Marketing in Turki
Marketing in Turki
IN TURKEY
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MARKETING MANAGEMENT
IN TURKEY
EDITED BY
SELCEN OZTURKCAN
Linnaeus University, Kalmar, Sweden
LIST OF CONTRIBUTORS ix
SECTION 1
BASICS OF MARKETING MANAGEMENT
IN TURKEY
CHAPTER 1.1 INTRODUCTION
Selcen Ozturkcan and Elif Yolbulan-Okan 3
SECTION 2
TURKISH MARKETING INSIGHT
CHAPTER 2.1 THE SHARING ECONOMY
IN TURKEY: A MARKETING PERSPECTIVE
Karaca and
Elif Yelseli, Hüseyin Sami 51
Özlem Hesapçı Karaca
SECTION 3
TURKISH CONSUMERS
CHAPTER 3 A REVIEW OF FACTORS AFFECTING
TURKISH CONSUMER BEHAVIOUR
İ. Taylan Dörtyol, Ayşen Coşkun and Olgun Kitapci105
SECTION 4
BUILDING BRANDS IN TURKEY
CHAPTER 4.1 CONSUMER–BRAND RELATIONSHIPS
IN TURKEY
Ezgi Merdin-Uygur, Umut
143Kubat and
Zeynep Gürhan-Canli
SECTION 5
CRAFTING MARKET OFFERINGS
IN TURKEY
CHAPTER 5 EXPERIENCE CONSUMPTION
IN TURKEY
Ezgi Merdin-Uygur223
SECTION 6
CREATE AND DELIVER VALUE IN TURKEY
CHAPTER 6 THE BIRTH OF OMNI-CHANNEL
MARKETING AND NEW DYNAMICS OF
CONSUMERS’ APPROACH TO RETAIL
CHANNELS
Selen Öztürk and Abdullah Okumuş247
Contents vii
SECTION 7
TURKISH WAY OF MARKETING
COMMUNICATION
CHAPTER 7.1 IMC: INTEGRATED MARKETING
COMMUNICATION
Elif Yurdakul and Aslı Bozdağ
275
SECTION 8
DIGITAL COMMUNICATION
CHAPTER 8.1 A SURVEY OF MARKETING
MANAGEMENT FOR THE VIDEO GAMES INDUSTRY
IN TURKEY
Sercan Şengün353
SECTION 9
DELIGHTS OF THE TURKISH MARKET
CHAPTER 9.1 WHEN DELIGHTS TURN BITTER:
CONSUMER RESISTANCE IN TURKEY
Melike Demirbag-Kaplan411
INDEX 455
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LIST OF CONTRIBUTORS
ix
x List of Contributors
xi
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SECTION 1
BASICS OF MARKETING
MANAGEMENT IN TURKEY
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CHAPTER 1.1
INTRODUCTION
The twenty-first century has set the stage for global economic power to shift
in favour of emerging countries. Emerging market economies have assumed
a crucial role in becoming significant drivers of global growth since the turn
of the millennium. Moreover, the ever-increasing complexity, fragility and
transparency of the world economy has taken its toll, leading to intense
suffering in developed countries, particularly on occasions of economic
crises, while emerging countries enjoy high growth rates. According to the
Euromonitor International’s report, emerging economies are expected to grow
approximately three times faster than the developed economies, which is to
account for approximately 65% of the global economic growth by the year
2020. Economies of the emerging countries are expected to rapidly catch up,
if not supersede, the progress of the developed countries by 2020. In a similar
vein, the Turkish economy is expected to grow bigger than that of Italy by the
year 2030 as forecasted in PWC’s The World in 2050 report.
Emerging countries are often associated with low per capita rapid growth,
high volatility, low maturity and higher than average return in using economic
liberalisation as their primary engine of growth (Hoskisson, Eden, Lau, &
Wright, 2000). Low per capita income is particularly known as the key driving
force of rapid growth in emerging countries. For instance, the economic growth
observed in 2011 in developed countries and emerging countries was at the level
of 1–2% and 3–4%, respectively. Higher growth rates were observed in emerg-
ing countries, which were defined by Zou and Cavusgil (2002) as the ‘coun-
tries that have low income but experience rapid economic growths’. Despite
the higher economic growth, emerging countries still involve certain challenges
and risks associated with their uneven regional development, inequality, weak
public governance and abundant environmental problems. Therefore, multi-
national companies aiming to enter and expand their businesses in emerging
markets need to tackle unique challenges as well as promising opportunities.
The value of local information, findings and know-how are obvious in
overcoming challenges involved with emerging markets. However, literature
on emerging markets is yet to emerge to attract more academic research. This
long overdue book aims to fill this gap by presenting fundamental marketing
management topics with the lens on Turkey as an emerging country. Focus is
dedicated to market potential with opportunities of marketing, standardisa-
tion and customisation possibilities. Findings presented about the Turkish
market also provide insights into similar emerging markets with an opportu-
nity to discuss common (mis)perceptions and (mis)conceptions.
Marketing Management in Turkey comprises nine chapters. The first
chapter aims to define the marketing environment and marketing history of
Turkey. During the early years of the establishment of the Republic of Turkey,
capitalism, industrialisation, modern marketing and consumer culture have
emerged as new concerns along with the adaptation of liberal policies. Later,
economic, cultural, historical, social and political forces have further shaped
the marketing landscape. The substantial development in manufacturing and
increased foreign trade had major impact on the adaptation of modern mar-
keting practices. Besides the dramatic shifts in political, economic and social
environment in the last century, the global and local ups and downs in the
new millennium also provide important reasons for thoroughly examining
the Turkish marketing landscape. Chapter 1.2 titled ‘From Bazaars to Digital
Environment: A Short History of Marketing in the Turkish Context’ pro-
vides an insight and a brief history regarding the development of the Turkish
marketing context throughout the years. Next, in chapter 1.3, titled ‘Business
Ethics, Marketing Ethics, Consumer Ethics, Sustainable Consumption and
Corporate Social Responsibility in Turkey’, awareness and involvement levels
about ethics and sustainability issues are discussed with real-life examples of
the Turkish market and consumers to provide cultural differences.
In chapter 2, ‘Turkish Market Insight’ is examined in two sub-chapters.
In addition to the impacts of global trends, such as green consumption and
voluntary simplicity, the Turkish market also has its own trends shaped by
the joint forces of East and West. These trends and the consumer culture in
Turkey need to be understood carefully by international companies intending
to do business in Turkey. Besides popular topics, such as consumption and sat-
isfaction, more unconventional topics, such as the sharing economy, presents
Introduction 5
a promising area to gain insight into the Turkish market. In chapter 2.1, titled
‘The Sharing Economy in Turkey: A Marketing Perspective’, the future of
the sharing economy in Turkey is discussed, and success indicators in the
Turkish market are compared and contrasted with that of the United States,
the United Kingdom and Brazil. The second part of chapter, i.e. chapter 2.2,
‘Analysis of the Turkish Market Research Industry: The Changing Role of the
Researcher’, intends to include marketing intelligence systems and opportuni-
ties to make use of big data in Turkey. The challenges and changes throughout
the market research environment are examined and the new roles of research-
ers and new perceptions of the research industry are discussed thoroughly.
Chapter 3, ‘A Review of Factors Affecting Turkish Consumer Behaviour’
includes cultural, social, psychological and personal factors of Turkish con-
sumers. As Sandıkçı and Ger (2002) state: ‘Turkish consumptionscape is
complex and multi-layered where different adaptations of the modern iden-
tity and modern consumption practices co-exist’. This highly dynamic nature
of consumptionscape provides highly interesting and inspiring insights for
other similar emerging countries. As a highly attractive market, recent trends
in both business and consumer markets are very crucial for global firms aim-
ing to adapt marketing strategies in Turkey.
Although many global economists have recognised substantial growth in the
Turkish economy, only a few Turkish brands have been considered truly global.
Recently, few Turkish brands such as THY (Turkish Airlines), Beko and Mavi
Jeans have been flourishing, yet many (e.g. Simit Sarayi) are investing heavily
in establishing emotional and functional connections with their international
consumers. Lately, Turkey has initiated a programme called TURQUALITY
to globalise its world-class domestic brands (Sheth, 2011). Thus, the attempts
in building global Turkish brands and also success and failure stories in build-
ing and managing domestic brands would put forward valuable branding les-
sons for all emerging and developed countries that aim to enter these markets.
In chapter 4, ‘Building Brands in Turkey’, three sub-chapters are included. In
chapter 4.1, ‘Consumer–Brand Relationships in Turkey’, a comprehensive and
well-informed analysis of the issues and practices involved in consumer–brand
relationships in the Turkish marketing context is examined.
Competitive dynamics of Turkey as an emerging market need to be analysed
by evaluating export, import and production capacities of Turkish manufac-
turing and service companies. Second part, chapter 4.2, titled ‘Competitive
Dynamics in Turkey’, aims to guide multinational companies and entrepre-
neurs in Turkey by explaining the competitive environment in the country.
In recent years, the branding concept has been applied to cities and
regions. Chapter 4.3, ‘Place Marketing in Turkey’, examined place branding
6 INTRODUCTION
campaigns in Turkey with regard to the role of social media, culture, movies,
mega-sports events and slow city concept via provided examples.
In chapter 5, the rise of experientialism in retail industries is studied, and
the social aspects of experiences are discussed in the context of third place
experiences. Chapter 5.1, titled ‘Experience Consumption in Turkey’ aims to
show how experientialism is adapted within the Turkish marketing context by
providing some empirical findings.
Along with the global advancements in technology, the one-size-and-one-
type-fits-all approach in supply chain is becoming obsolete. Examples pro-
vided give insights on how the Turkish marketing landscape copes with this
trend, which necessitates faster, leaner and more responsive strategies. In chap-
ter 6.1, titled ‘The Birth of Omni-Channel Marketing and New Dynamics of
Consumers’ Approach to Retail Channels’, the latest trends in marketing chan-
nels are discussed with regard to emerging digital technologies and relevant
success factors, challenges and opportunities in implementing the related omni-
channel strategies. Several omni-channel initiatives from Turkey are reported.
Regarding the conventional media in Turkey, TV advertising is yet to hold
the majority share of the industry’s revenue stream. A creative advertising
festival named ‘The Crystal Apple Award’ has been organised for more than
30 years, while Effie competitions exist for performance-based indicators. Both
indicate high devotedness of Turkish advertising and marketing professionals.
Besides the promising advertising landscape, Turkey has also its special limita-
tions related with its social, legal and cultural sub-differences. The advertising
and digital market is booming in Turkey. According to PwC’s Global enter-
tainment and media outlook 2014–2018 report, Turkey is the second-largest
Internet advertising market in Europe. Social life, business and marketing
arena are highly affected by the Turkish consumers’ high Internet access ratio.
Unlike many other countries, recent technology enables Turkey to evolve as an
online trendsetter market within its region. Thus, this chapter focuses on the
digital revolution in Turkey, with its impact on marketing practices.
Moreover, controversial advertising practices related to religiosity, gender,
stereotyping, sexuality, obscenity and violence need a deeper investigation. In
chapter 7, there are three sub-chapters on the Turkish way of marketing com-
munication. In chapter 7.1, ‘IMC: Integrated Marketing Communication’,
the IMC concept in Turkey is elaborated upon and a worldwide popular case
of ‘Nusret’ is provided as an example. This case provides insight into crea-
tivity in advertising coupled with modern integrated marketing communica-
tion methods. Next, contemporary ways of using traditional mass advertising
based on Turkish brand experiences are discovered. Chapter 7.2 titled ‘Is the
Advertisement Really Dead? A Case Study of Filli Boya,’ points out how TV
Introduction 7
REFERENCES
Hoskisson, R. E., Eden, L., Lau, C. M., & Wright, M. (2000). Strategy in emerging economies.
Academy of Management Journal, 43(3), 249–267.
Sandıkçı, O., & Ger, G. (2002). In-between modernities and post-modernities: Theorizing Turkish
consumptionscape. In S. M. Broniarczyk and K. Nakamoto (Eds.), Advances in consumer
research (Vol. 29, pp. 465–470). Valdosta, GA: Association for Consumer Research.
Sandıkçı, O., & Ger, G. (2009). Islam and consumption: Beyond essentialism. In A. L. McGill &
S. S. Duluth (Eds.), Advances in consumer research (Vol. 36, pp. 210–213). MN: Association
for Consumer Research.
Sheth, J. N. (2011). Impact of emerging markets on marketing: Rethinking existing perspectives
and practices. Journal of Marketing, 75(4), 166–182.
Yolbulan Okan, E., Ozaykun, C., & Beser Gol, S. (2014, July). Profiling the Turkish anti-
consumers. In International ınterdisciplinary business-economics advancement conference,
Istanbul, Turkey.
Zou, S., & Cavusgil, S. T. (2002). The GMS: A broad conceptualization of global marketing
strategy and its effect on firm performance. Journal of Marketing, 66(4), 40–56.
CHAPTER 1.2
FROM BAZAARS TO DIGITAL
ENVIRONMENT: A SHORT
HISTORY OF MARKETING IN THE
TURKISH CONTEXT
ABSTRACT
INTRODUCTION
This chapter tries to discuss the development of marketing thought in Turkey
in a chronological flow. Development of marketing thought has always been
connected to historical, social, political, technological and economic fac-
tors, so we have tried to mention all the important points that have affected
the emergence and application of marketing models. Understanding and
analyzing the history of marketing in Turkey is of relevance for a couple
of reasons. Turkey is considered to be on the path of making a transition
to a modern industrial economy (Karaduman & Vohra, 2015). Turkey has
economic and political influence of power not only in the Mediterranean
but also in the West Asian and Middle East regions. Besides having a high
potential in terms of market attractiveness for foreign investors, foreign
operations and foreign direct investments (FDIs), Turkish Multinational
Corporations (here after MNCs) are steadily increasing in different parts
of the world. Turkey is a unique case to analyse in terms of the marketing
thought and trends perspective with its positive foreign investment climate
and opportunities, well-developing marketing orientation and structure of
consumption based on new trends, values and shopping patterns (Bilgin,
Sriram, & Wührer, 2004).
The contemporary, or most commonly used, understanding of marketing
originated in the 20th century Western culture. Marketing is considered to
be a dynamic concept that requires constant adaptation of firms and their
applications to the needs and desires of the consumers. In fact, this under-
standing of marketing was already rooted in Turkish culture long before. As a
matter of fact, the traditional trade manners were based mostly on customer
hospitality, service and satisfaction by responding to customer need as a pri-
ority. Turkish merchants have developed marketing practices that have been
always somewhat unique. Most of the Turkish trade shops carry a motto that
puts customer in front and says ‘Müşteri Velinimetimizdir’ (Customer is the
benefactor). With time, Turkey started learning modern concepts of business
From Bazaars to Digital Environment 11
from the Western world. However, as discussed and explained below, it gradu-
ally had its own unique ways of managing marketing activities.
One of the main turning points for Turkish marketing history were the
1980s. By the adaptation of neoliberal policies by both government and soci-
ety itself, introduction phase of foreign trade investment is accelerated, which
resulted in enhanced information flow that changed marketing practices.
Interestingly, all of these developments in business and marketing understand-
ing occurred in parallel with the world. There are many companies in Turkey
which follow and implement marketing-oriented management philosophy
(ensuring consumer satisfaction with the profitability of the firm), although
not in all sectors. Old school production or sales orientation is still prevalent in
some sectors (such as iron and steel, construction, etc.). Apart from explaining
the historical phases of Turkish marketing, we try to discuss and suggest that
a strategic vision is needed for an MNC wishing to enter the Turkish market.
Introduction of consumer products can be traced back to the invention
of the wheel, and after the first invention, humankind realised that what is
consumable is marketable. Therefore, it is safe to suggest that development
of marketing, in thought and practice, has always been hand-in-hand with
the evolution of humankind. Modern Turkey, or Anatolia, one of the cra-
dles of civilisation located in the Fertile Crescent, or in other words Old
Mesopotamia, has always been the centre of trade and marketing.
The classical historical approach suggests that the geopolitics of Turkey
have been always significantly important. The majority of all essential trade
roads to the West, the lifeblood of global trade, long before globalisation
was introduced, have passed through these lands. Even though empires col-
lapsed and trade roads have changed; the importance of marketing has never
decreased in this part of the earth. In order to survive within an environment
that was fiercely competitive even in past eras, marketing has been a tool for
creating competitive advantage. Turkish merchants have developed market-
ing practices that have been always somewhat unique when compared with
stereotypical cultural schools mainly due to a multicultural context of geo
graphy and interaction with other nations.
Even though multinational bazaars were so intense and merchants and
goods from all around the world could be found in the big cities of imperial-
ist era, establishment of modern Turkey and grounds for a protective closed
economy (etatism) have been a somewhat of setback in developing modern
marketing practices within the country. However, this etatist economy was
necessary for a young republic to flourish. The etatist economic principles that
were u tilised/implemented during the era of 1923–1950 became a powering
tool for the Turkish economy. The military coup in 1980 and the introduction
12 EDA AYLIN GENC AND METEHAN IGNECI
affected by the influx of foreign goods but even the biggest empire of the time,
the British Empire, needed to take steps to protect local commodities against
the flood of Germany-originated products.
Before moving into the transformation of oriental bazaars into digital
marketplaces, singling out a specific date as the beginning of an epoch for
marketing practices would be a milestone to refer to. Finding a specific start-
ing point will be quite difficult due to controversial history revolving around
the issue. Nevertheless, the following section will try to analyse and under-
stand the development of marketing thought in Turkey by taking the starting
point as the downfall of Ottoman Empire.
In the light of this economic and political structure of the time, it is hard
to follow the birth of the domestic marketing scene. Companies, particularly
from continental Europe and Great Britain, were active within the national
Ottoman market. Annuaire Oriental, one of the major sources regarding
the activities of Western companies within the borders of Ottoman Empire,
issued yellow page advertisements of companies particularly active in the rich
turfs of Istanbul such as Beyoǧlu and Pera, although the wants, needs and
tastes of regular cities of the Ottoman Empire were also reported and docu-
mented (Kose, 2008).
Kupferschmidt (2007) studied the activities of Singer sewing machine’s
history within the Ottoman borders as one of the first mass-produced con-
sumer goods marketed all over the world. In a sense, this machine may be the
first product that has been consumed by many households spreading all over
the globe, even before McDonald’s was founded (Davies, 1976; Godley, 2001;
Kose, 2007).
Apart from the flow of foreign products into the markets of Istanbul, Egypt,
Smyrna and other trade centres of the Empire, there was a societal change in
the capital owners as well. As the powers of Sultan and his national subjects
decreased, capital started to become more ‘cosmopolitan’. Capital owners of
European and Levantine descent, supported by the Ottoman elite bureau-
crats, attracted foreign brands. Nestlé, as a pioneering multinational com-
pany in the Ottoman Empire, became active. The activities of Nestlé of
that time provide important insights in the development and emergence of
marketing activities within the Ottoman Empire of the considered era with
limited resources.
According to Kose (2007), Nestlé agents were directly involved in activities
with pharmacists in Istanbul. This makes an impression that direct marketing
with respect to modern terminology was the most active method, although
distribution channels in other big cities were established. Nevertheless, it is
safe to suggest that the efficient and effective way to reach the consumer was
by using newspaper advertisements. Nestlé was advertising in newspapers
that were active in local environment, such as the ones in Thessaloniki, or
in well-known local European newspapers of that time, such as the Levant
Herald.
After some time, newspaper advertising was so effective and efficient that
many local producers came to a point of bankruptcy. For example, nearly
1,500 businesses operating in the Bursa region closed their doors, as they
could not compete with foreign products. Another interesting example from
the Ottoman era regarding marketing practices is the war for ‘fez.’ Fez was
the hat of that era particularly worn by the Muslim population. Referred to
From Bazaars to Digital Environment 15
as the first positioning and creating brand loyalty practice in the Ottoman
history through press advertisements, national producer ‘Feshane’ had issued
a newspaper advertisement that discredited foreign products in the market.
Even though the national producer lost this effort to gain the upper hand
against the foreign fez in the market, this provided an important insight for
researchers who were interested in the emergence of marketing in Turkey
(Cakir, 2004). The following section will follow the footprints of marketing in
Turkey with the foundation of the modern Republic.
Great Depression of the United States, the liberal motives were abandoned
and relationships with the Soviet Union were strengthened. Problems in the
US economy influenced prices of Turkey’s main export products, that is,
tobacco and cotton, whereas the debts inherited from the Empire were other
factors that led the emergence of etatist practices (Takim & Yilmaz, 2010).
So, it could be said that the etatist movement, from an economic perspec-
tive, paved the way for the domination of marketing campaigns of the prod-
ucts that were produced by the government. As aforementioned, it is hard
to come across an academic study that investigated the marketing practices
of that period, but Akcura’s (1994) book provides a case study of Asprin’s
journey to promote the product between 1925 and 1944. Another controver-
sial source of information is the modern criticism from certain politically-
influenced newspapers regarding the marketing campaigns to encourage
state-produced alcohol usage issued in the 1930s.
to benefit from the increased market share. The primary difference existed in
regularity. While foreign companies were constantly repeating their research
activities, it was a one-time event for most of the Turkish firms.
Yavas’ (1983) forecasts regarding the following decades were on the spot.
He was the first to envision and ensure that there was a possibility of a bright
future for marketing in Turkey. The first indications came in the 1990s with the
adaptation of foreign products into the Turkish society. The passion for dif-
ference without considering other factors had substituted itself with quality,
performance and concerns of design. As competition in the market and the
socio-economic welfare increased in the society, consumer concern started to
shift towards buying the right product at the right time; thereby differentiation
strategies started to become popular. Naturally, corporations began to focus on
their promises in their marketing communications. The chain-breaking develop-
ment in marketing practices for Turkey was, in fact, the introduction of privately
owned TV channels. Scientific studies have enormously served the intellectual
segment of Turkish society, particularly the business elites who are mostly uni-
versity graduates. Nevertheless, what brought marketing to the general public is
the television. Since its slow introduction in the 1970s, television became an inte-
gral piece of household equipment as time passed, thanks to neoliberal policies.
Some may suggest that the current status of marketing practices are still
lagging behind the rest of the world, but, in fact, combination of unique his-
torical values with modern trends are producing important results.
The ability to market internationally has become the most significant asset
in today’s globalised markets. Most of the MNCs are in need of expanding
their opportunities outside their domestic markets, and when firm plans to
grow across new markets, it strives towards a global path in marketing its
assets. Understanding the market is the primary step that should be taken in
today’s global markets. While firms are aiming to become global, marketing
their goods and services on an international basis with suitable targeting and
positioning of the company’s goods becomes essential, and it is this situation
where international marketing abilities are developed.
Today’s scientists and thinkers accept and insist on one truth regarding the
adaptability of marketing thought models; that it is wrong to compare devel-
opment plans of advanced industrialised economies with those of developing
countries or apply them as they are. What is needed for an MNC that wants to
operate in a developing market is understanding macro and micro conditions;
its economic, social and historical stages initially and then an in-depth analy-
sis of its own conditions to choose the most effective and appropriate plan
suitable for its conditions; in a way, the customisation of marketing models.
Generally speaking, in advanced countries, there is an environment of
conscious buyers’ and sellers’ market in which a mass production – mass con-
sumption system and breakout competition – takes place. In Turkey, such an
environment is still developing and the necessary conditions of this environ-
ment have not been steadily rooted and advanced. What is needed for a firm
that wants to operate in the Turkish market is a customised marketing model.
Due to globalisation of capital, operations and profits, there has been
an increasing interest in the strategic decision-making regarding marketing
mix. One of the most debated strategic decision-making centres is, whether
it is more appropriate to pursue a marketing strategy based on standardisa-
tion or adaptation of various marketing mix elements. There is a consensus
that standardisation is the use of the same marketing programme in different
countries (Jain, 1989; Levitt, 1983; Ozsomer & Simonin, 2004). On the other
side, adaptation can be defined as the extent of marketing mix elements for
external markets in order to adjust to differences in the environment, con-
sumer behaviours and competitiveness. Thus, adaptation means the use of
specific strategies for different countries or regions.
Studies about standardisation started in the 1960s; Elinder (1965) was the
first to analyse the standardisation of promotion, and since then the main
interest has focused on the communication and product elements of the mar-
keting mix.
Incorrect adaptation or non-customised implementation of marketing
models causes firms to be unable to accomplish their objectives. For instance,
24 EDA AYLIN GENC AND METEHAN IGNECI
the conditions under which they operate (Tosun, Okumus, & Fyall, 2008).
What should be noted are economic conditions and business policies,
country-specific conditions, changes in the pattern of tourism demand for a
country and structure of international tourism industry – all these influence
marketing orientations of a company in a developing country.
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CHAPTER 1.3
BUSINESS ETHICS, MARKETING
ETHICS, CONSUMER ETHICS,
SUSTAINABLE CONSUMPTION
AND CORPORATE SOCIAL
RESPONSIBILITY IN TURKEY
ABSTRACT
Throughout history, the actions of human beings have been analysed based on
ethics. In every aspect of human life, ethics is an essential element, and busi-
ness life is no exception. Business ethics, and marketing ethics in particular,
has been a subject of interest in both the academic and business world. Apart
from doing what is perceived as correct, acting in a socially responsible and
sustainable manner becomes compulsory, as the changes in ecological and social
environment necessitate this. There have been warning signs from nature such
as environmental disasters and climate change, and it is no longer possible for
for firms or individuals to continue with previous behaviours. Acting as if the
world’s resources are limitless has caused damage to the environment. A new
way of thinking and behaving is needed. The awareness and involvement levels
about sustainability and social responsibility are not the same everywhere in
the world. Culture has significant impact on perception of social issues such as
social responsibility and sustainability. Turkey, as a developing country with its
own cultural dynamics, differs from developed Western countries which makes
analysing consumer ethics, corporate social responsibility and sustainable con-
sumption in Turkey worthwhile.
In this chapter, concepts of business ethics, marketing ethics, consumer eth-
ics, sustainable consumption and corporate social responsibility are dis-
cussed with specific examples from Turkey.
Keywords: Business ethics; marketing ethics; corporate social
responsibility; consumer ethics; sustainable consumption; ethics
INTRODUCTION
What is right, what is wrong, how shall one behave and what would be the
consequences of these behaviours, have been and will be major questions
for humankind. Firms as legal entities also face the consequences of their
actions, thus the business world must also pay attention to ethics. Behaviour
which is seen as right and appreciated by people differs from one culture to
another. In this chapter, ethics in the business world, especially marketing
ethics and corporate social responsibility (CSR) in Turkey with its idiosyn-
cratic business environment, will be discussed.
Another subject area of this chapter is sustainable consumption. As of
2017, the world population is 7.5 billion, and by 2050, the world population
is projected to be 9.7 billion. In 2014, 54% of the world population was living
in urban areas, and by 2050, it is projected to be 66%. These changes cause
decreases in water and food reserves, ecosystem damage and climate changes,
which have become overt and necessitate immediate action. Expeditious pop-
ulation growth, economic growth and technological improvement in the 21st
century made it impossible for humankind to ignore the need to look at the
world from a different viewpoint and handle issues with a different approach
that is to say, in a more in a more responsible and sustainable way.
ETHICS
The word ‘ethics’ has its roots in Greek word ‘ethos’, meaning charac-
ter, habit, custom and ways of behaviour. In Turkish, the concept of
Business Ethics and Corporate Social Responsibility in Turkey 31
morality stems from the Arabic word ‘hulk’, which means character and
trait. Ethics indicate the most important rules and customs in a society.
Ethics is defined as
In short, ethics is the study of good and bad. On the other hand, busi-
ness ethics studies the goals of a business, activities to reach these goals, the
responsibilities and the behaviour of the employees, and afterwards define
those as good or bad, right or wrong (Bolat & Seymen, 2003). Business eth-
ics is applied ethics dealing with all ethical problems that might be faced in
business settings.
It can be said that literature of business ethics emerged in the 1920s (Bartels,
1967). Interest in the issues of business ethics has been increasing since then.
Most of the structured work in the area of business ethics started after the
1990s. Nongovernmental organizations’ (NGOs) interest in the area of business
ethics also increased during this period. The first attempt in this area was made
in 1995 by the Turkish Industry and Business Association by adding principles
of business ethics into its regulations. Charitable foundations specialised in busi-
ness ethics were established after the 2000s. The first two were the Ethical Values
Centre Foundation Turkey and the Turkish Entrepreneurship and Business Ethics
Association. The first business ethics summit was held in 2000 with aims such as
discussing the current state of business ethics in Turkey and making ethical busi-
ness practices widespread (Fortune Turkey, 2016).
Apart from NGOs’ actions, government reforms and regulations are also
crucial. Turkey ranks 64 out of 175 (1 indicating the lowest level of corrup-
tion) on the corruption perceptions index, which measures the levels of per-
ceived corruption. According to Rawwas, Swaidan and Oyman (2005), there
is significant practice of ethical violations conducted by politicians and busi-
ness professionals in Turkey. Reforms and structural regulations during the
EU harmonisation process increased interest in the area of civil service ethics.
In 2005, the Board of Ethics for Civil Servants (KGEK) was established for
developing a framework and monitoring ethics-related issues. With KGEK’s
efforts, regulations related to ethics were gathered, and this made it possible
to evaluate civil servants on the basis of ethics (Yüksel, 2005).
When the ethical atmosphere in the private sector is analysed, bribery,
tax extortion, deceptive advertising and unsafe product production can be
seen (Ekin & Tezolmez, 1999; Ergeneli & Arıkan, 2002). It can be said that
unethical practices such as producing unsafe products, tax fraud and decep-
tive advertising are commonplace in Turkey. As the regulations in Western
countries mandate firms to operate with the goals of social responsibility and
ethical standards, global firms for the sake of standardisation apply the same
rules everywhere. As Turkish firms imitate these practices of global firms to
remain competitive, such practices have become market requirements. Ekin
and Tezölmez (1999) stated that 44% of the Turkish companies have a writ-
ten code of conduct. Another study analyzing ISO 500 firms reveals similar
results, stating that 54% of the respondents stated that there are written busi-
ness ethics codes in their organizations (Özgener & Kaya, 2003).
MARKETING ETHICS
Among all functional departments, marketing is the one that is most
closely associated with unethical practices. Marketing is the department
Business Ethics and Corporate Social Responsibility in Turkey 33
CONSUMER PROTECTION
In order to ensure ethical marketing practices and to protect customers, there
are certain government interventions along with the activities of NGOs.
Consumer protection means spending communal resources in the areas
which increase community welfare, health and education levels, and encour-
aging businesses to develop consumer-focused policies Organization (2001).
Consumer policy is mainly based on educating, informing and protecting
consumers (Özdoğan, 2007). 1982 Constitution Article 172 declares that the
state takes precautions protecting and informing consumers and supports
consumers’ self-protection initiatives. Owing to technological improvements,
consumer protection practices have become easier to apply and are more
widespread. Currently as the e-government systems allow, consumers can file
complaints via an online system: turkiye.gov.tr. NGOs, such as Consumer
Rights Association and Consumer Protection Association, aim to create
awareness among customers about their rights and what can be done against
unfair customer treatment practices.
For the purpose of customer protection, deceptive advertising should be
precluded. In 2015, the Board of Advertisement imposed penalties of 9.4
million TL on firms advertising contrary to legislation. (Tüketiciyi Aldatan
Reklamlara Ceza, 2016).
CONSUMER ETHICS
Consumers are not the victims of unethical behaviour in all cases, but in
some situations their acts cause harm to businesses (Ghosh, Fullerton &
Taylor, 1997, Wilkies, 1978). It is stated that in the process of consumption,
consumers show unethical behaviour in the following three situations: during
the purchase from the retailer, consumption and product disposal (Vitell &
Paolilo, 2003).
Consumer ethics is ‘the rightness as opposed to the wrongness of certain
actions on the part of the buyer or potential buyer in consumer situations’
(Dodge, Edwards, & Fullerton, 1996, p. 823). Muncy and Vitell (1992) defined
consumer ethics as moral principles and rules directing behaviour during the
purchase, use and disposal of goods/services. Nebenzahl et al (2001) stated
that consumer ethics is the reaction of consumers against firms’ and their
own unethical practices.
The evolution of consumer ethics stems from general ethics, specifically
from business ethics and organisational ethics (Arslan, 2005).
Business Ethics and Corporate Social Responsibility in Turkey 35
Loucks (1987) proposed that the market is based on mutual trust among
participants, although both buyers and sellers act in ways favouring their own
economic interests. Fullerton, Taylor and Ghosh (1997) mentioned that in
order to continue exchange, reciprocal trust is a precondition, and if one of
the parties violates ethical rules, this might prevent the exchange and end the
relationship.
Research examining consumer ethics can be analysed in six different
groups. The first type studies only a single item of unethical behaviour, such
as shoplifting. It is stated that retailers lose 8% of their annual sales because
of shoplifting (Van Kenhove et al, 2003). Cox and Moschis (1990) in their
study found that male consumers shoplift more than females, and the authors
also stated that the desire to possess a product, experiences and socioeco-
nomic factors are the causes of shoplifting in adolescents. Global retail crime
in 2014 costed USD 128.5 billion (Global Retail Theft Barometer, n.d.). The
situation is not so different in Turkey, A customer survey ethics study con-
ducted in Turkey suggests that buying counterfeit products is very common,
70% of printed publication and 70% of CDs and DVDs are counterfeit in
Turkey (Pekcan, 2010).
A second branch of research studies difference in consumer percep-
tions of acceptable consumer and business practices. Folkes and Kamins
(1999) proposed that consumers’ perceptions of the ethical behaviour of
firms is personal and subjective. They stated that consumers react more
strongly to the evaluation of unethical practices than to ethical practices.
Attitudes are affected more by vices than virtues (Reeder & Brewer, 1979).
Consumers’ ethical sensitivity affects the perception of ethical situations
or dilemmas.
Consumers reward or punish a firm based on their expectations and percep-
tion of the firm’s ethical behaviour. If the consumer cannot differentiate between
the competing firms or products by other features, the ethical behaviour of the
firm can create an opportunity for differentiation (Creyer & Ross, 1997). When
consumers perceive ethical problems in a firm, their intention towards product
purchase from that firm and general attitude towards the firm are affected nega-
tively (Alexander, 2002; Kurtuldu, 2009; Smith & Cooper-Martin, 1997). Also,
Vitell and Munchy (1992) stated that consumers behave more ethically towards
firms about whom they have formed a positive attitude. Consumers’ ethical eval-
uation and judgements about firms affect their attitudes towards the firms, and
this is very important for marketers. Consumers’ perceptions of unethical prac-
tices of businesses have a great effect in the marketplace (Pitts, Wong, & Whalen,
1991). As time grew on, consumers recognise firms that try to respond to ethical
and social effects in the marketplace (Gundlack & Murphy, 1993).
36 HANDE BEGÜM BUMIN DOYDUK
SUSTAINABLE CONSUMPTION
The economic system starting from the age of industrialisation aims at unlimited
economic growth and prosperity. The dominant worldview of Western/northern
society, or so to say the dominant social paradigm, can be summarised as
the belief in unlimited abundance and progress, devotion to material growth, faith in the
power of technology, commitment to a laissez-faire economy, minimal government inter-
vention, and unlimited private property rights. (Prothero et al., 2011).
Since the establishment of the Republic of Turkey in 1923, there has been
rapid and sustained economic and institutional developments. Starting from
the early 1980s, as Turkey moved from state-centred import substitution poli-
cies to economic liberalisation, its society, economy and politics have gone
through discernible changes (Berna & Turunç, 2011). With higher incomes,
households have gained access to more consumer goods. Consuming more
and more and forming an identity through possessions became a general ten-
dency in the society. Along with continuous population increase, issues of
sustainable development and consumption have gained importance in Turkey
(Şener & Hazer, 2008).
In Turkey, sustainable development targets for 2030 are classified under 17
subject areas, sustainable consumption is one of them. The goals for the year
2030 in terms of consumption are reducing per capita food waste by 50% and
increasing the sustainability awareness level.
Consumers should be educated about the limited resources of the planet
and how to use these resources effectively and efficiently. Aksu and Gelibolu
(2015) have investigated the attitudes of university staff towards sustain-
able consumption. They have observed that consumers’ income levels have
significant effect on sustainable consumption, and if the income is high
then consumers show positive attitudes towards sustainable consumption.
Aksu and Gelibolu (2015) state that in order to disseminate sustainable con-
sumption behaviour, the academic environment should support the idea of
sustainability with solid scientific arguments, firms should put a variety of
programmes into practice which motivate sustainable consumption, politi-
cal decision-making bodies should make necessary legal arrangements, and
individuals should transform their consumption behaviours to become more
sustainable.
Above all, firms should also be aware of their responsibilities and act
accordingly. CSR has been a well-known and appreciated concept around the
world, and lately also in Turkey the level of awareness has increased.
reports (Porter & Kramer, 2006). Recently, more and more companies have
been executing CSR campaigns. Companies communicate these campaigns
on both social and mass media, as they expect consumers to appreciate their
CSR campaigns and support them.
Responsibilities of Corporations
philanthropic activities. Although the state moved out of the public arena
and tried to improve and increase the mutual dependency with private
sector, citizens still expect state intervention by saying ‘state should help’
(Çarkoğlu, 2006).
The majority of firms in Turkey are family-based, which is an obstacle for
the improvement of corporate governance and CSR concepts. Having few
stakeholders apart from family members inhibits the development of CSR
activities (Aycan, 2001; Yamak & Süer, 2005). Tutar and Aygen (2006) stated
that in small- and medium size enterprises, awareness of proactive ethics
and social responsibility have not yet reached the desired level. According
to another private sector research, the most successful social responsibility
projects belong to the big conglomerates: Koç Holding, Sabancı Holding,
Turkcell, Doğan Holding, Yıldız Holding-Ülker, Enka, Coca Cola Company,
Arçelik-Beko, Zorlu Holding and Abdi İbrahim (CSR, 2017). It can be con-
cluded that conglomerates lead CSR practices in Turkey.
Augerviere, Devinney, and Louviere (2006) in their study analysed the rela-
tive importance of social and ethical issues for people in different cultures.
Turkey was one of the six countries studied. Human rights, working condi-
tions, child labour, gender, racial and religious rights and living conditions
were the most important issues for Turkish people. On the other hand, the
relative importance of issues such as biodegradability, recyclable materials,
product disposability and animal rights were relatively very low for Turkish
people.
Another study conducted in Turkey by Tuncay (2006) supports these
results. According to the study, Turkish people mostly support education or
health-related social responsibility projects, more than 50% of the respond-
ents stated that they were willing to support education and health-related
projects, while only 4.7% were willing to support CSR projects related to
human rights improvements.
Not only the academic world but also the private sector is interested in
CSR research. For 12 years Capital Magazin and GFK Research Companies
have been conducting a study in which the most successful CSR campaigns
and firms are evaluated and ranked by the respondents. According to 2016
results, the most successful CSR projects (KSS Projeleri, 2016) in Turkey
were as follows:
In Turkey, equal opportunity in education and health are not yet at the
desired level, thus people think they are the most important areas requiring
help from the corporate world. Apart from health and education, another
big problem in Turkey is the increasing domestic violence and violent and
sexist behaviour against women. Creating awareness about the subject in gen-
eral society and among victims is very important, thus CSR projects such as
‘No! to Domestic Violence’ has gained awareness and support in a very short
period of time. The CSR projects, especially designed for Turkish society,
and hitting the high spots of problems specific to Turkey, are supported and
internalised more than global CSR projects.
Although most of the CSR projects are conducted with the help of NGOs
in Turkey, they do not exert as much pressure as the ones in Western coun-
tries. Also, there is no law or regulation directly related to CSR in Turkey.
In 2003, SPK (Capital Markets Board) imposed an obligation on firms to
publish corporate governance compliance reports, which forced firms to put
more emphasis on the subject.
CONCLUSION
With the current dynamics of the world and the necessities of the market,
ethics and sustainability became key study areas for both academic and pro-
fessional world. As a developing country with specific cultural attributes,
Turkey has its own political, economic and demographic dynamics. Although
interest in social responsibility, ethics and sustainability is not at the same
level as in Western developed countries, there are significant improvements
in these areas. Generally, the global firms lead the way for the social respon-
sibility and sustainability projects. In order to keep up with the competition
and changing consumer expectations, Turkish firms also have started taking
steps on this front, for instance, more and more firms have started publishing
CSR reports. These reports aim to show progress in social responsibility and
sustainability issues; however, most of them are far from being precise pro-
gress reports. NGOs and consumer pressure groups are not as active as their
international counterparts, thus governmental intervention and more strict
regulations and enforcements are needed for this specific area.
Business Ethics and Corporate Social Responsibility in Turkey 43
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SECTION 2
TURKISH MARKETING INSIGHT
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CHAPTER 2.1
THE SHARING ECONOMY
IN TURKEY: A MARKETING
PERSPECTIVE
ABSTRACT
INTRODUCTION
The sharing economy, also called ‘trust economy’, ‘collaborative consump-
tion’ or ‘on-demand economy’, is a type of business that allows people to
share any underused asset, e.g. property, resources, time and skills, across
online platforms (Wosskow, 2014). More and more entrepreneurs are launch-
ing startups and generating cash flow every day with these peer-to-peer plat-
forms. For example, today Airbnb is worth more than traditional hotel chains
such as Hyatt. Major established brands are launching sharing platforms as
well. Ford, for instance, launched ‘GetAround’ where participants can rent
their Ford automobiles, and Walmart opened a platform called ‘Trade-in’ to
enable their customers to share their electronic devices.
Sharing as a concept is not a fundamentally new phenomenon. Before the
sharing economy, there were rental markets. The sharing economy was born
from the Internet, social media and mobile technology. It enables consum-
ers to get what they need, when they need it and where they want it. PwC
(2015b) estimates that the five main sectors of a sharing economy, i.e. peer-
to-peer financing, online staffing, peer-to-peer accommodation, car-sharing
and music/video streaming, were worth $15 billion in 2013, a number that is
expected to reach $335 billion by 2025. The main success factors behind a
sharing economy are that it is sustainable and provides benefits to its consum-
ers, providers and the society.
