASS - ☐ -

DUNCAN ANTIQUITY HUMBUCKER ☐ - ☐ H/W '65-'70 PRECISION BASS - ☐ -

JAZZ BASS PICKUPS
DUNCAN APH-1 ALNICO II PRO™ ☐ - ☐
DUNCAN TBAPH-1 ALNICO II PRO
☐ - ☐
VINTAGE JAZZ BASS ☐ - ☐
TREMBUCKER
‘75 JAZZ BASS ☐ - ☐
DUNCAN SCREAMIN’ DEMON ☐ - ☐
VINTAGE NOISELESS JAZZ BASS ☐ - ☐
DUNCAN SH-8 INVADER ☐ - ☐
HW VINTAGE JAZZ BASS ☐ - ☐
TV JONES® CLASSIC (TELE ONLY) ☐ - ☐
HW ‘75 JAZZ BASS ☐ - ☐
TV JONES CLASSIC PLUS (TELE ONLY) ☐ - ☐
JAZZMASTER/JAGUAR/BASS VI PICKUPS
TV JONES POWER 'TRON (TELE ONLY) ☐ - ☐ VINTAGE JAZZMASTER ☐ - ☐
TV JONES POWER 'TRON PLUS (TELE ONLY) ☐ - ☐ HW VINTAGE JAZZMASTER ☐ - ☐
TV JONES SUPER 'TRON (TELE ONLY) ☐ - ☐ VINTAGE JAGUAR/BASS VI ☐ - ☐
TV JONES MAGNA 'TRON (TELE ONLY) ☐ - ☐
P-90 ☐ - ☐

62
PICKUP SPECS
NOMINAL DC RESISTANCE +/- 10%
HAND-WOUND NECK MIDDLE MID-RWRP BRIDGE WIRE MAGNETS STAGGER NOTES
H/W 50'S STRAT 6.12K 6.12K 6.12K FORMVAR ALNICO 5 VINTAGE
CALIBRATED SET
H/W 50'S STRAT 6.39K FORMVAR ALNICO 5 CUSTOM LOW G

H/W FAT 50'S STRAT 6.26K 6.34K 6.48K FORMVAR ALNICO 5 VINTAGE CALIBRATED SET

H/W '55 STRAT 5.60K 5.60K 5.60K FORMVAR ALNICO 3 VINTAGE LOW G

H/W '56 STRAT 5.98K 5.98K 6.22K FORMVAR ALNICO 5 CUSTOM LOW G CALIBRATED SET

H/W '57 STRAT 6.02K 6.02K 6.39K FORMVAR ALNICO 5 VINTAGE CALIBRATED SET

H/W '59 STRAT 5.80K 5.80K 5.80K FORMVAR ALNICO 5 VINTAGE

HW '60'S STRAT 5.83K 5.83K 5.83K 5.83K FORMVAR ALNICO 2 VINTAGE

HW FAT 60'S STRAT 6.64K 6.64K 6.64K 6.64K FORMVAR ALNICO 2 VINTAGE

H/W '60-'63 STRAT 6.20K 6.35K 6.47K FORMVAR ALNICO 5 VINTAGE CALIBRATED SET

H/W '64 STRAT 5.31K 5.56K 5.81K ENAMEL ALNICO 5 VINTAGE CALIBRATED SET

H/W '65 STRAT 6.27K 6.27K 6.27K 6.27K POLYSOL ALNICO 5 VINTAGE

H/W VINT '65 STRAT 5.90K 5.90K 5.90K 5.90K ENAMEL ALNICO 5 VINTAGE

H/W '69 STRAT 5.61K 5.61K 5.61K 5.61K ENAMEL ALNICO 5 VINTAGE

H/W TEXAS SPECIAL STRAT 5.94K 6.27K 6.56K ENAMEL ALNICO 5 VINTAGE CALIBRATED SET

H/W MASTER DESIGN STRAT 6.45K 6.45K FORMVAR ALNICO 5 VINTAGE

CALIBRATED SET
H/W MASTER DESIGN STRAT 6.84K ENAMEL ALNICO 5 FLUSH

H/W MASTER DESIGN LTD 7.03K 7.03K 7.03K 7.03K ENAMEL ALNICO 5 VINTAGE

H/W POBLANO STRAT 6.25K 6.47K FORMVAR ALNICO 3 VINTAGE LOW G

CALIBRATED SET
H/W POBLANO STRAT 6.27K ENAMEL ALNICO 5 FLUSH

H/W TOMATILLO STRAT 6.00K 6.00K 6.72K FORMVAR ALNICO 2 VINTAGE

H/W EL DIABLO STRAT 5.55K 5.93K ENAMEL ALNICO 5 CUSTOM LOW G

DE S IG N G U ID E

CALIBRATED SET
H/W EL DIABLO STRAT 6.34K ENAMEL ALNICO 5 FLUSH w/ HIGH "D"

