McNeil Normi

Canada

Artist page : https://www.free-scores.com/Download-PDF-Sheet-Music-normi.htm

About the piece

Title: Elegy for J.F. K.

Composer: Stravinsky, Igor
Publisher: B. & H. 19267
Style: Classical

McNeil Normi on free-scores.com

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First added the : 2022-02-11 Last update : 2022-02-11 19:37:27

 ELEGY FOR J. F. K.
W. H. AUDEN IGOR STRAVINSKY


= 104

       
           



      
tranquillo

a just man dies,

Baritono

   
                 3 
   
When La men ta tion

   
3
Clarinetto alto
(sounds as written)


 3         
   
          
    
5


  
Bar.

        
tenuto in

             
and praise, Sor row and joy are one. 


Cl. I

poco
{
Cl. sound as written

    3       


   

 
tenuto in 

marc.

Cl. II

 3            
                


         
marc.

Cl. alto
poco


marc.

B. & H. 19267
 2


                 3  
più

    
 
    

10


Bar.

    
    

               
Why then? Why there? Why thus, we cry, did he die?

 

3

Cl. I

{ { {


sempre

  
poco 

              


    
 ten.

 

3
Cl. II

      

   
poco

     

Cl. alto

© 1964 Boosey & Hawkes Music Pulishers Ltd. All rights reserved
Lyrics copyright © 1964 by W. H. Auden Tonsättning förbjudes
Printed in England

B. & H. 19267
3

marcato ma

      


      
       
3
15
3

   3 
     
Bar.

  
      
The Hea vens are si lent.


Cl. I

{ (
poco 

    
 
 )

      



sub.

Cl. II   
{
poco

 
          


   
    
sub.



Cl. alto

(

)


3 
    
 3  20        
       

 
         


  
Bar.

 
  
         
    
What he was, he was: What he is fat ed to be come De

   
Cl. I

              
   
sempre

     



Cl. alto

B. & H. 19267
 
           

       
   
4

  
3

 
      
Bar.

 
           
     
pends on us. Re mem ber ing

Cl. I
  
{

     
{ {

     
     
dolce sempre in

  

Cl. II


 
           
{

      
 
 
sempre in

   

     

Cl. alto
dolce

B. & H. 19267
        3               
           
5

  

25


Bar.

     
               
his death How we choose to live Will de cide its mean ing.


   
Cl. I

       
   
   
Cl. II

          
Cl. alto
      


tranquillo


           
come sopra

        
        
30


Bar.

   
    
        
        
  
    3   
When a just man dies, La men ta tion and praise,

  
 
3 3

Cl. alto


B. & H. 19267
  
     3         

    
6

    
35


 
Bar.

     
tenuto in

  
              
Sor row and joy are one.

Cl. I

poco

       


      
 
marc.


3

Cl. II
tenuto in


                     
 



     
poco
marc.

Cl. alto


marc.

B. & H. 19267
 Baritone ELEGY FOR J. F. K.
W. H. AUDEN IGOR STRAVINSKY


= 104


                                    


       
tranquillo


5

 
3

When a just man dies, La men ta tion and praise, Sor row and joy are one.


                    
            
più

 tenuto in    


 
10


3

 Why then? Why there? Why thus, we cry, did he die?

  3   3  15     
marcato ma

  
            3 
              


   
3


The Hea vens are si lent. What he was, he was: What he is

    
           25  
               
      
                
3
20

fat ed to be come De pends on us. Re mem ber ing hisdeath


tranquillo

  30 
 3        
                     
come sopra

           
        

How we choose to live Will de cide its mean ing. When a just man dies,

B. & H. 19267
     
                 
 
      
2

      
35


3

La men ta tion and praise, Sor row and joy are one.
tenuto in


B. & H. 19267
B♭ Clarinet 1 ELEGY FOR J. F. K.
W. H. AUDEN IGOR STRAVINSKY

  10

      
            
                          



= 104 5

3
{ {
poco {
 
 sempre
marc. ten.


    3
{

   
Cl. sound as written

 
                                 
poco
15


{ ( {
poco
 sempre

) 
sub.

 
            
      


           
              
     
20 25

{
{
{ sempre in
dolce 

   30        35

  
                         
 
poco


marc.

B. & H. 19267
B♭ Clarinet 2 ELEGY FOR J. F. K.
W. H. AUDEN IGOR STRAVINSKY

  



                                
     


         
= 104 5 3 10 3

tenuto in
{
  poco
marc. 

       15     

                           
    

{
poco


25    
sub.

 30  35 3  
  
 
                      

   
             
{ tenuto in
sempre in  
 marc.

 

B. & H. 19267
Alto Clarinet ELEGY FOR J. F. K.
W. H. AUDEN IGOR STRAVINSKY

    


        
    5   3  
       
= 104

          
           

  
3 3



           
  15          
   
            
       
10

poco
© 1964 Boosey & Hawkes Music Pulishers Ltd.
Lyrics copyright © 1964 by W. H. Auden (
All rights reserved
 

 
Tonsättning förbjudes

        20    
marc. Printed in England )

    
  
        

             
dolce

    

  
        
    
                   
        

     
3
25 30



            3            35          

          
   
poco

 
3


marc.
B. & H. 19267