The sharing economy started with non-profit initiatives such as Wikipedia
and Couchsurfing.1 Today, the sharing economy has moved from a simple
exchange of files or free items to more personal, experience intensive services
The Sharing Economy in Turkey 53
DEMOGRAPHICS OF SHARERS
In a sharing economy, there are three types of customers: non-shares, re-
sharers and neo-sharers (Vision Critical & Crowd Companies, 2014). Non-
sharers are the people who have not tried the sharing economy yet, but may
have some intention to participate in it. Re-sharers, on the other hand, buy
and sell secondhand goods online. Neo-sharers are defined as those people
who are using the emergent sharing platforms. In this chapter, ‘sharer’ refers
to ‘neo-sharers’.
In a sharing economy, consumers assume several roles simultaneously;
they can be funders, producers, sellers and distributors. A sharing economy
is widely adopted by people aged between 18 and 34 years as both consumers
and providers. People with income levels between $50,000 and $75,000 are
more likely to engage in the sharing economy. There is no gender gap between
sharers. (PwC, 2015a). In general, sharers can be characterised as ‘more likely
to be married, educated, home-owning and politically aware than their age
would lead us to expect’ (Vision Critical & Crowd Companies, 2014).
The first and the most important benefit of a sharing economy is that it makes
assets affordable. Participants of a sharing economy have access to goods and
services which are usually unaffordable to them. Another important benefit
of a sharing economy is its convenience. Thanks to advances in technology,
such as mobile applications, GPS and big data analytics, people can access
sharing services in a matter of seconds. The sharing economy reduces costs
associated with transaction, search, bargaining and governance (Ernst &
Young, 2015). Technology helps these platforms to meet supply and demand
The Sharing Economy in Turkey 55
more efficiently than any other businesses, and this matching occurs in real
time. Efficient use of resources constitutes the core of a sharing economy.
The sharing economy provides flexibility and choice for people seeking
extra income. Providers of a sharing economy have full control over their
schedule. There are mainly four types of providers (Botsman, 2015). The first
type comprises people who are not able to work in regular jobs, such as stu-
dents, stay-at-home parents, retirees or people with disabilities, and are able
to work within a sharing economy platform outside regular hours. Flexibility
of the sharing economy enables this type of providers to join the labour force.
Such a movement in the society is quite beneficial in empowering women
and closing the gender gap in the workforce. The second type of providers
includes those people who are in search of a regular job but could not find it.
In most cases, the sharing economy can be the only source of income for this
type of users. Professionals constitute the third group of providers. This type
of providers makes a living by working in the sharing economy platforms.
The last group consists of people with full-time jobs but looking for opportu-
nities to make extra money with these platforms. Flexibility of working hours
within the sharing economy platforms enables better living for different types
of people by making their lives easier. Prosumers (producers and consumers)
who share their skills can also develop their professions by providing many
unique services and getting more experience than their peers.
The sharing economy offers a unique experience to its users. It creates a
community and trust between strangers. It is more fun and exciting than tradi-
tional businesses. People can socialise with locals by staying in a local resident’s
house or by going to dinner with them. It is the experience that motivates peo-
ple to join the sharing economy. People can improve their skills and monetise
their underused assets. The sharing economy reduces the cost of owning and
maintenance. In a research conducted by Vision Critical & Crowd Companies
(2014), following are the reasons why people participate in a sharing economy:
• Convenience (78%)
• Price (68%)
• Product/service quality (55%)
• Couldn’t find elsewhere (40%)
• Recommendation (33%)
• Sustainable lifestyle (25%)
• Curiosity (25%)
• Connect online (24%)
• Connect locally (23%)
• Access over ownership (15%)
56 ELIF YELSELI ET AL.
The sharing economy also brings many concerns along with benefits to its
users. Sharing companies see their providers as independent contractors and
not as employees. This creates a disadvantage for the providers as they are
deprived of any work-related benefits, insurance or employee rights. There
is not much regulation to protect either providers or customers. These issues
can be overcome with cooperation between policy makers and the sharing
economy platforms.
The sharing economy creates opportunities for both startups and incumbent
companies. First of all, companies in a sharing economy do not have to carry
inventory. As another salient feature of the sharing economy platforms, the
entry barrier is quite low; there is no need for intensive initial investment.
The service quality of these companies is taken care of by their reputation
systems. Moreover, it is much easier to match supply and demand, which,
in turn, increases efficiency. By disaggregating space and time, the shar-
ing economy enables these parts to be amenable to pricing, matching and
exchange (Sundararajan, 2013). For instance, you can borrow someone’s car
for one hour, or work for someone else to do their shopping for fifteen min-
utes. Therefore, the sharing economy creates a new type of value, which is not
attainable by traditional business models. Thanks to its mobility, the sharing
economy can reach to a very wide customer base, which is not imaginable by
traditional retail companies.
There are some challenges that sharing companies need to tackle. First,
some customers might not be yet ready for this type of business. Second, in
some cultures ownership serves as an indicator of social status, which may
very well undermine the concept of sharing. Third, it is difficult to sustain
constant service quality on these platforms. Providers of services differ, so
do the experiences of customers. Since the reputation of the platform, which
enables trust, is a fundamental component of a sharing economy, even a
small incident has potential to hurt the company in case such an incident
goes public.
months after the first version, the second version of this honeycomb was pub-
lished in December 2014, which included six more sectors: learning, health
and wellness, logistics, corporate, utilities and municipal. The last version,
called Collaborative Economy Honeycomb 3.0, was made public in March
2016. This time the honeycomb was evolved into a 16-hex honeycomb with
four additional sectors. The final list of sectors along with some well-known
company examples are as follows:
1. Money
a. Crypto currencies: Bitcoin
b. Crowdfunding: Indiegogo, KickStarter
c. Moneylending: Kiva, Prosper
2. Goods
a. Bespoke goods: Etsy
b. Loaner products: Rent the Runway, Bag Borrow or Steal
c. Pre-owned Goods: eBay
3. Food
a. Shared food: EatWith, Feastly
b. Shared food preparation: KitchenSurfing
c. Food delivery: UberEats, GrubMarket
4. Services
a. Personal: TaskRabbit, AirTasker
b. Business: freelancer.com, Gigwalk
5. Mobility services
a. Support: JustPark, YourMechanic
b. Valet Services: ValetAnywhere, Caarbon
c. Rides as a service: Uber, BlaBlaCar
6. Space
a. Work space: ShareDesk, WeWork
b. Personal Space: Couchsurfing, Airbnb
7. Learning
a. Instructor-Led: Thinkful, Coursera
b. Peer-to-peer: SkillShare, Instructables
c. Book sharing: SideWalk, Zookal
8. Health
a. Services: Heal, DoctorOnDemand
b. Peer-to-peer: HelpAround, CrowdMed
9. Logistics
a. Shipping: Shipster, Roadie
b. Local delivery: UberRush, Instacart
c. Storage: Makespace, StashBee
The Sharing Economy in Turkey 59
supply and demand. Dynamic pricing’s main goal is to maximise supply while
ensuring service providers’ availability to meet consumer demands appro-
priately. Based on the supply–demand ratio at a specific location–time, the
model works by altering prices until the point where the supply matches the
demand (Ernst & Young, 2015).
Drivers of a sharing economy can be divided into five groups. The first
driver that gives rise to growth of a sharing economy is the value shift of
customers. After years of hyper-consumption, people started to perceive own-
ership as a burden. They view the sharing economy as a way to express them-
selves. The customisation opportunity appeals to these users. Sharers are the
people who care about community. They think that participating in a sharing
economy contributes to building a stronger community. The excitement of
meeting new people, being at the forefront, and feeling that they are help-
ing other individuals, make more and more people participate in the sharing
economy. Trying something new such as participating in a sharing economy
platform before everyone else is another appealing factor. People are paying
for the experience they will be having in the sharing economy. Another factor
behind the growth of a sharing economy is economic realities. People have
started to care more about quality/price ratio, which in turn motivated them
to share. It should be noted that most participants of the sharing economy
platforms consist of those people who have seen the economic crises of 2001
and 2009. Rising unemployment is another economic factor. Taken together,
all these economic factors have changed the way people look at consumption,
and led them to realise the scarcity of resources. The remaining three drivers
of a sharing economy are technological innovations (which resulted in safer
online payment and reputation systems, and convenience usage), rapid growth
of sharers due to their demographics and environmental pressures that make
people to consume in a smarter way (Botsman, 2015).
The size of Internet retailing in a region and its share in retailing can be the
indicators of trust in online retailing. In addition to these observable aspects,
there are other unmeasurable factors that are necessary for achieving success
in a sharing economy, such as belief in commons, idling capacity and being
environmentally concerned.
Second type of factors are the factors that companies need to possess in
order to exist in a sharing economy. The sharing economy companies should
be able to offer all the benefits that cause people to participate in the sharing
economy platforms in the first place, e.g. better prices, convenient use, focus
on experience, brand recognition, high-quality service from providers, local
flavour, customisation, dynamic pricing, reputation system and transparency.
United Kingdom and the United States, but it is still a promising country
with increasing GDP growth estimation figures.
A comparison of technological capabilities is also given in Table 1. It will not
be wrong to say that Turkey is still in the early stages of mobile and Internet
adoption. Both mobile cellular subscription and Internet usage numbers show
that the country is behind the United Kingdom, the United States and Brazil.
Note, however, that Organization for Economic Cooperation and Development
(OECD) lists Turkey among the fastest growing countries in mobile broadband
penetration in the second half of 2016 with growth rates ranging between 22%
and 12%.2 Given the growth rates of population, GDP and Internet penetration,
we can conclude that Turkey has the potential to become a good market for the
sharing economy platforms, but as of yet it has not reached its full capacity.
Trust in others and attitudes towards the environment can be found in
Table 2. These values are taken from the World Values Survey (2010–2014).
The data shows that people in Turkey have less trust in each other than people
living in the United States. Compared with Brazil, on the other hand, trust in
others seems to be higher in Turkey than it is in Brazil. As noted earlier, trust
plays an important role in the existence of the sharing economy. Therefore,
Source: Adapted from World Values Survey (2010–2014). Retrieved from http://www.world
valuessurvey.org/WVSDocumentationWV6.jsp
64 ELIF YELSELI ET AL.
the lack of trust in the Turkish market creates an important issue that sharing
companies need to overcome in Turkey. On a more positive note, it should be
highlighted that the Turkish people are more environmentally conscious than
their counterparts in the other three countries.
1. Money
a. Crypto currencies: Bitcoin
b. Crowdfunding: FonlaBeni, CrowdFon, AriKovani
c. Moneylending: -
2. Goods
a. Bespoke goods: EmekSensin
b. Loaner products: DavetCok, ElbisemYok, YineMiDugun, Dolap.com
c. Pre-owned goods: Sahibinden, LetGo
3. Food
a. Shared food: KomşuYemegi, Mamame
b. Shared food preparation:
c. Food delivery: YemekSepeti, MealBox
66 ELIF YELSELI ET AL.
4. Services
a. Personal: Armut
b. Business: tr.freelancer.com, BiOnluk
5. Mobility services
a. Support: -
b. Valet Services: -
c. Rides as a service: Uber, BlaBlaCar, BiTaksi
6. Space
a. Work space: SehriOfis
b. Personal Space: Couchsurfing, Airbnb
7. Learning
a. Instructor-led: OzelDers.com, OgretmenBurada.com
b. Peer-to-peer: Inekle.com
c. Book sharing: Kipu.club
8. Health
a. Services: Heal, -
b. Peer-to-peer: -
9. Logistics
a. Shipping: -
b. Local delivery: Bukoli
c. Storage: -
10. Corporations and organisations
a. Supply chain: -
b. Employee services: -
c. Platforms: -
11. Utilities
a. Energy: -
b. Telecommunications: -
12. Municipal
a. Platforms: -
b. City-sponsored bikes: Local sharing services
13. Worker support
a. Renter services: -
b. Insurance: -
c. Resources: -
14. Wellness and beauty
a. Wellness: Personal trainers can be found with Armut.com
b. Beauty: -
15. Analytics and reputation
a. Driver services: -
The Sharing Economy in Turkey 67
BiTaksi, an online application that brings taxi drivers and users together,
was founded with the help of location-sharing technologies. The company
currently operates in two cities, Istanbul and Ankara. Trust and quality has
the highest impact on the business model of BiTaksi. Therefore, a particular
importance is placed upon customer reviews about BiTaksi drivers. A driver
gets a warning for the first complaint; if the same driver receives an additional
complaint, he gets a suspension, and eventually will be ousted from the sys-
tem. Taxi drivers can also make extra money with BiTaksi. As the supply in
the taxi system of Turkey is limited by the number of licence plates assigned
by the government, the existence of BiTaksi is instrumental in increasing the
overall efficiency within the transportation system. An additional benefit of
the company is that it is closing the gender gap within the customer base. On
average, only 30% of traditional taxi users are women, with the emergence
of BiTaksi this ratio has risen to 50%. BiTaksi customers tend to be aged
between 18 to 35 years. BiTaksi offers their customers the option to make
payments with methods other than cash, which increases the flexibility of
customers, and hence enlarges the market. Drivers are the biggest asset that
BiTaksi has built; therefore BiTaksi has built a community for taxi drivers
and conduct activities within that community regularly.
SehriOfis, a workplace-sharing platform, was founded in 2015 with the ‘All
Offices in the City Are Yours’ slogan. The first users were mostly freelancers
and aged older than 30 years. Then the company transformed into venue-
sharing platform with new offerings such as cinema halls, karaoke rooms and
playstation rooms. Such a transformation has changed SehriOfis’s customer
demographics. More and more children have started to use their activity
rooms. Among the challenges faced by the company is the low level of trust
among people due to the unrest in the country, low commissions the com-
pany receives and Turkish investors’ unwillingness to fund a sharing economy
startup. The company strives for continuously listening to the providers and
users of the platform and being flexible, as well as doing anything to ease
prosumers’ concerns for gaining their trust.
Apart from the native digital-sharing platforms, some well-established
online or offline retailers are also in the process of creating up the sharing
economy platforms. For example, Ebebek, a retailer of ‘the needs of a mother
68 ELIF YELSELI ET AL.
and a baby from pre-birth to 4 years of age’, is planning to start a sharing plat-
form for their customers. The company has seen a potential opportunity in sec-
ondhand baby products, since these products are only used for a short period.
Trust, price, convenience and brand awareness are among the key factors
considered by the users of the sharing economy platforms. The high level of
prices due to scarce resources as well as increased population are the main
drivers for sharing in Turkey. Even though owning is still seen as a symbol of
wealth and high social status among most Turkish people, it is expected that
Turkey will experience substantial growth in the next 10 years, and that there
is no point for the incumbent firms to resist the sharing economy movement.
This movement will eventually change the way companies do business; there-
fore, investing in this type of economy will bring sustainable gains to these
companies.
RECOMMENDATIONS
Recommendations for Policy Makers
essential to find the right insight that motivates the customers. The drivers
of a sharing economy would be a good starting point in this quest.
• Branded experiences:
People join the sharing economy platforms because of the experiences they
will likely to experience. Marketers should emphasise the linkage between their
brand and all the emotions users will experience during the use of their ser-
vices. When a user logs in to the Airbnb website, the first thing s/he will see is
‘Book unique homes and experience a city like a local’. This slogan underlines
the unique experiences that the user will encounter when using the Airbnb
services. Offering customers experiences that cannot be found anywhere else is
a sure way to gain traction within the sharing economy ecosystem.
• Emphasise the benefits to the society:
Building a community around users and providers is crucial. Making both
users and providers feel that they are part of a movement that cares about
the environment and the society is important.
• Focus on trust and find ways to increase it:
It is clear that the currency of the new economy is trust. Trust is an essen-
tial success factor in the sharing economy and it is hard to gain trust in
countries where the overall trust levels are quite low. TrustCloud was
founded to solve the trust issues in the sharing economy platforms. The
company measures virtuous online behaviours and transactions to build
a TrustScore, which then can be used by the sharing economy companies
to check trustworthiness of their users.4 Marketers should prove to the
participants of the platform that they indeed value safety. Doing frequent
background checks on providers and users is one viable option.
• Value customer feedback and encourage customers to recommend:
Online feedback is crucial for digital companies such as the ones in the
sharing economy. The first thing that a potential user of the platform do
is to check other users’ reviews. Fiddling with reviews, such as blocking
negative reviews will undermine the credibility of the platform. Instead,
marketers should use this opportunity as an advantage to increase their
service quality, and should continuously ask for online user reviews.
• Learn from the sharing economy:
Marketers in various industries can benefit from the sharing economy.
Marketers can use the insights from the sharing economy as a learning
board for their practices and turn the overall marketing process into a
collaborative one. The sharing economy started to rise for a reason, and
marketers can observe changes in consumers’ behaviours that give rise
to collaborative consumption. Such an observation will generate valu-
able information about consumers that can be later used for developing
The Sharing Economy in Turkey 73
NOTES
1. http://journalistsresource.org/studies/economics/business/airbnb-lyft-uber-bike-
share-sharing-economy-research-roundup
2. http://www.oecd.org/sti/broadband/broadband-statistics-update.htm
3. http://www.tuik.gov.tr/PreHaberBultenleri.do?id=21779
4. https://www.crunchbase.com/organization/trustcloud#/entity
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CHAPTER 2.2
ANALYSIS OF THE TURKISH
MARKET RESEARCH INDUSTRY:
THE CHANGING ROLE OF THE
RESEARCHER
Özgecan Karanci
ABSTRACT
can also be drawn regarding the impact of technology and new methods
upon research designs. New technologies are inspirational; they raise the
industry to a higher level and allow researchers spend their time, energy
and resources on the interpretation of data rather than on the gathering
process. Consequently, the role of the researcher is to understand people,
and hence the eternal principles of marketing research remain valid even in
this new era. Professionals are expected to be courageous in their decisions
and to be agile leaders who will be active participants in the transformation
process of the discipline.
Keywords: Market research; consumer insight; analytics; new
generation research; co-creation
INTRODUCTION
Defining the modern consumer can be complex not only because the identity
of the consumer is multidimensional but also because involving consumers to
facilitate the process of understanding their needs is critical. Recent consumer
trends have indicated that amateurs can transcend professional content by
establishing genuine connections with consumers (Kasriel-Alexander, 2017).
These developments have complicated the principle objective of research,
i.e. to effectively understand the consumer.
In this chapter, the initial focus is on the market research sector in Turkey
as an emerging market. The ranking of the Turkish market research indus-
try, spending by research method and project type and the international
and local players in the market are highlighted. The Turkish Researchers’
Association (TÜAD) is working towards the goal of increasing the corpo-
rate reputation of the industry by establishing quality standards, organ-
ising yearly summits as well as continually refreshing the agenda of the
training programme.
Subsequently, the study will provide in-depth information on the use of
the term market research to define the industry and the alternative phrases
that could be preferred to better describe the business conducted in the digi-
tal era. The change in definition of the types of research and their uses in
industry in Turkey is elaborated via discussions with sector professionals. The
third and final section will provide philosophical foundations on the man-
ner in which marketing is theorised and researched and the current require-
ments are evaluated. Traditional research methods are compared with digital
Analysis of Turkish Market Research Industry 77
METHODOLOGY
This chapter exploits data taken from a literature review that addresses the
definition of market research, the underlying philosophy of research and the
emerging topics that map the future direction of the field. The methodol-
ogy chosen for this study is qualitative, where in-depth interviews lasting 90
minutes conducted with the general manager of Ipsos Research Labs, the
chairman and the general coordinator of TÜAD provided the basis of the
data. Mini interviews were also held with researchers from both the research
provider side and the client side representing different sectors. Many of the
selected researchers had vast experience in the field and can be considered as
distinguished experts in their particular area. The discussions with prominent
researchers concentrated on the following issues:
• The effect of the data-driven era upon the manner in which research
is performed, the types of data gathered and the presentation of
data.
• Solutions offered for the future progress of online research in Turkey.
• The presence of different labels attached to the market research indus-
try and the correspondence between the work performed today and these
labels in Turkey.
• Competition in the industry as well as the type of companies regarded as
the future competitors.
• New-generation research methods and innovative approaches used in dif-
ferent sectors.
The approach in this study with commentaries from different sectors con-
tributed to the understanding of multiple dimensions of the subject matter.
In the light of the precepts acquired from the viewpoints of both global and
78 ÖZGECAN KARANCI
local leaders in the industry, a model is derived that signifies the future of
the market research industry. The change in research and its utilisation in the
industry are analysed through this holistic approach, and the model produced
at the end of this chapter represents an invaluable contribution to the field.
As a starting point, an overview of the industry and the wider global picture will
be discussed, followed by highlights and developments from various regions as
well as the differing factors prevalent in the Turkish market research industry.
The European Society for Opinion and Marketing Research (ESOMAR),
as an organisation that has the objective of encouraging, developing and
augmenting market research on a global basis, measures the industry turno-
ver at national, regional and global levels (ESOMAR, 2016). The industry
study conducted by ESOMAR on an annual basis (ESOMAR, 2016) reviews
the volume and performance of the market research industry and investi-
gates how the research market continues to grow. The following statistics are
extracted from the 2016 report and include the research turnover and growth
data for more than 90 countries.
In terms of market research sector size, Turkey in 2015 was ranked 23rd out
of 85 countries. The five largest markets in terms of turnover in US dollars
were the United States, the United Kingdom, Germany, France and China
respectively. When the net growth rates of the regions are examined, it can be
seen that North America in 2015 was not only the largest region in the world
in terms of market share but also the fastest growing region. Latin America
and Africa displayed negative net growth rates, predominantly due to currency
adjustments. The European region was the second fastest growing market in
2015, with a rate of 2.8%. Europe is composed of three subgroups that are
European Union (EU), 15 states, New EU member states and other Europe.
Turkey is part of the group called other Europe, which is shrinking by 6.9%,
and Turkey is the only country in this subgroup with a positive net growth rate.
2014–2015
Europe 2.8
North America 3.1
Asia Pacific 1.3
Latin America −7.8
Middle East 1.7
Africa −0.5
World total 2.2
Europe
EU 15 3.3
New EU Member states 4.9
Other Europe −6.9
Russia −13.5
Switzerland −12.8
Turkey 5.6
Norway −1.2
Other European Countries −0.3
Ukraine −9.9
Europe total 2.8
Quantitative Mail 2 0
Telephone (CATI) 9 11
Face-to-face 8 68
Online quantitative research 24 6
Mobile/smartphone 4 0
Online traffic/audience measurement 3 2
Automated digital/electronic 16 1
Others 4 1
Total quantitative 70 89
Qualitative Group discussions/focus groups 8 5
In-depth face-to-face interviews 2 2
Ethnography/blogging 1 2
Online research communities 5 0
Others 1 0
Total qualitative 16 9
Others 14 2
Grand total 100 100
The professionals interviewed from both agency and client sides shared their
views on the current situation:
First of all, Internet penetration needs to increase in Turkey. Current online users still do not
represent the whole population. The research companies have to gather clean and active e-mail
addresses from different sub-segments of the population. (Telecommunications sector)
Computer literacy and education levels need to be improved to boost online research
in Turkey. We even face difficulties in face-to-face surveys in transcribing questions and
answering them will be more difficult without the help of interviewers. Moreover, this
type of research poses a problem in terms of information security since we cannot control
the participants. (Telecommunications sector)
Some of the researchers from the industry were optimistic about the future
of online research in Turkey and highlighted actions that should be taken to
overcome some of the obstacles.
Big players in the market (e.g. international research companies) need to make invest-
ments in online panels. Online will be expensive at first and will require incentives to
Analysis of Turkish Market Research Industry 81
ensure research quality and the clients need to be informed about the reasons for higher
prices, but value for money. (FMCG sector)
If gamification increases, online research will reach a wider target group, not only the
incentive/promotion pickers, but a much more diverse group will be involved. (Research
provider)
Research companies can prove that online research is feasible and can provide reliable
results by investing more in targeted online communities such as mothers, youth etc.
(FMCG sector)
The enlargement of databases and meaningful results from surveys conducted by research
companies might have an impact on the usage of online research. (Automotive sector)
The household Internet penetration is not as high as expected, but the growth
in mobile Internet usage has been exponential. Researchers are witness to
a group of consumers that has been introduced to the Internet for the first
time via social networking sites access through their smartphones; these peo-
ple form the sub-segments that the market research industry once excluded
from online databases. The industry can therefore use mobile research at least
for appropriate topics and contexts. According to the comments made by a
professional, the issue is focused around the length of questionnaires, as the
questionnaires need to be shorter and more to the point in order to advance
both online and mobile research.
The spending by project type reveals the second important characteristic of
the Turkish market. Market measurement, which includes syndicated retail/
consumer panels for market size, share and tracking, constitutes more than
one-third of the Turkish market research industry. Tracking studies, such as
advertising/brand tracking and employee satisfaction measurements, are also
above the weighted average total. The types of research that are below aver-
age are media and audience research as well as usage and attitude surveys.
Usage and attitude surveys are not the only traditional surveys, as this also
includes segmentation studies and motivational research.
team by research providers and research owners, and not only the providers
but also the owners have embraced the awards with enthusiasm. Marketing
research is generally a part of marketing department; consequently, although
researchers contribute significantly important decisions that are made within
companies and therefore add value, they have been historically considered as
hidden gems and these awards have rendered them more visible.
TÜAD Academy is a training platform that has provided a professional
development environment in the fields of marketing and marketing research
to all stakeholders in the research sector. An examination of the advance-
ment of training topics in the past several years reveals the framework of
changing requirements and demands emanating from the sector every year.
The topics of the training programmes were predominantly methodological
in the earlier years, including qualitative versus quantitative research, the use
of statistics in analysis and pricing research, among others. However, the list
of the training programmes offered in 2017 encompasses headings ranging
from ‘gamification’ to ‘neuro-shopper’ and can be summarised as below:
Although the variety of training topics certainly holds promise for the
future of the marketing research industry, the industry revenue that is gen-
erated by new research only constitutes 2% of the total research conducted
in Turkey. The willingness and competence to implement new methodolo-
gies does not accelerate the growth. According to the practitioners in the
sector, Turkey is a follower in many respects, and the dominance of face-
to-face research remains an issue that should be resolved. Being a follower
is a cultural issue, as Turkish culture is noted for its tendency to channelise
knowledge from the West, rather than creating its own solutions. In summary,
the market research industry has the intellectual capacity and flexibility for
creativity (Cooke & Buckley, 2008); however, the transition from offline to
online is relatively slow.
84 ÖZGECAN KARANCI
Global research companies account for more than half of the market, where,
as of 2015, the top six companies, namely the Nielsen Company, Kantar, IMS
Health Inc., Ipsos, GfK and Gartner, constitute 57% of the global research
market (Brereton & Bowers, 2016). ESOMAR and American Marketing
Association (AMA) continued to follow the traditional survey market,
although, from 2015 onwards, the data reveals that they decided to explore
opportunities in the broader marketing intelligence space. ‘New’ research
includes analytics, big data applications, secondary research and modelling,
among others.
In the Turkish market, as of May 2017, there were 32 market research
and 32 fieldwork companies, and 280 individual members who were regis-
tered with the TÜAD. The non-members are from different segments, such
as social/political research companies, social media monitoring companies
and boutique companies (e.g., Future Bright). Some of the companies are
individual members rather than corporate (e.g. 88Keys and Fikrimühim) and
there are start-ups who are not yet members of the association; therefore, the
total number of companies actually is significantly higher than the corporate
members listed below.
The type of companies who are members of the association can be catego-
rised as follows:
period between 1910 and 1920, and the establishment of the sector can be
traced back to the early 1930s (Nunan, 2016).
There are many additional terms used to denote market research activi-
ties, such as ‘insight’ or ‘market intelligence’, and the term ‘insight’ is in
fact used as an alternative to market research, even though it emerged
from the area of customer relationship management (Nunan, 2016). As
a methodology, Nunan (2016) analysed the public-facing websites of
research companies and searched for the presence of the term ‘market
research’, either in the page title/on the home page, in the description
of the companies’ core activities or in a business unit/a set of product
offerings. Some of the alternative terms used for the description of the
core business activity can be listed as commercial intelligence, research
and consulting, customer science, intelligence and analytics, customer
experience, marketing analytics, strategic insight and business intelligence
(BI), among others. As part of the interviews in this study, four of these
common terms were listed, namely consumer insight, marketing analytics,
consulting and business intelligence, and the industry professionals from
different sectors in Turkey were asked which labels signify the actual work
done and are appropriate for the contemporary industry in Turkey.
Consumer insight is used to define our business, since we mainly interpret the data gath-
ered from consumers. (Researcher, FMCG sector)
Business intelligence is more like the analysis of transactional data that the firm generates.
Survey results can be added to the transactional data, but that does not mean we can call
market research industry entirely business intelligence, it makes research a part of BI.
The same arguments are true for marketing analytics. Consulting is such a broad term and
that’s why it does not fit at all. Consumer insight will be always a part of research, either
qualitative or quantitative, generating insight from data is an important and inseparable
part of our business. (Researcher, automotive sector)
Market research mainly refers to the descriptive stage, whereas consumer insight puts the
insight at the center and the research customers came to agencies to find out insight.
(Research provider)
The reason why a departure from the term ‘market research’ is observed
is the need to generate an influence within the entire management team.
Marketing holds such a level of importance that it cannot be left solely to the
responsibility of a single department and it encompasses activities and capa-
bilities that are spread across the organisation. The practice of using new ter-
minology is common in Turkey as well; for example, the market leader Ipsos
changed the title of its managers to insight partners and impact partners in
order to signify the importance of the field and to highlight the partnership
Analysis of Turkish Market Research Industry 87
In our industry, we conduct surveys to understand the consumer and I believe consumer
insight is the most appropriate term to use among all. Business intelligence and marketing
analytics depend on internal data and forecasts. Consulting is also a part of the business,
but it cannot be used solely by itself, since it is not fit for purpose. (Researcher, financial
services)
We can evaluate the job done by our team and the industry as consumer insight.
That’s because there are other big modelling teams within the company that analyse
internal data. We are the ones who touch the consumers and provide actionable
results at the end of our surveys. In addition to that, with our consulting hat, we
share our suggestions with the board in light of our findings. (Researcher, telecom-
munications sector)
Access to big data has shifted the focus from the value of gathering data to the interpreta-
tion of it and that’s why the new labels of business intelligence & marketing analytics are
more appropriate. (Research provider)
I would prefer business intelligence, since our industry is not about data collection, using
the data smartly to have an impact on business performance is critical. (Researcher,
FMCG sector)
To use the label market research only denotes investigation of the history of the industry
and trends that shape it and has a passive connotation. On the other hand, business intel-
ligence comprises all kinds of studies (consumer, market, trends and forecasts) and defines
our industry better. (Researcher, FMCG sector)
88 ÖZGECAN KARANCI
The definition of the industry is in flux and the types of research conducted
are passing through a period of transition. The quantitative approach, once
the primary research method, appears to have lost its popularity. It is not
about fads and fashion, but the underlying reason behind this change consists
more of a philosophical approach based on the type of data.
The decision as to which method to use is affected by the research meth-
odology selected, and subsequently the methodology is shaped by the theo-
retical perspectives assumed by the researcher. At the core of the process,
a researcher will need to decide whether to use a deductive or inductive
approach. Deduction commences with a universal perspective and works
back to determine facts; conversely, induction transitions from fragmentary
information towards a connected view of a particular situation. The deduc-
tive method is targeted at hypothesis testing, after which the principle is
either corroborated or modified. The inductive approach begins with data
collection plans, then the data is examined to determine whether any patterns
appear and this approach does not have the aim of disproving a theory (Gray,
2014). In today’s world, new-generation research works with vast amounts of
data (e.g. social media-based data) where researchers aim to establish com-
monalities from footprints, and the main approach used is inductive. The dif-
ferent forms of data, such as photographs, videos and comments, are used by
researchers to form meaningful stories for curation – uncovering, interpreting,
contextualising and activating of intelligence purposes (Matthews, 2017).
Inductive and deductive methods are not mutually exclusive and they are
used in combination; a researcher may have a collection of data, which are
then tested through experiments and, in practice, the use of multiple methods
to achieve triangulation is advised (Gray, 2014).
Epistemology presents a philosophical foundation for determining the
forms of knowledge that are legitimate and sufficient. Gray (2014) summa-
rises three main epistemological stances that guide researchers in choosing
research methods. Objectivism argues that reality exists externally to the
researcher and objective reality is ‘out there’. Conversely, constructivism
opposes this viewpoint and asserts that truth and meaning cannot be found in
the external world but can be established by the subject’s interactions with the
world. As a third main philosophy, subjectivism indicates that meaning does
not emanate from the interplay imposed on an object by a subject. Subjects
create meaning but achieve this from the collective unconscious. Subjectivism
Analysis of Turkish Market Research Industry 89
the enrichment acquired from the new knowledge (Podesta & Addis, 2003).
Postmodernist research relies on the premise that no method is more scientific
than another. In other words, all methods, without exception, can conceive
scientific theories and consequently incremental knowledge. Hence, it is evi-
dent that the concept of science is relative and not absolute.
According to Cova et al. (2013), there are also post-postmodern proposals
and a group of scholars have given a renaissance to communism. Whatever
label is preferred for the present movement, the rise of collective desire is
observed, and as Zizek (2010) acknowledges, the vision of future is visible to
believers who are from engaged positions across the globe (cited in Cova et al.,
2013). In terms of research, this translates into collective strength replacing
the individual. In Turkey, the new methods of co-creation workshops, online
communities, mobile data collection etc. are part of this renaissance effect.
In the last decade, the world has witnessed a digital revolution that has not
only affected the manner in which research is conducted but also the identity
of the main actor: ‘the storyteller’. Researchers no longer form their stories
and address their goals by asking questions, as they are required to be active
listeners using different channels such as social media and brand communi-
ties. The consumer is the main actor since nobody is capable of telling their
stories better than themselves.
Traditional marketing research is positioned within many companies as
the ‘voice of the customer’ and building market and consumer insight is the
role and responsibility of the research team. There is more than one method
of listening to the consumer; Bhalla (2011) summarises the key ways that
organisations listen under three main headings, namely traditional marketing
research, observation and digital listening.
All traditional types of research designs are made for the purpose of
achieving a better understanding of consumers and it is not possible to find
a study that does not place the consumer at the centre. Listening is at the
core of market research and this industry has become accustomed to helping
companies achieve closer relations with the consumers. However, the indus-
try is also passionate for abstractions and generalisations and has a history
of reporting with masses. The individual consumer loses its uniqueness and
all distinguishing features in market research reports. As Bhalla (2011) high-
lights, the dominant – mainly old school – tools and logic of market research
actually erased those features by creating greater distance between a company
Analysis of Turkish Market Research Industry 91
and its consumers. The inherent problem is that the discipline, equipped with
its traditional tools, is unable to cope with the demands of the modern com-
plex marketing environment and the high level of competition. Today, with
the effect of digitalisation, it can be concluded that market research is less
interested in masses and more in favor of maintaining the authentic identity
of the consumers through new methods of listening. The industry is entering
an era where the ‘ask-a-question, get an-answer’ approach will be replaced
with passive monitoring and the use of digital footprints in appropriate con-
texts; a practitioner from the fast-moving consumer goods sector exemplifies
a relevant context.
Modelling and low intervention models such as passive monitoring work better and
provide deeper and more realistic inferences, especially in exploratory type of research.
(Researcher, FMCG sector)
We used to conduct ‘mall intercept surveys’ 10 years ago but now we are able to detect the
experience of shoppers without any personal touch thanks to new technologies such as
digital pens, beacons and cameras. (Ipsos Turkey, deputy CEO)
Unlike the expectations, the principal motivation for participation in brand com-
munities is not monetary. The eYaka (2012) crowdsourcing community under-
took research on its nearly 200,000 consumers and uncovered four primary
motivations under the following 4Fs: fun, fulfillment, fame and fortune. The rules
of community engagement in projects held by research companies do not differ
in this respect. Participants mainly emphasise the fun and fulfillment aspects of
their commitment by using phrases such as ‘I love to be a part of online communi-
ties’ and ‘I do enjoy sharing my ideas and thoughts’ etc. The communities provide
in-depth insights with a feature set that ranges from co-creation tools to live chats.
The methodologies used in communities can vary and include collage, video dia-
ries and contests, among others.
Finally, listening is only the beginning. Marketers need to convert these
insights into actionable solutions using co-creation tools and innovative
product development processes – design thinking is one of the most popular
tools – in collaboration with consumers in order to create value.
Market research companies aid their clients in new product development pro-
cesses. Whatever actions they take, even if their consumers write down the
concepts for them, the current outlook and method of doing business is pri-
marily reactive marketing. The traditional techniques for conducting market
research, as Witell, Kristensson, Gustafsson and Löfgren (2011) argue, are
focused on recording consumers’ past experiences with a product, and have
been categorised as reactive or backward-looking. These techniques either
determine the kinds of questions that should be asked or set the probable
close-ended responses that limit the opportunity to provide new insights.
Moreover, they are limited by the fact that users often experience difficulties
when imagining or remembering situations in which they have experienced
specific needs. These kinds of difficulties and drawbacks of market research
are resolved by using new-generation techniques; statements from the deputy
CEO of Ipsos Turkey highlight the current outlook and the need to abandon
old practices:
Today’s consumer is exposed to many stimuli and, within this clutter, new research meth-
ods have emerged that are able to focus the attention of consumers, such as gamification,
real-time surveys, recording consumption moments to diaries and online forums. (Ipsos
Turkey, deputy CEO)
We need to abandon the deep-rooted habits such as questionnaires that take one hour,
similar items measuring the same attribute, desk-bound discussions on brand positioning,
Analysis of Turkish Market Research Industry 93
and the struggle to conduct interviews in ‘highly sterilized’ environments that are removed
from real-life consumption moments. (Ipsos Turkey, deputy CEO)
DISCUSSION
New Technologies, Staffing Decisions
under the name of market intelligence, is now more involved in the inductive
approach and works with vast amounts of data to determine emerging pat-
terns. Another trend that will shape the way the business will be conducted in
the research world is partnerships. Partnerships are seen by Chadwick (2017a,
2017b) as the market research model of the future; thus, in order to create
insight-driven impact, research companies need to make alliances and even
co-create with their competitors.
Secondly, staffing decisions and trainings are affected. New datasets
require people who are competent in the field of data science and the indus-
try has a shortage of qualified personnel with data integration capabilities.
Travyn Rhall, CEO Kantar Insights, also highlights an important issue in
terms of staffing (Bowman, 2017). The skills of a researcher are becoming
increasingly demanding and the Kantar CEO argues that, when they recruit,
they know that people are not capable of doing everything and lists the type
of skills needed from a researcher, such as:
• being a consultant,
• understanding the industry well,
• having a background in analytics,
• strong technical capabilities and
• good at telling stories.
Analysis of the skill set of a researcher reveals that they must have the ability to
effectively ‘tell a story’, with research findings indicating that this remains the pri-
mary skill required of the future industry leaders (Brereton & Bowers, 2016). In
summary, the industry seeks professionals who are not only researchers but also
consultants with in-depth sector knowledge, as well as IT-savvy data scientists
who can excel at high-quality deliverables and story-telling. These skills cannot be
found in one single person, but complementary teams comprising different skills
could be the answer to the changing demands of today’s dynamic and complex
world. When one thinks of research companies who display different character-
istics with a unique ‘persona’, alliances and partnerships in some client projects
could represent an even better solution.
New technologies affect the types of research, but there are key concerns that
are everlasting. The role of researchers is to understand people; this truth
never changes and also will remain the focus in the future.
96 ÖZGECAN KARANCI
The professionals from the industry were asked whether they use new-
generation research, such as co-creation workshops, eye-tracking, enterprise
feedback management, semiotics, text analytics, mobile, modelling and ana-
lytics solutions, netnography, neuroscience, gamification, passive monitoring,
virtual reality (VR), online communities and social media monitoring. The
findings reveal that the majority of the methods are in use, although the most
common ones across different industries are modelling, social media moni-
toring and neuroscience applications.
The effect of the data-driven age can be summarised under three main head-
ings: the way research is conducted, types of data collected and the way data is
presented. The way research is conducted has not changed; the only change is
the type of data collected. The new-generation research uses innovative tools,
the process of data gathering is easier and different stakeholders are involved
where consumers, in particular, take an active role in building the brand.
However, the same principles of statistics and sampling apply to the new tools.
The way research is conducted is changing with new futuristic technologies such as VR
and neuroscience, but I believe these new methods need to function hand-in-hand with
conventional types of research. There is always an upgraded version of a technological
breakthrough, but what we need to take into account while using new technologies is to
filter the data that we gather from consumers from a system that makes it unbiased and
more profound that provides deep-dive insights. (Researcher, Durables)
While analysing a topic as researchers, we do not search the keyword and read the first
results that come up on top; first of all, we compile all the data from the universe, then we
analyse data depending on the owner of the content – brand, media company, consumer –
eliminate the incentivized content and form a random sample among the organic ones. If
we conduct an EEG survey and form a test group/control group to figure out differences,
we try to make the profile of these two groups parallel, we apply rotation rules to the ads.
These principles are still valid! (Manager, Ipsos Research Labs)
Research is the same as the one we are accustomed to from a decade ago, only the
type of data is new. The key principles of research starting from research design,
Analysis of Turkish Market Research Industry 97
sampling, and content analysis still exist. You do not read likes and dislikes from the
scenes of 100 people, but rather get the engagement graph of 30 people as an output.
The researcher still needs to be the person who has skills to interpret data and who
is in charge to understand human behaviour and motivations behind it. (Manager,
Ipsos Research Labs)
The way data is presented has many creative alternatives, such as info-
graphics, video presentations and activation workshops, and the output
is so critical that it denotes the flexibility of the company. Even if global
players use high-tech solutions, if there is standardised output, the cred-
ibility diminishes.
In the last period, I can divide the sector into two types: creative researchers and tra-
ditional researchers. Creative researchers are using new generation tools, but they also
present their findings through innovative workshops. Traditional research companies
can be mostly called the slaves of their own models who are not inclined to flexibility.
