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La Mer Beyond The Sea

This musical composition is titled "La Mer (Beyond the Sea)" and contains musical notation for saxophone and piano. It consists of multiple verses with the saxophone and piano playing melodies together. The piece builds in volume and complexity over time through the use of crescendos.

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HALILUYA John
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0% found this document useful (0 votes)
192 views3 pages

La Mer Beyond The Sea

This musical composition is titled "La Mer (Beyond the Sea)" and contains musical notation for saxophone and piano. It consists of multiple verses with the saxophone and piano playing melodies together. The piece builds in volume and complexity over time through the use of crescendos.

Uploaded by

HALILUYA John
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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La Mer

(Beyond the sea)


        
 
 = 112  = 90  = 112
Saxophone Alto

     
      
   
 


  



        
  
Piano 

 


        




          

7

Sax. A.

                             


3 3 3

          
        
      
Pia.

             

     
14

Sax. A.

                             


3 3

           
3 


3

          
       
Pia. 

   
           
3

 
21

Sax. A.


                            
3 3

 
3

        
   
Pia.

3
    
          
 
26


Sax. A.

        
      
     
3

   
3

 
  
      
 
Pia.




            
 
30

Sax. A.

           


3

      
3

  

       
3


            
   
Pia. 

      


3

    
34

Sax. A.

 
              
3

   
cresc.

 
  
      
           
Pia. cresc. 3
3

    
   
  
cresc.


38


Sax. A.

        
  
3

 
     


     
  


          
Pia.




2
  

       
42

Sax. A.

  
          
      
3

   
3


   
       
  

3

   
Pia.

    
3

       
  
 
46

   
Sax. A.

            
    
3

    

 
   


    
       
Pia.

  

            

50

      
Sax. A.

          

3 3

 


          
  
   
3
Pia.

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