Character Based Literacy
Character Based Literacy
Antigone by Sophocles
• Publisher: Oxford ISBN: 0-19-506167-5
The Red Badge of Courage by Stephen Crane
• Publisher: Tor Books; Reissue edition (November, 1990) ISBN: 0812504798
Poetry
Short Stories
Non-Fiction
2
www.scu.edu/ethics/publications/cblp
Responsibility Change Justice Courage Integrity
Requires Requires Requires Requires Requires
Action Effort Restraint Moderation Wholeness
1st Quarter 2nd Quarter 3rd Quarter 4th Quarter 5th Quarter
Fall Fall Spring Spring Summer
1-9 10-18 19-27 28-36 variable
August November January April June
September December February May July
October January March June August
Values
Value Responsibility Change Respect Courage Integrity
Self Direction Effort Justice Moderation Holism
Morality Active Engage Restraint Moderate Integrate
Thoughts
Reduce Mollification Cognitive Power Games Cutoff Discontinuity
Entitlement Indolence Sentimentality SuperOptimism
Teach Cause-effect, Efficacy Alternatives A-B-C Continuity
Perspective Efficiency Best Choices Function Listing
Realism Validity Rights Visualization Analysis
Skills
Teach Perception Problem Solve Coping Anger Control Imagination
Social Skills Planning Cooperation Coping Cooperation
English Language Arts Strands
All Units Language Arts Language Arts Language Arts Language Arts Language Arts
Narrative Narrative Narrative Narrative Narrative
Response Response Response Response Response
This Unit Exposition Exposition Persuasion Description Persuasion
Required Products
Writing Autobiography Research Persuasive Technical Persuasive
Expository Paper Essay Document Essay
Essay Story Oral History Biography Story
Visual-Oral Display Display Speech Portfolio Speech
11
NARRATIVE Q1-5
W2.1 Write biographical or autobiographical narratives or short stories:
1. Relate a sequence of events
2. Communicate the significance of the events to the audience
3. Locates scenes and incidents in specific places.
4. Describe with concrete sensory details the sights, sounds, and smells of a scene
5. Describe specific actions, movements, gestures
6. Describe feelings of characters
7. Use the interior monologue to depict the characters’ feelings
RESPONSE Q1-5
W2.2 Write responses to literature:
1. Demonstrate a comprehensive grasp of the work
2. Demonstrate a comprehensive grasp of the significant ideas of literary works
3. Support important ideas and viewpoints
4. Support through accurate and detailed reference to the text or other works
5. Demonstrate an awareness of the author’s use of stylistic devices
6. Demonstrate an appreciation of the effects created
7. Identify and assess the impact of perceived ambiguities, nuances, and
complexities within the text
EXPOSITORY Q1-2
W2.3 Write expository compositions, including analytical essays and research
reports:
1. Marshal evidence in support of a thesis and related claims
2. Including information on all relevant perspectives
3. Convey information and ideas from primary and secondary sources
4. Convey information and ideas accurately and coherently
5. Make distinctions between the relative value and
6. Make distinctions about the significance of specific data, facts and ideas
13
PERSUASIVE Q3,5
W2.4 – Write persuasive compositions:
1. Structure ideas and arguments in a sustained and logical fashion
2. Use specific rhetorical devices to support assertions
3. Use appeal to logic through reasoning
4. Use appeal to emotion or ethical belief
5. Relate a personal anecdote, or case study, or analogy
6. Clarify and defend positions with precise and relevant evidence
7. Clarify and defend positions including facts, expert opinions
8. Clarify and defend positions including quotations
9. Clarify and defend positions using expressions of commonly accepted beliefs
10. Clarify and defend positions using and logical reasoning
11. Address readers’ concerns, counter-claims
12. Address readers’ biases, and expectations
DESCRIPTIVE Q4
2.5 – Write business letters:
1. Provide clear and purposeful information and
2. Address the intended audience appropriately
3. Use appropriate vocabulary, tone, and style
4. Take into account the nature of the relationship with recipients
5. Take into account the knowledge and interests of, the recipients
6. Highlight central ideas or images
7. Follow a conventional style
8. Follow page formats, fonts, and spacing
9. Contribute to the documents’ readability and impact
2.6 – Write technical documents (e.g., a manual on rules of behavior for conflict
resolution, procedures for conducting a meeting, minutes of a meeting):
1. Report information and
2. Convey ideas logically and correctly
3. Offer detailed and accurate specifications.
4. Include scenarios, definitions, and examples to aid comprehension
5. Include a troubleshooting guide
6. Anticipate readers’ problems, mistakes
7. Anticipate readers’ misunderstandings
14
2005 1 2 3 4 5 6 7 8 9 10
August September September September September October October October October October
29 5 12 19 26 4 10 17 24 31
FALL Responsibility Requires Action
Quarter 1
Responsibility is the active side of morality: doing what I should do, doing what I say I will
Q1 do, doing what is best for everybody; especially doing the one thing I should be doing
right now.
