Violin Finger Patterns Webb
Violin Finger Patterns Webb
Eva Belvelin
Backing Tracks: Per Strandberg
Illustrations: Ia Gottberg
• bowings – add slurs to create the bowing pattern for players of all levels. Stay with quarter notes or
you need to practice eight notes to make the tunes easier, and change fin-
• rhythm patterns – change the rhythm gerings, positions, or bowings to make them harder.
I never could have produced these Finger Pattern
• position playing – start on a different finger,
explained on p. 15 Tunes without the help of some very dear friends and
colleagues: the inspiring backing tracks were
• shifting – change the fingering, adding shifts where
you need to practice them (e.g. 2 1 / 2 1 0) made by Per Strandberg, the fantastic illustrations by
Ia Gottberg, the brilliant graphic design by Fredrik
• dynamics – add dynamics
Sten, and invaluable pedagogic advice and help with
• vibrato – keep playing quarter notes or even half
translation was given by Sonja Nichols. To them I will
notes, and focus on a continuous vibrato
be forever grateful and indebted. I also wish to thank
• improvisation – use the notes of each tune, but play
students and colleagues for their feedback on this
them in any order and rhythm of your choice; and
add rests for better effect! material. And, last but not least, I thank my wonderful
family for their love and support.
Each Finger Pattern Tune has its own color, and the
four basic finger patterns are named after the four
basic colors. The first finger pattern that a begin- W ishing you many enjoyable hours with your
instrument in the future,
ner learns, 1–23–4, is red, the first color that babies
Eva Belvelin
perceive. The pattern with a “blue note”, 12–3–4, is
blue. The pattern with all fingers apart like sunbeams,
#### 4 f f f f4 3 2 1 0 1 2 3
& 4 f f f f f f f f f f f f ™™
#### ™ f f f f
& ™ f f f f f f f f f f f f ™™
#### ™ f f f
& ™ f f f f f f f f f f f f f f f f f f f f f f f f f f f f f ™™
#### ™ f f f f f f f f f f f f f f f f f f f f f f f f f f f f ™
& ™ f f f f ™
#### U
w
&
### 4 f f f f 4 3 2 1 0 1 2 3
& 4 f f f f f f f f f f f f ™™
### ™ f f f
& ™ f f f f f f f f f f f f f ™™
### ™ f f f
& ™ f f f f f f f f f f f f f f f f f f f f f f f f f f f f f ™™
### ™ f f f f f f f f f f f f f f f f f f f f f f f f f f f f ™
& ™ f f f f ™
### U
w
&
4f f f f
4 3 2 1 0 1 2 3
&4 f f f f f f f f f f f f ™™
& ™™
f f f f f f f f f f f f f f f f ™™
& ™™
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™
& ™™
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™
U
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&
4f f f f
&b 4
4 3 2 1 0 1 2 3
f f f f f f f f f f f f ™™
& b ™™
f f f f f f f f
f f f f f f f f ™™
& b ™™
f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f ™™
& b ™™ f f f f f f f f f f f f f f f f f f f f f f f f f f f f ™™
f f f f
U
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& b
b4 f f f f
&b 4
4 3 2 1 0 1 2 3
f f f f f f f f f f f f ™™
b f f f f
& b ™™ f f f f f f f f f f f f ™™
b f
& b ™™ f f f f f f f f f f f f f f f f f f f f f f f f f f f f ™™
f f f
b f
& b ™™ f f f f f f f f f f f f f f f f f f f f f f f f f f f f ™™
f f f
bbU
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&
b4f f f f
& b b4 f f nf f nf f nf f
4 3 2 1 0 1 2 3
f f f f ™™
b f f f nf
& b b ™™ nf nf f f f f f nf nf nf f f ™™
b f