*For base model specifications see page 17

 PICKUP SPECS
FE N DE R ® C U S TO M S H O P

NOMINAL DC RESISTANCE +/- 10%

*Enamel wire pickups typically measure lower DCR vs. the same number of turns as FORMVAR
HAND-WOUND (Cont.) NECK MIDDLE MID-RWRP BRIDGE WIRE MAGNETS STAGGER NOTES

H/W DUAL-MAG 5.79K 6.05K 6.05K 6.27K FORMVAR ALNICO 5 UNBEVELED VINTAGE
CALIBRATED SET
H/W DUAL-MAG 5.79K 6.05K 6.05K 6.27K FORMVAR ALNICO 2 BEVELED VINTAGE

H/W DUAL-MAG II 5.85K 5.90K 5.90K 5.95K FORMVAR ALNICO 5 UNBEVELED CUSTOM LOW G
CALIBRATED SET
H/W DUAL-MAG II 5.85K 5.90K 5.90K 5.95K FORMVAR ALNICO 2 BEVELED CUSTOM LOW G

H/W BONE TONE 5.96K 6.21K 5.95K FORMVAR ALNICO 2 VINTAGE

H/W TROPOSPHERE 5.57k 5.56 5.62k 5.62k FORMVAR ALNICO 5 VINTAGE

H/W FAT '64 STRAT 5.90K 5.98K 6.05K ENAMEL ALNICO 5 VINTAGE

NOMINAL DC RESISTANCE +/- 10%

NON HAND-WOUND STRAT NECK MIDDLE MID-RWRP BRIDGE WIRE MAGNETS STAGGER NOTES
50S STRATOCASTER 6.12K 6.12K 6.12K 6.39K FORMVAR ALNICO 5 VINTAGE
60S STRATOCASTER 5.83K 5.83K 5.83K 5.83K FORMVAR ALNICO 2 VINTAGE
65 STRATOCASTER 6.27K 6.27K 6.27K 6.27K POLYSOL ALNICO 5 VINTAGE
66 STRATOCASTER 5.61K 5.61K 5.61K 5.61K ENAMEL ALNICO 5 VINTAGE
TEXAS SPECIAL STRAT 5.94K 6.27K 6.27K 6.56K ENAMEL ALNICO 5 VINTAGE CALIBRATED SET
FAT 50'S CUSTOM SHOP 6.26K 6.34K 6.48K 6.48K FORMVAR ALNICO 5 VINTAGE CALIBRATED SET
69 STRAT CUSTOM SHOP 5.48K 5.48K 5.48K 5.48K ENAMEL ALNICO 5 VINTAGE
FENDER NOISELESS 9.8K 9.8K 9.8K 9.8 POLYSOL ALNICO 2 CUSTOM

NOMINAL DC RESISTANCE +/- 10%

HAND-WOUND TELE NECK MIDDLE MID-RWRP BRIDGE WIRE MAGNETS STAGGER NOTES
H/W ORIGINAL BLACKGUARD TELE 10.49K ENAMEL ALNICO 5 FLUSH
H/W '50/'51 BLACKGUARD TELE 7.33K 9.73K ENAMEL NECK=ALNICO 5, BRIDGE=ALNICO 3 FLUSH
H/W CRUSHED BLACKGUARD TELE 10.7K 10.7K ENAMEL ALNICO 5 FLUSH
H/W '51 NOCASTER 7.9K 7.72K ENAMEL ALNICO 5 FLUSH

H/W '51 LOADED NOCASTER 7.88K 9.38K ENAMEL NECK=ALNICO 5, BRIDGE=ALNICO 3 FLUSH

H/W '55/'56 TELECASTER 6.15K 6.12K ENAMEL NECK=ALNICO 3, BRIDGE=ALNICO 5 VINTAGE

H/W '58 TELECASTER 7.4K 6.6K ENAMEL ALNICO 5 VINTAGE
63
H/W '63 TELECASTER 7.37K 6.59K ENAMEL ALNICO 2 VINTAGE
H/W '64 TELECASTER 7.35K 6.01K ENAMEL VINTAGE
H/W '67 TELECASTER 5.57K 5.99K ENAMEL FLUSH
H/W TOMATILLO TELECASTER 8.7K 9.7K ENAMEL ALNICO 2 VINTAGE

