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Tyd Av Rider August 2022

This technical rider summarizes the audio/video requirements for the band The Yellow Diary's performance. It specifies that a full professional audio system is required, including LCR speakers providing 110dB of coverage, an Avid S6L or Allen & Heath D-Live console, 6 Sennheiser or Shure in-ear monitors, 2 bi-amped wedge monitors, and a drum sub. It also lists microphone and instrument input requirements, monitor mixes, backline equipment, and stage requirements. A professional quality video system is required including a primary LED wall.

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Arnav Sharma
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0% found this document useful (0 votes)
266 views7 pages

Tyd Av Rider August 2022

This technical rider summarizes the audio/video requirements for the band The Yellow Diary's performance. It specifies that a full professional audio system is required, including LCR speakers providing 110dB of coverage, an Avid S6L or Allen & Heath D-Live console, 6 Sennheiser or Shure in-ear monitors, 2 bi-amped wedge monitors, and a drum sub. It also lists microphone and instrument input requirements, monitor mixes, backline equipment, and stage requirements. A professional quality video system is required including a primary LED wall.

Uploaded by

Arnav Sharma
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF, TXT or read online on Scribd
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Engineer: Divyang Row Kavi Mobile: +91 9833909865 1

Email: drowkavi@gmail.com
THE YELLOW DIARY

Audio / Video
Technical Rider
AUGUST 2022 (7 pages)
[Burn all older riders]

Artists: Talent Manager:


Rajan Batra - Vocals Mohit Bhatia
Himonshu Parikh – Keys & Vocals Mobile: +91-9916681257
Stuart D'Costa – Bass & Vocals Email:mohit.bhatia@sharkandink.com
Harsh Gadhvi – Guitars
Sahil Shah - Drums

--------------------------

We designed this rider for optimal effectiveness on the day of the show. If there are any questions
or if you have trouble providing any of the requested equipment, please get in touch and we can
work out a solution.

--------------------------

Systems Check:
We require a minimum of 90 (ninety) minutes for AV systems check prior to doors. This time
period begins only after all backline gear is in position and operational on stage. All inputs must
be line-checked and the FOH, Monitor and LED systems must be fully functional and in a Show
ready state on arrival. It is expected that all equipment provided is of professional quality, in
perfect working condition, and is accompanied by professional, competent, and pleasant
technicians/engineers. There should be no tolerance for any hiss, buzz, hums, clicks, and pops in
the audio system or large numbers of dead pixels / signal interference in the video system.
Once the system check is complete, the equipment will NOT be moved or changed till end of
performance.
The designated engineer must have access over all system settings.

Engineer: Divyang Row Kavi Mobile: +91 9833909865 Email: drowkavi@gmail.com 2


PA System:
PA system must be flown, 2-way or 3-way and configured in LCR + SUB. Even coverage is of
utmost importance while providing 110 dB(A) @ FOH
Preferred Speaker Systems:
1. L'Acoustics K1, K2, V-DOSC
2. DnB J Series
3. Adamson
RCF HDL / JBL VRX or Custom PA's are NOT acceptable

FOH:
1. Avid S6L / Allen & Heath D-Live / DiGiCo SD 7/10
2. Cue wedge
Console should be centred & secured (between a minimum of 60' to max 100' from stage outdoor)

Monitor System:
1. 6 x Senn. G4 or Shure PSM 1000, In Ear monitoring system (Artist brings headphones)
2. 2 x Bi Amped Wedges [ JBL VRX 915 or similar]
3. 1 Drum Sub [JBL SRX or similar]
Configure IEMS as mentioned below:
Transmitter: Receiver:
1. Auto lock ON Auto Lock ON
2. Stereo Stereo
3. Sensitivity -21dB Limiter OFF
4. Flat EQ Flat EQ
The 6th IEM will be configured as above and kept as spare.

RF Management:
1. RF systems must be respectively networked (IEM transmitters, Handheld Receivers)
2. Zero gain on microphone TX / RX units and all active antennas.
3. UA845UWB Combiner + Shure UA874 Antenna Required (handheld mic system)
4. Senn. AC3200-II Combiner + Senn. A-5000 CP Antenna Required (Senn. Gx IEM system)
Or Shure PA821B/X Combiner + HA8089 /91 Antenna Required (Shure PSM1000 IEM system)

