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Burra Score

The document is a musical score for an ensemble including tenor saxophone, trumpet, trombone, mandolin, voice, keyboard, and contrabass. It provides the musical notation for each instrument across multiple pages of the piece.

Uploaded by

José Daniel González
Copyright
© © All Rights Reserved
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Download as PDF, TXT or read online on Scribd
64 views19 pages

Burra Score

The document is a musical score for an ensemble including tenor saxophone, trumpet, trombone, mandolin, voice, keyboard, and contrabass. It provides the musical notation for each instrument across multiple pages of the piece.

Uploaded by

José Daniel González
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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La Burra Orquestación: Carlos Laguna

Tenor Saxophone        

 
Trumpet in Bb       

     
Trombone
 

           


Mandolin I           

        
Mandolin II
   

Voice

      

      
Keyboard
 

        
    
Contrabass
 
2


6

       
Ten. Sax.
    

         
Tpt.      

 
         
Tbn.
 

                
Mand I.           


Mand II.    

      
     

Voice        

Tocar en la primera vuelta los


      
obligados y en la segunda ritmo
Kbd.


  
      
Cb.    
3
12 1.

     
Ten. Sax.
         



             
Tpt.   


             
Tbn.
  

              
Mand I.                 


Mand II.   
 
          

 

Voice        


Kbd.
      

 
1.

           
Cb.
  
4
18 2.

Ten. Sax.           

  
Tpt.         

         
Tbn.
 

         
Mand I.  

           
Mand II.

         
Voice                 
3 3


Kbd.
    
  
 





 



2.
        


Cb.
5
24

Ten. Sax.       


Tpt.       

      
Tbn.

       
Mand I.  


Mand II.
      

 
Voice                    

 
Kbd.
     
 









 
 



 


 
Cb.     
6
30

Ten. Sax.       


Tpt.       

      
Tbn.

          
Mand I. 


Mand II.
      

Voice                         

Kbd.
    



  
    
 











  
Cb.     
7


36

Ten. Sax.    
        

     
Tpt.          

       
      
Tbn.

       


Mand I. 

     
Mand II.
   

  

    
              
Voice
 

Kbd.
     


 









 
 


 
Cb.     
8


41

          
Ten. Sax.

     
Tpt.        

     
      
Tbn.

             


Mand I. 

        
Mand II.


             
Voice
         

Kbd.
     








 
 



 


 
Cb.     
9


46
      
1.

        
Ten. Sax.
   

 
        

Tpt.         

          
      
Tbn.

                  


Mand I.  
 

         
Mand II.
    

     

        
        
Voice
    

 
Kbd.
    




 
 



 


  

  
1.

      
Cb.

10
51 2.

Ten. Sax.          

 
Tpt.         

         
Tbn.

                        


Mand I.    

         
Mand II.

Voice          


Kbd. 
    
     

   
2.
 
Cb.    
11
57

Ten. Sax.   
       


 
 
Tpt.       

        
 
Tbn.

                           
Mand I. 

   
Mand II.
   

Voice       

Kbd.
      

     
Cb.  
12


63

            
 
  
Ten. Sax.

 

            
Tpt.
 

   
        
Tbn.
 

  
                     
Mand I. 

        

   
Mand II.
    

Voice         

Tocar ritmo las dos vueltas



Kbd.
       


    
Cb.        

13
70 1. 2.

          
Ten. Sax.
      



               
Tpt.
  


             
Tbn.
  

           
Mand I.  
              


Mand II.   
           
   
 

   
Voice             
3

 
Kbd.
      

2.
  
1.

             
Cb.
  
14
76

Ten. Sax.       


Tpt.       

      
Tbn.

        
Mand I. 

       
Mand II.


        
Voice              
3

 
Kbd.
     
 





 


   
 


     
Cb.   
15
82

Ten. Sax.       


Tpt.       

      
Tbn.

      
Mand I. 
   


Mand II.
      


Voice                         

Kbd.
    




  
  

 











  
Cb.     
16
88

        
Ten. Sax.

  
Tpt.        

  
      
Tbn.

  
  
Mand I. 
    

  
Mand II.
     

Voice                         

Kbd.
      
 








 
   


 


 
Cb.      
17

 
94

Ten. Sax.        
    

     
Tpt.          

       
      
Tbn.

        


Mand I. 

     
Mand II.
   



                   
Voice
   

Kbd.
    




 
 



 






  
Cb.    
18


99

            
Ten. Sax.


      
  
Tpt.    

    
        
Tbn.

               


Mand I. 
 

 
            
   
Mand II.

         
Voice
               

Kbd.
    
 
 



 











 
Cb.    
19

104

       
1. 2.
  
Ten. Sax.
   

        
Tpt.       

     

  
   


Tbn.

   
Mand I.             


       
      
 
Mand II.

   
                
Voice

 
Kbd.            
       

 

1. 2.

       
Cb.

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