HIGH SCHOOL PROGRAM READING The Circuit by The Color Purple by Julius Caeser by The Long Valley by
students prepare, read, respond, Francisco Jiminez Alice Walker William Shakespeare John Steinbeck
explore and extend a designated
portion from this text each day
STANDARDS W2.1 1 sequence 2 significance 3 specific 4 sensory details 5 movements 6 feelings
students master these standards tasks 7 interior monologue
through focused teaching and W2.2 1 grasp 2 grasp significant ideas 3 ideas viewpoints
coordinated daily learning opportunities W2.3 1 support thesis 2 perspectives
DAILY WRITING PRODUCTS cards comment and a question dialogue journal double entry journal letters poem postcards
every day students write from a quick write reading log simulated journal snapshot thought shot
prescribed writing prompt using one of
these specified writing products
DAILY LANGUAGE CONVENTION 83-106 98, 149-157 100, 107-116, 181-189, 332-335 167-172, 173-178,
Write AHEAD 361-368
www.scu.edu/ethics/publications/cblp
15
2006 1 2 3 4 5 6 7 8 9 10
Novembr November November November December December January January January January
7 14 21 28 5 12 2 9 16 23
FALL Change Requires Effort
Quarter 2
Change is possible. Change requires three things; a vision, a plan, and effort. It requires
Q2 changing bad habits to good habits. It requires effort even when I don’t feel like working.
It requires taking one step at a time.
HIGH SCHOOL PROGRAM READING Way Past Cool by Jess Mowry Their Eyes Were
Oliver To Kill A Mockingbird by Harper Lee
students prepare, read, respond, Watching God by
Twist by
explore and extend a designated Zora Neale Hurston
Charles
portion from this text each day Dickens
STANDARDS W2.1 1 sequence 2 significance 3 specific 4 sensory details 5 movements
students master these standards tasks W2.2 1 grasp 2 grasp significant ideas 4 detailed reference 5 stylistic devices
through focused teaching and W2.3 3 primary secondary sources 4 accurately coherently 6 significance facts
coordinated daily learning opportunities
MAJOR WRITTEN PRODUCTS story display display report
students will complete this major writing
product during this novel/play
ONGOING PROCESSES timeline word wall map kwl chart open mind portraits storyboard
the class completes these activities
together each day during the novel as
indicated on the lesson plan
VISUAL ORAL PROCESSES analytic cubing bookmark character show character trait mobile film comparison
each lesson includes at least one of g6 structure of text idea ads magazine layout main idea analysis media variant
these activities for individual or small plot cartoon postcards prediction posters radio script readers theatre
group student work each day after retelling rap setting sketch story box story collage story layout
discussion using the nine question story prop story retelling story sequel
types
DAILY WRITING PRODUCTS cards comment and a question dialogue journal double entry journal letters poem postcards
every day students write from a quick write reading log simulated journal snapshot thought shot
prescribed writing prompt using one of
these specified writing products
DAILY LANGUAGE CONVENTION 136-137, 139-143, 191-200 200-209 200-209 211-214, 215-218, 219-235
Write AHEAD
www.scu.edu/ethics/publications/cblp
16
2006 1 2 3 4 5 6 7 8 9 10
January February February February February March March March March April
30 6 13 20 27 6 13 20 27 3
WINTER
Justice Requires Restraint
Quarter 3
There are things I can not say or do to myself, any other person, or the planet
Q3 because justice demands it.
The actions I take and the decisions I make must respect the rights of all.
HIGH SCHOOL PROGRAM READING East Side Dreams by Art Hiroshima by John Watsons Go to Birmingham, Fallen Angels by
students prepare, read, respond, Rodriguez Hersey 1963 by Christopher Paul Curtis Walter Dean Meyers
explore and extend a designated
portion from this text each day
STANDARDS W2.1 1 sequence 2 significance 3 specific
students master these standards tasks W2.2 3 ideas viewpoints 4 detailed reference 7ambiguities, nuances
through focused teaching and W2.4 1 ideas and arguments 2 rhetorical devices 3 logic 5 anecdote 6 evidence
coordinated daily learning opportunities 11 readers’ concerns
MAJOR WRITTEN PRODUCTS persuasive essay persuasive essay oral history speech
students will complete this major writing
product during this novel/play
ONGOING PROCESSES timeline word wall map kwl chart open mind portraits storyboard
the class completes these activities
together each day during the novel as
indicated on the lesson plan
VISUAL ORAL PROCESSES analytic cubing bookmark character show character trait mobile film comparison
each lesson includes at least one of g6 structure of text idea ads magazine layout main idea analysis media variant
these activities for individual or small plot cartoon postcards prediction posters radio script readers theatre
group student work each day after retelling rap setting sketch story box story collage story layout
discussion using the nine question story prop story retelling story sequel
types
DAILY WRITING PRODUCTS cards comment and a question dialogue journal double entry journal letters poem postcards
every day students write from a quick write reading log simulated journal snapshot thought shot
prescribed writing prompt using one of
these specified writing products
DAILY LANGUAGE CONVENTION 101, 117-125 179-180, 284-286 159-166, 173-178 353-360
Write AHEAD
www.scu.edu/ethics/publications/cblp
17
2006 1 2 3 4 5 6 7 8 9 10
April April April May May May May May June June
10 17 24 1 8 15 22 29 5 12
SPRING
Courage Requires Moderation
Quarter 4
Courage is risk for a reason, not risk for a thrill; courage requires I moderate my impulses
Q4 and emotions. Courage leads me to consider the heroic journey in which people live for
purposes bigger than themselves and their wants and needs.