** PLEASE LABEL ALL BELT PACKS AND HANDHELD MICROPHONES BEFORE THE ARTISTS
ARRIVAL TO THE VENUE **

Engineer: Divyang Row Kavi Mobile: +91 9833909865 Email: drowkavi@gmail.com 3


Input List:
Ch.No. Instrument Mic/DI
1 Kick In Beta 91A
2 Kick Out Audix D6 / Beta 52 Small
3 Snare Top SM 57 Small
4 Snare Bottom SM 57 Small
5 Hi Hats SM 81 / AKG 451 Small
6 Rack Tom 1 DPA 4099 / Sen. e604 / e904 Clamp
7 Floor Tom DPA 4099 / Sen. e604 / e904 Clamp
8 Overhead L AKG 451 / SM 81 Tall Boom
9 Overhead R AKG 451 / SM 81 Tall Boom
10 SPDSX RADIAL DI
11 Bass Synth BSS DI
12 Bass Guitar BSS DI
13 Electric Guitar L XLR
14 Electric Guitar R XLR
15 Keys L BSS DI
16 Keys R BSS DI
17 Laptop Track L RADIAL DI
18 Laptop Track R RADIAL DI
19 Laptop Click RADIAL DI
20 Laptop LTC RADIAL DI
21 Keys Vox Audix OM series / SM 58 Wired Tall Boom
22 Bass Vox Audix OM series / SM 58 Wired Tall Boom
23 Main Vox UR4D/Axient- Beta 58 Handheld Tall Boom
24 Main Vox Spare UR4D/Axient- Beta 58 Handheld
25 Shout mic stage left Sm58 Tall Boom
26 Shout mic stage right Sm58 Tall Boom
27 Ambient Crowd Mic L Shotgun Mic- AT897 or similar
28 Ambient Crowd Mic R Shotgun Mic- AT897 or similar
29 EP L XLR @ FOH
30 EP R XLR @ FOH
31 Talk Back Switched Mic @ FOH

Engineer: Divyang Row Kavi Mobile: +91 9833909865 Email: drowkavi@gmail.com 4


Outputs:
AUX/Output Mix Monitor
1 Vocal IEM L
IEM 1 (stereo)
2 Vocal IEM R
3 Keys IEM L
IEM 2 (stereo)
4 Keys IEM R
5 GTR IEM L
IEM 3 (stereo)
6 GTR IEM R
7 Bass IEM L
IEM 4 (stereo)
8 Bass IEM R
9 Drums IEM L
IEM 5 (stereo)
10 Drums IEM R
11 Drum Sub 1 Sub
12 Vocal Wedge 2 Wedges
13 Spare IEM L
14 Spare IEM R
15 CUE FOH 1 Wedge
16 PA SUB

Backline:
ITEM TYPE QUANTITY
DRUMS Pearl Reference / Masters 1 x 22' Kick
1 x 14' Snare
(All backline hardware must be 1 x 10' Tom
well maintained and of 1 x 16' Floor Tom
professional quality) Zildjian A / K series OR
Sabian AAX / HHX series
Cymbal stands 6
SPDSX Clamp & Stand 1
BASS AMP 2 ch Amp Head + 2 x 4x10 Cabs 2
Ampeg/ Markbass/ F Superbass
GUITAR AMP Fender Twin Reverb 1
STANDS Single Tier Keyboard Stand 2
Double Tier Keyboard Stand 1
(Must have ALL rubber grips) Electric Guitar Stand 2
Flight Case for Laptop & Interface 1
MONITORS Senn G4 / Shure PSM1000 6
Stage Monitors 2
Drum Sub 1

Engineer: Divyang Row Kavi Mobile: +91 9833909865 Email: drowkavi@gmail.com 5


Stage:
Secure and stable stage with a minimum dimension of 24ft x 24ft.
Please ensure professional cable management is followed and the stage is clear of debris &
uneven surfaces, to prevent mishaps.
SFX must be safed, and only positioned & tested after management’s consent.
Full Shade + 3 Fans/Coolers must be provided for stage and FOH for outdoor venues.

Video System:
1. Primary LED wall with 16:9 aspect ratio (optimum width = stage length – 4ft)
2. Resolution of P3 or better
3. 4K PRIME Switcher/Processor, 50Hz refresh rate

Primary LED wall must be well secured, flush with stage floor and connected via fibre (with
converters), to switcher/processor at FOH.

Visuals will be run from FOH position.

Engineer: Divyang Row Kavi Mobile: +91 9833909865 Email: drowkavi@gmail.com 6


Power Supply:
1. 125KVA generator for AV, minimum.
2. Lights will not share same power supply to minimise interference.
3. Stabilised Power Drops at all positions should be Shuko as well as 3 Pin female UK sockets.

For any clarification outside this document:


Contact: MOHIT BHATIA (Talent Manager)
Mobile: + 91-9916681257
Email: mohit.bhatia@sharkandink.com

We will require a signed written confirmation of all final equipment on this document. The
Artist reserves the right to not perform, should the requirements not be fulfilled as per the
written confirmation.
Please consider this as non-negotiable.

Signature:
____________________

Engineer: Divyang Row Kavi Mobile: +91 9833909865 Email: drowkavi@gmail.com 7

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