(Researcher, FMCG sector)
• Research 1.0 is about taking a brief, doing the work and then presenting a
report.
• Research 2.0 was the time when tech and information officers opened up
the data.
• Research 3.0 is unifying data from a range of sources and then democratising it.
The present chapter contributes to the market research industry and
the literature on research methods by providing a holistic understanding, a
detailed snapshot of the current state of market research industry together with
a future outlook, of the needs of the industry in Turkey as an emerging mar-
ket. The comprehensive review in convergence with expert precepts elucidates
the transformation of the industry. From the study, conclusions can also be
made regarding the impact of technology and new methods upon research
designs.
The implications that will affect the industry professionals are twofold.
Firstly, new technology, if properly used, can have a positive effect on the
quality of time devoted to being a consultant and a curator. It must, however,
be noted that these developments have created a new mindset for the industry.
Experienced researchers, trained with the old mindset, are still more comfort-
able with the Research 1.0 type of work, which is not interactive.
The change in mindset is the hardest challenge for the industry, and the
second takeaway for managers is the focus on new skills. Researchers who
learn to enhance their skill sets in both industry and academy will gain a
competitive advantage. Considering the two roles of the future researchers,
as co-creators and curators, one needs to remain flexible for new information
emanating from different sources, and researchers should aim to collaborate
100 ÖZGECAN KARANCI
with many different stakeholders, even out-of-the-box partners who are not
from the close research community. This is an easier task since researchers
work in teams and the industry does not seek fully equipped professionals but
agile leaders who have the capability of taking active roles in the transforma-
tion process.
ACKNOWLEDGMENTS
It is a pleasure to thank those who have made this study possible; it is the
product of my belief in an industry and would not have been possible without
the support and encouragement from many special people.
Above all, I am indebted to Sidar Gedik, CEO of Ipsos Turkey, with whom
I have worked for five years. Sidar Gedik was the first person whom I con-
tacted when I started to write the manuscript of this chapter, and his encour-
agement to strive to reach a higher level at all times is greatly appreciated.
I owe very special thanks to Fulya Durmuş, chairman of the Turkish
Researchers’ Association (TÜAD) and Pınar Trana, general coordinator of
TÜAD, who have supported this study in the most collaborative and con-
structive ways.
I would like to express my utmost gratitude to Özlem Sönmezyalçın, gen-
eral manager of Ipsos Research Labs, whose guidance and inspiration has
challenged my thinking. Many professionals from the industry have enriched
this study and my deepest appreciation goes to all researchers who partici-
pated in the interviews. They are among the future leaders that will make the
industry excel at multiple disciplines when facing the challenges of market
research in Turkey.
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SECTION 3
TURKISH CONSUMERS
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CHAPTER 3
A REVIEW OF FACTORS
AFFECTING TURKISH
CONSUMER BEHAVIOUR
ABSTRACT
INTRODUCTION
Companies developing consumer-oriented marketing programmes should
seek to gain essential consumer insights. With this awareness, this chapter
focuses on various aspects of consumer-purchasing behaviours. In the first
section, the factors that affect consumer behaviour will be surveyed. Next,
different types of consumer behaviours are examined. The last section of the
chapter considers how the complexity or simplicity of consumption behav-
iour shapes the buyer’s decision process. With the analysis presented in this
chapter, companies will acquire a deeper understanding of why consumers
behave in the ways they do.
Cultural Factors
In the first category, the dimensions of culture and subcultures are the two
main influencers of consumer purchase behaviour.
Culture
Culture signifies a way of life involving what people do and possess. Beyond
people’s outward appearance, their emotions and thoughts are significant
(Macionis, 2013). From birth to death, everything that a person learns and
acquires − all values, attitudes and habits − can be interpreted within the
context of culture (Zencirkıran, 2015).
Despite the fact that a breathtaking cultural variety exists across the
world, all cultures share some common components (Macionis, 2013), which
are now examined (see Fig. 2).
On the basis of its social derivation, marketers should consider the potency
of symbolism when they segment their market prior to creating and delivering
a value proposal. By doing so, they may more successfully match the sym-
bolic image of their offer with the symbolic self or group meanings of target
markets.
108 İ. TAYLAN DÖRTYOL ET AL.
Subculture
The cultural groups that become distinct from others in their values, norms and
behaviours are called subcultures (Zencirkıran, 2015). The context of subculture
contains both visible and invisible constructs. As Verbaan and Cox (2014) stated,
shared values with a subculture correspond to its invisible component, and the
observable parts or forms expressing these values constitute the visible set.
From traditional point-of-view, sub-cultures are formed in terms of gen-
der, ethnicity or region etc. But, with the notion of “shared experience”, the
post-modern sight labeled this group based on their shared dependence to
a consumption object or activity (Cronin and McCarthy, 2011). Thus, in
modern marketing environment, there is an intense variety in the name of
110 İ. TAYLAN DÖRTYOL ET AL.
Social Factors
Groups
When a social group is referred to as a crowd, it means that its members have,
maybe temporarily, common opinions about particular values and charac-
teristics. In this instance, individuals in this group will behave according to a
community awareness grounded in collective interaction (Shahzad, Khattak,
Khattak, & Shahzad, 2015). The theory of social identity proposes that the
individual who self-identifies as part of a social group accepts the norms of
the group as the basic guidelines that shape their behaviour (Thomas, Jewell, &
Johnson, 2015). Accordingly, the strong brand commitment that the indi-
vidual holds maybe inadequate to persuade the individual to take positive
consumption steps connected with the brand. While the brand may have
strong individual associations, but if it is not consonant with the social group,
the individual will not assign to it the necessary positive symbolic meanings
(Hammerl, Dorner, Foscht, & Brandstätter, 2016).
In similar cases, there may be an unfavourable relationship between social
groups and consumption in some circumstances. Thomas et al. (2015) calls
this situation the ‘hidden consumption behaviour’, whereby individuals are
Factors Affecting Turkish Consumer Behaviour 111
Socialisation
Socialisation is defined as an ongoing experiential process in which people
develop their potentials and personalities and learn their cultural norms
(Macionis, 2013). The social environment becomes the main source of an indi-
vidual’s acquisition of knowledge, skills, behaviours and attitudes (Shahzad
et al., 2015).These dimensions, along with other factors that engender norms
and motivations, are known as socialisation agents (Thaichon, 2017). Among
such agents are the family, school, peer group, mass media channels, the state
and the religion, and their continuing impact throughout all the stages of life-
cycle − childhood, youth, adulthood and senescence is profound (Macionis,
2013; Zencirkıran, 2015) (see Fig. 3).
Family, as the most important socialisation agent, stimulates development
and is the determinant of a person’s social position. The quality of parental
attention is held to be a critical component of a person’s capacity to set and
struggle for their goals in life (Macionis, 2013). The family is also the first
112 İ. TAYLAN DÖRTYOL ET AL.
Fig. 3. Socialisation through Life Cycle Stages. Source: Adapted from Macionis
(2013) and Zencirkıran (2015).
transmitter of culture (Zencirkıran, 2015), and the place where basic beliefs,
values and way of life are first learned.
With their entry into the school system, individuals for the first time meet
bureaucratic organisation, experience diversity and learn meanings associ-
ated with gender (Macionis, 2013). Schooling plays an important role in
transposing society’s basic cultural values and priorities from one generation
to another (Zencirkıran, 2015).
Later, in peer groups, individuals develop a sense of self beyond their iden-
tity in the family (Macionis, 2013), and at this stage enter into a world of
exploration (Zencirkıran, 2015).
With the increasing exposure to mass media, individuals encounter more
stereotypical ideas about political and social issues, violence and sexuality
Factors Affecting Turkish Consumer Behaviour 113
(Macionis, 2013). Cultural habits, lifestyle choices and role models are thus
programmatically presented to people (Zencirkıran, 2015).
In addition, religion and the state have powerful effects on the socialisation
of an individual in societies such as Turkey’s, where conservatism and statism
are the prevailing forces. Moral references are taken from religion, and state
interventions are designed to inculcate preferred principles (Zencirkıran,
2015). For example, efforts to bring religious teachings into conformity influ-
ence Turkish consumers’ travel consumption patterns; Turkish tourists are
found to evaluate destinations with regard to dietary restrictions, the avail-
ability of pools only for women, or products that are acceptable according to
religious norms (Yes¸iltas¸, Cankül, & Temizkan, 2012).
As people pass through the life stages of socialisation they may confront
changing themes of marketing stimuli. If the particular life-stage targets
of these stimuli are defenceless because of the socialisation norms of their
respective stage, contradictions may occur. Some of the effects of socialisa-
tion on consumption behaviour that research in Turkey has found can be
summarised as follows:
• The impact of advertising increases with age; the socialisation stage most
strongly subject to the influence of television advertisements was adoles-
cence, specifically teenagers aged between 16 and 18 years (Özmete, 2009).
• The products that children mostly purchased are school stationery, choco-
lates and candies. Further, children know the marketplace well, and their
favourite retailers were toyshops, stationers and supermarkets (Gönen &
Özgen, 1992).
• The possession of a large variety of toys is a status symbol among children
(Gönen & Özgen, 1992).
• The most influential sources of information for children are, in order of
importance, television, family and friends (Gönen & Özgen, 1992).
• Adolescents aged under 15 years had more positive attitudes towards
advertisements compared to those aged over 15 years (Gönen, Özgen,
Babekoğlu, & Ufuk, 2001).
• Girls had more positive attitudes to advertisements compared to boys
(Gönen et al., 2001).
• Adolescents exhibited more brand loyalty than older age groups
(Onurlubaş & Şener, 2016).
• Adolescents had a stronger tendency to attribute prestige to brands than
older age groups (Onurlubaş & Şener, 2016).
• Adolescents had a stronger tendency than older age groups to believe that
a higher price means higher quality (Onurlubaş & Şener, 2016).
114 İ. TAYLAN DÖRTYOL ET AL.
(Özcan & Koçak, 2013). Price sensitivity is also found to be affected by socio-
economic status. As Gönen et al. (2001) reported, Turkish adolescents from
low socioeconomic level had a more positive attitude towards price than their
middle socioeconomic level counterparts. In addition, occupation and educa-
tion levels, as primary measures of status, were found to make Turkish con-
sumers more conscious of their food consumption (Hacıoğlu & Kurt, 2012).
Social roles specify behavioural conventions (Zencirkıran, 2015).
Accordingly, an individual with status, or with a status set that includes a
number of indicators of status, consequently manifests a role or a set of roles
(Macionis, 2013). In the traditional perspective, women fulfilled the social
role of being at home, to raise children, care for their families, and thus a kind
and sensitive social identity. The same traditionalists would charge men with
the role and responsibility of maintaining the family and house (Sekscinska,
Trzcinska, & Maison, 2016). However, with changing social norms, the social
status of individuals has been transformed in a new and non-traditional
view (Atik & Şahin, 2012) in which the roles of women and men, absolutely
defined in a traditional view, are no longer traditional. Individuals do not
enact socially motivated consumption behaviour in order to fulfill their needs
but to match the expectations of others perceived to be in their image, or to
have authority over others (Cronje et al., 2016).
Personal Factors
Demographics
Demographic factors are important indicators of consumer expectations,
since they are connected with needs, desires, wants, preferences and other
consumption-related habits and motives (Jackson, Barrows, & Ferreira, 2015).
Factors such as age and lifecycle stage, gender, occupation, marital status
and economic situation affect individuals’ consumption decisions (Kotler &
Armstrong, 2016).
In the demographic analyses of Turkish consumer behaviour, gender and
marital status have been found to be the main determinants. In one study,
Özgüven Tayfun (2015) discovered that Turkish women made unplanned pur-
chases far more often than Turkish men. Another study of Turkish consum-
ers’ brand evaluations indicated that brand was more important for single
116 İ. TAYLAN DÖRTYOL ET AL.
consumers who were driven by the desire for appreciation and to be at the
forefront of consumer trends (Onurlubaş & Şener, 2016).
Psychographics
Psychographics are dimensions that can express the pattern of life of an indi-
vidual defined in their lifestyle, personality and self-concept revealed through
variables such as interests, attitudes, aspirations and preferences (Kotler &
Armstrong, 2016).
Self-concept
George Herbert Mead identified the self as a part of personality that consists
of self-awareness and self-image, and that it is a product of social experience
(Macionis, 2013).
An individual’s consumption behaviour not only includes the functional
value but also the symbolic meanings of consumption object. Symbolic con-
sumption thus reflects personal and social attributes. In this sense, it becomes
a mirroring device for the personality to indicate status or to express the self
(Hosany & Martin, 2012). Self-concept, defined as self-esteem in the psychol-
ogy literature (Mittal, 2015), in marketing is characterised in the following
four dimensions (Hosany & Martin, 2012):
Psychological Factors
Motivation
In order to understand or predict purposeful and goal-driven consumption
behaviour, a marketer needs to investigate basic motives and drives (Barbopoulos
& Johansson, 2017). As an agency that propels an individual into an action or a
conscious/unconscious decision, motivation allows an individual to share their
effort on a specific task (Nwankwo, Hamelin, & Khaled, 2014).
When a biological or psychological need reaches a sufficient intensity, moti-
vation arises and directs the individual to immediate satisfaction (Kotler &
Armstrong, 2016). Research in the field of motivation originated in the 1920s
with the work of Paul. F. Lazarsfeld, and has since embraced a range of social
science disciplines, with Sigmund Freud, Alfred Adler, Ernest Dichter, Seymour
Banks and James Vicary counted among the contributors to the theories of what
causes action. Marketing pursues the answer to the following question: ‘Why
does a consumer buy or not buy a product?’ (Fullerton, 2013).
Perception
In 1950, James Jerome Gibson explained how attempting to understand per-
ception differed from other scientific goals (Palmer & O’Neill, 2003):
In other fields of science, the goal is to separate facts from illusions and to explain the
objective properties or behavior of things. The goal of the science of perception, by con-
trast, is to understand the act of perception itself, to discover how and why things appear
the way they do.
BRAIN: BRAIN:
PERSONALIZED
STIMULUS TRANSDUCTION PRIMARY ASSOCIATION
PERCEPTION
AREAS AREAS
Learning
Learning refers to permanent behavioural change (Solomon, 2013) grounded
in newly acquired knowledge or actual experience which serve as a feedback
mechanism that guides the future behaviour (Schiffman & Kanuk, 2007).
In Fig. 7, the learning process shows motivation to be the starting
point. When a motive has been activated by a personal need or goal, the
Fig. 7. Learning Process. Source: Adapted from Schiffman and Kanuk (2007).
Memory
Essentially, an information-processing concept memory performs acquiring
and storing operations. Memory systems, as outlined in Fig. 9, include three
memory types and the basic activities for successful information storage.
122 İ. TAYLAN DÖRTYOL ET AL.
When a new sensory input is first received, the sensory store is activated
and holds the information for less than one second, or up to a few seconds.
The presence or absence of selective attention determines the destiny of
that information. If attention is paid to the information, it is transferred
into short-term memory; otherwise that information is lost. The short-term
memory has limited capacity, storing information for less than 30 seconds.
For information to be transferred to long-term memory, where it is stored
permanently and can be easily retrieved, encoding must take place.
Attitudes
As learning occurs, attitudes are formed (Schiffman & Kanuk, 2007). From
this perspective, attitudes are therefore learned predispositions. The many
components of attitude formation evidence its complexity.
The ABC model of attitudes, depicted in Fig. 10, focuses on the attitude
object. Affect is an individual’s feelings towards an attitude object; behaviour
indicates actions or intentions towards that object; and cognition refers to an
individual’s beliefs about it.
The similarities and differences between the consumption attitudes and
behaviours of Turkish women and men were investigated by Girişken (2016),
whose findings are summarised in Table 2.
Table 2. The Attitudes of Turkish Women and Men towards Shopping.
Women Men
General attitudes A tool for relaxing. High A necessary action to fulfill the
towards shopping positive attitude. needs. Negative attitude.
General attitudes A want to spend time inside. A want to buy and leave as
towards shopping at A constant want to search soon as possible. A want to
supermarkets and find new product/ accomplish an unwanted
opportunity. A want to get mission.
informed about all sections.
The mood while shopping Positive, Happy Neutral/Negative, Distressed
at supermarkets
Time for shopping Long Short
Shopping behavior Searching, examining, smelling Searching for the shortest path to
for new product/opportunity achieve the objectives in the list
Section visiting behavior Eye-tracking all sections Generally looking the shelves that
at supermarket generally and the detergent, were already targeted or the
softener and personal care shelves on the path. The personal
sections specially. care section (if something
grabs his attention), and rarely
electronic section (if it exists)
Ideal supermarket Large, bright, wide variety not Not too big, easy to find the
atmosphere crowded. product which is wanted.
Limited Problem-solving
In this model of behaviour, consumers deal with less difficult tasks. Limited
problem-solving implies that there is some ambiguity in the consumer’s
Factors Affecting Turkish Consumer Behaviour 127
Extensive Problem-solving
(gender, age, ethnicity and income) and situational (social influence, affect,
constraints of time and money, retail environment, motivation for involve-
ment, product characteristics and browsing) factors are at play in impulse
buying decisions.
The effect of several dispositional, situational and individual variables
on impulse buying has been examined by several Turkish researchers. For
instance, self-confidence (Yüce & Güner, 2014), impulse buying tendency
(Özer & Gultekin, 2015), hedonic consumption tendency (Akturan, 2010)
and exploratory buying tendency (Okutan Bora, & Altunışık, 2013) as dispo-
sitional factors significantly influence behaviour. Situational factors, such
as circle of friends, emotional state, promotions (Villi & Kayabaşı, 2013),
reference groups, family (Ünler, 2005) and pre-purchase mood (Özer &
Gultekin, 2015) have been found to affect impulsive buying behaviour.
Gender (Akturan, 2009; Ünler, 2005) and age (Ünler, 2005), as indi-
vidual factors, had mixed effects. While Ünler (2005) and Çakmak and
Yurtsever (2012) found no gender differences in impulse buying behav-
iour, Akturan, (2009) and Yalman and Aytekin (2014) reported that
gender had a significant effect. These contradictory results could be
attributed to the research design of the studies (i.e. data collection meth-
ods, sample size and sample unit).
Moreover, various researchers have examined the kind of situational and
dispositional factors that affect online impulse buying in Turkey. Reported
findings include variety of selection, price attribute (Taşkın & Özdemir,
2017), usefulness, entertainment (Turkyilmaz, Erdem, & Uslu, 2015), ease of
use (Taşkın & Özdemir, 2017; Turkyilmaz et al., 2015) and personality traits
(Turkyilmaz et al., 2015) as significant indicators of online impulse buying
behaviour among Turkish consumers.
Fig. 11. Consumer-Buying Decision Process and Possible Factors on the Decision
Process. Source: Pride and Ferrell (2014).
Need recognition (or ‘problem recognition’) is the first of the five stages
of the buying decision-making process undertaken by consumers. In this
stage, consumers recognise a need they consider initiates the process of
finding the product that offers benefits that will fill the need or solve the
problem.
Need recognition is based on the interaction between one’s desired, or
ideal, state and reality. Therefore, need recognition occurs where a signifi-
cant difference develops among people regarding a particular want or need
(Cornally & Mc Carthy, 2011). Of course, an individual’s needs are influenced
by a wide range of sociological and psychological factors. In need recogni-
tion, the marketer must explore the kinds of needs of consumers (Kotler &
Armstrong, 2015).
Factors Affecting Turkish Consumer Behaviour 131
Consumers compare potential solutions for the same need in the evaluation of
alternatives as part of their buying decision-making, using a range of evalu-
ative criteria. These criteria may have tangible (e.g. price, colour, size and
shape) or intangible (image-based) benefits. Evaluations of purchasing alter-
natives will depend on the individual consumer and the specific buying situ-
ation. A study of Turkish tourists (Demir, 2015), indicated that the role of
internal information (such as experience and expertise) is important in their
evaluations of alternatives in the travel-purchasing process.
132 İ. TAYLAN DÖRTYOL ET AL.
In this stage, the consumer decides on brand and product. Moreover, other
decisions are made at this stage, including where and how to make the pur-
chase and on what terms. New information may be sought from all brands’
promotional channels by the consumer before the ‘best’ brand or an alterna-
tive is chosen in the final purchase decision.
The consumer’s purchase decision may be affected by three factors. One
of these is an unexpected situation, the loss of one’s job, for example, or a
general worsening of the economy. The second factor is the attitudes of oth-
ers. Someone who is important to you, for example, commenting on your
purchasing decision may cause you to change your mind. The third factor is
the perceived risk of making the purchase. This is related to consumer confi-
dence, and Turkish consumers who perceive a risk, reduce or postpone their
consumption, as demonstrated in Fig. 12.
The Turkish consumer confidence index is a composite index of produc-
ers’ and consumers’ evaluations, expectations and tendencies as they relate
to the country’s general economic situation. The figure shows that consumer
confidence in the economy increased in May 2017 by 2.2% to 72.8 percent
compared to the previous month’s figure of 71.3 percent.
Consumers may perceive different risks in several dimensions. Cases (2002)
identified six different forms of risks: financial, performance, psychological,
physical, social and time. These principal dimensions of risk are defined in
Table 4.
Marketers recognise that purchasing activity does not end with a sale being
completed. Following the purchase, the consumer’s satisfaction or dissatisfac-
tion affects the post-purchase evaluation, which might be measured by the
degree of disparity between expectation and performance (see Fig. 13). This
suggests that marketers should offer realistic value propositions (Solomon,
Marshall, & Stuart, 2012).
Consumer's Expectations > Product's Perceived Performance = The consumer is dissatisfied Complaint Behaviors
Consumer's Expectations > Product's Perceived Performance = The consumer is more satisfied
CONCLUSION
Decisions in daily life are natured differently in many dimensions. Consumers
sometimes make purchases out of habit or without much thought; occasion-
ally, they seek additional information to help them evaluate alternatives.
Without previous experience of a product or service, consumers wish to
reduce the perceived risks of purchase by investing time and effort in the
decision-making process. This type of process happens less often compared
to habitual purchases or those involving simpler choices.
It is important for both academicians and marketers to understand con-
sumer motivations and the decision-making parameters of time, information,
evaluation of choices and the types of behaviour that vary with the frequency
of purchasing.
Research investigating Turkish consumer behaviours and their influences as
noted in this chapter has produced similar results for the literature of the wider
field. However, contradictory findings have also been reported. These may be a
consequence of research design, particularly researchers’ use of non-probability
sampling techniques, a sampling method that is a main obstacle to the generalisa-
tion of results. To achieve greater generalisation of results, studies could utilise
random sampling methods. Finally, measuring and observing behaviours, rather
than attitudes and intentions only, would provide more solid research outcomes.
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SECTION 4
BUILDING BRANDS IN TURKEY
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CHAPTER 4.1
CONSUMER–BRAND
RELATIONSHIPS IN TURKEY
ABSTRACT
The chapter is organised into three parts. The first part focusses on ante-
cedents of consumer–brand relationships such as the global or local iden-
tity of the brand and brand personality. The second part presents detailed
explorations of various brand relationships such as brand love and brand
trust. The third and the final part focusses on an important phenomenon,
the stage for various brand relationships, being online brand communities.
The chapter concludes with the future research directions in these three
main areas together with a discussion of offline and online branding oppor-
tunities in the Turkish market.
Keywords: Brand management; consumer–brand relations; brand love;
brand loyalty; brand communities; brand personality
INTRODUCTION
The concept of ‘consumer–brand relationships’ (CBR) has received much
interest from researchers during the past two decades (Fetscherin & Heinrich,
2015). Marketing research has tried to identify these relationships, how are
they formed, how can they be measured and how can they evolve. The aim
of this chapter is to inform researchers and practitioners about this relatively
new concept by focussing on research and practices in Turkey.
Consumers may form different types of relations with brands. These
relationships may take many forms from ‘one-time affairs’ to ‘love affairs’.
Each type of relationship is associated with different emotions and norms
(Fournier, 1998). Relationships with a brand are connected to the meaning
ascribed to the brand. Meaning is an essential part of forming relationships
with brands since brands contribute to individual’s self-concepts and identity
(Swaminathan, Page, & Gurhan-Canli, 2007). Brands may have functional
or symbolic meanings. Consumers can impart unique meaning to brands
through their own experiences or relationships. However, marketers also play
a role in the establishment of brand meaning through marketing communica-
tion programmes. As brand relationships have various meanings or motiva-
tors, they also have various outcomes. CBRs have behavioural effects such as
brand loyalty, engaging in word of mouth (WOM), or involvement in brand
communities. They also have psychological effects such as brand engagement
or brand love.
The first part of this chapter evaluates brand iconicity and brand’s
globalness or localness since Turkish brands would probably need to be
global to some degree in order to be successful (Özsomer, 2012). This part also
CBR in Turkey 145
reviews the role of brand personality dimensions in CBRs. Setting the right
brand personality dimension is a strategic tool for marketers in Turkey. Here,
adaptations of brand personality scales in the Turkish context are reviewed,
revealing different brand personality types such as competency, excitement,
traditionalism and androgen (Akın, 2011; Aksoy & Özsomer, 2007).
The second part includes topics of brand trust, brand loyalty, brand
engagement and brand love, as these are among the most widely investigated
outcomes of CBR in Turkey. There are 759 papers or dissertations indexed
in Google Scholar with the search term of ‘brand loyalty’ and 527 with the
search term ‘brand engagement’. Customers may be loyal to a lot of brands
whereas only a few brands can be loved among a vast sea of brands (Ahuvia,
2005). Brand love is defined as ‘the degree of passionate emotional attach-
ment a satisfied consumer has for the brand’ (Carroll & Ahuvia, 2006, p. 81).
In order to delve into brand love in Turkey, we report the results of the the-
matic analysis of the brand love stories of Turkish consumers. Nostalgia and
unforgettable brand experiences have been discovered as important themes.
The chapter concludes with the contemporary topics of online brand rela-
tionships such as WOM marketing and online brand communities.
of the self. At the individual level, consumers prefer certain brands because
they carry a symbolic significance in creation and maintenance of self
(Heding et al., 2009). At the social level, brand personality serves to signal
as belonging to certain social subcultures (Heding et al., 2009). Thus, brand
personality construct can be a driver of strong CBRs.
By conducting an extensive research, Aaker (1997) developed a framework
of brand personality and highlighted its five dimensions (sincerity, excite-
ment, competence, sophistication and ruggedness). Beliefs may change from
culture to culture, and in a similar way the perception of brands change from
culture to culture. These differences in brand perceptions are evidenced in
brand personality dimensions too. For example, Japanese brand personality
dimensions include peacefulness and Spanish brand personality dimensions
include passion instead of the ruggedness of the American dimension (Aaker,
Benet-Martinez, & Garolera, 2001). Brand personality dimensions in Turkey
were determined by Aksoy and Özsomer (2007) as competence, excitement,
traditionalism and androgyny. The first two dimensions are common across
different cultures. Traditionalism is an adjective widely used in defining the
Turkish culture whereas androgyny shows that the brands can be identified
by feminine or masculine adjectives. Traditionalism dimension is unique
to Turkish culture, but androgyny was also observed in the US samples
(Sung & Tinkham, 2005).
Some research companies tried to measure androgyny of the brands
in Turkey. Research conducted by Mediacat journal and Dora Research
Company in 2012 revealed that Turkish consumers perceived beer brands
(e.g. Tuborg and Efes) and automobile brands (e.g. Mercedes-Benz and Ford)
as masculine brands. They perceived retail brands such as BİM or Migros as
feminine brands (Baysal, 2012). Further market research called ‘Brandmaker
Brand Value 2014’ (Brandterapi, 2014) revealed five dimensions of brand per-
sonality as competence, excitement, traditionalism, globalism and rebellious-
ness. According to the findings of this study, the most competent brand was
Arçelik (refrigerators), the most exciting brand was Nike, the most global and
rebellious brand was Adidas and the most traditional brand was Bim. Arçelik
was also seen as the most culturally symbolic brand of Turkey (Brandterapi,
2014). Despite these investigations, more academic research is necessary
to generalise these findings and to understand in a better way how brands
are perceived by Turkish consumers. Brand managers need to be aware that
Turkish brand personality dimensions are not the same as the US dimen-
sions. Finally, brand managers should be cautious because brand personality
is not a stable construct and the perceptions of the consumers may be differ-
ent from the dimensions imposed by the company.
148 EZGI MERDIN-UYGUR ET AL.
and Koçak (2012) yielded similar results. The researchers measured trust
and loyalty for cellphone brands, and found that brand trust mediates
relations between brand satisfaction and brand loyalty (i.e. attitudinal and
behavioural). According to Chaudhuri and Holbrook (2001), brand trust
leads to brand loyalty because trust creates exchange relationships that are
highly valued.
Brodie, Hollebeek, Juric, and Ilic (2011, p. 257) define customer engage-
ment as ‘a psychological state that occurs by virtue of interactive, co-creative
customer experiences with a focal agent/object (e.g. a brand)’. A number
of researchers have studied the consequences of customers’ brand engage-
ment. Brand trust (Brodie, Ilic, Juric, & Hollebeek, 2013; Hollebeek, 2011)
and brand loyalty (Brodie et al., 2013; Casalo, Flavian, & Guinaliu, 2007)
are among these consequences. The effect of brand engagement in CBRs is
specifically prominent in online contexts. The internet provides a medium for
consumers to be active co-producers and engage in behaviours that strengthen
their relationship with the brand.
Brand Love
Methodology
When I finished high school and began college, my first pair of shoes was Converse lim-
ited collection… (Case #27, male, 23)
When I was a child I had all brands of consoles but there is one incident that I played with
that console 19 hours nonstop. (Case #1, male, 28)
152 EZGI MERDIN-UYGUR ET AL.
I feel good when my friends say ‘wow she is wearing Mango’. (Case #45, female, 23)
I met that mobile phone brand by seeing in the hands of businessmen in movies … it
makes me feel like a boss.(Case #47, male, 23)
Even though I know the outlet sells cheaper, I buy the exact same Lacoste shirt for a higher
price the first time I see it. I also buy a range of colors of the same shirt. (Case #52, female, 27)
CBR in Turkey 153
1. Nostalgia Things done in past, length of use (Batra, Ahuvia, & Bagozzi, 2012)
2. Quality
3. Status Desired self-identity (Batra et al., 2012)
4. Freedom of choice
5. Dependability
6. Habit Long-term relationship (Batra et al., 2012)
7. Economic advantage
8. Addiction Frequent thoughts, anticipated separation distress (Batra et al., 2012)
Something is missing when not using (Aaker, Fournier, & Brasel, 2004)
9. Aesthetics
10. Functionality/utility
11. Trust Certainty, confidence (Batra et al., 2012)
12. Others’ liking Desired and current self-identity (Batra et al., 2012)
13. Care
14. Advertising
15. Post-purchase services Positive evaluation of the brand (Ahuvia, 2005)
16. Self-defining Desired and current self-identity (Batra et al., 2012)
Integration of the brand into identity (Ahuvia, 2005)
154 EZGI MERDIN-UYGUR ET AL.
Table 3. Thematic List for the Incident of Brand Loving Back.
Theme Frequency Verbatim Statements
Awarded loyalty 8 I had lots of free coffees with their ‘Ankara city card’
project
Dependability 7 ‘The products I bought 10 years ago are still intact’.
Feedback/communication 7 ‘They provide feedback even for the smallest issue’.
Surrounds me 5 ‘It impresses me that they are everywhere’.
Value 5 ‘They even produce copy chips so that more people
can buy and use it’.
Salespeople 4 ‘…the fun conversations I have with the staff of my
favourite station is enough in itself’.
Brand personality 3
Advertisements 3
Events 1
In some cases the love-brand is even perceived as cold and distant, representing
a ‘parasocial consumer-brand relationship’ (Aaker et al., 2004). For example:
They are producing selling-oriented advertisements for profit and image-advertisements
for loving. This is how it needs to be. (Case #39, male, 23)
The majority of consumer narratives for being loved by the brand included
marketing communication, everyday marketing plans and tactics, brand personal-
ity or brand characters. Other mentioned topics were salespeople, immediate feed-
back, continuous communication, value and care, ads and events, innovativeness
and utility. Specifically, loyalty projects, database marketing, perks and awards
make consumers feel loved by the brand. Furthermore, salespeople are important
in terms of showing love to consumers. Casual chats with the store manager, book
recommendations and friendly relationships are the ways of loving the consumer.
As a conclusion, internal branding may be a strategic tool for not only increasing
employee commitment but also increasing customer commitment. Salespeople
make up the flesh and soul of the brand in the minds of the consumers.
These findings reveal that in Turkey being a love-brand is mostly based
on nostalgia or status relationships. Traditional marketing mix tools such
as pricing or advertisements are secondary in such relationships. It is also
observed that Turkish consumers had fewer stories to tell about being loved
by the brand. Therefore, aspiring brands should take this opportunity to
show love and employ strategies based on the revealed themes. For example,
loyalty-based surprises and feedback-based relationships are two strong ways
of showing love. Aspiring love-brands should increase CRM-based activities
and surprise and love their consumers consistently and in a customised way.
CBR in Turkey 155
communities around the world, and there are several in Turkey. The big-
gest Turkish Vosvos Facebook community page has more than 383,000
fans. Turkish Vosvos communities organise convoys, meet-ups and fairs.
According to Alagoz, Ekici, and Islek (2011), Vosvos community mem-
bers find the brand very attractive, and are enthusiasts of the brand. They
also have a strong commitment to the brand. They wave, beep their horn
or flash their lights to other Beetle drivers as done by members in other
countries.
The purpose of online brand communities is to build stronger relation-
ships between brands and community members by engaging the members.
Online brand communities may contribute to spreading brand-related con-
tent and in this way increase the brand’s visibility, brand awareness and
brand involvement (Jahn & Kunz, 2012). Thus, increasing consumers’ level
of engagement may help to boost brand performance. Today, most of the
online brand communities are initiated on the platform of social media.
To strengthen consumers’ level of engagement, social media marketers need
to understand clients at first. Hence, it is crucial to understand consumers’
motivations to interact with brands via social media.
Several researchers have tried to understand the motives of brand inter-
actions through social media (e.g. Azar, Machado, Vacas-de-Carvalho, &
Mendes, 2016; Enginkaya & Yilmaz, 2014; Rohm, Kaltcheva, & Milne, 2013;
Sukoco & Wu, 2010). There are different types of motivations that drive con-
sumers to interact with brands on online platforms. Not all brand commu-
nity members or those who often visit a definite brand page are real ‘brand
enthusiasts’. For instance, those who are merely ‘opportunists’ may follow
brands to take advantage of promotional events, deals or exclusive offers.
Consumers may gain utilitarian and hedonic values from their participation
in brand communities (Schau, Muñiz, & Arnould, 2009). These two values
can be explained by the social identity theory (Tajfel & Turner, 1985) and the
social capital theory (Coleman, 1988). According to the social identity theory,
consumers join a brand community to fulfill the need for identification with
symbols and groups (Habibi, Laroche, & Richard, 2014). The social capital
theory predicts that consumers pursue some sort of economic value through
networking with their fellow members in the brand community (Habibi et
al., 2014). By using latent class analysis, Rohm et al. (2013) identified 10 con-
sumer motivations for engaging in brand interactions on Facebook, Twitter
and by email: fresh/timely content, entertainment/fun, product information,
promotions/incentives, browsing, engagement, customer service, branded
content, purchase, exclusivity and privacy/trust. Research conducted in
Turkey by Enginkaya and Yilmaz (2014) revealed that motivators such as
CBR in Turkey 157
CONCLUSION
In this chapter, we analysed brand relationships from both global and local –
Turkish – perspective. It is observed that most research focused on borrowing
scales and concepts from the literature and using them in the Turkish context
to show and validate the expected relationships in Turkey. There is limited
research depicting unique characteristics of brand relationships in the con-
text of Turkey. However, this chapter is expected to provide guidance in terms
of measuring and managing brands’ relationships with their consumers by
fine-tuning branding strategies in the Turkish context.
When the most successful and most loved brands in Turkey were analysed,
two patterns of success emerged. First, locally iconic brands that originate
from Turkey are successful. These locally iconic brands are original, and are
based on the local values, necessities and/or traditions of this country. Second,
globally iconic brands that adapt themselves locally are successful in Turkey.
CBR in Turkey 159
Further discussions on the topic can be made via a cultural branding per-
spective (Cayla & Arnould, 2008). Cultural branding is a culturally relative
and contextually sensitive approach to international branding based on brand
mythologies (Cayla & Arnould, 2008). Global brands should be aware that
their marketing communication may not necessarily work everywhere as
they intend it to. Moreover, ‘experiential categories that consumers create for
brands are not necessarily the same as the categories imposed by the market-
ers in charge of brand management’ (Fournier, 1998, p. 367). For example,
global brands in China may be perceived as liberators and instruments of
democracy in their country. Research conducted with an Albanian sample
living in different countries also revealed that brands from their home coun-
try play three roles. These consumers see an Albanian brand as a friend from
home, as a family member and an ambassador of their home culture (Dino &
Cappellini, 2014). In a similar vein, there is a limited number of research that
looks at Turkish brands’ communication in Germany and the Netherlands
where Turkish immigrant populations live. The future research may analyse
CBRs between consumers living outside of their home country with brands
from their home category.
We also briefly analysed the current literature on major outcomes of suc-
cessful brand relationships. These positive outcomes are brand trust, brand
loyalty and brand engagement. Apart from local brands, Turkish people are
also loyal to brands originating from other countries, such as Coca-Cola.
However, research is lacking in terms of analysing loyalty and trust towards
Turkish brands in other countries. The future research may analyse brand loy-
alty and engagement towards Turkish brands in other countries. For example,
Saydan (2013) performed face-to-face interviews with British consumers at
several locations in Coventry in the United Kingdom regarding their percep-
tions of the Turkish brand Beko. The results signify a very strong effect of
country of origin in addition to rational determinants of brand loyalty.
The section on brand love sheds light on brand love themes. Generally, it is
observed that the respondents focussed on tangible qualities of the lovemark
or concrete events lived with the lovemark rather than focusing on their emo-
tions. When analysed deeper, it is observed that the respondents who did not
elaborate on how their lovemarks react actually reported long and detailed
falling in love stories themselves. Apart from the revealed themes, we also
see that lovemarks in Turkey lack ways of showing love to their consum-
ers. We conclude with various recommendations and directions for the future
research. For example, longitudinal narrative collection across life cycles
would be of value to the literature. Most data in the Turkish studies comes
from student samples and relatively very young samples due to convenience.
160 EZGI MERDIN-UYGUR ET AL.
communities are not always beneficial for the brands. For example, brand
communities literature is evolving towards anti-brand communities. This
new form of consumer activism on the Internet is a signature of resisting
globalism and therefore powerful global brands (Hollenbeck & Zinkhan,
2006). Since there are very strong local and global brands in the Turkish mar-
ketplace, global brands should be aware of these rising communities. The
examples we analysed in the US marketplace are rising anti-Starbucks and
anti-McDonald’s. Such brands are also important globally iconic brands in
the Turkish context. Therefore, brand and marketing management of such
firms should consider addressing the concerns and needs of this new type of
consumer communities.
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CHAPTER 4.2
COMPETITIVE DYNAMICS IN
TURKEY
ABSTRACT
INTRODUCTION
Every champion was once a contender that refused to give up’.
–Sylvester Stallone from Rocky
In the last 50 years, accelerating globalisation has changed the world very
quickly. Especially, with the emergence of multinational corporations (MNCs)
in the 1970s, multinational brands started to produce their products and also
market these products to the customers of emerging markets (EMs). From
that point until now, the related literature has two eras: first is focussing on
entry strategies of MNCs to EMs, and the second is focussing on the sur-
vival and multi-nationalisation strategies of local companies in EMs. In the
first stage, many authors such as Arnold and Quelch (1998) thought of EMs
as growth opportunities for MNCs, and in related literature many articles
focussed on the classification of entering strategies to EMs. As time passed,
this process caused two changes in local companies in EMs, both large and
Small and medium-sized enterprises (SMEs): Firstly, they faced multina-
tional giant companies in their local markets. This means the local market
became more competitive in terms of the number of competitors and also
the number of new products. Secondly, they learned how to become an MNC
and local companies started to compete with multinational and local compa-
nies in different countries.
Kotler (2005) addresses a five-step process in decision-making of interna-
tionalisation: the first step is the decision of internationalisation or not, the
second step is a decision related to the market/markets selection, the third
step is a decision related to the way of entrance to new market/markets, the
fourth step is the decision of the marketing plan and the fifth and last deci-
sion is related to the marketing organisation. Globalisation has changed the
world with these steps; especially the importance of making a global market-
ing plan is the key for the success of companies. After the decision of inter-
nationalisation, whether the company is a multinational or a local company,
which wants to become international, it is faced with a question of standardi-
sation of 4Ps, marketing or adaptation of 4Ps in each market. Levitt (1983)
suggested that globalisation makes it possible to take standard product all
around the world; this is easily the less costly way of internationalisation. In
some way, it is true that globalisation makes us eat sushi in plazas far away
from the Far East; on the other hand, these dynamics of globalization have
been changing lately. On the other hand, Kotler (2005) recommends the adap-
tation of product specifications, colour, advertisement, brand name, material,
media, labelling, price, boxing and sales promotion when a company decides
Competitive Dynamics in Turkey 167
are related to each specific sector such as rivalry among existing competitors,
threat of entrants, bargaining power of buyers, threat of substitute and bar-
gaining power of suppliers (Porter, 1979). Internal environment is related to
company’s assets and competencies such as organisational culture, corporate
image, plant and machinery.
These dynamic structures and survival strategies of companies in EMs
drew the attention of Dawar and Frost (1999) in an article titled ‘Competing
with Giants: Survival Strategies for Local Companies in Emerging Markets’.
