Report On Technology Museum
Report On Technology Museum
Art museums. Also known as art galleries. They are spaces for showing art objects, most
commonly visual art objects as paintings, sculpture, photography, illustrations, drawings,
ceramics or metalwork. First publicly owned art museum in Europe was Amerbach-Cabinet in
Basel (Now Kunstmuseum Basel).
Encyclopedic museums. They are usually large institutions and they offer visitors a wide variety
of information on many themes, both local and global. They are not thematically defined nor
specialized.
Historic house museums. A house or a building turned into a museum for a variety of reasons,
most commonly because the person that lived in it was important or something important
happened in it. House is often equipped with furniture like it was in the time when it was used.
Visitors of the house learn through guides that tell story of the house and its inhabitants.
History museums. They collect objects and artifacts that tell a chronological story about
particular locality. Objects that are collected could be documents, artifacts, archeological
findings and other. They could be in a building, historic house or a historic site.
Living history museums. Type of a museum in which historic events are performed by actors to
immerse a viewer and show how certain events looked like or how some crafts were performed
because there is no other way to see them now because they are obsolete.
Mobile museums. Museums that have no specific strict place of exhibiting. They could be
exhibited from a vehicle or they could move from museum to museum as guests. Also a name
for a parts of exhibitions of a museum that are sent to another museum.
Natural history museums. Usually display objects from nature like stuffed animals or pressed
plants. They educate about natural history, dinosaurs, zoology, oceanography, anthropology,
evolution, environmental issues, and more.
Pop-up museums. Nontraditional museum institutions. Made to last short and often relying on
visitors to provide museum objects and labels while professionals or institution only provide
theme. With that is constructed shared historical authority.
Science museums. Specialized for science and history of science. In the beginning they were
static displays of objects but now they are made so the visitors can participate and that way
better learn about different branches of science.
Fig 4 shows possible massing concepts, and Fig 4 illustrates the three methods of expansion.
As in Metric (1999) explained, In any arrangement of exhibition spaces consider the problem of
orientation, at the entrance to the museum and at key decision points in the museum
information and visible clues should be provided to enable the visitor to grasp the organization
of the collections, the interpretive scheme, and the public services offered by the museum. Far
explained as the aim of orientation is not only easy understanding of the building layout but
more crucially to facilitate access to collections, information and museum services.
Fig 5 Genetic plans for exhibit and open-access storage areas: a Open plan; b Core + satellites; c
Linear procession; d Loop; e Complex: f Labyrinth, Metric (1999)
Note: A labyrinthine arrangement where the relationships between areas can be varied from
exhibition to exhibition by managing the public circulation, Fig 5 e.
1.5. Conclusion
The most thing to consider in designing a museum is you should aim to understand who your
target visitors are and what they want from the experience. The second point I have grasped is
you have to make the building a story teller, it should have a follow either by liner or circular or
other design orientation, it should have a follow from entrance to exit.
The third point is generally museums have two main purposes, and that those purposes are in
opposition to each other. On the one hand, preservation of artifacts is key. You have to
preserve the artifacts as much as possible this requires privacy, security, darkness and
immovability of the artifacts. On the other hand, most museums have a mission to make their
collections accessible to the public. This requires light, space, movement and activity. A
successful museum must serve both these purposes well.
Chapter Two- Case study
Fig 2.1 Exterior construction, German Museum of Technology Berlin, Trebbinerstraße 9, 10963
Berlin, C. Kirchner, DTMB (https://en.wikipedia.org/wiki/German_Museum_of_Technology#/media/
File:0106-01b_DTMB.jpg)
Deutsches Technikmuseum Berlin (German Museum of Technology) in Berlin, Germany is a
museum of science and technology, and exhibits a large collection of historical technical
artifacts. The museum's main emphasis originally was on rail transport, but today it also
features exhibits of various sorts of industrial technology. In 2003, it opened both maritime and
aviation exhibition halls in a newly built extension. The museum also contains a science center
called Spectrum.
2.1. History
The Museum of Traffic and Technology was founded in 1982 and assumed the tradition of the
Royal Museum of Traffic and Construction which was opened in the former Hamburger Bahnhof
station building in 1906. The present-day museum is located on the former freight yard
attached to the Anhalter Bahnhof in the Kreuzberg district of Berlin, including two historic
round houses and several office buildings.
