`Learning Area

MAPEH 10 MUSIC
20th and 21st Century Multimedia Forms

Learning Delivery Modality Modular Learning Modality

TRECE MARTIRES CITY

School NAT’L HIGH SCHOOL – Grade Level Grade 10
CABUCO EXTENSION
LESSON Montemayor, Carl Jimuel
EXEMPLAR Teacher Learning Area MUSIC
N.
Teaching Date May 11, 2023 Semester/Quarter Quarter 4
Time Number of Days 1

a. Define Musical Plays;

I. OBJECTIVES
b. Presents an excerpt from a 20th or 21st century Philippine musical
c. Appreciates the similarities and differences between Philippine Musicals and to other
Western Musical plays.
 Demonstrates understanding of characteristic features of 20th and 21st century
C
opera musical play, ballet and other multimedia forms.
B. Performance  Performs selections from musical plays, ballet, opera in a satisfactory level of
Standards performance.
C. Most Essential
describes how an idea or story in a musical play is presented by watching a live
Learning
Competencies performance or video excerpt MU10MMIIIa-h-1

w Musical plays and Philippine Musical Plays

III. LEARNING
RESOURCES
A. References
1. Teacher’s Guide
Melc Guide, LM and TG MUSIC
pages
2. Learner’s
Music and Arts Learner’s Material pp. 3 – 41
Materials pages
3. Textbook pages Music and Arts Learner’s Material pp. 3 – 41
https://www.coursehero.com/file/84379090/DETAILED-LESSON-PLAN-IN-MUSICAL-PLAYdocx/
4. Additional https://www.youtube.com/watch?v=9QNMJOkOd_E
Materials from
Learning
Resource (LR) portal

B. List of Learning
Resources for
Print media, Slide deck, and YouTube links on the videos that will be discussed, Internet access,
Developmental and
and internet-ready devices such as laptops, desktop PCs or smart phones.
Engagement
Activities]
IV. PROCEDURES

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 a. Greetings
b. Prayer
c. Checking of attendance
Pre – Assessment
Learning Task 5: Am I Real?
Directions: Write T if the statement is True and write F if the statement is False on the space
before each number.
____1. The musical play is a popular and generally lighter form of musical drama than the opera.
____2. The acting in musical plays is more intense and dramatic than operas.
____3. One Filipino artist who attained international status on both London’s West End and
Broadway is Lea Salonga.
____4. Miss Saigon is a modern adaptation of Giacomo Puccini’s opera Madame Butterfly, which
also tells the tragic tale of a doomed romance wherein an Asian woman is abandoned by her
Caucasian lover.
____5. The musical play El Filibusterismo is a three-act play that was staged at the CCP Main
Theater.

Answers:
1. T
2. F
3. T
4. T
5. F

Activity 1: JUMBLE LETTERS!

_PE_ _ / OPERA

A. Introduction

TH_A_ _ R / THEATER

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N_LI _ _ T_NG_R_ / NOLI ME TANGER

_L F_ _IB_S_E_IS_O / EL FILI BUSTERISMO

OPERA IN THE PHILIPPINES

Opera is an art and music form in which singers and musicians perform a dramatic work
combining text (called a libretto) and a musical score, usually in an elaborate theatrical setting. It
incorporates many of the elements of spoken theater, such as acting, scenery, costumes, and
sometimes includes dance. The performance is typically given in an opera house, cultural center,
theater, or auditorium. It is accompanied by an orchestra or smaller musical ensemble. The
dialogue is entirely sung and not spoken.
Opera is part of the Western classical music form and tradition. It started in Italy at the end of the
16th century and soon spread through the rest of Europe.
Local Theaters and Early Philippine Operas
Local theaters, including the Zorilla, Principe Alfonso, Variedades, Quiapo and Tondo
Theaters, were the choice venues for the mainly Italian operas that came to the country, such as
Lucia di Lammermoor, La Boheme, La Traviata, and Aida. Later, other opera venues were
established, led by the Manila Grand Opera House and the Metropolitan Theater (Met).
The first Filipino opera is said to be to Sandugong Panaginip by Pedro Paterno, a poet,
novelist, musician, and government official. This was first presented at the Zorilla Theater on
August 2, 1902. It was later translated by the Englishman M.W. Loving with the title The Dreamed
Alliance.
Subsequent Filipino operas followed sporadically, such as Lakangbini by Patricio Mariano that
was staged at the Metropolitan Theater on December 19, 1933.The establishment of the Cultural
Center of the Philippines (CCP) by then First Lady Imelda Romualdez-Marcos in 1969 paved
the way for other Filipino operas to be staged at a legitimate venue of international standard.