They claimed that two important dimensions, which are the strength of glo-
balisation pressures in an industry and the company’s transferable assets, can
guide a company’s strategic thinking. They put forward that in every industry,
globalisation pressure is different; according to the level of globalisation and
the degree of transferability of their assets, companies decide to stay local
with dodger and defender strategies or become multinational with contender
and extender strategies. From this inspiring point of view, we found many
opportunities to see examples of such strategies from EMs. For example,
Ramamurti and Singh (2009) and Ramamurti (2012) studied the examples
and labels, such as Huawei, Haier and Chery, and explained the extender strat-
egies of companies from EMs. Ensari (2016) conducted a study of Turkey’s
220 companies from textile and apparel and food and beverage sectors to
see strategic differences in different global pressure levels. As a result of this
study, Ensari (2016) built a model for the strategic choices of SMEs operating
in Turkey (as an example to emerging economies) regarding the factors affect-
ing this process, and analysed reasons of differences between recommended
and existing strategies.
This chapter focusses on drawing a picture of competition in sectors of
production, and recommends a strategy formulation and building market-
ing plan for the local companies of Turkey. The chapter is organised into
four parts. The first part focusses on understanding competitive dynamics in
EMs, since Turkey is an EM. The second part explains the current dynamics
in production sectors without analysing service sectors. In these sections, in
order to talk about competitive dynamics of Turkey, first the strategy for-
mulation in emerging countries in general is explained, and then indicators
of macro competitive environment in Turkey and competition in the main
sectors of production are analysed separately. The third part gives some
cases, including implementation of survival strategies and a suitable market-
ing plan conducted by Turkish companies. The chapter concludes with some
recommendations for the companies to survive and maintain their existence
in the long run.
Competitive Dynamics in Turkey 169
The term ‘emerging market’ or EM, which was coined in 1981 by Antoine
W. Van Agtmael of the International Finance Corporation of the World
Bank, is defined as an economy with low to middle per capita income
(Investopedia, 2017). Nowadays, many authors think that EMs have
become so important that they are called the growth engines of the world
(Kotabe & Kothari, 2016; Raghunath & Rose, 2017; Sinha & Sheth, 2017).
On the other hand, they point out the differences between EMs and the
rest of the world. EMs have different specifications from industrialised
markets such as heterogeneity, socio-political governance, chronic short-
age of resources, unbranded competition and inadequate infrastructure
(Sheth, 2011).
The effect of marketing mix on the sales volume of EMs is also different
from that of developed markets. Bahadir, Bharadwaj, and Srivastava (2015)
found that the most important item of the marketing mix in EMs is the dis-
tribution channel, since in many EMs consumers are yet to try the products
that have been marketed in developed markets. They also found that price is
not the most important marketing tool; in fact, advertising and innovation
are more effective for the purchasing decision of EMs.
Hooley, Broderick, and Möller (1998) define the term competitive position-
ing in the following words:
There are two different approaches creating advantage in the related lit-
erature. The resource-based perspective emerged to counter the determinism
of the Porterian view of competition (Porter, 1980) in which the firm seeks
to explain sustainable competitive advantage through the rent-earning capa-
bility of using existing resources, while the marketing paradigm stresses the
need for external market orientation to achieve competitive success (Hooley,
Greenley, Fahy, & Cadogan, 2001). The competition position of a market is a
combination of price charged, quality delivered, service provided, degree of
innovation offered, delivery of specific features and degree of customisation
(Hooley et al., 2001). With this explanation, it is more related to understand-
ing the needs of customers and market.
Since EMs have different specifications in the market, foreign companies
who want to market their product in these EMs need to take a new com-
petitive position by considering the core assumptions of marketing, the core
guiding strategy concepts and marketing policy and practice. Sheth (2011)
offers to change marketing strategy from market orientation to market devel-
opment, from relationship marketing to institutional marketing, for customer
satisfaction to convert nonusers to users and marketing practices from glo-
calisation to fusion, from diffusion of innovation to democratisation of inno-
vation and country of origin advantage to nation brand advantage. Bahadir
et al. (2015) found the moderating role of the market characteristics of
Competitive Dynamics in Turkey 171
EMs on the relationship between the elements of marketing mix and brand
sales. Vila, Bharadwaj, and Bahadir (2015) found that exploitation- and
exploration-oriented marketing strategies need to fit the environment of EMs,
since their findings provide a better understanding of the interaction between
marketing strategies and market environment. According to their study, an
exploration-oriented marketing strategy (development of new products), and
retail investments, an exploitation-oriented marketing strategy (retail invest-
ment), emerge as significant moderators of the negative effect created in mar-
ket environment in EMs.
Sinha and Sheth (2017) similarly recommend reducing the negative impact
of the EM characteristics which might increase the ratio of first-time users
to nonusers, thereby resulting in large-scale market expansion. In order to do
this, they recommended eight marketing strategies rooted in the 4 A’s frame-
work: Affordability (through democratizing the offer, Upscaling the offer),
Accessibility (through managing reach or reinventing reach), Acceptability
(through cultural fusion or functional fusion), Awareness (through building
brand identity or engaging stakeholders).
On the other hand, because of the different dynamics of EMs, local com-
panies who want to be multinational need different formulations for inter-
nationalisation. Dawar and Frost (1999) suggested that the formulation of
a strategy in an emerging country is different in a developed country, since
competitive dynamics are different in emerging countries.
based on global standards such as aircraft and car parts manufacturers, tele
communication providers and products based on close relationships with
the priorities and expectations of local customers such as food, beverage
and banking. Basically, it can be said that the pressure of global competi-
tion for standard products is high and the pressure of global competition
for products of local needs is low.
2. Transferability of competitive assets: In the second phase, it is to be seen
whether the elements that create competitive advantage can be used in
the case of extending abroad. First of all, it is better to understand the
concept of competitive assets – core competence. Hamel and Prahaland
(1990) stated that a company can be expressed by what it knew, not what
by did, and they defined the concept as follows: ‘A core competence
provides a competitive advantage through being competitively unique
and making a contribution to customer value or cost’. De Bono (1995)
introduced us to the term ‘sur-petition’, which means creating your own
race by creating value to your customers, since he believes competition
on product/service, quality and differentiation are no longer enough.
Grant (1991), in his paper ‘The Resource-Based Theory of Competitive
Advantage’ states that implications for strategy formulation draw atten-
tion to the resources and skills that create competitive advantage to busi-
nesses. Grant (1991), defined the role of resources and skills as a driving
force for business strategies and as a fundamental source of business
profitability.
and the products and services designed for emerging countries would not be
equally successful in developed countries without similar features. Ramamurti
(2012) emphasises that local businesses in emerging economies are better able
to get to know local customers and are more successful than international
competitors, thanks to good government relations. He explains how these
businesses are becoming global brands from being local SMEs by bringing
their international competition and experience to their own countries to simi-
lar international markets and then to global markets, such as Huawei, Haier
and Chery.
A Map to Survival of Domestic Companies in Emerging Countries: As far
as we know, globalisation changed dynamics between the countries at macro
level and between the companies at micro level. Fig. 1 proposed by Ensari
(2016) indicates the roadmap for a long-term existence of local companies
in EMs.
International
LOW Transfer of
Competitive
Competitive
Assets
Yes Asset is
Possible? Extender
(Expand to markets
with similar features
Yes or do global activities
without making any
distinctions)
Fig. 1. The Formulation of Strategy Determination Stages for the Local Business in Emerging Markets.
176 MUHTEREM ŞEBNEM ENSARI
Source: Turkish Statistical Institute (2017). Export and Import by ISIC (Data File).
Million Million
US$ US$
Agriculture 45.650 Export 6.124
Import 7.264
Manufacturing industry 130.824 Export 137.188
Import 194.430
Service industry 407.024 Export 451
Import 5.214
Total 583.499 Export 142.544
Import 207.234
Fig. 2. Foreign Direct Investment by Sectors (in millions US$). Source: Republic
of Turkey Ministry of Development (2017).
All the data which are shown in tables 1 and 2 and Figure 2 clearly reflects
that local companies from different sectors have been facing global competi-
tors increasingly both inside and outside of Turkey in the last 20 years. Every
industry has to analyse more deeply in order to understand the dynamics of
the competition as Porter (1990) suggested by looking at factors, demand and
related supporting industries.
Agriculture Industry
According to the data of the Turkish Statistical Institute, the production of
agriculture, forestry and fishing has increased by 15 times in the last 20 years
(from TL 8.756 million to TL 147.156 million); on the other hand, Fig. 3
indicates that the share of agriculture sector in gross domestic production
decreased to 7.5% from 12.5%. In this sector, both export and import volume
increased by about 167% and 227% respectively. Additionally, cash inflow
increased by two times and cash outflow increased by three times in last 10
years. These figures reveal that the agriculture sector in Turkey has become a
part of global competition.
Competitive Dynamics in Turkey 181
14.0
12.0
10.0
8.0
6.0
4.0
2.0
0.0
98
00
02
04
06
08
10
12
14
19
20
20
20
20
20
20
20
20
Fig. 3. The Share of Agriculture in Total GDP in Turkey between 1998 and 2015.
Source: Turkish Statistical Institute (2017).
Which strategy for marketing? Since the local companies have many national
competitive advantages, focussing on creating value for customers, creating a
brand opposite to the industry in general and investing in innovation might
be helpful tools for the marketing of products: all these might be possible
actions taken by local industries.
It is very important for international companies in this industry to follow
government regulations. The customer is loyal to local production in agricul-
ture (they buy products by country name), so national and fusion marketing
might make customers feel as if they are buying a national brand. On the
other hand, using country of origin is still a useful way of selling seafood. The
efforts of finding a countrywide distribution channel, such as a well-known
supermarket chain, might help to increase sales.
Manufacturing Industry
The manufacturing industry has been one of the main drivers of the Turkish
economy. In 2015, it has a significant share in Turkey’s economy, the manufac-
turing production in 2015 was 130.8 billion USD. The gross domestic production
in manufacturing has increased by 11 times in the last 20 years. According to the
Turkish Statistical Institute and Central Bank of Turkey Statistics, the worth of
enterprises increased to USD 335,311 from USD 236,575, and foreign direct invest-
ments increased to USD 46,984 million from USD 9,777 million in the last 15 years
(TCMB, 2017; Turkish Statistical Institute, 2017).
This industry classification includes four sub-categories: mining and
quarrying, manufacturing (includes textile, automotive, food production,
etc.), energy (electricity, gas and water) and construction. This industry
items are very important when we consider generation of the gross domestic
product.
(A) Mining and Quarrying: Since the mining industry creates resources
for industrialisation, consumption and production of mines can be used as a
measure of industrial fidelity because it is used in almost all of the products
that we use in modern societies. For the construction of an average residence,
400 tones of metal are required, for an average hospital construction this
amount is approximately 3000 tones and for the production of a car, it is 5 tones.
Competition in the mining and quarrying industry: The mining industry
started to develop after Turkey became a Republic. From 1986 until the
1990s, when it began to decrease, the share of the mining industry in gross
domestic production grew at a rate of 2% (Republic of Turkey Prime Ministry
Investment Support and Promotion Agency, 2014, 2017). In the mid-2000s,
Competitive Dynamics in Turkey 183
growth in Turkey’s mining and metals sector was in parallel with the coun-
try’s robust economy. New mining laws enacted in 2005 and 2016 resulted in
an increase in mining and mineral exploration activity in the country with
a particular emphasis on copper, gold, nickel and zinc (Istanbul Mineral
Exporters’ Association, 2015). As a result of these changes, according to the
data of the Turkish Statistical Institute, the mining production increased by
28 times in the last 20 years (666 million to 19,251 million TL), and the num-
ber of enterprises increased to 335.311 in 2015 whereas it was 1.710 in 2003
(Turkish Statistical Institute, 2017).
With the recent regulatory improvement, Turkey has become more attrac-
tive for mining investments. Turkey’s regional investment incentive system
is based on a descending pattern where regions vary in the range of 1 to 6
based on their level of development, with 6 being the least developed regions.
Mining is one exception to this scheme, as most investments in the mining
sector are supported with incentives extended to region 5 regardless of the
investment’s location (Istanbul Minerals and Metals Exporters Association,
2017). As a result, foreign direct investments increased to USD 1,967 million
and domestic direct investments to USD 2,254 million in 2015, whereas these
were USD 262 million and USD 804 million in 2005 (TCMB, 2017; Turkish
Statistical Institute, 2017).
What Might be Competitive Assets of the Companies in this Industry?
The industry is mainly dominated by shortage of resources, including
skilled labour force, investment capital and inadequate infrastructure. On
the other hand, the industry in the country has both policy and resource-
based advantages because of the volume and variety of mining and quar-
rying potential.
Turkey imports many necessary materials for the purpose of industrialisation.
Additionally, local companies in mining industry are experiencing high global
pressure since Turkey is becoming more attractive for foreign investors as a result
of recent regulatory improvements in incentive systems with in the industry.
Mining is a capital and labour-intensive industry. The extra value cre-
ated by a mining company in supply chain mechanism might be a competi-
tive asset for the company. To consider this, a mining company must fulfil
certain conditions to start its operations. These are: tenor, which is the
ratio of metal in the ore reserve, facilities of extraction of ore and trans-
portation and capital, necessary for the successful operation of mines.
The capital is very important for mining in emerging markets, since it per-
mits the necessary equipment and technical personnel for the operation
of mines.
184 MUHTEREM ŞEBNEM ENSARI
Exports Imports
(C) Electricity, Gas and Water Supply: The basic problems of these mar-
kets in Turkey are scarcity of resources, scarcity of infrastructure and socio-
political governance. Since the energy market is very important for industrial
and energy production and the welfare of the society, its operations and dis-
tribution for a long time were controlled by the government.
In the initial years of the 2000s, the liberalisation process was started by
the government. The data indicates that the demand of electricity, gas and
water started increasing, but the domestic production of these was lower on
national level, since the share of industry in the total GDP and the number of
companies remained the same. However, this sector became a point of attrac-
tion for foreign investors due to government incentives provided to these
industries. According to the Turkish Statistical Institute data, the number of
enterprises remained the same – around 3,200 – but foreign direct investment
increased to USD 14,773 million from USD 1,693 million from 2000 to 2015
(TCMB, 2017; Turkish Statistical Institute, 2017).
Electricity: In the electricity sector, the Electricity Market Law No.
4628 came into force in 2001. By that time, an electricity distribution
company had been operating all over the country. Initially sales activities
were separated from the distribution company. As a result, competition
was expected to bring advantageous price tariffs in the market along with
higher-quality service approach. Energy Exchange Istanbul (EXIST) was
officially established on March 12, 2015 with the aim of planning, estab-
lishment, development and operation of energy market in an effective,
transparent and reliable manner to meet energy market’s requirements.
On the other hand, every activity in the electricity market was not open to
competition; also, all activities were not privatised. According to a report
issued in 2017, the actual number of production companies included four
public companies and 758 private companies; one transmission company
was operated by a public enterprise, 21 private companies were for dis-
tribution; and one public company and 148 private companies for sales
(Republic of Turkey Ministry of Energy and Natural Resources, 2017).
Gas: In Turkey, natural gas was discovered in the 1970s, and by June 2016,
Turkey’s available natural gas reserves reached 18.7 billion Sm3 (Standard m3).
It is estimated that the Ministry of Energy and Natural Resources (MENR)
has recently promoted the countrywide support for domestic resource pro-
duction to support some amount of natural gas production in the coming
period. In spite of demand for domestic gas, which grows faster than the
world demand in years, the low level of domestic production causes Turkey
to depend for supply on foreign countries. Turkey’s foreign dependency for
energy is about 76%, while it is 99.2% for natural gas (Öztürk, 2017).
Competitive Dynamics in Turkey 187
of export of bulgur wheat took place in Mardin (Ipek Bulgur, 2017). The
company was under local competitive pressure, and with new incentives for
the import of wheat, global competition started increasing.
In order to survive, the company formulated contender strategy by focus-
sing on organic production. When the marketing mix was considered dur-
ing this process, the company emphasised the difference of their product
in their marketing activities. Their motto was: we are serving ‘Mardin’s
golden-head girl’ to you. This product was different in colour and aroma
because of the combination of Mardin’s soil, traditional production tech-
niques and the company’s modern facilities. Soils in Mardin are rich in iron
and minerals and produce higher quality and higher protein content wheat
than other soils. Ipek Bulgur (2017), which has supported traditional pro-
duction since its establishment, produces wheat by processing wheat water
at any stage without using any additives, just as it is in traditional produc-
tion. As a result, the customer can clearly see the difference of the product
at first sight from its yellow colour. Besides these differences in products,
the company decided to set the market price to reach more customers.
They were serving quality products to their customers at a reasonable price.
As a distribution policy, the company dealt with big market chains through-
out the country. On the other hand, it looked towards selling products to
international markets. In order to promote the product internationally,
Competitive Dynamics in Turkey 189
the company introduced their products with chefs all around the world in
world famous fairs such as Sirha, and also tried to take geographic signs to
‘Mardin Bulgur’ (Ipek Bulgur, 2017) to have the advantage of its country
of origin.
A similar competition strategy was pursued in the series of the film indus-
try emerging in Turkey, and the serials which have gained appreciation
by the Turkish people were first marketed in the Middle East and Turkic
Republics where cultural similarities were found. According to a report
published on variety.com in the United States, despite economic stagna-
tion in Turkey, the Turkish series maintained their popularity in the world,
and Turkey ranks second in the export of series after the United States
(Hürriyet, 2017).
If you search ‘How Turkish series became so popular?’ on web, you will
get the product strategy in marketing mix of the companies from the industry.
These are some answers to the above question on the web:
The good thing about Turkish serials is that they always have limited episodes, an excel-
lent plot and story content. Moreover, the well-written scenes that include characters’
emotions allow the audience to take part viscerally in the story and bond with the charac-
ters. Also, the actors are amazing. (An audience from Delhi, India, 2008)
Although Turkey is quite far away, I found our cultures to be quite similar, and the
Turkish productions are of very high quality and don’t have the Hollywood clichés and
stereotypes. When I started to watch these dramas, I realised how tired I was with all the
violence and sex of American TV. (A Chilean audience, 2016)
and amazing love stories rather than violence and sex; in other words, they
gave them something completely different from other competitors.
When companies planned marketing mix, they did not want high costs for
their products, rather their main focus was to distribute their products to cor-
rect channels. That is why, initially the series were sold at $30–50 per episode;
nowadays they are sold for up to $20,000 per episode.
As a result, according to a report by Forbes Turkey, there are 85 private
production companies, and these series are exported to 142 countries. The
export of series in Turkey started to grow in 2008, which totaled to USD
10 million, reaching to USD 350 million in 2016. The demand for Turkish
series increased their price per episode. The value of series in world markets
has also increased by about 10 times after 2010. Turkish exporters are aim-
ing to sign USD 750 million worth of exports by 2023. Although Turkey has
the strongest markets in the Middle East, the Balkans and Eastern Europe,
North Africa, South America and Central Asia, with their series it is now
present almost all over the world (Kara, 2014).
Live Defenders!
Meet a Dodger!
The cargo and courier sector in Turkey, which has a history of no more
than 35–40 years, is growing exponentially in recent years in parallel with
the development of country’s industry and the rapid spread of e-commerce.
Because of its geographical position and the young population, foreign
investors are getting more interested in this sector with each passing day.
The number of branches of the firms increased from 4,225 in 2005 to 9,700
Competitive Dynamics in Turkey 191
in 2012. The volume of workforce increased four times from 22,000 work-
ers in 2005 to 89,000 workers in 2012 (Dünya, 2013). Nowadays, the sector
is served with 25,000 vehicles, with an employment capacity of approxi-
mately 100,000 people, thus the sector provides significant added value to
the country’s economy (Kut, 2017). PTT, Interglobal Cargo, Yurtiçi Cargo,
Aras Cargo, MNG Cargo, Sürat Cargo, Kurye Net, Aktif İleti, Kurye Tel,
TNT, DHL, UPS and FedEx are the most important companies working in
the Turkey’s cargo and courier sector.
Unsped was established as a local business in Turkey in the growing cargo
transportation market. In 1988, it became an authorised service provider in
Turkey to UPS, growing in Europe during national and international fast
cargo transportation in those years, which made it easy to access the existing
service network of UPS. In June 2009, UPS established a partnership with
Unsped, which was working in Turkey for 21 years, and gave the management
of 21 countries to Unsped’s CEO, Haluk Ündeğer (DTIK, 2009).
Meet a Contender!
In the white goods and computer market, there is very intense competition
all around the world. It is estimated that the size of the world’s white goods
market will increase to 430 million (Öztürk, 2016). While China is the world’s
largest white goods producer, Turkey is the second largest producer of white
goods in the world and the largest producer in Europe. Turkey completed
the year 2016 with a growth of 6.5%, with domestic sales and export of
24 million pieces (TürkBESD, 2017). Apart from China and Turkey, countries
192 MUHTEREM ŞEBNEM ENSARI
such as the United States, Britain, Germany and Italy still seem to maintain
their competitive edge in the global white goods market. Turkey has competi-
tive advantage because of low labour cost and geographical proximity to EU
countries. Turkish brands such as Arçelik, Beko, Arzum, Vestel, Casper can
be evaluated for their struggle in this category.
Arzum tries to survive with contender strategy, operating in the white
goods sector where the pressure of global competition is intense, to transfer
its competitive assets combining traditional products with modern applica-
tions of R&D studies. The company develops new products, sells them with
competitive pricing policy and distributes through their own channels and
distributors.
Main focus in their marketing mix is product differentiation. T. Murat
Kolbasi, chairman of the board of Arzum said in one of his interviews: ‘We
are innovative not only with our products, but also with our services and our
approach to our business’ (Kolbaşi, 2013). The company has received many
design awards from different institutions such as IF design, Plus x Award, Plus,
Good design, Hong Kong Award for Industries and HK Household Electrical
Appliances Design and Innovation Competition in 2013 and Reddot award
2014 with its new toaster called ‘Ar232 Fırrın’ and new coffee machine
‘Okka’ (Arzum, 2017).
CONCLUSION
Turkey is an EM with high growth potential, thanks to its natural resources,
young population, geopolitical situation and closeness to developed markets.
The country is experiencing global competition since 1980 after it opened
Competitive Dynamics in Turkey 193
to foreign trade via regulations. In the 1990s, the country became an impor-
tant exporter of many agricultural and manufactured products. By the end of
the 2010s, the country was experiencing intensive competition in textile and
apparel and high technology products. Turkish companies compete with mul-
tinationals both within and outside the country. During this process, some
industries started to be more dependent on outsiders. This is what happened
in agriculture and textile production.
This chapter focussed on clarifying MNCs’ competitive positioning pro-
cess to enter the Turkish market and the multinationalism process of local
companies. During this type of strategic actions, environment analysis is a
helpful tool. Companies can have competitive power because of external
environmental conditions in their country, internal environmental conditions
in their sectors and their competitive assets and capabilities. According to this
point of view, the following observations are made:
• On the company level, competitive assets are more important than ever for
local companies in Turkey. Since technology has an accelerating effect on
competitive pressure, it is recommended to invest in technology. What you
have read in this part of the book is true for the current world situation.
On the other hand, in order to be a part of new industrial era with Industry
4.0, companies in Turkey need to concentrate on more information tech-
nology, research and development technology in order to produce more
innovative products and to hire qualified workforce. These companies also
need to know more about the new management system to get prepared
for the future competition. Such items would create competitive power
for companies but competitive power is tangible, which means that it can
be transferred internationally. This helps companies in highly competitive
industries to survive.
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CHAPTER 4.3
PLACE MARKETING IN TURKEY
ABSTRACT
The branding concept has been applied to cities, destinations, regions and
even nations to attract tourism, investments and residents. The Republic of
Turkey with its rich historical heritage has been home to many applications
of such diverse branding campaigns. While some of these campaigns have
been criticised for their lack of efficacy, especially at the national level,
several city-based or regional campaigns have proven more successful.
In this chapter, we review and examine place branding campaigns in Turkey.
We provide examples of the increasing role of social media, cultural and his-
torical heritage, role of movies and TV series, health- and faith-based tourism,
mega-sports events, sustainable communications, the Slow City concept and
public–private partnerships in contemporary place branding campaigns.
Keywords: Place marketing; place branding; destination marketing; city
branding; region branding; nation branding
INTRODUCTION
Globalisation, accessible transportation and information technologies have
made travel more accessible and attractive and increased the number of
global and local tourists. Since tourism has a key role in the development of
places (Kurar, Kavacık, & İnal, 2017), competition among them has emerged
(Bıçakçı & Genel, 2017). Places in a global market compete using their eco-
nomic, human, social and cultural resources (Mišič & Podnar, 2017, p. 66) to
create economic, social and political values (Doyduk & Okan, 2017, p. 166).
One of the most crucial issues for a place is to establish itself as a brand to
attract visitors. Through extraordinary marketing, places can become per-
ceived as unique and more attractive than their competitors (Bayraktar &
Uslay, 2017a).
However, places have limited economic, human, social and cultural
resources, and they also face many challenges (Mišič & Podnar, 2017). They
must carefully devise their marketing strategies and allocate their limited
resources to develop a differentiated place image (Özbölük, 2017). There
are several tools and strategies that can be used to create a unique brand,
increase the awareness and attractiveness of places and enhance the prosper-
ity of stakeholders such as residents, investors, local organisations and gov-
ernments (Bayraktar & Uslay, 2017b).
Place branding campaigns are increasingly using strategies such as social
media (Özbölük, 2017; Uzunoğlu, 2017); movies and TV series (Şahbaz &
Bayram, 2017); the application of sustainable communications (Biçakçı &
Genel, 2017); the Slow City concept (Doyduk & Okan, 2017); highlighting
the role of health tourism (Gürcü & Tengilimoğlu, 2017), cultural tourism
(Hocaoğlu, 2017; Özer, 2017; Uysal, 2017), religious affiliations (Kurar, Kavacik
& Inal 2017) and the support and efforts of local governments (Güler, 2017).
Turkey is one of the most important and multifaceted destinations in the
world. It offers plenty of opportunities, beautiful sights and activities to tour-
ists of all kinds. Turkey’s unique geographic location where East meets West,
multiplicity of cultures, historical heritage, religious destinations, temperate
climate on its Western and southern coasts, Blue Flag beaches, clean bays
and ancient cities are rarely found in a single country. However, Turkey has
not taken its well-deserved place in tourism. Turkey remains one of the most
important destinations yet to be successfully branded. A detailed examination
of the role of several strategies and approaches on the brand image of Turkey
is crucial. Emerging markets tend to have abundant natural resources that
attract visitors, and financial as well as human capital. The lessons from the
case of Turkey are also applicable and important for other emerging markets
that stand to benefit from more tourism. The objective of this chapter is to
review and examine place branding campaigns in Turkey to date with contem-
porary examples.
Place Marketing in Turkey 201
all the activities and processes to bring buyers and sellers together; focuses on respond-
ing to consumer demands and competitive positioning; is a continuous coordinated set
of activities associated with efficient distribution of products to high potential markets;
and involves making decisions about the product, branding, price, market segmentation,
promotion and distribution. (Cited in Özbölük, 2017, p. 888)
Doyduk and Okan (2017) observed that there are two main challenges of
place branding – managing the gap between perceptions and the reality about
a place and controlling identity and reputation. Hocaoğlu (2017, p. 234)
claimed that the main challenges of place branding are as follows:
The music video was shot on a roof with an amazing landscape of Istanbul in
the background. This video has been viewed around 78 million times to date
(YouTube, 2017b).
Brand and product placement in movies and TV series which affects the audi-
ence’s perceptions, thoughts and behaviours, remains one of the most effec-
tive marketing tools (Karniouchina, Uslay & Erenburg, 2011, 2016). Movies
and TV series increase the ‘awareness, appeal and profitability’ of places
(Riley, Baker, & Doren 1998, p. 922) due to several characteristics such as
longer audience exposure in movies than in traditional tourism promotions
(Tooke & Baker, 1996), and perfect camera angles, and in-home access to the
places seen in the movies (Riley, Baker & Van Doren 1998). Movies and TV
series contribute to the development of, provide economic benefits to, and
support the branding strategies of the places (Şahbaz & Bayram, 2017).
There are several examples of the effect of movies and TV series on tour-
ist numbers and place branding. Just one year after the movie Braveheart
was released, the number of tourists in Scotland increased by 300%. Mission:
Impossible 2 increased the number of tourists in Sydney by 200%. The Lord
of the Rings series increased the awareness of New Zealand, which was
not a well-known destination, and the number of tourists from the United
Kingdom increased by 10% every year (Hudson & Ritchie, 2006). Finally,
the hit HBO show Game of Thrones with its mega budget has put Northern
Ireland prominently on the map (Murray, 2017).
The brand image of Turkey suffered from movies such as Midnight
Express, where Turkey was shown as a country which violates human rights
(Mutlu, 2005). However, the brand image of Turkey was positively impacted
by Troy, which increased the number of tourists to Çanakkale, Turkey by
73% (Hudson & Ritchie, 2006). The opening sequence of the James Bond
flick, Skyfall, was shot on the roof of the Grand Bazaar of Istanbul. The
Grand Bazaar was the world’s most visited tourist attraction in 2013 with
over 91 million annual visitors well ahead of the Zócalo in Mexico City
(85 million visitors) and the Times Square in New York City (50 million
visitors) (Travel + Leisure, 2013).
However, it was Turkish TV series rather than foreign-made movies that
led to dramatic increase in tourist numbers. The utilisation of TV shows can
be considered a milestone for the place branding of Turkey. Today, Turkey
is ranked second (after the United States) in volume of TV series exports.
Place Marketing in Turkey 207
In 2016, Turkish TV series were sold to more than 100 countries and reached
an audience of over 500 million globally (Türkiye Gazetesi, 2017). The TV
series increased the number of tourists, especially from Arab countries, The
Balkans and South America. Following the release of the TV series Gumus,
the number of tourists increased by 56% in 2008. TV series contribute to the
Turkish economy by creating awareness, publicising Turkish culture, family
life and lifestyle and even enhancing trade between Turkey and other coun-
tries (Nuroğlu, 2013; Şahbaz & Bayram, 2017). Turkish TV shows such as
Magnificent Century and Resurrection can be found on Netflix in the United
States, which also recently ordered the production of its first Turkish TV
series (Roxborough, 2017).
Turkish Airlines, Atatürk and Sabiha Gökçen Airports and Istanbul Culture
and Art Foundation. There must be strong and elaborate collaboration and
communication among stakeholders to support the place brand.
environmental resources as well as the economy. More places are joining the
Cittaslow movement to prevent homogenisation and to save their distinctive,
competitive advantages and diversities.
Table 1. Distance of Turkey and Far East Countries from Other Countries.
Country Europe North Middle United Russia Middle East
Africa Africa States
Turkey 2–4 hours 3–4 hours 5–9 hours 9–14 hours 2–4 hours 2–4 hours
Far East 10–15 hours 10–15 hours 9–14 hours 18–26 hours 7–12 hours 5–9 hours
Places can create awareness, improve their images and attract tourists by build-
ing new planned settlements, architectural buildings and amusement parks.
They may also use marketing tools such as promotion and branding. However,
all these strategies and tools can be imitated, adopted or improved at other
places. However, culture has a multi-dimensional structure consisting of social
norms and traditions, language, fashion, architecture, handcrafts, art, music and
gastronomy (Iliachenko, 2005) and is affected by history, lifestyle and environ-
ment (McKercher, Ho, & du Cros, 2004) which renders it very hard to imitate.
********************
Culture is probably the most effective tool for place branding and enhanc-
ing tourism. It provides uniqueness to places, offers distinctive experiences to
visitors and is an inimitable key to differentiation (Özer, 2017). Cultural tourism
is defined as the ‘visits by persons from outside the host community motivated
wholly or in part by interest in the historical, artistic, scientific or lifestyle/
heritage offerings of a community, region, group or institution’ (Silberberg,
1995, p. 361). Cultural tourists’ demography and psychography differ from
other tourists. Cultural tourists’ education and income levels are much higher
Place Marketing in Turkey 211
and they want to escape from the real world (Özer, 2017). Cultural tourists
look for authenticity during their visits (Wang, 1999). Places should protect
their authenticity, highlight their cultural heritages and apply differentiated
tourism strategies to strengthen their brand image and impress cultural tour-
ists. However, culture should not be created or regenerated for cultural tour-
ism, and the places should use culture as a catalyst for promoting the place
(Hocaoğlu, 2017).
Özer (2017) listed some strategies for places which can become branded
through cultural presentations. These include creating architectural design
and iconic structures, creating a cultural image and slogan, organising cul-
tural festivals, organising mega events, cultural thematisation, featuring the
cultural identity, utilisation of museums for branding, utilising historical sto-
ries in marketing, urban transformation and planning and cultural flagship
investments.
Turkish culture represents harmony between East and West. Turkey also
has rich architectural culture and many iconic structures for use in brand-
ing strategies. Istanbul alone is home to many historical and architectural
structures such as Hagia Sophia, Sultan Ahmet (Blue) Mosque and Maiden
Tower.
The greatest mosque in the history of the Republic is currently under
construction in Çamlıca. It is designed to be seen from almost every part of
Istanbul to become a new symbol of the city. Uysal (2017) conducted a con-
tent analysis and identified that six themes were used in tourism materials for
Istanbul: religion, capital of civilisations, multicultural diversity, orientalism,
city between the East and the West and the city of tolerance.
Another strategy involves cultural image and slogans. Turkey’s current
slogan, ‘Explore the Potential’, is rather generic and does not include any
cultural expression. Istanbul has used several slogans such as ‘capital of
religions’ and ‘timeless city’ (Özer, 2017). Organising cultural festivals such
as the International Oil Wrestling Festival in Edirne, Mesir Paste Festival in
Manisa and International Golden Karagoz Folk Dance Festival represents
another approach. However, most of these festivals are not well known
internationally. These festivals should be promoted globally to increase
awareness and attract more cultural tourists.
Religion has very important spiritual and sacred values that direct or dictate
devotees to travel to specific places. Jerusalem, Rome, Santiago de Compostela
212 CAN USLAY AND MESUT ÇIÇEK
and Lourdes are the main pilgrimage centres for Christians. Makkah is the
pilgrimage place for Muslims (Kurar et al., 2017).
Although it is a very old tradition, religious tourism’s boom took place
in the beginning of the 2000s. Recently, the volume of religious tourism has
reached worth $18 billion with approximately 300 million people travelling
annually for religious purposes. Religious tourists spend more and prefer first-
class products and services (Kartal, Tepeci, & Atli, 2015). Therefore, religious
affiliations play a key role in the economic prosperity of places. Like culture,
religious places also represent heritage and cannot be formed or imitated.
Places can use religious affiliations in similar ways as to culture to strengthen
a unique brand image.
Turkey has a multi-religious heritage associated with the three Abrahamic
religions: Christianity, Islam and Judaism (Uysal, 2017), and it is one of the
most fortunate countries in terms of religious tourism. Turkey is a home to sev-
eral important religious places for Christians such as Şanlıurfa (the birthplace
of Abraham), Harran (the native town of Rebecca and Rachel), Mount Ararat
or Ağrı (where Noah’s Ark was grounded) and Ephesus (where the Virgin
Mary spent her last years). There are also several attractions for Muslims
in Turkey such as Mevlana Tomb, Blue and Süleymaniye Mosque, Selimiye
Mosque, Divrigi Grand Mosque and Bursa Grand Mosque (Kartal, Tepeci
& Atli 2015). While Istanbul’s Hagia Sophia museum is visited by 3.5 million
tourists annually, the House of Virgin Mary that Christians visit to become a
pilgrim arguably has a higher potential as a destination for religious tourism.
Although Turkey has several opportunities and advantages regarding reli-
gious tourism, Aktaş and Ekin (2007) claimed that only 1% of tourists come
to Turkey for religious purposes. It is obvious that Turkey is not fully success-
ful in religious tourism, and the tourism authorities in Turkey should exert
more marketing effort to promote religious places and attractions and allure
more tourists who are motivated by their religious beliefs.
cannot be separated from the local policies and strategies, local governments
play an active role in branding (Hocaoğlu, 2017).
Local government has a multi-faceted structure consisting of five dimen-
sions. The social dimension is related to the implementation of democracy
and human rights as well as providing social services such as health, educa-
tion and food. The economic dimension refers to the role of local govern-
ments in the reduction of poverty and in maximising local employment and
income. The environmental dimension refers to supplying healthy and safe
living conditions, water supplies, provisions for sanitation, rubbish collec-
tion, disposal drains, paved roads, etc. for residents and visitors, and the
preservation of nature and the ecosystem. The administrative dimension is
related to the relationship and harmony between the local and central gov-
ernments. The political dimension is how local governments influence citis-
ens to participate in politics, organise elections and maintain law and order
(Güler, 2017).
Güler (2017) identified several strategies for local governments in place
branding. Local governments should have close relationships with all stake-
holders and should integrate them in the place branding process from plan-
ning to implementation and evaluation. They should also collaborate with
other organisations such as Local Agenda-21, tourism offices and regional
development agencies. Another strategy for place branding is the application
of tailor-made and place-specific solutions for sustainable development.
In Turkey, local governments are legal public entities and aim to meet resi-
dents’ needs (Güler, 2017). However, local governments face several problems
in meeting residents’ needs and improving the brand image of the places for
several reasons. Local governments have out of date legislations and regula-
tions which cannot respond to technological, economic and social changes.
The Turkish governance system has a heavily centralised character which is
rooted in the Ottoman Empire, and people prefer not to participate in local
government. Also, the central government does not allocate sufficient finan-
cial resources to local governments (Polatoğlu, 2000).
However, there are examples of success. Eskisehir was an ordinary and
unpopular city 15 years ago, experiencing massive outward migration. The
local government produced several projects to increase quality of life. They
made the city pedestrian-friendly, rehabilitated the polluted river at the
city centre, improved the transportation systems and sport areas and reno-
vated old buildings. These efforts made Eskişehir the art and cultural capi-
tal of Anatolia. Local government repositioned the city through initiating
the branding process and became a pioneer for other cities who want to be
branded (Güler, 2017).
214 CAN USLAY AND MESUT ÇIÇEK
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SECTION 5
CRAFTING MARKET
OFFERINGS IN TURKEY
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CHAPTER 5
EXPERIENCE CONSUMPTION
IN TURKEY
Ezgi Merdin-Uygur
ABSTRACT
INTRODUCTION
The experiential economy (Pine & Gilmore, 1999, 2000) has established the
important role of experiences in marketing. According to this framework,
all businesses are providing experiences to their consumers, regardless of
the nature of their offering. Around that time, the psychology literature also
evolved towards the understanding of positive psychology. Positive psychol-
ogy aims at not only preventing misery or dysfunctions but also at improv-
ing the well-being and happiness of human beings. This literature argues
that well-being, the sum of joyful experiences and happiness, is not directly
linked with wealth. People are just not spending their money right (Dunn,
Gilbert, & Wilson, 2011). From this point of departure, this chapter focusses
on experiential consumption rather than a specific industry or a specific time
or point of purchase.
In support of the argument that money is not directly linked with happi-
ness, in Turkey, the economic development and increased monetary income
are not reflected in reported happiness levels, since Turkey ranked as the
78th happiest country globally (Helliwell, Layard, & Sachs, 2016). A report
by Price Waterhouse Coopers (PWC) (2016) shows that the percentage of
culture and entertainment expenditures in household spending is as low as
3%. This statistic may even decrease to the level of 1.62% for the low-income
segment. The Turkish economy still has an untapped potential to grow in
terms of services, experiences and culture and entertainment industries. The
share of the service economy in the national GDP in Turkey is slightly below
60% (Turkish Statistical Institute (TUIK), 2014). Moreover, according to
the data, the share of service sector employees among total employment is
one of the lowest in Turkey with a ratio of 45% whereas almost 80% of the
workforce is in the service industries in countries such as the Netherlands
and the United Kingdom (PWC, 2016).
In this chapter, we analyse the role of experiential marketing and con-
sumption in Turkey, a country where conspicuous consumption, materialism
Experiences in Turkey 225
and enjoyed by many in game rooms, beaches, bowling alleys or movie thea-
tres. Some cities in Turkey have developed enormously due to regional sports
marketing. Examples of such destinations are Antalya (golf, skiing and div-
ing), Kayseri (skiing) and Fethiye (sky-diving). Despite this variety, soccer
industry (predominantly referred to as football in Turkey) is of great signifi-
cance. Football experiences give way to sports marketing, sports tourism and
all related economies. Unlike seaside tourism, football game experiences and
tournaments take place in cooler regions in the summer and warmer places in
the winter. For example, Antalya in Turkey hosts a number of foreign soccer
teams from Germany, Austria and Russia for their training during the winter
months due to its warm climate (Hazar, 2007). Huge budgets are reserved
for football experiences, football clubs and all related activities. Prior litera-
ture identifies two different segments for the sports tourism industry as the
individuals who travel too actively to participate in a sports activity (active
sport tourism) versus individuals who travel to watch a sports event (event
sport tourism).
Leisure experiences in the context of Turkey are various, such as festivals,
which are a mixture of performers, consumers, atmospherics and a number
of periphery service providers’ performances such as food services, catering
services, retail shopping opportunities and entertainment venues. Akyildiz
and Argan (2010) analysed the case of Turkish Rock’n Coke festival and pre-
sented a four-dimensional model of leisure experiences. Their model com-
prised the dimensions of social relations, lifestyle, expression of emotions
and sensual perception. Even though this model utilised items from prior
literature in the area (i.e. Gentile, Spiller, & Noci, 2007; Kao, Huang, & Wu,
2008; Tsaur, Chiu, & Wang, 2006), it is validated in a Turkish experiential
context with data collected from 234 Turkish consumers who were audience
members at the two-day-long festival in Istanbul, Turkey. Interestingly, the
dimension of social relationships turned out to be the most influential driver
of experiential happiness and satisfaction (Akyildiz & Argan, 2010). The sat-
isfactory social interactions during the experience, combined with the quality
of the emotions felt during the experience, significantly predict the intention
to recommend the event to somebody else.
