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Bogdanovic Mysterious Habitats

The document is a musical composition titled "Mysterious Habitats". It has a relaxed and flowing tempo of 115 beats per minute. The piece explores different melodic motifs across three sections, gradually building in complexity. Various instruments are represented in the musical notation.

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wooki97
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0% found this document useful (0 votes)
303 views5 pages

Bogdanovic Mysterious Habitats

The document is a musical composition titled "Mysterious Habitats". It has a relaxed and flowing tempo of 115 beats per minute. The piece explores different melodic motifs across three sections, gradually building in complexity. Various instruments are represented in the musical notation.

Uploaded by

wooki97
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Mysterious Habitats

www.classclef.com
Dusan Bogdanovic
FAD G B E
 =F
Relaxed and flowing  = 115
  1 2 3

              
 

     
   
      

  
N-Gt

  0   0 0   0 0 
3 0 2   3 3 0 2   3
3
0
0
2 
 2 2


p i p m i p m p i
  4
    5
   6

       
         
              

  

 0 0  0 0   0 0
3
3
0
0
2  (2) 3
3
0
0
2   3
3
0
0
2
 2 0 2 0 2

1.
p ia pm im ia p m p im p i p ia m pi p im p ia p i pm im

   
     
7 8 9

                   
    
     
 
  
  
 
   
0 0 0
 1 1 1
0
0
0 2 (2) 0
3
0
1 (1)
2
0
0 0 
3
3
0
0
2 3
3
0
0
2 3
3
0
0
2 
 0 2 0 2 0 2

2.
p ia p ia p im a ia p im p ia p im
pi p im p p
im i m

      
                 
10 11 12

            

    
 
      
 
0 0 0
0 1 (1) 1 3 3 1 0 (0) 3 1
 3
2 0
0
0
2 3
0
0
0
2
2
3
0
0
0
2
3 0 3 0 3 0
 0 2 0 2 0 2

1/5
p i pm im
  
13 14 15 
    
            
               
  

 (1)
2
0
0 0  0 0
1 1 1
0
0
0 2
3
3
0
0
2  3
3
0
0
2 3
3
0
0
2
 0 2 0 2 0 2

1. 2.
p i p im pi p im p ia

 16
    17   18
       
            
                       
       
0 0 0
 (2) 0
3
0
1 (1)
2
0
0 0  4
0
4 4 3
0
1
3
3
0
0
2 3
3
0
0
2  3
3
3
1 0
2
 0 2 0 2 0

      
  19 20
   21
   
         
    
  
 
 
    
  
   

     
0 0 0
(1) 0 1 (1) 1 3 3 1 0 (0) 3 1
 3
2 0
0
0
2 3
0
0
0
2
2
3
0
0
0
2
3 0 3 0 3 0
 0 2 0 2 0 2

  
22 23
 24 
    
    
        
     
 
 


   
(1) 0 1 1 1 0
 3
2 0
0
0
2 3
0
0
0
2 3
0
0
0 2
2
3 0 3 0 3 0
 0 2 0 2 0 2

im m pi p im p ia p im p im i p m p i
BI
 25
 26
 27

                       
                        
           
 
4 4 4 3 1 (1) 1
 (2)
3
0
3
0
1
1
3
3
5
0
2 3
0
0
0
2
3 1 3 6 0 3 0
 0 3 0 2 0 2

2/5

     
28

 29

    
 30 
    
        
      
  
        
0 0 0
(1) 1 3 3 1 0 (0) 3 1 (1) 0
 3
0
0
0
2
2
3
0
0
0
2 3
2 0
0
0
2
3 0 3 0 3 0
 0 2 0 2 0 2

p m p i p i p a i p m p ia
 pm ia p im im p ma p im
     
               
31 32 33

                 
   
         

2 2 0 0
0 0 3 0 3
 3
0
0
0
0
2
2 4
0 2
2
4 5
4
0
3 3 0 2 3 0 2 3
 0 2

p ma a i p a p ia pm ia p ia im p am p im p ma i ma
  B II
 34    35          36
 
     
        
                   
           


5 5 3 2 0
  (3) 1
2
0 0
0 2 4
3
4
3
0
(3) 1
2
0
0 0
1

0 2 4
2 3 0
2 4
2 3 0
2 0
0
2
 2


       
37

 38

    
 39



            
            
     

0 0 0
(1) 1 3 3 1 0 (0) 3 1 (1) 0
 3
0
0
0
2
2
3
0
0
0
2 3
2 0
0
0
2
3 0 3 0 3 0
 0 2 0 2 0 2

3/5
1.
  
 40 41   42      
           

     
  
            
     

2 (2) 0 0
 0 0 2
0 0
0 2
3
4 5 4
3
0 
3
3
0
3
0
0
2 4
2 3 0
2 4
2 3 
 0 2

2. intimately
p ia pm ia im p ia p ia p ia pm im

  
43 44
  45
    
                
      
       
  
 
 

  

0
1 1 1 0 3 (3) 1 0 1
 3
0
0
0
3 2 3 0
0
2 3
2 0
0
0
2
3 0 3 0 3 0
 0 2 3 2 3 2

   46
  
 47

      
 48

     

           


   

   

  

0 0
(1) 1 0 3 1 (1) 0 0 1 (1) 1 3 3 1 0
 3
0
0
0
2
2
3
0
0
0
2 3
0
0
0
2
3 0 3 0 3 0
 0 2 0 2 0 2

    
 49
     50
  51

             
          
   

  
0 0
(0) 3 1 (1) 0 1
 2
3
0
0
0
2 3
2 0
0
0
2 3
0
0
0
2
3 0 3 0 3 0
 0 2 0 2 0 2

4/5
1.
pm i p im a
     
 
52
   
53
    
54
        
          
      
        
0 0 0
 1 3
0
3 1
0
0 (0)
2 0
3
0
1 (1)
2
0
0 0
1 
 3
3
0
0
2 3
3
0
0
2 3
3
0
0
2 
 0 2 0 2 0 2


The piece can also be played D.S to end
 
2.    
 
55  
56  57
    
    
    

         
     
    
AH AH
2 <12>
0
 3
2 0
0
0
2
 3
0
0
0
2 3
0
0
0
2
3 0 3 0 3 0
 0 2 0 2 0 2

  
      
  58   59 60   
              
        
       

AH AH AH AH
2 <12> 2
 3
0
0
0
2 3
0
0
0
2 3 (5)
3 3 0 3 (3)
 0 2 2 0 2 0 0

5/5

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