HIGH SCHOOL PROGRAM READING Parrot in the Oven by Victor Under the Blood Red Sun by The House of the An Island Like You
students prepare, read, respond, Martinez Graham Salisbury Spirits by Isabel by Judith Ortiz Cofer
explore and extend a designated Allende
portion from this text each day
STANDARDS W2.1 1 sequence 2 significance 3 specific 6 feelings
students master these standards tasks W2.2 3 ideas viewpoints 4 detailed reference 5 stylistic devices 6 appreciation effects
through focused teaching and 7 ambiguities, nuances
coordinated daily learning opportunities W2.6 – 1 information 2 logically 7 misunderstandings
DAILY WRITING PRODUCTS cards comment and a question dialogue journal double entry journal letters poem postcards
every day students write from a quick write reading log simulated journal snapshot thought shot
prescribed writing prompt using one of
these specified writing products
DAILY LANGUAGE CONVENTION 159-166 99, 237-244, 245-247, 248-251, 29-34, 145-148 29-34, 145-148
Write AHEAD
www.scu.edu/ethics/publications/cblp
18
2005 1 2 3 4 5 6 7 8 9 10
June June July July July July August August August August
SUMMER 20 27 4 11 18 25 1 8 15 22
Integrity requires that the way I live my life is whole, entire, undivided, sound, coherent
Q5 and principled. Integrity moves me to do difficult and new things not just easy and
accustomed things.
HIGH SCHOOL PROGRAM READING The Contender The Great Gatsby Jazz by Toni Morrison
students prepare, read, respond, by Robert Lipsyte by F. Scott Fitzgerald
explore and extend a designated I Never Promised You a Rose Garden
portion from this text each day by Hannah Green
STANDARDS W2.1 1 sequence 2 significance
students master these standards tasks W2.3 1 ideas and arguments 2 rhetorical devices 3 logic 6 evidence 7 expert opinions
through focused teaching and 8 quotations 9 commonly accepted beliefs 10 logical reasoning 11 readers’ concerns
coordinated daily learning opportunities 12 readers’ biases
DAILY WRITING PRODUCTS cards comment and a question dialogue journal double entry journal letters poem postcards
every day students write from a quick write reading log simulated journal snapshot thought shot
prescribed writing prompt using one of
these specified writing products
DAILY LANGUAGE CONVENTION 1-18 19-36 133-158 195-204
Woe Is I
www.scu.edu/ethics/publications/cblp
19
2006 1 2 3 4 5 6 7 8 9 10
June June July July July July July August August August
SUMMER 19 26 3 10 17 24 31 7 14 21
Integrity requires that the way I live my life is whole, entire, undivided, sound, coherent
Q5 and principled. Integrity moves me to do difficult and new things not just easy and
accustomed things.
HIGH SCHOOL PROGRAM READING Dragonwings by Laurence Yep Animal Farm by Lisa, Bright and Dark A Room of One’s
students prepare, read, respond, George Orwell by John Neufeld Own by Virginia
explore and extend a designated Woolf
portion from this text each day
STANDARDS W2.1 1 sequence 2 significance
students master these standards tasks W2.3 1 ideas and arguments 2 rhetorical devices 3 logic 6 evidence 7 expert opinions
through focused teaching and 8 quotations 9 commonly accepted beliefs 10 logical reasoning 11 readers’ concerns
coordinated daily learning opportunities 12 readers’ biases
DAILY WRITING PRODUCTS cards comment and a question dialogue journal double entry journal letters poem postcards
every day students write from a quick write reading log simulated journal snapshot thought shot
prescribed writing prompt using one of
these specified writing products
DAILY LANGUAGE CONVENTION 159-166, 173-178 101, 117-125 179-180, 284-286 353-360
Write AHEAD
www.scu.edu/ethics/publications/cblp