NOMINAL DC RESISTANCE +/- 10%

NON HAND-WOUND TELE NECK MIDDLE MID-RWRP BRIDGE WIRE MAGNETS STAGGER NOTES
51 NOCASTER 7.9K 7.72K ENAMEL ALNICO 3 FLUSH
63 TELECASTER 7.37K 6.59K ENAMEL ALNICO 2 VINTAGE
67 TELECASTER 5.57K 5.99K ENAMEL ALNICO 5 VINTAGE
TEXAS SPECIAL 9.02K 10.16K ENAMEL ALNICO 5 VINTAGE
TWISTED TELE 5.95K 10K ENAMEL ALNICO 5 CUSTOM
RED HOT TELE 8.4K 12.36K ENAMEL NECK=ALNICO 2, BRIDGE=ALNICO 5 FLUSH
NOISELESS 12K 8.6K ENAMEL ALNICO 2 CUSTOM

NOMINAL DC RESISTANCE +/- 10%

BRIDGE PU STAG-
BASS NECK MIDDLE MID-RWRP BRIDGE WIRE MAGNETS NOTES
GER
For more information go to fendercustomshop.com

H/W '55 PRECISION BASS 6.22K ENAMEL ALNICO 3 FLUSH

H/W 57 PRECISION BASS 5.0-5.5 5.0-5.5 ENAMEL ALNICO 5 HIGH A
H/W 62 PRECISION BASS 5.2K 5.2K ENAMEL ALNICO 5 FLUSH
H/W 65-70 P-BASS 5.9-6.3K 5.9-6.5K FORMVAR ALNICO 5 FLUSH
H/W VINTAGE JAZZ BASS 7.3K 7.7K ENAMEL ALNICO 2 FLUSH
H/W 75 JAZZ BASS 7.89K 8.16K ENAMEL ALNICO 5 FLUSH
VINTAGE NOISELESS JAZZ BASS 7.25K 7.5K POLYSOL ALNICO 2 FLUSH
MASTERBUILT ONLY**

FE N DE R ® C U S TO M S H O P
☐ ULTIMATE RELIC
☐ MED JUMBO 6150 STAINLESS STEEL FRETS
☐ JUMBO 6100 STAINLESS STEEL FRETS
☐ SPECIFIED MAX GUITAR WEIGHT
☐ SPECIFIED RELIC PATTERN
☐ SET NECK
☐ DOUBLE NECK
☐ ROSEWOOD BODY
☐ AAAA FLAME LE NECK
☐ AAAA BIRDSEYE LE NECK
☐ PAINTED NECK
☐ CUSTOM COMPOUND FINGERBOARD RADIUS
☐ COLOR MATCH (PROVIDE SAMPLE)
☐ CUSTOM COLOR PAISLEY FINISH
☐ GOLD LEAF FINISH
☐ AAAA FLAME LE TOP
☐ AAAA FLAME MAPLE TOP

** Please Note: Certain woods, finishing,

configuration, and custom wiring requests
may be available at the Masterbuilt level only.

ADDITIONAL NOTES
64

DE S IG N G U ID E
 FE N DE R ® C U S TO M S H O P

65
For more information go to fendercustomshop.com

ADDITIONAL NOTES
CUSTOMER INFO

FE N DE R ® C U S TO M S H O P
CUSTOMER INFORMATION
NAME:

ADDRESS:

CITY:

STATE:

PHONE #:

EMAIL:

DATE:

STORE:

CITY:

SALESPERSON:

Final approval, verification and estimated delivery date must be verified by the Fender Custom Shop.

NOTICE REGARDING USE OF HISTORIC PATENT NUMBERS/MARKINGS: FENDER is proud to offer some of the most iconic musical instruments and amplifiers
of the past 60 years. Some FENDER products are intentional recreations or reissues of vintage guitars and amplifiers, and may therefore incorporate markings or text 66
associated with original patents that have since expired. Specific examples of such models include patent numbers on the tremolo plates and decals of the JAGUAR®
and JAZZMASTER® guitars, “Pat Pending” on some vintage TELECASTER® guitar bridge plates, and “Design and Circuits Patented” language on the control panels of
certain model amplifiers in FENDER Vintage Modified, Vintage Reissue and Custom lines. Such markings are included only for the sake of historical accuracy, and are not
intended to denote or imply live patents or ongoing patent protection.

DE S IG N G U ID E

FENDER CUSTOM SHOP | CORONA, CA. | USA

Please contact your Fender Custom Shop Showcase Dealer with your
completed Design form for a quote.

To locate the nearest Custom Shop Showcase Dealer please visit

fendercustomshop.com
For Design Guide orders, LIMITED EDITION '60 P BASS® HEAVY RELIC® - AGED
please use: PN# 7724659000 SHERWOOD GREEN METALLIC - 9235001481