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50 - 50 - A Game of Fictional Positioning

The document describes a game mechanic called 50/50 for resolving uncertain outcomes in roleplaying games. When a character takes a risky action, the player flips a coin - heads for a best outcome, tails for worst. Examples show how the technique generates different story outcomes based on character abilities and situations.

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303 views2 pages

50 - 50 - A Game of Fictional Positioning

The document describes a game mechanic called 50/50 for resolving uncertain outcomes in roleplaying games. When a character takes a risky action, the player flips a coin - heads for a best outcome, tails for worst. Examples show how the technique generates different story outcomes based on character abilities and situations.

Uploaded by

amlo
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF, TXT or read online on Scribd
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50/50

A game of fictional positioning


By John Harper

When your character takes a risk and you're not sure which outcome should occur, do the
following:
● Consider the situation at hand and how its details interface with the capabilities of
the character.
● Take a coin. Think of a best outcome and assign it to 'heads'. Think of a worst
outcome and assign it to 'tails'. Flip the coin.
● Describe the outcome, based on the result of the coin flip.

Example One
Rodrigo, master duelist of the Dardi school, is accosted by three young bravos
in the street. They threaten to beat him if he fails to hand over his purse.

Rodrigo's player says that he will draw his sword and kill them.

Rodrigo is armed with his side-sword, is sober, and well out of the reach of the
three bravos. He is a master of deadly swordplay. The bravos are young, fierce,
slightly drunk, and ready for violence, but not especially skillful.

To 'heads' we assign this outcome: Rodrigo kills the first bravo with a cut from
the draw, punta riversa, then the second with a thrust to the heart. He is on his
guard, ready to finish the third if the bravo makes the slightest move.

To 'tails' we assign this outcome: Rodrigo kills the first bravo with a cut from
the draw, punta riversa, but misses the second strike as the second bravo
tumbles backward in mortal fear, entangled in his own cloak. Rodrigo is on his
guard, ready to finish the third if the bravo makes the slightest move.

-----

Example Two
Pietro, stable boy at the Two Owls inn, is accosted by three young bravos in the
street. They threaten to beat him if he fails to hand over his loaf of bread.

Pietro's player says that he will grab a stone from the ground and kill them.

Pietro is small and not especially strong. He isn't quick. He's never been in a
deadly fight in his life. The bravos are young, fierce, and ready for violence.
To 'heads' we assign this outcome: Pietro fumbles with the rock, drops the
loaf of bread, and takes only a savage kick to the ribs before the bravos saunter
off, laughing and munching on his lunch.

To 'tails' we assign this outcome: Pietro hits the first bravo in the nose with
the rock, enraging him. The bravos beat Pietro to a bloody pulp, leaving him
unconscious and dying in the gutter.

-----

Example Three
Pietro, stable boy at the Two Owls inn, is accosted by three young bravos in the
street. They threaten to beat him if he fails to hand over his loaf of bread.

Pietro's player says that he'll be as compliant as possible, stare at the


ground, and meekly hand over his bread.

Pietro is small and not especially strong. He is unassuming and


non-threatening.

To 'heads' we assign this outcome: Pietro hands over his bread and the bravos
take it, jeering. One of them feels bad about it, though, and sneaks back later
to give Pietro his portion.

To 'tails' we assign this outcome: Pietro hands over the bread, and he's such a
push-over that the bravos are emboldened. 'Sneak into the larder' they say
'and bring us a jug of wine to wash this down.'

-----

So, anyway, that's that. Fictional positioning matters, even in a game where every 'roll' is
always 50/50. The fiction shapes the boundaries of the resolution. It may affect the
mechanical odds of some outcomes but that isn't required. (That's a game design choice)
Right? Right.

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