Another experiential shift in Turkish lifestyle has happened in the eat-
ing out sector. Trend analysts acknowledge a shift in eating preferences of
Turkish people from traditional, healthy cuisine towards unhealthy fast-food
and eating out. Analysts’ observations link this shift in eating habits with
shifts within the population. More and more percentage of the population
is living in cities rather than countryside. With increased employment rates
(especially among women) and working hours, people feel more pressure to
Experiences in Turkey 231
eat out and eat fast. There are on average 27 million people currently employed
in Turkey as of 2015 (Euromonitor International, 2016a). Moreover, single
person households and the increasing number of higher education students
contribute to the increased demand for eating out. Even though restaurants
are thought as vendors of food, they are primarily retailers of the foodservice
experience (Yüksel & Yüksel, 2002). In restaurants, production and con-
sumption practices take place simultaneously and such services consist of a
blend of tangible and intangible aspects of the dining experience. The service
environment comprises the quality of the product, the comfort of the ambi-
ance as well as a set of social relations and conversations between vendors
and customers or simply among fellow consumers. Even non-verbal aspects
such as waiting time, crowdedness, pace of service or prospective customer
perceptions shape the experience itself. The experience, in return, affects con-
sumers’ cognitive, emotional as well as physiological responses (Yüksel &
Yüksel, 2002). Yüksel and Yüksel (2002) conducted research with foreign
tourists visiting Turkey and presented a five-dimensional restaurant experi-
ence consumer segments model. According to their model, tourists in Turkey
belong to one of the following five clusters of restaurant customers: value-
seekers, service-seekers, adventurous food seekers, atmosphere seekers and
healthy food seekers. According to their model, there are traditional drivers
of restaurant satisfaction such as food quality and service quality. However,
the service quality also comprises friendly staff, their willingness to help, their
knowledge level, their competency, their attentiveness, quietness and level of
noise at the facilities and favourability of the overall atmosphere.
Valentine’s Day. More traditional experiences included live music and dance
performances on stage. Restaurants within these malls also offered varied and
different special menus for Valentine’s Day, representing experience within
experience and different layers of marketing performances. What is more
significant in this work in Turkish context is that the authors present these
malls as ‘temples’ of today, supported by a religious and spiritual perspective
towards consumption behaviour of the modern Turkish society.
As another special day example, many shopping malls in Turkey host
Christmas markets, special year-end promotions and seasonal attractions at
the end of the year. Another study was conducted in Konya, Turkey, in the
case of a single shopping mall. The qualitative study utilised photo-based
narratives approach in order to investigate entertainment experiences in
shopping malls (Uygun, 2011). This study revealed surprisingly that, in addi-
tion to planned and special activities and experiences, unplanned and impul-
sive events and experiences play a significant role in the overall experiential
consumption. The most highly rated experiences for Turkish young mall
shoppers are planned mall-related attractions; special events and unplanned
spontaneous experiences. Among the planned mall-related attractions, young
Turkish consumers rated movies, entertainment centres and lounge areas as
the most desirable elements. In the second category, similar to the other stud-
ies about Turkish shopping malls, concerts or dance performances have been
reported as desirable special events. The most interesting category, which is
unplanned, spontaneous or impulsive experiences category, included witness-
ing other consumers’ life events and unplanned social interactions.
SOCIAL EXPERIENCES
Servicescapes are defined as spaces constructed as a stage for consump-
tion and to unleash the frozen potential of consumptionscape (Ger & Belk,
1996). Servicescapes are composed of various physical and material elements
categorised as design factors, ambient conditions and social interactions
(Bitner, 1992). Design factors include the layout, furnishing and decor; ambi-
ent elements include lighting, temperature and other sensory input, while
social interactions may involve relations between customers and employees
or among fellow consumers. Within the service management paradigm, old
models either conceptualised other customers as an interacting single entity
focussed on service providers as the sole social interaction party in the service
encounter or dealt with a specific portion of the experience such as the wait-
ing line social effects such as conversation or getting along.
234 EZGI MERDIN-UYGUR
eating out (e.g. restaurants) are designed to create social eating experiences.
Most Turkish consumers prefer full-service restaurants that offer a full dining
experience for the ambience, the service but more importantly for socialising.
Tables are set for more than one or two consumers and the eating experi-
ence of each customer is observable by other customers (Jonsonn & Pipping-
Ekström, 2009). Restaurants may even offer communal plates, allowing
individuals to share food from the same plate (Warde & Martens, 2000),
which might foster the inherently social activity. In Sweden, for example, spe-
cial signs at the entrance of restaurants indicate whether communal tables
are available for individuals who come alone to share with others (Jonsonn &
Pipping-Ekström, 2009). Regardless of geography, public spaces host con-
sumers that are together alone (Morrill, Snow, & White 2005). Communal
eating designs for solo diners are called communal tables in the United States,
talking tables in the United Kingdom and SAMBORD in Sweden (Jonsonn &
Pipping-Ekström, 2009).
The demographic trend of the increased numbers of lonely people within
the population is also reflected in the Turkish setting. Turkish students aged
between 6 and 18 years no longer socialise with their classmates or friends
(Euromonitor International, 2016a). The Family and Social Policies Ministry
has declared that delaying marriages is one of the possible causes of this
trend. There is a significant rise of single men among people who live alone
according to 2014 statistics. As people delay being a household and family,
they look for social experiences as a means of social belonging.
The most significant representation of experiences in the marketplace is
third places such as coffeehouses. This is evident from the plethora of branded
service experiences around us, be it global branded such as Starbucks, local
branded such as traditional coffeehouses or independent third-wave stores.
THIRD-PLACE EXPERIENCES
The coffeehouse has mostly been referred to as a ‘third place’ in both theory and
practice. In sociological terms, Altman (1975) proposed three types of places:
primary (such as home), secondary (such as work) and public (third places).
Third places have also been explained by another sociologist, Oldenburg
(1999) as informal public life places, hosting regular, voluntary, informal and
happily anticipated gatherings of individuals beyond home or work.
Pleasure and leisure, two characteristics of modern consumer culture
(Belk, Ger, & Askegaard, 2003) are in motion within the third-place leisure
236 EZGI MERDIN-UYGUR
METHODOLOGY
In this section, I report empirical findings from the Turkish consumers’ expe-
riential choices such as theatres, dining experiences or holidays. We have
field data from cafes and movies. We also have attitudinal data regarding
performance experiences, such as theatres, and dining experiences such as
restaurants. In one of our field studies, data was collected from actual con-
sumers in a middle-priced café that hosted a large communal table for din-
ing. One of the research objectives was to understand the social aspect of
a leisure experience such as eating out. We recruited research assistants to
collect real-time data from the cafe. We conducted the study on weekdays,
approaching participants sitting alone among other consumers versus sit-
ting with friends in this café. After the individual’s social versus alone status
was marked on the survey, the respondents reported their happiness levels,
the amount of money they spent on the experience in Turkish liras and the
time in minutes they spent for that experience. The main dependent variable
was the happiness garnered at the time of consumption since we interrupted
their eating–drinking experience. Participation was totally voluntary and
without any monetary compensation. One hundred and sixty-four (68 males,
Mage = 22.59 years, SD = 2.99) customers participated on a voluntary basis.
Happiness derived from the experience as it is lived was assessed with three
items, asking ‘How happy this experience is making you feel’ on a 9-point
semantic differential scale anchored by not happy/very happy; ‘How much is
this experience contributing to your happiness?’ on a 9-point scale anchored
by very little/very much and ‘Would you be happier doing something else
instead of this experience?’ on a 9-point scale anchored by not happier/much
happier (reverse item). Three items formed an index adapted from Millar
and Thomas (2009) (α = 0.736; M = 17.07). We also measured the behav-
ioural involvement of respondents with café or restaurants. They reported
their number of eating–drinking out in a week. Finally, participants indicated
their age, gender and level of income.
RESULTS
The results revealed the main effect of social experience on happiness.
The Turkish consumers in the café reported higher happiness scores if the
experience was being lived with friends compared with strangers on the same
table (Msocial = 6.15, SD = 0.21 vs Malone = 5.36, SD = 0.18, F(1,162) = 8.14,
p = 0.005). However, the happiness scores were not translated into other
Experiences in Turkey 239
Findings of these two studies are in line with the literature. First of all,
we showed that in third-place experiences, which involved social interaction,
people preferred experiences with beloved people. Consumers are happier if
they dine out with their friends or family, compared with dining out alone in
crowds. However, the difference in happiness levels is not translated into stra-
tegic outcomes. For example, consumers spent similar amounts of money and
time when they experience with loved ones or alone. More interestingly, we
failed to find a difference in happiness when the experience does not involve
social interaction. In such experiences, such as performances or m ovies, con-
sumers were equally happy regardless of being with friends or being alone.
CONCLUSION
We conclude with recommendations in terms of designing and delivering
experiences in Turkey. Being home to a diverse and also very large popu-
lation, it is imperative to move beyond tangible products marketing and
internalise experiential marketing if marketing activities are to succeed in
Turkey. Strategies need to go beyond promoting tangible qualities, such as
durability or price promotions, but rather should stimulate emotional con-
nectedness and intangible value of the experiences provided. Marketers of
experiences should know that all experiences are unique, incomparable to
its (especially material) alternatives and meant to be kept as memories for a
very long time.
The experiential economy will keep growing like all developed and devel-
oping economies. Moreover, with technological and social advancements, it is
even expected to surpass material products consumption. In addition, Turkey
belongs to a cultural group of countries with strong social bonds and high
connectedness. The connectedness makes social experiences highly preferable
to material product shopping. Experience providers will continue to learn
in this complex market. The learning process may involve best practices in
the market (i.e. third-wave coffeehouses) combined with continuous experi-
mental innovation (i.e. providing virtual reality tours for tourism industry).
Nevertheless, experiential consumers are emotional and continuously search-
ing for pleasurable and meaningful experiences (Raghavan, 2012).
An application of this knowledge centres on the gift economy and prac-
tices of gift-buying and gift-giving. More than 66% of Turkish people spend
more than TRY 100 per gift (Euromonitor International, 2016a). Since
gift-giving is inherently a social activity, the choice of experiences as gifts
has accelerated in the 21st century (Mintel, 2001). A gift in the shape of an
Experiences in Turkey 241
experience evokes the perception that the donor has not only devoted money
but also time to it (Clarke, 2006), especially if the gifted experience involves
both donor and recipient. Travel companies, airlines and hospitality indus-
try became pioneers of experiential gift-giving with their innovative prod-
ucts and campaigns such as Valentine’s Day treats. Such applications and
experiential adaptations for gifts are expected to increase with the rise of
experientialism.
A second concluding remark needs to be made about the blurred lines
between tangible products and intangible experiences. Just like a 3D TV, it
is possible to perceive the same product as a fully material object versus as
a complete experience. A recent service provided by the Ministry of Culture
and Tourism in Turkey is ‘MüzeKart’ (MuseumPass). Despite paying a fixed
amount for the physical card itself, this exchange is made for a collection of
multiple museum visits, namely multiple experiences (Uraltaş & Ekici, 2010).
Such services are critically positioned as products surpassing the lines of
physical products and intangible experiences.
The final takeaway from this analysis is the critical place of history and
traditions of Turkish people in their experiential choices. For example, going
even a thousand years back, tradition favours third places and socialised
consumption in the Turkish context, considering the Ottoman heritage. It is
in the foreseeable future that new experiences will be designed inspired by the
strong tradition of this geography and with its own idiosyncrasies. Despite
increasing globalisation, a glocal approach to experience design and market-
ing is necessary for effectively marketing experiences as well as products. For
example, dining and catering services need to consider Turkish housewives
activity of ‘gold day gathering’ while designing their strategies. In a similar
vein, experiential providers had better to keep in mind the unique festivals,
fests, celebration styles and gathering styles of Turkish people in designing
their product. Only with ethnographic, sociological and historical approaches
that marketers can truly grasp the experiential landscape of Turkey.
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SECTION 6
CREATE AND DELIVER
VALUE IN TURKEY
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CHAPTER 6
THE BIRTH OF OMNI-CHANNEL
MARKETING AND NEW
DYNAMICS OF CONSUMERS’
APPROACH TO RETAIL
CHANNELS
ABSTRACT
INTRODUCTION
Especially in the last decade, there has been an increase in the number of
marketing channels on offer and these channels have become enhanced
in capability for customer–business interactions. Neslin et al. (2006)
mentioned emerging channels (the Internet, kiosks, call centres, ATMs,
home shopping networks, etc.) as one of the most impressive new trends
in shopping. Today we can add relatively newer channels to existing ones,
such as social media, branded mobile applications and so on. The prolif-
eration of channels and brand touchpoints enabled businesses to be more
customer-centric as it is easier for them to provide each customer with a
unique and more customised shopping experience. The developments in
this era have brought fruitful opportunities as well as challenges that need
to be overcome by businesses operating in either offline or online environ-
ments, or both.
In the omni-channel management, the focal point is to manage and opti-
mise the offerings and performances of each channel. The concept of omni-
channel embraces an urgent need to employ multiple channels and to follow
a strategic approach for channel coordination. As Ailawadi and Farris (2017)
stated, the concept covers both distribution channels that bind suppliers
The Birth of Omni-Channel Marketing 249
Throughout time, marketing channels have evolved into what we now call mul-
tiple channels and marketing channel networks (Watson, Worm, Palmatier, &
Ganesan, 2015). While traditional retailers are opening virtual stores to take
advantage of online channels (wider selection of products, convenience,
potential for price comparison; Rigby, 2011), many companies that exist only
on an online channel go on to open physical stores for the purpose of expand-
ing their market share by reaching a larger number of consumers, increasing
consumer satisfaction and providing efficiency in service and delivery pro-
cesses (Avery, Steenburgh, Deighton, & Caravella, 2012; Shen et al., 2016).
Regarding these developments in business models along with current tech-
nological innovations and cultural changes, the concepts of multi-channel,
cross-channel and omni-channel retailing have emerged. Up to the present,
there hasn’t been a clear or sharp distinction made between these terms in
the literature (Hübner, Holzapfel, & Kuhn, 2016). Multi-channel retailers are
those retailers who employ more than one channel as a business model.
To begin with, for multi-channel retailing, one of the most-cited studies
in the literature belongs to Neslin et al. (2006). The authors defined multi-
channel customer management as ‘the design, deployment, coordination,
and evaluation of channels to enhance customer value through effective
customer acquisition, retention, and development’ (Neslin et al., 2006,
p. 96). They define the key issue as the focus on consumer and consider chan-
nels as contact points (i.e. touchpoints) by which a two-way communication
occurs between businesses and customers. They particularly emphasised
business–customer interaction and studied interaction channels, other than
traditional media channels offering one-way communication. But we have to
note that in this retail concept, channels are managed as independent opera-
tions and there is a high possibility of conflict in channels such as cannibali-
sation of sales revenue (Picot-Coupey, Huré, & Piveteau, 2016). When there is
interdependence between channels, another approach gains attention, which
is called cross-channel retailing.
Cross-channel strategy is described as an upgraded version of multi-channel
management. In the cross-channel concept retailers consider the likelihood of
consumers switching channels through the buying process. There is some level
of data integration in terms of customer and product information and custom-
ised offers but still channels are not fully integrated and managed from a single
point of view. Thus, competition between channels still takes place. Beck and
The Birth of Omni-Channel Marketing 251
Rygl (2015, p. 175) gave a definition referring to Levy, Weitz, and Grewal (2013)
as ‘the set of activities involved in selling merchandise or services through more
than one channel or all widespread channels, whereby the customer can trigger
partial channel interaction and/or the retailer controls partial channel integra-
tion’. The authors pointed out the levels of interaction to differentiate terms.
Hence, we see the same kind of explanation for omni-channel, except ‘a full
channel integration’ instead of partial or limited integration.
Beck and Rygl (2015) provided examples based on the level of interaction/
integration. For cross-channel retailing, the examples are as follows: directions
are provided for other physical stores where the demanded product is available
(based on customers’ current location data), stock or pricing information is deliv-
ered through at least two channels, sales coupons can be used across all channels
except mobile store, etc. Regarding inventory, price and other related informa-
tion, we can talk of omni-channel approach only if merchandise and services are
consistent across all channels. Again, if coupons can be used in all channels or
customers have a return option for the product through all channels, there seems
to be a full integration which is supposed to take part in omni-channel retailing.
‘Omni’ is a Latin word which means ‘all’ or ‘of all things’. Compared with
previous generations, today’s consumers use much more technology in every-
day life. In fact, they are the ones that grew up with and influenced by tech-
nological developments. Our lifestyles have changed, and continue changing
along with our consumption habits and decision-making processes (Cook,
2014). Due to evolving trends with high technology, especially the Internet,
smart mobile devices and social media (Hansen & Sia, 2015), everyone of us
has a nearly uninterrupted connection with the world. Thus, omni-channel
strategy is the ultimate one that defines brand–consumer interplay as a unique
and meaningful experience, just like the definition given by Picot-Coupey
et al. (2016, p. 342) as ‘a unified approach’ that ‘allows a seamless customer
journey’.
Rigby (2011) was one of the first to define omni-channel retailing as ‘an
integrated sales experience that melds the advantages of physical stores with
the information-rich experience of online shopping’. The author mentioned
types of channels as online stores, physical stores, kiosks, direct mail, cat-
alogues, call centres, social media, mobile devices, gaming consoles, televi-
sions, networked appliances, home services, etc. The term ‘integration’ was
emphasised, as consumers wanted a combination of advantages of each men-
tioned channel.
However, a widely recognised description of omni-channel manage-
ment is ‘the synergetic management of the numerous available channels
and customer touchpoints, in such a way that the customer experience
252 SELEN ÖZTÜRK AND ABDULLAH OKUMUŞ
There are three kinds of flow in retail channels, which are information, prod-
uct and funds (Bell, Gallino, & Moreno, 2014; Chopra, 2016). The basic pro-
cess in a traditional shopping transaction occurs as follows: the customer gets
the relevant information about the product and its price before ordering it.
The retailer gets the order, begins the delivery process by moving the prod-
uct to customer and the customer makes/transfer the payment. As expected,
there will be variations to this in a multiple-channel retailer. Thus, the prefer-
ences of the flow and use of each channel lead to a different type of omni-
channel strategy. Bell et al. (2014) presented the alternatives in omni-channel
retail by a matrix called ‘the information and fulfillment matrix’. Basically,
The Birth of Omni-Channel Marketing 253
have the benefits of each channel, for example ease of access to informa-
tion in online channel and absence of shipping charges in offline channel
(Chatterjee, 2010). Another initiative is ‘ordering while in-store’, where
customers order the product through own mobile devices or self-service
technologies provided by the retailer (Piotrowicz & Cuthbertson, 2014).
This might actually be discussed related to the above-mentioned third
option.
The omni-channel vision is relatively new for Turkey, just as it is for many
global brands since its appearance in the last decade. Retail sector is a grow-
ing one with many global and local players. We have just begin to see such
initiatives in Turkey. Besides global multi-channel brands (clothing and tex-
tile sector at most) that offer various delivery options in Turkey (such as click-
collect, same-day delivery), Turkish retailers have anticipated the opportunity
and created their own initiatives. Some well-recognised Turkish fast-fash-
ion retail brands have begun in-store collection of online orders and con-
tinue to upgrade delivery options, maybe to free shipping. For fast-fashion
and accessories, shoes, bags, etc., several brands continue to come up with
these types of initiatives every day.
For retailers selling technological goods, consumers mostly seek online
inventory visibility, personalised offers based on previous purchases at
various channels and in-store return options. Many top-selling Turkish
multi-channel retail brands in this category offer timely online inventory
checking options; besides some of them provide click-collect, return in-
store, express delivery services. Another growing retail sector, home appli-
ances and furniture, includes brands that began operating online but have
chosen to expand in physical stores, in response to demand for customer
showrooming behaviour, and also includes brands that were once a brick-
and-mortar retailer only. Apart from what they sell, each multi-channel
retailer has to cooperate with more demanding consumers of today and
evolve through digitalisation. Mobile commerce offers us many possibili-
ties. Now, branded mobile apps can offer features such as personalised dis-
counts or coupons, location-based notifications for promotions, in-store
payment through mobile devices, etc. Many brands launch mobile stores
integrated with web-stores, using location-based and personal data to
provide a superior customer service, online-only offers and services that a
multi-channel retailer can offer to its customers. Such consumption style
incorporating mobile devices in buying process gains consumers’ attention
for newer, possibly faster and personalised customer solutions. Both offline
and online retailers need to see and make use of opportunities of mobile
technologies to compete in the international arena. In the next section, we
focus on this subject.
The Birth of Omni-Channel Marketing 255
An interactive and connected retail system which supports the seamless management of
different customer touchpoints to personalize the customer experience across different
touchpoints and optimize performance over these touchpoints.
Among delivery options, we see almost the same usage density for offline
stores as shown in Fig. 3. Offline stores appear to be superior than online for
durable goods. Online purchase and pick up in-store (i.e. click-collect) still
have not gained much attention among Turkish consumers. But the same
day/fast delivery option is preferred for immediate possession.
The second aim of the study was to find out the factors that drive con-
sumers to use multiple channels simultaneously and/or interchangeably in
a buying process. In this respect, a structural model analysing the anteced-
ents of cross-channel information search and purchase behaviour was tested.
The Birth of Omni-Channel Marketing 263
Fig. 4. Final Structural Model of Cross-Channel Search and Purchase Intention.
264 SELEN ÖZTÜRK AND ABDULLAH OKUMUŞ
RECOMMENDATIONS
Making necessary connections between various channels should be the prior
aim of marketing managers. Since consumers can use these channels together
in a search or purchase activity, brands need to be in touch with follow-
ers and convey the same brand-experience as well through all channels. As
Verhoef et al. (2015) stated, now people use various channels or touchpoints
in decision-making constantly, interchangeably and simultaneously. It might
be a favourable thing for a customer to start the ordering process from online
channel, e.g. her/his tablet, but continue and end the buying transaction in-
store, or vice versa. Besides integrating systems, integration of prices might
be a special topic as consumers need price information to be consistent, but
they may also seek lower prices or special deals on the web. This issue is to be
addressed in future studies on Turkey.
The ongoing digital transformation still needs some level of acceleration.
Since consumers of today and the near future belong to an age cohort called
Generation Z (Priporas et al., 2017) who have yet to step into adulthood and
are more demanding, more knowledgeable and more empowered as consum-
ers. Today’s consumers are always ready to buy, and the retailers ought to be
ready to sell as well all the time (Pantano & Priporas, 2016).
This research presents how Turkish consumers approach retail channels
and how they make use of various alternatives. It is both exploratory and
descriptive in nature by being the first to describe this subject. As mentioned
previously, Turkey has a young and dynamic population. Use of Internet
and information technologies and mobile penetration continue to rise as we
research. In practice, we recommend retail brands in Turkey cater to conveni-
ence and the variety-seeking nature of consumers by enabling cross-device
and cross-channel integration of services. The case of cross-channel purchas-
ing could be interpreted as a major drawback but it brings new opportuni-
ties to wise customers. Combining these issues with entertaining features may
lead to greater retail success. Several omni-channel initiatives are in use, but
retailers still need to gain consumers’ attention. For example, click-collect
strategy is preferred as a distribution strategy and consumers may benefit
266 SELEN ÖZTÜRK AND ABDULLAH OKUMUŞ
from it by not waiting in long queues, not waiting for days for the product
to be delivered, having access to the purchased item at weekends when home
delivery is not an option, etc. Retail brands need to communicate more about
these as it may be a win–win situation for both sides in the retail business of
the future. According to the results, online touchpoints are widely used, but
physical stores are still preferred more as a purchase channel considering the
product categories referred to. Underlying reasons might be examined in the
further research.
NOTES
1. The survey sample represents a youth population, chosen in line with the accept-
ance and use behaviour of new technologies and retail initiatives. The demographics
are reported as 49% male and 51% female; 46% is aged between 18 and 21 years, 33%
is between 22 and 25 years, 11% is between 26 and 29 years and 10% is aged above 30
years; 64% of the respondents have high school and 36% have undergraduate/gradu-
ate degrees. As for household income, 49% of the respondents have 3,000 TL and less,
32% have 3,001–6,000 TL, 11% have 6,001–9,000 TL and 8% have 9,001 TL and above
income per month.
2. The results of the final measurement model and the details on construct reli-
abilities, convergent and discriminant validity checks (Fornell & Larcker, 1981) are
reported in the Appendix.
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The Birth of Omni-Channel Marketing 271
APPENDIX
Table A1. Results on Final Measurement Model, Construct
Reliability and Validity.
Construct Item Standardised t value R2 – Construct Average Cronbach’s
Loadings Explained Reliability Variance Alpha
Variance (CR) Extracted
(AVE)
Notes: Goodness of fit statistics of the measurement model: Xi2/df: 1.740, RMSEA: 0.045, NFI:
0.96, NNFI: 0.98, IFI: 0.98, CFI: 0.98, GFI: 0.93, AGFI: 0.90, RMR: 0.039, SRMR: 0.045.
Goodness of fit statistics of the final structural model: Xi2/df: 1.725, RMSEA: 0.044, NFI: 0.96,
NNFI: 0.98, IFI: 0.98, CFI: 0.98, GFI: 0.93, AGFI: 0.90, RMR: 0.041, SRMR: 0.047.
272 SELEN ÖZTÜRK AND ABDULLAH OKUMUŞ
Information 0.80
Availability
Convenience 0.31 0.87
Purchase Cost 0.26 0.42 0.78
Service Selection 0.49 0.42 0.49 0.79
Entertainment 0.14 0.21 0.12 0.14 0.79
Trend-hunting 0.42 0.34 0.24 0.49 0.35 0.82
Cross-channel 0.49 0.33 0.26 0.51 0.24 0.46 0.77
search
Cross-channel 0.39 0.52 0.43 0.59 0.37 0.45 0.64 0.71
purchase
intention
Notes: The diagonal values represent square root of AVE, and the lower cells represent the
correlations among constructs. As seen, square root of AVE for each construct is higher than
the correlations.
SECTION 7
TURKISH WAY OF MARKETING
COMMUNICATION
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CHAPTER 7.1
IMC: INTEGRATED MARKETING
COMMUNICATION
ABSTRACT
Marketing has changed rapidly over the last four decades. Not a core disci-
pline itself, its applications have become more complicated, more dynamic
and more customised than ever before. Achieving differentiation in product
is as difficult as reaching an aurora. Instead, marketers use communication
tools to draw attention and increase awareness. But in the era of artificial
intelligence, number of communication channels, competitors and lack of
patience to read or listen to branded messages are not helping to reach
targets. To keep the brands’ images clear and memorable, marketers need
to create powerful content to deliver through any touchpoints. And that
means INTEGRATION: ‘coordinating the company’s many communica-
tion channels to deliver a clear, consistent and compelling message about
the organisation and its products’.
The dynamics of marketing communication mix can vary in different
geographies. Being a developing country makes Turkey a fast mover but
unstable. Although coping with these dynamics is not easy, it could be
learnt. This chapter aims to help the reader find some useful information
about Integrated Marketing Communication applications in the Turkish
market.
INTRODUCTION
Turkey is an interesting market in many respects. Positioned in-between very
different cultures from European to Asian and Middle Eastern, it has very
unique dynamics and traditions. First of all, Turkish people are friendly,
emotional and like to communicate very much. The more the communica-
tion, the more the expertise in encoding and decoding. This means, you need
to be sincere in your messages. Turkish people like social interaction and, of
course, give attention to other’s opinions, which generates a huge potential
for positive and negative word-of-mouth campaigns.
A few hours after the 7.2 magnitude Van Earthquake struck the Van
province of the eastern Turkey on October 25, 2011, a Facebook message
posted by Onur Air, a Turkish airline company, caused a major crisis. Onur
Air announced that it would donate 0.50 Turkish liras (TRY) per person for
existing Facebook fans, but will give the same number for every new mem-
ber and that the goal is to donate TRY 250,000 (i.e. to reach 500,000 fans in
total). As people thought the donation was the way to increase the number
of fans of the airline, the reaction grew like an avalanche within a few hours.
It was a trending topic (TT) for 15–20 minutes and the airline received thou-
sands of negative comments.
Integration of marketing communication efforts may protect you from
being misunderstood by consumers and reinforce brand image through coher-
ent messages even if they are carried by different channels. In the following
chapter, we will look into the basics and importance of Integrated Marketing
Communication (IMC), marketing communication mix and trends in Turkey,
big data and some prohibitions and regulations. Understanding these con-
cepts may help us to find our way to integration.
stated: ‘It is not the ability to process and manage large data volumes that
is driving successful Big Data outcomes. Rather, it is the ability to integrate
more sources of data than ever before’. Marketers suggest using big data for
(re)targeting, understanding target, engaging them with customised content
and offerings, marketing optimisation and customer retention (Stringfellow,
2017). Once the strategic marketing objectives have been identified, it would
be much more useful to analyse data and brief it to technology companies
that will do it for you.
In Turkey, big data-based value production has taken baby steps in recent
years. Product recommendations of e-commerce stores and advertising sales
of telecom operators and media companies based on consumer data are the
most specific applications of big data marketing, for now.
IMC is a strategic business process used to plan, develop, execute, and evaluate coordi-
nated, measurable, persuasive brand communication programs over time with consumers,
customers, prospects, and other relevant external and internal audiences.
Anatolia, and are above the ABC1 group. Being very easily affected by oth-
ers, open to innovations, open to try new products, care for career, mobile-
supported social media is a must for this segment.
Once the targets are determined, marketer needs to clarify the objective,
which of the buyer-readiness stages will be aimed (Kotler and Armstrong,
2016): awareness, knowledge, liking, preference, conviction or purchase?
Different messages for each target group should be created in unity and media
mix decisions should be figured around the message-target composition.
Many researches show that IMC causes a high ROI and cost-effectiveness
(Kitchen and Burgmann, 2010). Cost-effectiveness can be misread, as IMC
needs less investment by the management. Treating the IMC budget like an
investment and adjusting it according to objectives and tasks would generate a
greater ROI and more powerful brand and company image in targets’ minds.
Application of planned communication strategies is not the end. Getting
feedback from consumers, intermediaries, suppliers and from other stake-
holders is vital for the sustainability of communication. Campaign results
need to be measured by the performance criteria set before execution such as
creating awareness, better image, increasing sales, etc., and integration needs
are to be improved in the direction of results.
TV
The average TV watching time of people in Turkey is 5.5 hours per day. So,
despite all technological developments and social media, TV is an indispen-
sable tool of marketing communication in Turkey. Because of cultural values,
lifestyles and of course ecomonic reasons, people spend much of their time
at home with their families or friends, and hence TV is the most used recrea-
tional tool of households. That’s why, it is not surprising that TV ads had the
biggest share of 51.22% of total media investments, which in 2016 amounted
to TRY7,184 million.
284 ELIF YURDAKUL AND ASLI BOZDAĞ
The four digital TV platforms, Digiturk, D-Smart, Filbox and Tivibu, have
4 million subscribers in Turkey (BTK, 2017). According to Digital TV Research
(2017), by 2022, this number would increase to 8 million, including SVOD ser-
vices (Netflix, Amazon Prime Video, Icflix, Starz Play, Iflix and Shahid Plus).
Although the number of digital TVs and Internet series have begun to
increase, majority of the population is still watching national channles at prime
time. The 120-minute TV series and reality shows, along with long commercial
loads, can keep the audience glued to screens for at least 3–4 hours. It is a cost-
effective way to reach thousands. But ad breaks of longer than 10 minutes,
which can make up to 30 minutes during some shows, cause people to get away
from television and not watch advertisements. This reality makes advertisers
more creative by using different tools of IMC such as product placement.
Product Placement
Fig. 1. Fi. Adapted from Phututv, 2017, Retrieved from https://puhutv.com/
fi-detay. Copyright 2017 “puhutv.com”. Adapted with permission.
286 ELIF YURDAKUL AND ASLI BOZDAĞ
and real-world interact in real time like having Coca-Cola with a polar bear
sitting next to your daughter on the sofa in your living room. Headsets or
smart glasses are optional for AR and MR, visuals can be seen by naked eyes.
In the retail world, Ikea (2013), since 2013, has been using AR and VR
technologies to let consumers preview products and colour options in their
homes or in a created atmosphere in stores. To use Ikea AR catalogue app in
your home, you still need a printed version to scan pages via smartphone or
tablet and apply them into your real bathroom.
Although in Turkey the use of VR in marketing has increased in recent
years, there is a long way ahead for the increased use and spread of aug-
mented and mixed reality applications. The use of VR in our local market,
starting with virtual showrooms and gamifications, has recently expanded
the scope of application with more creative ideas, as shown in Fig. 2 and
Fig. 3.
Fig. 2. milyon kişi Marshall Gör&Boya uygulamasını indirdi! Adapted from
arshall Boya, 2017, Retrieved from https://www.marshallboya.com/tr/articles/
M
marshall-visualizer-ile-nce-gr-sonra-boya. Copyright 2018 “AkzoNobel Paints”.
Adapted with permission.
Integrated Marketing Communication 287
Fig. 3. Knorr Sıvı Çorba’dan Büyük Sürpriz! İstanbul’dan Paris’e giden lezzet dolu
sürpriz yolculuk. Adapted from Youtube by Knorr Türkiye, 2017, Retrieved from
https://www.youtube.com/watch?v=rQXKQayZMNo. Copyright 2012
“Knorr Türkiye”. Adapted with permission.
Content Marketing
target’s interest, and it lasts for a long time by using keywords that your
audiences will be always searching, such as ‘easy cake recipe’, ‘is milk really
healthy for you’ or ‘the best ab exercises’.
According to the KPCB’s research (2017), ‘an effective user-generated con-
tent can generate 6.9× more higher engagement than brand-generated con-
tent on Facebook’. Qatar Airways is on the top of list of brands which are
sourcing content from fans on Instagram with an 80% ratio, and Red Bull is
second on the list with a 70% ratio. The only Turkish company in the top 10
is Turkish Airlines with almost 30% leveraged user-generated content.
One of the most influential ways to make your audience contribute to your
content is finding an interesting subject and let them produce ideas, make
comments and suggestions or compete with others. Frito-Lay’s ‘Do Us a
Flavor’ campaign got more than 14 million votes in 2014.
Content development has become a growing business day by day. In-house
and freelance developers, digital agencies, content development companies
and even automatic content software can generate effective content accord-
ing to your brief. From long blog posts to Twitter, Facebook, website or list
Fig. 4. Rexona Hareket Sözlüğü Case Study. Adapted from Vimeo, 2017,
Retrieved from https://vimeo.com/207262034. Copyright 2018 “Vimeo, Inc.”.
Adapted with permission.
Integrated Marketing Communication 289
contents, İçerik Bulutu (content cloud) Company is one of the first of content
development companies in Turkey.
EXPERIENTIAL MARKETING
‘If you’re not creating experiences and memories, you’re not building any-
thing’, said Ben Hindman, Co-founder, CEO of Splash (Adweek, 2016).
Experiential marketing is creating an interactive and pleasurable experience
to let customers engage with and talk about your product and brand, and that
engagement gets millennials to share the photos of experiences (81%), use
hashtags (71%) and follow the brand on social media (67%) (Adweek, 2016).
It is all about providing the consumers with social interaction, entertainment
and branded memories. They have no doubts about sharing branded content
as long as they have fun and get benefits.
Turkish consumers like to spend time in cafes and restaurants, chatting
inside and eating something. It is precisely for this reason that Starbucks
opened Europe’s largest, 1,000 m2, and first five-storey store in Kadikoy,
Istanbul. For this reason, it should not come as a surprise that a consumer
electronics brand opens cafes in its stores.
Vestel, one of the leading brands of Turkey’s home appliances and elec-
tronics sector, has 1,200 authorised sales points across the country. In 2016,
Vestel opened the first ‘Café Vesto’ in the brand’s Besiktas store (Fig. 5) to
provide their customers with a relaxed atmosphere that allows them to spend
more time in the store and drink their coffee while getting information about
electronic products.
As experiential marketing strategies get more attention among marketers,
Intema, bathroom and kitchen suites company, which is positioned as ‘an
expert brand that designs the ideal kitchen for consumers’ has opened an
experimental store, named Intema Yaşam - Intema Lifestyle Store (Fig. 6) in
a well-known mall in Istanbul as shown in Fig. 6. The store has two different
rental kitchens where customers cook their dinner and enjoy a comfortable
and cozy atmosphere with their guests. People experience the concept and
products of Intema and partner brands.
Another important customer experience tool is corporate events, as shown
in Fig.7. Although the number and budget of the events tend to decrease until
a few years ago due to economic crisis and widespread use of digital events
that cost almost zero, they are regaining deserved attention since they provide
good Instagram content for consumers.
290 ELIF YURDAKUL AND ASLI BOZDAĞ
Fig. 5. Café Vesto. Vestel, Türkiye’deki İlk `Teknolojik’ Kafelerini İstanbul’da Açtı.
Adapted from Webtekno by Eser Şahin, 2016, Retrieved from http://www.webtekno.
com/kafe-vesto-istanbul-h22602.html. Copyright 2014 “İzmo Bilişim”.
Adapted with permission.).
CASE STUDY
Nusret Gökçe – A Social Phenomena Success Story
Fig. 6. Intema Yaşam (Intema Lifestyle Store). Adapted from Instagram, 2017,
Retrieved from https://www.instagram.com/intemayasam. Copyright 2018
“Instagram”. Adapted with permission.
Fig. 7. The 18th Istanbul Jazz Festival, sponsored by Garanti Bank.
On behalf of Garanti bank, Ersin Babaoglu, personal communication,
October 4, 2017. Adapted with permission.
In recent years, like the rest of the world, Turkish brands started to inte-
grate social media into their marketing strategies.
The digital age and the postmodern era of marketing transformed con-
sumers’ expectations about brands and how they sell or how they do what
they do, but at the same time they start to expect more prompt communica-
tion. Mass media channels are still effective to speak to consumers, but social
media (Instagram, Twitter and Facebook) is much more efficient for brands
to communicate and form relationship with customers. This is due to the fact
that consumers want to control communication and direct relationship.
As a matter of fact, the pure reason to use IMC as a strategy should be to
form relationships with consumers rather than only thinking about the profit
because brands only exist when they have their loyal followers. Moreover, in
the post-modern era of marketing, consumers expect much more creative
approaches from firms such as contests for new ideas, or product demonstra-
tions. Social media tools are effective to create these creative ways to interact
and also it is easy to tract response relatively.
Nusret Gökçe, owner of Nusret Steakhouse, differentiated itself with
its unique voice and style in social media which resulted in colossal brand
Integrated Marketing Communication 293
awareness not only in Turkey but also all around the world. As a side note: the
main reason why he uses his own name as brand’s name is that ‘et’ in his name
means ‘meat’ in Turkish. He and his brand Nusret already had an established
place in Turkey, Dubai and Newyok. However, Nusret Gökçe became a social
phenomenon overnight through social media. He gained world attention with
the hastag of #saltbae. Saltbae hastag was given to him to signify salt, he
being shirtless and handsome, the beef and the sensual image he displays with
food. His video of cutting beef and putting salt on them became viral and
got huge number of views on Instagram. The video was watched for over 2.4
million times within the first 48 hours. Records show that the first thing that
was shared about Nusret Gökçe without his name on it was the meme, which
stated: ‘You v.s the guy she told you not the worry about.’ One of the reasons
that he became famous with beef videos is that he reflected the experience
that you can have in the restaurant to social media.
In today’s marketing world, experiential marketing started to have a
solid place with the help of integrated marketing communication tools
which Nusret Gökçe and this campaign or coincidence applied effectively.
Experiential marketing focusses on the whole process of experience, which
includes pre-purchase, post-purchase and moment-of-truth by integrating
experiences into products or services. The spreading concept of experiential
marketing has grounds based on the following two different views: the chang-
ing consumer demand in postmodern era, which results in pursue of hedonis-
tic habits, and a need for exciting involvement and urge to find a new medium
to push the message.
Nusret went straight through the result of the experience which he showed
or created through social media. This gave him an initiative because the brand
already had several locations outside Turkey, and now they are looking to
open two branches, which are said to be planned in London and New York.
Consumers already know Nusret Gökçe as the Turkish Butcher who used to
slice Ottoman-style beef before he even opened a restaurant in their neigh-
bourhood, and this is an immense leverage. As celebrities started to pay atten-
tion to his restaurant, he started to welcome them, like Leonardo DiCaprio,
and gave them an experience handcrafted for their entertainment with a spe-
cial menu.
The recent success of Turkish brand Nusret is highly correlated with how
they keep up with the changing trends and communication devices in today’s
world. Nusret and his team took the experiential marketing and gave con-
sumers a sense of being there through social media. They proved that inte-
grated marketing communication tools are beneficial for brand strategies
which helped them to make this Turkish brand a success story.
294 ELIF YURDAKUL AND ASLI BOZDAĞ
INTEGRATED PROHIBITIONS
Integrated marketing communication refers to synchronising the marketing
mix to create a better value and strong message. For many product catego-
ries there are numerous communication tools to be used simultaneously. But
some categories are not that lucky. Medicines, medical devices, health ser-
vices, food supplements, cosmetics and cleaning products, tobacco products
and alcoholic beverages are subject to specific laws and regulations related to
marketing restrictions in Turkey (Resmi Gazete, 2015).
In order to protect consumers, any kind of advertising, sponsorship,
branded events, trade promotions, product placement and any such market-
ing activities for tobacco products and alcoholic beverages are banned by law.
Retail sale of alcoholic beverages is also prohibited after 10.00 pm. Similar
regulations are valid for prescription drugs on TV, radio, non-medical peri-
odicals, Internet, outdoor, etc. NO ADS AT ALL!
When you have less, you need to be more creative to survive. Alcoholic bev-
erage brands such as Southern Comfort, Mariachi and Mey İçki, have begun
sponsorship of house parties after prohibitions (Milliyet, 2012; Sabah, 2015).
Although their sales force has been the most important marketing tool for
drug companies, they have increased investment on online platforms such as
medical forums, webinars, educational materials for medical staff and social
responsibility and change programmes in recent years. They also create branded
human resource programmes as a marketing tool: ‘There is a Future at Pfizer’,
‘Life Healers’ by Abdi İbrahim, ‘Inkompass’ by Philip Morris/Sabancı.