Renamed Deutsches Technik museum in 1996, the exhibition area was gradually expanded. An
adjacent new building complex was inaugurated in 2003, topped by a prominent US Air Force
Douglas C- 47B "Raisin Bomber", which can be seen with ease from the top of the Fernsehturm
and formerly at Tempelhof Airport.
2.2. Collections
2.2.1. Locomotives
An extensive railway collection opened in 1987/88 in the rebuilt 19th century roundhouses of
the Anhalter Bahnhof locomotive depot (Bahnbetriebswerk) that had lain derelict for about 30
years. The 33 tracks illustrate the history of rail transport, including the deportations of Jews
and others by the Deutsche Reichsbahn in the Holocaust. The exhibition also features a H0 scale
model of the Anhalter Bahnhof track installations.
Locomotives on display include:
Steam
- 17 008, a Prussian S 10, which has been sectioned.
- 50 001 of DRB Class 50
Others
- E 19 01, one of four members ofDRG Class E 19(1938)
- 118 075 of DR Class V 180
- V 200 018, ofDB Class V 200(1957)
- 202 003-0, one of threeHenschel-BBC DE2500prototypes (1971 or 1974)
Fig 2.2 Henschel-BBC DE2500 202-003
2.2.2. Aircraft
A large aviation section beside the C-47 houses numerous aircraft from the single Jeannin
Stahltaubeto a Lufthansa Junkers Ju 52 and an Arado Ar 79. The museum addresses the flight
enthusiasm of the early 20th century and its abuse in the German re-armament building up the
Luftwaffe, documented by a Arado Ar 96, a wrecked Junkers Ju 87 Stuka dive bomber and the
current restoration of a Focke-Wulf Fw 200 Condor as well as by one of three preserved
Messerschmitt Bf 110, a Flak cannon, and a V-1 flying bombbuilt by Mittelbau-
oraconcentration camp inmates at the Mittelwerk site. Post-war aircraft including aVFW-Fokker
614 and the Cessna 172P that Mathias Rustflew to the MoscowRed Square during the Cold War
have also been added to the exhibition.
The remains ofLancaster B III JA914 are displayed. This aircraft served with 57 Squadron as DX-
O. It was shot down over Berlin in September 1943 and crashed into a lake
oppositeZahrensdorf.
2.2.3. Computers
On 15 May 2002, a special exhibition opened which featured the inventions of computer
pioneer Konrad Zuse, including a replica of the Z1 and several other Zuse computers.
Fig 2.3 Zuse Z1 replica (https://en.wikipedia.org/wiki/German_Museum_of_Technology#/media/
File:Zuse_Z1-2.jpg)
Fig 2.4 Punched cards in use in a Jacquard loom.
(https://en.wikipedia.org/wiki/German_Museum_of_Technology#/media/
File:Deutsches_Technikmuseum_Berlin_February_2008_0013.JPG )
2.3. Buildings
The museum has two windmills (one German, one Dutch), a brewery, and a forge powered by a
water wheel.
Chapter three Site selection and analysis
4. Design development
4.1. Program development
General key points
- satisfaction,
- commitment, and
- post-purchase intentions
Key points
- Flexibility
- Expansion of building on site
Major spaces
Educational Spaces
- Exhibit Areas
- Classrooms
- Breakout Areas
- Offices
Shared Spaces
Community Spaces
- Meeting Rooms
- Offices
- Classrooms
- Research Areas
Support Spaces
- Parking
- Loading dock
- Exhibit Storage
- Custodial / Cleaning Area
- Circulation Spaces
- Mechanical Spaces
- Utility Spaces
Reference
Metric Handbook Planning and Design Data, 1999
Architctects data Nufert, 2000
https://en.wikipedia.org/wiki/Museum#History
https://en.wikipedia.org/wiki/Z1_(computer)
https://en.wikipedia.org/wiki/Ennigaldi-Nanna%27s_museum
https://en.wikipedia.org/wiki/Museum
https://en.wikipedia.org/wiki/German_Museum_of_Technology
https://www.tripadvisor.com/Attraction_Review-g1392610-d7396560-Reviews-
Martyr_s_Memorial_Monument-Mek_ele_Tigray_Region.html