Music Theory Assignment 5
Music Theory Assignment 5
NAME - - - - - - - - - - - - - - - - - - - - -
(2) 11 nJ J m I
J ; J . nI Jj j j j j ; J I
n~ J 11
1
mm rTI J. nJ 1
J. nJ J. 11
For each melody, provide the missing bar lines that correspond with the meter signature given.
If 2=• ur pr pf'
.
,r pr PE& r pr pf' r P[tj r=r· 1
I
(6) Ludwig van Beethoven, String Q]lartet in F Major, Op. 18, No. 1, second movement (cello part, adapted)
(1) WolfangAmadeus Mozart, "Sull'aria," from The Marriage of Figaro, mm. 2-6
2
g £·
3 4 6
5
Ii
a - ria ' Che so a . ve ze ti re to,
II
(2) Handel, "Rejoice Greatly," from Messiah (alternate version), mm. 9-14
4•w,. 9
, J1 r· ,
Re-joice,
10
J11 r·
re - joice,
, Jl[LJ cCJ Ir
re· joice _ _ __
11 •
great
J. -·
ly,
pfq :1"Elf r
14
re • joice _ _ _ __
p14£! J. 1
-· II
great · ly, 0 <laugh • ter of Zi · on,
At each position marked with an arrow, add one rest to complete the measure in the meter indicated. Then add
counts beneath the rhythms, and practice counting aloud. If a beat begins with a rest, write the count in parentheses.
(4) 11 J. J. 1J J J J .b J. JJJ hJ J )) I J.
t t t II
t
.FJ.FJJ J 1J. jJ J
t t II
t
152 CHAPTER SIX Compound Meters