Practising marketing would not be easy when you are challenged by such
bans and sectoral regulations. But still, integration of tools that you may use
could be your strength to find opportunities in the market.
CONCLUSION
Elon Musk and Mark Zuckerberg had a debate on AI in the United States.
They talked about developments and their concerns. And in Turkey, at the
same time, we were suffering from substantial flooding of roads and Metro
stations caused by rain in İstanbul, the biggest city of Turkey. We use the
same smartphones, same computers, same videoconference programmes,
same textile brands, but we are not on the same page.
If you are practising marketing internationally, you know that your product
is not at the same life cycle stage in every market, and you develop different
strategies for each market and each stage. Along these lines, it is that simple
Integrated Marketing Communication 295
REFERENCES
AdEx Turkey. (2016). Digital Ad Spending to Surpass TV Next Year. Retrieved from https://www.
emarketer.com/Article/Digital-Ad-Spending-Surpass-TV-Next-Year/1013671. Accessed
on April 30, 2017.
Adweek (2016, March 6). Infographic: What Millennials Want to See (and Take Home)
From Branded Events. Retrieved from http://www.adweek.com/brand-marketing/
infographic-what-millennials-want-see-and-take-home-branded-events-169996/
296 ELIF YURDAKUL AND ASLI BOZDAĞ
ABSTRACT
This case is about the success of Filli Boya, one of the well-known brands
of the Turkish paint industry, on using traditional TV advertisements for
creating brand awareness. The purpose of this case study is to point out
how TV advertisement, the so-called ‘traditional and boring’ communica-
tion tool, could still be effective when integrated into the contemporary
marketing philosophy and modern marketing communication trends such
as real-time social media marketing.
A qualitative method was applied and both primary and secondary sources
of information were used in this study. As primary sources of information,
in-depth interviews were conducted. Purposive sampling method was used,
and participants were recruited from a sample that was broadly believed to
be able to evaluate the brand from different points of view. Interviews were
analysed through content analysis using the grounded theory approach.
The secondary sources of information, including advertisements and news
in media, reports and user contents shared in social media were also used
considering the principle of multiple data sources.
INTRODUCTION
The 21st century has witnessed a marked increase in advertising messages
(McAlister, 1996). Today an average consumer is surrounded by more adver-
tising messages than at any other time in history. However, the number of
exposed advertisements exceeds the information processing abilities of most
consumers, and today’s consumer is often forced to employ ad avoidance
strategies to keep themselves from being oversaturated by advertising mes-
sages (Rumbo, 2002, p. 128). Increased speed and fragmentation of media
such as the Internet and the social media should also be mentioned in this
resistance to advertisements. Moreover, as stated by Speck and Elliot (1997),
today ad avoidance by consumers is much higher for TV viewers than for
readers of print media since these avoidance strategies are more suitable for
the most technologically advanced media. Consequently, today the pervasive
influence of TV advertising has diminished. Thus, the true winners of TV
advertisements are the brands who touch the hearts of customers at the right
time with a sincere intent.
This case looks into one of the well-known brands of the Turkish paint
industry, Filli Boya and its success on TV advertisement campaigns, especially
after 2015. After the murder of Ozgecan Aslan, a 20-year-old college student
who was raped and brutally murdered by a minibus driver on February 11,
2015, nationwide street protests took place. Precisely at the time Filli Boya
broadcasted an ad on prime time without its logo to draw attention to the
violence against women using only ‘forOzgecan’ hashtag on a black screen.
Apart from traditional definition of advertisement, there was no advertiser
in the ad. The case attracted considerable attention from all walks of soci-
ety and the advertiser was revealed: Filli Boya. Furthermore, it was not just
an ‘ad’: by reflecting the feelings and thoughts of people with regard to the
violence against women, it was building consumer–brand relationship. After
that, Filli Boya continued to maintain its stance on this issue and to consist-
ently use TV ads for this purpose. Thereafter, nothing would be the same.
Advertisement Really Dead? 301
Now, Filli Boya has a reputation, which is priceless, thanks to their handling
of this issue.
The case study has been structured for the following purposes: to enrich
our understanding about the role of advertising in creating brand awareness,
and in turn building brand equity for the Filli Boya brand; the significance
and key elements of Filli Boya advertisements on their way to the hearts of
the target audience; and the effect of the dynamic interaction between adver-
tising and real-time social media marketing on the customers’ perceptions
of the brand.
Within this context, the case will take the audience through the journey
of Filli Boya marketing communication efforts since its introduction in the
Turkish market. It will give readers a brief history of the brand: how has
the brand grown; what kind of brand strategy has been developed over the
years; changes in communication strategies and how have these changes
helped the brand to move closer to its customers and empower its brand
image considerably?
In terms of original contribution, this study not only shows the modern
ways to use traditional mass advertising, the so-called ‘traditional and boring’
communication tool, based on a Turkish brand’s experiences but also reveals
the success of Turkish brands in adaptation to modern marketing approaches
such as corporate social responsibility and marketing communication trends
such as marketing 3.0 and real-time social media marketing.
COMPANY BACKGROUND
Officially founded in 1988 in Turkey by Celal Akpınar and his partners, Betek
Boya San. ve Tic. A.Ş. has been one of the leading companies in the field of
construction material industry. In 1993, the company signed a technologi-
cal cooperation with Caparol, a major paint brand in Europe. This partner-
ship has caused the birth of a new brand called Filli Boya and provided the
first foreign capital inflow for the paint industry in Turkey (About Us, n.d.).
According to the data published by the Istanbul Chamber of Industry (ICI;
2017), today Filli Boya is a leading brand operating in the chemicals indus-
try as one of the ‘Turkey’s Top 500 Industrial Enterprises-2015’, reaching
net sales of TRY902,685,372. Furthermore, since 2003 the company has
maintained its market leadership in the paint industry and there has been
a steady growth in sales figures year by year (Türkiye’nin 500 Büyük Sanayi
Kuruluşu, 2016). A similar picture is also provided in the Turkey’s Top 500
302 ÇIĞDEM BAŞFIRINCI AND GÜLCAN ŞENER
Today, Filli Boya has unfortunately abandoned this striped elephant logo
and has made some major changes. Harking back to the colour chart used
in painting, the new logo is more like the logo of the main company Betek.
Predictably, with this new logo company has also aimed for a higher recall as
Giberson and Hulland (1994, as cited in Alshebil, 2007, p. 11) stated: ‘When a
product category is cued in a logo, the logo is retrieved faster from memory’.
In time, Filli Boya has made some minor changes to this new logo. Today, the
new logo has more rounded shape and oval look compared to the previous
one.
Another important element of marketing communication is the slogan.
Over the years, Filli Boya used various slogans, including ‘The Finest Paint
is Filli Boya (En Güzel Boya Filli Boya)’, ‘We Couldn’t Know it Exactly that
We Are So Good That’s Why We Are Loved or We Are Loved That’s Why
We Are So Good? (Sevildiğimiz İçin mi Çok İyiyiz, Çok İyi Olduğumuz İçin
mi Seviliyoruz, İşte Bunu Bilemiyoruz.)’, ‘Feel the Color (Rengi Hisset)’,
‘Exclude Colors From Life, What’s Left? (Hayattan Rengi Alın, Geriye
Neyi Kalır Ki?)’ and recently ‘For Better For Worse (Anca Beraber, Kanca
Beraber)’. As was seen in slogans, product features were not emphasised gen-
erally. Instead, the feelings were highlighted. Among these, ‘Exclude Colors
From Life, What’s Left?’ has turned out to be one of the most remembered
ones (Ipsos, Hatırlanan Reklamlar, 2015) and drew considerable attention on
social media (Öztürk, 2013). Predictably, the brand positioned itself as ‘the
colour of life’. Besides, a jingle was composed, made from this slogan, and
the company continued to make campaigns with celebrities, including famous
musicians like Nükhet Duru, Tarkan, Özcan Deniz, Manga, MFÖ, Halil
Sezai and Fahir Atakoğlu, who performed and played it for quite a long time.
The brand has used TV advertisements intensely and widely in market-
ing communication. Focussing on the differences before and after 2015, TV
advertisements could be evaluated into two different periods. From earlier
times to the present, they mainly conveyed continuous messages that having
every shade of any colour with flighting (or bursting) scheduling, implying the
colour range on colourful backgrounds accompanied by humour appeal and
upbeat music. During this period we also see that Filli Boya loved celebrities
(Yüzbaşıoğlu, 2012) and employed at least 25 celebrities in its commercials till
2006 (Gözütok, 2006). Among the celebrities played in its commercials were
singers, actors/actresses, columnists, TV presenters, models, chefs, sportsmen,
magician and doctors, and similarly voice-overed by famous stars. Within
this period the ads never had a hard sell approach. Instead, they used more
subtle, indirect and soft messages, which could be considered as a low-pres-
sure sales technique. Their main focus was to create a brand image with high
304 ÇIĞDEM BAŞFIRINCI AND GÜLCAN ŞENER
Gözde Akpınar stated in a report that the idea behind this reaction was
to inform people about the case who were unaware of it. There are millions
living in rural areas who didn’t have Twitter or Instagram accounts to learn
more.
How could they be informed about the case? Well, it took place in newspapers, but
we needed a scream. We needed to find another way of protesting. We lived our mis-
ery by posting a black, blank picture on Instagram. That’s the idea where came from.
Concurrently, we covered our building’s exterior with a black cloth. Some days are black.
There is real mourning. Real mourning not put into words…(İzci, 2015).
Following this, many people appreciated Filli Boya about handling the
issue and gave their support. Not long before, the ad became popular on
the social media (Filli Boya’nın Reklamı Fenomen Oldu, 2015). Meanwhile,
dozens of entries were generated on collaborative hypertext dictionaries, such
as Eksisozluk, and topics were created based on user contributions (Filli
Boya’nın #özgecaniçin Reklamı, n.d.). But, contrary to this, some people
criticised the company for misusing Özgecan’s murder for profit by taking
credit and exploiting the issue. In terms of advertising definitions, this road-
blocking case was more than an advertisement. Indeed, it was demonstrating
and also reflecting the deep feelings and reactions regarding violence against
women driven by the recent murder. For sure, Özgecan’s murder would be
neither the first nor the last case. But it was a milestone for campaigns of
violence against women and Filli Boya has become more than a paint brand
by enhancing public awareness.
Filli Boya and ATCW worked together till the end of 2015. In 2016 Filli
Boya and its parent company launched an in-house agency for creating their
own ads named as ‘Kurtarılmış Bölge’ (Rescued Zone). That brings us to
the present time, i.e. the second period where company is now firmly in the
driver’s seat regarding advertisements. Furthermore, Gözde Akpınar works
actively within this department. As an example, she worked as a creative
director for a recent commercial ‘For Better For Worse’ (Bayındır, 2017).
From that day on, Filli Boya maintains its stance consistently by devel-
oping women-based projects. Among the projects, ‘women house painters’
(craftswomen) collaborating with Ministry of Family, or as an international
awareness project named ‘deadly wounded’, which described lives of 12
women, or Science Camp for girls in poverty organised by TUBITAK and
Bogazici University could be taken as concrete steps for women’s issues.
Handling this sensitive issue with developing projects, providing employ-
ment opportunities for women and producing and broadcasting ads for
raising awareness on behalf of women, make the brand seem like it tries
306 ÇIĞDEM BAŞFIRINCI AND GÜLCAN ŞENER
METHODOLOGY
Methodologically this study employs a qualitative approach based on content
analysis using grounded theory. In this context, both primary and secondary
sources of information were used in this study.
As a primary source of information, in-depth interviews were conducted
as the first step. In selecting participants, purposive sampling method was
used and participants were recruited from a sample that was broadly believed
to be able to evaluate the brand from different points of view. Information
was collected from 12 respondents. In this process, semi-structured question
method was used and additional new questions were also added at neces-
sary situations which tried to collect in-depth information about the topic.
Likewise, every in-depth interview was used as a guide for followers, and the
design of the research (and thus the questions) was also updated as long as
the data collection process continued (Ger, 2009). Participants were inter-
viewed one by one in May 2017, and most interviews took place in private
offices of responsible researchers. The discussions generally started with
‘Let’s talk about the Filli Boya brand’, and respondents were encouraged
Advertisement Really Dead? 307
to express their own and their friends’ thoughts, feelings and experiences.
Other topics included were TV advertisements, companies’ social respon-
sibility campaigns and how these campaigns are seen to affect people’s
buying behaviours. The duration of the interviews ranged from 45 to 90
minutes. Discussion was stopped after 12 interviews, since saturation point
was reached (Strauss and Corbin, 1998). Then the data was analysed by
researchers to reveal associations related to the Filli Boya brand. Therefore,
interviews were coded using content analysis, and themes were identified. In
this process, the data involving similar meanings was brought together, and
systematic themes and categories were created. In demonstrating the asso-
ciations and relationship of these connotations, three stages of the grounded
theory approach as suggested by Strauss and Corbin (1998) were used: open,
axial and selective coding. In the open coding, a line by line analysis was
conducted by the researcher for every line of the transcribed interview, and
keywords and phrases that could provide some insight were revealed. In
axial coding, relationships between the associations were reassembled. In
selective coding, the core categories were identified and coding was delimi-
tated to only those concepts that related to core categories.
Since grounded theory allows for multiple data sources (Burke, 1997), the
secondary sources of information were also used in this study. In this context,
advertisements of the brand, news reports in the media and reports and user
contents shared in the social media were used as secondary sources in exam-
ining the validity structure of qualitative research.
FINDINGS
Respondents’ views about Filli Boya revealed both informants’ rela-
tions with cultural norms and a dialogue with self, with brand, and with
researcher. For the participants who were sensitive about women’s issues,
the interview focussed on critiques of male-dominated culture and society.
On the other hand, for the participants who are sensitive to advertising and
brands, the issue was mainly discussed in terms of advertising and branding.
In each case, thinking about Filli Boya was a highly emotional experience
for the participants, proving that the selected sample had properly served
the goal of purposive sampling. The findings depict a clear image, and thus
an implicit positioning of the brand. Accordingly, holistic image elements
of the brand and the relationship between these elements could be seen in
the following results.
308 ÇIĞDEM BAŞFIRINCI AND GÜLCAN ŞENER
Brands are symbols that are inscribed with many meanings representing
product features, nationality, class, sexuality and perhaps most importantly,
culture. As one of the most powerful findings of our study, Filli Boya rep-
resents more than a paint brand for all of the participants. With a detailed
description, the meanings of Filli Boya in everyday life represent a much
broader area than a simple paint brand. These meanings involved critiques of
male-dominated culture, having a stance regarding positive gender discrimi-
nation, being brave enough to face reaction of the male majority, as being an
extraordinary brand never seen in the paint sector which is almost entirely a
male-dominated industry.
As can be seen, perception of the brand reflects the sensitivity of the brand
towards women’s issues rather than product characteristics.
When I think Filli Boya, I don’t remember just painting things. I feel that they are [the
brand] far more than that. As if they told us that we are not just the paint you used in your
walls, we can do more than that, and we also want to do it. (Male, 28 years, academician)
It looks like it [the brand] adopts the women’s issues. (Female, 22 years, student)
[Filli Boya] drew attention to a social problem [implying violence against women].
Probably the brand chose this topic because women are the most violated part of the soci-
ety …There is no any dissuasive penalty [in Turkish law], so it is really difficult to change
this undesirable status of women. In this country, anyone can do whatever they want in
terms of gendering violence. At least, Filli Boya strives for women rights. Moreover, they
strive in a situation where most segments of society feel desperate…The brand reveals its
stance on gendering violence. (Female, 37 years, academician)
I can say it’s in a different position in the sense of social responsibility. They [Filli Boya]
have an attitude implying that we are not just a paint brand, we are more. (Male, 37 years,
academician)
Every socially responsible company is privileged for me [So Filli Boya is]. (Female, 36
years, academician)
Filli Boya has such a strong call in consumers’ minds in terms of positive
gender discrimination that today any news in the media on this topic reminds
people of the brand and creates an expectation and curiosity in people who
are sensitive to these issues about the next reaction of the brand on the topic.
The following findings reveal this case clearly:
Advertisement Really Dead? 309
Because of the advertisements about women, now Filli Boya means for me much more
than a paint brand for me. From now on, I will follow the brand’s response to the subject
when there is another social issue about women, because now I have an expectation about
brand. I find it sensitive…very successful. (Female, 36 years, academician)
With a holistic evaluation, brand generally deals with women’s issues, positive gender
discrimination. Its reaction for Ozgecan murder was unforgettable for me. When there is
a similar incident, I want to see a reaction again. I think if the brand will do something
similar again. (Male, 26 years, student)
Without any doubt, these strong associations were planned by Filli Boya.
Consistent TV advertisements and social responsibility campaigns helped the
company in achieving these goals. On the other hand, after these campaigns,
the brand’s responsibility in this regard was clear and heavy. From now on,
the brand did not have the option to feel comfortable and not respond to such
issues, and this also constituted a risk for the brand.
Sincerity
The first thing that comes to mind is that: Well done! A firm stand. I really appreciated the
woman (implying CEO Gözde Akpınar). Her awareness is high. It’s not just commercial;
it really supports the idea for the sake of the ideals it believes, she takes risk. She positively
discriminated against women. (Female, 27 years, academician)
I will support the brand as long as it protects its sincerity and creates sustainable projects.
(Male, 29 years, academician)
Every socially responsible company is privileged for me. Because I can see that earning
money is not the only and very goal of them. Of course, I know that money is important
for companies to survive, but also to have some opinions about the world they live in is
very valuable to me as a woman. (Female, 36 years, academician)
It was also seen that when discussing the sincerity of brand, highlighting
the brand’s political stance is very common in the discourse of respondents.
This is exemplified by a female informant’s advocation:
They got negative reactions [referring to the advertisement of the brand ‘For Better
For Worse’] just before the referendum [where voters were asked to endorse an 18 arti-
cle reform package that allegedly would replace the current system of parliamentary
310 ÇIĞDEM BAŞFIRINCI AND GÜLCAN ŞENER
democracy]. I have heard about its CEO. She is from Izmir [Izmir is known as the epitome
of Turkey’s most liberal city and the dissident of growing conservatism in Turkey]. Also,
Yılmaz Özdil [a dissident journalist and writer, who is also from Izmir] has supported the
brand with a column. I appreciate their sincerity and courage to tell their truth by tak-
ing the risk of 50% reduction in sales [Here 50% implies her idea about the total rate of
conservatives in Turkey]. (Female, 37 years, academician)
Just think that you paid millions for appearances on prime time TV advertisements for all
major national TV channels, but don’t mention your sales proposition. You don’t show
your brand! You do not even use your logo! You only try to destroy prejudices; to cre-
ate awareness about violence against women. It is really risky. (Female, 28 years, public
worker)
Recent advertisements do not include any sale[s] effort. The brand doesn’t foreground its
logo, slogan or product. (Male, 26 years, student)
There are also a small number of informants who are skeptical about the
brand and its social responsibility campaigns about women. One of them
emphasised that today almost all companies are aware of real-time social
media marketing and use it effectively.
Today all brands prepare new advertisements special to Women’s Day, Mother’s Day etc.
Now, I don’t follow and watch these ads because I lost my belief about their sincerity.
Because, nowadays these ads are very common… I have some doubts about the brands
that are using social responsibility campaigns. I don’t buy Filli Boya because of its effort
in this field. (Male, 39 years, academician)
In such a sensitive issue [implying positive gender discrimination], I don’t feel that it [the
brand] was so sincere. I know what it is really about, actually [implying profit]. This issue
is not related to making advertisement, it is actually related the extent to which it has been
applied in social life, or in everyday life. (Male, 39 years, academician)
Advertisement Really Dead? 311
This expression implies that the respondent does not believe in both the
sincerity and functionality of awareness-generating ads and social responsi-
bility projects.
Competitive Information
Drawing upon the respondents’ perceptions, we could depict the brand’s posi-
tion in the market and its product characteristics. Although these associa-
tions are not as strong as the women’s issues, perceptions are distinctive and
worth discussing.
It is like a sector giant. What Coca Cola means in the coke sector, it is the same for the Filli
boya in paint sector … It looks like the best paint brand in Turkey. (Female, 22 years, student)
When I compared with other competitor paint Filli Boya is better I think. (Male, 37 years,
academician)
312 ÇIĞDEM BAŞFIRINCI AND GÜLCAN ŞENER
How could they be aware of its quality and market position? Here, it could
be assumed that stronger associations related to the brand may create a halo
effect on the general brand image and this effect may also create perceptions
about other areas such as product characteristics. In fact, the statement of a
female worker (it evokes quality) clearly implies this proposition.
As different from others (referring the competitors), Filli Boya has a mission on women’s
issues. (Male, 38 years)
I think the main difference of this brand is its’ perspective on women’s issues and giving
priority to these issues. (Male, 26 years, student)
I think the main difference of the brand is to have a voice for women… It is an unexpected
behaviour for a paint brand on Women’s Day (referring to the most recent TV ad on
Women’s Day), so it deserves a different place… (Male, 26 years, student)
I do not separate a brand from its competitors because the brand has prepared an advertisement
for Women’s Day. But this women employment project is unique. (Male, 39 years, academician)
[Referring to works on positive gender discrimination] It is a social revolution… Here
the company deals with social issues. There are perhaps 50 competitor paint brands on
the market. None of them interested (in social issues), only Filli Boya [was] interested in
[social media]. (Male, 28 years, academician)
Other brands’ ads are just about painting and product features. Their main messages
always look like that: I am the quality, choose me, buy me! I think the elephant in Filli
Boya logo already makes a difference. Filli Boya is different. It is different in a favourable
manner. When I think Filli Boya, I don’t remember just painting things. I feel that they
are [the brand] far more than that.
Filli Boya is different from others with regard to marketing communication efforts.
Everything they [the brand] do adds value. ‘Woman House Painters’ ad (and project)
made me feel very emotional as a man. I cannot even predict how women feel. It is an
important work, to provide a profession. Furthermore, it is a very traditional man’s job.
Trying to overcome existing prejudices is not an easy thing to do. Someone may easily ask
that why does a paint brand behave like this? But these are important works, good works.
The perception it created is: Filli Boya is a modern brand. (Male, 28 years, academician)
Advertising Effects
I don’t remember the other brands so clearly, but I remember the logo of Filli Boya since
my childhood: an elephant and a brush as its tail. (Female, 22 years, student)
From the past, I remember Filli Boya name and logo. There was an elephant and there
was something like brush on the nose of elephant. (Male, 30 years, academician)
As can be seen, the image of former logo was described in a detailed way.
This may be due to the compatibility of this logo with the name of the brand.
The name of the brand is also easy to say, it is memorable. (Male, 26 years, student)
Ads of the brand were about women’s issues lately. I remember, women house paint-
ers [ad], schools supporting for women (ads), women employment (ads)… These are the
things I remember best. (Female, 22 years, student)
Thinking about Filli Boya, what comes directly to my mind is: Exclude Colors From Life,
What’s Left! (By singing the jingle background). I have positive feelings. (Male, 28 years,
academician)
I remember: Exclude Colors From Life, What’s Left! There was Fahir Atakoğlu (a Turkish
composer) in this ad. (Male, 38 years, academician)
There was an original advertisement, flying colors; there was humor in it as well. They
had used a traditional house painter man stereotype. After than I remember ‘Exclude
colors from life, what’s left!’ (Male, 30 years, academician)
Ads for women were really remarkable. I like advertisements because it really supported
people who needed it, bread, a job… (Female, 28 years, public worker)
In my opinion, their women house painters project had an incentive dimension for people.
We could feel that ‘Yes, we can do it!’ This ad could pass people positive emotions such
as hope, such as motivation… This ad is one step ahead of the others. (Male, 30 years,
academician)
Ad does not offer a solution, but the way it presents the problem is equivalent to the solu-
tion. (Male, 30 years, academician)
This campaign just seems to be able to create awareness. But I don’t think they can change
it. It can create awareness, but can it actually make a difference on this matter? I am not
sure at all. The man who considers the woman as a secondary citizen also will appreci-
ate the ad. But in the action, he will still remain the same. (Male, 38 years, academician)
Another respondent stated that she would recommend the brand to others:
Perhaps, I can recommend Filli Boya to others. Despite that I don’t remember previous
ads; I think their works on women could be impressive on my decision subconsciously.
This is why my attitude is favorable [for them]. They did a good job in women’s issues.
(Female, 35 years, worker)
As observed, the advertising effect here is the brand’s preference. The justi-
fication behind her decision was that she wanted to support a functional social
responsibility project which deemed appropriate to her own values. Indirectly,
we could also interpret the relative importance of social responsibility project,
316 ÇIĞDEM BAŞFIRINCI AND GÜLCAN ŞENER
I don’t buy Filli Boya because of its ads. But I can buy Filli Boya because of its social
responsibility project [referring to women house painters campaign]. Just for this reason.
Because the only way of decreasing violence against women is to make them employed.
All other methods will be useless. (Male, 39 years, academician)
In the commercials, Filli Boya is the most active company. But, of course, it does not
mean that we always support it because of good advertising. I don’t exactly remem-
ber when the last time I painted my house was, but I think we bought Marshall. I
usually work with a painter man and he generally decides to paint brand to be pur-
chased. He does not offer a choice, also we don’t want to involve. (Male, 33 years,
public worker)
If we put all paint boxes side by side, I would buy Filli Boya. It sounds warmer. Until
today, I thought that I like the company because of its logo. But now I realize that it may
due to previous advertisements… Even though I am always defensive toward ads, the
brand might create good feelings on me. (Male, 30 years, academician)
CONCLUSION
This case depicts the marketing communication of an unusual brand, Filli
Boya, in the paint industry. The purpose of this study was to provide a better
understanding of how TV advertisement, the so-called ‘traditional and bor-
ing’ communication tool, could still be effective when integrated into the con-
temporary marketing approaches in the world of not only advertising clutter
but also ad resistance.
Advertisement Really Dead? 317
advertising was not only new as a format but it also included a new applica-
tion in terms of media planning, which is called ‘road blocking advertising’.
So, the ad (a total black screen with a hashtag: forÖzgecan) was seen on all
(30) TV channels at 9:00 pm, and the brand ensured that everyone had seen
the ad. Thus, increased attention was created for both case and the adver-
tiser. All these factors facilitated the growth of related content across social
media for both the Özgecan case and Filli Boya. From that day on, Filli Boya
has maintained its stance consistently by developing not only women-based
social responsibility projects but also using challenging TV ads. These ads
perform as a tool that launches discussions on social media.
While it is possible to discuss the success of the brand on the axis of social
responsibility and real-time social media marketing, considered all together it
could be claimed that the deserved triumph of Filli Boya is specifically a result
of how it used TV ads. At first glance, this claim may not seem plausible for
a brand which has a contemporary marketing philosophy. But the factor that
moves Filli Boya one step further than other brands is its success in advertise-
ments. In other words, as emphasised in the Findings section, today neither
preparing social responsibility projects nor preparing new advertisements
special to the agenda help companies to achieve greater competitiveness and
business success, since all these modern approaches are very common today.
Of course, the desired position of Filli Boya is mainly supported by corporate
social responsibility, real-time social media marketing and a sincere intent
behind all these efforts. However, without TV ads, the brand would not have
been in the same place today. Thus, aside from all other desired effects, Filli
Boya has shown us that TV ads still could be used effectively, creatively and
integratedly despite all the criticism about being too ordinary and traditional.
Showing readers that advertising is still functional when used properly and
creatively, this case study offers many useful lessons for those who wish to
create communication efficiency through advertising.
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CHAPTER 7.3
WORD-OF-MOUTH MARKETING
ABSTRACT
INTRODUCTION
Even those deaf to the bragging cries of the marketplace will listen to a friend.
—Paddi Lund (Cited in Silverman, 2011, p. 24)
Word of mouth (WOM) has an impact on diffusion and sales. This chapter
aims to outline how it works. For this purpose, first the history of WOM and
its value will be explored. Following these, how WOM is used in the world, its
applications and fundamental elements of WOMM will be explained using
examples and case studies. The place of WOM in Turkey will also be dis-
cussed by referring case studies based on the author’s own practice. Finally, a
roadmap will be provided for the readers.
HISTORY OF WOMM
The history of WOMM is as long as the history of humanity (Silverman,
2011). We see the very first example when Eve offers that piece of juicy and
delicious fruit to Adam. However, since its use as a marketing tool emerged
with the rise of communication tools and their frequency, too many messages
targeting the same people at the same time creates unwanted communications.
Marketing guru Godin (2012) refers to the current communication method
as disturbing. The company, as a brand, appears to a consumer at a time
when it is not expected and welcomed. The company, as a brand, pokes peo-
ple, which is not really the nicest way of communicating. What the company
should do instead is create relationships, try to understand its audience and
act accordingly.
At times of single company with few products, not much communication
was needed. Customers bought ‘it’. As choices increased, customers bought
what they ‘trusted’. Then came desires. Customers started to ‘fancy’ some
brands and that’s the outcome of advertising era. With rise in individualism,
customers ‘preferred’ some brands over others. Advertising and marketing
have always been a mirror of social and political canvas (Firat & Venkatesh,
1993). Then came a stage where customers have to ‘like’ what they buy.
Products need to serve a purpose and be likable as well as define who are
their purchasers. And today customers buy what they are allowed to contrib-
ute (Silverman, 2011). Co-creation is extremely valuable today. Again, it’s all
about being human.
Rogers and Shoemaker (1971) introduced the Diffusion of Innovation
Theory that explains how, why and at what rate new ideas and technology
spread. The theory shows how a product can be adopted by different cat-
egories and/or customer types and how to engage as a business with differ-
ent types of people. Rogers and Shoemaker (1971) state that it is extremely
important for the companies to change their media and communication strat-
egies according to different types of customers they are facing.
324 RENAN TAN TAVUKÇUOĞLU
Today, with the given technology, getting to know the target audience is
pretty easy. Brands can track online conversations, foresee trends, understand
expectations and analyse segments. Drafting 360º communication strategy
requires flexibility and change. Digital gains more share of the pie each day
(IAB Turkey, 2015). Media buying is changing. Brands need to stay relevant.
Messages need to be given at the right place and at the right time. Brands
ignoring these facts are to be ignored themselves.
One important tip about this marketing tool is to distinguish between
online and offline WOMM (De Bruyn & Lilien, 2008). It is extremely impor-
tant to distinguish the online world from the offline. Dependence on the data
from the online world can be misleading at times that requires a decision for
the general market, including the offline world.
‘What’ you say to ‘who’ and ‘when’ matters highly.
VALUE OF WOMM
Getting people to talk often, favorably, to the right people in the right way about your
product is far and away the most important thing that you can do as a marketer.
—(Silverman, 2011, p. 6)
confidential business data and funding. Results showed that WOMM had a
total marketplace impact of $6 trillion, and it was found that the effect of a
WOMM impression is anywhere from five to 100+ times more valuable than
a paid media impression (WOMMA, 2014). Furthermore, WOMM is found
to work hand-in-hand with paid advertising, amplifying its impact by 15%.
Two-thirds of this social influence happens offline (face-to-face or over the
phone) and one-third online (through social media of various kinds, includ-
ing social networking sites, ratings and reviews, blogs and the like). For fast
moving consumer goods (FMCGs), offline WOM is worth five times more
than a paid media impression. For higher consideration categories it’s more
than 100 times more valuable. WOMM drives a significant portion of sales
– 13%. WOM has a more immediate impact than traditional media. About
90% of online WOM impact is in the first two weeks. About 73% of offline
WOM impact is also in the first two weeks (WOMMA, 2014) (see Fig. 2).
A GREAT EXAMPLE
Here is the summary of the greatest customer service story I’ve heard:
About six weeks ago during my kids’ spring break I was in Los Angeles on business, so
we decided to send my wife and my two kids up to Amelia Island Plantation to the Ritz-
Carlton. There they did what a lot of people do when they drive somewhere on vacation,
which is, they forgot to bring some of the stuff home. What they left behind was my son’s
effectively teddy bear/blanket.
I came home and when I was putting him to bed the first night, it turns out we didn’t
have his Joshy. He was inconsolable, so I did what a lot of dads do when your son is
inconsolable, which is, I made up a big whopper a big lie and told him that surely Joshy
just wanted to stay on the vacation for a few extra days and go play golf and hang by the
pool and things like that. When I [told] my wife what happened, she said, well we just got
Word-of-Mouth Marketing 327
a phone call, they found him in the laundry, which [was] great. So now I call[ed] up there
and ask[ed] to speak to someone about this to give them sort of my imaginative idea. A
couple [of] days later in the mail [came] Joshy with a photo of him hanging around the
pool with sunglasses, having dinner, another one working at the office to pay for the extra
day of stay, Joshy decided that since he was going to be at the hotel for a few more days
that he would get in some much-needed relaxation. (Hurn, 2012)
Good examples of this theory are proven by good movies and brilliant
books (Liu, 2006). No good book or a good movie goes unrecognised. It
may take some time but at the end, when it hits the right crowd, it spreads
Word-of-Mouth Marketing 329
Fig. 4. The Circles of Marketing (Godin, 2012; used with author’s permission).
like a wildfire. The sooner the customers discover, the sooner the profits soar.
As we all know, time is money. Decision speed is the time it takes for the cus-
tomer to go from initial awareness to enthusiastic full use and recommenda-
tion of the product or the service. WOMM practitioners can help shift the
adaptation curve towards left a little bit, which means time and money for
the producer.
The amount of time required to make a decision on a product is the most
powerful determinant for the success of marketing (Silverman, 2011). The
speed of decision-making is more powerful than positioning, image, value,
customer satisfaction, guarantees or even product superiority, since it forces
the buyer to organise these factors and many more into the best possible com-
binations. WOMM works as an acceleration system and can cut the decision-
making time to half (Silverman, 2011). Therefore, it is extremely important
to support the company’s marketing with WOMM. Next section looks at how
to do WOMM correctly.
330 RENAN TAN TAVUKÇUOĞLU
such as Migros and ebebek for years now. We do not only pick the right con-
sumers within the big data but also keep track of ROI by the tools they pro-
vide. We collaborate and reach the prime prospects within 100% target range.
Entering a well-established market is a challenge but ebebek has a strong
brand reputation and trust supporting it. Insights from this high-priority cat-
egory users told us about the consumers willing to shift brand and those not
willing to shift: the younger the baby, the less the possibility of willingness to try
something new. So we decided to come out with the Size 4 communication plan:
TALKERS: Mothers who are not hesitant to purchase different diaper
brands of size 4.
TOPIC: Benefit, benefit, benefit, plus community engagement motivations.
TOOLS: Competitions, events, live chats, discount coupons and surveys
to be distributed.
TAKING PART: All comments and messages were answered within a 24
hours. Community dynamics were recognised and acted upon.
TRACKING: We used online monitoring tools; however, we also did
manual tracking for the sake of increasing engagement as well as coming up
332 RENAN TAN TAVUKÇUOĞLU
with real numbers. The impression doesn’t count in WOMM, so we were after
organic and unique engagements.
Within eight weeks of the campaign period, we had a daily agenda where
we asked mothers to co-create content. They used and distributed the materi-
als they received in their kit. We did not only ask for their feedback but also
collected feedback from their friends through surveys that we asked them to
distribute.
Net Promoter Score (NPS) is a loyalty and growth indicator (Reichheld,
2003) and it is an extremely important indicator for newcomers to the mar-
ket. Since this was a launch product, we didn’t wait until the end of the
campaign to measure NPS but acted early. This allowed us to redesign some
of the messages. At the end of the day, the most important key performance
indicator (KPI) is ‘sales’. We believe in the power of real mothers and real
conversations. Social media engagement is always ‘nice to have’ but you
never know how much of it converts to sales unless you design it that way.
High-involvement categories, such as baby products, benefit highly from
organic WOMM (Lee-Thomas, Mullen, & Fraedrich, 2011). Market share
distribution will be the indicator of success in real experiences, recommenda-
tions and WOMM (see Fig. 6).
WOMM IN TURKEY
Word-of-mouth marketing is a multi-million dollars industry in the United
States as well as in Europe. However, in Turkey, the industry has not estab-
lished itself yet. There aren’t many players in the market (Seven, 2012).
Increasing numbers of digital agencies do a lot of work but don’t perform
holistic WOMM services.
To reach a holistic WOMM, we must start with a community! A commu-
nity is a group of people with diverse characteristics who are linked by social
ties and share common perspectives (MacQueen et al., 2011). McMillan and
Chavis (1986) identified four elements of the sense of community: member-
ship, influence, integration and fulfillment of needs, shared emotional con-
nection. No brand-supported community can be as strong as an independent
one. By definition, communities cannot be generated by profit-seeking
brands. Groups of people created and managed by brands can be used for
‘loyalty programs’.
After working with Turkish consumers and brands for 12 years, it was
my decision to form an independent women’s community that would be
Word-of-Mouth Marketing 333
managed as a real community so that brands could also benefit from it. Our
WOMM community of WOM Angels, Tavsiye Melekleri, was founded in
2012 as a women’s community in light of the community realities described
above.
Globally, women take decisions for the purchases of 94% of home fur-
nishings, 92% of vacations, 91% of homes, 60% of automobiles and 51% of
consumer electronics (Silverstein & Sayre, 2009). After working with different
segments of consumers for years and under the light of consumer research,
we concluded that women are the most important segments of WOM. We
believe in the power of women in terms of both economic and social impact.
Back in 2012, when we started Tavsiye Kanalı, Turkey’s most influential com-
munity and WOMM agency, this was the reason given. Our women’s com-
munity can do many things besides participating in WOMM campaigns of
Tavsiye Kanalı and events at Tavsiye Evi.
We wanted to name the community in a way to motivate as well as to
be self-explanatory. So we called the members: WOM Angels who help each
other to make life easier and better. This is our motto. We help each other
for a better world. This psychology worked extremely well in recruiting data.
We did not need to introduce any product campaigns to start building the
community. Whoever discovered our platform, started sharing messages and
social media posts saying: ‘I became an angel, why don’t you join me!’ Today
we have roughly 100,000 members from 81 cities of Turkey, and we believe in
334 RENAN TAN TAVUKÇUOĞLU
the power of each and every one of them. A similar community operating in
the United States called BzzAgent operates in a similar way:
When we started BzzAgent, we believed in the myth of the influential. It took nearly a
year of campaigns and thousands of interactions with BzzAgents for us to understand
that mavens and high-profile influential are effective in specific ways and in particular
categories, but that most of the time, everyday people are better. They are the ones who
are having word-of-mouth interactions that generate results-creating awareness, changing
perceptions and driving sales. They are the ones who make and break products and ser-
vices every day. Ask yourself, when was the last time you were influenced by an influencer?
Not recently, I bet. (Balter & Butman, 2005, p. 92)
HOW WE DO IT
Word-of-mouth marketing is not and should not be a campaign type. Rather it
should be an overall strategy (Allsop, Basset, & Hoskins, 2007). Putting the con-
sumer first and really understanding their needs requires collective effort within
a company. Here is a sample route map for success that I share with my clients.
We came up with this list for WOMM success under the light of the results of 12
years of WOMM campaign designs and implementations through our practise.
and buys (either as a first trial or buys more) the product, and she not only
uses it herself but starts promoting willingly to her friends whom she finds
relevant, with her own words that she knows they need to hear.
And here are some facts:
Case: L’Oreal
We have partnered with L’Oreal for many campaigns. Here, I would like
to outline the details of a launch campaign in 2015: L’Oreal Excellence
Intense.
TALKERS: Women who dye their hair at home using different brands of
hair dye, determined via a survey among our database (see Fig. 7).
SES: A, B, C1, talkative opinion leaders who attend ‘gün’s’ weekly social
gatherings.
TOPIC: Amazing bright and shiny colours achieved by this new hair
dye. One colour of their choice, determined by a second survey, sent to their
addresses.
TOOLS: Kit, magnet, one original size, colour of their choice hair dye, 10
discount coupons, one magazine to read while waiting, one pen for crossword
puzzle (see Fig. 8).
TAKING PART: Our members were asked to visit the brand website and
share testimonials online (see Fig. 9). Istanbul residents were invited to a
party hosted by L’Oreal at Tavsiye Evi (see Fig. 10).
TRACKING: Coupon redemption was again above average as always. We
used online monitoring tools, but we also did manual tracking and observed
the positive influence on our members for receiving the product kit right
before the advertisements started.
338 RENAN TAN TAVUKÇUOĞLU
With this Philips campaign, Tavsiye Kanalı was one of the first agencies to
use micro-influencers in Turkey in April 2016. During and after their trial,
testimonial videos were shot and broadcasted on YouTube. The most impor-
tant KPI for the brand was for Philips Lumea to appear on the screen with
consumer-generated content when women searched for the category, which
was accomplished (see Fig. 11).
As a company, we do not work with a product if we tried and did not like
the product. Once we ensure the quality, the rest lies in the hands of the con-
sumer. For a successful WOMM campaign, one must proceed with a purpose
behind it (Wommapedia, n.d.). The aim should be to provide insight into the
dynamic world of WOMM, rather than creating a buzz around a specific
brand. Moreover, understanding how advocacy works is a must as well as
figuring out the ways to provide consumers with ways to express their opin-
ions in accomplishing the reach and the return that brands are looking for. To
reach propensity one must grow the experience.
Objectives of our brands vary. Some examples are as follows:
• What is ‘the one thing’ that you would tell your friend about this product?
• How do you think your friend will be convinced to buy this product?
• What are the things that you like the most about this product that you
would share with your friends?
• How and where would you feel more comfortable to talk about this prod-
uct with your friends?
• In case we send it to you as a kit, what else would you like to see inside the
box?
• Would you buy it? Why?
• What else would you like to know about this product?
342 RENAN TAN TAVUKÇUOĞLU
with measuring the results we always put on our analysis and make sug-
gestions for a better world for our brands. We can look through the eyes
of the brand as well as from the eyes of consumer. That’s the value of our
reports.
Facts:
In short, we are a real community, doing real work for real women. We
advise all brands in the market to try to do the same. WOMM was present in
the past, it is still in our lives, and will never go away.