& b b ™™ f fnfnf f f f f fnfnf f f f f fnfnf f f f f fnfnf f f f ™™
f f f
b f
& b b ™™ f f nf nf f f f f f f f f f f f f nf nf f f f f f f f f f f ™™
f f f
bbb U
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&
4 f f #f f f f #f f
& b4
4 3 2 1 0 1 2 3
f f f f f f f f ™™
& b ™™ #f nf f f f f #f
f f #f nf f f f f #f ™™
U
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& b
4f f f f #f f nf f #f f f f
4 3 2 1 0 1 2 3
&4 f f f f ™™
f f #f nf
f f #f f
f f #f nf
& ™™ f f #f f ™™
& ™™ #f nf f f#f
ff f f f#f nf f f#f f f f#f nf f f#f f f f#f nf f f#f f ™™
U
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&
### 4 f f f f f f bf f f f bf f
4 3 2 1 0 1 2 3
& 4 f f f f ™™
### ™ f f f
& ™ bf f bf f f f f f bf f bf f f ™™
### ™ f f f
& ™ bf f f f f f f fbf f f f f f f fbf f f f f f f fbf f f f f ™™
### U
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&
Copyright © Fiolosofen
Petrol
4 f f #f f f f #f
4 3 2 1 0 1 2 3
&4 f f f f f f f f f ™™
f #f f f
f f f #f
f #f f f
& ™
™ f f f #f ™™
f#f f f f f f f f f f f f f f#f f f f f f f f f f f f f ™
& ™
™ f f f f ™
U
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&
b 4f f f f #f f nf f f f nf f #f f f f
4 3 2 1 0 1 2 3
& 4 ™™
f f #f
f nf #f f
f f #f
& b ™™ nf nf f nf #f f ™™
f f#f f f#f
b
& ™ n n
f fff f f fff
™ f f f f f f f f f f f f f f f f f ™™
U
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&b
Intro
Intro 44 Bars
Bars EvaBelvelin
Eva Belvelin
arr. Per
arr. Per Strandberg
Strandberg
## 4 f f nf f
f f bf f f f bf f f f nf f ™™
4 3 2 1 0 1 2 3
& 4
## ™ f nf
& ™ f bf f bf nf nf f nf f bf f bf nf nf ™™
## ™ fnf fbf fnfnf fnf fbf fnfnf fnf fbf fnfnf fnf fbf fnfnf ™
& ™ f f f f ™
## U
& w
Violin Finger Patterns on the G, D, A, and E strings in keys with flat key signatures
Number of flats Flats Major G D A E Minor
Viola Finger Patterns on the C, G, D, and A strings in keys with sharp key signatures
Number of sharps Sharps Major C G D A Minor
B 0 C Red Red Blue Blue a
By starting each Finger Pattern Tune on the printed pitch, but on your 3rd, 2nd, or 1st finger,
you will practice both higher positions and string crossings between A and D. Then you must
use a finger pattern, or a combination of patterns, that is different from the name of the tune:
Start on finger 4 3 2 1
The larger gap in the Black tune indicates an extension between the two patterns.
Red
Blue
Yellow
Apple Green
Turquoise
Brown
Purple
Orange
Petrol
Pink
Black
ISBN 978-91-983839-4-2
© 2017, Fiolosofen AB and Eva Belvelin
First edition
Arrangements and Backing Tracks: Per Strandberg
Illustrations and Layout: Ia Gottberg
Notation and Fiolosofen Logo: Eva Belvelin
Graphic design, Belvelin Logo and Layout: Fredrik Sten
Photo and Business Mentor: Paul Sirugo
Translation and Advisors: Sonja Nichols and Phyllis Freeman
Proof readers: Heidi Curatolo and Helen Hines
Recorded at Studio Ränten, Gothenburg, Sweden 2016-2017
Producers: Eva Belvelin and Per Strandberg
Sound Engineer: Per Strandberg
Mastering: Dragan Tanaskovic at Bohus Sound, Kungälv, Sweden 2017
Violin: Eva Belvelin on an 1870 Joseph Baldantoni
All other instruments: Per Strandberg
Print: Exakta Print, Malmö, Sweden, 2017
www.belvelin.com
No part of this booklet or music may be reproduced or transmitted in any
form or by any means, electronic, mechanical, photocopying, recording,
or otherwise, without prior written permission of Fiolosofen AB.
FF
Fiolosofen