NOLI ME TANGERE and EL FILIBUSTERISMO

Operas based on Rizal’s two novels. Noli Me Tangere and El Filibusterismo were composed by
National Artist Felipe Padilla de Leon. These were presented at the CCP Main Theater in 1970
and 1975, respectively. Noli Me Tangere and El Filibusterismo were later restaged also at CCP as
musical plays with new music composed by Ryan Cayabyab and new creative team.

I. LA LOBA NEGRA
La Loba Negra (The Black She-Wolf) is a three-act Filipino opera. Acts I and II are based on
history. Act III is based on a legend attributed to Fr. Jose Burgos. He was one of the three
martyred priests, Gomez, Burgos, and Zamora who were executed in Bagumbayan (now Luneta)

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 in 1872. The music was composed by National Artist Francisco Feliciano, with libretto by soprano
Fides Cuyugan-Asensio.
La Loba Negra was presented by the Cultural Center of the Philippines in cooperation with the
Asian Institute for Liturgy and Music at the CCP Main Theater from August 16 to 25, 1984 and the
2nd season in 1985. Ms. Asensio alternated with Eleanor Calbes as Dona Luisa/La Loba.

Background of the Opera

The story of La Loba Negra takes place during the 17th century of Spanish rule in the Philippines.
It revolves around the tragic assassination of Spanish Governor-General Bustamante. It also
focused on the bitter reaction and planned vendetta (revenge) by his wife Doña Luisa (La Loba
Negra) on the religious perpetrators.

II. NOLI ME TANGERE, THE OPERA

The three-act opera Noli Me Tangere was composed by National Artist Felipe Padilla de Leon,
with libretto by National Artist Guillermo Tolentino. It premiered in 1957 at the FEU Auditorium.
The cast included Juanita Javier Torres as Maria Clara, Don David as Ibarra, Fides Cuyugan-
Asensio as Sisa, Milo Cristobal as Padre (Father/priest) Damaso, and Morli Daram as the
director.

III. EL FILIBUSTERISMO, THE OPERA

The opera El Filibusterismo was composed by National Artist Felipe Padilla De Leon in 1970, with
libretto by Anthony Morli. It was in three acts and written in Tagalog. The casts included Fides
Cuyugan-Asensio as Paulita, Constancio Bernardo as Simoun, and Irma Potenciano as Juli. It
was staged at the Cultural Center of the Philippines.

ACTIVITY: Compare and Contrast

Directions: Cite the similarities and differences between noli me tangere and el filibusterismo
using the Venn diagram below.

B. Development

NOLI ME EL
TANGERE FILIBUSTERISMO

ACTIVITY#1: ACTING YARN!

The teacher will give a video or give a script on one scene in any film, opera, or theater
story and the students will act it while taking a video.
Links:
https://www.youtube.com/watch?v=U2mVQLJ6HAg – kabanata 1 el filibusterismo
https://www.youtube.com/watch?v=2KwmPBBg03k – kabanata 16 noli me tangere

C. Engagement

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 QUIZ!! - identification
6. What was the first Filipino opera?
7. Who wrote the novel Noli Me Tangere and El
filibuterismo?
8. He composed the Noli Me Tangere and El filibuterismo
9. Also known as a The Black She-Wolf.
10. Operas based on Rizal’s two novels.
Answers
D. Assimilation  Sandugong panaginip
 Jose Rizal
 Felipe Padilla De Leon
 La loba Negra
 Noli Me Tangere and El Filibusterismo

 The learners communicate the explanation of their personal assessment as

indicated in the Learner’s Assessment Card.
 The leaner will write their personal insights about the lesson in their notebook
using the prompts below.
V. REFLECTION
I understand that ________________________________.
I realize that ____________________________________.
I need to learn more about_________________________.