Social currency: We share things that make us look good and smart.
Triggers: We talk about things that are on top of our minds.
Emotions: Excitement activates people.
Remarkable: Not every product is as talkable as Apple products or new
cars, but we can also make a blender talkable.
. Storytelling: A story that everyone is willing to pass along is not enough.
You need networks to transfer. Psychological drives are important to
determine and use, as sharing isn’t luck but it’s technology.
Word-of-Mouth Marketing 345
Our tendency is to think that interesting products get more WOMM share.
Berger and Schwartz (2011) proved that this is true but only for a short term.
One sudden spark is not enough for sustainability. The more the company
cues its product, the more people talk about it. The tools company provides
also count. Our clients mostly question the extra items we suggest, includ-
ing WOMM kits. This study contains a good analysis of the promotional
giveaways that are associated with increased WOM. In summary, the more
the companies put their brands in dialogue circulation, the more they grow.
Brands who are not talked about, cannot grow.
WOMM TOOLKIT
Below are my suggestions to follow before starting WOMM, during and after
it is completed.
346 RENAN TAN TAVUKÇUOĞLU
And never forget: The most effective WOMM is credible, respectful, social,
measurable and repeatable.
In the midst of this rapid change, isn’t it amazing to see how WOMM
still counts? We’re talking about a phenomenon that goes back to the begin-
ning of humanity. That’s because technology improves but not much changes
about human nature. We still act with feelings and it is likely that in the future
we will do the same. It’s very important to keep up with the new technologies;
however, WOMM will keep its valuable part – if not gain more.
Soon it might be impossible to fool the Internet with fake IDs and fake
comments, as they will not be valued anymore. Whereas the face-to-face com-
munication would endure regardless of the speed and variety in the digital
world, it is also evident that the future of online WOMM will be increasingly
trustworthy. It is the technology that is changing. Humans and feelings are
intact since the beginning and will be until the end.
We, WOMM practitioners, had some hard times back when social media
was not around. With social media rising, our measurement techniques
also improved. Now after a campaign we can easily say how many people
were exposed to a message and how many responded. At the end of the day,
SALES and PROFIT are the things that matter. This is what we always keep
in mind, and advise our clients too.
I would strongly suggest anyone from any industry to read and understand
the essentials of this long-living strategy: WOMM.
NOTE
1. https://www.youtube.com/user/tavsiyeevi
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Summary.pdf
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SECTION 8
DIGITAL COMMUNICATION
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CHAPTER 8.1
A SURVEY OF MARKETING
MANAGEMENT FOR THE VIDEO
GAMES INDUSTRY IN TURKEY
Sercan Şengün
ABSTRACT
This chapter analyses the marketing management practices for the video
games industry in Turkey. To identify the extended value chains and define
the critical success factors in this local environment, we invited the members
of OYUNDER – Game Developers, Designers and Publishers Association
in Turkey – to participate in an online survey. The following three main
research questions guided this survey: (1) How video game developer com-
panies resolve marketing decisions, decide on their marketing mix and create
marketing plans; (2) how they perceive the importance given to marketing
in their industry and (3) how they measure and judge the success of their
marketing activities. Results indicate that Turkish video game developers
are predominantly male and young. They organise and work in small teams.
They lack marketing planning as indicated by actualised versus expected
revenues and marketing spendings. Only 23.7% of the p articipants report
employing marketing-related staff and their opinions of marketing-related
business partners – such as advertising and PR agencies – are negative
There are conflicting reports about the size of the video game market in Turkey
and even less information about the industry. Various reports put the number
of gamers in Turkey between 22 to 29 million, and yearly revenues between
USD 464 and 755 million (Gaming in Turkey, 2016). The market is expected
to have a compound annual growth rate of 16% by 2018 (Newzoo, 2015).
However, it has also been reported that in 2015 only 5% of this total revenue
was earned by the local industry – the rest was distributed among international
companies (AA Anadolu Agency, 2016). Turkish gamers are reported to pre-
fer competitive and free-to-play games that are localised into the Turkish lan-
guage (Kahraman, 2015). This language preference may initially be accepted
as an advantage for local video game developers. However, in a web article
based on content analysis of comments in Turkish videogaming websites, I
highlighted how Turkish gamers were over-critical about video games released
by local developers, especially on the issues of originality, quality, perceptions
of the local industry, lack of Turkish support (sometimes even in the naming
of the video game or the development company) and pricing (Şengün, 2014).
Research about the video game industry in Turkey is even more scarce. In
a previous study, Yilmaz and Cagiltay (2005) catalogued the video games pro-
duced in Turkey between 1980 and 2005 and report roughly 25 video games
with a total sales of less than five digits. In 2012, TUDOF – the now dispersed
federation of digital games in Turkey that was affiliated with the Ministry of
Youth and Sports – published a report claiming that there were only 20 devel-
oper companies in Turkey with the number of team members surpassing 10
Marketing Management for Video Games Industry in Turkey 355
(TUDOF, 2012). In a more recent study, Tuker, Yilmaz, and Cagiltay (2015)
separate the timeline of industry in various levels: (1) the 1980s, during which
no production within Turkey is mentioned, (2) the 1990s, during which 10
video games and five companies are mentioned and (3) the 2000s, during
which 24 new video games and 12 new companies are mentioned. The study
also summarises the 2010s till 2013, in which they mention six new video
games and five new companies. They report that as of 2013, there are around
1,000 professionals working in the industry.
All of these statistics point to a young but vibrant industry, wherein con-
sumption is high but local production is low due to the inadequacy of exper-
tise and resources. Previous research highlights the challenges of marketing in
emerging and small-sized organisations, with an emphasis on uncertainty and
turbulence (Gruber, 2004). These challenges are (1) lack of trust in company’s
own abilities, (2) lack of structure for marketing teams, (3) lack of experience
in marketing, (4) lack of finances and human resources and (5) hard-to-satisfy
demands of high effectiveness from marketing activities. The motivation
behind this research is to determine how Turkish video game developers – as
a part of an emerging industry – experience and handle these challenges.
This chapter is organised as follows: first, I define and discuss the literature
for some main concepts that affect Turkish video game industry; second, I
summarise the methodology of this research; third, I present and analyse the
results and finally, I conclude with a discussion.
LITERATURE REVIEW
The literature review specifically begins by defining the dichotomy of indie
(short for independent developer) vs AAA (or triple A)* identities of video
game developer companies. Understanding this distinction is crucial since
it governs the many subsequent approaches, definitions and aspects of the
industry. Next, previous research about the industry itself and the marketing
practices within it are provided.
Indie is a hard-to-define term that has gained popularity primarily after the
mobile gaming era (yet used as early as 2003) (Michael, 2003). It is typically
*
https://en.wikipedia.org/wiki/AAA_(video_game_industry)
356 SERCAN ŞENGÜN
used to define individuals or small teams that lack access to serious funding
and are independent of big production cycles such as collaborations with
publishers and distributors (Mathews & Wearn, 2016). The term is often used
as opposed to AAA video games that are developed with crowded teams
through the funding of publishers or distributor companies. Many AAA
video games are also accepted to be the superstar titles that drive the sales
of video game consoles or related hardware (Binken & Stremersch, 2009).
Since video games are often cited as a part of creative industries (Tschang,
2007, 2009), this indie freedom from commercial structures might indicate
more risky and creative products than the AAA industry can afford (Caves,
2000). However, Zackariasson and Wilson (2012, p. 58) assert that this indie
creativity in production is not permeated to marketing efforts which ‘are still
following a traditional and rather uncreative pattern’.
One of the reasons for the emergence of indie video game production is
the shift in ‘political economies and practices of game making [since] the
cultures of game playing have aged, matured, and diversified’ (Simon, 2012,
p. 2). However, the growing ease of access to video game development tools
and communities is also identified as a democratisation of development
processes (Ruffino, 2012). The indie identity provides an easy access to the
global industry for video game developers from emerging regions, since small
development groups can gain recognition through small, creative and com-
pact productions. Judging by the statistics about the industry from previous
studies, it seems possible to hypothesise that Turkish video game develop-
ment scene still exhibits indie characteristics of small groups, low funding,
and under-emphasis on traditional marketing channels.
to publish video games at the right time (2) with a product created by
a well-managed creative and innovative team while (3) constantly getting and
listening to feedback from the target player-base. It should be noted that this
formula focusses mainly on the business side and omits issues such as good
game design, engaging content, art, etc.
As Marchand and Hennig-Thurau (2013, p. 141) point out, as opposed to
‘more established entertainment industries such as movies and music, limited
scholarly research in marketing has addressed the processes that create value
for companies and consumers in the context of video games’. The American
Marketing Association defines marketing as ‘the activity, set of institu-
tions, and processes for creating, communicating, delivering, and exchang-
ing offerings that have value for customers, clients, partners, and society at
large’ (American Marketing Association (AMA), 2013). Thus, marketing is
implemented deep inside any business or industry model and is offered as a
part of the value-making process. Although big studios and AAA producers
generally employ dedicated in-house teams for marketing and PR – as well
as working with outside agencies – indie video game developers typically pri-
oritise production over communication activities. This results in unbalanced
business practices in which indie video game developers have trouble raising
the awareness of consumers about their products.
Keith (1960) identifies the following four eras of marketing in companies:
production-oriented, sales-oriented, marketing-oriented and marketing-
controlled. In this regard, the efforts of indie video game developers are man-
aged somewhere between production- and sales-oriented approaches in which
marketing and consumer communication are not the first priority. There is
little research on the effectiveness of what marketing mix works best for video
games industry. According to a previous study done by Mathews and Wearn
(2016), gamers trust the opinions of family and friends the most, followed by
the opinions of YouTubers. The same study marks TV advertisements as the
least trusted marketing message outlets for video games. Social media promo-
tions, gaming websites, gaming magazines, developers’ websites and gaming
expos, all have mixed results in-between.
Furthermore, within the last few decades, video games primarily have become
digitally distributed products. Entertainment Software Association reports that
physical distribution of video games declined from 71% to 44% between 2010
and 2015 (Entertainment Software Association (ESA), 2016). This increase in
digital distribution results in an increasingly global audience for video game
companies and consolidates marketing efforts to digital platforms (especially
social media channels) which are accessible by a wider audience, especially for
indie video game developers (Marchand & Hennig-Thurau, 2013).
358 SERCAN ŞENGÜN
METHOD
In order to understand how Turkish video game developers manage market-
ing activities, we conducted an online survey (see Appendix A) in cooperation
with OYUNDER. The online survey was announced among 161 members of
the association through e-mail lists and social media channels. The associa-
tion endorsed the privacy and anonymity of the provided data to ensure the
authenticity of sensitive information such as revenues and budgets. Over the
course of three weeks in May 2017, 97 members of the association completed
the online survey, which takes around 30 minutes to finish.
Before distributing the survey to all members, however, eight association
member companies – including the companies of the association’s board of
directors – were asked as a preliminary test group to take the survey to estab-
lish face validity. The preliminary participants as subject-matter experts were
asked to comment whether the survey can ‘represent adequately the total
universe of appropriate questions’ as face validity by definition and whether
the survey appeared ‘practical, pertinent, and related to the purpose’ as face
validity by appearance (Mosier, 1947, p. 192).
The survey was divided into six sections of roughly five minutes each (see
Appendix A). The first three sections were designed to gather information
about the company’s production and marketing teams and activities.
Section 1A: The participants were asked questions about how they defined
their own company as well as providing data about the size of their teams, the
percentage of women team members, average team age, the platforms they
work on, the revenue models for their games, the number of releases (total
and in 2016 only), total sales and download numbers (total and in 2016
only) and core target audience. Although not a direct scale adaptation,
while asking the participants to define their target audience, we used con-
cepts from Frazier and Walfried’s (1996) target market focus scale. This
scale defined target markets such as a small number of potential customers,
narrow spectrum of consumers and niche customers.
Section 1B: In this section the participants were asked questions about who
makes marketing decisions in their company, the educational background
of the decision makers, the size and positions of their marketing teams,
the amount of hours spent for marketing activities by non-marketing team
members, revenues (total and in 2016 only), marketing spendings (total and
in 2016 only), their ratios, projected numbers for 2017 and their marketing
planning periods.
Marketing Management for Video Games Industry in Turkey 359
Section 1C: In this section, the participants were asked questions about
which above-the-line, below-the-line, social media, digital, influencer, con-
tent marketing and sponsorship channels were used by them. They were
also asked to report their budget allocation for these channels. Finally, they
were asked which marketing-related institutions and agencies they worked
with (current or in the past), the marketing tools they used and the support
they received for their marketing activities from the state, private or crowd-
funding sources.
The following two sections were designed to measure the participants’ per-
ceptions of the relationship between marketing practices and the industry in
general.
Section 2A: The participants were asked to rate the effectiveness of above-
the-line, below-the-line, social media, digital, influencer, content market-
ing and sponsorship marketing channels within their industry. Ad medium
effectiveness on sales impact scale from King, Reid, and Morrison (1997)
was used to assess the perceptions of medium effectiveness for marketing
outlets within the video games industry. Originally, this scale was used to
measure the opinions of specialists on various advertising outlets. In our
adaptation of the scale, we asked the participants to rate an advertising
medium depending on its ability to (a) impact buyer behaviour, (b) increase
sales (and downloads) and (c) deliver product messages. Additionally, this
question was augmented by the ad medium effectiveness on targeting scale
from the same study, adding the ratings for the ability to (d) reach the tar-
get audience and (e) cost per target reached efficiently. The participants
were also asked to rate how industry-specific factors that were out of their
control (user reviews, being featured in online shops, piracy and clone
games) affected their business and marketing efforts.
Section 2B: In the beginning of this section, the participants were asked to
define their target audience in more detail – specifying player profile, geo
graphy and language. Next, the participants were asked questions about
their perceptions of the company’s marketing capabilities. They defined their
beliefs about barriers to better marketing, their expertise in above-the-line,
below-the-line, social media, digital, influencer, content and sponsorship
marketing channels, their expertise in product release time frames and their
risk-taking behaviours in marketing practices. To understand how partici-
pants rate the adequacy of their marketing skills and resources, we used
Song and Parry’s (1997a, 1997b) adaptation of Cooper’s (1979) marketing
360 SERCAN ŞENGÜN
skills and resources scale. Originally, this scale asks the participants to rate
the adequacy of the skills and resources of marketing research, sales force,
distribution and advertising/promotion teams of the company. We limited
this scale to marketing teams only. To question the perceptions of par-
ticipants about their company’s marketing management and strategies,
Andrews and Smith’s (1996) risk-taking scale was used. Instead of ask-
ing the participants to rate marketing activities of a single product, the
participants were asked to rate the play-it-safe, risk-taker and conservative
behaviour of all marketing activities of the company. Finally, to under-
stand how fast changing the video games industry was in terms of cus-
tomer composition and preference, we used the market turbulence scale by
Jaworski and Kohli (1993). At the end of this section, the participants were
also asked to arrange the importance of product features for marketing
within the industry.
The final section was designed to assess how the participants evaluated the
results of their marketing activities and outcomes.
Section 3: In this section the participants were asked questions about how
they assess the results of their marketing activities by rating the importance
of factors such as publicity value, conversion to sales, raising brand aware-
ness, raising traffic to all products, creating a loyal player base, providing
market insight, growing business partners, growing market share and cost
per target effectiveness. Finally, they were asked whether they ever made or
purchased marketing research, and participated in any marketing training.
RESULTS
Section 1A: Identities of Video Game Development Companies
As predicted, the Turkish video game development scene exhibits (1) an indie
identity, (2) with low revenues and marketing budgets, (3) organised in mainly
male, young and small teams (4) while developing freemium video games for
mobile platforms.
Marketing Management for Video Games Industry in Turkey 361
Fig. 1. The Video Game Developers’ Report of Their Team Sizes and Their
Definitions of the Company.
362 SERCAN ŞENGÜN
Fig. 3. Marketing Positions and Partners İnside and Outside the Company.
364 SERCAN ŞENGÜN
We queried about the beliefs of Turkish video game developers towards cer-
tain marketing channels and their own marketing capabilities in general. As
predicted, the developers were (1) cautious towards traditional marketing
channels, and (2) insecure about their own skills and creativity in marketing.
The participants were asked to score the six abilities of seven main market-
ing channels on a 5-point Likert scale as no effectiveness (scored 1), slightly
effective (scored 2), moderately effective (scored 3), effective (scored 4) and
very effective (scored 5). The abilities to rank were: ability to impact buyer
behaviour, ability to increase sales and downloads, ability to deliver product
messages, ability to increase market share, ability to reach the target audi-
ence and cost per target reached efficiently. The resulting alpha (α) values
(Cronbach, 1951; Peterson, 1994) were all within the range of ‘almost perfect
agreement’ benchmark (Landis & Koch, 1997); above-the-line (α = 0.92),
below-the-line (α = 0.96), digital marketing (α = 0.93), social media market-
ing (α = 0.94), influencer marketing (α = 0.93), content marketing (α = 0.93)
and sponsorships (α = 0.95).
Marketing Management for Video Games Industry in Turkey 367
Consequently, mean values for each channel and ability combinations were
calculated (see Table 3) to reveal interesting results. First, although influencer
marketing is deemed very important for the video game industry, the develop-
ers rather direct their budgets to digital marketing. Second, although spon-
sorships are deemed as more effective than above-the-line and below-the-line
marketing in many abilities, video game developers were again dubious about
this practice in budget allocation. Developers assumed above-the-line adver-
tising to be the least effective one in both reaching target audience and cost
per target efficiency. Social media marketing performed high scores in almost
all categories, while influencer marketing is rated to be the most effective one
in impacting behaviour.
To understand the self-confidence of each company in their marketing
skills and abilities, we asked the participants to answer various questions on
a 5-point Likert scale as strongly disagree (scored 1), disagree (scored 2), neu-
tral (scored 3), agree (scored 4) and strongly agree (scored 5). Additionally,
we used Pearson’s Chi-square test (Pearson, 1900) to determine whether the
answers to the questions had correlation with various other variables, such as
(a) team size, (b) median age of the team, (c) number of video games released
so far, (d) number of downloads or sales achieved, (e) the size of marketing
team and (f) ratio of marketing budget to revenue. The measures of central
tendency and the significant results for Chi-square tests for each question are
provided in Table 4.
According to the results, video game developers perceive the biggest barri-
ers for better marketing as lack of capital (x = 3.68), lack of human resources
(x = 3.64), lack of knowledge and expertise (x = 3.18), lack of state support
Table 3. Mean Values for the Beliefs of Video Game Developers About
Each Channel and Ability Combinations Out Of 5-Point Scale.
x Impact Increase Deliver Increase Reach Cost per Overall
Buyer Sales Product Market Target Target Average
Behaviour Messages Share Audience Efficiency
Finally, we asked the participants questions about how they measure the suc-
cess of their marketing activities. First, we asked them to rank the importance
Marketing Management for Video Games Industry in Turkey 371
CONCLUSION
The aim of this research was to understand how Turkish video game devel-
opers managed marketing. Towards this end, we invited the members of
OYUNDER to participate in an online survey, which was guided to explore
this processes in three main themes: (1) resolving marketing decisions and
plans, (2) perceptions of the importance of marketing and channels for the
industry and (3) measuring the success of marketing activities.
In parallel with previous research that defines Turkey as a high-
consumption, low-production market for video games, Turkish development
teams displayed small and indie characteristics as part of an emergent indus-
try. High-budgeted productions with large teams, funded by publishers or
other sources were painfully few. Although indie production methods allow
more creativity, they also encapsulate less marketing-oriented approaches.
This resulted in cases where many marketing management decisions were
taken in-house by non-marketing management staff. Frequently, the utilised
business models omitted traditional marketing supply chains, creating an
industry that is not penetrated by traditional marketing and PR actors.
First (in Section 1A), we analysed the self-reported characteristics of
Turkish development teams. Turkish video game developers mainly com-
prised males (only 8% of the workforce was reported to be females), young
(average age roughly 26 years), small (86.6% had fewer than 10 members) and
productive (on average released two games in 2016, and six in all time) teams.
Second (in Sections 1B and 1C), we analysed their marketing practices. The
video game developers displayed a lack of marketing planning as indicated
by actualised and expected revenues, marketing spendings and their ratios.
Marketing Management for Video Games Industry in Turkey 373
ACKNOWLEDGMENTS
I am grateful for the gracious support of OYUNDER – Game Designers,
Developers, Producers & Publishers Association – in the distribution and
the facilitation of the survey among their members and social media chan-
nels. This work reflects only the author’s views and OYUNDER is not
responsible for any use that may be made of the information contained
herein.
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Marketing Management for Video Games Industry in Turkey 377
APPENDIX A:
SURVEY ABOUT MARKETING ACTIVITIES
AND MANAGEMENT
The survey was conducted in Turkish. The below English translation is sup-
plied by the author.
Section 1A
Q.5. Please select the platforms that you mainly develop video games for?
(You can make multiple selections.)
a. PC
b. Mobile iOS
c. Mobile Android
d. Mobile other
e. Console playstation
f. Console XBOX
g. Console other
h. VR/AR
i. Browser (e.g. Facebook, etc.)
j. Other, please specify: ___________
Q.6. Please select the revenue models that you mainly use in your video
games? (You can make multiple selections.)
a. Game as service (GaaS) (e.g. memberships)
b. Premium (e.g. pay once)
c. Freemium or free-to-play (e.g. in-app purchases)
d. Free with ads
Q.7. How many video games have you released so far?
Q.8. How many video games have you released in 2016?
Q.9. What is the total units of downloads/sales your video games have
achieved so far?
Q.10. What is the total units of downloads/sales your video games have
achieved in 2016?
Q.11. While developing video games, which target audience are you aiming at?
a. All kinds of players
b. Our pre-existing audience
c. Niche (specific) audience
d. Casual (non-hardcore gamer) audience
Section 1B
Section 1C
Q.23.
Which of the below above-the-line channels do you use? (Never/
Rarely/Frequently/Always)
a. TV ads
b. Movie ads
c. Radio ads
d. Print ads in gaming and industry channels
e. Print ads in other channels
Q.24.
Which of the below below-the-line channels do you use? (Never/
Rarely/Frequently/Always)
a. Outdoor (billboard, etc.)
b. Stands (@shopping malls, etc.)
c. Participation in events (festivals, concerts, etc.)
d. Participation in industry fairs
Q.25. Which of the below social media channels do you use? (Never/Rarely/
Frequently/Always)
a. Facebook
b. Twitter
c. LinkedIn
d. YouTube
e. Google+
f. Instagram
g. Product/company blog
h. Product/company website
Q.26.
Which of the below digital channels do you use? (Never/Rarely/
Frequently/Always)
a. Video game related networks (video game websites, etc.)
b. Other digital networks (news websites, etc.)
c. Cross-marketing (inside other video games, etc.)
Marketing Management for Video Games Industry in Turkey 381
Q.31. Please choose the institutions that you currently work with. (You can
make multiple selections.)
Q.32. Please choose the institutions that you previously worked with but are
not working currently. (You can make multiple selections.)
Q.33. If you made a selection in the previous question, please specify your
reasons for not working with these institutions anymore.
Q.34. Are there any tools you use for your marketing activities (e.g. social
media management tools, media monitoring, etc.)
Answer selections for Qs. 35–37.
a. No, we never applied for.
b. No, we applied for but didn’t get it.
c. Yes, please specify the programme and the amount: ___________.
Q. 35. Have you ever received state support for your marketing activities?
Q. 36. Have you ever received private support for your marketing activities?
Q. 37. Have you ever received crowdfunding support (e.g. Kickstarter) for
your marketing activities?
Section 2A
Q.42. Considering the video games industry, what do you think about the
effectiveness of influencer marketing?
Q.43. Considering the video games industry, what do you think about the
effectiveness of content marketing?
Q.44. Considering the video games industry, what do you think about the
effectiveness of sponsorship marketing?
Q.45.
Considering the video games industry, what do you think about
the effectiveness of the below content marketing activities? (No
Effectiveness/Slightly Effective/Moderately Effective//Effective/Very
Effective)
a. Publishing a demo
b. Early access
c. Releasing a free version
d. Releasing ‘developer videos’ during production
e. Blogging during production
f. Publishing trailer/teaser videos
g. Publishing concept art and other visual products
h. Public beta testing
i. Competitions in the digital channels
j. Crowdfunding
Q.46. Below are some factors which are out of control of developers. What do
you think about the effectiveness of these factors? (No Effectiveness/
Slightly Effective/Moderately Effective/Effective/Very Effective)
a. User scores in online shops (e.g. Steam, AppStore, etc.)
b. User reviews in online shops (e.g. Steam, AppStore, etc.)
c. Being featured in online shops
d. Piracy
e. Clone video games
Section 2B
Q.49. Which target audiences are you aiming at? (You can make multiple
selections.)
a. Professional gamers
b. Hardcore gamers
c. Regular gamers
d. Casual gamers
384 SERCAN ŞENGÜN
e. Female gamers
f. Male gamers
g. Students
h. Kids (3–8 years)
i. Adolescents (8–12 years)
j. Teens (12–18 years)
k. Parents
l. Others, please specify: ___________
Q.50. Which target audiences are you aiming at? (You can make multiple
selections.)
a. Turkey
b. Turkish-speaking audiences
c. English-speaking audiences
d. Arabic-speaking audiences
e. North America and Europe
f. East Asia (China, Japan, Korea, etc.)
g. Other, please specify: ___________
Q.51. Please indicate how much you agree with the below statements: ‘The
barrier for us to make better marketing is …’ (Strongly Disagree/
Disagree/Neutral/Agree/Strongly Agree)
a. Lack of capital
b. Lack of knowledge & expertise
c. Lack of state support
d. Lack of human resources
e. Lack of channels
f. Lack of trust and interest in marketing
Q.52. Please indicate how much you agree with the below statements: ‘Our
company has enough expertise in the below marketing channels …’
(Strongly Disagree/Disagree/Neutral/Agree/Strongly Agree)
a. Above-the-line
b. Below-the-line
c. Digital marketing
d. Social media marketing
e. Influencer marketing
f. Content marketing
g. Sponsorship
Marketing Management for Video Games Industry in Turkey 385
Q.53. Please indicate how much you agree with the below statements: ‘Our
company has enough expertise in the below marketing time frames …’
(Strongly Disagree/Disagree/Neutral/Agree/Strongly Agree)
a. Pre-release
b. Release
c. Post-release
Q.54.
Please indicate how much you agree with the below statements:
(Strongly Disagree/Disagree/Neutral/Agree/Strongly Agree)
a. We take risks in marketing decisions.
b. We take risks in marketing ideas.
c. We think conservatively in marketing planning.
d. In our industry, the channels to reach our audience keep changing.
e. Our customers constantly expect new marketing activities.
f. We keep reaching out to the same audience with our marketing
activities.
g. We can reach to customers who have never played our video games
with our marketing activities.
h. Our audience is distributed across many channels.
i. Our company keeps developing itself in marketing.
j. Our company has the resources to develop itself in marketing.
Q.55. Please arrange the below properties of video games according to their
usability in marketing messages.
a. Technology
b. Visuals
c. Scores and comments
d. Genre
e. Online capabilities
f. Platforms
g. Multiplayer capabilities
h. The fact that it is made in Turkey
Section 3
a. Publicity value
b. Conversion to sales/downloads
c. Raising brand awareness
d. Raising traffic to all of our products
e. Creating a loyal player base
f. Provide market insight
g. Grow business partners
h. Grow market share
i. Cost per target effectiveness
Q.56. Which of the below marketing research have you done so far? (You can
make multiple selections.)
a. We have done none
b. Brand awareness
c. Industry/market report
d. Market share
e. Product-focus group
f. Other, please specify: ___________
Q.57. Have you ever purchased a marketing research?
a. No
b. Yes, please specify: ___________
Q.58. Have you ever participated in a marketing training?
a. No, never.
b. Yes, to free training
c. Yes, both to free and paid training
Marketing Management for Video Games Industry in Turkey 387
APPENDIX B:
DISPERSION STATISTICS FOR TABLE 1
ABSTRACT
For the last several decades, technology has been playing an important role
in changing the lives of consumers with an unexpected speed of innovative
developments. Most of them were disruptive and had shaped not only the
behaviour of consumers, but also empowered them to search for better prod-
ucts and services. These changes took place in media, communication, and
information management of socialisation and collaboration. The digitisa-
tion revolution is a continuum until people and machines embrace a com-
mon ground for improving the lives of consumers. There were three stages
of this movement. In the first stage, Turkish perspective was in alignment
with the world where new channels of communication were established with
support of Internet and information management. Marketing technology
tools such as customer relationship management and call centre systems
were discovered. In the second stage, continuous learning from the best uses
and implementations has started. The ultimate goal became total customer
satisfaction. Many improvements and innovative services, such as omni-
channel marketing, took place for achieving this goal. Today, in the third
stage, new marketing tools are being developed on the basis of integrated
machine learning, such as analysis of customer conciseness, prediction of
behaviour and perceptive marketing, which will be used extensively through
digital platforms, new media, social web and in everyday devices for tar-
geted marketing. In this chapter, a broader look is taken and an explana-
tion is made for what has happened through these periods of intersection of
marketing science and information technology. Moreover, ongoing changes
which have given a new impetus to consumer life are addressed with respect
to marketing management literature.
Keywords: Marketing; technology; consumer behaviour; innovation;
machine learning
INTRODUCTION
Discussions about how marketing is affected by technology began a while ago.
In the pre-Internet era, consumers were already in communication with brands
but had fewer interactions with brand communities just because of inadequacies
in mediums. They were mostly dependent on more conventional ways to recall
the value offered by the firm (Zaltman, 2003) such as broadcasted advertise-
ments, personal meetings with marketers, contribution to interest groups, cold
calls with their service providers and paper-based give and take of messages.
In fact, the approach has long been discussed, starting from the 1960s
(Howard & Sheth, 1969), based on the ground of perceptual constructs and
learning subsystems of the buyer, up to the 1990s with conversion to cus-
tomer value management that includes many complicated evaluations of
these messages and their feedback (Gale, 1994). Howard and Sheth (1969,
pp. 96–97) underlined this issue as follows:
Brand comprehension is a cognitive state of the buyer that reflects the extent to which he
has sufficient knowledge to establish well-defined criteria for identifying the brands he
encounters and to have available the words for discussing a particular brand, but not for
evaluating it. Information affects attitude through brand comprehension.
On the other hand, these have been the commonly used ways where
communication frequency and direction was mostly limited by the amount
of time and consumer interest in the brand. As discussed by Gale (1994),
Marketing and Technology Directives in Consumer Life 391
two of the seven tools listed to understand customer value were directly
influential in the equation: perceived quality of the profile and the value
map of the customer. As will be explained in the first part of this chapter,
the pre-Internet era was more defined by socioeconomical analysis and fal-
lacies of marketing strategies such as belief in rational and linear thinking
process of consumers, their capability to explain decision-making for a
brand, effective measurement of the memory and the experience correla-
tion about a product or service. Internet introduced additional tools to
make these approachable.
Total progress about the enablement of the Internet has taken years. From
the late 1990s to 2005, it was growing from the technical side, providing
businesses more options to reach their customers, and extending marketing
capabilities and sales functions through web presence. In this chapter, this is
explained in the stage one of this movement where technology and consumer
behaviour have acted closely in the change.
From 2005 onwards, the infrastructure of the Internet for both wired and
wireless channels has grown with exponential momentum. Each innovation
item in this perspective speeded up the interactivity between businesses and
their customers. The discussion about this second stage is presented in depth
in the following pages, but some prominent examples are briefly listed below:
These spillovers from emerged countries affect the follower economies not
only with the increase in capabilities but also implications of similar strate-
gies taken from these global leaders to local businesses.
As far as the Internet and all associated socio-technological advances are
concerned, cascaded effects in strategies are carried over from the emerged
to emerging markets. Another important remark in this perspective is put
forward by Manyika et. al. (2016), with an underlying claim about ‘the flow’
in relation with ‘trade surplus’:
Countries cannot afford to shut themselves off from global flows. Given their role in
substantially raising gross domestic product (GDP) and boosting productivity growth,
there is too much value at stake. But the goal is much broader than simply running a
trade surplus… Narrow export strategies often ignore the real value of globalization: the
flow of ideas, talent, and inputs that allow companies to innovate in new ways and raise
productivity in the economy.
business purposes. Since the nature of this use turned out to be more social
and personal, each of these screens became more sensitive for marketeers for
delivery of any direct message to its individual recipient.
Taking it from the foundational construct of Holbrook and Hirschman
(1982), experiences of consumers that stimulate feelings, fun and fantasies
related with brand and services would easily be available for the masses.
Therefore, content became the king of this virtual world of business. The
management of a dialogue with the outer world of any organisation moved
to be based on it, and this methodology started to be used for bonding rela-
tions with brands. Content led to more consumption by amplifying word-
of-mouth effect as indicated by the results (Dhar & Chang 2009; Duan,
Gu, & Whinston, 2008; Ma & Atkin, 2017; Ye, Law, Gu, & Chen, 2011)
from various industries. As production of more new media content took
place, omni-channel marketing became necessary (Baxendale, Macdonald,
& Wilson, 2015). All these changes were mostly disruptive for many sectors
and rapidly affected the way they conducted relationships with customers
and partners.
Customer relations are always important for any organisation since most
of the revenue always has been bounded with the retention habits of loyal
groups against paying four times more to gain new ones. The Internet and
its multiple effects in reshaping businesses also enabled reaching a much
wider range of customers, keeping in touch with dialogues and understand-
ing each and every customer to personalise according to their preferences
and to customise for their individual needs. However, this required new
technologies at both ends: human interaction with high-performance call
centres and specialised CRM system.
New and critically important invention of advanced customer analytical
techniques and their consistent evaluation emphasised more concentration
on knowing and keeping almost all members of a supply chain in compe-
tition. As a result, customer satisfaction which is based on the mediation
effect of relationship quality became a practical leverage provided by power-
ful CRM strategies. The use of more quantitative approaches to investigate
customer expectations opened up potentials for higher customer satisfaction.
Organisations evolved more distinctively in serving their customers in a bet-
ter way to remain competitive. Some significant examples are in the finance
and telecom sectors of Turkey. Starting in 2000 up to 2005, a bank in the lead
with innovative customer services, which was backed up by independent tech-
nology powerhouse of their holding group, was also providing extensive call
centre functionalities. It was just like in the telecoms industry, with the first
mover leading the way. However, after 2005, several follower banks gained
Marketing and Technology Directives in Consumer Life 397
momentum to follow closely the leader for the perceived innovativeness meas-
ures for customers.
By 2010, all major actors in the banking sector were aligned with the use
of similar technology, leading to fierce competition to satisfy their custom-
ers. Around the same time in Turkey, the telecoms industry had similar chal-
lenges and evolution in a more concentrated way. Three major actors and
emerging corporate service providers had enabled call centre services, busi-
ness analytics and improved customer relations on the same level to stay in
competition. Since the widespread of technological infrastructure gained
momentum, consumers became more capable of reaching brands through
their virtual presence. This growth also ignited many online businesses to take
the centre stage, such as market places (large online retailers), vertical virtual
stores (food delivery and vertical retailers), information brokers (insurance
and price comparison) and brick and mortars (online electronic shops), to
move faster in this gold rush. The impact has been huge, but the next tide, i.e.
mobility, was even more challenging.
Mobility became the mainstream and took Internet-based technologies at
higher levels and affected consumer behaviour in a different way not only
because it provided ubiquity of services but also because it fostered new
forms of socialisation not discovered before. Customers became more influ-
ential and powerful with the capacity of simultaneous and real-time com-
munication with the brand. They increased the level of their voices with the
use of brand communities more effectively by just being online everywhere.
Mobility was connecting more people in different geographies for advocating
the same cause, defending their rights or searching for an adjustment for the
misuse of any product and service.
Following this movement, social–local–mobile (SoLoMo) was the newest
form of mobile-centric and socialised customer informing about local preci-
sion of services. As claimed by Çobanoğlu and Kesici (2014, p. 159),
SoLoMo enables companies/brands to provide the right offers at the right time, at the
right place to the right customers via mobile devices by melting mobile marketing activi-
ties, location based services and social media in the same pot. Thus, targeted marketing
activities can be fulfilled with a well-spent budget.
at the enterprise level from top to bottom, injecting this into the mindset of
organisation as a culture for survival. This discussion takes us to the frontiers
of marketing and technology diffusion in the following part of this chapter.
became more open to the use of multiple data sources from image processing
of visual recordings in store to post-purchase trails left in mobile shopping.
Thus, with the explanation of flow of shopping process, made in each decision-
turning point of customer, to be redesigned of the total AIDA model towards
increasing the satisfaction or focusing on the overall experience with the brand.
On this path, the next invention would be the using of these real-time feeds,
added by semantic social web and the İnternet of Things into machine-learning
to derive decisions of keeping customers more satisfied, and therefore more
loyal, in association with all physical and virtual experiences with the brand.
CONCLUSION
The importance of a theory comes from its power of expansibility into dif-
ferent perspectives for understanding matters of the universe. In this perspec-
tive, the theory of ‘marketing myopia’ (Levitt, 1960) explains the problem
about how industries are managed by selling rather than marketing, by which
the needs of customers are more in focus. This mistake relates to the foresight
width of management for understanding changes and defining the areas to
concentrate for keeping or increasing the revenue. A permanent evolution
of brands is only possible with a broader definition of industries for their
proposed values to have more advantages for growth. In this chapter, this
challenge was addressed by different stages of marketing and technology con-
vergence. A solution is discussed based on service-dominant logic of mar-
keting (Lusch & Vargo, 2006) with the use of ‘customer’s advisory’ from all
responses collected from virtual and physical mediums, together with effecting
factors of change.
Integrating customers into the innovation process lowers the barrier to
adopt change. Prahalad and Ramaswamy (2000) suggest that companies
have to recognise that customer is becoming a partner in creating value, and
need to learn how to harness customer competence. According to McCosh,
Smart, Barrar, and Lloyd (1998), the company must be close to its custom-
ers, partly to respond to their expressed needs, so that it can work out what
they want in the future. Matthing et al. (2004) suggest that the value of cus-
tomer involvement in new service development resides in the opportunity
to facilitate proactive learning about the customer, and to understand and
anticipate latent customer needs. In order to make this work, the most criti-
cal for researchers was e-commercialisation. It was an unexpected speed of
improvements for classical marketing theories to have the chance of practical
tests by the data collected through trails of customers left in websites, mobile
404 MUSTAFA ÖZGÜR GÜNGÖR
applications and their social web. Today, this type of data is to be drilled
down and added to the mindset of any organisation dealing with a large
number of consumers.
Engagement with customers for facilitation of innovation by developing
collaborative knowledge about products and services gains importance. This is
also a significant marketing competence of successful companies which could
be characterised as innovation-oriented organisations. Machine-learning
methods, such as classification, regression, clustering and cross-validation,
are powerful tools used with big data mining for large databases and give
researchers opportunities to gain new insights into consumer behaviour.
There are many practitioners in this domain, both from the academia and the
business world, and increasing number of initiatives and many research com-
panies trying to solve more problems, which are becoming epidemic, in giving
meaning to all forms of unstructured data flooding e-commerce pipelines,
social media, mobile applications, gamification platforms and overloaded
content generation.
The accuracy of prediction and interpretation of results for different cases
by just using computational power is another important complementation
for better decision-making. From this perspective, the focus of innovative-
ness to remain competitive pushes firms to develop new perspectives in con-
sumer behaviour analysis, whereby ‘customer’s advisory’ is the core to pull
this stakeholder group to the process of creativity with additional power of
machine-learning that leads to detailed analysis of consumer decision-mak-
ing processes. Moreover, it also becomes possible to make predictions about
consumer behaviour by reading the mind of consumer through these models.
Customer consciousness is made up of a web of complex events, anticipa-
tions and collection of messages about brands which deliver many services.
Although it is hard to model this exactly, machine-learning techniques and
big data are promising the future to make it more productive as a driver of
innovation.
Many of the factors driving emerging economies are similar to Turkish
markets and are explicitly discussed in the Global Information Technology
Report. Enriquez et al. (2015, p. 62) as a conclusive point have also stated that
‘Governments may consider how to support this group so that they become
part of the Internet society and benefit from projected growth’. Therefore,
it is not only the people, academicians and businesses of any country that
are responsible for making use of technology for growth but governmental
actions are also critically important to support this perspective. These actions
include increasing the quality of the educational system, judicial independ-
ence, ease of venture capital availability, having better management schools,
Marketing and Technology Directives in Consumer Life 405
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SECTION 9
DELIGHTS OF THE TURKISH
MARKET
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CHAPTER 9.1
WHEN DELIGHTS TURN BITTER:
CONSUMER RESISTANCE IN
TURKEY
Melike Demirbag-Kaplan
ABSTRACT
Consumer resistance has been a popular research area in the previous dec-
ades, and concepts such as boycotting, brand avoidance, voluntary simplic-
ity and anti-consumption appeared to be hot topics in exploring the ways
the consumers resist market dominance in the postmodern culture. However,
research on this topic in the Turkish (and partly Eastern) context is very
limited, inhibiting our understanding of the topic in different economic and
cultural settings. Through a comprehensive discussion that provides institu-
tional-, structural- and community-level perspectives relating to consumer
resistance phenomena in Turkey, a developing country with historical and
cultural roots in both the East and the West, the chapter intends to equip
scholars and practitioners with a better insight to conceptualise this phe-
nomenon as well as to formulate further studies and marketing strategies.
Keywords: Consumer resistance; anti-consumption; boycotts; Turkey
INTRODUCTION
Consumer resistance has been of significant interest for researchers for at least
two decades not only because it offers a novel lens to explore consumption
dynamics in a postmodern marketing environment, which is characterised by
significant shifts in power relations, but also due to the fact that a variety of
forms of resistance have the potential to severely damage the reputation and
brand image of the target business, to impede its strategic objectives and even
to drive the organisation out of a particular segment or market. This chapter
addresses consumer resistance in the Turkish context by providing a multi-
tude of perspectives to explore the antecedents, performance and outcomes
of resistant behaviour in an emerging economy.
The importance of investigating consumer resistance in Turkey lies in two
dimensions relevant for a broader debate over resistant ideologies. The first is a
practical purpose, in which I will try to summarise the history of resistant behav-
iours in the Turkish marketplace that will also serve as a timeline to understand
the evolution of consumer mindset in recognising the individual’s own power in
initiating change. The second contribution arises from a more theoretical debate
that focuses on the socio-cultural context in which these behaviours occur, par-
ticularly shaped by political ideologies that represent the polarised society of
Turkey (and to some extent the Middle East) in the wake of the millennium, with
a potential to stream the discussion of consumer resistance into a channel that
essentially differs from that of Western experiences.
With these considerations in mind, the chapter is organised as follows:
I will first deliver a brief introduction on the concept of consumer resist-
ance and provide a clarification on interrelated, overlapping or misused
conceptualisations, such as anti-consumption and boycotting, from the
recent literature on the topic. The review section will then delve into the
nature of consumer resistance utilising the continuum approach (Fournier,
1998), providing information on the forms of mobilising anger and frustra-
tion at each step, such as complaints, boycotts, culture-jamming or anti-
brand communication, as well as delineating between several dimensions
that might be present, such as active versus passive, or individual versus
collective resistance.
Obviously, such a discussion is indispensable for motivational factors
that lead to resistant behaviours. In this context, in addition to the factors
that are widely acknowledged in (mostly Western) literature, the chapter will
try to explore and present the dynamics that are unique to the Turkish con-
sumptionscape in facilitating consumer resistance towards particular brands.
This section will therefore focus on how demographics, cultural macro- and
When Delights Turn Bitter: Consumer Resistance in Turkey 413
BACKGROUND
Consumer resistance is defined as ‘a motivational state leading to variable
manifestations of opposition and which is triggered by certain factors linked
to corporate behaviours and marketplace practices’ (Roux, 2007, p. 69), and
arises when a consumer opposes ‘the culture of consumption and the market-
ing of mass-produced meanings’ (Peñaloza & Price, 1993, p. 123) by reacting
to a particular brand, organisation or any norms and devices that are con-
sidered to signify a system of market domination (Cherrier, Black, & Lee,
2011). In this context, consumer resistance is a broad domain that encom-
passes a wide range of practices from active behaviours, such as boycotting
or voluntary simplification, to more passive ones, such as avoidance of a par-
ticular brand, a product or a product category in general (Hogg, Banister, &
Stephenson, 2009; Close & Zinkhan, 2009).
Scholarly interest in consumer resistance is rooted in consumer activism,
which became quite widespread, especially among hippie groups in the late
1970s, but it was only by the 2000s when the scope of the domain dramatically
expanded, as consumers became much more aware of the negative effects of
consumerism on global economics, politics, cultures and the environment, and
started to take part in various movements and groups such as Buy Nothing
Day, Anti-Valentines, PETA, Voluntary Simplification or CittáSlows. In par-
allel, there has been a growing body of scholarly works to cover such a variety
of practices, particularly in the last decade; however, the predominant focus is
still on one specific form of action, that is boycotting behaviour (Chalamon,
2011). Disproportionate attention devoted to boycotts as if it encompasses
the ultimate manifestation of consumer resistance, unfortunately gives rise to
414 MELIKE DEMIRBAG-KAPLAN
AVOIDANCE BEHAVIOURS
To begin with, some consumers may adopt a relatively more passive attitude
in reacting to market forces and resort to avoidance behaviour in favour of
alternative products or brands. Brand avoidance is a special form of reaction
to consumerism, in which individual concerns for consumption of target-
specific brands or products (Iyer & Muncy, 2009), including public goods
When Delights Turn Bitter: Consumer Resistance in Turkey 415
• Brand avoidance (e.g. Lee, • Downsizing & Voluntary • Consumer boycotts (e.g.
Motion and Conroy, 2009) simplicity (e.g. Elgin and Friedman, 1985)
and services, which are offered for free (Demirbağ-Kaplan & Kaplan, 2011).
According to Lee et al. (2009), brand/product avoidance of this type may
stem from three main reasons: The first of these is the avoidance behaviour
that occurs as a result of a negative experience with the performance of a
product or a brand, and is therefore called experiential avoidance. This type
of avoidance is more in line with the classical studies of consumer resistance,
such as asserted by Hirschman (1970) that consumers would try to make their
dissatisfaction known (voice), switch the brand for other alternatives (exit)
or remain passive and keep on buying the brand (loyalty). Another form of
experiential avoidance may occur when the consumer perceives the brand to
a lack of utilitarian value/worth to the consumer, even before using it, which
is labelled as deficit-value avoidance (Lee et al., 2009).
Secondly, individuals may refuse to consume a product or brand, as they are
concerned with an identity conflict. In other words, if the product is attributed
to an undesirable identity symbol or with a negative reference group, brand
avoidance can occur (Englis & Solomon, 1995; Hogg & Banister, 2001), and
the consumers would refuse to consume the brand because they actually reject
the identity attached to it. Finally, it may be the case that consumers reject a
416 MELIKE DEMIRBAG-KAPLAN
product or brand based on their moral and ideological stances (Kozinets &
Handelman, 2004). Named as moral avoidance, this may result from a reaction
towards company’s policies and strategies (for instance, in the 1990s, the global
boycott campaign of Nike after the company was known to employ children
in the Third World) or a hostility towards country of origin of the product (for
example, Coca-Cola boycotts based on anti-Americanism). Similarly, consumer
judgements that are based on the idea that foreign purchases are not compat-
ible with patriotic or religious values can lead to moral avoidance (Klein, 2002;
Lee et al., 2009; Sandıkcıi & Ekici, 2009). Over-commercialism of a brand and
ill-favoured marketing efforts, involvement of a company in unethical busi-
ness, or any action that is perceived to disrespect human, animal and environ-
mental rights may be considered as other reasons (Demirbağ-Kaplan, Atik, &
Gürkaynak, 2011; Friedman, 1985; Micheletti, 2003). Moral avoidance may
also overlap with voluntary simplicity, behaviour and identity avoidance
(McDonald, Oates, Young, & Hwang, 2006).
MINIMISATION BEHAVIOURS
Apart from avoiding a target product or brand, consumers may choose to
resort to minimising consumption in a variety of ways. In this regard, volun-
tary simplicity, which refers to a lifestyle of minimal, ethical and ecological
consumption, is probably the most studied consumer resistance behaviour.
Voluntary simplifiers are ‘individuals who have freely chosen a frugal, anti-
consumer lifestyle that features low resource utilisation and low environmen-
tal impact’ (Mcdonald et al., 2006), which is based on material simplicity
(non-consumption-oriented patterns of use), self-determination (desire to
assume greater control over personal destiny), ecological awareness (recogni-
tion of the interdependency of people and resources), human scale (a desire
for smaller-scale institutions and technologies) and personal growth (a desire
to explore and develop the inner self) (Elgin & Mitchell, 1977, p. 5). According
to Leonard-Barton and Rogers (1980, p. 28), it is ‘the degree to which an indi-
vidual consciously chooses a way of life intended to maximise the individual’s
control over his own life’, and may be characterised with behaviours such as
abandoning luxury and frills, preferring natural and simpler products and
consuming as less as possible (Elgin, 1981; Shaw & Newholm, 2002).
Coping strategies, on the other hand, refer to an individual’s implementation
of particular tactics to thwart the influence and persuasion attempts of the
marketers, with possible aims to struggle with, to oppose or to delay them
When Delights Turn Bitter: Consumer Resistance in Turkey 417
(Fournier, 1998). Roux (2007) states that this reaction is initiated as the
consumers perceive the influencer and/or the elements of influence to be
incongruent with individual aspirations for freedom of choice, autonomy in
decision-making and willingness to cooperate or not with a market partner. To
this aim, consumers may develop a variety of understandings and behaviours
to combat and minimise personal interaction with market elements that they
perceive to be manipulative, such as advertising campaigns, commercial offers,
sales techniques and store atmospherics and brands (Banikema & Roux, 2014).
Minimisation behaviour can also come in the form of creative and reflexive
resistance to consumption, where consumers may elaborate on alternative ways
of engaging with the market in order to regain their sovereignty (Holt, 2002).
As Arnould and Thompson (2005, p. 871) note: ‘The marketplace has become
a pre-eminent source of mythic and symbolic resources through which [con-
sumers] construct narratives of identity… [where they not only] actively rework
and transform symbolic meanings’, but also engage in everyday practices using
‘marketplace cultures [to] define their symbolic boundaries through an ongoing
opposition to dominant lifestyle norms and mainstream consumer sensibilities’
(Arnould & Thompson, 2005, p. 874). In doing so, the authors conclude, consum-
ers develop creative and sophisticated ways in order to frequent their channels to
resist the market place ideology. Some examples include online communities for
modifying commodities, such as cars, pharmaceutical products, furniture and
works of art (Hewer & Brownlie, 2010; Nakajima, 2012; Sawhney, Verona, &
Prandelli, 2005;). Such ‘craft consumers’ (Campbell, 2005), who strive to play
an active role in producing and crafting the things they consume, can be increas-
ingly found in Do it Yourself (DIY) communities (Orton-Johnson, 2014), IKEA
hackers (Koniorczyk, 2015), consumer food co-ops and community-supported
agriculture (Renting, Schermer, & Rossi, 2012), second-hand markets (Guiot &
Roux, 2010) and collaborative consumption and sharing practices (Belk, 2014).
Not surprisingly, social media platforms play a dominant role in enhancing the
transformation of consumers into prosumers, crafters and innovators by offering
new dimensions and qualities of interactivity (Kozinets, Hemetsberger, & Schau,
2008; Napoli, 2010).
ACTIVE REBELLION
Consumer resistance in its most active and collective form is achieved in the
final end of resistance continuum, which is usually labeled as active rebel-
lion. The most common and therefore widely studied form of active rebellion
418 MELIKE DEMIRBAG-KAPLAN
(Fournier, 1998), cynicism (Dobscha & Ozanne, 2001), need for self-expression
(Gould, Houston, & Mundt, 1997) and need for uniqueness (Austin, Plouffe, &
Pander, 2005), in addition to several demographic variables, such as educa-
tional level and age (Friestad & Wright, 1994), are also well studied in the lit-
erature. Moreover, actual and possible consequences of consumer resistance
appear to be another important stream of research in this domain, focussing on
the effects of firm performance, brand image and reputation, consumer percep-
tions of marketing claims, alternative modes and channels of consumption and
how the market actors react to these changes.
As detailed in this review, an overwhelming majority of these studies are
carried out in Western contexts, that is, in developed markets and democra-
tised societies, where the experiences and practices of resistance are much
more institutionalised on political, social and economic scales. A study on the
practices of consumer resistance in less developed and democratised econo-
mies therefore stand as a new channel with the potential to provide novel
insights into the topic. To this aim, the next section provides a selection of
consumer resistance stories from Turkey, a developing country with historical
and cultural roots in both the East and the West, yet differing from both in
several economic, social and political aspects.
The first consumer boycott that attracted a wide participation was held
against Coca-Cola and Pepsi in 1990, and had an economic character. Due
to fierce competition between Coca-Cola and Pepsi over the Turkish market,
both companies had to cut their prices in the previous years, which became
economically unsustainable and followed by a 100% increase in price in the
Spring of 1990. This sharp increase caused a very unfavourable reaction in
the market, particularly on the side of retailers who asked for a proportion-
ate increase in profit margins, a demand which was turned down by the cola
companies. In return, retailers organised a boycott, refusing to sell cola prod-
ucts, which immediately expanded to restaurants, cafes, pastry shops, school
canteens and touristic businesses. With the support of retailer and consumer
associations, the boycott gained a new perspective to include all exported
products. On May 4, 1990, a congress was held in Ankara, and Cemal
Tarcan, the vice president of the General Confederation of Tradesmen and
Craftsmen of Turkey, sent the following message to all members: ‘The right-
ful resistance initiated in Izmir in order to protest the arbitrary price increases
and unfair practices of foreign producers is supported with all means’. The
boycott was reinforced with protests and events all around the country, such
as members of the Socialist Party burning exported cigarettes and spilling
cola down in the streets, and consumer associations distributing ice sherbets
for free in open markets with the slogan ‘Farewell to Cola, hello to sherbet’
(Cumhuriyet, 1990). The boycott ended within a few weeks, as the companies
agreed to decrease their prices and increase retailer margins.
In less than a decade, Turkey entered a new phase of consumer boycotts,
which were mainly sparked due to political tensions. In 1998, a boycott
against Italian companies and products was triggered shortly after PKK
leader Abdullah Ocalan fled from Syria to Italy and was taken into police
custody in Rome, but the extradition demand by the Turkish Government was
not accepted by the Italian Government. While the political tension between
two countries escalated, several trade unions and associations, including
The Union of Chambers and Commodity Exchanges of Turkey (TOBB),
launched a boycott of Italian products. The boycott included raising con-
sumer awareness for not buying products and brands of Italian origin, the
decision of the Turkish Federation of Merchants and Retailers, representing
1,50,000 stores, ‘not to sell’ Italian products, and TÜRSAB Association of
Turkish Travel Agencies to cancel all tourist tours to Italy. The result was an
economic loss of USD 1.2 billion on the Italian side in the first three months
of 1999; decreased passenger traffic between Turkey and Italy to a point that
Turkish Airlines and Alitalia stopped Istanbul–Rome flights for about three
months due to ‘no passengers’ (Vatan, 2006); and even Turkish companies
422 MELIKE DEMIRBAG-KAPLAN
with Italian-sounding brand names suffered harshly due to the boycott. For
instance, Bellona, a furniture company, had to make nation-wide newspaper
announcements, stating that it was founded on 100% Turkish capital, high-
lighting that ‘they are not an Italian firm as some may think, and never had
any links to any Italian firm or capital’, although the brand name may sound
so. Similarly, Italian–Turkish partnerships such as Türk-Pirelli Tires empha-
sised the fact in full-page ads in national newspapers that the protests actually
harmed Turkish workers employed by Pirelli and the Turkish economy in
general (Öğüt, 2011).
The impact of the Italian boycott was profound, leading to a fresh under-
standing in the collective memory that most international political crises
should be responded with consumer boycotts of the firms and products
of the target country beyond other legal and political measures. This, for
instance, became apparent every time the French Senate approved a draft law
criminalising the denial of the Armenian Genocide, leading to boycott calls
in 2001, 2006 and 2011 (Asbarez, 2001; Hürriyet, 2006; Hurriyet Daily News,
2011). Another frequent target for boycotts was Israeli firms, or the brands
that have apparent or alleged Jewish capital, following the escalation of ten-
sion between Turkey and Israel after events such as the Mavi Marmara inci-
dent in 2010 (Haberler.com, 2011), and the Israeli offensive against Gaza in
2014 (Daily Sabah, 2014). In all these boycotts, nationalistic and/or religious
character was quite intense, most of the time serving to consumers’ need to
express their ethno-religious identity. In the same manner, the boycotts were
generally short-lived, rather offering an avenue for consumers to outburst
their anger, as well as strengthening their belongingness with the social group
that defines itself with a particular political, religious or patriotic ideology.
Boycotting as an expression of socio-political identity developed into a new
form as a consequence of societal polarisation during the Gezi Events. The
events started as a peaceful sit-in at Istanbul’s Gezi Park in late May 2013 by a
handful of activists who demonstrated against an urban redevelopment plan
launched by the government. However, following the brutal police crackdown
on activists, it mushroomed into huge nation-wide protests against the ruling
party as well as its ideology and supporters. Boycotts and protests against
firms and brands were an integral part of the events, and followed a two-way
course: On the one side, there were protesters who boycotted firms and organ-
isations that refrained from helping activists or supporting Gezi, and on the
other, government supporters who boycotted the brands that were perceived
to be aligned with Gezi protesters. Boycotted firms broadly fell into any of
the following three categories. The first category included cafés, restaurants
or stores that were located on the sites of clashes, particularly Taksim area,
When Delights Turn Bitter: Consumer Resistance in Turkey 423
and either helped or refused to help the protestors. In this context, Starbucks,
Mado Patisserie and Kızılkayalar Hamburger Kiosk became the target of
protests and boycotts, as they did not let in injured protesters, or refused to
sell them food and drinks. On the other hand, Divan Hotel was boycotted by
government supporters because it provided the protesters a safe harbour. The
second category consisted of media companies, such as CNN Turk, NTV
and Haberturk, which received negative reaction for limited coverage of the
events, and perceived to be underrating the seriousness of Gezi. Finally, the
third category included companies which were not directly involved in pro-
tests; however, the public perceived that they either supported the government
or the protesters. Doğuş Holding, for instance, with all its affiliated compa-
nies, was boycotted by Gezi supporters, while Koc Holding and companies
became the target of protests of the ruling party and its followers. For both
groups, there appeared long lists of companies to be boycotted, which were
mostly circulated via social media. Some brands even appeared in both the
lists (Cengiz, 2014). While the economic impact of these boycotts is not fully
known, some recent studies have shown that the brand image of boycotted
companies was seriously damaged, leading to a decline in consumer prefer-
ences (Karaca, 2016; Okan & Yalman, 2013).
Besides the boycott that was strengthened by political identity, a variety
of other sensitivities also lead to consumer resistance in Turkey. For exam-
ple, sexist expressions that companies use in their marketing messages have
recently become a major cause of protests and boycotts. In 2015, Doğadan,
an herbal tea company, received a hostile reaction from consumers for their
advertising campaign titled as ‘What do women want?’, portraying women as
ever-complaining, conspicuously consuming and over-demanding individu-
als. The company immediately became the target of boycotts in the social
media, and had to withdraw the campaign with a public apology (Radikal,
2015). Koton’s depiction of children in sexy outfits outburst a similar anger in
2014 (Kıvanç, 2014). Again, very recently, Oysho, a Spanish clothing retailer
that is well known with its lingerie line in Turkey, was caught between two
fires when a group of consumers taut the company when the staff allowed
stray cats in the stores during cold winter nights. Photos of cats sleeping on
garments began to circulate in social media, unexpectedly giving rise to a
harsh reactions by others, accusing the company for not caring about the
hygiene and health of their consumers. A short-lived social media battle was
contested between the two groups, one protesting Oysho, using the hashtag
#oyshodanalışverişyapmıyoruz (We are not buying from Oysho), and the
other group praising the company and protesting the consumers who accused
the company (http://www.patiliyo.com/oysho-kedileri/ (2017)).
424 MELIKE DEMIRBAG-KAPLAN
Apart from boycotts, other forms of active rebellion are also on rise in
Turkey, particularly after Gezi, which broadened the understanding of the
power of alternative media in enhancing the accessibility of shocking repre-
sentations of the consumptionscape. Examples of culture-jamming have been
present ever since, such as #FakyuNükleer, which is a play on the billboard
advertisements of Akkuyu Nuclear Plant, the centre of a hot debate, the first
of its kind in Turkey.
As clearly seen in these examples, the advancement of Web 2.0 tools
increases the prevalence and impact of active rebellion practices, in a vein
similar to global experience (Kozinets & Handelman, 1998). Nevertheless, it
should also be noted that these boycotts and protests are generally short-lived
and far from inflicting an economic loss on the target company. In addition,
overall participation to such boycotts is limited, as a study by Çarkoğlu and
Kalaycıoğlu (2015) revealed that 68% of Turkish consumers had never par-
ticipated in a protest or boycott against a company for either political, ethical
or environmental reasons, and would not do so as they do not believe in the
effectiveness of such practices.
This being said, increasing connectedness of Turkish consumers with the
world has the potential to enhance rather passive or individual forms of con-
sumer resistance if not active rebellion. In this context, minimisation behav-
iours are growing steadily, most of the time organised around social network
platforms (Erdoğmuş & Karapınar, 2015). For instance, Facebook groups on
voluntary simplicity, permaculture workshops and agro-ecotourism, by which
the volunteers can spend some time to contribute and experience a ‘simpler’
and ‘productive’ life are increasing day by day. Some examples include https://
www.facebook.com/sadeyasamgrubu and TA-TU-TA Ecologic Farmyard
Visits Network (www.tatuta.org). These activities are generally organised by
associations that are devoted to anti-consumerist lifestyles, such as Yeryüzü
Association and Buğday Association for Ecological Living. DIY networks
are also becoming very popular, again utilising social media networks for
sharing information, communicating with members and organising activities
and meetings. Of such networks, DIY Türkiye is very active on Facebook and
YouTube, and Makers Türkiye provides a vast network for students, teachers,
designers, engineers and other interested parties to come together to share
DIY projects, as well as organising workshops, training programmes, confer-
ences, fairs and contests, with around 50,000 followers on Facebook.
Finally, avoidance behaviours that represent consumer resistance on a
rather individual scope are also commonplace, although research on these
behaviours is limited in the Turkish context. Of those available, reasons
behind brand avoidance in Turkey emerges as the focus, and the studies
When Delights Turn Bitter: Consumer Resistance in Turkey 425
conclude that the dynamics stated in the present literature similarly prevail
for Turkish consumers (e.g. Demirbağ-Kaplan, Atik, & Gürkaynak, 2011;
Sandıkcı & Ekici, 2009; Ventura, 2013).
DISCUSSION
This chapter addresses consumer resistance in the Turkish context by draw-
ing from a variety of cases that happened in the recent decades. The cases
presented in this chapter were intended to provide an outlook on the ante-
cedents, acts and outcomes of resistant behaviour in an emerging economy,
and to explore as to what extend these are similar to the experiences of the
West, which has been surveyed to a great extent over the past few years. In the
light of these cases, several important remarks can be made with regard to
consumer resistance in Turkey.
First, it is important to note that resistant practices in Turkey as a reaction
to escape from the dominance of the market are almost nonexistent before
the 1980s, with records of only a few instances in this respect. This may be
attributed to several reasons, including a period of harsh economic and social
turmoil that the country endured after the foundation of the Republic in 1923,
and the choice of a state-led close economy until the mid-1980s. The transfor-
mation of the economic model into a market-oriented economy by this time
not only increased the availability of Western goods and services but also
played a role in enhancing Western-style consumption and consumer roles.
Therefore, it is not surprising that practices of consumer resistance began to
pace around this period, particularly in the form of consumer boycotts.
Another finding is that consumer resistance bore a character that devel-
oped on patriotic and religious identities, which most of the time run parallel
to political orientation. In this context, it was collectivist sensitivities that
rather triggered participation in resistant behaviours. Again, this ties well
into the highly collectivist culture of Turkey, which has been lagging behind
its Western counterparts in democratisation, liberalisation and individualisa-
tion processes. The prompting role of unions and associations in these cases
might also be considered in a similar vein. At this point, the Gezi Events
of 2013 might be considered a milestone, which highlighted the demands of
Westernised young masses to become a part of the say in Turkey’s future,
including their roles in the Turkish consumptionscape, which were assumed
but designed to be rather passive until then. Along with the capabilities gen-
erated by the new media, consumer resistance took a new turn after this
event in both character, i.e. as an avenue of expressing more individualistic
426 MELIKE DEMIRBAG-KAPLAN
sensitivities, values and lifestyles, and form, i.e. new ways of resisting the mar-
ketplace besides consumer boycotts. The impact of social media networks
became quite profound in creating awareness and promoting alternative con-
sumer identities, as well as shifting power from the market to consumers in
equipping them with novel methods to resist market dominance, such as vol-
untarily simplistic lifestyles, DIY networks, culture-jamming and brandalism
(brand vandalism).
On a final note, it should be mentioned that research on consumer resist-
ance in Turkey lags behind what actually happens in the market. A keyword
search on Scopus, utilising consumer resistance, boycott, animosity and
avoidance and ‘Turkey’ gave only six results, of which three were on boycott-
ing behaviour, in addition to 11 papers that focussed on ‘consumer ethnocen-
trism’ and ‘Turkey’. The results are discouragingly similar on the Dissertation
Database of Turkish Higher Education Council (YÖK Tez Merkezi), with
only two graduate theses and a PhD dissertation on the topic, which all
were written after 2016. Nevertheless, this also signifies the existence of vast
research frontiers that could be explored in the future studies with regard to
dynamics and consequences of consumer resistance in Turkey.
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CHAPTER 9.2
THE MYSTIQUE OF LUXURY
PRODUCTS
Meltem Kiygi-Calli
ABSTRACT
number of tourists from nearby regions, Central Asia and Arab countries
come to Turkey to buy luxury branded products and services.
Keywords: Luxury products; luxury marketing mix; counterfeiting;
premium products; masstige products
INTRODUCTION
Fine Feathers Make Fine Birds (English proverb).
LUXURY PRODUCTS
The definition of luxury products covers different products. Luxury products
are differentiated according to market segments as luxury products, services
and real estate, branded versus unbranded luxury products, private versus
public luxury products, B2B versus B2C luxury products, founder-independ-
ent versus founder-dependent luxury products, uni-regional versus multi-
regional luxury products and contemporary luxury products versus luxury
antiquities (Heine, 2012).
434 MELTEM KIYGI-CALLI
Luxury products, services and real estate: Luxury services and real estate
are distinct luxury segments.
Unbranded luxury products: These are products which are made by crafts-
men. This chapter considers only branded luxury products.
Private versus public luxury products: Most of the time the term ‘luxury
product’ refers to private luxury, which is owned by a person or a private
organisation. Public luxury may refer to national monuments or alter pieces
(Heine, 2012).
B2B versus B2C luxury products: B2C luxury products refer to personal
luxury products which are used by end consumers in their daily life. There
are also luxury-specialised suppliers who supply industrial products to firms.
Founder-independent versus founder-dependent luxury products: The manu-
facturers of luxury products should possess a distinct brand personality. An
artist could become a brand as he or she may only create founder-dependent
products. The luxury art market is a distinct luxury segment. This is also true
for other industry segments such as (fashion) designer products.
Uni-regional versus multi-regional luxury products: Uni-regional luxury
products are only available in specific regions.
Contemporary luxury products versus luxury antiquities: Contemporary
luxury products are new products. An antique car might be an example of
luxury antiquities.
In addition, luxury products are also categorised as personal versus impersonal
luxury products, publicly versus privately consumed luxury products, accessible
versus exceptional luxury products, unique pieces, limited editions, expanded-
diffusion products and conspicuous versus understated luxury products.
Personal versus impersonal luxury products: Consumers use personal luxury
products to manage their self-image and build up a personal connection with
these products (Heine, 2012). Examples of personal luxury products might
be glasses and watches. Examples of impersonal luxury products might be
bathroom equipment and garden furnishing.
Publicly versus privately consumed luxury products: Publicly consumed
products such as cars are visible to others. On the other hand, products such
as home entertainment systems are privately consumed products because
other people cannot see them unless the owner of the product permits it.
Accessible versus exceptional luxury products: Some luxury products, such
as perfumes or high-end cosmetics, can be affordable for many income lev-
els. These kinds of products are called accessible luxury products. But some
luxury products are privileged to a small number of people.
Unique pieces, limited editions, expanded-diffusion products: The products
in these categories are the nirvana of the luxury segment. These products are
The Mystique of Luxury Products 435
Consumers who have lower spending power can afford to buy fewer luxury
products for purposes such as using the product and being recognised by
wealthy people (Husic & Cicic, 2009).
Product Policy
In the market, the marketing strategies for luxury goods are specified depend-
ing on the segment. One of these strategies is improvement of iconic products,
which typify the brand signature (Fionda & Moore, 2009). Chanel N°5 perfume
is one example of iconic products (Heine, 2012). These are undeniably real works
of art. The logic behind the improvement of iconic products is to certify their per-
fection and to improve the luxury brand image of the company, which also trig-
gers the consumer’s willingness to buy other products that the company supplies.
According to Heine (2012), ‘Luxury brands are regarded as images in the
minds of consumers that comprise associations about a high level of price,
quality, aesthetics, rarity, extraordinariness and a high degree of non-functional
associations’. Companies build their brands to differentiate their products in
the eyes of targeted consumers by creating an image in their minds that identi-
fies the product. A luxury brand should be evaluated through characteristics
such as price, quality, aesthetics, rarity, extraordinariness and symbolism.
Price Policy
The snob effect – perceived unique value. Snob consumers consider price as
an indicator of uniqueness and prevent using popular brands to experi-
ment with inner-directed consumption.
The bandwagon effect – perceived social value. Compared with snob con-
sumers, bandwagon consumers consider price as a less important factor for
indicating prestige, but they give more importance to the effect they have
on other people while consuming prestige products.
The hedonic effect – perceived emotional value. The main aims of Hedonist
consumers are their own emotions and satisfaction. Thus, they will attach
less importance to price for indicating prestige.
The perfectionism effect – perceived quality value. Perfectionist consumers
trust their own thoughts on the quality of products, and may consider price
as another indicator of quality.
Luxury brands take advantage of the Veblen and snob effect: the more
expensive the price, the better the Veblen customers can show their wealth
and the better snobs can show off their status because only a small group of
people have the spending power to buy these products (Vigneron & Johnson,
1999). Furthermore, this method triggers consumers into buying quickly.
It also guarantees the durableness and value of luxury goods. For exam-
ple, for porcelain and wristwatches, like several other luxury product types,
it is known that the value of the product increases with time. That makes
some customers buy these goods primarily as an investment. Alongside their
real price, it is really important for brands to associate their products with
very high prices in the minds of customers. Thus, they put some really very
expensive products on the market. These expensive products are the ones
with the highest prices in their class, and in this way they attract some atten-
tion and respect. Nevertheless, for many luxury brands, the highest share of
revenue comes from less expensive products such as accessories (Kapferer &
Bastien, 2009).
The superlative pricing method has some disadvantages as well.
Firstly, high prices make a product economically unavailable for large
numbers of consumers and there is also a level that makes the product
inaccessible for almost everyone. Besides, prices are also associated with
real product excellence. If the price becomes illogical for the value of
the product, the brand becomes more attractive for Veblen and snob
customers. But this attractiveness does not provide a loyal customer
base, because the high pricing method can always be copied (Kapferer &
Bastien, 2009).
The Mystique of Luxury Products 439
Distribution Policy
Communication Policy
Different luxury product producers believe that the consumers of these prod-
ucts are from the upper-income classes. Hence, the managerial practice of
luxury product companies is mainly based on this assumption (Dubois &
Duquesne, 1993). For example, media planning gives primacy to ‘luxury
440 MELTEM KIYGI-CALLI
store’ publications (e.g. Vogue) (Husic & Cicic, 2009). Additionally, their
stores are placed in first-class locations.
Unlike mass-market brands, an increase in the awareness of luxury brands
does not necessarily lead to growth but rather to a decrease in demand.
Increasing awareness attracts bandwagon consumers who buy luxury prod-
ucts primarily because their role models do so. But this situation disturbs
the original consumers who buy these products to separate themselves from
other consumers (Leibenstein, 1950). Because of this reason, making invest-
ments in brand awareness can result in reduction of product benefits for indi-
vidualistic clients. There are more appropriate communication methods for
reputable brands such as direct marketing and particularly private activities.
However, bulk mail or television advertisements are not favourable marketing
methods for reputable brands (Belz, 1994).
On the other hand, major brands try to achieve maximum brand aware-
ness beyond their target group. To do this, they apply more widely used and
even aggressive methods for communication (Kapferer & Bastien, 2009).
Advertising in magazines and sponsoring can be counted as typical market-
ing activities of star brands. Several luxury fashion brands consider catwalk
shows as an important communication tool for promoting the prestige of
the brand. Celebrity endorsement and public relations are some of the other
general communication tools (Fionda & Moore, 2009). For instance, Italian
luxury brand Versace used Madonna, Demi Moore and Halle Berry in its
print advertisements (Okonkwo, 2006).
(Heine, Phan, & Atwal, 2016). The factors that may affect the perception of
authenticity may change from culture to culture.
There are varied viewpoints regarding authenticity. These are ‘pure
authenticity’, ‘approximate authenticity’ and ‘moral authenticity’. Pure
authenticity includes ‘an ongoing loyalty to traditions and the place of
origin’ (Beverland et al., 2008). An example of this would be a company
that started producing a product a long time ago, and through protecting
its traditions ensures that the product has remained basically the same as
its original form. In approximate authenticity, the condition rendering an
object authentic is ‘if it resembles historical significations’, which is based
on the clients’ memories of how things ought to be (Beverland et al., 2008).
An example of approximate authenticity is where a company which had
started producing a product a long time ago continues its traditions, devel-
ops the product and improves production procedures but nonetheless the
product sold today still resembles the original. In moral authenticity, cli-
ents who are searching for moral authenticity are more concerned about
purposes, means and ends rather than traditions in brands that are genu-
ine in their intentions. These companies create products not just to satisfy
customer desires or for financial reasons but because they have an intimate
belief in what they do. They are motivated by ambitious creators who are
involved in every possibility and love their jobs. Consequently, this results
in limited production. Therefore, the contrast of moral authenticity must be
with mass production. For instance, Château d’Yquem, which is located in
Bordeaux, is one of the world’s most famous vineyards. Château d’Yquem
is a luxury wine brand. The statement ‘Château d’Yquem Lur-Saluces’ is
written on every bottle of Yquem (Heine & Petersen, 2015).
Ermenegildo Zegna and Burberry also have stores in Istanbul (Paton, 2015).
Several famous names have opened their outlets in the Western-style shopping
malls: Kanyon, Akasya Mall and Zorlu Centre. In April, Soho House (see Fig. 2),
a private members’ club for creative people, with a London origin, opened an
outpost in the same place as the former American Consulate. The building is a
19th-century palazzo and has been restored to have baths, a Cowshed-brand spa
and a pool at the rooftop from where Golden Horn can be seen (Paton, 2015).
Both in and around Turkey, due to fluctuations in political and economic areas,
the tourist activities and local consumption have shown a small decrease. Many
brands had high appetite to have a footprint here. But because of these reasons,
political and economic fluctuations, are now cutting back a bit.
Istanbul is a trend-maker city full of young, educated and technologically
informed consumers. It is now a destination of many international travel-
lers. These travellers have brought many labels such as Tom Ford, Salvatore
Ferragamo, Michael Kors and Harvey Nichols to Turkey (Paton, 2015). Most
of the time, Western brands have served for powerful local companies or joint
venture operators. In 2014, boutiques in coastal resorts were badly affected
when the European Union and the United States imposed sanctions on Russia
because of its military intervention in Ukraine. But many retailers in Istanbul
said that traffic from Central Asia and the Persian Gulf has never been that
strong. Visitors from nearby regions are highly influenced by Turkish TV
series, which lead them to spend more time in Turkey. The total expendi-
ture of these visitors is about 20% of the retail consumption (Gehaney &
Bigan, 2014). For instance, between 2008 and 2010, Aşk-ı Memnu (Forbidden
Love), which is one of the most successful TV series, was broadcast in Turkey.
Afterwards, it was sold to foreign TV channels and was broadcast in different
countries such as Iran, Pakistan, Bulgaria, Israel and Ukraine (Real Estate
News Turkey, 2016).
Foreign luxury brands, just like local luxury brands, are eager to centralise in
place where the visitors are more sophisticated and where a wealthier Turkish
population is present. Many people looked to the West for imaginative inspira-
tion. But Turkish national identity and design heritage are displayed in Turkey
and there is an increasing appetite for these products. Local designers say that
craftsmanship, which contains traditional materials, colours and styles, has
caused a significant increase in demand coming from foreigners and those
closer to home. Luxury brands have become more accessible for the Turkish
upper-middle class and these people are eager to know and wear them. They
are curious and keep following trends, fashions and styles from all around the
world. Luxury tourism is another fast-growing division of the luxury industry.
In recent years, Turkey achieved a positive reputation for being an attractive
point for luxury tourism, especially for people from Arab countries.
Turks love to consume luxury products, especially in the cosmetic, fashion
and food industry. The world’s leading luxury brands struggle with counter-
feit products in the market. Maybe because of the gap in laws, the counterfeit
branded luxury product industry is also huge in Turkey. Fake products, which
are produced in Turkey, cannot be distinguished from the original branded
products. Consumption of counterfeit products means breaking the laws, and
this also increases arguments about ethical issues and concerns (Garcia-Ruiz &
Rodriguez-Lluesma, 2014).
Brands are also searching for new approaches to enhance the brand–
client relationship by triggering the emotions and ‘personalising’ things. The
development of information network has increased the digital participation
of brands in order to know consumer preferences. In practice, this develop-
ment allows brands to aim communication on individual basis, to provide
privately prepared goods for each client, thus increasing customer satisfac-
tion levels and perceived product value – at least in theory. To promote digital
relationship, many high-street stores email digital receipts to their customers
and expect commitment from their customers while gaining control over cus-
tomer details.
While the consumption of traditional luxury goods and services is slowly
ending, a large number of studies claim that the world of luxurious expe-
rience has begun. Over time, it has been seen that all trends that influence
marketing, such as personalisation, environmentalism, social responsibility
industry and Internet of objects, deeply affect the luxury segment as well.
In this context, luxury brands have started to market luxury products pro-
duced by different production methods and all this directs customers towards
different consumption habits. First, there was a movement in the smart
watch category. Swatch, Fossil and Michael Kors cooperated with technol-
ogy giants such as Intel and Google, and launched new smart watch models
(Bloomberg, 2017). For example, Michael Kors, one of the most prominent
players in the luxury segment of bags and watches in Turkey, entered the
luxury and smart segment by embellishing models with precious stones and
using the Android Wear operating system in their products (VR World, 2015).
Turkish jewelry brand Atasay (2017) has invested in wearable technology and
brought together terms such as ‘smart, luxury and technology’ in the cat-
egories ‘Smart Jewelry’ and ‘Smart Business’. In the ‘Smart Jewelry’ product
category, there are necklaces, wristbands (see Fig. 3) and rings that contain
personal messages, videos and visuals on them. In the ‘Smart Business’ col-
lection, wrist pins and rings with personal information replace the printed
business cards (Atasay, 2017).
After smart watches, the famous pencil brand Montblanc made its pres-
ence felt in 2016 in the smart luxury segment with notebooks and pencil sets
named ‘Augmented Paper’. With the Montblanc Hub application, users can
transfer and share notes written with pencil to digital media by electromag-
netic resonance (Montblanc, 2017). Besides, products can recognise hand-
writings written in 12 different languages. In addition to these, Louis Vuitton,
which is one of the most important brands of the luxury segment, designed a
special suitcase from the lightweight yet extremely durable, high-tech material
for the hybrid vehicle BMW i8 (Louis Vuitton, 2017).
SUMMARY
Since the spending power of the middle-class population has increased, the
consumption of luxury products is expected to increase in the countries with
growing economies. In recent times, luxury goods are not only consumed by
the wealthy population but also by middle and upper-middle classes. There
are several important factors that cause actual increase in the consumption
of luxury products. Advertising luxury goods to the middle and upper-middle
class is one of the most significant factors. The data obtained from the mar-
kets of luxury consumption in Turkey and the rest of the world predict that
the luxury consumption made by upper-middle-class population tend to grow
with variations in their habits towards luxury products. Several luxury brands
have become more accessible, and therefore they have expanded their product
range (e.g. cosmetics, perfumes, etc.) and widened the brand portfolio of the
company.
450 MELTEM KIYGI-CALLI
In this chapter, definition of luxury and types of luxury products were dis-
cussed. Luxury products are differentiated according to market segments. In
addition, luxury products have their matchless characteristics and are classi-
fied in different ways. In the literature, some studies suggest that luxury prod-
ucts are categorised by considering the price and the production amount.
These categories were discussed in detail in this chapter.
The marketing management strategies of luxury consumption are differ-
ent than the marketing management strategies of mass products market. It
is not possible to apply the traditional marketing management strategies on
luxury consumption markets. In this chapter, the marketing mix elements,
which are product policy, price policy, distribution policy and communica-
tion policy, were discussed in detail. Moreover, authenticity in the luxury,
premium and masstige brands was examined. Furthermore, counterfeiting
in the luxury industry was also discussed. In addition, the luxury products
market in Turkey was examined. How the digital age affects the production
of luxury products and the consumption habits was also explored in this
chapter.
Turkey is a point of connection between East and West in both physical and
cultural ways, and its luxury market has a very high growth rate. In Turkey, with
increase in per capita income, number of working women, fashion knowledge
and brand interest, the luxury market continues to expand. Fashion, accessories,
jewelry and watches are the elements which make the highest contribution to
luxury consumption in the country. The number of female professionals having
higher income has increased, and its effect on the purchasing power of the house-
hold is substantial. The world’s major luxury brands have opened their branches
in Turkey, which is one of the growing markets. In the last seven years, luxury
brands have opened two or more new luxury shops in Istanbul. Based on these
observations, history and reputation of products are considered very important
by the Turkish consumers. In high-context countries, including Turkey, new prod-
ucts generally do not attain success if they have no international prestige.
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INDEX
Turkish brands, 5–6, 144, 157, 159, industry, 353–54, 356–57, 359–60,
192, 292–93, 300–301 362, 364, 367
Turkish consumer behaviours, 5, 115 in turkey, 353–55, 357, 359,
Turkish consumers, 5–6, 114–16, 126, 361, 363, 365, 367,
128–29, 132, 147, 150–51, 369, 371, 373
229–30, 238, 424–25 virtual reality (VR), 96
preferences of, 249, 260, 264 volume, import and production,
Turkish paint industry, 299–300 178–79
Turkish people, 41, 64, 68, 159, 167,
189, 228, 230, 240–41, women in turkey, 343
276–77, 282 Women’s day, 306, 310, 312
Turkish video game developers, 353, women’s issues, 305–9, 311–12,
355, 358, 366, 372 314–15
TV advertisements, 299–300, 303–4, WOMM. See Word-of-Mouth
307, 316–17, 357 Marketing (WOMM)
WoMMa, 324–26
User Generated Content (UGC), 204 WoMM campaigns, 333, 342, 345
Word-of-Mouth Marketing
video game, 354–57, 362, 367–70, (WOMM), 280, 321–25,
developer companies, 353, 355, 327, 329, 331–37, 339, 341,
364, 371 343–45
developers, 356, 361, 365, 367, world markets, 190
371–74 world population, 30, 398